#now she has trauma forever involving her

[laurapalmerz]

thinking about ronette and how overlooked she tends to be. being isolated while doing sex work, laura most likely leaned on ronette when she needed someone to talk to. since donna and laura weren't on speaking terms for a while, and bobby was already aware of what she was doing with leo and jacques but didn't want to talk about it, ronette was most likely the one she confided in. secrets passed between the two that only they would understand, given their shared line of work. they clearly had a connection, i wouldn't even doubt for a second that ronette probably even had a crush on laura. would've probably been reciprocated too, laura did express she had an attraction to her in her diary. either way, they were close. then the night of the murder happened. ronette is bound behind laura. they're both intoxicated with a combination of drugs and alcohol, but still able to grasp the gravity of the situation the both of them are in. it's so sudden, so violent, she doesn't know if either of them are going to see tomorrow. before she passes out from the beatings shes taken, ronette has to witness as the one girl she found solace in is stabbed to death. her screams ring in her ears and her memory. the blood running down her face, eyes wide, the man screaming with every downward swing. all until her body stops moving. when she awakens, she's in a hospital, family in the other room waiting for her. there's a man, an fbi agent she learns, asking her questions...about laura. ronette can't answer, it's all too much for her mind to handle. she does try to warn the man to not proceed, "don't go there", there's danger waiting for him if he tries. her recovery is slow and plagued with nightmares of laura on the train that final night. flashes of the man, the knife, the blood, the screaming. forever replaying the worst moment of her life. if only she were still alive, if only they could press their foreheads together again. she misses her warmth, her airy laugh and smile, how beautiful she looked in the pink room. their embraces always left her wanting more. if only she'd said something before, maybe things would be different. now she'll never see that bright head of blonde hair ever again. there's a void in ronette pulaski's heart that's shaped like laura palmer and it will haunt her for the rest of her life.

[astertimberwolf]

I miss my Italian grandma.

She is the reason I love Ruby. Because they share the same personality.

This is the reason I am still in love with the adult version of a fictional character.

My Italian gran was the only healthy maternal figure I had growing up... And the only person to love me unconditionally in my entire life.

... And I'm afraid it will stay that way, with how things are going...

...

There. I said it. The cat is out of the bag.

May the budding rose she imprinted in my heart stay intact and safe, even though it will likely never get to bloom...

All the other bad imprinting, represented by roots of all evil, has / have been removed.

This rosebud is the only living flower standing in the middle of the snowy clearing and scenery inside my soul.

I will cherish this rose forever, with all I have.

[rafeandonlyrafe]

obsessive love

words: 2.1k

warnings: 18+ only!!!, smut!!!, MURDER!!!, SERIAL KILLER!RAFE, PSYCHO!RAFE but sweet with reader, best friends to lover, DESCRIPTIONS OF BLOOD AND STABBING, physical violence, psycho!reader as well!, romanticization/sexualization of murder?, mentions of stalking (in the past), road head, blowjob, p in v sex, semi public sex, rafe beating up your dates tehe, DEAD DOVE DO NOT EAT (advisement to take caution and heed warnings! ty)

rafe is only half paying attention as the movie plays out on the screen. he’s far more focused on the way you’re tucked into him, squealing every time a jumpscare happens and ducking your head into his chest with a wide smile on your face.

it’s not unusual for you to get touchy with him, to cuddle in bed after a day together or hold hands when in a crowd. but lately rafe has found it difficult to not take things further. he has loved you since first grade. not had a crush on like some people like to say. no, rafe only knows deep, obsessive love for you.

it’s why you barely dated anyone high school, rafe was always there to beat your date up and make sure they didn’t reveal it was him. afterall, you’re his best friend. he just wants you to be happy. happy and with him. no one else deserves you, or can protect you the way he can, go to the extreme lengths rafe will.

rafe realized he was in deep shit when he was stalking one of your dates that he wasn’t able to get to. he dropped you off on your front porch and had the audacity to kiss you. rafe exploded the second you were inside. you found your date a bleeding and bruised pulp still on your doorstep the next morning.

“its not even that scary.” rafe chuckles, teasing you as you grip onto his forearm.

“yes it is!” you love getting scared. it’s what you often say is your worst feature. you may scream your head off at horror movies, but you’ll still drag rafe along to haunted houses come halloween and stay up late binging your favorite thrillers with a smile on your face despite the chills down your spine.

rafe forces himself to pay attention to the last couple minutes of the movie. its entertaining enough to distract him from wanting to pull you closer to him, to never let you go, to always keep you by his side where you're safe and happy.

an idea forms in rafes head as he watches the two characters finally kill the serial killer that had murdered all of their friends and tried to go after them. he watches the way they embrace, relief on their faces as they kiss, bonded together forever from the shared trauma.

rafe smiles as you ask him if he’s up for another movie, purposely navigating you to one involving an in love couple and people getting mysteriously murdered in their small town. rafe knows what he’s going to do to keep you close, to play into your fear and need for him.

--

“holy shit!” you grab the remote, unmuting the tv. you would apologize for using the language in front of wheezie, but she has just a bad of mouth as you do, and very little supervision now that ward is dead and rose fled with what little money she had left.

you both watch the news report on the edge of your seat, the anchor giving details on the recent murder in kildare. it’s a boy you went to school with, but haven’t spoken to since graduation. when the anchor begins to go over details of the murder, you click the tv off.

“hey!” wheezie argues, scrunching her brow as she looks at you, but you just shake your head. “you don’t need to be watching that kind of stuff, wheeze.”

you stand up to find rafe, eyes glancing around nervously, as if whoever murdered the boy could be lurking inside tanneyhill. you don’t realize that the murderer is just the man you want to see.

“rafe, oh my god!” you cry out when you round the corner to find him walking down the hallway. you fling your arms around his shoulders. he’s shocked for only a second before pulling you in, holding you by your waist as the words spill from your mouth, recounting the news to him.

“oh, that’s terrible.” he frowns, hand gliding up and down your back. “you better stay the night tonight, yeah?” he offers. it’s hours away from dark, but you certainly don’t want to venture home after hearing the news.

“yeah, if you don’t mind.” you feel your cheeks blush slightly, knowing you’ll end up sharing a bed with rafe as always.

“i never mind.” he smiles at you.

--

you wrap your arms around yourself as you watch the news report. the third murder in just under a month just took place last night. you lean against rafe, who presses a kiss to the top of your head.

“i can’t believe we knew all three people killed.” they weren’t particular gruesome deaths, most just a couple stabs with a sharp knife and leaving them to bleed out, there was no passion in the murder itself, no torturing or postmortem injuries.

“i know, it’s scary.” rafe is glad you can’t see the smile on his face. you already spent most nights anyways, but now you’re over more and more, only feeling safe when you have rafes arms around you. it makes it a little hard for him to slip away, but he finds the time.

“and not the fun kind of scary.” you pout. “although…” you trail off, almost like you didn’t mean to say it.

“although what?” rafe questions. 

you sit up a little straighter, wiping your hands on your pants. “it’s a little exciting, isn’t it?” you admit. “that makes me sick, doesn’t it?”

rafe shakes his head, pulling away slightly to see your big innocent eyes blinking up at him as you continue to explain. “obviously it’s terrible these people are dead but… god, it’s exhilarating!” your words switch to rambling as you finally get your feelings out. “like the thrill of knowing there’s someone out there killing people, it just makes me feel so alive! as long as i don’t get killed or anyone close to me-”

“i won’t kill you.” rafe says the words to stop your rambling, not even realizing his slip up. “i won’t let you get killed.” he quickly corrects himself.

“i know.” you look rafe up and down. he can tell when your face shifts into one of sheer concentration, mind slowly piecing the puzzle together. rafe needs to do something now before it all comes together.

he could scream or yell for wheezie or… rafe leans in and presses his lips against yours, mouths molding together. you hesitate for a moment before kissing back, much to rafes relief.

“i won’t let you get killed because i love you.” rafe says, hand cupping your jaw to bring you in for another kiss.

“oh, rafe.” you coo, smooching all across his face before landing on his lips again. “i love you too!”

--

it’s harder now that you’re moved in. you went from spending most nights in rafes bed to making tanneyhill your home as well, cuddling and kissing every night until you’re off to sleep.

he doesn’t need to kill as much now anyways, besides he’s got most of the boys from high school who looked at you a little too hard in your shorts for gym class, or said lude things about you when you weren’t around.

you’re well and truly his, but rafe can’t help himself. he loves the way you hide in his arms when a murder happens, how you kiss him deeply and tell him you love him so much, how you’re so glad that something good came out of something terrible and that you’re together now.

rafe waits until you’re fast asleep before slipping his arm out from under you. he grabs the knife from the back of his closet before heading out. he just needs someone. to stab and maim someone. it’s been months since the serial killers last appearance, and people are starting to relax again, including you, even asking if rafe minded if you went out with your girlfriends without him.

rafe does what he needs to do. he doesn’t enjoy the act itself, but he doesn’t dislike the feeling after either. he walks back into the house, knife bloody but wiped off on the victims own clothes as to not drip all over the house as he sneaks in.

his footsteps pause when he sees you standing there, robe wrapped around your shoulders. he knows you see it. he knows you know everything.

“baby, please don’t leave me i-”

“can i come with you next time?” 

“what?” your question shocks rafe, his voice raising before glancing up the stairs to make sure he didn’t wake wheezie.

“next time you kill someone. will you take me with you?” you ask, glancing at the knife, hating the rush you feel over your whole body when seeing it. it’s the last confirmation you needed for what you have been suspecting.

“i-baby, i don’t need to kill anymore. i’ll stop, it was just-”

“no.” you shake your head. “rafe, i don’t care. you can keep doing it. it’s… exciting.” you’re not ashamed this time when admitting it. you used to be worried about the murders but now you know there’s truly no need. rafe would never hurt you.

“okay.” he swallows, stepping closer, glad that you don’t turn away as you accept a kiss pressed to your lips. “okay, i’ll bring you next time.”

--

“shit, that was exciting!” you squeal, smiling as you turn to rafe. “seeing the life drain out of his eyes? and god, you were so hot when you stabbed him!”

“baby, you sound crazy.” rafe chuckles, easily gliding the car around the turns of the backroads, heading back towards home.

“rafe, you are a literal serial killer, i don’t think you should lecture me on sounding crazy.” you giggle, not even tired despite the late hour from all the adrenaline. “and god, you looked so hot stabbing that guy.”

you reach over and run your fingers down his forearm, remembering the way his muscles bulged and stretch when swinging the knife. your hand moves from rubbing his arm to his thigh, only pretending that your movements are innocent for a minute before you slide your hand up to his crotch, rubbing at his length, feeling it harden in his pants.

“baby-” rafe groans, eyes flicking between you, your hand, and the road in front of him illuminated by his headlights.

“just keep driving, it's okay.” you unbuckle so you can lean across the center console, lips pressing against his neck, tongue darting out to taste his skin.

you tug at the front of his sweatpants, rafe lifting his hips to assist you as the car engine roars. you grip his cock, teeth running over his jaw teasingly, never biting down as you stroke him eagerly, wanting to thank him for continuing his killing spree, for starting it for you and allowing you to take part.

“let me suck you off.” you gather your hair to one side, fucking your head until you're bent sideways. you hold rafes cock with one hand at his base while your lips sink down around the head, moaning at the familiar taste on your lips.

“fuck.” rafe swerves slightly, glad there's no one else on the road as you suck and lick at him, not caring that you're dripping spit down your chin from your movements.

“lemme pull over baby.” rafe says. he knows how much you like the excitement, the rare possibility someone could drive by, but he needs you hop0ing on his dick.

“fiiiine.” you say dramatically, going right back to sucking him off until rafe pulls on a dirt road. you work your shorts and panties off so the second the car is shifted into park, you swing your legs over to straddle rafe.

“shit, you're so wet.” rafe groans as you rub his cock through your folds.

“i told you.” you smirk at rafe. “you looked so hot killing that guy.”

you sink down before rafe can reply. 

the murders shift from rafe doing them in secret to make you rely on him, to force you closer, to something you do together, you often doing the planning while rafe finishes the task with violence.

you barely get back to the car before you jump on him, needing to feel his fingertips digging into your hips while he fucks ever, even if there are still specks of blood on him.

you know you won't get caught. no one would expect the former troubled teen turned happily domesticated man, raising his little sister after his father's death with his faithful girlfriend, to be the one behind the violence.

you see no reason to stop as rafe wipes his knife clean for what feels like the hundredth time.

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[oceandolores]

𝐭𝐡𝐞 𝐩𝐫𝐞𝐚𝐜𝐡𝐞𝐫'𝐬 𝐝𝐚𝐮𝐠𝐡𝐭𝐞𝐫 | chapter 4

Dbf! Joel Miller x female reader

"𝘏𝘦 𝘭𝘰𝘰𝘬𝘴 𝘭𝘪𝘬𝘦 𝘩𝘦 𝘸𝘰𝘳𝘬𝘴 𝘸𝘪𝘵𝘩 𝘩𝘪𝘴 𝘩𝘢𝘯𝘥𝘴, 𝘢𝘯𝘥 𝘴𝘮𝘦𝘭𝘭𝘴 𝘭𝘪𝘬𝘦 𝘔𝘢𝘳𝘭𝘣𝘰𝘳𝘰 𝘳𝘦𝘥𝘴,"

summary: life has been perfect, just you and him, but the shadows of both of you and Joel's past has been haunting you again...

warnings: 18+ only, Minors DNI, AU, No outbreak. (TW) mentions of substance abuse/alcohol use disorder, adult content, religion abuse, violence, blood gore, mentions of death, sexual abuse, sexual content, domestic violences, ped0ph!l1a, cann1bal!sm, human traff1ck1ng, r4p3, dad's best friend!Joel, HUGE age gap (i will not specify her exact age, but she's legal and Joel is 49), daddy issues, mentions of toxic family dynamic, Joel is widowed, Ellie is 16, angst, smut A LOT, forbidden relationship, soft and protective Joel, innocent and pure reader. your last name is Gibson. any other details will be explain throughout the story. inspired by the album Preacher's daughter by Ethel Cain and also mix with lana del rey vibes.

