#the number of like. elaborate little symmetrical rooms they have for things to happen in…
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aeide-thea · 1 year ago
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wot show is so obsessed with architecture and tbh i'm not mad about it???
#the number of like. elaborate little symmetrical rooms they have for things to happen in…#part of me is loling but part of me is like. you know what? they've got a theme. respect.#tvblogging#(also i'm just getting to 2x08 now and like. it IS funny being a show-only*)#[*ok technically i read like. two? three? of the books back in like 2020 or something but. they weren't Formative Texts of my Adolescence]#(bc i remember everybody on here was *freaking out* abt‚ i think‚ 2x07)#(and like. in retrospect i guess i understand what that was about! but i gotta admit it didn't quite have the same emotional weight for me)#(even though intellectually i understand it was supposed to)#(i mean i also think i like. often don't get that emotionally invested in romances i see onscreen?)#(not sure if that's fundamental to the medium for me or if it's because everything is so compressed)#(however i AM kinda thrilled abt this season's regendering of Uncommunicatively Angsting Blorbo vs Their Long-Suffering Support Person)#(also honestly i always really love when we don't have to do a whole performative abasing reconciliation situation)#(and someone's just like. look. our relationship is so much more deeply rooted than this one wobble. obviously i'll take you back.)#(i think honestly bc it's like. a confidence fantasy.)#(like you got SO much witcher fanfic where geralt had to‚ like‚ prostrate himself at jaskier's feet)#(to acknowledge the harm geralt had done him and how jaskier deserved so much better etc etc etc)#(and it just felt to me like the writers were really speaking to their own insecurities and what *they'd* personally need)#(bc that interaction would've thrown *them* into a tailspin so obviously it must've thrown jaskier into one)#(and like. that's valid or whatever‚ obviously! but like. sometimes don't you want to imagine what it's like to feel secure instead???)#(like 'actually i know i'm good‚ you know where to find me when you get over yourself and remember you know it too'?)
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kylasdreamcybercafe · 6 years ago
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dream number one, December 24th 2018
wow. first dream! welcome, welcome :) please make yourself comfortable. Now to all you readers out there: young, old, seasoned, virgin, i must confess i have terrible dream retention, but hopefully this webpage will strengthen such skills. for now though I shall do my best, henceforth!
picture if you will, your childhood self at your local Museum of Science and Industry. it’s 2005, raining outside, you’ve just eaten a corn dog at the $$ concession kiosk, and now you’re breathing down the face of an animatronic dinosaur a the Dinosaurs Alive! exhibition.
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(thanks getty images) their skin taught and airbrushed. they move with a sharp exactness that inadvertently shakes them every time they open their mouth to  “bark.” Elaborate studio lighting and replica flora and fauna surrounding the dinosaurs punctuate (haha) (dumb adjective in this context but sue me (please)) the otherwise night-black room (save of course the bourgeois studio lighting)    this isn’t the dream, this is just some context :) :’)  ;)
so you have the image in your head of the madness of Dinosaurs Alive! now put that exhibition into a once high-end, but now almost defunct American shopping mall. now slap an Audi dealership on top of it. my dream begins with an experimental ad campaign for Audi by the fellows who did Dinosaurs Alive! The mall has closed, but for reasons unknown i am sitting on the black carpet of the dealership looking onward at the show; a slick, hot silver car sits proudly on a rotating stage in the center of the room, bracing me with the energy of a bulldog. fake palm trees, birds of paradise, and other tropical plants bow inward toward the car, symmetrically placed on each side of the room. a large television screen dances with a futuristic watery animation of the Audi Logo on the back wall of the dealership. i am very excited to be there (again for reasons unknown, but there is a tepid sexual atmosphere that i’m sure has something to do with it). the room is quite dark. a female voice says something like “THE HORSE, MANS FIRST CAR, ORIGINATED FROM A SPECIES OF REPTILE 3 MILLION YEARS AGO.” A fake lizard, rigged with robotic movements (sort of a la West World) is spot-lighted, suspended from the ceiling as the car on the rotating stage below is dimmed. the voice continues:  “IT’S BIOLOGY TODAY IS INVALUABLE.” next to the car, a 3D printed skeleton of something i can only describe as half sea-shell, half horse skeleton, half lizard skeleton is lit up beautifully as the voice talks about the math behind this structure, and how it is the very skeleton of this new Audi car prototype! The television displays a rapid fire slideshow of the evolution of horse, and then horse into car. The fake plants in the room shake with the voice as if they are cheering at such wondrous innovations. all of it reeks of that “the future is NOW” intelligent robot singularity shtick. Once it’s over, a gorgeous man in a tight fitting suit walks out from behind the television screen and applauds the advertisement so far. he is the man i can get something from, apparently. but what is it?
I quickly find out he lives in the back of the dealership, in a cocaine-money tapestry bed with a security television installed into the wall behind it, and surround sound speakers, which, i swear to god, are playing an ORIGINAL Owl City song that my raw brain composed on its own. I am telling you guys, the exact musical stylings of Owl City. of course i can’t remember it in my waking life :( anyway, the man boasts this is the rare unreleased track. we are laying in bed together, his room illuminated with the same studio lights as the dealership. his body is huge and his abdominal muscles descend peacefully like a rice terrace:
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he wears nothing but a gold chain necklace, as do i except i am wearing a dog collar (nice). i curl into him, he scratches my head, i think backwards into our night of wild sex we just did. i remember it was that 100% kind of sex that dissolves all yearning for sedation because look its actually happening, and you can just sit back and be beautiful and get fucked while being beautiful (rare, i’m so sure). he has to leave and go to car work though, but don’t worry because i can live here with him for a few days in the Audi dealership because we really need to fuck out whatever issue we’re trying to understand within eachother-- let me be clear, it totally wasn’t love, but more like an urgent need between two bodies that we had no other choice than to comply with.
later in the dream we are studying (oh brother) for finals (fuck) and he sits with me in a group of my stock-photo student friends, on the floor of the audi store that has a built in cafe! dream architecture can be so ambitious!  he is wearing a polo shirt and i am wearing something farm-esque if i do recall, as per his request and because i didn’t have many clothes options at the car store. so i remember being in some sort of “farm girl” get up, doing, and here’s the kicker, computer science homework. He runs in all “sorry i’m late” and me and my computer science friends goad him on his tardiness. another interesting detail of this scene is that we all have incredibly internet-heavy senses of humor-- a lot of Rick & Morty quotes, a lot of phrases from the reddit/4chan lexicon, a lot of old memes. but even in this parallel world, our sexual tension overrides everything else, and I flash back to him holding my face into the pillows, just trying to suffocate me a little bit, and i see through the bed into a glowing pond at the bottom of a cave. It’s just so beautiful. He pulls me back into the present moment and i go into fetal position and put his fingers in my mouth and then he gets all calm and soothing and i am like “yes yes yes” except i am shaking, can’t/don’t want to talk because he’s done all these elaborate things with my body at that point. Lying all the way naked, oh look at that word, wouldn’t that be a funny word to use right now... hmm no not that one, ha ha ha, you know that post-sex dissociation/bliss. Then BAM in the blink of an eye I am back with the friends at the study circle, and low and behold, as if a direct gift from my brain to me, kyla, the original Owl City song plays again! it’s so real! It’s so complete! “I have to record this!” i say, but alas i am sans recording device (as is always the case in dreams), and the song slips into the ether of my subconscious once more.
