#now when something funny happens in the book

[homunculus-argument]

Oh hey random storytime:

My mother had a dog of a fairly unusual breed, the kind breed whose existence I hadn't even heard of before the breeder became a family friend. This specific dog was a zero brain cell masterpiece specimen, so while he was fucking stupid, he had an impressive enough pedigree that it would have been a waste to not take him into dog shows, maybe win a few prizes and have him sire pups.

Anyway, this one time we were at a smaller dog show, not really an amateur one but definitely not a huge international event. It was held outdoors on a football field(?), and not only was my mom's dog the only one of his breed in the show, they had somehow completely forgot to include him in the show's schedule. We had come all the way over here to show off a dog that didn't have a time, judges, or ring for him anywhere in the plans.

So while my mother isn't the type to Demand To Speak To The Manager when something doesn't go her way, everyone was in the agreement that the fuck-up was on the show runners' side, and they were very apologetic about such an unprofessional mistake. And they did manage to find a show ring with a slot to squeeze him in, just before the next breed was about to start.

So they made a quick announcement in the ring just before the scheduled breed was going to start, and into the ring went the breeder and mom's dog. And while they were doing their little lap, surrounded by a mostly quiet, uninterested audience, I heard some random kid's faint voice asking

What happened to that one?

And it suddenly hit me how funny this whole situation must look like with no context. Mom's dog or his whole breed were not on the printed out leaflet schedule of the show, in this specific ring or otherwise. If someone showed up now, or somehow otherwise missed the announcement (which wasn't even broadcasted in any way, just yelled out over the crowd by one guy), holy shit they would be confused.

The dog breed that was booked on that spot was samoyeds. My mother's dog was a peruvian inca orchid. Imagine being at a dog show in the right place at the right time, 100% expecting to see one of those fluffy clouds on the left, and out walks the motherfucker on the right.

[milfloveer]

Hello! Good morning, good afternoon, or good evening! I’d like to know if you accept fanfic suggestions. If so, I’d love to request a fanfic of Lilia Calderu x Female Reader, where the reader is drawing, and Lilia approaches to take a look and asks if she can see the drawing. However, while flipping through some pages, Lilia ends up finding several drawings of herself. It would be similar to that scene from Spider-Man: Across the Spider-Verse, when Gwen picks up Miles’ sketchbook and sees several drawings of her. (I imagine Lilia’s reaction would be the cutest ever (˶˃ ᵕ ˂˶)).

Drawings of you

Pairing: Lilia Calderu x fem!reader

Prompt: (request)

Warnings: scars and history about them (reader has whip scars)

A/n: Hiiii!!! Thank you so much for the request!! Hope this is what you've asked for, please tell me what y'all think cause I think I've wandered a little 👉🏻👈🏻 Also I added some more plot hope it didn't ruin it tho.

As we finished the second trial, Alice's trial, and made sure Teen was alright we settled down and made a fire so we could rest for the night.

We sat by the fire and were currently sharing our battle scars, Lilia pointed out to her neck pulling her shirt aside making me shift on my seat "Check this out." we all reached a little closer to see better, my cheeks painted with a soft pink and then Jen asked what we were all thinking "What is that?" and Lilia, still showing it says "Vampire bite. Right before I knock out his other tooth." she says making all of us laugh.

Alice then turns to me "What about you, y/n? Do you have any battle scars?" she asks innocently, I couldn't hide my sudden face drop as my body tenses, my eyes fall to Rio cause she knows what my scars are about, her expression unreadable and then my eyes fall to Lilia's, her eyes curious about what I have to show and so I sigh "I do have them, yes. But they're really ugly and how I got them... Well, let's say it's not as funny as Lilia's." I say softly, preparing them to see my scars. I turn around, my back now facing them, and I lift my shirt, they gasp and an 'Oh gods' left Lilia's mouth.