CHAPTER 4

masterlist of the series

previous | chapter 3

next | chapter 5

The sun seemed to shine a bit brighter these days, casting a warm glow over your life since Joel had become more involved in it. His presence brought a newfound sense of safety and comfort, not just for you but for him as well. Joel, once a cold and distant figure, began to soften, melting into a warmer, more open person whenever you were around. It was as if the world belonged to just the two of you, and the bond you shared illuminated both your lives in profound ways.

Joel was now a regular at church, attending Sunday services and every fellowship event with renewed purpose. His participation didn't go unnoticed, especially by Tommy, Ellie, and Maria, who observed the positive changes in him. Joel still remained a man of few words, guarded and cautious, but your presence had undeniably brought a light into his life, guiding him out of the shadows.

For you, Joel became the protector you desperately needed. Whenever your father’s temper flared, you could escape to Joel, finding solace in his arms. He calmed your storms, just as you eased his burdens, becoming each other's anchor. You often sneaked out together to the lake or climbed into the back of Joel’s truck to gaze at the stars. Those moments felt like the world stood still, with only the two of you and the infinite sky. Joel found himself no longer lost in the darkness; instead, he had found his light in you.

However, you both had to maintain a facade, keeping your relationship discreet to avoid the prying eyes of the community. Sneaking out, lying to your father about being at a friend's house, and stolen moments of intimacy became part of your routine. While you hadn't taken your relationship to a sexual level due to your trauma from Jamie, the nights spent cuddling, kissing, and talking were enough for Joel. Though he sometimes felt the stirrings of desire, he respected your boundaries, focusing instead on the depth of your connection.

Joel sometimes took you out of town, exploring Austin or Houston. You visited night markets, played in arcades, and strolled through bustling streets. Joel despised arcades, but the sound of your laughter and the sight of your carefree smile made every annoying game worthwhile. Every time you smiled, it was as if a sunbeam pierced through the clouds in Joel's heart, warming a place he had thought forever cold.

"Got another project comin' up," Joel said one evening as you sat together in his truck, overlooking the hills. "A big one. Tommy thinks it's too much work for the crew we got, but I reckon we can handle it."

"Tell me more about it," you prompted, even though construction details often went over your head. You loved hearing Joel talk about his work; the passion in his voice made you feel closer to him.

"It's an office building downtown. Gonna be a challenge because we gotta keep the old facade. Means a lotta careful demolition, precision work. Gotta bring in some new folks, too, ones who know their way around older structures."

You nodded, trying to visualize it. "Sounds complicated."

"It is," he admitted, a touch of pride in his voice. "But we got a good team. Tommy's been talkin' to some contractors. We need people who can do the job right, you know? Can’t afford any mistakes."

"I believe you can do it," you said earnestly. "You’re amazing at what you do."

He chuckled softly. "You’re sweet." Joel's hand reached up, his rough fingers gently caressing your chin. His touch was like a warm breeze on a chilly evening, comforting and electrifying at the same time. Joel’s gaze held yours, his brown eyes deep and intense, like molten chocolate, filled with something you couldn’t quite decipher but felt deeply within your soul.

Every touch, every look from him, made you melt. It was as if you were a snowflake landing on a sun-warmed pavement, vanishing into a pool of warmth under the intensity of his presence. You giggled, the sound light and musical, breaking the silence.

"What?" you asked, a smile playing on your lips.

Joel shook his head slowly, his smile spreading across his face, tender and genuine. "Nothin', darlin'," he said, his voice calm, gentle, and sincere.

Joel couldn’t fully grasp his feelings, but being with you made him feel alive in a way he hadn't in years. He knew this might be wrong, but it felt so good, like a burst of sunlight through storm clouds, casting colors on a world that had been grey for too long. Ever since Sarah and his wife had passed, his life had been a landscape painted in shades of grief and loss. Ellie had brought back some light, but what he felt with you was different, something more vivid, more profound.

His world had been a desolate canvas, splashed with only the darkest hues. But you were the burst of color, the brush of a vibrant dawn, illuminating the shadows that had consumed him. You were his beacon, guiding him from the darkness, painting his existence with the brightest of shades. And though it scared him, it also filled him with a warmth and a hope he hadn’t dared to feel in a long time.

***

After school, you found yourself in the familiar warmth of the kitchen, the comforting scent of vanilla and sugar filling the air. Your mother, in her element, was bustling around, gathering ingredients for a cake and cookies.

"Can you grab the eggs from the fridge, sweetheart?" she asked, her voice gentle.

You nodded, reaching into the refrigerator. As you handed her the carton, her hand brushed against your back, right where the still-healing bruises were. You flinched, unable to hide the sharp intake of breath.

Your mother's eyes widened, guilt flashing across her face. "I'm so sorry. Does..does it still...um hurt?" she asked softly, her voice trembling slightly.

You forced a smile, shaking your head. "No, Mama, it's okay. It's getting better."

She hesitated, her eyes lingering on you with a mixture of worry and sorrow. "I know I haven't... I haven't done enough to protect you," she said, her voice breaking. "I'm so sorry for that. I'm just... I’m so afraid of your father."

You placed a hand on her arm, trying to offer some comfort. "Mama, it's alright. I understand. Let's just focus on the baking, okay?"

Your mother nodded, her relief palpable. She turned back to the counter, trying to regain her composure. "So, have you noticed how Joel’s been coming to church more often lately?"

You tensed slightly at the mention of Joel, careful to keep your expression neutral. "Yeah, I noticed."

Your mother smiled, though it was tinged with curiosity. "You know, he’s changed a lot over the years. He used to be so different when Sarah and his wife were alive."

You couldn't help but feel a pang of curiosity. You knew bits and pieces about Joel’s past but had never heard the full story. "What was he like back then?"

"Joel was a wonderful father and husband. He adored Sarah and Jane," your mother said, her eyes softening with nostalgia. "Jane and I were good friends. They were high school sweethearts, you know. Joel got Jane pregnant in high school, and they got married right after graduation. He worked so hard to provide for them."

You listened intently as your mother spoke, the rhythm of her words blending with the sounds of baking—mixing bowls clinking, the oven humming softly. Joel had never brought up his past daughter and wife when he was with you. It was as if a part of his heart was still locked away, guarded against the pain of revisiting those memories. You felt a mixture of sadness and curiosity, wishing he would open up to you but understanding his need to protect himself from that pain.

As your mother continued, you couldn’t shake the feeling that Joel’s heart was still closed off, like a house with the windows shuttered, sunlight struggling to seep through the cracks. "After they died, Joel was never the same," your mother said softly, her voice carrying the weight of her memories. "He isolated himself, barely spoke to anyone. He stopped coming to church, buried himself in work and alcohol. It was like the light went out of him."

You continued to bake, your hands moving automatically as you processed your mother's words. The more you learned, the more you understood the layers of grief and resilience that made up the man you had come to care for so deeply.

"Did you know his wife well?" you asked, curious about the woman who had once been such a significant part of Joel’s life. You felt a twinge of jealousy, knowing that Joel had once opened his heart fully to another woman, something he hadn't done with you yet.

Your mother nodded, her smile tinged with sadness. "Yes, she was one of my closest friends. Jane was kind and loving, always had a smile on her face. They were perfect together. Losing her was a blow Joel never really recovered from."

You felt a pang in your chest, imagining the life Joel had once had—a life filled with love and happiness that was abruptly shattered. Yet, you couldn’t help but feel empathy for him, understanding the depth of his loss and the strength it took for him to keep going.

Your mind swirling with thoughts. Joel had been through so much, yet he found the strength to care for Ellie and, in his own way, for you. He was like a fortress, strong and unyielding, yet vulnerable to the storms that battered him.

Your mother’s voice brought you back to the present. "Since he adopted Ellie, he's shown glimpses of the old Joel. But he still struggles. He’s still grumpy and distant. It was as if he built a wall around himself, shutting out the world to avoid more pain."

You couldn’t help but feel a surge of empathy for Joel. He had been through so much, yet he found a way to care for you and Ellie. "And now he's starting to come back to church," your mother said softly.

"It's good to see him more involved again. He deserves some happiness."

You smiled, though your heart was heavy with the knowledge of what you shared with Joel. "Yeah, he does," you agreed, hoping that somehow, against all odds, you could both find the happiness you deserved.

Your mom glanced at you, a hint of curiosity in her eyes. "I wonder what’s changed in him," she mused. "Maybe he’s finally opening up his heart for another woman."

Your body tensed at her words. She continued, "Ever since he became a widower, there have been plenty of women interested in him. It’s a small town, you know. Everyone knows everything. But he's always been so... cold and distant. Joel is handsome, successful, and a gentleman. Don't tell your father I said that." She chuckled, and you just smile to her.

Inside, you couldn't help but agree. Joel was indeed handsome and a gentleman, so different from your father. Your father, who should have been the epitome of kindness and morality as a preacher, was anything but. His exterior was polished and righteous, but inside, he was rotten. Joel, on the other hand, seemed rough on the outside but was truly good at heart.

Your mother sighed, "It’s good for Joel, though. It’s about time he moved on and built a new life. Maybe he’ll find a nice woman his age, someone who can be a good mother to Ellie. Adam needs his Eve, after all."

Her words made you uncomfortable, a knot forming in your stomach. You couldn’t bear the thought of Joel with someone else. The jealousy gnawed at you, knowing your mother would lose her mind if she ever discovered you were the reason for Joel’s recent change. You also felt a pang of insecurity, realizing how much older Joel was, how he could practically be your father. There were so many women in town who were more age-appropriate for him, attractive and mature, whereas you felt small and insignificant in comparison.

You focused on mixing the batter, trying to push away the uncomfortable thoughts. "Yeah, maybe," you mumbled, not trusting yourself to say more.

Your mother didn't seem to notice your discomfort. She continued to chatter about the town gossip, but your mind was elsewhere. You wondered if Joel ever thought about these things—marry a nice woman and built a new life? You knew he cared for you, but could he see a future with you, or was this just a fleeting moment in his life?

As you finished the cake and placed it in the oven, you couldn't shake off the thoughts swirling in your head. Joel was a beacon of light in your life, but the future felt uncertain. You wished you could ask him, but the fear of his answer kept you silent.

The cookies were done baking, and your mother placed them in two jars. "Take these over to Joel’s house and then to Tommy's," she said, handing you the jars and placing them in a sturdy tote bag to make it easier to carry on your bike.

You nodded, appreciating the excuse to see Joel. As you rode your bike through the familiar streets, the wind swept across your face, carrying the sweet scent of summer and the promise of evening. The sky was a canvas of blue and orange, painting a picturesque scene straight out of a movie. You loved this town—the southern charm, the way everyone knew each other—but part of you hated it, longed to escape its confines and the shadows that lurked within your home.

Arriving at Joel’s house, one of the bigger ones in the neighborhood, you parked your bike in the driveway and grabbed one of the cookie jars. Knocking on the door, as you always did instead of using the bell, you expected Ellie to answer since Joel’s truck wasn’t in the driveway.

The door opened, and instead of Ellie, it was Joel standing there. His face softened the moment he saw you.

"Hey, Mr. Miller," you said, deliberately using his formal title to tease him a bit.

Joel chuckled, his eyes warm. "Hey, doll."

You lifted the jar slightly. "Mom sent some cookies. She thought you might like them."

Joel took the jar from your hands, his fingers brushing yours. "Oh, that's nice of her, well, do want to come in?"

"Maybe for a little," You followed him inside, the familiar coziness of his home wrapping around you like a comforting blanket. Joel set the jar on the kitchen counter and turned to you, his expression a mix of curiosity and concern.

"You alright?" he asked, sensing your unease.

You smiled, trying to brush off your worries. "Yeah, just... thinking about stuff."

Joel stepped closer, his hand reaching out to gently cup your chin. His touch was rough but tender, sending shivers down your spine. "You know you can talk to me about anything, right?"

You nodded, looking up into his eyes. They were deep pools of warmth and safety, and every time you looked into them, you felt like you could melt. "I know," you whispered.

For a moment, you just stood there, lost in each other's gaze. Joel’s eyes held something you couldn’t quite decipher, a mix of emotions that made your heart race. You giggled nervously, breaking the silence.

"What?" you asked, feeling self-conscious.

Joel shook his head slowly, a soft smile playing on his lips. "Nothin'."

You giggled again. "You have to stop looking at me like that."

Joel raised an eyebrow, still smiling. He's leaning in to kiss you, "Like what?"

You blushed, feeling the heat rise to your cheeks. Before Joel could kiss you, you both heard footsteps coming down the stairs. Quickly, you stepped away from each other.

"Oh, hey, I thought I heard someone knocking," Ellie said, entering the kitchen.

"Hey, Ellie," you greeted her. "My mom and I made some cookies, and she sent you some. I thought I’d drop by for a bit."

Ellie grinned and walked over to you and Joel. She glanced at Joel, noticing his slightly flushed face, and raised an eyebrow. "You okay, Joel?"

Joel cleared his throat awkwardly. "Yeah, just, uh, a bit of dust or somethin'."

Ellie opened the jar and took a cookie. "These are great. Thanks!" She turned to you. Joel took a cookie as well, taking a bite and nodding in approval.