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queenmabscherzo · 7 years ago
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DVD commentary - Targeting, Ch. 26
this is the second part of the chapter. i didn’t want to do all the post-game interviews and stuff, i mean, that is what it is. but i really like talking about the boys :’) so for the anon who requested chapter 26, here’s most of it:
Winning is a hell of a drug. And the crash? That's apocalyptic.
It starts during the trip to the hotel, the mundane reality of a bus ride that reminds Steve—it's not Hollywood, here. (obv this is a reference to big sports movies, which would end with the championship or whatever, but also any time i can make an MCU reference and like tap on the 4th wall, that’s fun.)
It all feels so big when you're standing in the middle of the stadium, in the middle of 70,000 fans and 4000-watt LEDs (i looked up “stadium lights” btw, which is one of those dumbass things that you feel like you have to research and then reread it a year later and ur like “oh ok lmao”), but when you drive away, when you watch the horizon and the dark night sky swallow that stadium right up, it doesn't feel as big anymore. It already feels like two lines of text on the NCAA Wikipedia page. (the best moments always go by too fast, don’t they, Steve) (luckily he’s got more best moments yet to come)
And now that his mind is reeling back to the dirt and the desert, all Steve can think about is Bucky's glassy eyes. He wracks his brain, running through their conversation over and over so he won't forget: something about hurting Steve, something about forgetting phone numbers, checking on Sam Wilson, (bucky rly cared a lot about sam, ngl. Protective Bucky Barnes made it a personal goal not to let freshman phenom Sam Wilson get hurt IN ANY WAY WHATSOEVER)
I love you.
Steve taps his foot incessantly through the drive to the hotel. (in retrospect i should have made a parallel between this bus and the high school bus hnng) The rest of the bus rocks with three different group chants and a tuneless rendition of "We Will Rock You" that the white boys must have started. (mannnnn i remember sports buses ……. I remember in middle school one of our fav bus songs was “stacy’s mom” …)
Steve texts Bucky a simple You okay?, but doesn't expect a response and doesn't get one.
When they finally reach the hotel, Steve's internal systems are going haywire. The euphoria of victory has nosedived, but he started so high in the atmosphere it's becoming hard to breath—the imbalance of oxygen—all the meters in the cockpit spin out of control—(speaking of mcu references) he just wants to know if Bucky is okay. He just wants Bucky to be okay.
So Steve's pretty much delirious when they enter the hotel, split into groups, and go their separate ways. He drifts onto an elevator with Sam and the Bradleys. When they reach their floor, Steve turns down the hall for his room on autopilot—then stops in his tracks.
There is a man in black leaning against his doorframe. The corridor is empty except for this dark motionless figure with a duffel bag strapped to his back. Steve is suddenly very conscious of his breathing.
(in early drafts of targeting, i sent bucky to the hospital at the end of the game. Not like in a Serious way, just in a precautionary way. he just hurt his head so they might as well get it checked out, right. in the early drafts, i had steve and his teammates visit bucky IN the hospital. i considered Rumlow being there, or pierce being there. I also considered Steve punching Rumlow for being gross. But yeah. Hospital. That lasted in the drafts for a long time, actually. It’s not a bad idea, but it’s logistically hard wrt getting him out of the hospital, and like, has more serious implications than necessary. I’m all about hurt/comfort but i didnt wanna beat bucky up too bad.)(and obviously the hotel room is ……. GREAT)
A voice sounds from behind Steve: "Did Eli lock himself out again?" (AGAIN!!!) (I wanna know that story lmfao)
Steve's friends all laugh. (steve does not laugh. He knows who it is already. nerd.)
"I'm right here!" Eli protests from the back of the group.
"That's not Eli," Steve whispers, pace accelerating—heart accelerating. He breaks away from his teammates and strides down the hall, like tripping, like falling, like pointing the nose of the plane straight toward the earth. Like plummeting forward and just barely catching himself with every step. (one time i had a coach describe “running” as “falling forward and catching yourself” and idk how i feel about that metaphor in practicality but it sure works right here lmao)
The dark figure looks up as Steve approaches, but doesn't move.
Steve wraps his arms around Bucky's waist and kisses him on the lips. (we all KNEW who it was right? It’s one of those surprises u know is gonna happen but you still can’t wait to see it)
Numbness starts to creep up his limbs—probably from the buckets of adrenaline careening through his bloodstream, a fire and flood (thank u @ vance joy) every fifteen minutes since the game started. But God, his heart is so big, right now, so loud and so real. If any heart could take it, it's Steve's.
What kind of kiss.
Steve has never kissed anyone like this. A direct line to all the empty spaces in his chest.
(this is the third time they’ve kissed, now. The first time being when bucky was freaking out in his hotel room a couple weeks ago, and pretended it didnt happen. The second time was in millenium park, aka steve’s christmas present to bucky lol. And of course, a lot happened between that kiss and this one. I’d like to think they both changed, as people, even.)
(have you ever been caught off guard by an incredible kiss when you were the one giving it???? Maybe that’s just me, because i’m so casual and careless at all times. But have you ever gone in for a kiss and Meant it, but still the other person doubles down and gangs up on you somehow? That’s this kiss. That’s this kiss for steve. Steve is like, “there’s nothing left to say, i just have to show him”; and bucky is like … still kind of thinking every kiss with steve could be his last. So he gives it all he’s got. I guess. Idk if i’m describing it v well but. What kind of kiss.)
All of Bucky is so strong: (OH YEAH that’s also rly important, i cannot stress how fucking Strong bucky is and how much i love him for it) (besides the fact that he’s been through so much and survived it all …. He’s still GOOD.) (STOP im gonna cry about bucky barnes for a bit) Steve can feel it under his lips and under his fingertips, the molten resilience warm and dormant under Bucky's skin. Steve presses harder and leans closer. He can't get close enough. His hands press into Bucky's spine, and he still can't get close enough. He opens his mouth and Bucky sighs and draws him in and he still can't get close enough.
