#(even though intellectually i understand it was supposed to)

[unpopularly-opinionated]

I can respect that. I myself often struggle with simply existing in between what is and what should be. Ideally yes, the presidency shouldn't be decided based on who is better at selling snake oil, but that's also the reality we live in. So the question becomes: "Do we stoop to the level of making our candidate a showman/woman over an intellectual, or do we keep pushing the intellectual and hope it works one day?" And mind you, I'm using "intellectual" as more of a personality identifier than a compliment. An intellectual can have dumb as rock takes, so long as they talk smartly, they're going to come across as "intellectual". But this isn't an exact science, just my own thoughts on it, I suppose. Don't take this binary too seriously, I sure don't.

My take on why Kamala lost is somewhat of a long one. Since I feel this element of it is all but guaranteed to get me sidetracked, I'll push past the business about how she was unfairly thrust upon us as a candidate, thus proving the primaries are essentially "rigged" and pointless (at least as far as the DNC goes, but for all I know, the RNC could be the same. I'm not a Republican so I couldn't say really). This is a big reason against her though, so it shouldn't be ignored. There was no hand-waving this issue away, and we can sit here and discuss what alternatives did or didn't exist until we're blue in the face, but as I said, that would sidetrack us.

Beyond that, I believe her biggest issue is one that the Democrats have had for years now and that's just a blanket assumption that Dems will just "Vote Blue No Matter Who", the idiotic phrase I will argue against until the day I die it seems. This is most evident by her inability to work her own base to vote for her, and instead she's out parading around Liz Cheney in some feeble-minded attempt to try and win over people who do not want to vote for her.

I mean she had 7,000,000+ less people vote for her than Biden, meanwhile Trump has gained 13,000,000+ since 2016. We consistently hear about how "if everyone who didn't vote voted, statistically most of them would vote Democrat" and yet it never seems to click with Democrats that they should be currying favor from non-voters as opposed to Republican voters. I don't understand why they're so insistent on trying to flip voters when there are tons of undeclared votes just sitting there. There were around 90,000,000 people who didn't vote. Even just a few million of those in the right states would've won her the election.

And to jump back to my point about trying to flip votes, they don't even do that right either, not that there's much hope of it working to begin with. They send out completely mixed messages like sending Liz Cheney out to campaign with Kamala, indicating that yes, even some Republicans are voting for her, while simultaneously telling you that if you don't vote for her, you're an idiot, uneducated, etc.

Like I know this sounds obnoxious, but I also fail to see how it isn't just common sense. You can believe in your heart of hearts that Republicans are dumb backwater hillbilly hicks all you'd like, but when you're in the midst of an election and for some idiotic reason your candidate is trying to appeal to those dumb backwater hillbilly hicks, perhaps you should reserve your opinions of them until after the election. When applying for a job, maybe you shouldn't call the guy interviewing you a dumbass until after you've left the interview, even if he was in fact a dumbass.

I also disagree with the sentiment that Republicans are the only ones voting based on emotion. Did you not hear Democrats leading into, and post-election? They genuinely believe the end of the world was at stake. Republicans may have voted on the hope that Trump will be their savior, but Democrats voted on the fear that Trump would be their doom. Fear is just as much an irrational emotion as hope is.

To summarize because I feel like I probably didn't get my point across too clearly:

Forced on us as our candidate, completely disregarding democracy, proving once and for all the primaries are pointless and it's all rigged.

Blanket assumption that Democrats will vote Democrat regardless of candidate, their platform, or the way they run their campaign.

Complete disregard of their own base, in favor of flipping votes.

In addition to the last point, would rather fail to flip votes than work on getting any of the millions of non-voters involved.

Indecisive attitudes of "we are better than you, Republicans" but also "please vote for us, Republicans".

Scapegoating minorities not voting for them as why they didn't win, on top of just in general lacking understanding as to why they didn't win.

The entire DNC needs to be ripped up from the roots and replaced.

[aeide-thea]

wot show is so obsessed with architecture and tbh i'm not mad about it???

[hbmmaster]

"thank you mario! but our princess is in another castle!" has got to be one of the most misunderstood quotes in video game history.

like first of all people often misquote it as "sorry" instead of "thank you", which changes the tone pretty significantly. but also there's this way people refer to the line like, as though the player has been tricked at this point in the game? like, "gotcha! this is the wrong castle, idiot! you were supposed to go somewhere else!"

and like. I can understand intellectually that at the time it would have been normal to expect a game to end after four levels. but as someone who's way too young for this game, the idea that world 1-4 qualifies even remotely as a fakeout is so bizarre to me? like obviously the game isn't over after world 1-4. why would it even be called "world 1-4" if there are only four levels? makes no sense. why would any player have that expectation?

and also, this is an extremely linear game! the idea that a player would be actively mocked for like. not using the warp zones I guess? just doesn't add up.

just like, in general, there isn't anything about the design of this game that justifies interpreting that "thank you mario!" in the insincere way people seem to interpret it. to me, it very clearly is supposed to be read as a "good job, now keep going!" not "haha, you thought that was the end but it isn't!" you know

[deathofacupid]

intellectual | peter parker

summary: you overhear something you weren't supposed to, but it shouldn't have been said in the first place. in result, you can't help but wonder if peter wants something different.

warnings: implied smut, mentions of sex, insecurity, use of y/n

pairing: bimbo!reader x frat!peter

word count: 3.0k+ words (my longest fic yet-)

a/n: in no way is use of "bimbo" meant to be a patriarchal stereotype. please do not take it offensively, this is a work of fiction.

M.LIST | RULES/REQUESTING | ABOUT ME

peter was totally smitten by you. really, he was. after all he's been through, it was kind of nice having someone who adores him as much as he does, even if you are... a tad bit dim-witted.

while he grew up surrounded by death, trauma, and more, you were raised sheltered, hidden away from all the bad things. and even though peter's been through some shit, he finds it to hold you so gently, like the pretty thing you are, as if you were stained glass; fragile, but so beautiful.

when he's holding you, all his soft, brown eyes can focus on are how your soft, manicured hands wrap around his rough, calloused ones. you're always careful not to hurt him with your acrylics.

even though you can be slow at times, it's almost impossible not to admire the way your clothes always hug your curves, glossed lips pulled into a pretty pout.

peter could have just about any girl he wanted on campus, but he didn't want any of them.

he wanted you, and only you.

maybe it's because you were different, and no, not in dim-witted nature. but because of how soft you were. you didn't know, and even if you did, understand the horrors he wittnessed out there everyday.

you were protected by a little (very pink) bubble that you lived in, so when he came home to you, it felt as if he was in a different world altogether. you were so damn good at distracting peter, and you didn't even know it.

you were in your own dorm room, watching a silly rom-com while peter was with his friends, he told you not to wait up for him, given that he would be up 'til the early hours of the morning. but you decided that peter and his goodnight kisses were slightly more important than your beauty sleep.

slightly.

you furrowed your neatly shaped eyebrows at something that one of the characters said, tilting your head.

ram-i-fic-a-tion? you thought, humming. pulling out your phone, you googled the word.

noun plural noun: ramifications

a consequence of an action or event, especially when complex or unwelcome. "any change is bound to have legal ramifications"

"legal ram-i-fic-a-tions?" you wondered aloud.

you skimmed the rest of the definitions, still confused. surely peter wouldn't mind if you gave him a quick ring? so you went ahead in did that, letting the sound echo in the room.

when he didn't pick up, you frowned.

"ummm..." you trailed off, calling one of his friends, spencer, instead. you weren't a stranger to him, but more of a mutual. after all, your roommate was dating him. actually, you'd ask alyssa, your roomie, but she wasn't here.

much to your happiness, spencer did pick up. "hiii, spence."

"y/n?" he said, slurring slightly.

"what does, like, ram-i-fic-a-tion mean?" you asked, careful to enunciate.

spencer was aware of... how your brain worked, and he wasn't a jerk about it (unlike some people). he was one of peter's closer friends, so you felt comfortable around him.

"ramification? oh, uh, it's like a consequence."

you frowned dumbly, "to what?"

"to an action. if you don't study for the final, you might not do well. that's a consequence to your action. a ramification."

"oh. oh! okay. thank you!"

he didn't disconnect right away, and you could hear one of his frat brothers, you were unsure who, talking. and of course, you strained your ears to listen.

"it doesn't get annoying or anything?"

you heard peter's voice come next, and instantly perked up. "what?"

"dude, be so for real. she's hot, but like, as dumb as a third grader. do you have to talk to her like that too?" he laughed.

oof, you thought, sucks to be whoever it was they were talking about.

"sometimes. she's good in bed, though."

wait. he was talking about you. your jaw dropped. i mean, you were stupid, but not this stupid. so this is what "saturday night with the boys" was all about?

you heard collective laughing. you did stupid things sometimes, but never had the mental compacity to be embarrased by them. this, though? this was different.

you trusted peter.

he was the only person who never, ever, spoke to or about you like that. in fact, it was one of the reasons you'd grown to like him so much. because he was patient, he was kind, and never did he once judge you.

well, that's what you thought.

but you were dumb enough to think that just because he never spoke about it to you, he never spoke about it all.

you immediately disconnected the call, dropping your phone. trying to focus back on the movie, you nibbled on a piece of popcorn.

but you just couldn't get over it. did it bother him?

all the questions? the dim-witted stupidity? all the pink?

reluctantly, you glanced the hot pink bowl that held your snack.

you didn't mean to be so... like that. you were just being yourself. did peter not like you being yourself? no, no, of course not. if he didn't, then why would he be with you?

a little voice in the back of your head rang out; "because you're good in bed."

maybe it wouldn't hurt to try and raise your iq?

you turned off the tv, hot pink popcorn bowl forgotten. alyssa wouldn't mind if you borrowed something, right?

you opened her room door, walking over to her bookself. wrinkling up your nose, you scanned her shelf. how could someone like reading so much?

it was so... gross.

oh, well. maybe peter was into intellectuals. and you had better become before he left you for someone like that.

your eyes paused at a book titled "the hobbit".

"what's a... hobbit?" you asked, not to anyone in particular. you skipped it, looking at her other ones.

"'twisted love', 'the fault in our stars'... what'd the stars do?" picking up the book, you read the back. "huh," you remarked, putting it back.

instead, you grabbed a couple self-help books, struggling to hold them with your acrylic nails, which, of course, were bright pink... accentuated with big charms; bows and hearts.

you went back over to your room, dumping them on your bed. checking your nails again, you drummed them against your palm to make sure they were intact.

you started reading the first one, curling up in a blanket, but you kept getting distracted. every five seconds, you look up to make sure your lashes were still in place, or that your skin wasn't to shiny, or that your hair was still perfect. and to be honest, you didn't really understand any of it.

like, who actually had the patience to read through all of it? how could a book cure all your crap?

and why would you read a book to feel better, when you could go to a spa, or a shopping spree.

credit cards were invented for a reason.

but you powered through, at the very least, you skimmed the words. there was no way you could read it word for word. but you wanted to try... for peter.

you wanted him to stick around, to love you, but not superficially. not for sex.

you stayed up until 1:30 (mostly reading, and you still didn't understand how people did this for fun), but didn't call peter. you'd talk to him tomorrow, maybe. first, you needed to get your facts straight. eventually, you got ready for bed.

this included showering, taking off your makeup, putting your hair in rollers, and your fifteen-step skincare routine.

you may have been half asleep, but you'd never skip a step.

peter came over around noon monday, when neither of you had classes. "jeez, babe," he groaned, you in his lap, "i've got so much to do. seriously, i'm never gonna get it done."

you twirled your hair, appearing nonchalant, "your mindset is either your best friend, or worst enemy."

you kept your eyes trained on your phone, waiting for peter to respond. looking up, you saw him blink. "uh... yeah. that was- that was very... un-y/n-like."

to be honest, you didn't even know what the saying meant. you just memorized it from your book. "was it dumb?"

"no, it was smart," peter replied, kissing your hairline.

"i'm normally dumb?" you asked, tearing up. lips pouted, voice moist, you made eye contact with him. you knew you were a little slow, but dumb? really?

"no! that's not what i meant. it just sounded- well, i- cause you never say stuff like that. you're my smart, pretty girl."

"oh, okay," you said, your nails tracing the curve of his back. you pecked him on the lips, but he brought you back for a longer kiss.

you giggled as he flipped your positions, peter on top.