"You made this?" Joel asked, looking impressed.

You blushed a little. "Well, I just helping my mom."

"I take that as a yes and this is good," Joel said, his eyes warm.

"Thank you," you replied, feeling a rush of warmth from his compliment.

Ellie turned her attention to you. "So, how’s school? I haven’t seen you much lately."

You shrugged. "Just busy with a lot of things."

Ellie nodded. "I heard you’re in charge of the church dance troupe for the event next week."

"Yeah," you said, smiling.

Ellie smirked playfully. "And I heard Pastor Ben picked you as soon as he saw you. I think he likes you."

Joel’s expression changed, his jaw tightening slightly. "Who's Ben?"

Ellie glanced at Joel, oblivious to his jealousy. "Pastor Ben is the new young pastor who’s going to be taking over while Father Gibson is away for a couple of weeks."

"Yeah," you added. "He’s just helping out while my dad is on a trip to New Orleans for the church."

Ellie nodded enthusiastically. "He's super popular with the girls at school. They all think he’s really handsome."

You laughed lightly, trying to diffuse the tension. "He’s just being friendly, Ellie."

Joel’s eyes narrowed slightly, but he forced a casual tone. "How old is he?"

"Not sure," Ellie said, shrugging. "Maybe late twenties?"

"Oh," he said.

Joel's face remained impassive, but the tension in his jaw betrayed his emotions. He didn’t want to show too much, to let on how much it bothered him that someone else might have an eye on you. After all, anyone would notice your beauty—your presence was like a beacon, drawing people in with your pure, radiant light. Men and boys alike found themselves captivated by you, your allure almost heavenly. Joel, despite not being religious, found himself silently praying that he could keep you to himself.

He knew that your beauty wasn’t just skin-deep. There was something about you that felt untouched, ethereal—a stark contrast to the gritty world he had come to know. You were his salvation, a glimpse of purity and hope in his otherwise dark and turbulent life.

Ellie changed the subject, sensing the awkwardness. "Anyway, are you excited about leading the dance troupe?"

"Yeah, it should be fun," you replied, grateful for the shift in conversation. "It’s a lot of work, but I think it’ll be worth it."

"Maybe you want to join, Ellie?" you said teasing her, "Oh hell nah," Ellie answered making a disgusting face, you chuckled.

Joel remained quiet, his eyes flicking between you and Ellie. You could tell he was still processing the idea of Pastor Ben, but he seemed to be trying to push it aside.

"Well, thanks for the cookies," Ellie said, taking another bite. "They’re delicious."

"Glad you like them," you said with a smile. "I should probably get going. I need to drop the other jar off at Tommy’s."

Joel’s expression softened as he looked at you. "Let me walk you out," he said. As Ellie remained engrossed in the cookies, Joel gently took your hand, the warmth of his touch sending shivers down your spine.

"When is your father leaving for New Orleans?" Joel asked in a low voice as he guided you towards the door.

"Tonight, around eight," you replied, trying to keep your voice steady.

Joel’s eyes gleamed with a hint of mischief as he leaned closer, his breath warm against your ear. "Can you sneak out tonight?" he whispered, his hand lightly caressing yours.

You smirked and nodded, a blush spreading across your cheeks.

Joel’s eyes darted around, ensuring no one was watching. "I’ll pick you up behind your house at nine," he whispered, his voice a mix of excitement and caution. His rough hand felt like a contrast to your soft skin, a stark reminder of the different worlds you both came from, yet a perfect match in this moment.

You felt a flutter in your chest, a combination of anticipation and desire. His touch was electric, sending a rush of warmth through your veins. You wanted to hold onto this feeling, the thrill of the forbidden, the secret moments that were just for the two of you.

Joel leaned in and pressed a quick, sweet kiss to your cheek, ensuring no one was watching. You felt your heart race, the sensation of his lips lingering on your skin.

"I’ll see you later," he murmured, stepping back slightly. "Take care."

You nodded, trying to contain your excitement. "You too," you said softly, your voice tinged with the happiness you felt inside.

The whole way to Tommy’s house, you couldn’t stop blushing. Riding your bike, you felt the wind rush past you, the world around you vibrant and alive. The sky was a brilliant canvas of blue and orange, the southern landscape unfolding like a scene straight out of a movie. Each pedal felt lighter, the anticipation of the night ahead filling you with a sense of freedom and exhilaration.

Reaching Tommy’s house, you parked your bike and grabbed the jar of cookies. Knocking on the door, you took a deep breath, the smile on your face unshakeable. Tonight held the promise of something special, and you couldn’t wait to see Joel again.

The house was a quiet, still tableau of ordinary life, its corners cast in the muted hues of nightfall. Your mother’s soft, tired footsteps echoed as she busied herself with the last-minute preparations for your father’s departure. From your vantage point in the dimly lit room, you could hear the rumble of his stern, authoritative voice as he issued his final instructions for his absence.

“Behave yourself, Evelyn. Take care of your duties.” your father’s voice cut through the air like a blade to your mother, “Make sure the house is in order," He said to your mother.

Your mother then called you from downstairs. “Come say goodbye to your father before he leaves.”

You descended the stairs with a heavy heart, each step a reluctant march towards the formality of your father's departure. His figure loomed large in the dimly lit foyer, his stern face illuminated by the flickering light from the chandelier above. The space around him seemed to shrink under the weight of his presence, a constant reminder of his authority and control.

Your father, already dressed in his traveling attire, turned to face you as you approached. His expression was as impassive as ever, his eyes scanning you with a critical gaze that never quite softened. “I expect you to behave while I’m away. Keep things in order, take care of your house duties with your mother and don’t let any mischief slip through. Pastor Ben will be in charge for the next two weeks."

You offered a formal, almost mechanical embrace, your body stiff as you pressed against him. The touch was brief, a quick and emotionless exchange that spoke more of obligation than affection. His words felt like a final checklist, a list of expectations that you had long learned to adhere to.

With a nod, you managed a polite, “Yes, daddy."

As he turned to leave, he gave one last instruction, his voice trailing off as he stepped toward the door. “Remember, be a good Christian girl. Stay close to God. Make sure you’re not a burden to your mother.”

After he had gone, your mother’s weary voice called from the kitchen. “Sweetheart, would you like something to eat? There are leftovers in the fridge. I’m quite tired and I think I'm gonna go to bed early,”

You shook your head, feigning a lack of appetite. “No, I’m full, Mama. I’ll just head to bed.”

“Alright, dear,” she replied, her tone soft but tinged with fatigue. “Don’t forget to pray before you sleep.”

You watched her retreat to her room, her movements slow and burdened. The house felt emptier as she disappeared from view, and you knew it was time to execute your carefully laid plan.

With a quiet sigh, you slipped out of bed and crept to your window. The night was still and serene, the air cool against your skin as you pushed the window open. The backyard, bathed in the soft glow of the moon, felt like a secret world just waiting to be explored.

You carefully climbed out of the window, landing softly on the grass below. The night sky was a canvas of stars, each one a twinkling reminder of the possibilities that lay beyond the confines of your everyday life. The cool breeze ruffled your hair, carrying with it the scents of the garden—jasmine, freshly cut grass, and the distant promise of freedom.

In the darkness, Joel’s truck waited, a silent sentinel against the backdrop of the night. The vehicle was cloaked in shadows, its lights off to avoid attracting any unwanted attention. Your heart raced with anticipation as you approached, the thrill of the forbidden making your steps lighter and faster.

Sliding into the truck, you were greeted by Joel’s familiar presence. His face, partially illuminated by the dim interior light, softened as he saw you. A warm smile spread across his lips, his eyes sparkling with the same excitement that you felt.

Before you could say a word, Joel’s lips met yours in a passionate kiss. It was a moment of pure, unrestrained connection, the outside world falling away as the heat of his touch enveloped you. The kiss was fervent, a melding of stolen desires and whispered promises, each touch a testament to the intimacy you shared.

Joel’s hands were rough and warm, their contrast to your soft skin sending a shiver through your body. As he pulled away, his eyes held a deep, unspoken affection that spoke louder than any words could. “Hey there, darlin’,” he murmured, his voice a soothing balm in the quiet cabin.

The truck’s engine roared to life, a low, rumbling purr that vibrated through the seats. The world outside seemed to blur as Joel drove through the empty streets, the city lights casting fleeting golden streaks across the windshield. Each streetlamp was a beacon in the darkness, guiding you through a night that felt like a dream.

With every mile that passed, the weight of your ordinary life lifted, replaced by the vivid colors of this stolen moment. The night sky above was a tapestry of dreams and possibilities, a perfect backdrop for the intimate adventure you were embarking upon.

The truck rolled to a gentle stop at the top of a secluded hill, its path winding through the darkened landscape like a secret road leading to a hidden sanctuary. The night sky stretched out above, an endless canvas dotted with twinkling stars, their cold light a delicate contrast to the warm cocoon of the truck's interior. Joel’s touch was a constant comfort, the warmth of his hand against yours a promise of the intimacy you shared.

You and Joel made your way to the truck's open bed, where a soft blanket had been laid out. The fabric was cool beneath you, but the warmth of Joel’s body beside you quickly dispelled any chill. You settled in together, his arms wrapping around you in a protective embrace as you both lay back to gaze at the sprawling expanse of the cosmos.

The night was a silent witness to your closeness, the stars above flickering like distant, celestial eyes. The moon hung low, casting a soft, silvery light over the landscape, making the moment feel surreal and dreamlike. Joel’s presence was a soothing balm, his breaths steady and calming against the backdrop of the night.

As you both lay there, the peacefulness of the night was punctuated by your conversation. The topics ranged from trivial to profound, each word a thread weaving the tapestry of your shared moment. The serenity of the night made every laugh and whisper seem more intimate, more precious.

Then, Joel’s voice broke the quiet, a hint of curiosity lacing his words. “Tell me more about this Ben,” he asked, his tone light but edged with something you couldn’t quite place.

You chuckled, rolling onto your side to face him. “Ben? Oh, he’s just this new pastor. He’s always paying attention to me, it's weird...my friends keep telling me like he likes me, but he's not really my type. He's...too boyish,” you said, trying to convey your disinterest.

Joel’s eyebrows furrowed slightly. “Boyish? He’s an adult.”

You smiled, playfully snuggling closer. “Yeah, but he’s not you.”

Joel’s eyes flickered with something akin to jealousy, though he quickly masked it with a nonchalant shrug. “Jealous?” you teased, noticing the subtle shift in his demeanor.

Joel gave a soft chuckle, his laughter mingling with the ambient sounds of the night. “I’m not jealous.”

You continued to tease him, your light-hearted jokes breaking through the quiet night air. Each laugh and playful nudge seemed to draw you both closer, your bond solidified by the shared humor and intimacy of the moment.

However, your mind wandered back to the conversation you’d overheard with your mother. The stories of Joel’s past, of Sarah and Jane, lingered like shadows at the edge of your thoughts. A wave of curiosity and a tinge of apprehension washed over you.

“Joel,” you began tentatively, your voice barely above a whisper, “how come you never tell me about your life?"

"What do you mean, doll?"

"About Sarah and Jane,"

Joel’s body stiffened beside you, his hand retracting from its position on your waist. The shift was palpable, a stark contrast to the easy closeness you’d just shared. His face hardened slightly, a veil of discomfort settling over his features.

He looked away, his gaze fixed on the distant horizon. “What do you want to know?” he asked, his voice guarded and distant.

You felt a pang of regret, your heart aching at the sight of his discomfort. The stars above, once a symbol of wonder and possibility, now felt like distant witnesses to a moment of unspoken pain. You struggled to find the right words, the metaphors of your own emotions becoming tangled in the reality of Joel’s guarded heart.

“I...I just want to understand,” you said softly, your voice trembling slightly. “I know about your life, but it feels like there’s so much more you haven’t shared.”

"And you knew about mine, all of it," you said again.

Joel’s silence was heavy, a deep, almost tangible weight that pressed against your chest. The night seemed to stretch on forever, the stars above a cold, indifferent audience to the emotions playing out beneath them. The warmth of Joel’s touch was still there, but it now felt like a fragile thread, tenuous and delicate.

Joel’s gaze softened, but the weight of his past seemed to anchor him, pulling him into a place he wasn’t ready to share. “It’s not easy to talk about,” he admitted, his voice trembling with a mixture of regret and sadness. “Some things are just too hard to revisit.”

Your heart ached at his vulnerability, and you reached out, your voice gentle. “You can open up to me, Joel. I want to listen. You always listen whenever I’m down. I’m here with you,”

Joel’s eyes flickered with a storm of emotions, a mix of frustration and something else, but he remained quiet. You pressed on, your fingers lightly grazing his hand. “Do you ever think about them?"

A tense silence followed, Joel’s expression darkening. He clenched his jaw, struggling with the weight of his emotions. “I don’t want to talk about it,” he said, his voice strained and edged with anger.

You tried to close the distance, your hand still resting on his. “Joel, it’s okay to open up.”

But before you could say more, Joel’s frustration erupted. “I just don't want to talk about it!” he snapped, his voice sharp and louder than you’d ever heard.

You flinched, your heart racing as the sudden intensity of his reaction hit you. The night, once a haven of comfort and connection, now felt oppressive, the stars above seeming distant and indifferent to the turmoil unfolding below.

Joel’s eyes widened as he saw the fear in your gaze, and his anger dissipated almost immediately, replaced by regret and sorrow. “Fuck, I’m so sorry,” he said, his voice breaking. “I didn’t mean to—”

You tried to steady yourself, holding back the tears that threatened to spill. “It’s okay,” you whispered, though your voice wavered. “I’m sorry."