One of his teammates whistles. Steve and Bucky don't let it stop them, this time. (oh don’t worry, i did not forget about the other boys, those poor poor babies. Isaiah is probably like :o and Eli is probably grinning and like smacking his brother on the arm until it bruises. Sam is prob the one who whistled.)
Steve's body systems are all rebooting. He can't feel anything that isn't in contact with Bucky—which is fine—that's perfect, he doesn't need anything else—
Then Bucky touches him, and Steve sucks in a sharp breath through his nose. (have you ever kissed someone and just forgot they had hands until they USE THEM??) (anyway) Bucky's hands come to rest on his face, leaving fingerprints on Steve's jaw, like lavender and cirrus clouds. His hands slide behind Steve's neck, and his fingers thread through his hair. He finds the dimple at the base of Steve's skull and whimpers.
Steve has no idea what his own hands are doing. (LOL!!!!!!!!!!!!) (they on bucky’s butt!!!!!!! I’m joking, they’re WHEREVER YOU WANT THEM TO BE.) He can't focus on more than one thing, and right now, that one thing is the feel of Bucky's bottom lip under his own.
He can't get close enough. He presses in for more contact, from knees to navel to sternum. He backs Bucky into the wall, and he can feel the jolt when his fingers are trapped between Bucky's jacket and the wallpaper. (a jolt!!! He prob was a little forceful …………… *eyes emoji*)
Bucky breaks the kiss and hisses and presses both hands to Steve's chest.
Horror washes over Steve. "What's wrong?!"
Bucky grimaces. "Sorry," he pants, eyes fixed on Steve's mouth.
"What—no, don't be—what's wrong?" He steps back, but keeps his hands on Bucky's waist in case he needs—anything. Support? What's wrong?
"Sorry. It's…" Bucky swallows. His eyes flicker. Steve can see the faint green of a lingering bruise near the bridge of his nose. "Dislocated shoulder." (in early drafts, this was a collapsed lung. In retrospect, that’s prob because it might have required the hospitalization. I think the shoulder injury is more … symmetrical, tho.)
Beat.
"You—you have a dislocated shoulder?"
"Wait, you what?" That would be Eli, stepping closer, eyes wide. (athletic trainer eli!)
"Well." Bucky looks down again. "It's relocated now." (thanks buck. Thank you for that elaboration.)
"When did it happen?" Steve asks.
"That—when me and Wilson went up for that deep pass. And landed on top of each other."
(“Bucky and Sam both go up for the ball; it twirls off their fingertips; they tangle in mid-air, and they both go down hard. Steve jogs toward them, heartstrings strumming dominant chords in his bloodstream.
Sam Wilson gets up first, moving stiffly, both hands on his lower back. When Steve offers him a hand, he waves it off even while he winces. Steve glances downfield. Bucky's teammates are helping him to his feet and stuffing his shoulder pad back into his uniform.”)
Steve wracks his brain. "On the last play?"
"No," Bucky says. His eyes dart between Steve and each of his teammates. "Before. We were winning. It was a go route."
It's all kind of a blur in Steve's memory: images of Sam Wilson in deep coverage, Bucky lining up as a safety, zone reads, go routes, post routes, slant routes. He can remember Sam tumbling down on the sidelines, and something occurs to him: "Was it the fight?"
"No," Bucky answers, and Sam speaks at the same time: (<3)
"No," Sam says, staring at Bucky, a nauseated expression curling his lip. (because that play was … A LONG time ago) "No, it was in the third quarter. Right after halftime," he clarifies, and everyone knows he is right.
Steve begins to feel a strange, localized ache in the hinge of his jaw. "You played the whole second half with a dislocated shoulder?"
Bucky shrugs. And then winces. (he’s sO CUTE. and dumb. BUT CUTE.)
"Holy shit," Isaiah breathes.
"I mean, we popped it back in, first," Bucky backtracks.
"Still," Eli hisses, then leaps into action. "No wonder it hurts—Steve Rogers and the kiss of death, over here." (tbh i thought of this joke before i even decided on an injury lmfao.)(i am not funny.)
Steve opens his mouth to protest, but Eli talks over him. "Come on, come inside, I have a couple ice packs in the freezer." (ELI IS SUCH A DAD™!!!!!) Eli fumbles with the key-card and shepherds Bucky into their room. Once they're inside, he relieves him of his duffel bag—working carefully around his left shoulder—and shoves it at Sam without looking, then guides Bucky onto the end of a bed. Once he is settled, Eli turns to rummage through their mini-fridge. "Steve, grab me one of our hand-towels, yeah?" he orders.
Steve does so. When he returns from the bathroom, he stops in his tracks. Bucky is perched on the edge of Steve's bed, a little wide-eyed, but calm. Eli hovers over him, inspecting Bucky's shoulder. Sam sneaks the duffel (i only included this fucking duffel bag so bucky could sneak his Secret Documents into Steve’s room lmfao)(and so Sam could make the “overnight bag” joke tbh.) next to the TV, then catches Steve's eye and shakes his head, clearly trying not to smile.
The entire tableau punches all the air out of Steve's lungs. (same) (obv i really wanted steve’s friends to accept bucky, and i’m nothing if not Dramatic. so. Here we are)
Steve eases onto the corner of the empty bed. Eli doesn't even acknowledge him, his focus trained on Bucky. "They check you out?" he asks as he prods the left side of Bucky's back with well-trained fingers.
Bucky nods. He gazes at Eli the way you might gaze at someone who speaks to you in a different language, but nevertheless does so very earnestly. (i mean it’s safe to say bucky NEVER expected a reaction like this, not only because his own coaches/staff aren’t this nice, but also bc like, these guys are his rivals, lmao) (and he also is prob thinking about what a dick he was to Steve a week ago)
Eli tugs at the collar of Bucky's windbreaker and asks if he can remove it. Bucky lets him help without speaking and without moving his left arm much. Once the jacket is gone, Eli has better access to Bucky's torso.
"Hospital?" Eli asks.
Bucky shakes his head. (LOL)
"Broken ribs, too?"