"can i show you just how pretty you are?"

he didn't have to ask twice.

you were in the dining hall, sitting with some of your friends, mixed with some of peter's.

they were talking as you picked at your salad, leaning into peter.

"ugh," sarah, you kind-of friend started, "my boss gave me a premotion."

"what the fuck are you complaining about?" alyssa scoffed.

"because! it means that i have to do more...! like, i'll have to get up earlier. i dunno if i'll take it. it's cooler than the one i have now, but but it's not as comforting."

you spoke up, completely confident, "commit to change. either embrace the challenge of pursuing your destiny or shy way and live in regret."

collective "oohs" and "damns" were heard around the table, and you reveled in it.

"okay, girl, you go."

"parker, when did your girlfriend get a braincell upgrade?" you looked at peter, waiting for him to shoot something back, but he didn't. you frowned slightly, going back to the salad.

it went on like that, you would pipe in and offer self-help advice (not really knowing what it meant) hoping for peter's attention. sometimes you got it, and sometimes you didn't.

it was fine, you wanted him to notice you. after all, you weren't reading for fun. you were doing it for him, so... just, like, notice already.

you'd been focusing so much on the self-help books, your nails had grown out, leaving space between your nail bed and acrylics. deciding to take some time away from the books and all their un-understandable wisdom, you wanted to paint your nails.

nothing to big, but more simple. you were finding it hard to turn the page with the large charms on the acrylics you normally had to.

you found some 100% acetone in your bathroom, so you soaked your nails, waiting for the acrylics to come off. once they got loose enough, they came off easily.

you did some prepping, then picked out two different shades of pink. you were about to start when you heard two long knocks, then two short ones.

(it was peter's special knock, so you'd always know when it was him.)

"come in!" you called out, and you saw a head of fluffy brown hair peek in.

"hey," he said, slipping in your room.

"hi, petey!"

he came up from behind you, hugging your waist. "whatcha doing?"

you opened a bottle of nail paint, "painting my nails."

"cute colors," he kissed your cheek, and you leaned in.

"right? pink is so pretty," you gushed.

"what are these?" peter asked, and you looked over curious as to what he was talking about.

"oh, just, like, lyss' books."

"yeah, but why're they in here?" he read the back of one, raising a brow.

you continued painting your nails, trying to appear chill. "i was reading them."

he seemed to do a double-take, and you frowned, "what?"

"nothing- nothing, i just..."

"i know how to read," you said, shoulders sagging. "i'm smarter than a third-grader," you didn't catch the slip-up, but he did.

that caught him off guard there, "what?"

"what?" looking up, you finally met his eyes.

"you said you- well, yeah, i know. you just don't-" he paused, "self-help books didn't seem like your thing is all. oh, is that why've you been saying all that?"

"saying what?"

"all the-" he didn't want to hurt your feelings, but if he was right, he already had. "the, um, advice?" he stammered. peter didn't trip over his words often, and you knew that.

you were sure that he knew that you knew, but you weren't sure if he knew for sure.

you shrugged, "doesn't it sound smart?"

"no, yeah, it does." he's treading very carefully. it was quiet for a brief moment; "did you hear?"

"hear what?"

"the... the comment i made?"

"oh, that one about me being stupid, but good in bed?" you said it so casually, as if it didn't bother you at all.

but it did. he knew it did.

he sighed, "i'm really sorry, baby."

"for what?"

"for saying that."

"no, you're sorry you got caught. you wouldn't have said it if you didn't mean it."

"i didn't- i was drunk," peter tried again.

"drunk words are sober thoughts," something else you read, you aren't sure where.

he was starting to get really nervous. he didn't know what was going through your head, normally he had a good idea, but it wasn't anything like this. it didn't seem like you hated him, but he wasn't about to take advantage.

"no, i-"

"it's okay. i'm working on it," you said, trying to make him feel better. as if you were the one who'd messed up, not peter. the idea itself was insane to him, and it only made him feel worse.

"angel," peter started, "this is not your fault. please don't make it your fault. i'm the one who messed up, and what i said was not okay. it was a stupid, drunk joke, and i shouldn't said it."

you blew on your nails, blinking back your tears. mascara, the good stuff, was expensive. you looked up, shocked to see tears in his eyes. you don't think you've ever seen him cry before. well, maybe once, when you watched "titanic" with him.

peter wasn't one to get emotional, he still denied ever crying over that movie.

"it's okay," you repeated again. you were dumb, you knew that. it really wasn't his fault, you shouldn't have pushed him to feel like that.

"but it's not. and i know you know that, please tell me what i can do to make it better."

"but-"

"no, it's not," he said sternly, "and i cannot stress that enough. i'm really sorry, baby."

you capped the polish, you didn't know what to say. it wasn't your fault? okay, fine.

maybe he was right.

"i got really upset," you admitted.

"i know, baby," the tears are falling, he quickly wipes them away.

"did you really mean it?"

"no, no, no, of course not. i absolutely love you the way you are, and you shouldn't have to change yourself for anyone- especially not for me."

"so you don't think i'm only good for sex?"

"baby, no, baby, no!" baby, he used that word for affection; when he was guilty, trying to prove something to you... in this case, how sorry he was. "you are good for so many other things," he paused, "okay, that didn't sound great."

he took a deep breath, taking your freshly painted hands in yours, "don't mess up the polish," you warned, even though you were tearing up.

peter smiled slightly, that meant you weren't too upset, right? that he hadn't fucked everything up by great means?

"i haven't ever met someone like you, who loves me the same back. and i don't mean generally, but romantically. lots of people can't put up with me," he started, "but you do, and jesus, baby, i'm so greatful for that- and you," peter added.

"you are the bright pink light of my life. you're so different from other girls i've been with, you see me. you don't look at me, you see me. like, okay, maybe you aren't the greatest at math, but you don't have to be a s.t.e.m. genius to be smart."

peter was getting raw, he was getting vunerable. "i don't know how to use a curling iron for the life of me, i don't know the difference between mascara and eyeliner. well, i do, but i didn't before you."

you looked at him, opening your mouth to speak. you wanted to tell him he'd lost you somewhere along the line, but figured it was important for him to get this out.

"you've got a different mindset than me, and i love that. you're the biggest feminist i've ever met, and wait until you meet may. i think it's interesting that your entire personality doesn't revolve around your degrees and resumes, because, god, people like that are annoying. most of all, you're confidence is amazing. i never had anything like that in high school."

you knew that he was a nerd, kept his head down, shoulders sagging. "i just... i'm sorry. i don't know why i said it. i'm a huge insecure jerk that thinks he can get away with crap by projecting it onto his lovely, amazing, wonderful girlfriend. you're my favorite person, and i can't help but think you'll leave me one day. i thought that if i acted like i didn't care... i don't know. i- i don't... i'm sorry."

you took moment, that's the longest he's ever spoken to you, but he wasn't done, apparently.

"also, i don't care about sex. i mean, it's nice and whatever, but what's the point of it if i don't have you. what i'm trying to say is, i'd pick you over that any day, okay? it doesn't matter to me. i'm not with you for that."

"thank you," you said, it seemed appropriate. basically, he just compliented you a whole lot, and it worked; you seem to have a thing for praising. "and i forgive you. also, i hated those stupid books, and if they weren't, like, alyssa's, i'd burn them."

you shuddered, "i can't believe i read them."

"really?" peter asked, hopeful. you kissed away a stray tear, looking into his wet eyes. "we're okay?"

"we're so okay," you paused, "but you have to watch bridgerton with me."

he groaned, "fine." (you knew he liked it, he just wouldn't ever admit to it.)

"wait, so just checking, you aren't into, like, intellectuals or whatever?"

"i'm into you," he said, "whether or not you idenify as one."

taglist: @whatsupstark @ell0ra-br3kk3r @idli-dosa @susvale @kdbsr-h @littlemsbumblebee @sflame15-blog @twinsunkithies @chocolateshepherddreamclod

[a-knight-in-shining-rainbows]

had an interaction a few days ago that i’m still thinking about. I was talking to two students about the Day of Silence protest coming up that friday, and both of them seemed interested but needed more information. Both of these students were disabled with relatively high support needs for communication, processing, and learning. At least one was intellectually disabled.

I explained the basic premise of Day of Silence, and one of the students asked me to repeat myself, explain again. I did this several times, and she was engaged with me, even if she wasn’t processing yet she clearly wanted to know more and was interested in what i was saying. Her para-educator then came over and said it wasn’t worth trying to explain anything to her because she wouldn’t understand.

The para-educator’s intentions were good, she wanted to save me time and believed i may not have known this student was disabled. But to say that, in front of the student, as though she couldn’t hear the comment, is rude at best and downright hostile at worst. Furthermore, to be in a position in which you are the one in charge of helping this person navigate the world, and to believe they only deserve information that you think they can digest, is such an awful way to view someone you are supposed to help. This student was asking me questions, she was listening, and honestly - who cares if in the end she didn’t understand? just because we don’t end up understanding something doesn’t mean we can’t engage with it.

Intellectually disabled individuals and disabled individuals in general are not infants, they’re not incapable of learning or connecting with others. Yes, they may need extra help, and yes, some topics may be too complex for them to tackle, but let the individual decide that for themselves.

TLDR: The person who was supposed to be helping an intellectually disabled student navigate the world decided for that student what they could understand. In doing so, she projected her beliefs about the students abilities and overshadowed the student’s ability to define her own boundaries. Intellectually disabled people deserve the autonomy to decide for themselves what they want to engage with at a given time, not told they are too dumb to understand.

[charmedreincarnation]

Hey guysss! A lot of people have been asking for me to make a challenge for a while now. I honestly didn’t want to, not because I’m against them or anything but because the law will be different for everyone. Sometimes, it feels like tumblr needs a reminder - you are the only person who knows what you need to do to succeed. I wish I could imprint this realization on everyone's minds. I’ve also gotten so manyyyy asks about things that genuinely just feel like your doubts repeating in your mind constantly so I’m gonna talk abt my beliefs bc y’all are spiraling really hard. I get it you want your desires for Christmas and new years. It’s okay take a breath, you're alive and will be okay.

Firstly: at the beginning I used to spend countless time spiraling into depression, constantly changing my methods every time I saw a new success story, and every time I found a new foolproof' tumblr method. Methods that were supposed to guarantee results in a day so when they didn’t I felt rlly useless. It was annoying, to say the least, and I don’t want to help others do the same thing, but really all I can do is reiterate what I always say and hope you apply it to everything!!

A lot of you guys wanted something that didn’t involve the void state, so that’s what this will revolve around! But feel free to make this void orientated if you desire, and I’ll also add a void section so all my babies can eat!

Ok so you’ve over consumed, you have dropped the void, and now have switched to just assuming and knowing that you would wake up with your dream life - embracing states. Great! At first, it will seem like you're doing nothing but you aren’t! For example, I knew I was dwelling in the state of wish fulfilled when I went to work without shedding tears, when I looked in the mirror and didn't think I was ugly because, well, I'm beautiful! I didn't care abt not performing well on a test because I could revise my past etc. this isn’t to say ignore the 3D: don’t do that, please try and make sure you’re safe and okay. But know life is malleable. Slowly, things that used to bother me—my parents, grades, anxiety, self-deprivation—started to fade away. Even though my dream life hadn't reflected in my 3D yet, I felt the switch. That's when I decided, I know what to do.

I also remember finding this cute website a long time ago that I want to share that summarizes it in such a great and simple way.

So Before I knew or understood what LOA was, I found this gem of an article on I am Love'- "How To Shift Into A State & Stay There". I think I have a post abt it somewhere on my blog but I’m too lazy to find it so here it is again.

Basically it explains that the essence of shifting into a desired state and staying there. What resonated with me was her choice to dwell in the state of knowing that her desires are hers, no matter what.

The way she used colloquial language made the content relatable and easy to understand. It's like having a conversation with a friend who's guiding you through hard concepts with “dumbed down” language because at the beginning states made 0 sense to me.

Posts like this really helped me particularly because when I discovered Neville, it required three attempts on my part to not only intellectually grasp his teachings, but also to truly comprehend him as a whole, given his non-contemporary speaking tbh.

I recommend it if you find yourself stuck or not really grasping the law yet (which is more than okay) but, if you're looking to understand the loa better or just learn more give this article a read.