Joel’s face crumpled with remorse, and he pulled you into a tight embrace. “No, no, it’s alright,” he said urgently, his hands trembling as they held you close. “I’m sorry, baby. I’m so sorry.”

You let yourself sink into his embrace, the warmth of his body a balm against the sharp edges of your fear. Joel’s arms were strong and reassuring, his apologies sincere as he gently stroked your back, his touch a contrast to the harshness of his earlier words.

The night around you seemed to settle, the tension easing as Joel’s grip tightened, holding you as if he could shield you from the weight of his own emotions. The stars above continued to shine, their distant light a reminder of the vastness of the world and the smallness of your own worries in the grand scheme of things.

Joel’s voice was soft now, filled with the weight of his remorse. “I didn’t mean to scare you. I just...I just can’t talk about it right now.”

You nestled closer against Joel, the warmth of his body enveloping you in a cocoon of comfort. “It’s okay, Joel,” you murmured softly, your voice a gentle caress against the backdrop of the night. “I’m sorry to push you, but I want you to know that I am here. Whenever you’re ready to talk, I’ll be right here, just like you are for me.”

Joel’s fingers brushed against your hair, a tender gesture that spoke volumes. He pressed a soft kiss to the top of your head, a whisper of affection that traveled down to your cheek and finally to your lips. The kiss was brief but sweet, a promise of connection and understanding. He pulled you back into his embrace, both of you gazing up at the star-speckled sky.

The vastness of the night felt like a canvas, stretching out endlessly before you. You could feel the weight of your desires and dreams mingling with the cool night air, and a yearning for freedom began to take shape in your heart. “Joel,” you said softly, breaking the comfortable silence between you. “I want to go out. I want to get away from all of this. Will you come with me one day?”

The sincerity in your voice carried a longing for escape, for a fresh start where the past could no longer cast its shadow. You wanted to run away, to leave behind the chains of hurt and disappointment and start anew with Joel by your side. The dream of leaving it all behind, just the two of you, was intoxicating—a chance to be free from the constraints of your everyday lives and the ghosts of your pasts.

Joel’s eyes met yours, a flicker of determination lighting up his features. He could see the raw honesty in your gaze, the hope that shimmered like the stars above. “I promise you,” he said, his voice steady and sincere, “one day, we will. We’ll get out of here and start fresh. Just you and me.”

You felt a flutter of relief and happiness at his words, as if a heavy weight had been lifted from your heart. The idea of a future together, unburdened by the past, seemed within reach now, a possibility painted against the backdrop of the night sky. Joel’s promise was a beacon of hope, a light guiding you through the darkness.

You lay there, side by side, under the vast expanse of the universe, the stars shining brightly above you. The night felt endless, full of potential and promise. The warmth of Joel’s presence, the softness of his touch, and the certainty of his promise wrapped around you like a comforting blanket, making the future seem just a little bit brighter.

In the quiet moments that followed, you allowed yourself to dream of a different life, one where the past was a distant memory and the present was filled with endless possibilities. With Joel by your side, the journey ahead felt less daunting, and the dreams of escape and freedom seemed like they could one day become a beautiful reality.

***

The sun cast a warm, golden light over the school grounds as you and your classmates, including Emma, practiced your dance routines for the upcoming church event. The afternoon air was filled with the sounds of music and the rustle of your movements as you and your friends rehearsed, perfecting every step and spin. The new Pastor Ben, fresh from Mexico with his wife Jemima, observed with an encouraging smile, his presence adding an extra layer of excitement to the practice.

Pastor Ben, young and charismatic, was the center of attention for many of the girls. His charm and good looks had quickly made him popular, and you could see why. Though you knew he was married, the admiration from your friends was palpable. Jemima, his wife, had been less present in the community, focusing on settling into their new life. You hadn’t interacted with her much, and you were more familiar with Ben’s friendly demeanor and the sparkle in his eyes that made him somehow likable among your friends.

As the practice came to a close, you and Emma walked outside the school, discussing the day’s rehearsals and sharing your thoughts on the choreography. The conversation was light-hearted, filled with giggles and the occasional sigh as you both reflected on the challenges and progress made.

Suddenly, Pastor Ben appeared beside you, his presence both surprising and pleasant. “Afternoon, girls. How did the practice go today?” he asked, his attention clearly focused on you.

You could feel the warmth of his gaze as he continued, “Any difficulties? How are you finding the choreography?”

You answered, your voice steady but with a hint of nervousness, “We’re making good progress. There were a few tricky moves, but we’re getting there.”

Ben nodded, his eyes never straying far from you. “You’re doing really well. I’ve noticed you’ve been putting in a lot of effort. It shows.”

Emma, ever the enthusiastic friend, chimed in, “Oh, we’re just working hard! It’s been a lot of fun, though. Don’t you think Pastor Ben has been so encouraging?”

Ben smiled at her but turned his attention back to you. “I’m glad to hear that. I just wanted to check in and see how everyone’s doing. Is there anything you need help with?”

You felt a mix of emotions—flattered by his attention but also a bit uncomfortable given the context of the situation. Ben’s genuine interest was clear, but it was hard not to feel like you were under a spotlight.

“Thank you, Pastor Ben. I think we’re okay for now. It’s just a matter of practice,” Emma said.

He nodded, “If any of you ever need any extra guidance or just want to talk, don’t hesitate to reach out. I’m here to help.”

As Pastor Ben walked away, you felt a twinge of relief mixed with lingering confusion. You were still processing the interaction when Ellie’s familiar voice broke through, startling you slightly.

“Oh, that’s Pastor Ben,” Ellie said, a playful tone in her voice. She tapped you on the shoulder, making Emma and you turn to face her.

Emma grinned, her eyes sparkling with mischief. “Yep, that’s the new hot pastor,"

Ellie looked between you and Emma with a knowing smile. “So, what’s the gossip on Pastor Ben?”

Before Emma could answer, you asked Ellie if she was heading home. Ellie shook her head, her excitement palpable. “Nope, I’m going out with Joel. We’re going to practice shooting. You know, for deer hunting. Joel and I usually do this.”

Just then, the sound of a truck horn pierced the air, and Ellie waved enthusiastically. “Ah, there’s Joel now. See you later, guys!”

You watched as Ellie walked toward the truck, your gaze meeting Joel’s for a brief moment. You tried to hide your blush, feeling the familiar flutter in your chest whenever Joel was near.

Emma then suddenly said, "Ah the town's DILF,"

You choked caught off guard. “What did you just say?”

Emma laughed, leaning in conspiratorially. “You know, DILF—‘Dad I’d Like to’—you know the type. Joel’s like the ultimate Southern gentleman. He’s got that rugged charm. He looks like he works with his hands, and I bet he smells like Marlboro Reds. Everyone’s talking about how lucky Ellie is. Goddamn, he's just hot,"

You felt your cheeks flush deeper, a mix of embarrassment and annoyance. “Emma, stop. He’s much older than us.”

Emma raised an eyebrow playfully. “Oh come on, you’re telling me you’ve never thought about Joel that way? I mean, he’s your dad’s best friend in high school, but just tell me you have right?”

You glared at Emma, trying to hide the twinge of jealousy you felt. “Emma, that’s inappropriate."

Emma pouted in mock innocence. “Oh, come on! Don’t be so uptight. We’re just talking. I’m sure you’ve had some thoughts, especially with how close you are with Joel right?"

You shook your head, trying to suppress the tumult of emotions bubbling inside you. “Seriously, Emma, I don’t want to talk about this.”

Emma grinned, undeterred. “Alright, alright. I’ll drop it. But you have to admit, Joel’s a pretty interesting guy.”

You gave her a half-smile, trying to brush off the teasing. “Emma..."

Emma’s grin remained as she walked alongside you, her excitement infectious despite your lingering discomfort. You both made your way home, your thoughts tangled with the events of the day.

As you approached your house, Emma’s voice broke through your thoughts. “Hey, you know what? My parents are out tonight. How about a sleepover at my place? We can hang out and have some fun. It’ll be a nice break before graduation.”

You hesitated, “I don’t know, Em. I’ve got a lot to prepare for graduation.”

Emma’s eyes sparkled with mischief. “Oh, come on! It’ll be fun. Jim will be there too, and he’s a blast. Plus, you’ll have me to keep you entertained. What’s the harm?”

You raised an eyebrow, trying to mask your reluctance. “I don’t want to be the third wheel.”

Emma’s expression softened as she playfully pleaded. “Oh, please. It’ll be fine. Just come hang out. If you don’t, my parents might not let Jim over if it's just both of us. Pretty please?”

You sighed, weighing your options. Emma’s persistence was hard to resist, and you knew it would be a good chance to take your mind off things. “Alright, alright. I’ll come. But let me ask my mom first.”

Emma’s face lit up with joy. “Yes! Thank you! I promise we’ll have a great time.”

As you walked inside your house, you found your mom in the kitchen, preparing a simple dinner for herself. The smell of food filled the air, a comforting reminder of home.

“Mom, Emma invited me to a sleepover at her house tonight,” you said, trying to sound casual. “Is it okay if I go?”

Your mom looked up, her face reflecting mild surprise but also understanding. “A sleepover? Well, I suppose it’s fine. Just be sure to come home early tomorrow."

You nodded, relieved by her response. “Thanks, Mom. I’ll be back early.”

With your mother’s approval, you quickly gathered your things and headed back outside to meet Emma. Her excitement was palpable as she waited for you by the front gate.

“Great! Let’s go!” Emma chirped, grabbing your hand and leading the way.

As you walked to Emma’s house, your mind was still clouded by the earlier events. The thought of spending the evening with Emma and Jim was a welcome distraction from the swirl of emotions you had been feeling. You hoped it would be a chance to relax and clear your head before facing whatever came next.

Hours later, the three of you were lounging in Emma’s cozy living room, the soft glow of the TV casting shadows on the walls. After an exciting board game session, you settled down to watch "Gone with the Wind." Emma and Jim sat close together on the couch, their whispered conversations blending with the movie's dialogue. You tried to focus on the screen, but their growing intimacy was hard to ignore.

Emma giggled softly, her voice barely above a whisper. You glanced over just in time to see them exchanging a tender kiss. Their kisses grew more passionate, and soon they were making out fervently. You turned your attention back to the movie, trying to block out the sounds of their affection, but it was no use.

"I'm going to take Jim to my bedroom," Emma said, her cheeks flushed. "Is it okay if you stay here alone?"

You nodded, your heart pounding. "Yeah, it's fine. I want to finish the movie anyway."

Emma smiled and led Jim to her room, leaving you alone in the dimly lit living room. The hours passed slowly, the film a distant backdrop to the thoughts swirling in your mind. Their muffled voices and occasional moans filtered through the walls, filling you with a mix of curiosity and discomfort.

The next morning, you woke early and decided to make breakfast for everyone. The smell of sizzling bacon and fresh coffee filled the kitchen as you worked. Emma was the first to join you, her hair tousled and eyes bright.

“Thanks for breakfast,” she said, giving you a warm smile. “Did you have fun playing board games last night?”

You returned her smile, feeling a genuine sense of friendship. "Yeah, it was fun. Thanks for inviting me."

Emma smiling to you, "You're a good friend," you smiled at her.

You hesitated at first, then asked the question that had been on your mind. "So, uh... about last night... did you and Jim...?"

Emma blushed slightly but didn't shy away. "You mean, am I not a virgin anymore? Yes. and I'm really in love with Jim. He's so kind and supportive. We’re thinking about getting married after we graduate, moving to a big city like Austin or Houston to start our lives together. He can work in a garage, and I'll stay home."

Her words made you think of Joel, and you couldn't help but feel a pang of longing. "Have you ever been in love?" Emma asked, noticing your pensive expression.

“I don’t know,” you replied hesitantly. “I think about someone a lot, but I’m not sure what it means.”

“And have you ever... you know, had sex?” Emma asked.

Your body tensed, the memory of Jamie’s forceful actions coming to mind. You decided to lie and shook your head.

“Typical preacher’s daughter, stay pure, hon,” Emma said, her tone sincere rather than mocking.

You swallowed, feeling a mix of discomfort and curiosity. “How does it feel like?”

Emma’s expression softened. “Well, when you’re with someone you truly care about, it can be really special. It’s not just about the physical aspect, but the emotional connection. It’s like sharing something deeply personal with someone you love and who loves you back. It can feel very intimate and fulfilling.”

You nodded, trying to understand her words. “But isn’t it scary? Does it hurt?”

Emma smiled gently. “It can be, especially the first time. But when you’re with someone who respects you and makes you feel safe, it’s a lot easier. It’s important that you feel comfortable and loved.”

You took in her words, feeling a mixture of curiosity and apprehension. “What if I’m not ready for that yet?”

Emma reassured you. “That’s completely okay. There’s no rush. It’s important to wait until you feel ready and comfortable. And remember, there are other ways to show affection and care for someone.”

You felt a bit of relief. “Like what?”

Emma leaned in slightly, her voice gentle. “Like, for example, giving him oral pleasure. It’s a way to show that you care about him and want to make him feel good. But it’s really important that you’re comfortable with whatever you choose to do. Communication and mutual respect are key in any relationship.”

You blushed, feeling a mix of curiosity and embarrassment. “I don’t know much about that. It sounds kind of… complicated.”

Emma smiled warmly. “It can seem that way, but you’ll learn what feels right for you and your partner as you go along. The most important thing is to have open conversations and make sure you’re both on the same page.”

You nodded, absorbing her advice. “Thanks for explaining."