Bucky nods. (ok ok ok . i worked very hard not to let eli fall into a trope where he just existed to “take care of bucky”. Because i wanted him to rly be the character who cared about sports medicine and … about PEOPLE. So i established it earlier, with steve, with sam, with his major, with his brother, with his kids, everything. And he really knows what he’s DOING. he sat down with bucky for like a single minute, and could tell he had loose tissue and broken ribs around the relocated shoulder. And he’s made something of himself, here, of caring about people. He’s cared about his brother for years, when no one else cared, and now he’s gonna make a living taking care of hurt athletes. I also think it … kind of fits with comics!eli, who was such a sweet bean and just wanted to be a good superhero and live up to his grandpa. I rly rly rly absurdly love eli bradley, guys.) (also contrast him with steve, who wants to take care of people but has no idea what he’s doing; isaiah, who has a good heart but isn’t good at showing it; and sam, a good friend who’s a big goof.)
"Did they scan you?" Eli goes on, and doesn't wait for an answer. "There's loose tissue, I think. Can you lift your arm?"
"Not really," Bucky says, and proceeds to lift his arm (LMAO YOU ASS). He almost makes a ninety-degree angle.
"I mean, I haven't seen the scans or nothing," Eli says, and sounds genuinely sorry for it, "But I think there's some kind of tissue damage. Maybe not torn, but ... Can't believe they didn't take you to the hospital."
"We have doctors," Bucky says dumbly.
Eli dismisses that with a wave. "Did they give you anything?"
Bucky blinks.
Eli beckons for the towel, which Steve hands over. "Any drugs?" Eli clarifies.
Bucky huffs, a small sour sound that could be laughter. "You'll have to be more specific."
Steve, Sam, Isaiah, and Eli all stare at Bucky.
Steve thinks back to the NAC Championship Game. "Pump me with enough drugs, and even I can't tell I'm injured." It could mean so many things. Even at American State, players take shots to stave off the pain long enough for a football game. Sam Wilson comes to mind, and his small doses of painkillers and muscle relaxants to alleviate the back spasms. (if you’re into that kind of thing, meaning semi-unpleasant-medical-commentary, look up “toradol shots” and “football” and some articles are more biased than others but yeah, it’s sketchy either way.)
But Bucky sounds so angry. It's the tone of voice that draws Steve's imagination to dark places.
Eli is the first to recover. He holds up the ice pack, now wrapped in a towel. "I mean anti-inflammatories," Eli explains, "or something to knock you out overnight."
Bucky accepts the ice pack. He turns it over between his hands. He looks thoughtful. He picks at a stray thread on the towel. He doesn't speak.
Sensing the toxic discomfort in the room, Steve is about to step in when Isaiah clears his throat.
"So his arm's not gonna fall off or nothing?"
Eli blinks, then ducks his head. "I mean, he said it hurt," he says sheepishly.
"You ain't have to assault him and force him to strip," Isaiah points out. (isaiah is really a big sweetheart, he just doesn’t express himself well lol.)
"I don't mind," Bucky mumbles.
Sam interrupts, then. "So what do we call you?" (and sam is ……  sam.)
Bucky and Steve both stare at him, mouths open.
"You know," Sam explains. "Do you go by … James? Or Barnes? Can I call you Bucky, or is that like a pet name? 'Property of Steve Rogers' or whatever?" Steve blushes. "Or do you prefer the Winter Soldier?"
"Anything but that."
"Bucky Bear?"
Bucky snorts. "Nice ring to it."
"But really," Sam says, smiling now. "I'm gonna hack into Steve's phone and steal your number so I can send you a ton of pictures of me with the trophy. (this is true, and definitely definitely happens.) (except the part where sam hacks into steves phone. He just gets buckys number. Hes not shy, pls.) So. What name do I save you under?"
"... Bucky's fine," he replies with a bemused half-smile.
Steve gazes at him. There is a perfect ache in his chest, like too much color bursting inside and not enough space.
"… out of it. Earth to Steve Rogers." (ISAIAH!!!!)
He snaps back to the present when he hears Isaiah speaking. "I'm—what?"
Sam cackles, which Steve thinks is pretty unfair, since it's his fault Bucky just knocked all the air out of Steve's lungs.
"Maybe we should go," Eli says gently.
"Hell yeah it's time to go," Sam says, rubbing his hands together. "We're going out, right?" He grins at Steve. (sam …… is too young to legally drink. I’m crying. i mean not that it’s hard for young people to get alcohol but he’s literally 19 and asking to go out. He’s so full of life and he’s so RIDICULOUS!!!!!!!!!)
Everyone in the room stares at him, shifting awkwardly.
"I don't think they're coming," Eli says.
Isaiah takes Sam by the elbow and steers him toward the door. "We can still go out."
"Wait." Sam plants his feet. "Steve, you …" (like sam’s not CLUELESS here, he just saw them make out for crying out loud. He’s just got so much energy and they just won a BIG GAME okay, it just takes him an extra second to process things. Which, i mean, is relatable.) He looks at Steve, then—looks at him—and seems to see something new; then he looks at Bucky, then Steve again, back and forth. "Oh."
"Sam—" Steve tries, but Sam interjects.
"Holy—okay, okay, I mean, he did bring an overnight bag and shit," Sam says, gesturing towards Bucky's duffel.
Bucky's face turns an impressive shade of crimson. "What." (he most certainly did not. Well, staying-overnight wasn’t the primary function of the duffel bag. He was maybe hopeful. maybe.)
"Sam—"
"I think you just took their relationship to the next level," Eli cuts in with a sly look.
Sam, on the other hand, has gone from mortified to elated in the span of about four seconds. "What's in the bag, Soldier?"
Bucky levels him with a scowl to match the nickname. "Toothbrush and a box of condoms." (LIIIIIES. There’s only like 3 condoms. And they’ve been in there for months. but still.)
Beat.
Sam is the first to laugh; Steve joins in, but it's weak because he's reeling with embarrassment. And distantly, definitely turned on.
"Right. We're leaving," Isaiah says pointedly. (poor frikin isaiah puts up with SO MUCH!!!!! His roommates are so ridiculous and horny and he never asked for this except he totally moved in with them and knew full well what he was getting into and is maybe into it, but anyway, anyway.) (housewarming didn’t come out of the blue that’s all i’m saYINg.) (isaiah’s BLUSHING.) Sam Wilson is laughing too hard to protest.
After a small commotion ("There's Advil in my bag!" Eli says, just as Sam calls, "Always use protection!"), and the hotel door latches with a heavy bang. Steve can still hear his teammates in the hallway, but they are muffled and unintelligible, and they fade away fast, leaving Steve alone with Bucky.
Neither of them speaks right away. Bucky is still sitting quietly on the end of Steve's bed, staring, unfocused, into the middle distance. Steve takes the opportunity to look at him. Properly, and all, without sticking his tongue down his throat or bashing his injured shoulder into a wall.