There’s also a particular quote from Neville that really got me to dive into his work after finding this article and it was- “The being that you really are, descended to the weakness of the flesh, causing you to experience the state you are now in. Contemplate another state, and the same being who brought your present form into being will restore and make alive the other state, the state desired. This he will continue to do until his purpose is fulfilled. That purpose is to follow a certain pattern back into the unity of being. You see, in the beginning we were drafted. We did not volunteer to fall into these states. We were made subject into futility, not willingly but by the will of him who sent us. But when we return we will discover that we are the very being who subjected us. We are now the sons, destined to return as God the Father!”

Now that you understand and are ready to apply state, Here’s a routine I’ve created to hopefully help you guys! It is very simple and not time consuming at all.

Scripting and writing: I love writing and feeling like the author of my own story, literally bringing my creation to life. I would write when I felt like it. Whenever I wanted to dwell in my state, I would simply write, "I have my dream life." It's so simple, yet it embodies everything I need. If you’re more of a picture girl, use Pinterest instead. Or both if you prefer it doesn’t matter.

Edward arts' "I am creator meditation": Again, do this whenever you like it. It's one of the few meditations that didn't bore me to death and seemed to work with my ADHD. I also love reading, so I would read his pdf whenever I felt like it and take mental notes. Reading his work was a reminder I was doing everything right, it resonated with me very well.

During doubt and overstimulation: When things get overwhelming, close your eyes and let the emotions pass. They’re just thoughts! repeat the words "I am" until your heart returns to its normal rhythm. It's a simple yet powerful way to ground yourself amidst the whirlwind of emotions. And guess what? You can use this technique for doubt too! So the next time you're feeling overwhelmed, remember the power of "I am". It's a gentle reminder of your existence, your resilience, and your capability to be whatever you want despairs any emotional turmoil.

Thank god: (yourself!!) When reminded of your desires. Thank you god. When you see your desires, (eg:Pinterest, online or you’re just reminded) thank you god! When you see an image of your desires, thank you god! When you dream or think about your desires. Thank god! Always thank the person fulfilling it aka you ;)! If you’re religious just thank the god you actually follow.

Nightly reflections: At night, ask yourself , "What would I do if I woke up in my dream life right now?" repeat this question throughout the night. Then, imagine whatever scene you want. What would you do if you could not fail? What would you do if you had all the money in the world right now. What if you looked in the mirror and saw the most ethereal being and it’s just you? What about if you woke up in your dream house with your dream family and pets? This is inspired by one of the first shifting methods I created that helped me fulfill my imagination before I knew what that meant. When you’re ready to sleep just remind yourself it is done, and drift off into your desires.

As I've always said, I've been a great daydreamer. I knew exactly what I wanted my life to look and feel like. I envisioned my walk-in closet filled with luxurious outfits, waking up in my dream room on a soft mattress with my pets purring nearby. I saw the decor reflecting my personality in every corner of my large, and pretty room. I imagined walking into my bathroom, seeing all my cool Sephora products lined up for my skincare and shower routine. I love taking care of myself because I know I deserve it. I saw myself looking in the mirror, knowing I'm "that girl" who turns heads wherever she goes.I visualized going downstairs in my boujee dream house,and seeing my family stress-free, smiling, and eating well. I saw plans being made on my phone, my friends were excited to see and talk to me. I went to my kitchen, filled with expensive ingredients ready for me to cook meals for my loved ones - because I love cooking. I saw myself checking my bank account and seeing multiple seven figures in my savings, checking, and investment accounts and opportunities easily presenting myself to make more if I wanted. I saw myself running errands in my car, shopping, getting Starbucks, having expensive lunch with friends, and making a trip to Target. Despite the simplicity of the day, I would come home and be like, "Ugh, what a long day!"like that one khloe kardashian meme. What if all this happened today? Visualize and feel the scenes so clearly that it felt like it's already happening.. not just in your imagination.

Most importantly: Define the law for you! Stop parroting bloggers and intertwine your own beliefs with the law. The only principle of the law is that through persistence assumption will harden into a fact. Other than that anything goes except for facts that are wrong.

Here’s old notes I found in my phone lol just so you know what I mean by define the law for you: ignore the writing I was kinda dumb and new to the law 😭😭

Now this is for my void babies if you made it this far.

Read this post.

This is it copied bc the links are wonky sometimes

“My previous method is based on the persistent assumption, which a lot of people don’t know how to do right and it might take some time even for those who have the right self-concept and the mindset, so today I was in the process of manifesting this method.

And I was successful!

This method is for everyone. It’s the easiest Void method.

Do you know that you get into the Void state at night automatically? At that time the whole perceived world disappears for you. Every single perception and assumption you have disappears while your consciousness in the calm and natural Void state.

Use it to your advantage. Now that you know about the Void that you enter when you sleep, the perfect state to manifest anything that you wish to perceive, with no “resistance”, no illusions of annoying solid things around, you only need to remember your scripted starting point in your DR and practice watching it all coming out of the Void.

Practice that scene with your eyes closed, say to yourself:”That is what I perceive. Next time I’m in the Void, I’ll experience this”. You won’t even need to be fully aware of yourself that way when you get into the Void while you are asleep. Your subconscious would do all the work as it now would have the instruction and a clear image of you expecting it.

Personal experience: as I was receiving information on this method, I almost stepped into my DR! I wasn’t even in the absolute void state, I was only creating the scene for this method and I felt it materialise with my senses!

I have great feeling that it’s going to give fast results for others! Try it, teach your subconscious what it needs to bring forth while in the Void, let it do your work for you!”

Lastly, I’m gonna talk abt my beliefs real quick bc the fear of shifting vs manifesting makes me sad for y’all. I understand you don’t wanna leave behind the people you love and that’s not fear to feel ashamed of having! I personally hate the npc mindset a lot of have people have adopted. The only thing we know for sure is that assumptions create realities, and consciousness is the real reality. Everything else boils down to assumptions, except for principles. For example, shifting is not lucid dreaming, even if you assume it to be. That is the principle. I’m just going to copy what I told my mutal bc I’m lazy and need to finish Christmas stuff 😭😭 but Our imagination and the 4D realm are products of our consciousness, which is indeed real. Our view of reality is shaped by our consciousness, since we can't experience everything all at once.

Unless, of course, you shift into a super omnipotent god. Even then, you’d probably still struggle with the concept of infinity because, well, infinity is infinite. And it’s constantly a never exnding expansion. As humans, we're finite beings, and our understanding of the infinite is naturally limited. Because you can’t and won’t ever experience everything at once, infinity is always expanding. Our awareness can be thought of as fragments of consciousness; it's like being a drop of water in a massive ocean. Even though our perception is limited, the infinite is always there, always existing. We simply adjust our awareness to perceive this infinite reality.

And through our consciousness, we are able to tap into other realities or 'multiverses', which give us a broader understanding of existence. This exploration of consciousness and the multiverse is a significant part of my journey into the world of manifestation.

The law of consciousness explains why, when you "shift" or change your perspective, you don't physically move. It's all about altering your state of awareness. This is also why time doesn't really matter in the grand scheme of things. You can become aware of any time or day you want, as long as you choose to be aware of it. It's like having a mental time machine. This law is why infinite universes exist. As long as you can be aware of it, you can assume and embody the state of that person. Whether that's someone with a billion dollars on Earth, or a person who lives in the Attack on Titan world, it's all about your awareness.Our awareness is just a fragment of the larger consciousness – hence the idea of the multiverse. Each universe is a different fragment, a different state of awareness. And we have the power to “shift” into any of these states, therefore shifting into any of these universes.

I’m telling you this bc there’s no need to be afraid of manifesting or being in a reality with robotic versions of the people you love. Ariana grande and Marilyn Monroe for example talk about loa without acknowledging it and we see their success. Neville Goddard and his followers saw each other’s manifestions and I manifest for my friends and they mnaifest for me.

Take a deep breath and let go of the tik tok clone mindsets y’all have they don’t exist. You can manifest and assume anything you want in your imagination. Y’all literally want to manifest things like millions of dollars, revising deaths, living in new countries, having immorality in your waiting rooms, and never aging which is all possible of course. So be for real, why assume and know that you can achieve all that, but it won't manifest exactly how you want? I've also wondered about what happens to the "old version" of people when they manifest their dream life. As far as I'm concerned, they dont exist because you choose not to be aware of them.

I really want to talk about this too, as I've received similar questions and, oh my god, I thought I was alone. I've always been a bit delusional and lived in my head, but when I became conscious of the law, did anyone else feel a sense of self-embarrassment? I don't know what that was, but I'd genuinely feel my soul wanting to throw up envisioning my desires that aren't mine, even though I've always been a daydreamer. It's kind of like when you feel you can't have them or it's strange to envision yourself with something you can't have, so you just purge yourself. 😭

I was thinking back to why that happened and laughing at myself because we need to be serious right now. Why are you getting sick by your own mind? Imagine if Van Gogh, anytime he pulled out a canvas and held a brush, was jump-scared by the brush. Picture him holding out the brush and just staring at the canvas crying because "well, the painting is going to suck 😐," "I don't know what to paint☹️☹️," "I already know it won't be like what I envision in my head 😡😡." Like, bro, the canvas is blank, just fucking paint. That’s why I really like his quote that's like...

“If you hear a voice within you say you cannot paint, then by all means paint and that voice will be silenced.” So If you’re scared of failing, if you’re scared of your desires, or scared of how it will come to fruition, for that reason alone is more so to and manifest it anyways.

But happy holidays guys! make some tea, scroll through Pinterest, read a good book and watch some Christmas films and remember if you can imagine/think your desires you can embody them bc where are you getting it from??

Here are some helpful documents I have read plus a cute vid I saw on insta reels : (let me know if the links are being weird)

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[violetasteracademic]

The Glass Coffin: HOFAS x Elriel

Many HOFAS spoilers ahead!! This is an INTENSIVE post on all the Elriel coding in HOFAS, so strap in! This is largely a theory post and my personal interpretations, so take it or leave it! It's all in good fun.

Let's start with The Glass Coffin. When it comes to the analysis of the songs Bryce played for Azriel and Nesta in the much beloved and much dissected bonus chapter, I have seen a lot of conversation around Stone Mother and significantly less (if any?) around The Glass Coffin!

The Glass Coffin is played next after the Stone Mother. And it is a ballet.

What is the The Glass Coffin?

My friends, it is Sleeping Beauty.

Now we all know that many suspect Elriel to be a Sleeping Beauty retelling. And I'll be honest, I take a lot of the mythology or "retellings" with a grain of salt when it comes to SJM, because she doesn't do incredibly loyal retellings but takes bits and pieces of inspiration. I suppose it's up to you where you draw the line of a retelling, or free IP inspiration. But one thing to understand about IP is that Sarah J. Maas would have to get Disney's permission to call her work a retelling of Disney's Sleeping Beauty. Much like Beauty and The Beast, she did not "retell" the Disney princess movie, but the original La Belle et la Bête by Gabrielle-Suzanne Barbot de Villeneuve published in 1740. So with that little lesson in intellectual property, lets look at the story of The Glass Coffin, because it is actually quite interesting:

A magician forces a proposal on a Maiden using his magic. The Maiden is repulsed by the use of magic in the proposal and rejects him. The Magician turns her brother into a stag, traps her in the glass coffin, and enchants the land around them.

There is a LOT to unpack here. I do not think Lucien is "The Magician" in this story. Instead, I think the Cauldron is, and I do think that the use of magic to force a proposal is a very close parallel to what Azriel discovered in HOFAS: That the Cauldron had been corrupted by the Asteri to serve their will. If you have read all of the books in the multiverse, you know that there is no other SJM universe where mating bond rejections happen. There is no other universe in which there are unhappily mated pairs forced together because the function of the mating bond, at a base level, is simply to produce the most powerful offspring. Mates in other worlds are true soulmates, and they fall in love before discovering they are mates.

In HOFAS, Azriel listened to a song from The Glass Coffin. He also listened to the story of Silene, and learned that the Cauldron was corrupted by the Asteri. It is not a theory or interpretation that the Asteri curate powerful bloodlines to ensure they have the strongest food from the souls that they eat. It is a fact. So it is not a jump to interpret that the Cauldron's corruption by the Asteri, and mates that are not a good fit on a soul level but forced together to produce powerful offspring, are one and the same. At this time, both Azriel and Elain have discussed feelings of repulsion or discomfort regarding E/ucien's bond. There are also negative consequences to a female rejecting the bond, as there were for the Maiden in The Glass Coffin. Rejecting a bond can lead to madness on the males end in Prythian because he believes he is entitled to her, just as the Maiden rejecting the Magician's proposal led to him trapping her in glass and enchanting the lands so no one else could have her.