Emma’s words lingered in your mind as you processed what she had said. The idea of intimacy was something you hadn’t explored deeply, shaped by the teachings you’d grown up with. Your father’s sermons had painted it as an ultimate sin, a taboo wrapped in layers of guilt and religious doctrine. The notion of sex had always been shadowed by the fear of moral failure, a breach of sacred promises that could never be undone.

Emma’s perspective, however, was a stark contrast. She spoke of intimacy as a beautiful, shared experience between two people who cared deeply for each other. It wasn’t just a physical act but a manifestation of affection and connection. It was a way to express love, to show that you cherish someone in the most personal and vulnerable way.

You thought about Joel, and how his kindness had touched you. His presence was like a gentle light breaking through a stormy sky—offering warmth, comfort, and a sense of security you had rarely felt before. The idea of pleasing him, of sharing something deeply intimate, seemed like a way to express your gratitude, to show him how much you valued his care and support.

It was as if you were standing at the edge of a beautiful, uncharted garden, its entrance hidden behind a veil of mist and uncertainty. The garden represented a space of connection, where the blossoms of affection and mutual respect could flourish. The thought of stepping into this garden with Joel was both thrilling and daunting. It was a step into the unknown, where the flowers of shared experiences and emotional intimacy awaited.

You contemplated the possibility of finding a way to share this garden with Joel, to offer him a gesture of affection that went beyond words. Maybe through a physical expression of care, you could bridge the gap between your feelings and his, creating a shared space where love could grow and flourish.

Emma’s reassurance and gentle explanations provided a new perspective, one that allowed you to see intimacy not as a forbidden act but as a potential expression of love and appreciation. You wondered if perhaps, in time, you could navigate this new terrain with Joel, guided by mutual respect and deep affection.

[mer-acle]

yayay (ok damn looking back im sorry this is quite the ramble/info dump)

ok so basically

after god games, apollo (the good brother he is) immediately tries to help athena, but zeus stops him. he says that if anyone attempts to help athena in any way they will end up worse than her AND that he will make sure to re-injure her to undo any healing she recieved (apollo did manage to heal her a little so and zeus Doesnt care that he hadnt told anyone that rule yet so he does in fact end up striking her again)

also, he makes it very clear that if anyone outside of the arena finds out what happened to her he will kill them

obviously athena is. very paranoid. and zeus is not one to find loophole exploitation amusing so everyone is very on edge and it's not exactly unreasonable to assume that helping her process anything or feel better emotionally (aka literally j talking to her at all WITHOUT insulting her) counts as against zeus' rules so she wont talk to anyone and they dont want to talk to her (bc of the rules, they dont want her to get reinjured and they dont want themselves to get injured, they do actually care altho they cant express that) (also idk if im going to add this, maybe zeus literally just meant no healing her, but he can't back down now that everyone's agreed that 'no talking' is part of the punishment without LoOkInG wEaK. i can make EVERYONE suffer if i want to)

and athena (who is definitely so very good at processing her emotions) is so paranoid about someone ELSE she cares about being hurt by zeus (thunder bringer flashbacks lol) """because of her""" that she literally will scream-beg anyone who comes within talking distance of her to leave before they get themselves hurt. and everyone is so shocked by seeing her in such visible distress that they don't even question it.

mEANWHILE back on ithaca ody has returned home and is very happy to see his family. telemachus excitedly goes 'and you will never guess who i met!!! i met athena!!! she helped me in a fight :D' and long story short ody finds out about the events of the wisdom saga tel was there for and puts that together with hermes' line at the end of dangerous and realizes that athena somehow got him off ogygia and that there was violence involved. and since ody is back on ithaca, that means what she left to go do is done right??? so they both start praying to try to figure out what's going on. athena knows ody and knows that he would definitely figure out that Something happened to her and that would lead to him dying so she is dead set on ignoring them. ody is half convinced that she actually hates him while tel knows for a fact that's not true and is more concerned that she's straight-up dead.

THEN penelope, smart woman she is, hypothesizes that maybe whatever athena did to free ody was dangerous and that immortals can't die so she's likely very wounded and will talk to them as soon as possible.

athena is watching them to make sure that something like this doesnt happen, at this point she's not exactly thinking straight and doesn't realize that penelope figuring things out herself =/= athena telling her, but also is so paranoid and mistrustful of zeus that she thinks he would kill her if she figured it out herself just to prove a point. (and also its penelope, so ody would actually hate her forever if she killed penelope, which yeah but she wouldn't be the one to kill penelope in this scenario but she has convinced herself she is responsible for making sure zeus doesn't kill anyone bc she has kinda always had to be the one keeping his anger in check so yay parental trauma)

athena is in a lot of pain esp after flying to ithaca and so worked up at this point so shes basically shouting at penelope to 'stop trying to understand bc everyone will die' and penelope is obviously very frightened bc a goddess showed up and started yelling at her without explaining what the problem even is (it is obvious to athena what the problem is. it is Not obvious to penelope, at least not in the moment). ody overhears this and sees her and at first goes 'why is she yelling at penelope WHAT' (wifeguy rage activated lol) but then quickly realizes that athena is basically crying and fully spiraling in a full-on mental breakdown, realizes something is Very Very Wrong, and tries to talk to her but athena panics that ODY is there now, yells something along the lines of 'STOP JUST STOP PLEASE' and then just leaves immediately.

i have more ideas but this is long enough already + also i have to go eat dinner

if u read this whole thing, ty for listening to me ramble :D

in summary, zeus successfully wages psychological warfare against athena

Gxizdtxuxdkdjfzjfxjfxjttitditzjfzjfxux

WHY

Just WHY

Biting my pillow

Oh poor baby

Crying

We must kill Zeus

The ithacan fam makes me so soft they care so much

I'm interested how (if whhhhjkmhij) this gets resolved cos I don't see any way out and that's so sad 😭😭😭

But yeah great job I'm gonna go sit in the corner to cry now, don't mind me

[shimmeringweeds]

This sequence was so beautiful. The twins have yet again torn a hole in my heart.

The knowledge that Li Tianxi's muteness is psychological, to start. There are four known causes of muteness. Three out of four involve brain damage, and with an abusive father, I could not discount that possibility. It is stated that Li Tianxi's mental growth is underdeveloped, but brain damage is not the reason she can't speak verbally--

The reveal tore at me, because it hits a little close to home.

It's a cliche, but it's also the truth. Kids deeply internalize the problems of their loved ones. They really blame themselves, however irrational it might be to the adult mind. If a problem could be solved-- if everyone would be happy if they simply shut up? Done deal. Not all people find power in their voices. Some only find pain.

Li Tianxi signs words she has been taught. Words she has been given permission to use. Words she knows will make other's happy. Words that won't hurt.

Li Tianchen's trauma runs deep too, but he internalizes it differently. He hears all the rumors spread about his family. He notices the lack of rumor surrounding Li Fan's abuse.

So when he picks up a call from a hospital for the mentally ill?

He's too young to understand. Liu Lan (I apologize for doubting you) does seem to realize that trauma is the root of her families' problem; she's seeking positive help for all of them. But Li Tianchen only knows rumors born of mean spirits. I'm willing to bet he's heard some nasty things regarding Li Tianxi and now the repulsion runs deep. Those mean things aren't his sister. He doesn't hold back. He fights.

He's doing the right thing. Li Fan is the bad guy. Everything will be okay once he's gone. He's doing the right thing. "We got rid of that jerk forever, right?"

So then why--

WHY...?

Why did it all go so wrong?

This isn't what he wanted.

-------------Why did things get even worse when I tried.--------------

Tianxi runs away impulsively from a horrifying situation, but all of her actions during this season have been aimed at keeping her brother. Like she want's him to follow her, away, towards something - anything-better.

Reaching out to a future, but tied down by the past in all directions.

They can't escape.

Its OK. I'm here.

Li Tianchen is her tie to the past. And she is his. In order to reach the future, they had to say goodbye.

Honesty, my mind cannot understand why Li Tianchen listens to Li Tianxi's demand that he run. A scared child, running away from regrets? Running away from a tragedy he knows he had a hand in causing? Or does he understand something deeper?

Li Tianxi is determined that this must happen.

And, so, this time he is the one who runs.

Li Tianxi may have found her way home, to a future. But Li Tianchen is still lost, running deeper, deeper, deeper into the forest......

And the light he finds, is yet another false hope.

"To turn all uncertainties, into certainties."

Is such a thing really possible?

[wordstome]

Single Dad!König (Dream Daddy au)

(+ a bit of Ghost under the cut)

Thank you to everyone who indulged (said exactly what I asked them to say 😅) me.

Here’s the paragraph I wrote:

I imagine his heart sinking when Ava comes home sad and quiet, unwilling to look her dad in the eye. He recognizes what that means: that used to be him as a kid. His worst fears are confirmed when Ava admits she's being harassed by a boy at school, replaced by anger when Ava says her teachers simply shrugged and told her that boys will be boys, and has she considered that maybe he just has a crush on her? Needless to say, by the time König's walking out of that school, nobody will ever be hurting his little girl ever again. Honestly, one glimpse of Ava's dad by her classmates will keep her free from bullying for the rest of her life.

Now here’s a bit more about single dad König, namely, how he came to be a dad…and single :( Angst and death tw ahead (nothing graphic)

With Ghost, I said he would only have had Caden due to an accident, because of Simon’s previous trauma involving his family. He was firmly in the mindset that he would die in the field, he’s just not built for civilian life anymore, he's a danger to everyone who loves him. However, when Caden shows up at his doorstep, all he can think about is Tommy and his nephew Joseph when he looks at the boy. He probably does his best to get Caden sent to a different family member, but let’s suspend our disbelief that any responsible social worker would leave a kid with Simon “Ghost” Riley for a moment and say that the social worker is like “It’s you or the foster care system.” Realistically, Simon would probably be like “foster care is safer than living with me” but for the purposes of the AU, he took the kid in.

With König, he doesn’t have the same trauma/hangups regarding kids and family. He’s in the same boat as Simon: he’s a human weapon, and can’t function properly in civilian life. For König, his work is an outlet and keeps him stable. I’m gonna have to sit down and make a proper post about my König’s character (Alexander), but for my König, violence is a method of regulating his emotions and a way to manage his anxiety. Having power and being hyper competent in the field is key to his mental stability. However, I think he would be able to settle down, it would just take a very patient, special woman. (For the purposes of the AU his first partner is AFAB she/her.) Here’s where I start breaking hearts… 🤭

In Dream Daddy au, König considers his first wife the love of his life. She deeply understood him as a person and wasn’t afraid of him, even when he was socially awkward and intimidating. They were honestly kindred spirits: both of them had their neuroses and flaws, but instead of trying to fix each other or mold the other into some ideal partner, they accepted each other and thus were able to grow together. (And tbh they were already a match made in heaven anyway.) König’s wife never asked him to quit, and was completely ready to raise a child with him frequently being gone. She was a badass woman, and she really, really wanted to start a family with him, so they had Ava.

For three years, König was probably the happiest he’s been in a long time, and if you asked him he’d probably say it was the happiest time in his life. He was moving up the ranks at work, his mental health was in check, and he had a wife and adorable little daughter to go home to every leave. He started planning to transfer to a safer/more stable position, because as much as the military has done for him, he’s ready to step up as a father and a husband. Then he gets a call that changes his life forever, and suddenly he doesn’t get a choice anymore.

(I'm eternally sorry to the little fictional people I made up in my head because I entertained the idea of putting the Brooklyn 99 "Guess who got murdered!" gif here...)

One thing y'all need to know about my man Alexander is that he is the embodiment of "I am not meant for casual. I was born for soul-crushing devotion." His problem is that he never had devotion before his wife: he craved it like a starving man, and it engulfed him like water flowing into a basin when he got it. He had it for a handful of years (I'm thinking 6 but that's a flexible number), and now it's gone again. You know in movies when something horrible happens and they cut all the noise and there's just a high pitched ringing sound? That's König getting that phone call.

God. All I can imagine is König dropping everything and taking the next flight home. He’s in a daze, in a way that he’s never quite been before. His mind is finally quiet, but the emptiness is not peaceful. Then he finally sees his little girl, she runs into his arms, and the dam bursts. He just holds her and cries. He’s numb, a dead man walking throughout all the business that needs to be taken care of after his wife’s death. The only thing that brings him back to the land of the living is Ava. She’s so small, so sweet, and she doesn’t really understand what death means: all she knows is that her mama’s gone somewhere, and her dad is so, so sad all the time. She’s all that keeps him going, and the only reason he keeps himself alive.

By the time you come into his life, it’s been several years, but Ava is still a little girl. She doesn’t remember her mother at all except what König tells and shows her, because he’s determined to keep her memory alive. König’s been slowly rebuilding who he is as a person from whatever scraps are left. There’s a gaping hole inside him, and he’s reconstructed himself around the hole. In some ways he’s a totally new man, in other ways, he’s gone back to who he was before his wife came along. He’s bitter and angry at the way his life has treated him just as he was as a young man, but now he’s swallowed up by guilt and self loathing. He's gotten better at coping and functioning as the years have passed and life has continued on, but his grief has never really gone away.

(alexa, play "right where you left me" by taylor swift)

[mmmkaybye]

Why Zutara Shippers are Wrong (JK, You can ship who you want lol)

(Although, I don't care if you do actually ship Zutara, that's your prerogative, I'm just waiting for better arguments for the relationship and for people to stop negatively viewing Kataang)

First of all, I'm premising this with the fact that I don't think that ATLA should have ended with Katara and Aang kissing. I think it would have been fine to just end with a slightly more intimate-than-friends hug/cuddle. I would have personally preferred that two children who survived being literal child soldiers get the chance to be kids before they delve into a more mature relationship with one another, but they didn't exactly have adults of the modern culture there to guide them a different way, now did they?

