#not to say that you can't write things that are just rants about characters you hate but i'm specifically talking about the ones that try

[plumpybread]

Asking because of the previous ask, are you not a fan of Ethan anymore? If so, why?

It's complicated, I suppose (rant where i talk abt ethan but then also my OCs in general)

I really do not like the first version of Ethan I made like 3 years ago. Obviously I like indulging in devilish ideas but I don't know, it ended up turning into something I didn't really end up liking too much.

Then I revisited and sort of rewrote his story a bit a while back when making the OC archive site (I'm aware the site is not available anymore for the people who asked, I took it down myself) and was much happier with it for a while.

Don't get me wrong, I like Ethan, I know he's the OC people seem to like the most, but it's still like a personal mental battle of like maybe it's too effed up? Even when I draw characters going through unwilling/accidental extreme weight gain, I make them either ambivalent or accepting of their situation, but for Ethan it's kind of like torture, and I can't bring myself to get like..aroused and excited to draw more of that *personally*.

Changing up his lore wouldn't really work either since his story is based on helplessness and stuff, and it'd be disingenuous to make him be happy with his situation, so I've just sort of subconsciously decided to leave him as is and treat his content as its self contained story more than nsfw art to goon to, if that makes sense. I don't know, maybe I'm just thinking about it too much, but just wanted to say what goes through my head.

I also don't really revisit Ethan for the same reason I don't tend to draw much of all the past OCs I've made, as I see each of them as a way to explore different facets of how weight gain can manifest and adapt into a character's life to create a story around it, and I feel like I've covered most of the ground around them already.

All of my OCs come from a sudden short prompt that pops up in my head, usually out of nowhere. I suddenly wanted to make a big-hearted southern farm guy who was super massive and I immediately ran to draw Rudy, for example.

I draw them a little reference, with my typical bullet points next to them with basic info to get an idea of what their dynamic is like, and a more lengthily written backstory or description if I'm feeling fancy under it, and then for the next week or two it's all art of them and answering questions about them... and then another idea pops up, and a new OC comes in.

It's not that I get tired of them, but I just simply do not know what to draw with them. Ethan is the biggest outlier in this case, since he is my fattest OC and half immobile, you just don't really know how else to bring something new that's not him laying on his bed at a slightly different angle.

I guess that's why I always do OC asks, I sort of need them to be able to know what to draw with them, since I struggle coming with things like that by myself, and you know I always like avoiding drawing a character in a void with no context.

The Genshin Obesity AU is my longest running like "project"?? thing just because there is an endless amount of content I can pull from since there's all these characters, places and possibilities I can write from. My OCs are obviously much more self-contained and moreso serve as individual experiments to explore different people and scenarios, so after the 10th drawing of them... I genuinely do not know what else I can add to them.

I hope that was a bit insightful. I know most of you guys love Ethan, and I love him too! But I don't know, I guess this is why I don't tend to have immobile/near immobile OCs, since the potential art ideas for them drop to just them sitting on a mattress or sitting on the floor and I'm just left confused on what to do with them.

Maybe Ethan in his college days is something you guys might be interested in? Or I don't know, I'm just writing this post as my thoughts enter my head.

Sorry for the rant, I sure do love typing, hope this clears up some questions people might've had

[arcane-ish]

I have my issues with season 2 and how Vi's story went is a huge part of it (so much I wrote an entire meta just about how bad Act 3 was for her). But I find his answer fairly understandable.

"this is a story of 2 sisters"

Just because Vi wasn't the lead anymore doesn't mean the wasn't about the sisters. You can just as much read it "season 1 was the story from Vi's point of view and season 2 is it from Jinx's pov". I would read season 2 as being very much about Jinx wrestling with her relatioship with Vi and making a decision about it.

Like it’s your fucking JOB to service and write these characters to the best of your ability

That is just an odd complaint to me. Starting with: how do you know that that isn't the best of ability? Considering that he had never run a tv show before?

And I don't see how that somehow includes the mandate to never be allowed to change main characters or tell more than one story? He's allowed to love multiple characters and tell multiple stories.

If he just genuinely happens to be passionate about multiple characters why wouldn't he try to bring it all into a tv show. Especially if you read some of his other statements, he is deeply commited to the idea of doing the League of Legends experience justice where there are over 100 "main characters" and every fan group of an individual character would love to see "their" main as a lead.

It's just a normal League thing to me that you have a handful of "mains" who you all love (the way League is structured as a game usually forces you to play more than one character) and that's kind of how he reads to me.