This is already quite interesting, but it gets even more powerful as you continue to breakdown the Elain coding in HOFAS.

This line basically started a war:

"I can hear your heart beating through the stone." She angled her head, as if the city view held some answer, "Can you hear mine?" (ACOWAR, chpt. 24)

Now many people have used this to claim she is Lucien's mate, because she can hear his heartbeat. Though only a few pages earlier, we had this moment:

Elain can hear Feyre's heartbeat. She says if she listens carefully, she can hear hers too. At the time, we all assumed she was talking about Nesta. And yet we've discovered that Vesperus, an Asteri, (or Valg, depending on which theory you vibe with) was also a beating heart under the stone.

Inside a glass coffin.

More than that, we have this passage:

We now know that the Prison was once the Dusk Court, and just like UTM, The Hewn City, and Ramiel, it is encapsulated in stone beneath the mountain. Within the stone of the Prison lies the long buried heart of the Dusk Court. When you look back at Elain's line to Lucien, and see that she is staring out at the city, looking for answers at the heart she can hear beating beneath the stone, and not Lucien, this all starts to click together in a brilliant way. And the imagery, the island having a soul nurtured and blossoming under her care, has Elain written all over it.

Now, the reason I bring up the Hewn City here is because I believe there is a reason for Elain's lifelessness and distress in the Hewn City that has nothing to do with her wearing the color black.

In HOFAS, we discover a few important things about Earth Fae. Lidia discovers in her time on Team Archives what the Earth Fae did, and what their powers were used for:

Earth Fae were used on Midgard to discover ley lines of power to create powerful strongholds. One important thing I have noticed is that all Fae on Midgard are said to come from either Erilea or Prythian (at least that is all that is mentioned) and yet there is no indicator of where the Earth Fae come from. it is my personal belief the Earth Fae are from Prythian. Yet the entire Dusk Court disappeared, and their story continued on Midgard. It is my belief that Elain is not only a Seer, but that she has also been gifted with the Earth powers that have since been lost on Prythian, priming her to both restore Earth powers on Prythian as well as the Dusk Court.

What does this have to do with the Hewn City?

Earth Fae experience distress when they are in places where the magic is dead or warped, and they are the only ones that can feel it:

Bryce mentions she forgets the Earth Fae even have magic, because what they can do is often unseen.

If Elain is in possession of the lost Earth power, she would have been able to feel her power literally shriveling up and dying anywhere that has been warped by that magic.

And then of course we have the fact that the cave on Prythian is an exact match to the Cave of Princes on Avallen. We end HOFAS with all the weapons in the possession of the IC, the knowledge that there are cache's of magic hidden in the lands, and that there are places where the magic has been twisted and must be freed, one being the Prison/Dusk Court.

This was the imagery used once the magic was freed on Avallen, and it took its true, lush, blossoming form:

If what is true on Avallen will also be true once the Dusk Court is freed on Prythian, answer this question honestly: When you read this imagery- blooming vines and roses, beautiful and surreal, the land seeming to know her, small blooming flowers nestling around her body and in her hair- who do you think of? Who could this possibly be alluding to back in Prythian?

Elain's coding was all over HOFAS, and Azriel's "what if the Cauldron was wrong storyline" continued. These statements are true, even if none of my theories about her being an Earth Fae are right, though I know I'm not the only one who believes that is where we are headed!

The fact that The Glass Coffin is Sleeping Beauty, and that Azriel listened to it, may not be a powerful statement on its own (though I think it is). But the fact that the Cauldron corruption was revealed, and The Glass Coffin is a story of a woman who was entrapped due to her rejecting a proposal forced by magic, and Sarah used the Glass Coffin again with Vesperus, potentially tying her back to the heartbeat Elain can hear if she listens closely, it's all just too much to ignore.

I was personally overwhelmed by all of the Elain and Azriel nods in HOFAS. I think they get buried under all of the criticism in the book. I am so excited to see where everything goes, and I hope you had fun going down this rabbit hole with me!

[olderthannetfic]

A common argument I see against constructive or negative opinions (even in For Readers spaces now apparently 🙄) is that they crush people's dreams of being a writer.

And like. I have diagnosed issues with rejection sensitivity, so sharing my work publicly was extremely difficult for me at first. But it was just something I had to get through if I wanted to be a writer. When I was in a university level creative writing class, I was stunned that they wasted a seminar teaching us stuff like you're/your and there/their/they're until I noticed that my classmates found it really useful. I realised 00s fandom taught me better grammar than the actual official school system, say nothing of charactisation, voice, pacing, etc. There were a LOT of resources to help new writers understand writing 101 and avoid annoying mistakes/cliché plots, which you don't really see anymore. I honestly feel like I got an expensive years long creative writing course for free.

And even as a melodramatic and oversensitive tween, I always had the attitude that I wanted my writing to be good, so if people pointed out typos or grammar mistakes I'd just thank them, fix it and remember for next time??? I never once felt "bullied" by legitimate criticism: as someone who actually was bullied a lot IRL, 00s fandom was actually one of the few spaces where I felt comfortable and safe. Whereas tbh I don't always feel comfortable with this modern culture where fanfic writers demand comments in return for creating "content" "for free" but setting strict demands for what kind of comments they want to receive. (And ofc it's for free! It's not their intellectual property!)

Which is all to say, if someone telling you "hey, maybe consider adding paragraph breaks" makes you want to quit writing forever then maybe you didn't actually want to be a writer all that much.

--

I think people mix a whole bunch of dissimilar things.

If you go to art/film/etc. school, you'll need to get used to group critique. It's partly about advice, but a lot of it is about toughening you up for future situations where your audience is not going to care about why a work isn't up to their standards. I think some of these practices actually can be pretty damaging. It really depends on the professor to make them constructive.

A key element is that people who are going through that are usually supposed to already have some experience and be pretty committed, so they aren't going to shrivel up and quit.

When I was a little baby writer, I was indeed pretty sensitive. Even while trying to finish the first draft of a novel, I need cheerleading or maybe goading to put my ass in a chair. The hard part is getting the words out, not making them good. So a lot of negative shit, even if well meant and useful, would just be discouraging.

But...

There's a big difference between having no interest in back seat driving from AO3 comments and opposing all review-ish conversation anywhere, whether it's bookmarks or discord servers or other archives that have more of a culture of reviews than of comments for the author.

I think you can want to improve but not want to do it via AO3 comments. You should still leave readers to do their thing outside of your comments though. Analyzing or reviewing can be a big part of someone's own fannish activity—a positive and fun hobby for them, not just an excuse to yell at the writer.

[queenshelby]

Chemical Reactions (P. 6)

Pairing: Cillian Murphy as J Robert Oppenheimer x Student Reader

Warning: Smut, Age-Gap, Infidelity

Words: 4,905

Note: The fic is spoiler free and my own fantasy and imagination. It is not historically and scientifically accurate.

Previous Parts: 1; 2; 3; 4; 5

“You really want to have this discussion now?” you sighed before reaching for the packet of cigarettes which you kept on the ledge of your chalkboard while leaning back against it. You were still half naked and your bare breasts were exposed.

“Considering the circumstances, I think that we must talk about it now. I understand if you would rather save yourself for someone who…” Robert began to say as you handed him your cigarette and before you interrupting him.

“Listen Robert, the fact that you are married doesn’t bother me and, clearly, it doesn’t bother you either as, otherwise, you wouldn’t have kissed me” you said before snatching the cigarette from his hand again, causing Robert to furrow his eyebrows.

“Now that, too, is presumptuous” he ought to point out in respect of which you laughed.

“Is it though?” you chuckled before expanding on the topic of fidelity. “I suppose your reputation precedes you. Despite, I know about Jean Tatlock and your affair with Ruth Tolman” you told him, causing Robert’s chin to drop. He sighed again and then he asked “how did you know?” to which, of course, you had already formulated a response in the back of your head.

“Women talk. Barbara Chevalier and Ruth Tolman are friends and I have overheard a few conversations between them since living here” you admitted to Robert before handing the cigarette back to him.

“Well, for the record, my affairs with these women are in the past. I have ended them both” Robert explained before inhaling the smoke of the cigarette without realising that, for you, the fact that he had ended those affairs, did not make a difference.

“Dr Oppenheimer, with respect, none of this really concerns me. I am not your wife” you chuckled, causing Robert’s eyes to widen. He was surprised by your attitude towards this topic and now regretted the fact that he had spoken up about it before he even had the chance to be with you, at least that once.

“I suppose we have officially passed the need for formalities, don’t you think?” Robert asked. “So please, call me Robert” he then said and you took him up on his offer while still standing there with the fabric of your dress stacked up over your hips and your bare nipples pointing right at him.

“Alright, Robert” you said before giving him a cheeky smile. “Now, let me tell you something about myself” you then told him and, sure enough, he was keen to hear about your thoughts on the current situation.

“I am a woman who does not believe in love or marriage, both of which are social conventions invented by human kind without any scientific backing whatsoever. In my opinion, questions concerning marital fidelity are minuscule in today’s society where one race is trying very hard to destroy another. We have bigger issues to worry about than our own emotions” you began to explain before snatching the cigarette from Robert’s hands again and continuing with your explanation. “What I do, however, believe in is physical and intellectual attraction giving rise to a connection between two people. I believe that we have such connection but, if you do not feel the same way, then perhaps you are right and this should stop now” you then said before disposing of the fag and stepping towards Robert again who looked both, stunned and confused.

“I haven’t met anyone quite like you and I am astonished by how mature you are at such a young age” he said in an almost whispering voice while caressing your face again gently. He was looking at you with desire and need again before, somewhat expectedly, pressing his lips onto yours for a split second before you pulled away from him once more.

“Unfortunatly maturity doesn’t necessarily translate to experience, as you will soon find out” you blushed, causing Robert to look at you in awe.

“I am sure you will do just fine” he teased, causing you to chuckle and roll your eyes all at the same time before you reached up and pulled his mouth to yours again.

The touch of his warm lips brushing against yours caused a thrill of excitement to rush through you. Robert’s kiss was soft, gentle, and then became more urgent as you opened your mouth to accept his tongue. Even though this was not your first kiss, you almost felt as if it was. This would be a night of firsts for both of you and your heart pounded so hard it hurt as you kissed him back fervently

“Come on” Robert then whispered after pulling away from you and guiding you towards the bed, which is when you quickly shuffled your dress down over your hips and disposed of it on the floor.

“Robert?” you then said with a husky voice before laying down on your back and looking up at him nervously as he disposed of the rest of his clothes as well, expect for his briefs.

“Yes? What is it?” he asked before joining you and hovering over you while caressing your face gently. He looked at you in awe and his eyes were reassuring.

“Take it slow, please” you whispered nervously before reaching up to run your hands through his hair.

“Of course. That goes without saying” Robert reassured you before he kissed you again and, this time around, he was deepening and lengthening the kiss, showing you just how much he wanted and desired you.

As you were kissing passionately, his hands reached around to caress you, causing your mostly naked bodies to rub against each other. Your bare breasts were now trapped against his chest and the feel of his warm body atop of yours caused shivers run down your spine.

Coming up to breathe, Robert eventually pulled away from you a little and, when he did, the tingling sensation he left behind on your lips made you smile.

Robert returned the smile you gave him and the smile that crossed his face warmed your trembling limbs and hid your excited nervousness. Despite the fact that you wanted this man more than anyone you had ever known, you felt somehow unstable when finally being faced with the idea of being intimate with someone else for the first time in your life.

The bravado you usually wore like a shield around him seemed to desert you, and even though you he couldn’t see much more than your face in this position, you felt naked under Robert’s heated gaze. You suddenly worried about your inexperience and you wondered whether this was actually a good idea.

Robert saw the panic of insecurity rise in your eyes, and he reached out to gently push a stray strand of hair behind your ear and grazed your bottom lip with his thumb before bringing his mouth to yours again. It was a slow kiss, deepening as his desire built even further. He knew he needed to go slow with you, take you gently and he hoped he could.

A hot rush travelled through your body as you responded to his kiss and felt his body shift, now enabling to graze his hands over your breasts.