When I turn around they all have a shocking and scared face, I look down at my intertwined hands as I could not bear their gazes directed at me "It all happened when I was in Salem, I was held captive by a powerful man... Not by power tho, but by money and other things, he was well known and respected by the people. So one day he found out I was a witch and how powerful I was, all because of a stupid mistake I've made." I said sighing in frustration memories of that haunting me "All those years he held me captive he made me do things for him, like cure people, read their fortune and if needed I would do some potions and cast some spells.... Curses even. If not or if I did it wrong he would whipp me over and over again until I had no skin left. It was that or burning in a stake." I tell as they all share a look "Dead almost caught me that time." I scoff taking a glance at Rio. Lilia shifts in her seat, her mouth opens to say something, but Agatha arrives and sits down next to Rio, so Lilia stays silent, but her eyes remain in my figure like she's trying to read me just like a book.

To take the tension out and to divert the attention from me I turn to Agatha "Agatha, do you have any battle scars?" I ask and she smirks pulling her sleeve up, Rio makes a snort knowing full well what she was going to show. Her scar is in the elbow "Knitting needle to the elbow." she says while showing it around as we all made a disgusted face "Ever heard of the daughters of liberty?" she asked and we all answered with 'no' while shaking our heads "Exactly." she says making all of us laugh.

And then, out of the blue, Rio says "I've got a scar." as Agatha quickly replies "No you don't." that makes me raise an eyebrow "Yes, I do." Rio reinforces taking a look at Agatha as she keeps explaining "A long time ago I loved someone. And I had to do something I did not wanna do... Even though it was my job. And it hurt them... She is my scar." she finishes and looks directly at Agatha, not even trying to hide who it was. Agatha then gets up saying she needs to stretch her legs and Rio follows her, leaving us four at the fire.

We all look at each other and shrug, I mean we all knew they had an history, it was clear as water, so we didn't bother. It's not like they're gonna tell us anyway.

I take a glance at the three witches "Y'all get some rest, I'll take the first watch." I tell them and they all nod, Jen and Alice got comfortable against the rock they were, Lilia did the same.

To pass time I conjured my sketchbook and pencil so I could draw something and by something I mean the elder wise witch sleeping a couple of feet in front of me. I couldn't take her out of my mind since the first day I saw her at Agatha's house, her curly hair, her curved nose, her soft looking lips, oh how I would love to kiss them, those dark irises I could drown in a matter of seconds, her angelic voice, the whole of her, I could not stop thinking about her and only her. And I couldn't stop drawing her since, my sketchbook was full of her images, profile, full body, different expressions, her hands, her necklace, I couldn't stop, I won't stop.

I now started to draw her sleeping figure, how her body was curled in as she lays on her side facing me, her hands next to her chest in a protective way. She was in a deep sleep as her now relaxed body only moved with her soft breathing. I lost myself in the lines drawing efficiently every detail of her, capturing her essence as she sleeps... But the pencil started to weigh too much and so did my eyelids, I didn't even realise when I fell asleep, sliding into a deep slumber myself.

The shaking of my body and a soft voice is what makes me aware of my sleeping state and so I jump awake "Whoa, calm down, darling, it's just me." Lilia whispers as the rest of the coven is still sleeping, I frown "What's wrong?" I ask confused, she smiles softly "Nothing, dear, I only wanted to put you in a more comfortable position as you were not looking rather comfortable in that one." she says chuckling lightly, she then looks next to me where my sketchbook fell and she reaches for it "Oh, No-" I say trying to stop her but she's quicker than me "I always wondered what you spend so much time drawing about." she says teasingly and opens the book "Oh-" she says as she flips through the pages.

My face turns red, red as a tomato, as a strawberry, as her lipstick "Lilia-" I breathe out, but she looks at me tenderly "These are amazing, darling. But why me?" she asks innocently and I am left with no words, mouth agape as staring embarrassed at her "Have you seen yourself?" I ask, my voice lower than a whisper. She chuckles and shakes her head "No need to be shy now, dear." and my only reaction is to hide my face behind my hands with embarrassment.

Lilia's soft hands grab mine and put them down, her face really close to mine "I really appreciate it." she says and I almost choke with the air on my throat as she leans in and gives me a tender kiss on my cheek. Well if I wasn't red before, now certainly I was, my heart was ready to jump out of my chest as my head was ready to explode "Now, try to rest, dear, I'll take the next watch." she says laughing softly as she backs up to her previous spot.