(fun fact: the following transition is a fucking bitch. I don’t think it’s great but i’m an awkward loser, so i was like ok, how do i get them to say i love you and fuck already? Like in a Realistic Fashion. Realistic for dumb jocks.) (rolls eyes forever)
Bucky is in black sweatpants and black Nikes with red soles. The back of his white T-shirt has a list of dates—probably a catalogue of Southeast State National Championships—while the front bears the Southeast logo: a red elk skull with wicked hooked antlers. (check out the “targeting art” tag, a couple people have drawn this and i love them for it) (what else would make a “tundra” logo”...? idk) His face looks better than it did a week ago. Just a little swollen. Steve probably wouldn't even notice if he didn't know to look. There's a string of bruises on Bucky's arm and his knuckles are tore up and there's still dirt clinging to his nails, but all that's just standard football wear-and-tear. He's got a couple days' worth of stubble, and there's a little crescent patch on his jaw where nothing grows; a small white scar from God knows where, God knows when. His lips are parted. Steve wants to kiss him again. But between the corridor and now, this moment with silence and an ice pack wrapped in a crisp white towel, it doesn't seem so easy, anymore.
"You doing okay?" Steve asks.
Bucky's eyes snap back to life and he looks at Steve. (bucky is so spacy lmao awww) (honestly bucky is a lot like me. I think of all the characters in this story, he’s the most like me.) "Yeah." Just yeah.
"You want to use that ice pack, or stick it back in the freezer?"
Bucky looks down at the bundle in his lap, like he forgot it was there. His chest rises and falls.
"Here," Steve says, and stands up slowly so he can slide onto the bed next to Bucky's bad shoulder. He gently takes the ice pack and folds it against his arm, the outside of the ball-and-socket joint, right along the seam of his sleeve. "Good?"
"I dunno," Bucky croaks. "You don't have to—I should probably go." (like seriously, second guessing wild, impulsive decisions? Assuming people don’t care as much as you care? That’s just relatable, man.)
A knot twists in Steve's stomach. He presses into the ice pack a little harder—not too hard—just enough to feel present.
"Why did you come, anyway?" Steve asks.
Bucky's eyes track to his duffel bag, (he came because he wanted to bring steve those documents that incriminate Pierce. He came because he wanted someone to validate him. To validate how bad he felt. To validate the abuse he’s gone through. To tell him he’s not imagining things. He came because he likes steve and he misses him. He came because his sex drive is wild. He came because if he stayed in his hotel room, he would lose his mind.) then back to Steve. "I wanted to say I'm sorry."
"Sorry? For what?"
Bucky squeezes his eyes shut. "I'm sorry I hit you," he mumbles. (and he came to say that, too. he’s been feeling bad about that for a long time.)
Oh.
How ridiculous, Steve thinks. What a small, silly thing, now. He's sitting here with an ice pack to Bucky's mangled shoulder, counting the bruises up Bucky's arms and his face, and that's just the ones Steve can see. He's sitting here in good health and a golden haze of victory, and Bucky is apologizing to him. How absurd. "Oh—Buck, don't worry about that."
"No, look, I'm obviously … messed up and all," Bucky launches into a stammering speech. "I'm sorry I hit you, and yelled at you, and … kissed you. (sorry about the mixed messages, to be specific) I guess. I'm—I just—I want you to know I didn't mean all those shitty things I said. And the game today, I didn't want to hurt anyone. I don't want to hurt you."
"I'm fine," Steve assures him. "I promise."
"Right." Bucky cracks his knuckles. He doesn't look convinced. "Anyway. I've been fucking with you for weeks now, (by “fucking with you” he means stringing steve along and then pushing him away. Toying with him. Which is how it looks, from certain points of view. It’s not how steve felt, but it certainly could be read that way.) so it's cool if you don't believe a word I say." (bucky was 100% lying in chapter 23 when he told steve “I was messing with your head” [with regards to kissing steve]. At the time, he was in a really dark, messed up place, and he was really angry with steve, and thought they would both be better off apart. They couldn’t mess each other up anymore if they were apart.)
Steve gapes at him. "Buck … You were mad. You had a right to be mad." (for the record, i PERSONALLY don’t condone bucky punching steve. But steve is more forgiving than i am, and more deeply [and unhealthily] attached to bucky)
The look in Bucky's eyes is so specific. Such a localized pain. From a distance he seems hard, and strong, towering marble, but if you look from the right angle you can see the anguish buried in the rock. The fear and sorrow in David's eyes, despite the calm repose of his limbs. (as in michelangelo’s david. I kind of get michelangelo vibes whenever i watch TWS, the scene with bucky in the bank vault.) (but i knew him.) (from the right angle, David looks very scared. And it’s the same with bucky, i feel.)
"I'm real fucked up, Steve." He sighs quietly. "I should go."
Bucky lowers his shoulder to wriggle out from under the ice pack. Steve lets it fall to the bed—instead, he grabs Bucky's knee.
"Don't go."
"I shouldn't have come. Steve ... I don't want to keep hurting you."
Steve has never been able to deny Bucky anything, but this—he read this wrong, before. (when he just let bucky go after hitting Steve) Bucky begged Steve to leave him alone, and Steve has let him go too many times. He'd thought he'd been doing what was best for Bucky. All this time, Bucky thought he was doing what was best for Steve. (isn’t that kind of the point. Of the story. Of them.)
"You won't hurt me," Steve promises. "You haven't hurt me. None of that was your fault."
"I hit you."
"You think I can't take one lousy punch?"
Bucky snorts; he doesn't smile, not quite, but he looks amused, and Steve counts it as a win. "Wasn't lousy. (BUCKY IS BIG) I'm sorry."
"Nothing to be sorry for. You were hurting too." He pauses there, feeling sober again, and he braces himself. "Bucky, can I ask you something?"
"What."
"Who gave you the black eye?"
He scoffs. "You were on the field. You saw. Wasn't it Creed's elbow?"
"Bucky," Steve scolds him gently. "I mean last week."
He ducks his head and doesn't answer.
"At my house," Steve prods. "Bucky?"
"It's not a big deal."
"Was it Rumlow?"
Bucky laughs, low and bitter.
"It was, wasn't it?" (steve has probably been thinking this ever since he saw it, considering he also overheard rumlow being an ass in bucky’s hotel room a few weeks ago)
"No. It … wasn't Rumlow."
Steve's not sure he believes him, (did you guys believe him?) but doesn't press the issue. He owes Bucky a little privacy. Just asking is what matters, for now.