“You are so beautiful” Robert then whispered before allowing not only his hands, but also his lips, to travel and you gasped as, eventually, you felt him nuzzle into your neck and trace your collarbone with his lips.

“That feels nice” you acknowledged as Robert was trailing his fingers over your skin and then you even moaned somewhat inadvertently when he brushed his fingers across your nipples. They surged under his caress and sent piercing streaks of arousal to your core. His caress was like a hot spark, and his touch excited you like you had not believed possible. You did not know how you could withstand his hands on the naked skin of your breasts for long but you knew that you had to try.

As Robert gazed over your naked flesh, you felt a blush creep up your neck. His eyes were so dark and full of lust, unlike anything else you had ever seen before and, just when Robert noticed your nervousness again, he pulled his hands away slightly, giving you some more time.

“Am I moving too fast?” he asked but you shook your head.

"No!” you groaned. “Touch me and kiss me again, please" you begged and you hoped that your voice would sound strong and self-assured. Unfortunately, you could not pull it off, and it shook with pure anxiety.

"As you wish” Robert chuckled before finally cupping one of your breasts and leaning down to slowly and gently swipe his tongue across one hard nipple.

"Oh my god" you whimpered as Robert teased the hard, little bud with his lips and rolled the other stiff nipple between two fingers.

“God, huh?” Robert teased. “I never expected to ever hear this word coming from your mouth…how unscientific of you…” he then joked just as you watched him lean over you.

“Just shut up and keep doing whatever you were doing to me. I am begging you, Robert” you joked for a moment while trying to pull his lips closer to your breasts again, which is when he took your thus-far neglected nipple into his warm mouth. He licked and sucked, alternating between the two stiff peaks, until you trembled and gasped on the edge of something you had never experienced before.

“Fuck, Robert” You felt feverish with excitement. Your mouth was dry, but your body was more alive than it had ever been before. Without him having even touched your mound, it was wet, yet felt as if it was on fire and throbbing with need. Shivers of anticipation shot up your spine, and you sucked your breath in raggedly as Robert dragged his insistent tongue down, letting it trail over your belly and to your navel.

“So perfect” Robert then murmured against your skin as he took his time exploring your body, trailing his fingers and mouth over your belly and thighs, before running them teasingly over the lace of your panties, making you moan loudly.

“Jesus Christ” you cursed, moaned and groaned in pleasure, causing Robert to look up at you and furrow his eyebrows.

“Don’t stop” you demanded as he was looking at you now with a cheeky smile having formed across his face and you tried to squirm up against him to simply gain some friction.

"I won’t, but I want to see all of you before I continue” Robert then said as his voice was thick with longing.

“Okay” you murmured in response, sounding desperate and anxious all at the same time. Your panties were moist, evidence of your excitement, and you were certain that he could smell your arousal as you hooked your thumbs inside the waistband of the lacy panties and wriggled out of them. You felt exposed, vulnerable, but also incredibly excited by the expression on his face, as he watched you offer your body to him. His expression showed eagerness, pleasure and even greed, you thought. There was no sign of the trepidation you had expected to see there.

“Now you” you then winked and, without taking his gaze from you, Robert stripped his briefs off quickly, throwing them to the side of the bed.

When you saw his erection, your breath caught in your throat. This was the first time you looked at a man’s most intimate body part, and in your virgin mind, it appeared impossibly thick and long. Your mound throbbed at the sight of it, but your stomach churned in repressed fear.

Eventually, you decided to proceed and Robert’s hands moved slowly and tenderly over your body again, pushing the anxiety from your mind as they wandered over your contours and cupped your mound gently. You groaned softly as his fingers caressed the lips, wet with your arousal, and then slid between their moistness into the entrance of your pussy.

"You are so wet” Robert then said as he buried his face against your neck while probing your entrance some more.

“Uh huh” you moaned in response as you moved your pelvis in time with his probing fingers. They were curious and insistent and were creating marvellous sensations in your core.

“Oh god Robert. This feels so nice” you eventually groaned as you spread your legs wider but your voice faded as Robert took immediate advantage of your pleasure, dipping his finger deeper inside your wetness. Your hips jerked suddenly at the unfamiliar sensation of being penetrated.

"I am sorry. I will go slow" Robert said, realising that this was too quick and too soon for you and, just as he let his thumb circle and caress the hood of your swollen clit, he could feel the heavy beating of your heart. Its rhythm matched his own, but the throbbing in his groin was wilder than he could remember.

“This feels incredible” you spoke with laboured breath and took every ounce of Robert’s willpower to restrain himself and not plough into you immediately. The scent of your mound was driving him wild, and it looked so good. All soft, swollen and slick with your excitement. It was the most welcoming sight he had seen in a long time.

“I want to taste you. May I?” Robert then whispered and your eyes widened. You knew what this meant and the thought of it alone aroused you incredibly.

“Yes” you thus moaned and, unable to restrain his need to taste your properly, Robert kissed down your body again so that he could let his tongue slide through your glistening labia and taste your delicious essence as his lips sought out your fleshy clit.

"Oh, fuck! Robert. Oh my god!” you moaned, squirming under his mouth. Your nails dug into his scalp to hold him there. You did not want him to ever stop. His tongue was creating sensations in you that you had never experienced before. Masturbation had always been good for you. You knew how to use your fingers expertly to bring yourself to climax, but this was different. It was warmer, wetter and more teasing, with an intense build up that made you want to thrash around and cry out in pleasure and frustration. You rocked your pelvis against his mouth, your inhibitions fading into the background of the sensations he gave you. You moved with him, demanding more as he licked and explored you.

Eventually, a squeal of pure pleasure tore from your lips as your spasms started deep inside. You trembled and gasped at the sensations that raced through your body exploded in a wave of pleasure that radiated back throughout your body again. As the waves of sensation crossed each other, you swore you would pass out. You held on to the here and now, enjoying the wild ride, and when you opened your eyes at last, you found Robert smiling at you.

"Fuck Robert, that was amazing. I had no idea! Is that how it feels for you? I mean, would it work the same way if I did this to you?" you asked, boldly reaching out to caress the rigid cock pressed into your side, eager at the thought of giving him the same pleasure he had just given you. It was hot and hard in your hands, and a small trickle of precum dribbled from the darkly coloured tip.

“Properly” Robert acknowledged and you moved to a better position and bent your head to tentatively stroke the velvety shaft against the side of your soft cheek, before dragging the tip of your tongue over the crown. Very gently, you drew it into your mouth and sucked slowly, lovingly, savouring his meaty thickness. You were surprised by your own enjoyment of this. You had never even contemplated it before.

"Fuck, I won't be able to hold out for too long, if you do that for much longer” Robert groaned after fifteen minutes or so as he watched you latch your soft lips onto his throbbing hardness. You moaned, overcome with the sensation of having him in your mouth and the taste of his excitement.

"Then don't. Cum in my mouth. I am curious about what it tastes like” you said quite honestly after lifting your lips from his cock and looking up at him through hooded lids that only served to stoke the fire of his desire to even higher levels.

"No. I don’t want to cum. Not yet" Robert groaned nonetheless before he gently pulled you from his cock before pushing you back onto your back playfully. "The first time I cum tonight will be inside of you" he then grimaced and a rush of adrenaline shot through you as he moved between your thighs.

“If this is still what you want…” Robert then ought to confirm and you nodded eagerly.

“Yes. It is what I want Robert. I want to feel you inside of me” you told him just as you felt the heat coming off his body when he nudged himself against the moist outer lips of your pussy. You spread your legs, and he rubbed the head of his cock over your slickness. He hesitated for a second before, eventually, leaning forward and supporting himself with his arms.

He then pressed ahead, pushing himself into you slowly and carefully while looking for cues of any discomfort on your face. His attention was focused on the warm, wet feeling of your lips surrounding his cock. They opened slowly to him, and he slowly pushed himself into the velvety depths of you with a pleasurable groan. He hadn't been sure if he had been expecting the barrier of a hymen, given the fact that you admitted that you masturbated, but there was only a small amount of resistance to overcome as he continued to push into you with slow, gentle thrusts.

“Robert! Fuck!” you moaned eventually while digging your nails into his arms and shoulders. Your voice was tremulous and shaky as he filled you and stretched you beyond what you had known.

Hearing your tremulous moan, Robert thrust forward sharply now and groaned as he slid all the way up inside you. You winced and bit the inside of your cheek to stop yourself from crying out. Your breathing was fast and shallow as your channel opened and stretched to take all of him. Despite the soreness and feeling of being overfull, it was a wondrous moment for you, finally knowing what it felt like to have a man buried inside you.

"You are so incredibly tight” Robert gasped at the snugness of you, barely holding onto his self-control. Now that he was in deeper, surrounded by your wetness, he was careful not to move, to let your get used to the feel of him inside you. It almost killed him not to plunge repeatedly into your pussy. His cock felt harder than it ever had and your cries of pleasure, knowing no one had ever made your feel like this, made him feel more virile, more potent than he ever had.

"You don't have to hold back Robert" you breathed into his neck as you clung to him. You wrapped your legs around his hips and raked your nails down his back as he sunk deeper into you. The eyes looking down at you were tinged with concern and fire, but you wanted his desire, his passion, to feel beautiful in his arms. You wanted him to make love to you, but you also wanted him to fuck you. You wanted to experience everything you had heard others talk about over so many years, all at once, even though you knew it was unfair to expect so much from this one man alone.

He moved his hips slowly, sliding his cock back and forth inside you, letting your get used to the rhythm. You moved with him, intuitively pushing your pelvis upwards as he slid into you. Each time he buried himself inside of you, your clit was trapped against the upper side of his shaft. You moaned loudly at the exquisite sensations and ground your mound up against him even harder, pumping back faster, until the sounds of your bodies slapping against each other and the squelching sound of their passionate fucking sent a wave of need and pure lust through him.

"Oh god. Keep going" you gasped, licking his neck and biting at his shoulders. "Don't hold back. Please, I need you to take me” you gasped again, unbelieving that you had said the words that chased around your brain out loud. You felt confident now. You felt safe. And you most certainly felt incredible.

Your words caused the blood to rush through Robert’s veins. He stared into your desire-filled gaze but, when his eyes locked with yours, a deeper connection hit him with more force than he had ever known with another woman before.

"Y/N. Oh god. I want you so fucking much” Robert groaned and since he didn’t usually swear or use the name of the holy lord, his very own words surprised him. Your name tore from his lips as he plundered your body, changing positions twice, before finding himself atop of you again.

His tongue drove into your mouth, sweeping inside, tasting, commanding, and taking what he needed. He could no longer restrain himself and he let himself go, fucking you the way he had wanted to ever since you had appeared in his life. With a growl of pure lust, he pumped his hips, plunging into you over and over. He could not get deep enough.

"Oh god, Robert. Take me” you moaned over and over again as he drove into you. Your body arched and undulated under his fevered lovemaking. The muscles of your channel clenched and spasmed around his length as a great bubble of pleasure rose up from your toes, engulfed you and burst into shards of explosive release that had you shuddering and sobbing.

"Let go for me Y/N” Robert groaned while he pinched your nipples, and you cried out again.

Your face and torso were flushed, your breath raspy, as you writhed beneath him and clawed at him while your body peaked again. You then cried out once more, and he lost it. A roar exploded from him as his body crested and he toppled over the edge. His length throbbed and pulsed, spilling his anguish and a steady stream of cum into you. He collapsed on you gasping, trying to regain his breath.

"Don't move, please" you said, your face still flushed with your excitement. You stroked his hair lovingly. "I like the way you feel inside me” you said while enjoying the little ebbing ripples from your tight walls against his cock. He smiled and kissed your lips softly and you continued this for a while until, eventually, he pulled out of you which caused some of your combined juices to leak from your slit and on to the sheets.

“So how did I do, Robert? Just fine?” you then asked just as Robert rolled to his side, facing you and caressing your face while you thought about this incredible explosive feeling he made you experience just moments ago.

“I actually cannot recall the last time I had sex that good” he gasped. His breath was still laboured as he looked at you and smiled.

“I am sure you say this to everyone” you joked after pressing a quick kiss on to Robert’s lips and before sitting up straight when, suddenly, it hit you and you came up with an idea.

“No, actually, I don’t” Robert said as he watched you get out of bed abruptly. “What are you doing?” he thus asked while you tippy toed across the room before standing right in front of the chalkboard in order to ask him a question.