How am I gonna sleep after this?!

[oh23]

Damian detests Tim’s coffee. The espressos and the black coffees with no sugar. But it wasn’t always like that; Damian hadn’t even really had coffee before coming to the manor. And he hadn’t particularly wanted to try it after.

What happened really went something like this:

One day, on the rare occasion on which Tim and Damian found themselves in each other’s company, in the same room for more than half and hour, Tim catches Damian eyeing his (5th) cup of black coffee.

Tim had been an only child, and so being an older/younger(middle?) brother was new to him. But the same went for the kid. Tim nodded at his mug. “Take a sip,” he said.

Damian glanced at him. “No.”

“Come on,” Tim prodded. “It’s cool.”

“No, thank you Drake.” Damian’s eyes stayed glued to his book. Tim picked up the mug and waved it in front of Damian. “I know you always wonder why I have this so much. Why don’t you try it? Just a sip. Its tasty. Real tasty.” Tim lied with a slow spreading grin.

When he found Damian consider it, he added, “It’s sweet.” And Damian — bless his twelve year old heart — took the mug.

Tim watched with sick glee as the kid tentatively brought the mug up to lips and took a slow sip, and then screeched in delight when he spat it out all on himself. “Oh my god,” Tim laughed, “Oh my god!”

“What the HELL, DRAKE???” Damian shouted, with his face seizing between variations of disgust. “YOU TOLD ME IT WAS SWEET!”

“I didn’t—“ Tim was holding his stomach now. “I didn’t think you’d, you’d have such a—“ He breaks off laughing, and only speaks again when Damian kicks him hard in his shins. “Such a dramatic reaction-!”

“Dramatic??” Damian hissed, now standing and still gagging. “This is the normal response to that vile— mud— water—!”

Tim slides down the couch in another fit of giggles. “You disgrace— I can’t believe— out of all things that Alfred makes, this? Is what you choose to drown in??” Damian was still hissing angrily.

“Please-“ Tim warbles between tears. “I’m so sorry Dami—“

Damian kicks him again, and Tim barely moves to dodge it. “Kon said he made Jon take a sip, and it sounded so funny—“

“Imbecile. Idiot. Freak.” Damian hissed furiously, looking around for water.

Tim tried to take large gulps of air. “Dude, please. It’s not even that bad—“

“Not that BAD??!” Damian almost bursts another nerve yelling, when Alfred comes in. And that’s the end of that.

That day onwards, Damian makes sure to retch and gag whenever he sees Tim with a cup of coffee, or call it ‘Dirt water’ to anyone who listens.

[archangeldyke-all]

sev def lays on top of u whenever she makes u mad until you stop being mad

ASDJFPWEWFPJD:LDF this is so fucking funny and cute

men and minors dni

the first time it happens, you and sevika are in your first real fight of your relationship.

sevika had stood you up on a date, only to show up on your doorstep five hours later bloodied and beaten.

the simultaneous sting of rejection mixed with the heartbreak of seeing your love in such rough shape resulted in you angrily patching sevika up in the bathroom, ranting at her as you tended to her wounds.

"b-baby, you know i've got a crazy job. sometimes i come home bloody. some nights i won't be able to come home at all. and you should know by now that i wouldn't fuckin' stand you up without a good reason."

"i know that sevika, which is why i'd fucking appreciate it if you could send a fucking messenger to me next time you gotta bail on our plans! i thought you were dead in a fucking ditch somewhere!" you cry.

sevika blinks, seemingly not having considered this point yet. "oh." she says, her heart breaking a bit as she realizes how worried you must've been. you're always worried about her; pouting when you find new bruises on her body and giving silco dirty looks when he's been treating her poorly, and sevika knows how hard you work to accept her lifestyle and job-- but she can only fucking imagine how scared you must've been for the few hours where she was missing. she'd die if she thought something happened to you.

"did you hit your head at all?" you ask, glaring down at your girlfriend while your hands gently move her head back and forth, studying her pupils.