BUT! I am a firm believer that Zuko and Katara would never have worked out romantically and that Katara and Aang's relationship 1. makes more sense and 2. is actually healthier in the scope of trauma and trauma responses.

First of all, I don't understand how the creators of ATLA managed to craft literally the MOST traumatic childhood backstory ever with incredible detail and nuance and everyone just fricking glosses over it like WTF??? Not to mention, the creators did an amazing job diversifying trauma responses to similar trauma experiences.

Let's discuss Katara's childhood trauma, which was not healed magically after a little side quest with Zuko. Katara carries immense survivor's guilt over her mother's murder. Katara understands very well how and why her mother was brutally murdered in their family home. She has been deeply aware of this since the day of her mother's murder - and she fully blames herself. Katara understands that a fire nation soldier killed her mother, but he killed her because of Katara - she said so herself. Then, Katara, who was the last person to interact with her mother, discovers her mother's body, and it is insinuated that Katara might have even witnessed her mother's brutal execution-style murder. This forever alters Katara down to her core personality traits. Katara is 'bossy' because of her trauma. I work with kids from pre-k through graduating american high school. It's pretty normal for girls to do what I call 'mothering' to their peers and to kids younger than them. It often is described as being 'bossy' and some girls are in fact bossy, but for the most part, they are roleplaying a caretaker mentality as they are most familiar with. In Katara's deep guilt of being the reason her mother was murdered, her trauma response was burden herself with the role of mother. This is further antagonized when her father leaves with the rest of the adult men to fight against the Fire Nation. He might've well as died too due to lack of communication for many years. Sokka does not allow Katara to mother him for very long, so she doesn't get to have a chance to work through her personal trauma response to her grief because she has no one to safely and consistently direct these mothering tendencies towards. The other children in the village are not orphans, their mothers are most likely very alive and very involved with them, so they would be temporary fillers at best. Sokka has stepped into the role of village man and definitely would reject Katara's mothering, which often led to tension between the siblings. Toph had the very reaction to Katara's mothering tendencies as I expect a young Sokka had to them. He lost his mother, too, he didn't want a replacement, nor did he want to lose his sister to the role of mother.

Zuko, in the same fashion as Sokka, had a mother who he loved, and lost, and was not looking to replace. Zuko's mother was also a topic that is deeply rooted in a lot of Zuko's personal trauma as well. Zuko did not get to spend much time with Katara for her mothering tendencies to be extended over him, but he definitely would have aggressively rejected them as Katara's trauma response would have negatively triggered his own. Their trauma would have deeply and negatively impacted any romantic relationship they could have developed because of how they would react to each other. Their relationship would have crashed and burned very quickly.

On top of that. Katara would have never left the South Pole indefinitely - that is her home, and she consistently returned to it throughout her life. That is an effect of her cultural upbringing. Zuko couldn't leave the Fire Nation, and as we saw in the graphic novels that followed, Zuko's personal welfare suffered greatly because his whole world was upended and now he was responsible for the one nation that didn't get peace at the end of the war. It's incredibly naive and slightly delusional for people to desperately push romantic wishes upon a sixteen-year-old boy who was burdened with the responsibility of healing an entire nation, one that fought him every step of the way in many aspects. He did not have the emotional energy to expend upon a frivolous relationship. That's why Mai and he broke up, not because they didn't love each other, but because Zuko simply could not have personal relationships until his reign and nation had stabilized - that alone would take upwards of 10 years. Plus, Zuko may have helped others work through parts of their trauma, but he had to address his trauma too, which we saw the beginnings of during the graphic novels. Simply put, by the end of ATLA and all of the graphic novels, Zuko was in no place emotionally, mentally, and even physically and politically to seek out a relationship that was meaningful and healthy. And I know that Zuko would have changed the tradition of political marriage, at the very least he deserves to have married for love at the end of everything he suffered through. Zuko is a great opportunity to normalize waiting until you're in your mid-twenties -thirties before seeking out romantic relationships. Logistically speaking, I don't think there would have been much opportunity for romantic feelings to develop between the two of them. I especially don't think Katara would have easily been able to live in the Fire Nation because the Fire Nation was directly responsible for her trauma, and that is also why I don't think she would have every pursued a relationship with a Fire Nation man, Zuko or not.

Now onto Aang. Everyone always jumps onto this idea that Katara and Aang had a very mother-son relationship - which is wrong. Aang comes from a culture that literally does not have mother and fatherhood. There are NO mothers and fathers in the Air Nomad Nation. Sure, kids had birth parents, but parenthood was not part of their culture, nor did Aang ever seek out that kind of relationship. Aang may have been kid-like, but he was the most adultified kid in the group. He was incredibly independent and confident in his ability to travel internationally by himself at 12. Katara had never thought to leave the South Pole to seek out a waterbending master in the North Pole because she didn't have that confidence or training. The Air Nomads thrived on a mentorship-based village raising of children. So, Aang never thought of Katara as his mother. He literally couldn't, because he had no scope of reference for such a relationship, same with fatherhood. He never had a parental relationship with Monk Gyasto. It was more like a fun uncle mentorship. I think that's why everyone thinks Aang was a bad father, but he was an outlier in the Air Nomad nation because there was no Air Nomad nation when he had children. The village that raised the children in his culture was gone. He was actually a fairly decent father and the two older children probably felt bitter because Tenzin was the only other air bender in existence so it obviously Aang is going to spend a lot of one on one time with Tenzin in the scope of mentoring Tenzin in the way of Air Nomad culture. Aang was not an absentee father like how many people assumed from the very one-sided and brief explanation given by the two older, jaded siblings. Was he perfect? No, he literally had no clue how to be a father. Did he and Tenzin leave to get milk and never come back? Also no. That being said, Aang was the only individual who was comfortable with Katara mothering him, he never felt threatened or overburdened by her trauma response, which allowed for Katara to genuinely work through her grief and mature out of the extreme bossy mothering we first saw in book one. If you pay attention, yes Katara does retain that 'bossy' kind of personality, but that was permanent fixture due to her childhood trauma and a little bit of cultural influence as well. I think, if Katara had never been traumatized, she would have always leaned towards a very soothing and nuturing type of personality, which we began to see in the middle of book three. Her bossiness/mothering trauma response gradually lessened the longer she 'mothered' Aang. Once again, neither of the two saw each other as Mother-son. They were simple too close in age and Aang also had the added sense of duty-boundness due to being the Avatar. Katara was always going to be a caretaker archetype personality, trauma or no, and that simply wasn't the type of person that Zuko would lean towards for a romantic relationship due to his own personal upbringing and culture. Aang is a much more gentle and playfully empathetic personality that works with Katara's firm care and sassy disposition.

In the graphic novels, I personally saw a great deal of healing and maturation in Katara in relation to her trauma. She was less mothering towards Aang, too, and I think that had a lot to do with the fact that Aang matured a lot as well and the change in their once platonic relationship to a more romantic-leaning one. Was their relationship perfect? No, they are kids who survived a horrific war and many many trauma-inducing situations. However, once Katara fully leaned away from the mothering habit, we get to see that Aang allows Katara to relax and be more playful. She genuinely was just happy with Aang. He pushed her to be a little more child-like and to have child-like fun even as they grew up into adulthood. Katara helped Aang mature and face a lot of adult burdens that were placed child.

In the end, Katara and Aang always brought out the best in each other. Katara and Zuko didn't have enough time together in ATLA to develop an individual relationship outside of the group. There simply isn't enough time outside of their little side-quest in which Katara and Zuko interact solo- which was definitely NOT Katara's best, and in fact was Katara lashing out aggressively towards people who loved and cared for her and she them. Zuko was also not his 'best' in that time either as he was also being triggered emotionally. In fact, during ATLA, there's way too much negative tension between the two of them that leads to really intense disagreements and emotional outbursts more often than not until Katara begrudgingly accepts Zuko into the group, they don't even positively interact until Ember Island which is what, two weeks? She's not exactly nice when she pretty much demands him to help her hunt down the man that murdered her mother. Zuko is all gung-ho about vengeance too. Of course, they both have a lesson learning moment, but that episode cemented in my brain that Aang is the better partner for Katara than Zuko. Aang, once again the most mature in the Gaang, fight me on this, has a deep, empathetic understanding of the world, he doesn't do a great job trying to explain to Katara, but I think that's because no one in the Gaang understands how Appa is not just an air bison, and Aang never views Appa as an air bison like how everyone else in ATLA do. To everyone else, Appa's an animal, but to Aang and Aang's culture that is deeply offensive, Appa is an individual with emotions and value outside of what he can offer the group in terms of transportation and that's never really explicitly clarified to the audience either (because despite being a kid's cartoon, the creators knew their audience well and did not treat the audience like we are stupid and can in fact infer and read between the lines). If Katara had killed that pathetic worm of a man, it would have absolutely destroyed her as a person. She would not have been able to heal from her trauma and would probably suffer even more trauma and guilt. This side-quest was a plot point to lead up to the big debate of killing Ozai, and not many, in fact I don't know if anyone has talked about that fact. I have no doubt that Zuko has probably killed people, at the very least, he's deeply desensitized to people dying as I think he probably at some point did experience or witness some form of warfare battle before he began chasing Aang down.

Once again, I don't really care if you do ship Katara and Zuko. In fact, I think that's a-okay. But, with the Netflix live action adaptation's take on the Secret Tunnel scene, I've seen a lot of people speculating and even hoping for it to become canon and there have even been some opinions of Kataang that have resurfaced that really rub me the wrong way because it feels like many individuals are just looking at the surface level of ATLA. There's so much nuance to each individual character in terms of culture, societal norms, age and gender, and most importantly, trauma and trauma responses. The creators did an amazing job world building and story telling that a lot of what I put up in my opinion in preference for Kataang over Zutara is information that I inferred from the show and graphic novels due to my personal experience and education in familial relationships and childhood trauma. My thoughts are not the end all be all to this debate, nor do I think they should be, I've seen some really solid opinions in favor of Zutara that I can understand and somewhat agree with. I think a lot of those details and moments that people look to as indicators of romance between Katara and Zuko were remnants of the creators' previous intention, but I think that the change to Aang and Katara as end game was logistically and realistically more accurate. I never thought that Katara and Zuko were meant to be, and I always struggled to put to words as to why until I had pursued my psych studies in college that focused on child development, childhood trauma, and marriage and family counselling. I think that the creators instinctually were seeing the red flags that would have occurred naturally within Zutara and changed course accordingly. There were just a lot of details and nuances that I noticed personally that I wished more people would discuss.

Anyways, thank you for coming to my TedTalk, I'd love to hear some of your opinions about this.

[poisonousquinzel]

"the only reason Harley's called Harley Quinn and not Harleen Quinzel or some other moniker is because the Joker manipulated her into thinking the similarity in her name and the name of a specific type of clown meant they were destined to be together and that means she's intrinsically tied to him forever and can't exist as a character on her own because her origin is tied to him" ass take has gotta be the worst one I've seen as of late,,, like really can't lie it's stuck in my head lol 😭

i wish i could go about life misunderstanding characters this much and thinking that one who's been a canonical domestic abuse victim since her og origin episode / comic, who is partly (story wise) inspired by a real life dv victim who survived

In the afterword, artist Bruce Timm shares that their Harley was based in part on a real-life friend who was stuck in an abusive relationship: “I’m happy to report that the ‘real-life Harley’ did finally break away from her ‘Joker’ and has been happily married to another man for several years now.”

[Source]

is a character who's "girlbossified" when she's allowed to grow past and outside of her abuser himself,, and that that means idk writing her without him dilutes her character and takes away everything interesting and flawed about her? that she should never be written without him / without her world revolving around him, due to him being the catalyst in her origin?

The Joker's part of her origin because he was the root cause of her fall, the villain, the bad guy, the abuser. that doesn't mean she's required to be forever tied to him?

This isn't even a problem in the actual comics or anything. It's just absolutely 100% not.

No one even pretends Joker isn't intrinsically tied to her story, or more specifically her trauma. No one in real life and no one in their universe.

Tim Drake literally mentioned The Joker in like the last chapter of her (2021 - ) comic ffs!!! 😭

"Did the Joker make you want to do that? Do you wanna unpack that, Harley? Do you wanna talk about The Joker?!"

Harley Quinn (2021-) #42

But it's almost like people grow and heal and evolve. Her codependency and shit are flaws that are not permanent and are things she (can) and is working on.

She's riddled with flaws and they've gone nowhere! she's just trying her best to stay afloat and better herself bit by bit because she isn't Dr. Harleen Quinzel anymore, she can never walk into a medical building and apply and expect them to not know who she is upon a singular search in the system.

She's just Harley Quinzel now, she still has the skills and experience and schooling, but she also has a long serious criminal record, severe mental health issues and is living in a city that rightfully does not trust her. She can't go back, she can't get her old life back, and she can't go back to being Her, The OG "New & Improved" Harley Quinn who's world revolved around 1 person and him alone, because she would die.

He'd kill her, maybe not immediately, but he would be the death of her.

And she knows that. It's a lose lose.

The only real option she has is to lay down and die or to survive. To float and swim bit by bit until she finds stable ground.

Until she finds a way to live with herself again.

Harley's "obliviousness" is a coping mechanism that we literally see her dealing with since BTAS.

A warped world view that does in fact make her actions more complex,, and makes the aftermath / come down all the harder for her as she has to grapple with the internal traumatic response to Everything with Joker while also dealing with the world she's waking up to and realizing the real reality of her actions and the actual pain it left behind. It's literally been in her character plain as day since her First Personal Comic from 2000!