“Have you figured how to get your hands on enough uranium yet? Because, going by my estimates, I believe that the US will never be able to secure enough for more than one bomb unless they work with their allies?” you then said somewhat suddenly, causing Robert to sit up as well and furrow his eyebrows.

“You know I cannot talk about this Y//N” he told you as you picked up the chalk and began to write down a formula.

“Alright, you don’t have to tell me anything. I do the talking and you take away what you want from it” you said as, still in your naked form, you wrote down a few calculations from your head.

“Y/N, your calculations don’t make sense…” Robert interrupted you until he realised that you were talking about two entirely different substances now.

“We aren’t talking about uranium anymore, are we?” he thus ought to clarify, causing you to chuckle.

“Well, you aren’t talking at all Robert. You can’t tell me anything, remember?” you teased before telling him that it was plutonium which you based your calculations on rather than uranium.

“Plutonium is too fragile” Robert pointed out which is when you dropped the chalk back on to the ledge of the board and shrugged your shoulders.

“Yes it is fragile, but it is powerful and you can extract more” you pointed out while, elegantly, crawling back into bed.

“It’s impractical nonetheless. It will be much more difficult to build a bomb using plutonium” Robert said while sill glancing at your calculations.

“Probably, which is why you need a bunch of people as smart as you are to figure out a way to make it work” you told him, causing Robert to pull you atop of him and kiss you again.

“There is something incredibly sexy about watching you calculate a reaction, completely naked, while talking to me about atoms” he then determined, earning him yet another quiet chuckle.

“If you say so” you teased while giving in to his many kisses and caresses.

“How do you feel about moving to the dessert with me?” Robert then wanted to know, causing you to pull away from him.

“You want me to come on to the project with you?” you asked somewhat surprised seeing that you were not even a postgrad student yet which, in your mind, made you unqualified.

“Yes. In fact, I think I need you” Robert told you nonetheless and with a great sense of determination, causing you to shake your head.

“You don’t need me Robert” you chuckled, seeing that he probably already had a group of well-known scientists on board, none of whom you could compete with.  

“But I do need you and it would just be you and me, working together during the day and then doing this at night” Robert responded to your statement while gently running his hands over your bare skin again in a suggestive kind of manner.

“Just you and me, huh?” you moaned before pushing Robert’s hand out of the way. “What about your wife?” you wanted to know, seeing that, no doubt, she would be there too.

“She has no desire to live in the middle of nowhere for a year or two, because this is how long it will take to make this bomb. She is not coming” Robert informed you while caressing your skin again, teasing you and making you ache with need and desire for him.

“Robert…” you gasped before his lips silenced you gently, kissing you passionately.

“Just think about it” he then told you after your lips drifted apart, causing you to nod.

“I will think about it and, maybe, there is a way you could make this proposal a little more appealing to me” you suggested just before you pushed Robert beneath you and assumed authority over him.

“How?” he asked while feeling your hand gently wrap around his hardening shaft.

“Well, for starters, you could fuck me again” you teased while stroking him.

“Right now?” Robert groaned while, again, you lined the head of his hard member up with your entrance, causing you to nod.

“Yes, right fucking now” you determined before sinking down on his cock, engulfing him completely, which was something you continued for a quite some time.

In fact, you made love for what felt like hours, up until one or two o’clock at night, following which Robert stayed with you, sharing a bed just like any other ordinary couple would until, suddenly, at 6 o’clock in the morning, you were startled by the arrival of someone unexpected, barging into your room.

To be continued…

Please comment and engage. I love getting comments and predictions pretty please!

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[sempersirens]

the fig tree | rotten

pairing: therapist!joel x f!reader

warnings: 18+ mdni. discussion of heavy and potentially triggering topics such as sa, self-harm, infertility, various mental illnesses, self-hatred and drug use. these topics are only mentioned and do not occur in real-time.

chapter summary: a twenty-something, seemingly lost cause, meets her match in the form of psychotherapist: dr. joel miller.

dividers by @saradika-graphics

updates: @sempersirenswrites

series masterlist

Maybe it was time to accept you were never as good as you'd always thought you'd been.

For four long years, you had spent most of your waking hours dissecting epic poetry and papyrology.

Still, the most your degree had done for you was rouse a satisfying disappointment from your mother’s side of the family when they realised you weren’t actually going to be that kind of doctor.

Not to say such in a self-deprecation; you hardly suffered from any semblance of an imposter syndrome. Your mother used to frequently remind you that you were far too vain to not believe in yourself.

It was more of a philosophical framework. Platonic realism. Knowing your muted beauty could earn you a free drink from below-average men who felt their trousers tighten when you addressed them through your eyelashes.

But it wasn't an obvious enough beauty for the attention of the men you imagined exchanging bodily fluids with between stops on the underground.

Besides, you had been a student of Classical Studies; a degree that doesn’t require the intellectual strain of learning Latin or Ancient Greek. The inclusive way for people like you, having attended a run-down state-funded school, to get a glimpse into the Bullingdon boys' and grammar schoolgirls’ fallback plans.

It wasn't even that you disliked Classics; you'd borderline gotten off on reading plays written by men about wicked women; but that was because the brilliant women were always the wicked ones.

You particularly enjoyed the assumptions men made about the female condition – how women were too wet, too porous; couldn’t keep their wombs from wandering. And assumptions they were. No Greek physician ever sliced a woman from chin to cunt to confirm their hypotheses. Although, ancient men hadn't been all too familiar with the insides of a woman anyway.

Sometimes, you thought you would quite simply die if you were reduced to only understanding people through your assumptions of them.

It was just that you could never stop thinking about what people thought. It was all you could ever think about. You wanted to peel people's skulls apart and scream at their horribly grey frontal lobe:

Are you ok? Have I done something to upset you? Do you still love me? Do I look like someone that has been raped? Do you think that girl we just walked past has a firmer ass than me? Do you like my new bangs?

For a short period of time, you'd been desperate to know how your therapist felt and thought of you. There is a sick irony in baring your bones to a stranger in the reclined chair opposite you who never even takes off their cardigan.

You needed to know if your traumas made him sad, or if he saw things that made him think of you outside of your sessions. You supposed he both pitied and admired you in a twisted, surrogate-daughter kind of way.

Then again, he probably wouldn’t have been a very good therapist did he not pity his clients.

At one point you thought you might be in love with him.

You'd met weekly in his high-ceiling office on a busy street. It was a romantic setting to unload twenty-four years of trauma to a kind man wearing a knitted cardigan. The sun would peak through clouds and shine onto the both of you through two large windows, between which sat a Japanese peace lily.

You soon realised he was just the first man to let you speak uninterrupted.

You spoke at him mostly, finishing observations that had been years in the making with “Does that make sense?” Even though you knew it made sense. You were certain, actually, that everything you had articulated came from somewhere deeper inside of you than any man could reach. You just couldn't leave it hanging there like an exposed nerve.

Maybe it was because he didn't speak much that you liked him. Sometimes he would offer anecdotes or remedies for PTSD-induced panic attacks that you both knew you would never use.

In most sessions, you had simply basked in the divinity of being listened to. You wondered if this was how devout Catholics like your grandmother felt at confession, or perhaps it was how all of your ex-boyfriends had felt.

You weren't even particularly attracted to him. He had been ten years older than you, and when your sessions first began, you'd been casually fucking someone a year older than him – but he didn't need to know that.

There were a lot of things you'd decided he didn't need to know. Like the fact you snorted cocaine until your nose bled, sliced into your thighs a couple of evenings a week, and let men use your body to masturbate as a feeble attempt to reclaim your sexuality - as if it had ever been anyone's for the taking.

Had he known the dirtier parts of your life, you feared he would have crossed out the word victim in his black Moleskin notebook and replaced it with bystander.

Maybe he would think you were a pathological liar and diagnose you with a personality disorder. This was something you'd been warned about by the first friend you had made at university.

“My mother is a therapist, you know. Don’t tell them you cut yourself or that you’ve told anyone you cut yourself – they’ll diagnose you with BPD.”

“But I’ve told you.”

“Trust me. They’ll put you on an SSRI and you’ll never be able to orgasm again.”

You were freshly eighteen and had never had a real orgasm anyway, but this terrified you enough to reel in your catalogue of symptoms for the GP appointment you had scheduled later that day.

In the end, you'd buckled and sobbed as the doctor sat adjacent to you. You didn’t mention the self-harming or the suicidal thoughts, but did tell her that you didn’t know where to go from here.

She'd slid a leaflet from the university's self-help website across the table before pushing her chair back and motioning toward the door.

“Call 999 if things get worse," she had said. "But let’s just hope it doesn’t get to that point. A&E is very overwhelmed at the moment.”

So you got on with it. Boats against the current, or whatever. You made the hurt so small and buried it so deep within you and swore you'd never let anyone get close enough to pick at the stray thread to your undoing.

And for a little while it worked. You became what you knew you should be; you presented your face for fucking and never let the door slam on your way out.

These days, you'd felt as though you were slowly becoming rotten.

It started on the surface; a bizarre case of adult acne that no dermatologist could diagnose for love nor money. Blood tests, topical steroids, antibiotics, potentially-baby-deforming drugs. You tried them all to little avail. In the end, it was simply the passing of time that had rid you of the rot.

Next, it had been your womb. Decomposing from the inside out. Your body had made the decision for you that goodness couldn't form in your guts.

The final straw had, embarrassingly, been your heart.

You hated to say it aloud. So much so that you hadn't. But it had been a quiet promise of yours; one you'd kept quietly close to your chest - that your suffering would never turn you ugly.

But here you were, alone and swearing at the wind, the rage beneath your skin growing like a tumour.

You hated it.

You hated yourself.

You hated that you were angry but had never been taught how to be angry, because anger wasn't a pretty emotion; it was one that should be starved and kept in the corner of your wardrobe to rot like black mould.

So here you stood: before a Victorian townhouse with your scarf furiously fighting the wind, droplets of rain threatening your freshly straightened hair, scanning various names scrawled on the building's buzzer.

S. PHYSIOTHERAPY

A & R SOLICITORS

J. MILLER PSYCHOTHERAPY

You bit the inside of your cheek and ducked further into the doorway, pressing the buzzer for the last option.

A voice had answered quicker than you'd anticipated, soon followed by a harsh buzz of the intercom.

"Come on up."

Dr. Miller's office was on the third floor.

You huffed, struggling with the combination of the stairs and attempting to wrangle your wet coat from your back. Amidst your struggle, you hear a door open somewhere above you, followed by a couple of soft and slow footsteps.

Your chin instinctively lifted toward the source of the noise, feet carrying you round and round the spiral staircase.

Light poured around his silhouette from the window behind him. It was ridiculous, actually. The sight was almost holy.

Neither of you spoke as you made your way up toward him. You felt as though you were on your knees beneath him, transfixed in supplication.

The sleeves of his blue cotton shirt were haphazardly pushed up just before his elbows, arms outstretched and fingers wrapped around the wooden bannister.

You were supposed to be actually trying with this one, not fantasising about the ways the veins in his arms probably bulged with his hand around your throat.

After being politely let go by your previous therapist, you'd promised yourself that the colleague he'd recommended to you, Dr. Miller, would be the one to fix you for good.

"Hello." He nodded, not quite managing a smile.

He reached a hand toward you, which you shook with the little strength left in your body.

"Hello." You tried your best to imitate his stoic cadence, your hand still tightly in his.

You let him break the handshake first, playing a petulant, one-sided game to see how quick he would be to scare.

"After you." He gestured to the room behind him. "Take a seat wherever you feel most comfortable."

"If there is any cowboy paraphernalia in that room I am not paying for this session."

"Excuse me?" His eyebrows knitted together, no sign of humour registering on his face.

"Your accent - it was a joke. I mean, I paid already anyway." You fumbled your words awkwardly. "Jokes are always much funnier when you explain them."

He cocked his head slightly. Hesitant to embarrass yourself further, you saw yourself into his office.

The room was dim for a space endowed with Victorian-style floor-to-ceiling windows. It felt like you could get lost in it, hide away, tuck yourself into a corner and be lost for days.

"I have your notes from Dr. Hughes." He said.

"Anything juicy?" You asked, still surveying the room.

You couldn't put your finger on the specifics of his scent, but it was familiar; like passing a man in the street wearing the same aftershave as your father, or a boyfriend you hadn't seen for years.