"no."

"good." you grunt, dropping your hands quickly and angrily packing up the first aid kit. "i'm going to bed. you need to take a bath-- you stink." you spit, storming out of the bathroom.

sevika blinks, the full gravity of her fuck up hitting her-- and then she rushes after you.

you're cursing her out under your breath and slamming drawers as you change into your pajamas.

sevika cringes, desperately trying to think of a way to get herself out of the doghouse. "baby--"

"i don't wanna hear it, sevika. not tonight."

she gulps, and then does the only thing she can think to do.

in three big strides, sevika's pushing you onto the bed and collapsing on top of you. you squeak, then start to squirm underneath her.

"what the fuck are you doing!?" you ask.

sevika shrugs on top of you. "you're angry at me."

"...so!?" you squeal.

"so i'm squishing you until you love me again." sevika says.

you can't help but giggle, smacking her shoulder. "i still love you, jackass, i'm just mad at you."

"so i'm squishing the mad out of you." she says simply. you laugh, your anger slowly melting away at sevika's sweetness. "i'm sorry. really. i didn't-- i didn't even think of how scary that could be for you. i-i'll send someone next time i gotta stay late. i promise."

with the easy way you melt underneath her after that, sevika starts laying on top of you anytime you argue after that, too.

you bitch at her about how she's always letting food crust on her plates in the sink-- she lays on you.

she skips her dentist appointment and gets a cavity and you're pissed when you find out-- she lays on you.

she spoils the end of the book you're reading on accident, and, you guessed it-- she's laying on you until you finally sigh and forgive her.

it's nice. sevika always uses the time on top of you to figure out her words-- figure out a proper apology and something to make it up to you. you like the pressure of her body on top of you-- it helps the firey anger inside you disperse and it's reassuring to know that even when you're pissed at her, sevika's gonna stay with you.

plus, most of the time your arguments end when you start running away from sevika, insisting she don't lay on you this time, and she chases after you, both of you forgetting your grievances to giggle and chase each other around the house.

taglist!

@fyeahnix @lavendersgirl @half-of-a-gay @thesevi0lentdelights @sexysapphicshopowner

@shimtarofstupidity @chuucanchuucan @badbye666 @femme-historian @lia-winther

@sevikaspillowprincess @emiliabby @sevikasbeloved @hellorai

@glass-apothecary @macaroni676 @artinvain @k3n-dyll @sevsdollette

@ellieslob @xayn-xd @keikuahh @maneskinwh0re @raphaellearp

@iamastar @sevikitty @mascdom @nhaaauyen

@mirconreadzztuff22 @veoomvroom @lushh-s3vik4s @katyawooga @lesbodietcoke

[charbies]

linktober 31 - HAPPY HALLOWEEN!!!

I thought for the last day I'd write a little retrospective on what this whole thing was like and what I learned. I'm too tired to draw literally anything else I'm due for a break lol

So this was my second time ever attempting a linktober/october drawing challenge, but my first time managing to complete all the days and prompts. I feel super proud of myself and accomplished for pulling it off.

There were a number of things that were surprising and that were challenging for me that I wasn't expecting this month. If anything, I think this challenge really highlighted my flaws and mental blindspots with how I approach making art.

For one thing, I came away from this not liking everything I made. I think I only like about 9 or 10 of the 30 pieces I put out there. When I don't like my art, I tend to get stuck in this mental stalemate of refusing to finish a piece until I like it, but also refusing to retrace my steps and erase/rework what I have so far for fear of losing progress or not being able to replicate the line/angle/color/etc that I liked.

It was surprisingly hard to accept when I didn't like a piece but had to move on for the sake of time and post it anyway. But once I did it a few times, it got easier. I realized prioritizing my standards over my available energy is not gonna promote progress. If I kept sinking myself into one piece and not moving on until it was optimal, I never would have finished anything-- that was the pitfall that ultimately made me bail out 10 days in last year.