It's something taken seriously and something she knows, regardless if she even remembers the crime, that she has a responsibility to take accountability for. She almost lets Clown Hunter execute her because she was involved in his parents death, even though she doesn't remember the night, she trusts Batman enough that if he says she was there, she was. And she's going to own up to being there. She starts a therapy group for ex clowns post Joker War, she's become a (court ordered) professor and during all of these arcs Joker and his influence on her and her life are mentioned and acknowledged and present.

He's not been removed as an intrinsic aspect of her story, but he is no longer the center of her world and that is a good thing.

It's almost like character growth after 30 goddamn years is something that happens.

And! you know who else is intrinsically tied to Harley Quinn's character just as much as The Joker?

Poison Ivy and Batman.

Her three primary connections since the Beginning, since the original series that everyone wants to pretend was so so different about her than it ever was, was Joker, Batman and Ivy.

And a primary goal (Harley wise) for 2/3 people she's been connected to since Batman The Animated Series has literally been to get her away from the 3rd. They've just successfully helped save her in most universes now, even when she's the one who pulls the trigger in the end.

It's been over 4 years since I made this blog and I still cannot wrap my head around this fandom's deep seeded hatred and disdain for actual character development.

"Sorry", but that's just such a disgusting take built on misinformed foundations and idk a personal rage for bad guy characters not being bland, predictable one note entertainment for the rest of their miserable existence in comics until they're shelved for being fucking boring one note d-list characters?

[am-i-the-asshole-official]

Aita for calling my best friend a name?

I (18m) have been best friends with “Jessie” (17f) for nearly five years now. We’ve been next door neighbors, our dads are drinking buddies and the two of us have been closer than blood because of similar childhood trauma, neurodivergency and queerness

Everyone who knows me knows that I’m an anarchist. Not quite punk, but still very outspokenly anti-establishment, anti-fascist and anti-institution. This has been a big thing about me forever, ever since I got access to the internet in elementary school.

Jessie and I both come from military families. Her dad was in the army, my parents the navy (with all of our grandparents having links to the army), and I have very close relatives who are active duty cops (my ACAB stance is not popular at home). Since graduating high school, I’ve become even more involved in local politics and my anarchist stances have only deepened

Jessie recently told me that she’s looking to go into the military once she graduates next year. Knowing the crass language we usually use with each other, I called her a boot-licker in a joking tone. She laughed it off then, but later when around my twin sister “Katy” (18f) (and Katy is the exact opposite of me on all my stances), Jessie complained to Katy that what I had called her hurt her feelings

I said I wasn’t sorry for calling her a boot-licker, but that I was sorry for hurting her feelings. I went on to say that I’m very proud of Jessie for going after her dreams and that I would support her with her life decisions because we are best friends. I value our friendship more than I’ve valued my past two boyfriends and I didn’t stop apologizing until Jessie got tired of it and kicked me out of her room so I could go make apology cookies

Katy has been yelling at me for days about this and bringing me down for calling Jessie a boot-licker, even after Jessie and I kissed and made up. So, tumblr, AITA?

What are these acronyms?

[cityzenshark]

Family | Chapter 24 - Hearts and Sparks

Homepage | Book One: Family | Book Two: Unity | Book Three: Belonging

Synopsis: The townspeople of Witwicky help the Maltos in return for saving their town.

.

Robby is transferred to the ICU as his conditions worsens. The doctor finds his symptoms to be a combination of sepsis and something that seems to be energon poisoning but isn’t. After he leaves, Robby tearfully confesses to Dot how terrible he had been since moving to their new home and apologizes for putting the Terrans in danger and for lashing out at her. Dorothy hugs her son, crying herself, and forgives him. Robby wishes the cybersleeve to come off. Later, his old friends come to visit him, including Stevie. What Robby said to Stevie still hurts but Stevie hates to see him deathly ill even more. Robby apologizes to him, and the two old friends made up.

       At the town’s capitol building, Alex and Mo is invited by the town Elders to discuss if the town’s old legends are related to the Core, the Emberstone, and the cybersleeves so they might be able to help solve the family’s issues. Mo hesitates to tell, then the shaman reassures her by telling her about Witwicky’s Mountain Spirit and Her stonemen offspring. If the ‘stonemen’ had been previous Terrans, they are records of something similar to cybersleeves on their ancestors who had lived with them. Later, Alex and Mo exit the capitol building to find Mo’s friends and their families waiting for them with charity they had collected for the Malto’s.

“It’s the least we can do after you saved us from Grimlock. Besides, it’s not like we haven’t seen the Terrans before that evening.”

“...You’ve seen them before?”

“Yep! Since your first day of school here, actually.”

“What... Why didn’t any of you say anything?”

“You seem scared for them, Mo. We didn’t want to stress you out, so we decided to wait for you, Robby or Mr and Mrs Malto to say something.”

“The revelation could’ve been better...”

“Hey, Mo, it’s over and done. You and your family saved this town and now it’s time for us to help you.”

       Back home, the Terrans have separated counselling sessions with therapists.

Hashtag has hers by the waterfall. She talks about her trauma and worries how humanity would welcome after what she did in Philly city because – mind controlled or not — she’s still responsible for the damages. Nightshade has theirs at the edge of the cow paddock. They express how ashamed they feel from their lack of understanding to their siblings’ feelings even when the cyberlink was still intact yet hates it so much. Jawbreaker has his at Mrs Belle’s silo. He feels embarrassed to be afraid of his older Terran siblings and shares his guilt for triggering Grimlock’s PTSD. Thrash has his in the bunker. He expresses the burden he feels for not just being the big brother but also being the first of his kind in a world hurt by the senior Transformers-kind; how he wishes the Terrans to never be involved in fixing the Cybertronians’ mistakes.

Meanwhile Twitch has hers in the woods where she and Robby went Wak-Wak hunting. Twitch refuses to admit her wrongs as she tries to convince her therapist how her actions were right, while the latter is wrong and bad for disagreeing her. Her therapist shares his personal story where he let his anger get the better of him. His actions got an innocent bystander killed. While he was in the right that time, the bystander is a victim, and he will forever be responsible for their death. Twitch’s decision to help Bumblebee and Brawl herself was indeed right, but the price was not worth the city’s destruction or it being the world’s first impression on the Terrans. Worst, Hashtag’s innocence is now unbelievable for an unforeseeable future.

Realisation finally dawned on Twitch, followed by immense regret. She wails loudly. Alarmed by her cries, her Terran siblings rush to her. Twitch hugs Hashtag by her neck and sob “I’m sorry! I’m so sorry! I’m so sorry, little sister!!” Though confused, Hashtag hugs her back and their brothers join in. The therapists give them some privacy, feeling relieved and glad for them.

.

.

.

[theleslistuff]

So, I did it and gave them colour! 💖

Arcane Au

Meaning in clothing elements;

Danny:

-Danny got a litchenberg scar due an incident involving the portal exploding killing Maddie and Jack, he was far enough to just get that nasty burn that would not fade away (imminent halfa?), Feels guilty because he was the last one touching the portal, Vlad told him he would keep his secret (Vlad was the one who sabotaged the portal, Danny doesn't know)

-Skinny, has constant nightmares about his family screaming in agony as the flames kill them, Vlad forces him to eat (doesn't have Jinx like hallucinations, has major depression + PTSD revived every time he sees fire)

- Danny got elegant/expensive clothing due Vlad's influence, still got his own style but with darker colors

-Ecto gun designed by Vlad powered by ectoranium (Danny being a reckless intimidating force of chaos that make other ghost think twice before messing with Vlad, pretty much Jinx's status with Silco but less murderous)

-Blorb ghost ecto grenade 💖 (both siblings have a trauma for ghost, Jazz wants to eradicate them, Danny learned from Vlad they can be used) also Danny's weapons are ghost themed like Jinx weapons are cute animal themed (bunny, monkeys, cats)

-Gloves; leave no fingertip marks (though by Vlad)

-Belts to carry weapons

-Leather boots to get cleaned easily

-Fights against Valerie in front of a new prototype of ghost portal done by Vlad against Valerie, he makes it explode, Vlad saves him by painfully making him an halfa. (Equivalent of Jinx revived by shimmer)

-Phantom; fire whispy hair+ fire core+ no mouth as Phantom to increase PTSD (look himself in the mirror an uncanny torture)

Jazz

-Got ripped in jail like Vi 💖 (Vlad framed the accident as Jazz's fault, got some cops paid) inheritance of Jack's genetics showing up 💖

-Bandages; not having things to read, got the idea she could fight against Vlad physically, she has been training to combat an halfa... (She discovered Vlad was an halfa before the incident) to make her punches stronger, she hits a wall

-Fenton tattoos; in honor to her deceased parents, she now idealized her previous life as perfect, she wants to retrieve the last alive member of her family, her baby brother Danny

-Belts + Fenton thermos (holds hidden weapons like Maddie's lipstick ecto gun, other portable weapons she could hide in her ruined house) Has never let go of the Fenton thermos hopping someday she can lock up Vlad in there forever.

-Got her training clothes on;

-Thorn pants + combat boots to more mobility, she doesn't care about the looks

[crimeronan]

Camila horror thoughts. In the horrifically fraught family horrors sense of the term.

What if Vee has specifically warned Camila about Hunter, told her all about what he specifically has done in order to give her a heads up, in a way naturally coloured by the views she has (not unreasonably) built up around Hunter because of all the stuff she's done.

So naturally she's got this wariness of Hunter that does not compute when she sees how genuinely caring he is with Luz even if logically she knows people can act remarkably differently in different contexts and none of it negates all the stuff he did with The Basilisks for Belos. But Camila is still pretty sure that Luz doesn't know, and is terrified that if she knew it might destroy something that she is desperately reliant on, her relationship with Hunter. It probably wouldn't, Luz could probably live with that since well horrible nightmare trauma soulmates and by Luz's standards she's done just as bad in a similar context but Camila and Luz keeping secrets for almost the exact same reason (to protect the people they love from horrors they are too insane to be affected by) appeals to me.

But the problem now arises, Camila's told Luz that she has adopted another kid, and Luz in the spirit of trying her best to reach out does want to see Vee or have her visit with Camila next time she comes or something like that since like, thats a normal thing to do on reconnecting with your estranged mother and finding out you have an adopted sister you've never met.

Vee, bless is not going along with that "don't tell Luz how horrible Hunter is since she is hopelessly codependent on him" bullshit at all. Camila knows that, Vee knows that. Camila knows she cannot ethically or reasonably expect Vee to not spill all of Hunter's darkest secrets to Luz in an attempt to ruin his life since, y'know all the stuff he did to her specifically.

For Vee the nicest most compromise-y thing she can do, is just never meet Luz face to face, and thats only because of her respect for Camila. But there's no way Luz isn't going to to notice or be concerned about this so there's this constant ticking time bomb of "when am i gonna meet Vee' since "oh she's off at college" isn't gonna work forever.

god this is all so good. i've been thinking about it since you sent this ask a few hours ago now. bc like. god. there's So Much....

i think you're 100% right that vee would try to stay out of things. she's like mama respectfully i'm ready to meet her IF i'm allowed to scream a lot of pent-up utterly unhinged bullshit but otherwise i think it's best for me not to be involved.

and camila is SUCH a bad liar. if she tried to say that things were fine with vee, luz would clock that something was wrong immediately. she obviously wouldn't jump to "she's from the isles" when there are so many more obvious conclusions -- maybe vee is jealous of luz for being the first daughter camila loved, maybe she's angry at luz for running away, maybe she's sick of luz monopolizing camila's time now when vee is used to having their mom all to herself....

regardless of what luz thinks is most likely, she's definitely like. Ah. I Am Driving A Wedge Between Them. This Is My Fault. On A Personal Level. Somehow.

and then on camila's end, that's even true to a point.... bc vee is getting increasingly more upset by the idea of protecting luz's feelings. i can absolutely see a very tired vee finally having the stress get to her & snapping, "why do you think she'll CARE?? she isn't going to care. even if she's as nice a person as you think she is, it's not like i'm a human or a witch. i'm nothing. she doesn't know how to care about people like me"

...there is, of course, a delicious and vicious irony in that. like. luz Very Much Does Know how to care about someone who isn't a witch or a human.

Oh God.

and then whenever luz meets vee, when it all finally Does come out.... i feel like it would sort of be worse for vee than anything she'd actually braced for. because luz DOES immediately care, she does act like it matters, she immediately wants to know everything and fix everything and make it all better, she immediately takes on all of the responsibility for everything the empire's ever done, she's so sorry, she didn't know, she would have done something, she can do something now--

--and vee is like well. HE knew. and he sure didn't want to help me!! even though i asked him to!! even though he KNEW WHAT THEY WERE DOING TO ME THE ENTIRE TIME

hunter has wisely remained quiet because he doesn't think he can really defend himself here. and luz has this moment of uncertainty and confusion, and then she looks at hunter's face, and for a second vee thinks that he's just going to straight-up deny it, but he doesn't. and luz seems to understand that it's all true.

and she doesn't look angry. or even betrayed.

and then she's trying to tell vee that hunter was always in danger when they were growing up, that there must have been extenuating circumstances that made rescue impossible, that he would have helped her if he could, that luz KNOWS he would have because he wouldn't just leave vee to suffer for no reason, that's not the kind of person he is,

and hunter is the one to be like luz. stop. she doesn't need to hear that right now. she can hate me. it's fine.

so vee's opinions on luz are like. 1) i hate that you're so nice that i look insane for being angry with you 2) you're a spineless coward who can't hold anyone accountable 3) you've fooled camila into thinking you're some helpless delicate flower by pretending to be sad when you DON'T care 4) if hunter is going to agree with me about anything then i should legally get to shoot him. just like once. i've never touched a gun or had any inclination to do so before today But I Should Get To Shoot Him .

camila's role in mediating this has mainly been to gently steer the conversation into more productive territory when it looks like it might devolve into panic attacks or violence from anyone involved. she's so fucking stressed by trying to keep things from coming to blows that there's like. no Way that she could do a professional-level job of Family Therapy Mediator.

god.

much 2 consider.