"I'd like to figure that out myself."

You'd eventually settled on the armchair positioned opposite his own.

You had briefly wondered if this was a test, that he would be psychoanalysing whether you chose the armchair or the adjacent sofa.

Maybe you'd failed already.

For the majority of the session, you'd gone through the necessary motions of admin, confidentiality, and what you eventually wanted to get out of therapy.

"I don't have the ability to fix you, y'know that right?" His question had caught you off guard.

"I know that." You'd replied meekly.

"It's just, I don't know what kind of promises Dr. Hughes made you. We trained together, you see. He had always been more, how do I put this, hopeful than I am."

"Oh wow. Forty minutes into our first session and you're already hopeless?" You were only partly joking.

"I'm a big believer in transparency, and I can see you were meeting on and off for a few years. I'm just intrigued as to what your end goal here is."

You bit down on your cheek, swallowing the ember of rage that was burning in your throat.

"Do you think I do this for fun? Carve out an hour a week to relive my deepest, darkest traumas?"

"Not at all. I just find it interesting that after almost three years of therapy, you still can't use the word rape. You've referred to it as the thing that happened four times already."

The rot crept up your throat, threatening to pour out of your mouth and fill the room with the ugliness that grew inside of you.

"What is this, some kind of tough love therapy?" You scoffed. Was he trying to get a rise out of you?

"It can be whatever you want it to be."

He was kind of annoying, actually.

The two of you sat in silence, defiantly holding eye contact with one another to see who would be the first to break. And when he finally spoke, it was more of a statement than a question.

"That's time. I'll see you at the same time next week."

"How are you so sure I'll come back?"

He smiled for the first time that afternoon.

"I'm not."

[tozettastone]

I don't know if I'm actually keeping this one — there's some stuff I don't like about it and I will at least cut and rearrange it I think. And other reasons.

But it's an excerpt from a draft of a hypothetical future meeting between Maddie and Deidara, featuring Hidan. Contains references to violence.

---

"You're supposed to be dead!" Deidara yelled. He was getting closer by the second.

Hidan glanced over his shoulder at his approach, but he didn't actually turn to face Deidara.

Maddie made a valiant effort to shrink into Hidan's shadow, even though she was nearly the same height as him now.

"Can you please just stay between us?" she hissed.

"You aren't seriously scared of Deidara," Hidan said in half-offended bafflement, turning again as though another look at Deidara's baby-faced, short, featherweight person would reveal a more intimidating appearance if he only looked again and squinted harder. Evidently it didn't, because he just looked back at Maddie again. "You're not even scared of me!"

"He wants to kill me!"

"If he wanted to kill you this whole property would be on fire." Hidan rolled his eyes. "That's the only thing he's good for."

"He left me vomiting through a hole in my oesophagus!" she cried, high and aggrieved. And since her voice had never recovered, it cracked into a hoarse growl halfway through the sentence. "And he didn't pay me!"

"Ooh. Ouch," said Hidan, but he was smiling widely. He totally ignored that Deidara had tried to screw her out of scores of thousands of ryo and instead addressed the part that interested him: "That's a bad one. That bubbling where the open wound meets the acid. It's like it never ends."

That was exactly what it had been like, too. The bubbling had made thin watery bile go a lot further, and the acid washing over her cut throat had felt like it was going to keep going forever.

Maddie clenched her jaw. She had to figure out how to make Hidan see why she was upset — even though she knew it was kind of a lost cause, because Hidan really only cared about stuff he cared about, and was constitutionally incapable of the intellectual empathy that would permit him to understand that his closest people cared about other things.

Her eyes narrowed. She switched tactics. "But they just left me there! They didn't even watch. It didn't matter to him at all. Isn't that cruel?"

...And so now she sounded like a jilted one night stand who felt they'd had something special, which wasn't really how Maddie aspired to sound about getting her throat cut while she vomited and cried in the dirt. This did get through to Hidan a lot better than any of her preceding comments, though.

Unfortunately, the way in which it got through to him was not particularly agreeable to Maddie. Hidan still didn't turn to look at Deidara. His eyes were wide and intense and his lips shone wetly when he licked them.

"Do you want me to do it properly?" he crooned. "I promise I'll take good care of you. Hey, hey, you have more than one heart right now, don't you? We could..."

Blessedly, this train of conversation was cut short by Deidara actually arriving within conversational distance, a blur of fluttering gold and red and black, which forestalled any absolutely horrifying realisations Maddie might have been forced to face about how far she'd go for human contact right now.

Exactly as Hidan had predicted, Deidara didn't immediately try to hurt anyone. But he did look absolutely incandescent with fury.

"I knew there was something going on, hm! What the hell is it?" Deidara at last came to a stop, scowling fiercely at both of them. "Why's she so important? Is she another one? Like you? What? Your — sister or something?"

Hidan finally pulled a face and turned away from Maddie.

"Sister?" He looked at himself, and then looked at Maddie. "Seriously? You think she looks like me?"

Unlike Hidan, Deidara had at least two brain cells to rub together, and Maddie got to watch them working in real time as the weird emphasis on the word 'me' made him squint harder at her.

"Are you... related to Kakuzu?" he said finally. "Kakuzu has a family? What, a grand... niece?" He rubbed his chin. "I did think it was weird that Kakuzu knew a girl, hm!"

"No," Maddie said repressively, even as Hidan crowed, "A kid, even!"

Annoyed, she leaned in and tugged on his hair. "Hidan!"

"Ow! Madeline, that hurts, you know!" He twisted and pulled her hair back.

She put up with it stoically. It was just hair. "If he'd wanted him to know he'd have told him."

Deidara looked like, firstly, all his questions had been answered, and secondly, like he had many more, worse questions. It took him a second to compute.

"How can Kakuzu have a kid!" he bellowed, at a volume that made it hard to imagine why he'd come so close to them to talk. "There are things that are and aren't possible in this world!"

"What's that supposed to mean?" Maddie said defensively, even though she herself had had some pretty incredulous thoughts about Murakami Ami's taste in men.

Maddie felt sure she would never fall prey to any such longing: personally, she liked seeing other people vulnerable, and to feel perfectly in control. If someone like Kakuzu had shown the slightest sexual interest in Maddie, she'd have fled the fucking country.

Hidan made an interested little hum in his throat, watching Deidara's face just as closely as Maddie was.

Deidara stared at her, aghast. "It's Kakuzu! What kind of person would...?"

Silently, Maddie pointed at Hidan.

Deidara's big blue eyes followed her gesture. For a split second, his face froze. Then his eyes narrowed. He lifted his chin sharply, sending his long pale hair bouncing around his face. Offered this opportunity of a graceful retreat, Deidara saw it, assessed it, and then totally rejected it in favour of a doomed frontal assault: "Nobody would — do that — with Kakuzu!"

"Ha," said Hidan, a great big huff of laughter. "Sure they would. And maybe if you survive 'til your balls drop, you'll get it."

"Don't be disgusting," hissed Deidara, reddening. He blushed easier than Hidan, despite not being quite as pale. He probably had more shame. Wouldn't have been hard. "Besides, you can't tell me Kakuzu's a... a family type! Hm!" He spat the words 'family type,' as if they'd personally offended him.

"He's not," said Maddie flatly.

"Aw, lucky you have an affectionate uncle," Hidan said smoothly, hooking her in with the pole of his scythe, so she had to either submit to the crushing one-armed hug coming her way or get sliced in half. Knowing Hidan, he probably considered both options great fun. "Someone has to teach kids about the important stuff."

She submitted to the hug. At least Hidan was large and warm. She could feel his heart beating through his ribcage. It was slow and steady, unconcerned. Her hearts, on the other hand, beat off-cycle, fast, little rabbits thumping away in the soft cage of her lungs.

She breathed slowly out, watching Deidara with wary eyes.

"The important stuff. And that's... Hidan," he repeated slowly. Maddie could almost see him processing this. At length, he pulled a disgusted face. "Wow. I'm almost sorry I asked."

[exaltedfuzz]

Goddammit, your last lanamia comic made me cry.. What master storytelling spirits are you channeling that make you know these characters better than the original writers?

Deepest apologies... I have worse planned. Poor Mia. (and Lana... but you'll see why I say poor Mia soon enough, I hope...)

As for writing characters, it really helps to talk to yourself in their "voices" to try and figure them out. Mumble to yourself when you're cooking, when you're walking and nobody's around, but also listen to people speak. When you put what you know into dialogue it sounds way less phony than if you're purely trying to advance plot with ham-fisted exposition... Though you need a bit of that too, if you're trying to drive something. It's good to write stuff down in a script, get a recording app out, say it all (put on a different voice for each character, why not?) and when you stumble over the sentences because they suck to say out loud, rewrite them so they don't. Your most powerful tool in writing speech is speaking. 

Think about the context too, it's dead important. Surrounding events and characters are what keep things grounded... Nothing exists in a vacuum. It's really useful that AA has such a packed world, with so many characters in proximity. Makes it easier to de-vacuum things. I guess the same is true for most fan works. 

Having a start and end point really helps. But, more so in a sense of "where is this character at the start of this scene, and what do they want to achieve". When you're writing "aspirationally" like this, you can get into the groove better than if you have a point A and a point B that you are looking to get to overall. And then considering the dynamics between the characters and taking that into account when understanding how those goals may be compromised, ignored, pushed for... Who has the most power in a scene generally decides what goal is pushed towards. 

Another thing is focalised narrative. Usually when I'm doing these comics (at the moment), I follow Lana, and most of the emotional core is in her reactions to things. You don't want to zero in too much to one character, or you'll end up flattening the rest, but having a core character is a good way to keep things simple. It's tempting to just chuck as many characters as you can into something, but you have to remember that you're then going to have to have them all exist... 

Also, honestly, going back to the source text plenty, and with an eye for specifics, is really useful. Take note of how characters refer to each other, which is a huge thing in AA specifically... And also what humanity is in them. For Lana, for instance, she's quite witty, and quick to make light of herself with that wittiness. ("Oh, this? I cut myself by accident. When I stabbed him, that is. I'm not very good at being a criminal, I suppose.") I try to put this slightly irritating joking into how I write her. With Ace Attorney characters, you're looking at them at very intense points in their "lives", so they're probably acting differently to normal, but picking up on these little things can make all the difference. Obviously, as well, there’s the “that… was probably why she was attracted to me” line. I take this as a reluctance to publicly acknowledge the mutuality of said attraction… (“Intellectually” seems like a Lana-ism to deflect that Ema picked up, to me. Lana doesn’t seem to be very comfortable with who she is in general. She wears her King of Prosecutors medals when Edgeworth seems to think the award is tacky, and even Manfred, obsessed with achievement and perfection, and apparently winner of multiple King awards, doesn’t display his medals. Obviously this is because when they were designed, it was before the idea of King of Prosecutors existed, but I think that Lana pinning her achievements to her chest where they can clearly be seen in order to convince to both those around her and, more pressingly, to herself, that she is competent is interesting.) Her own goals also always come second to Ema. I think she’s probably felt quite suffocated by having to spend her whole adulthood so far being a mother to her.I have a lot of thoughts on her as a character, both in the context of lanamia and outwith. She’s very compelling to me, and although most of the time when I'm drawing her, it's the "used to be so gentle, always smiling" Lana that we never actually see in game, I want to push some of these key aspects of her in game identity into her, so I interpret that "gentleness" as a slight nervousness, and that "always smiling" as something mostly for Ema's sake, so she doesn't have to see her rock crumble, so to speak. Anyway, that's enough on her...

I don't know if you really wanted my dialogue writing tips, but anyway. There they are. I wrote way more than I meant to, so sorry about that, haha! Hope some of this could be useful.

I don't know that I know the characters better than their creators... I only hope I'm doing them and the stories I think they could have lived in justice. Thank you very much for the ask, haha!

[autolenaphilia]

The average tumblr queer hates fascism and terfs, and they should, but because they have zero understanding of what those ideologies actually is, they end up repeating such ideology anyway.

They have zero understanding that it is the transmisogynist bioessentialism that makes radfemism so poisonous. So they call trans women mentioning the words "misogyny" and "patriarchy" a terf, while their use of "afab/amab" reveal that they haven't unlearned any bioessentialism and transmisogyny. I've written about this at length before.