I also realized my sunk cost fallacy/"what if I erase this and can never redraw it good again" stems from some real lack of confidence in my knowledge and techniques with art. I'm self-taught, and I think I tend to believe that everything I make is a dumb happy accident, even though I have mental rules when I draw, use tons of references, and have a process lol. There are a few pieces I started over 2-3 times before I got them right, and that's starting to feel liberating instead of like failing to me now, which I never expected to come out of this experience so that's cool.

Another place I had to learn to let go of control in this was with allowing for style variation. I really wanted each and every piece to be coherent and painterly, like they all came from the same book or something. But then I couldn't decide whether I wanted to do all/no lineart, all/no detailed background, all/no heavy rendering, etc. At the end I settled on just keeping the same canvas dimensions and just prioritizing filling up the space. Glad I ended up doing this, because I really would benefit from continuing to chill out and scale back how much I default to making dramatic, high-render pieces. I gotta break out of my comfort zone and make more sketchy little guys!

Sometimes my attachment to the prompts fluctuated; some prompts I thought I would love and then just wanted to get them over with. Some prompts I thought I would hate and subsequently half-ass, then I ended up redoing them and putting more effort & time into and loved the end result!

It was funny to also see how some pieces that I loved straight up did not get a whole lot of notes or attention. Some pieces I was "meh" about did crazy numbers lol. I'm used to posting maybe 5-6 times a year on here, so I'm usually indifferent to getting notes (by which I mean, I'm super grateful for likes & reblogs and the super sweet & funny messages in y'alls tags, but I'm not butthurt when I don't get notes because whatever happens, happens). Churning out 30 pieces in 30 days made me sometimes get bewildered by what did and didn't get notes, but frankly in the end I think it helps reaffirm that I should continue putting whatever I want out there because it! is! not! graded!!!

So would I do Linktober again? Probably not, sorry! it was a lot of time & effort and took me away from fall festivities more than I would have liked. I kinda only managed to pull this off because I was transitioning between jobs this month and had a week off to just draw. But I also completely see the value in taking on a challenge like this and finishing what I started, I'm super glad I did this, I think my art improved from it. I would definitely do future drawing challenges/prompt things that are quicker or have less prompts!

My advice to prospective future linktoberers: pace yourself and be gentle; this is a great chance to do something exciting and new with your art, but above all it's about you having fun. There are no prizes at the end except for what you've learned and how you feel about it, and that's for the best!!

One thing's for sure, I am zelda'd out lmao so I'll be branching out towards some little projects I have lined up for personal art and other fandoms I'm into right now

So anyway thanks to all of you who read this or who gassed me up this whole month, I appreciate you!!!!!!!! ヾ(＾∇＾)

[uwudonoodle]

Me and my partner figured out how to sync both of our headphones to my phone. Now we can listen to audiobooks together when we go to the gym. Currently reading The Starless Sea by Erin Morgenstern.

[ganondoodle]

kind of expected that the ability breakdown wouldnt get that much traction (especially on twitter bc if it doesnt do well in the first few hours it might as well be dead) but what i didnt need to wake up to was looking at my twitter notifications and thinking there was a long comment on it at first but then i read it and it turned out to be some guy having dug up one of my old totk tweets where i talked about how zelda was treated-

and if a quote retweet with a thread attached already starts with "this entitled brat didnt understand that zelda was being a history nerd by being in the past and getting to experience it herself" with two screenshots attached of the end of totk with zelda staring at the cam all uwu (which has ??? to do with their point??) i dont even want to know what else was in that thread

if thats how the majority of the fandom is then im even less surprised that nintendy doesnt even have to try to write anything good :I

ah yes, i am a game nerd, and by putting me in a game where i stand around doing puppy dog eyes while being shoved around by NPCs is me being a game nerd OBVIOSULY

[raycatz]

I'm not including a situation where someone might be injured because in that case I'm thinking the bed goes to them by default or they are nominated for it. anyone who wants to be chatty goes to join the living room floor gang.

What are your thoughts and headcanons? Do you have thoughts on how the boys tend to approach assigning beds in inns? Who do the chain choose to sleep near when camping and why? What are their dynamics like when settling down for the night and getting ready for the day?