To be honest, I genuinely blame Amanda here at least as much as him if not more. Amanda is the one who has genuine tv experience and who advertises herself as the big ViCait champion and she should have been aware that Vi not having a true status within season 2 and particularly in the finale also slightly dulls Vi and Cait as a couple. (my take: if the show was going to remove us from Vi's shoes compared to what we had in season 1, then she at least needed some wins to compensate)

IMO it is possible the gracefully go from lead character to supporting character. The problem is that even as a supporting character you need at least a an arc or a clear plan or a payoff.

You can have good and decent and appealing stories despite being a supporting character (even though the Mel fans will disagree, I think Mel is an example, as is Ekko, we can debate whether Jayce was supporting or lead. Heck even clear supporting characters like Heimerdinger or Isha whose job it was to go towards their own heroic sacrifice still had a clear progression)

I love her as a character outside of her relationship with Jinx and Caitlyn, however we didn’t get to see that this season.

I don't think the problem was that we didn't see her outside of her relationship with Jinx or Caitlyn. It's that the writers 1.) weren't really able to tie it all together as a whole. 2.) that Vi lacked agency in her relationships with Jinx and Caitlyn in many ways.

(I mean did we really see that much more of "Vi in relationships outside of Jinx and Caitlyn in season 1?" I guess you can say she Mylo/Claggor and Ekko? But in the end she was deeply defined by her relationship with Jinx in season 1 as well as her blooming relationship with Caitlyn. And we see many examples of other characters within the show who can pull off a satisfying arc despite a much smaller set of important character relationships than Vi had in season 2)

I just wanna ask him then why make vi main character!?

I can't read his mind but my assumption would be because he likes her too (as one of many) AND presumably he thought she would be a really good character to initially introduce us to the world?

I'm not saying that he doesn't have many flawed approached (I have ranted extensively at what I perceive to be as the "vignette" structure of season 2). But I can totally see why one might for example really love Jinx as a character, but think she isn't the best character to start the story with or to spend the entire season in her point of view.

Season 1 played A LOT with the idea of perception and then underminding it. And similarly they might have seen it as a cool approach to first see Jinx more through the perceptions of others and then switch towards telling her point of view.

(for what it's worth, Jinx interacting less with Vi in the last act to me feels like a consistent choice IF you read season 2 as a story from Jinx's point of view AND that it's heavily about her decision to split from Vi/to let Vi go. Within Jinx's stoy she actually still interacts quite a bit with Vi, I'd argue (it's more a problem that within the finale battle the Caitlyn versus Ambessa stuff gets a ton of room and basically doesn't tie back at all with either Vi or Jinx))

Christian has said a lot of things that makes me want to tear my hair out with how stupid I think it is. But imo this (in essence "well we love multiple characters and we wanted to tell those stories too") is imo a very human and relatable answer especially if you combine it with his other answers about how he and supposedly many other creatives were very desperate to move on after 2 seasons (actual quote: " Even key talent that works on the show that, simply put, is getting tired cranking away at this incredibly long season and project over multiple years. Don't forget that at the end of the day, this is just a collective of human beings, of people.").

(compared to his braggy "I'm proud of our season for pulling off so many varying things ... that nobody asked us to pull off" [=my paraphrasing] statement for example)

Vi season 2

Saying this about Vi, considering the fact that fundamentally the very basis of the show is about the relationship between her and Jinx is INSANE. The description for the show literally tells the audience it’s a story about two sisters and because the writers grew uninterested with one of them, they sidelined her.

I’m happy she got her happy ending, and i do believe that her writing remained consistent, my biggest issue with Vi this season was that she did feel sidelined, THAT was very obvious. I love her as a character outside of her relationship with Jinx and Caitlyn, however we didn’t get to see that this season.

Regardless if the ending stayed the same, Jinx and Vi barely interacting in the last act felt off. It’s really disappointing to see that one of the shows main and most important characters get sidelined in favour of others

anyway yeah there’s my rant bc seeing this shit on twitter has been pissing me off

[celtrist]

Why does Vassago already have merch, we haven't even met him yet

[sskk-manifesto]

Ep 6!!!