Bucky looks up at him through long, long lashes; the same way he has always looked at Steve, (LIKE ON THEIR BUS IN HIGH SCHOOL) a bright blue, the hottest part of a flame.
"Quite a pair, aren't we?" Steve says through a watery smile.
"What's that mean."
(means we’re both selfless shits and we both know it. means no matter how bad we’re hurt, we both still want to take care of other people first.)
"Means I'm here for you, Buck," he says, soft and insistent. "I'm not going anywhere."
Bucky shakes his head. There might be a smile leaking through his granite mask.
Now or never.
"About what you said," Steve says carefully. He squeezes Bucky's knee and rubs small circles into his thigh. "You know, after the game?"
Bucky cringes. "Oh, god. I'm sorry about that too." (NOOOOOO--)
"Don't be sorry," Steve whispers—begs, even. Please don't be sorry. Not for that.
"I shouldn't have said anything," Bucky says. The muscle of his thigh twitches under Steve's grip. "I was caught up in the moment, you know, and it just came out, and it was totally wrong-place-wrong-time, I'm sorry."
"Did you mean it?" Steve breathes, almost inaudible, because he can feel the cracks under the surface.
Bucky covers his face with both hands. "It's—yeah, Steve, yeah I meant it. I just … shouldn't." (FUCK SPORTS AND TOXIC MASCULINITY AND HOMOPHOBIA AND FUCK IT ALL and give bucky a hug 2kforever.)
"Oh, Bucky."
When he looks at Steve again, his eyes are red. "You don't have to say it back."
"Are you kidding me?"
Bucky blinks. "Um."
"Listen to me, Buck." Steve sinks to his knees between Bucky's feet and looks up at him. It's dizzying. It makes his head ache just to think of it: all the years, all the football games, all the doodles passed back and forth in class, all the times Bucky treated Steve's injuries with ice and stupid jokes. He reaches up to take Bucky's face in both hands. "Listen to me," Steve says again. "For as long as I can remember, every single day of my life, you were the most important thing in it. The best thing. Bucky, I was in love with you before I even knew what that meant."
"Steve—"
"And then you were gone. Just gone, and I felt so … much. There was so much, and I didn't know where to put it all." Bucky is crying openly, now, his nose red and his eyes shining. "God, I don't want to feel that way ever again," Steve whispers. "So yeah, I do have to say it back." He smooths the tears from Bucky's cheeks. "I love you," he says. He says it out loud for the first time in his life as he looks into Bucky's eyes, the eyes he has known and for years, for decades, for centuries upon centuries. "I love you, Bucky."
(i practiced that love confession during my Long Commute for months before i ever published it.) (such a balancing act, making it sound like something a person would say, and also make it very very meaningful. And like ….. Adequate for these 2.)
Bucky's lips blossom for him, parting like the gentle pink petals of morning. At first, all that escapes is a sob. He blinks, hard, and tries again:
"You're a punk." (bucky’s response was not a balancing act and did not take nearly as much effort, it’s the most in-character thing i’ve ever written lmfao)
Steve grins. "Yeah?"
"Yeah. You are such a punk."
There is water gathering in the creases of Steve's palms. "Is this okay?" he asks, wiping away more tears.
"This is the worst." Bucky sucks in a breath, and then grabs both of Steve's wrists and squeezes. "Yeah it's okay."
"Okay," Steve says. He feels his own throat growing hot. They're both going to end up crying, probably. He gazes at Bucky's lips, the chapped creases and the swollen spot where he always bites down on it. Steve smiles. "I'm kind of afraid to kiss you again."
"Afraid."
"Well, yeah, Buck, it always seems to go wrong. (I MEAN HE’S GOT A POINT!) I try to break your arm, or you end up puking everywhere—" (a stranger whistles at us in millenium park--)
"Shut the fuck up," Bucky demands, and pulls Steve in for a kiss.
It is stiff at first—more overwhelmed than anything—their noses and their lips crushed together because they need it so bad. Because if they didn't kiss right now they would probably both erupt into color and flame and leave a crater behind in the Arizona desert. After a moment of desperate contact, after the reassurance that this is real, this whole night has been real, Steve relaxes. He strokes Bucky's jaw and parts his lips. (i wrote this sex scene between a dress rehearsal and a concert. A pretty major gig actually with a big symphony in a decent-sized city. I don’t LIVE in that city, so i had nothing to do between the rehearsal and the show, so i sat in a philly cheesesteak bar and wrote smut.) (i was also very anxious about the gig at the time.)
Bucky's hands are restless. They flutter like sparrows from Steve's wrists to his face and his elbows and finally, the fabric of his shirt, where they cling tight and pull him closer. He drifts back, stretches onto the mattress and pulls Steve on top of him. Not that it takes much coaxing. Steve goes hungry and willing. He wraps an arm around Bucky's waist and helps him shift farther onto the bed. Steve nudges a knee between Bucky's thighs, and that doesn't take much, either; Bucky's legs spread easily, (*eyes emoji*) and draw Steve in, and how absurd is this, now. It's phenomenal, the goosebumps that break out at the base of his spine and sweep straight to his skull.
Bucky kisses like an ocean. Writhing and fluid and breathless, pulse as natural and magnetic as the tide. He wraps Steve in white foam and surges against him. (this metaphor, for example, gives me vivid deja vu for that restaurant where i wrote it.)
Steve's left arm is trapped between Bucky and the mattress. With his right, he gropes for Bucky's hand and tangles their fingers together. Bucky's heel hooks behind his knee and he smiles, but doesn't break the kiss.
Steve grinds against Bucky's hip bone. That earns him a delicious groan.
Bucky gasps softly as he breaks the kiss. "I should probably be careful, you know," he whispers.
"You—? Oh," Steve says, scrambling up onto his elbows. "Sorry! Are you okay? Does this hurt?"
"No, not really," Bucky says, adjusting his left arm. (a resounding “yes” if i ever heard one) (he’s fine tho, he’s fine. just. you know.)
Steve can't imagine—just—at all. He just can't imagine. He can't picture hurting until it doesn't matter anymore. He wants to fix it so much. He wants to take away all of Bucky's hurt. "Is—? We can take it slow, if you want. I'm sorry. Is this—"
"Steve." Bucky spreads his fingers through Steve's hair and smiles. "I said careful, not abstinent." (if you could not tell after reading targeting, i really wanted to attack the stereotype where bucky is a wilting flower who needs to be coddled by Everyone. including but not limited to their Bedroom Activities)
He leans up to plant a soft kiss on Steve's chin.
"Oh."
"Yeah, oh."