In "Mirror Vs Open Closet Door: Fight!" by Gintrinsic (here) Four refers to the chain's decision on how to split up between inn rooms as the "Link-per-room ratio" which I find very funny. He, Sky, and Time also talk about their thought process behind why they do or don't want to sleep in a room with some of the others which I find fun and interesting.

So! If you have thoughts and want to share them! *gestures to the post!*

[lilydvoratrelundar]

dc is doing a little mini relaunch after the current crossover finishes and honestly thank god because literally only two of their current ongoings interest me but there's a bunch of fun looking stuff happening in november that i might actually look at. and also it's starting series for several guys who should have had ongoings this whole time like the fucking JUSTICE LEAGUE

[handfulofmuses]

Vibes peacefully in 'a wolf ate my aunts and they cannot hurt me anymore and that wolf is one of the coolest persons ever'

[kikuism]

i finished five broken blades

[johnbly]

WIP game!

i was tagged by @tortoisesshells ✨

so i have two fics going one rn: 1) in the boat purgatory in at world's end, james comes across gov swann and the two have a final conversation together (not using that for this since i haven't done too much but something to look forward to i guess) and 2) bolt's "what if james had a dragon" fic and subsequent discussions and questions has me now doing a "what if hornblower had a dragon" fic so here is an excerpt from that:

“Who are you?”  The dragonet is speaking French, and internally Hornblower swears. Is French the only language the creature knows? It’s no issue for him, of course, but how can it be expected to be a British dragon if it only knows French? “Captain Horatio Hornblower, most recently of the HMS Sutherland,” he replies, also in French – awkwardly so, because it’s a ridiculously formal introduction to make to a dragon, but in light of never having conversed with one before he’s fallen back on the old habit of saying more than is necessary. “That is not a French name,” the dragon says. In English. “Non – no, it is not. You speak English, then?” “I do.” Pause. “That was a long introduction. I hope you don’t want me to use it whenever I want to call on you?” The idea of a dragon wanting to call on him at all is no less ridiculous than having a conversation with one, but it – he? The voice is deep – has a point. “You can call me 'Hornblower',” he says.

i don't remember who all is writing things that hasn't already been tagged, so if you see this and are a writer, feel free to share!

[aeide-thea]

wot show is so obsessed with architecture and tbh i'm not mad about it???

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[tossawary]

Rewatched the Howl's Moving Castle movie (fantastic animated movie, definitely inspired by more than an adaptation of the book) while doing something else and I was struck this time by the fact that the Prince (Turniphead the Scarecrow) says that he intends to go tell his king to call off the war, but THEN he intends on COMING BACK to Ingary to shoot his shot with Sophie again because (as he says to the flirtatious Witch of the Wastes) "hearts change".

And maybe he will come back to make Sophie an offer of marriage and then leave again when he's turned down, but I imagined for a moment that the Prince (who is possibly the movie's version of Prince Justin, so let's call him Justin) might just... move back into Howl's house without asking and stay there. There are several cases of precedent for this. Also, as Turniphead, he's shown several times helping Sophie with laundry, or playing with Markl, or helping the Witch of the Wastes move around, and Sophie deserves that kind of help around the house! Howl isn't going to reliably do chores.

And you know what? I think Howl would be into that shit. There's something very Wynne-Jonesian about it all still. It's tempting to write a post-canon fic about this situation from the movie with an extra dash of flavoring from the books. Like:

This is the infamous wizard Howl Pendragon/Jenkins, a vain draft-dodging flirt who likes to build moving castles to evade taxes too. The beautifully angry young woman with the silver hair over there is his wife, Sophie Hatter, who may or may not be an extremely powerful witch, but right now she's dusting and do not get in her way. This is Calcifer, the fire demon who used to have Howl's heart and is arguably his other life partner and also might be in love with Sophie, and this is arguably kind of actually his house. The old lady smoking a cigar over there is Howl's ex-girlfriend and former nemesis, the Witch of the Wastes, who now lives in their house. This is Markl, Howl's apprentice, kind of his kid, and there is no explanation of where he comes from or what happened to his parents. The dog used to be(?) the Royal Wizard's spy (Howl used to be her apprentice and potential successor) but now he also just lives here. And that's Prince Justin of Strangia, Sophie's house-boyfriend. Don't listen to the propaganda, he wasn't kidnapped by a heart-eating wizard; he used to be a cursed scarecrow and now he wants to be here to help Sophie do laundry. He's trying to homewreck and Howl thinks it's both funny and hot.