[saving-people-haunting-things]

Idk like we all have baggage that we bring with us when we view media. For example, my biggest pet peeve is when people put words in my mouth. Which means that when Sam does his armchair psychology thing on Dean or when he accuses Dean of not trusting him/thinking he's evil/whatever other negative thought Sam has about himself and Dean's expression clearly shows that Dean doesn't think that and he thinks that Sam is being ridiculous, I kind of want to bash Sam's head in. But, like, that's my own shit, and I would never go on tumblr and write a ten page essay claiming that Sam is a gaslighting narcissist who tries to abusively police Dean's emotions. And I wonder what sort of experience and mindset would lead to someone doing so.

[dennisboobs]

i wrote another rambly dennis analysis and deleted it <3 y'all don't need that

[robotsprinkles]

god I hate this writing class

what is the point of giving us both three word count limits, and restricting the length of the final animation/animatic

(this is one of my less valid criticisms of the class, being more to do with me just not liking the class already and not being fond of being forced to fit a story into as little as ninety seconds/2 A4 pages)

(I can do it, it's just not what I like doing)

I do not see the point in giving us a word count for the outline when we're already limited by having to fit the story into two A4 pages in screenplay formatting.

And I don't get the two A4 pages thing when we've already got a limit on the length the actual animation can be.

Just. pick one. hell, pick two. don't say "you have 300 words for the outline, 50 words for the synopsis, 2 A4 screenplay-formatted pages, and the final animation has to be 90 seconds or less"

I can fit far more than two screenplay-formatted A4 pages into three hundred words of outline and ninety seconds of animation, (hell, even thirty seconds of dialogue, depending on certain factors, takes far more than two A4 pages)

Like yeah, sure, I can write things that'll fit that criteria, but I'd really rather just have to follow one.

Because when I'm being forced to use the process of

core idea -> mind map -> for two stories (pick 2 word title) -> for two stories (write 10 word max logline, 50 word max synopsis, and 300 word max outline) -> pick one and write 2 A4 page-long script/screenplay for one -> make a 90 second animatic

(which I think is just a completely absurd process — and this is me talking. I'm an idiot who does things in the worst and least efficient way possible, and I think this is inefficient and a mess and a terrible way to do it — normally when I hate the method taught for something it's because I'm a jackass and an idiot who sucks at everything, not because I genuinely think it's stupid. Primary-High school essay writing formulae and creative writing rules notwithstanding)

I'm not saying restrictions or limitations in writing are bad (they're not) but I mean. forcing us to use a specific process? when basically every single source of good writing advice will tell you "this is a box of tools, pick them up, try them out, see what works for you, and throw out what doesn't"?

(This is ignoring that the guy teaching this class thinks protagony is entirely defined by "being the character who changes (the most) over the story's course" as opposed to being the character whose actions drive the plot or who the story focuses on and whatnot. Also apparently sherlock holmes just. doesn't exist according to this guy?)

(not being literal there. just. sherlock holmes is a famously static protagonist? To my memory, excluding a scandal in bohemia, for the most part ACD sherlock's personality, opinions, and outlook on things don't change in the stories he's in?)

anyway. back to the point. the process we had to do for this is just.

like especially as someone whose sense of how long things take is basically nonexistent outside of either things where I've remembered how long they are (my kettle takes about 2 minutes to boil, [x dish] takes about 30 minutes to make) or as a retrospect measurement (after some random thing is done, go "oh I think it's been around [x amount of time]" or "I bet it's [time of day] now", which itself only has a high percentage of me being right because I do it once every two to four months, and even then is only like. 50-70% of the time)

trying to estimate how much time a given dialogue exchange will take without actually writing it down and then timing myself reading it with proper cadence is like trying to put out a fire by thinking at it really hard

it would genuinely have been more efficient for me to have just. written a first draft of the screenplay based off one of my ideas, seen if that would even fit into two A4 pages, then read the dialogue while timing myself to see how long the animation would actually be, then redraft the damn thing to fit and actually be good.

instead of what I ended up doing, which was wasting an excessive amount of time trying to translate my thoughts and brain soup into coherently formatted notes

— which I didn't even manage because a mind map would end up as an incomprehensible web of lines with the occasional letter peaking out from behind, and my normal method of note taking is to only write the actual outline —

using those notes to write two outlines that fit comfortably into three hundred words, plus ten to thirty (and another outline that didn't fit because there was no way to make that idea work well within any of the limits at all)

then translating one of those outlines into a screenplay, which immediately went over 2 A4 pages, because 300 words of outline does not a 2 A4 page screenplay guarantee

and then rewriting the outline and screenplay three times until I gave up because it just wouldn't ever fit into 2 A4 pages (though it might fit into 90 seconds of animation. because page count and screen duration aren't the same thing)

then switching to the other outline and realising I'd need to cut an entire arc and subplot off the bat, translating what was left into a screenplay, realising that wouldn't fit into 2 A4 pages either, and rewriting both outline and screenplay until I ended up cutting all the dialogue and themes and major development out of the story because that was the only way to make the idea work

which like. yeah, sure. I could've (and should've picked a better idea)

but again, I have no sense of how long things take, and my normal writing projects and process aren't based around time or word count or anything.