"I'm not trying to pressure you though," Steve shakes his head, trying to clear his thoughts. (but also, i mean, steve is very very very sweet and i love that about him. It’s not offensive. it’s seriously fucking sweet.) "We can stop if you want."
"Steve Rogers, so help me, if you fucking stop now, you'll—I'll—I will … I'll do something. I can't think. But I'll do something. And you won't like it." (tbh i couldn’t think of something clever to say, and you know what? that seemed like the most accurate depiction of bucky’s state of mind)
Steve couldn't argue if he wanted. "Oh yeah?"
"Fuck."
"You don't want me to stop?"
"I don't want you to stop."
(at this point, i was picturing like, bucky hasn’t actually Had Sex in awhile. Like a year, even. he’s probably made out with someone in the dark corner of a bar or maybe fooled around in a bathroom at a frat party. which, getting a half-assed hand job 2-3 times a year is nice but it’s not exactly intimate. actually, it’s not even nice. anyway. bucky might be .. even more sensitive than usual. Especially since it’s….. steve.)
Steve leans in for a kiss again, a rich slide of lips against teeth. He tugs gently at the hem of Bucky's shirt and drags his fingernails across the ridges of his stomach.
The noise Bucky makes is sunset and surf and sin. Steve kisses that sound. He slides his left hand out from under Bucky's back and into the front of his pants. (STEEEEEEVE!!!!!!! GET IT STEVE!) That's a good reaction, too: Bucky's hips jump, as if jolted by an electric current.
Steve wants to know every single one of Bucky's reactions, wants to learn every perfect way to make Bucky squirm. He fumbles with Bucky's waistband, and that is fingernails against Steve's scalp; he wraps a hand around Bucky's dick, and that is a hiss of air through teeth; he strokes once, up and down, and that is a low whine in Bucky's throat. He tightens his hold, and that is Bucky's hand slipping into Steve's pants, grasping him and caressing him in return, which—damn, you know. (YEAH DAMN!!!)
Steve trails kisses along Bucky's jaw until he finds the soft spot under his ear. Bucky's pulse speeds up, his breath speeds up, and his hand speeds up.
"Oh, God, Bucky," Steve groans.
That's all it takes. Bucky arches his back, spilling over Steve's fist, gasping for air. (bucky came SO fast in this scene lmfao i’m dyin. I still am not sure if it’s like …. TOO fast. Like unrealistically fast. Or … unkind of me. But i just. he hasn’t done this in awhile, he’s with STEVE, steve just confessed his LOVE, all the game day adrenaline--yeah i mean, at the end of the day? same, bucky. same.)
As Bucky spirals back to earth, his grip on Steve's cock tightens and his pace quickens. Steve grinds down into his hand, desperate and fevered, and it doesn't take long for him to come, too. (i mean i guess it’s been a few months for steve too……...lmao ….)
And that—God Almighty—that doesn't feel like a small thing. That feels like a great deal more than two lines of text on a Wikipedia page. (SWEETHEARTS!!!!) (they’re so corny. STEVE is so corny.)
Steve tries to catch his breath, panting hard against the hollow of Bucky's shoulder, leaving a warm, damp patch in the fabric of his shirt. Bucky twitches under him. Static currents and shallow breath. The dappled violets and whites and yellows of the sea at sunset.
Steve is careful not to crush Bucky underneath him. Even in the dense fog of sex and happiness, he is so, so conscious of Bucky's hurts. If anything, Bucky is more delicate, this way; supine and pale and fragile under the tips of Steve's fingers.
Steve traces the lines of Bucky's abs—Jesus—he would count them if he could see straight. He wipes his hand on Bucky's hip bone and asks, "You want to clean up, or anything? You're welcome to use the bathroom."
"You hinting?"
"Am I—? No, it—I just—"
Bucky is grinning, though. (if you know me at all, you know i can’t write a whole sex scene of like, ocean tides and starlight and fragile hearts or whatever. There’s gonna be a joke about a condom or like, the realistically gross follow-up. I AM WHO I AM.) His stomach shakes with laughter, and Steve gapes at him—miles of smooth skin, threads of cum shining on his stomach. It's terrific and terrifying and it's obscene. (terrific AND terrifying!!! Steve, sweetheart!!!) Steve can't even think in words.
Bucky pokes him, hard, right near the collarbone. "You want me to clean up?"
"… I don't ever want you to leave this bed again," Steve breathes. (STEVE, on the other hand, is a much bigger sap than me.)
Bucky just laughs some more.
"What are you giggling at?"
"I ain't giggling." (oh texas boy)
"Oh yeah?"
"I don't giggle."
"What do you call it?" Steve says, running a fingertip from Bucky's sternum to his bellybutton, a slow, subtle trail.
Bucky covers his eyes so all Steve can see is his smile and the way his throat bobs when he swallows.
He can't get enough. He drinks Bucky in like a drug, every detail, every little meaningless deed. The way one side of his smile is higher than the other; the fine hair on his arms; the mess on his stomach, drying and tacky and glistening in the lines that define his abs; the way his knee sways back and forth; the T-shirt bunched up under his armpits.
"I don't giggle," Bucky repeats. Then he uncovers one eye to look at Steve. The tip of his tongue peeks between his teeth. Steve wants to kiss it. He wants to kiss it all.
"Okay," he whispers. "You don't giggle." He kisses Bucky's elbow, which is the nearest thing within reach.
It must tickle, because a noise escapes Bucky's lips. A noise that is absolutely a giggle. (i don’t think he’s laughing because he’s ticklish, at least not 100%. ;) ) "Shut up," he says before Steve can even open his mouth.
"Not a word."
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fishmongeringstudies · 4 years ago
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thirteen: an ode to my second-floor window
when explaining the structural qualities of my dorm building to friends who had come to visit for the first time in the spring i often likened it to a very large and very disproportionate T-pose or, if one prefers the crude arts to the fine ones, a really interesting dick. it is basically a straight line with a short, squat rectangle extending from its center, like a mushroom with a very large cap. it is like one of those buildings people design when they are asked, abruptly, to draw a building. here are some windows. here is a lounge, but only because you asked for one. and here is the door.
people live in the long flat cap of the mushroom because that is where all the real shit happens in college. the long and flat mushroom cap is so long and so flat that they had to split it in half to make sense of it- north wing (i point in a vague north-east direction), south wing (i point the other way. then i wink, though you miss it). for the spring semester i lived in the south, towards the end of the hallway where a set of swinging double doors leads to the stairwell. my room had a view of the parking lot, half-obscured by trees, and the squat, snow white-styled lodges on the other side of the winding path. it was on the second floor.
on my first day there i found a black sports bra stapled to the notice board outside my room. above the bra was a sign made out of several sheets of paper upon which, in times new roman font size two hundred, the words 'the hall of good driving' were printed. below that was a sign that said 'watch children'. beside that was another sign, printed in cursive: there are so many beautiful reasons to be happy. and someone's driver's license. and a black and white cars screenshot. and a formula one racer, waving at the camera.
one day in february i found someone standing in front of that notice board, looking it up and down with a curious expression on his face.