[ghostedeabha]

imagine like simon goes into some sort of surgery and has to be put under anesthesia, and when he gets out hes like still high asf on it 💀 and hes being a lil silly goose

okay this is such a cute idea omg, this is 100% based off that tiktok audio where it's like "my wife wouldn't like you touching me like that" "i AM your wife."

thank you so much for the request nonnie, a forehead kiss for you MWAH MWAH

simon 'ghost' riley x reader

wc: 563

warnings: none really, lots and lots of that good ol fluff, mentions of surgery, goofy simon, maybe a little ooc simon (he's high so it's fine)

a/n: i hope this is okay, i'm feeling a bit rusty with my writing but i've finally got back some motivation and energy to do so after the past two months of low energy and bad mental health. if you guys want to know a bit more about it and my mental health (i don't see why anyone would but lmao) let me know, i don't mind making a post about it if you guys want an explanation of some sort or whatever. anywho, sorry this is so short but i hope you still like it!! <3

a/n 2.0: i recently applied for a part time job at a bookstore so y'all pray for me that i get this job because i want it so bad. i am just gonna decide that i WILL get this job, because why wouldn't i?

simon had been out of surgery for just over an hour now, being a soldier you 'd think perhaps he was going under surgery for some kind of wound he had inflicted upon him on the battlefield but no, he was just getting his tonsils removed after a bad bout of tonsillitis ended up with him developing really bad tonsil stones.

so here you were, waiting by his bedside for him to wake up. the doctor and nurses reminded you just as he had gotten out that he may still be a little, well loopy, off of the meds depending on how quickly he woke up. you waited in a chair at his bedside, reading a book when you heard the blankets of the bed rustling just a little.

looking up from your book you see simon starting to wake up and you reach out to grasp his hand, only for him to rip it away from you when his eyes were fully opened.

"uh, si? you okay, hon?" you ask gently, maybe he just wasn't feeling too well after waking up, or perhaps he wasn't wanting physical touch, that happened quite often and you always respected that space he may want when he wanted it.

"don't call me that." simon said, voice hoarse and scratchy from the surgery, he sounded a little angry.

"what?" you questioned, this wasn't like simon, you couldn't understand why he wouldn't want you speaking like this to him.

"i'm taken."

"i know." you replied with a short laugh.

"you should be touching me like that then."

it hit you then, he was woozy from the meds and didn't recognize you. the realization made you laugh a little more. you decided to have a bit of fun with this high version of your boyfriend.

"sorry about that simon. wanna tell me about your partner?"

"oh, (name)? they're amazing, you know they're so pretty. and they're funny too. they always know how to make me feel better, i miss them." simon replies, ranting and raving on and on to you about his partner, about you.

"you love them a lot, don't you?" you ask him with a smile, it felt so nice to hear all these lovely things about yourself, your boyfriend clearly unfiltered by the effects of the anesthesia he was under.

sure he definitely said sweet things to your face, but something about hearing it when he was basically high as shit made your heart pound a little more.

"i love them with my whole heart." simon replies, a goofy little smile on his face.

you can't help but reach out to gently caress his face at those words, body filling up with some much adoration for the soldier in front of you.

"hey! what did i say about touching me. i have a partner!" simon scolds, trying to dodge your touch.

"simon, love... i am your partner. it's me, (name)." you reply with a laugh.

simon takes a good long look at you when you tell him this, he stares at you, looks you up and down before letting out a soft and quiet "oh."

you begin to hear the beeping of his heart rate monitor speed up, his cheeks turning slightly pink as he stares up at you.

you couldn't help but laugh a little more at this. what a sweet idiot. your sweet idiot.