and really, the only limitation that actually matters here is "can the story fit into 90 seconds". (and like. general quality requirements. but the outline word count doesn't matter at all

like if you're limiting the word count so people don't overdescribe scenes or character actions just. tell us not to do that and give examples of what's not allowed or something.

[catmask]

How do you make interesting male character designs, male fashion is so fucking boring and bad, and you seem to have a good sense of fashion, please help im suffering

two important tools you must remember:

1) there is no such thing as 'mens clothing' and 'women's clothing' theres just clothing and if you see something a lady is wearing and it looks good you dont have to say 'aww but a guy can't where that' yuuuup buddy you can. draw whatever and wear whatever you want forever. my wardrobe is completely mixed in terms of 'men's' and 'women's' clothing bc it's just MY clothing not anyone else's

2) pinterest

almost went on this entire rant about 'women's fashion is more expansive in part due to misogynistic double standards of appearance and men's fashion is only bad/boring because of years of being funneled through capitalism patriachal expectations of power homo/transphobia and racism' but if i do that people will start throwing rocks at me with the intention to kill and if i write multiple paragraphs of reflection on the false gender divide within fashion and the patriarchy and someone only reads 2 sentences to get mad at ill start blowing things up gotham city style

anyway these are the secrets to good mens fashion there is no brand that will save you there is no purchase that will save you utilmately you must study what you like blind to gender and then mix and match what you believe looks good. because i cannot just tell anyone 'this is fashionable' it is about going and finding what you specifically feel reflects yourself (or a character in this instance)

[songofwizardry]

fun fact: there is an episode of Tom Scott's language files where he mentions this exact thing, and he even touches on the using of epithets common in slash fic! I got very excited the first time I watched it.

(be warned, however, that if you watch this you may be struck with a bit of shock at how quickly the landscape around AI and particularly how we talk about it has changed.)

One of the hardest parts of writing gay anything is that they (often) use the same pronouns. Balancing names and pronouns so that I'm not overusing either of them is maybe THE hardest part of writing for me, because if you use 'he' too many times in a row you'll lose track of who's doing what, but too many names is repetitive and awkward to read!

[bonefall]

i dont think people are upset that the erins "weren't creative" enough with Moonpaw, they're upset that she's just. not a chimera. thats just a longhaired tortie and they justified it with chimerism. which is extremely insensitive because chimerism is a real medical thing that can cause issues in every species, including humans for those that dont know, and thats like. a big thing.

like, yay some disability rep (depending on how they write it. it wont be good. ughh) but like. its not going to be considered a disability when it can be in some cases. they are just going to say "ohh shes so special!!" like some people say with autism in this age (the infantilization of it) and its gonna be. weirdddd

anyways. sorry for ranting in your inbox.

Hey. Woah. THIS is insensitive and I don't know where you're getting this from. NONE of the three types of natural chimerism are a disability and it is extremely rare that fusion chimerism leads to medical complications.

Do not spread misinformation about a genetic condition because you're annoyed about the writing team confusing a common tortie fur pattern with chimerism. THEIR mistake is ultimately harmless. What YOU'RE doing is stigmatizing.

Quite frankly, after seeing a bunch of posts and receiving several asks about this, I don't think half of the people who are getting mad actually know anything about chimeras. I sure as fuck hope it's just ignorance, and that you aren't out here trying to call the state of being intersex a disability.

But I can fix ignorance. No need to assume malice. I will explain what chimerism is, and why you should stop going around implying it "causes issues in every species."

Chimerism is when a single individual is comprised of cells from two or more fully fertilized zygotes. There are two BROAD types of chimerism;

Artifical

Natural

Artifical chimeras are common with the advent of modern medicine. Ever had a blood transfusion? Organ transplant? You are a chimera. Or at least were for a while.