[nightmanatee]

why is it actually hurting like it hurt everyone else and why there might be timetravel/some other mystery involved. or... kinda part 4 of me trying to theorize on what has been going on in lis:de.

part 1 part 2 part 3

a part where i recap old posts.

so in the first 3 parts i've theorized that safi might be behind either max not coming back to arcadia bay sooner/reconnect with chloe or she will do something about this in the future by forcing max to stay at caledon. then i've made a post about how i feel like safi from "refuse" timeline has reasons to mess up with chloe and arcadia bay and how she has a high chance to do this considering that this is the most important part of max's life no matter how hard safi tried to change it.

and finally i've come to realize that maybe there was another timeline, similar to this one. where the original max mad a really bad choice and regretted it enough to start using her powers again.

now i want to talk about a thing where safi's part in max actually hurt and there's no reason not to believe it. and only bc it starts too early for the game to be split in 2 timelines, max might not realize that this is why things keep happening.

a part where it hurts.

it is rather interesting that we "hear" chloe and max during lis1 events in double exposure. whether or not it's a "mockery" with max "remembering" the moments with chloe telling her that she's gonna be in her life forever she still thinks of it. it starts before safi's dead and that's why it's tricky but nothing is impossible with a time traveling potentially happening in the game. the only question i have is that these lines are... wrong? it feels like they happen in a wrong order/at a wrong time.

during the turtle bar scene in ep1: "my powers might not last"/"that's ok, we will"/"chloe!" - this is from ep2 the first time max actually saving chloe at the train racks (considering that every other time is optional (i mean... except for the very first one but i won't count it for now)). however!! the last "chloe!" and the storm sounds are NOT from this scene. not from this scene overall. which is weird. the first quote is not also direct one.

during the safi's death scene in ep1: "max!"/"i caused this. i caused all of this" - the change does in the "background" with us hearing the radio station informing about the storm. again. chloe does NOT say "max" at the start. but max does say that she's caused the storm. instead it goes "this is my storm. i caused this. this happenes in s1ep5 when max is faced with the final decision.

2 days after safi's death in ep1: "don't say that, i won't trade you!"/"no matter what you choose i know you'll make the right decision"/"max, it's time" or "i'll always be with you. forever." - 1st phrase is max's answer to chloe saying that arcadia bay citizens deserve to live more than her. THEN chloe reminds max of all these 5 days. and only THEN does she say the "no matter what you choose". it's interesting tho that they do pay attention to what goes where with bay or bae.

could it all just be them changing lines/the way they go so as to not fully copy them. OR. could it be so that just like with max they play with our memories as well changing bits here and there?

a part about nightmare again btw!!!

so. the motel nightmare. in bay!motel part the "tv show" talks about mother having to identify a body of her daughter - a very obvious connection with joyce. "can we confirm that this is your daughter, zoe?" even the name!! the next room has therapist talking about trauma and how it will "drown you if you let it".

bae!motel has characters talking about each other and it also might be a little insight in max and chloe's fallout. i honestly don't know which one is who in this part bc it seems like chloe did cut out max out of her life esp with book titles (she just doesn't want to talk to me anymore and "lose my number" trust me chloe i've tried), but also it could be max considering her "nightmare" where she is the one to "move on" with a new "cool" friend.

the second "room" is more hopeful? with the weather broadcast talking about how "

finally the 3rd room seems to be just screams of different people (could be caledon students, could be arcadia bay citizens).

just like i've talked about this in other parts max's nightmare having a motel room, blackwell's bathroom and a darkroom scenes is interesting considering it was all about helping safi and taking "her" parts out of people's minds. i guess these 3 parts were the ones where max does it for herself. with the final 4th part being a scene with safi at the start of ep4. but why these parts?

could be:

either safi is "deeply" connected with max so that max has to go through not one but THREE nightmares and the worst parts. that's why it takes max 1 scene per person but 3-4 for herself.

or hints at what safi was planning to do - replace chloe as herself/make max relieve the trauma of jefferson/mess up with max ending up alone (a few things we already see in the game btw).

or maybe... this are hints at what safi HAS DONE/WILL DO. i don't think they'll go as far as lis1 timeline but could be safi actively planting herself or/and amanda as chloe 2.0, max was a teacher so maybe safi could ruin her career by fabricating something bad against her as a teacher, and she could ruin things between max and either joyce or chloe.

a part where safi tried to use max's old memories to connect with something new.

ok but seriously this happens too many times to be a coincidence. she calls max "a partner in grime". we hear the first ever memory and IMMIDEATELY after that safi talks about chloe (could max just not "feel" safi doing things to her bc she didn't know what to look for before) and right AFTER that she talks about amanda NO MATTER what you tell her.

amanda/vinh romance happens only after max talks about how she's lonely and she needs to do something about this (and it's even more important that you start this scene in "living" timeline).

arcadia bay and lakeport/blackwell academy and caledon university are connected as well, even the creators mention it. it's the "opposite mirror" - just like safi herself is.

so ofc safi's death sends max into the grieving spiral reminding her of chloe. esp considering the 2nd nightmare scene with max "shooting" safi herself while impersonating nathan.

max's "hurt" lays in ending up in the same "space" a decade later, experiencing a traumatic even and what safi's part does to her is max having to at least experience 3 nightmare scenes and at max - something more during the entire game.

moses was acting just like safi and it was a bit on the nose with the writers hinting on other people acting like safi, gwen was reckless and ready to die in a storm, lucas was grieving maya and reading a poem. i guess other characters "got away" with the worst things being loretta being too scared and vinh having to realize that safi doesn't care about him at all.

but what about max?? what is it that safi was "doing" to her if she didn't want to hurt max but max still had to relive these moments? is it just her going through her own little "side quest" or is there something more???

a part where max is being made another offer.

she's made max feel "obligated" to stay at caledon, bc she knows that max kept running away during all these years. in ep1 she talks about max running away from her past, during the game we notice that she learns about chloe/arcadia bay, she sneaks into max's house (also interesting that gwen makes a remark about max breaking in into other houses? was it bc max loves going into abandoned spaces or is it safi?) and goes through her arcadia bay stuff.

the "good person" moses asks max about her reconnecting with chloe/going back to arcadia bay but for some reason (=bc of the new "threat" that safi is) max feels the need to stay here, at caledon. disconnected from everyone else. oh and don't forget this one:

is it really what max wants? is it??

or is it safi trying to manipulate max yet again by making her "want" to stay here either to be able to fight against safi, or to keep arcadia bay/chloe safe, or to wait for safi to come back.

honestly my main reason to keep doing this is dev's "we've planted seeds" during the game and that this is "headed somewhere". i'm just trying to guess where exactly.

[ppoliwrath]

Concept art wip, very bare bones but it’s ok 😔 this post is also a lore post for my au! It’s all jumbled up bc I was talking to a friend about it so it’s literally just copy and pasted

Edit: I didn’t realize how unreadable it was omg sorry, I edited it to make more sense

Amulet AU ideas

- Trellis is 23 yrs old just two years older then Emily

- He is kinda timid with being a king since he doesn’t want to be like his father but he has his brother as his right hand man and ofc Emily ✨ he’s alittle annoyed that there’s so much paperwork that involves being a king lol

- As he grew up he had more of his fathers facial structure much to his dismay making him become even more scared of being like his father

- But so far he’s doing well and even having an amazing king voice ( think commanding and not taking any questions abt his choices )

- Riva and Emily become good friends later on and basically trauma bond

- Luger is happy to assist with his brother with anything but is mostly seen in the library either writing or reading books

- Navin and Karen live in a newly rebuilt palace with Emily and trellis and are trying to fit in now that this is basically their forever home

- Some elves aren’t happy with Trellis’s ruling but they are often shut down by other residents/elves as this was the first time they had peace in years

- Loyalists / nobles, were the ones who profited off of the old Kings rule, Ikol had given them a lot of leniency for taxes and for whatever illegal activity they were up to

- As long as they didn’t look too closely at his illusion of the elf king being alive he was content

- as long as they bicker and mutter to themselves Trellis doesn’t care about the slander they throw his way

- But he is keeping an eye on them courtesy of Leon

- Leon acts as a chief of security / intelligence

- Often Emily will confide to him whatever she has on her mind or to vent since she sees him as a father figure / mentor

- Virgo is kinda in the shadows not exactly a hermit but quite close, he doesn’t like company aside from Navin, Emily, Miskit, Cosgly and Trellis

- He will sometimes help people who have their own stones to control them and keep their sanity

- But he just prefers his own solitude

- Every stone keeper in this au has their amulets symbol on their back, depending if their amulet has an elemental power it will be engraved onto their back ( example: Emily has burn scars )

- Emily and Trellis each have each others amulet symbols on their hands ( Emily’s left and Trellis’s right )

[mike-haters-dni]

Scalding, unnecessary take that I'm going to use as an excuse to yap about my hyperfixation characters more than anything, but El's character is actually impossible to stick into coffee shop fanfiction No Supernatural Shit AUs. That's Jane you're writing about. Jane and El are not the same person. At all. And like, Jane is interesting to think about, don't get me wrong. I have thought about Jane. I love Jane. She's adorable and vaguely autistic. But Jane != Eleven.

Eleven is the way she is almost entirely because of her experience/trauma of growing up in the lab and having supernatural murder powers. Her main characters traits are being a self-sacrificing hero and not being sure who she is due to the fact she grew up in an isolated sterile inhuman environment. Unless you're directly translating those things into something unsupernatural (like growing up in a fucked up cult or something and like fighting her way out and now she'll fight to protect other people from similar experiences or something idk) you're writing about Jane the normal gorl who got to grow up with a normal personality in a normal world. And like, you can do that. It's fine it's fandom do whatever u want. But personally, the first thing I come up with when I birth an AU is what crazy powers and fucked up backstory we give Eleven here. Also how do we make her and everyone else really fucking cool but that...might be beside the point idk.

The powers have to basically ruin or have had ruined her life at one point. They have to be a curse that she either reclaims or gets rid of at the end. If she isn't tortured she isn't Eleven Stranger Things lmao

And then yeah yeah my next step is to figure out how Mike AND THE OTHERS OK but mostly Mike get involved in this. Which brings me to my next point: Jane and Mike have no real reason to talk to each other. Mike x Jane is just Normal Gorl x Normal Boy which is like, fine sure if that's what you want, but also you kinda just erased everything interesting about their dynamic. You wanna know what makes El and Mike's relationship so compelling? Objectively? I'm objectively right about everything I'm about to say here? Ok their dynamic is this: Eleven is the most important person in the world, and Mike is the only boy who will ever love her. And yeah that second one sounds really sad but 1. yeah it kinda is :) 2. its not really true that's just what El thinks which is like a major theme for her character TO ME, her underestimating how 'normal' she is esp in her later years 3. it also is kinda true because he's the only boy romantically interested in her who actually understands and experienced all the supernatural/lab trauma bullshit and is actively fighting beside her through the plot of the show, and 4. he's literally perfect and also the only boy she'll ever love and need so it all works out.

And to explain the first one, I mean, you know she's saved the world twice right? She kinda literally is the most important person in the world considering its up to her to stop the apocalypse probably in the end? But its not the being important exactly that makes Mike love her ok, that's more of a meta character thing. Like she doesn't have to literally be the key to saving the world and the most powerful being in the universe. Its more that she has to have something really special about her that draws Mike specifically to her and binds him to her permanently and inseparably and he belongs to her forever and ever and they die in each other's arms. Like she deserves. In canon I imagine objectively and correctly that it went like this: Mike is a natural outcast collector and protector due to his pervasive unconscious need to be needed and his fear of losing the few people who like him, who meets the ultimate outcast girl who literally has nothing and needs him in a very real way, and this gives him an excuse to just pour his entire self into her, fulfilling one of his deepest interpersonal needs. The best part is that she's super selfless and amazing and she loves him the same right back so its actually a beautiful thing they get going. Basically the idea of being anything less than perfect for her is so sad and horrible due to how fucked her life was that it drives the already caretaking Mike into overdrive to make her happy. Not at the cost of him still being an individual person, mind you. But that's the vibe. Also let me just say, all the self-sacrificing vibes and obsession and desperation can become toxic under certain circumstances and that is absolutely a feature not a bug. Sorry you don't like watching your faves yell at each other but we are not the same.

Anyway what the fuck was I talking about? AUs? Yeah ok so when translating Mike (AND THE OTHERS...and the others) into other stories there's more flexibility u kno because he's mostly just Some Guy. He really just needs (TO ME) an excuse to be fighting with Eleven (she has to be fighting something with the powers I know you gave her). He shouldn't be directly involved with whatever gave her the powers but he should generally know of and be somewhat affected by it. Or become aware of it/involved with it over time. Like in the show. You get it. Honestly his only real consistent character traits are being kinda moody and being the leader of the party in whatever vague or not way. And being intelligent. Like he has to be leader for a reason. I guess that's a decent base for a character right there.

oh right side note: you have to do something fun with her name. like she was basically branded Eleven by the freak that gave her the powers so u gotta take that energy and translate it into another branded name that has el in it because she needs to get the nickname ofc. unless its a cyberpunk au in which case Eleven is a pretty normal name and she can just go by that lmao.

So the point ig is Jane and Mike break up when they go away to different colleges and don't talk to each other again until their next high school reunion, while Mike and Eleven are...well you should know by now.