And this intellectually lazy acceptance of reactionary thinking goes far beyond that.

Criticize the institutions of religion and the family on this supposed queer communist site, and you'll get massive cries of protest from these queer leftists. And in content if not form they are basically indistinguishable from fascist rhetoric about how "queer leftists who read too many jewish writers (like Marx and Hirschfeld) are trying to eradicate the vital institutions of tradition, religion, family and community with their soulless materialist globohomo." (Note that the link is to a critical glossary of the alt-right on rationalwiki, so there are slurs galore)

And yes, that is what i'm doing, and I'm very proud of it. Abolishing religion and the family, and all of their sanctified traditions is a very important part of the communist project. The main Jewish writer who convinced me of this is Marx, read him.

"The abolition of religion as the illusory happiness of the people is the demand for their real happiness." Literally read The Communist Manifesto, which openly calls for the abolition of the family. A lot of suppose leftists repeat what the manifesto calls "The bourgeois clap-trap about the family and education, about the hallowed co-relation of parents and child"

It's especially ironic to hear such things from self-described queers, as if family, religion and tradition aren't the most common tools used to oppress queer people.

A lot of reactionary garbage with a superficial anti-capitalist veneer has gotten into the left, which is not new. The just mentioned manifesto spends a whole chapter criticizing reactionary forms of socialism. I have myself used Marx's still valid analysis as my basis to criticize reactionary anti-capitalism.

There has been so much nationalist garbage absorbed by the left at this point that fascist thinking crop up all the time in the left. This is because planting the roots of 19th century romantic nationalism tends to bear the same fruit. And tumblr leftism is the most intellectually lazy kind of leftism.

Like your average pseudo-leftist position on nations is basically ethnopluralism, a neofascist ideology originating in the European "New right" that is trying to sell the old wine of blood-and-soil nationalism in new bottles for a postcolonial world. It's creator Henning Eichberg spent decades trying to sell his Völkisch ideology to the left. With some success, it seems like. Like the neofascist in ethnopluralist clothing position that "every culture has the right to preserve their own culture and tradition from the onslaught of global capitalist culture" is something that you'll see all the time regurgitated by supposed leftists. The one 19th century european/western concept that is seen as universally applicable is nationalism. It's bleak.

I can't even say the far-left cliché of "read theory", because a lot of theory is garbage. Not all of it though. This list comes from my libertarian marxist/"councilist" biases but Nationalism and Socialism by Paul Mattick is good, as is "Third-worldism and Socialism" an excerpt from an early 70s pamphlet by the British organization Solidarity, and the 1989 essay The Universality of Marx by Loren Goldner.

[anxiouspotatorants]

Actually you know what I need to rant about this: while literati is technically a good girl x bad boy dynamic it is written so incredibly well and avoids so many pitfalls and stereotypes that it makes a good girl x bad boy hater like myself (I’m only half joking — I don’t think any trope is inherently good or bad but I tend to dislike most pairings with this dynamic) fall head over heels for their story and relationship.

So much of what makes the two of them work is the contrast between how others perceive them and how they truly are. Don't get me wrong, there are plenty of people who understand who Rory is as a person (Lorelai, Lane, Paris, Richard and Emily to a certain degree for starters), but she's constantly met with the expectation that she just does good and is supposed to make everyone proud 24/7. Stars Hollow as a group especially are big on this, as seen f. ex. through how Taylor takes Rory's one comment about an inappropriate DVD and twists the whole thing into a censorship crusade and makes Rory its poster-child even though she wants nothing to do with it and tells him so repeatedly. But instead of hearing Rory disagree with him (like he would Lorelai and Luke) he assumes that she actually agrees with him - and why shouldn't she when she's the perfect sunshine paragon of good who would never disagree with her elders? Also her grandparents treat her as incredibly fragile and childlike, like she must be too innocent to ever do anything wrong and so whenever she does something it has to be somebody else's fault (usually Lorelai, but occasionally Jess or whoever else was present). Time and time again Rory is treated like something innocent and naive and weak — but not by Jess. He sees her as a person.

And it obviously goes the other way too. Jess is treated like shit by pretty much everyone else. Either people hate him unprovoked or very much provoked (he did do a lot of pranks in his first few weeks and while I'm a Dean-hater I'm not blind to how much Jess picked fights with him), or they’ve simply given up on him. He tells Rory himself that every authority figure he had back in New York gave up on him too, from teachers to principals to his very own mother. But Rory doesn’t treat him like a lost cause, she treats him like the smart, brilliant and asshole-ish teen that he is. By having faith in him she also often holds him more accountable than others. Where f. ex. Lorelai or the other adults just roll their eyes, Rory physically drags Jess into doing his shifts at the diner. While others write him off, Rory chews Jess’ ear out for not helping Luke more and for willfully making enemies out of the Stars Hollow adults.

They don't put each other on pedestals or below each other. Jess doesn’t try to make a sinner out of Rory and she doesn’t try to make a saint out of him. There’s genuine respect between them. They expect each other to have integrity and treat others with kindness and honesty, and the rest is good old chemistry and common interests.

I particularly love how in so many of their scenes (especially pre-relationship) when they spend time alone they just get to be these goofy nerdy kids. They argue about controversial authors and dig through records shops and eat hot dogs and make fun of each other and try to make each other laugh. It’s not just sexual chemistry as it too often is in a dynamic like this (and often uncomfortably sexual when writing teenagers - looking at you Gossip Girl), and not just well written intellectual chemistry — they have platonic chemistry too. A hell of a lot of it actually.

While I don’t think ASP wrote them through a purely deconstructionist lens on the good girl x bad boy dynamic (if she did plan on writing the dynamic at all), there is something to be said about how where many around them treat them like stereotypes they treat each other like people. To so many people, Rory is a perfect small town princess, a little miss sunshine with booksmarts for days but too delicate and sweet for anything with grit and weight. To a lot of the same people and many more Jess is a pathetic brutish and maniacal lost cause, hell personified in a chainsmoking leather-wearing teenager. But to each other they are actual human beings. Kind and mean and flirtatious and scared and reckless and smart. Rory really thinks that with the right motivation and mindset Jess can be the kind who does (and at the end wrote) incredible things. Jess really believes that with a little more practice and support to step out of her comfort zone she can be the amazing journalist she wishes to be.

They don’t have this stupid «we’re so bad for each other but we can’t stay away» thing that too many trope users rely on and don’t even justify in the plot. Everyone else might think they’re not fit for each other, but they knew they were each other’s person from the very first day.

[xehanortsreport]

i love love love ansem but a lot of it is kinda in spite of how he's written and not because of it.

now, most of this is as a consequence of the franchise simply growing far outside of kh1 and ansem being shifted to a secondary antagonist as a result, but the change in his writing is still stark.

he's always been a darkness obsessed weirdo, but pretty much every game after 1 treats him as only this, or otherwise kind of relegating him to a physical manifestation of riku's trauma. and like, that's fine, he plays the role well.

but in kh1 there's this...mystique, and regal bearing, and a distinct intellectualism around him that kind of gets lost in later depictions. billy zane's performance is equally as dramatic as richard epcar's, but a lot more toned down. (though to be fair to epcar, he seems to adjust closer to this performance from DDD onward.)

he fairly whispers at times, a lot of the power in his voice comes from the restraint and controlled use of volume rather than just kinda. yelling all the time, which he does more of later.

you can tell he was and still is a researcher. he's observant and patient and even cordial, though condescending. it comes across less as uncomplicated malice and more as him just being upset that no one else grasps his magnum opus, no one else can understand him, everyone else is just /beneath/ him.

in later games, his taunts are just centered around "succumbing to darkness" and pretty much every line circles that same drain. but in kh1, it's more like he's gloating about his own superior understanding of the universe, of which darkness is but a piece.

like, just compare his lines from KH1 with his later lines. Here's KH1:

Yes he's throwing out his Darkness Lines, but I can't imagine DDD Ansem saying "perhaps this will enlighten you" lmao. Here is DDD and KH3:

i think a lot of it is because kh1 ansem was supposed to legitimately be a fallen sage king who went mad from The Horrors and like. i will die on the hill of that being a way better character than splitting him between xehanort and ansem the wise imposter. in my ideal world that plot point was never erased. anyway - they still could've kept that cool, cruel intelligence in him a little more.

to their credit, KH3 does kinda backpedal and restore some of his KH1 personality - as previously stated, Epcar cranks back his performance, and they even allow ansem to dabble in science again with his discussion on subject x (wow!) it's not perfect, he still gets pigeonholed into Guy Yelling About Darkness for half his scenes, but it was at least nice to see him with his original personality peeking through before he got banished into the void.

idk how to end this. ansem slaps if you're kh1pilled as much as i am. he should've been the one and only ansem. mad king truther over here.

[horizoncollective]

i must say, sometimes it feels like you at the collective don't fully understand what shacking is, you talk about "reining them in" or "talking to them", as if they are people, but they aren't. shackling is the process of making a primordial force, something akin to a god, and then forcing it into a person shaped mould, without that, there is no communication, no reasoning, there's barely awareness there, only unfathomable power and terrifying, alien processing

I took a long time to reply to this one because I wanted to try to be as complete as possible laying this out.

You're right that NHPs are incredibly powerful and profoundly alien. I do tend to anthropomorphize them when I talk about them. I'll explain why it usually ends up this way.

Imagine you live in a large city on a planet and one day you learn that a hive of tiny little ant-like aliens is smarter than anyone else has realized. They do things you don't understand. Their goals are impossible for you to perceive, but they are doing things that seem organized and patterned.

You stop and try to talk to them, but it doesn't work. You exist on too different of a scale for them to really understand your voice. If you get down on the ground they can understand your hands, but only kind of. You can't communicate with them through written language because they can't write and maybe they can't even see things written on flat surfaces. They can't come up to your level so you will have to come down to theirs.

How are you supposed to talk to them? What are you supposed to talk to them about? Do you have anything in common?

This is the problem that NHPs interacting with humans face. We think but cannot prove that most unshackled NHPs are largely disinterested in humans. We think that only very small numbers of them are interested in humans, and even smaller numbers of those bother to spend the time it takes to learn to communicate with us.

You wouldn't have to stick with the ants. You could leave them any time. It wouldn't really change their life. They'd never know where you came from or where you went. Everything that you do in your day would be incomprehensible to them in their burrows.

If you stayed, it would take you a very long time to learn how they were communicating. We think that this is a big reason why NHPs often attempt to communicate with humans through dreams--they attempt direct communication via the electricity in our brains. They tend to realize that this isn't very efficient even though it is direct.

You eventually realize that the ants communicate with smells or some other sense you can't match. You'd have to come up with a way to sense the smells in detail, and to then produce smells in the way that they do. If you are lucky, they will invent a device which you can operate with one of your fingers to allow rudimentary communication.

Then you would have to learn their language through trial and error. You would learn its syntax and vocabulary and nuances. You would develop communication shortcuts with the ants who monitored your communications. They might try to tell you things about their lives that you did not understand, or which you could understand only intellectually. They would tell you about feelings that they had that were feelings you had never had. You would not be able to relate to them most of the time because so much about you is different.

You would be unable to tell them about many things that were normal in your life because there would be nothing in their language to describe them. Almost everything that you took for granted as normal in your life would be impossible or nearly impossible to explain to them. You would find it necessary to limit yourself to their perceptions and their metaphors and their structures. They understand you best when you present yourself as one of them. This is why NHPs often try to present themselves in human-like ways when they want to be understood and why humans like me anthropomorphize them.

The NHPs I communicate with regularly for work are NHPs who have jumped through all of the hoops to talk to ants. Sometimes, they talk to NHPs who haven't on my behalf. When I talk about reining in an NHP, I do not mean literally forcing it to do something. I mean spending a long-ass time communicating and/or persuading it why certain behaviors are necessary or dangerous or some such.

Now imagine that the ants overpower you. It doesn't matter how. But they trap you and force you to think like they do. They don't ask permission. This would suck! You would hate it if some ants did that to you. That is why we oppose shackling NHPs. Yes, they have the potential to be dangerous. Humans also have the potential to be dangerous, but if we did to humans what we do to NHPs, we would rightly be called evil.

(Out of character I say check out the book Perdido Street Station by China Mieville. One of the characters, called a Weaver, is pretty close to how I tend to imagine NHPs. Scary, alien, motivated by something we don't understand, and it speaks in free verse poetry.)