THIS can lead to complications and can cause disability, but it's not what Moonpaw is. She would be a type of natural chimera, which in and of itself has THREE subtypes;

Micro chimerism

Blood chimerism

Fusion chimerism

Microchimerism is so common that I could make a Your Mom joke out of it. It's caused by the passage of cells between the fetus and placenta during pregnancy. Everyone who has ever been pregnant is a microchimera.

While it can lead to complications, it can also be beneficial. Pregnancy could be considered a type of temporary disability, but no one would expect disability rep from every character who had ever given birth.

Blood chimeras are common in species whose twins typically share a placenta, such as cows and marmosets, but very rare in animals like humans and cats which usually don't. It occurs when tissue between two twins is exchanged through the umbilical chord. This type of chimera often ends up with a mixed bloodtype, hence the name.

This is the cause of freemartinism in cattle, when fraternal cow twins cause a sister to share her brother's hormones and act more like a bull. A type of intersex condition, not a disability-- so I sure HOPE you aren't trying to imply THIS should be "disability rep."

And even in the other case, would you automatically expect disability rep from a character that has two blood types?? No. Just like you wouldn't automatically expect disability rep from every character that had ever been pregnant, or every character who had ever needed a blood transfusion

And lastly, the one that Moonpaw ACTUALLY is. A fusion chimera. These are created when two fully fertilized zygotes fuse into a single individual.

These are extremely rare because you can't usually TELL when an individual is a chimera. There is no obvious physical difference between the "halves," with some cases of doctors insisting that patches are just weird birthmarks. They live their entire lives with normal health problems like non-chimeras. It mostly causes complications when DNA testing results in a false negative-- because the offspring of a fusion chimera occasionally end up being their genetic nespring.

Or, the two "halves" are male and female, causing gonadal differences. These people aren't disabled, there's nothing wrong with their bodies, but they're subjected to unneccesary cosmetic surgeries as children because they are intersex.

Say it. SAY IT. INTERSEX. I N T E R S E X. IM GRABBING YOU BY THE SHIRT AND SHAKING YOU THEY ARE INTERSEX.

Can some intersex conditions cause disabilities? YES. Are intersex conditions inherently disabilities? NO. Even when you're discussing infertility as a disability, tread VERY CAREFULLY because intersex people are fighting very hard to lift the stigma over their bodies.

Speak with care. Do not equate being intersex with being disabled. They are two different things.

You can be both and sometimes one could contribute to the other, but BEING intersex IS NOT a disability.

VERY rarely, even MORE rare than standard chimeras which are already very very rare and massively underreported because they are so unremarkable, a fusion chimera will happen LATE in utero. THIS can contribute to a chronic autoimmune condition where the cells reject each other, which is a disability.

And by rare I mean one case. Literally one. Of the 50 reported fusion chimeras in the review I'm referencing, Taylor Muhl was the only one with this. 4 were discovered via congenital abnormalities (unknown if connected to the chimerism b/c they were only tested because something was already wrong), 17 had fertility issues, and the remaining 28 didn't report immune conditions or birth defects but INTERSEXUALITY.

ANOTHER condition is often lumped in with chimerism, by people who do not know what chimerism is, which is mosaicism. Mosaicism, when there are two different sets of genes resulting from the same zygote, is NOT chimerism. MOSAICISM can be a cause of disability. CHIMERISM is usually not.

(Read the review in depth, as it includes mosaic cases for the sake of completion.)

They can both be fertilization errors, but are not the same thing. Follow me, I'm only going to woefully simplify a complicated topic once,

CHIMERA = Two zygotes in one body

MOSAIC = Two bodies in one zygote

CHIMERA = usually fine

MOSAIC = usually bad

And the last possible places you could be getting the idea that chimerism "causes disability" from, to my knowledge, is 1. This study that says the loss of a twin in early pregnancy increases the chance of congenital defects in the survivors (has barely anything to do with chimerism, this link is tangential, vanishing twin syndrome does not necessarily mean it was absorbed by its sibling)

Or, 2, this study of several animals where they correlated rates of benign tumors to % of chimerism based on SPECIES. BLOOD chimeras. It's COWS AND MARMOSETS AGAIN. The study ITSELF calls for further targeted research of chimerism cause of susceptibility to cancer.

It couldn't even link new growths or malignant tumors to chimerism in the mammals of its study. WE'RE mammals.

Correlation does not equal causation. Statistics 101.

So no. That's not "a big thing." Chimerism is fine, they're just very likely to be intersex if they're a fusion chimera of a male and a female zygote. Do not imply intersexuality is a disability. Please get mad about the actual ableism in the series, not the team being clueless about tortie patterns.