''sup,' i said. 'what're you doing?'
'appreciating fine art,' he replied.
(i made that up. in truth he said something along the lines of 'i don't get to see this board a lot because i don't live on this floor, you know' which i obviously knew as i lived on this floor and therefore would be expected to know who else did. anyway we don't talk anymore and i might have blocked his number (or was it someone else? one day in may i decided i had had enough of being sent cryptic and ridiculously blunt text messages about topics i no longer cared for) so i suppose it doesn't really matter.)
earlier today i went downstairs to refill my water bottle. on the way up, i stopped on the second floor, on the north end of the building, and stared down the empty hallway. both sets of swinging doors were open at the time so i thought my stare might make it to the other end of the building, past the lounge with the half-functioning a/c. but halfway there, the path curved out of sight. and then the realization: this building is not a straight line. it is a crooked one.
it makes sense, then, that its inhabitants were just as crooked. a straight line looks like a smear of ink from exactly two points on the map. too bad i got held up in the middle. too bad i saw everything in between.
so let's say you're standing outside of hell then, peering in through satan's window. let's say you're standing outside my dorm, phone in hand, fidgeting, waiting, wanting.
the items which can be found outside of the south entrance of this hall are as follows:
a plastic straw. single-use dental floss. a very short knitting needle, yellow, pointed on both ends. a boba bottle (not shattered, half full). an apple core (oxidized). an empty doritos wrapper.
if you head up the short flight of steps in front of the south entrance you will find yourself in a narrow stairwell. there are floor to ceiling windows on your left and there is a carpeted hallway on your right. walk down the hallway and you will reach the lounge situated in the middle of each crooked floor of this crooked building. it contains several armchairs, a three-seater sofa designated at present for one, and two swivel chairs. there is a cubbyhole of a kitchen built into the wall opposite the windows, also floor-to-ceiling, desperately trying to suck up light that stops trickling in in april and will not come again until the coming fall. in it are a fridge, a sink, and some cupboards.
the bathrooms on the first and second floors are gender-inclusive; the ones on the third are not. there are two bathrooms on each floor, one for each hallway, and there are two hallways per floor. each bathroom has five toilet cubicles and five shower stalls.
this dorm is perfectly symmetrical. everything on one side of it is a mirror image of the other. you can spend your whole life not knowing what it's like to touch a doorknob on the right side of a door.
my favorite shower stall was the fourth from the right when you walked into the bathroom on the south end of the second floor. it was my favorite because its shower head was jammed at an angle which meant my hair washed out fast but the plastic shower curtains did not and it had a ledge in the corner that i could leave my soaps and shampoo bottles on. i insisted on showering there for about eight weeks, until the stall started flooding each time i stepped inside because the drain wasn't draining anything and the water was just pooling in that flesh-colored plastic box, the soap suds gathering around my ankles, looking like weird little flowers. so i stopped using that stall and moved to another.
to clarify: not everyone was crooked. when i first crash-landed on mars and i could not breathe for fear that a foreign god would cut my tongue open (a/n: this is a metaphor for anxiety) this building held quiet and conversation apart from each other until they were ready to meet. and when they finally met things got better very fast, and i was ready to be very happy and very hopeful, and then mars cracked open like a big hard-boiled egg and i fell down that rabbit-hole, down, down, down, arms flailing, throat torn out of my throat, heart burnt right out of my heart.
but i met good people there. and i also met bad people. life is nothing without the highs. it is also nothing without the lows.
you want to go up? then acknowledge the dirt at your feet. look rock-bottom in the eye, and tell it you're going to leave.
i don't plan on coming back here when i'm gone. the rooms are big and airy and the view from the back is even more gorgeous than the front, a fact which i am slowly unpacking like an elaborately wrapped gift. but there are no doors on the closets. can you believe that? the closets don't have any fucking doors. they're just these spaces carved into the wall with a rack which indicates that yes, this is a closet and a ledge above the rack which nods its head furiously as if to say yes, this is a closet, and walls on either side which scream at you with bloodshot eyes saying look at this closet, damn right it's a closet, damn right you're going to live here. for four months i lived in the long flat cap of the mushroom.
my residential assistant moved out in the middle of the semester. i was always too intimidated to speak to any of the residential assistants in my dorm even though they were just older students with taller shadows, the one in my hallway included (a/n: this is also a metaphor for anxiety), but in a weird way i missed his presence. he took down the signs on the noticeboard before he left. without them we stopped being the hall of good driving, and started being just us again. just a bunch of kids, playing at being smart, playing at being happy.
sometimes i wonder if he liked the hall he lived in. every few weeks he'd take down the signs on the noticeboard and put up new ones. one time he set up a chair in the hallway and sat there with a pair of scissors and some paper, working late into the night. the next morning there was a t-rex pinned to the notice board, its jaw cracked open as if to scream, or yawn. do your readings, he said. dinosaurs did not read. now they are extinct.
the microwave on the third floor looks like something died in it a long time ago. the student responsible for the ridiculous amount of spiritual damage it sustained graduated three days ago, in the bleak, drizzling cold. we're all that's left now. easy mac, empty takeout containers, empty windows.
next year new blood will move into these sun-washed rooms, afflicted with the same wide-eyed, honest curiosity. next year there will be new children, carrying new mistakes and new ways to stumble helplessly into them. college is nothing without the corpse screaming outside your window, you know? you've got to embrace it. you've got to embrace the crooked fucked-up humor of it all.
so i peel the photographs off the wall, fold my ghosts into the drawer, and get ready to leave in the morning.
06.02.21
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juliettebelis-blog · 7 years ago
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Everything About new simple rangoli designs without dots
Add dots. Create the dots according to the design and style you desire. Be certain that the dots are symmetrical. Indian people draw Rangoli designs on unique instances. On each situation, there might be certain causes to draw it. Every occasion relates Rangoli to certain thoughts and gratitude. Nonetheless, Diwali is considered the most famous associated event to Rangoli. Another occasions are: The pattern surrounding the middle section is more delicate, therefore allowing one other part of it to really stand out, and for good purpose. The peacock condition continues to be completed splendidly and needs a number of tolerance and inventive competencies.
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