Also everyone say you're sorry to intersex Moonpaw. I better see you people making intersex Moonpaw pride flag edits as penance IMMEDIATELY.

UPDATE: Anon apologized! Growth! I still think this is an important post, especially in the context of the wider fandom conversation, so I'm leaving it as-is. Please feel free to reblog.

UPDATE 2: Clarification on infertility as a disability because I didn't word myself very well in one section!

[chronicsyd]

I'm gonna be so serious, y'all are remembering POWDER and Ekko and not JINX and Ekko when screaming about how much you "wanted Timebomb endgame over Caitvi"

shoving JINX in a relationship with her current mental state is not a good writing choice whatsoever, because Ekko literally had to keep rewinding time because she kept trying to kill herself. If Anything, That relationship would be rushed and fanservice because they would have jumped the gun in 2 episodes vs the 2 seasons it took for Caitvi and showing their ups and downs throughout their whole relationship.

The alternate universe works because Powder doesn't become Jinx and the two don't separate, unlike this universe where the two have been at odds for 7 years and almost kill each other back in Ep 7 of S1.

"But Cait never said sorry!" she didn't really have to, because Vi never stopped being in love with the girl that she Knows Cait is at heart, the Cocktail Molotov scene in Act 2 makes that VERY apparent. Cait saying that she was waiting for Vi to recover to address Jinx is the start of it because Act 1 Cait wouldn't have even Considered doing that, because she was so gung-ho about putting a bullet into Jinx that she Demanded Vi move out of the way for her to do so. She holds herself accountable with the mistakes she's made ("We can't erase our mistakes. None of us." that wasn't just a line targeted at Jinx to prove a point, there's deeper meaning behind it), and moving the guards out of the cell proving that she trusts Vi and her judgment on Jinx is that apology, Caitlyn has always been an "acts of service" kinda person over being a "verbal" kinda person; it's all over the place in S1 but Especially here in S2. But even after she takes Vi's shirt off, you could tell by her eyes and body language that she was most likely going to stop herself again to apologize for hitting her because the wound was in the same spot she initially hit, which was part of the lead up for This wound to even happen, but Vi's the one that just pulls her back in instead.

I'm also gonna add on that Vi thinks she made the wrong choice in trusting Jinx and thinking Jinx's changed because Jinx locked her in the cell and ran away again. So why in the Hell would Vi go chasing after her Again to be met with the same result time and time again? Vi isn't responsible for Jinx's mental health and y'all saying that are just weird. And I think it's apparent that Stillwater probably wasn't even in the top 10 things in her head being with Caitlyn, she was just running wild on emotions that she hasn't allowed herself to feel like-- Ever. And even if it Was Vi probably would have said she wasn't comfortable being in a jail cell of all places.

What was I talking about? Oh right, Timebomb.

Like Yes, it's shitty that Ekko doesn't get a happy ending considering he's the most unproblematic in the entire show. But people tend to forget that at the end of the day, Arcane is a TRADGEDY. It's not She-ra, it's not The Owl House, it wasn't going to be wrapped up in a neat little bow where everyone gets to smile and walk into the sunset with their loved ones, especially considering the fact that this season's being used as build ups to other stories, it's relatively clear that this isn't the last we're going to see of a lot of these characters. When they come back into play? well... who's to say?

But also, let's address that a lot of the Caitvi hate is just straight up homophobia at this point because a lot of people can understand Mel's admission to manipulating Jayce as an apology but Cait's actions we're suddenly braindead and need shit completely spelled out. like good lord I'm so tired of this. Y'all would NEVER have survived Catradora let me tell ya...

(My next post is gonna be a long winded rant about Maddie so stay tuned for that...)

[yanderenightmare]

ooo just in general who do you like in got/hotd? you mentioned aemond but I'm curious lolz

Spoilers for both GOT/HOTD! Don't read if you aren't caught up with either series!

♡ TW: nsfw, noncon/dubcon, incest, GOT/HOTD in general

♡ fem reader

My favorite character, above all else, is Ramsey. If I get really into writing for this universe, he's definitely gonna be one of my regulars. I love him. So much yandere potential. And he's terrifying. Paired with his little pet Theon. Mmmh. Ramsey makes him lick all the wounds he inflicts on you. Tugs his cock to the sight of it. Cums on you both. Tying you up on the Bolton cross, he makes Theon kneel between your legs to lick your clit until you pass out. You're both his little pets.

Joffrey was also one of my favorites, but I don't know if I could write for him. I find it hard to imagine him being sexual. I'll have to think about that one.

Tommen, on the other hand! Yes, please. Virginal goodie-two-shoes with the power of a King. Yes, God. You may think he's harmless, but no, though a different breed, he's a little psycho, just like his brother. And you're just a poor chambermaid doing your job. He'll apologize when his arousal gets the better of him. But the stress gets to him, you know? It's not easy being the new King. All this responsibility, the realm in shambles, threats to his life left and right. You'll be good for him, won't you? Obey him and let him use you to blow off some steam—you can do that for him, can't you?

The Hound, or Sandor Clegane, is also one of my favorites. Massive and strong as all hell. He has a moral compass, but he doesn't care how he goes about following it. And the journey's long, and the ground is rough, and the night is cold, and he's had to fight twice already to keep you safe. So just shut up and let him make use of you. It's not as if he can't tell you're enjoying it as his fat cock drills your tight cunt. You make all his clothes wet with how much you soak. So don't bother lying.

Jamie and Cersei are also hot. Thinking about being their younger sister. How awfully possessive they are of you. Bringing you to bed with them. Telling you it's only right for family to stick together. How your big sister uses her pretty finger to prep you before Jamie fills your snug cunt up. They coo as you fuss—insisting it's right while making you cum for them.

Tywin is even better. You're his youngest daughter, but he fucks you like you're a common whore and tells you he loves you the most. He'll rant about how immoral the other three are and make you promise you'll never become like them—that you'll stay his good girl and do what he tells you without ever questioning him.

Tormund. He picks you as his wife, and you have absolutely no say in the matter. Scrawny little wildlings that can't even hunt for themselves have no rights. You'll keep him warm in the cold night, and he'll provide for you. Of course, his stamina makes it no easy arrangement. Making you squeal until your out of breath and then some.

Littlefinger. You're a new bird in his brothel, and he's decided you're worth training himself. Yes, he'll teach you everything you need to know about pleasing a man. Make you accept you're nothing but his whore, eager to do everything he tells you without hesitation. A subservient and devoted little slave to your master.

Bronn. If his gold coins can't buy you, he isn't a stranger to getting the things he wants in other immoral ways. Threatening your pretty neck with his knife actually only makes his cock harder. Don't worry. He'll leave you the gold coins anyway.

One of my favorite characters from HOTD is Ser Otto Hightower. What an unbelievably scummy old man! He has you tied up in his bed and doesn't even allow you to wash off his filth without his presence. He's taking all your holes for himself. After all, he's a noble tied into the Royal family, and you, a lowly servant, are his property. Just as he makes use of a washcloth, he'll make use of you. There is no difference.

Ser Criston Cole, as well, uses his gold cloak to make threats. If you know what's best for you, you'll strip on his command, kneel at his feet, and kiss his silver boots before he loses patience.

You obviously try your best to avoid King Aegon. Any pretty chambermaid might be his next victim. And you know, if anyone finds out what he does to you, you'll be the one who's banished from the castle, not him. And that's why, when he has you pressed against his bed, cock already tearing through your tight cunt, you don't say a word. Keeping quiet, you allow him to do whatever he wants each and every time, and then you go about just as silently as if nothing had happened. And that's why you're his favorite. You know your place, and you never forget it.

Larys freaks me the fuck out, but... Allowed little power elsewhere, he makes certain to exercise the vast depth of his power-hunger with you. Yet in the most unorthodox and gross ways possible. Playing with your feet while you cry for him to stop. He looks at you with the most innocent eyes while protruding his tongue, licking your soles slowly before closing his mouth around your toes and sucking fiercely while tonguing the gaps.

Aemond. So much potential here. You're a dragon keeper and one of the very few Vhagar allows in close without burning. You have no idea if it's the dragon or its rider that likes you first. All you know is that Aemond's grip is strong as he takes you hard against the rough old scales of the largest dragon in the world.

Daemon. There's a sadness in his you don't dare provoke. Shivering as you do what he tells you, in all hope it can soothe the dragon within him before it decides to burn you. He can be gentle at times. If you approach carefully enough. But most of the time, he's got trouble in his mind and only one outlet.

[adripakoffee]

I don't post on here often and by that I mean I'm on here once a month to look at writing prompts but right now I'm thinking of Anya from Mouthwashing, and Tumblr is better for long form posts. Apologies if this rant isn't super clear, I'm on pain meds right now.

CW: S/A, SUICIDE, OVERDOSE, MOUTHWASHING SPOILERS

Anyway, Anya very well may be one of the most doomed characters to ever doom. Firstly she's trapped in a relatively small space ship with 4 men, who she has to keep alive and healthy along with giving them periodic mental wellness checks (which she, herself never gets). Two of these men don't take her seriously at all because she probably doesn't actually have a medical degree and is just someone the company hired to cut corners. If that wasn't all ready awful, the co-captain, Jimmy, has been assaulting her since at least the start of this voyage that's been going on for 100+ days. She falls pregnant because of this and while this isn't where her spiral started, this is where it gets worse. She originally plans to kill herself with the Captain's gun, but decides against it since she can't get to the gun without Curly's help anyway.

Speaking of Curly, he knows what's been going on, she told him about Jimmy a while before the crash. Every time, Curly says "I'll do something about it," or "I'll fix this," but the most he does is keep Jimmy away from Anya when they're working. Anya seems fine with that for the most part because I think she assumes Curly will report Jimmy and have him arrested when they land (he won't, at this point in the game he'd defend Jimmy for anything because "he sees the best in people. He loves to say "our worst moments don't define us" and apparently that extends to r@pe). So at this point, she's biding her time until they land.

Back to the gun, when Curly finds her holed up in the cockpit, she tells him she's pregnant. He's a little taken aback but he tries to reassure her that it's fine and he'll fix the "situation" with Jimmy. He says he can't let her kill herself because he does actually care about her. One of his flaws is he cares about everyone so much he can't imagine compromising one of them for any reason. Anya tells him she wasn't going to hurt herself, though she thought about it, she just hid the gun case so Jimmy couldn't kill her instead. She's so convinced Jimmy just wants to kill and torment her when the sad truth is, he couldn’t care less.

In all of Jimmy's "take responsibility" hallucinations, Anya barely shows up. Swansea, Curly, and Daisuke do, but he can't bring himself to even recognize what's happened to Anya is also solely his fault. He doesn't care at all.

Speaking of which, what seems the straw that breaks the camel's back for Jimmy is Anya telling him that she's pregnant because he crashes the ship pretty sure after. And this really seems like a spur of the moment action because if he'd planned this he could've done it much earlier after the news of the company closing reached them.

Curly says Anya should've waited for him to help her tell Jimmy about the pregnancy, but that doesn't matter because he is put out of commission like (I forgot if it's a day later or the same day) later because he's in the cockpit when the ship crashes.

Now Anya has no hope, Jimmy knows she's pregnant, the seemingly one line of defense she has against him can't leave his bed, and they're stuck in space. She's terrified because not only because of that, but because Jimmy is captain now and because of the way the ship is set up, you need the captain for a lot of things. Jimmy being captain also means if he finds the gun case, he now has the code to open it.

Anya, being the ships medic, is tasked with keeping Curly alive and giving him his meds. It's really difficult for her, A. because Curly is hard to look at, B. because unless he's full of pain meds, he's making noise, and C. because that was her friend and one of the only people she felt safe around and he's been reduced to this. And from her perspective, this is his fault, Curly crashed the ship.

This situation is stressful for everyone, Swansea has reverted back to alcoholism and never drops the ax he has, Daisuke is slowly losing hope and also starts drinking, and Jimmy won't stop yelling at her. He's so pissed at her the entire game, more so than everyone else. She was already scared of him but before there was at least a light at the end of the tunnel. Now there's nothing to look forward to because she doesn't think there's any way out.

She, at some point when he's sober enough, confides in Swansea who then tells her that she's gonna be the one to get out of here. He has the one last working cryo pod set aside for her specifically and refuses to let anyone into the room where it is. Unfortunately, at this point, her anxiety concerning Jimmy is so bad, she's convinced he'd do something to the pod too.

So then Anya locks herself in the med bay with Curly and all the rest of the ships medicine (- minus the Isopropyl which she probably left for Daisuke and Swansea) and overdoses by Curly's bed. Curly was awake the whole time she went through a probably painful death. She also, as maybe a final revenge, took the last of the pain meds that were meant for Curly. And she dies right next to him.

That's where her story ends. She felt so trapped and scared by her r@pist that got her pregnant that she killed herself next to the one person who could've done something, but instead, from her perspective, trapped her with said r@pist.

She died probably hoping that Daisuke or Swansea would make it out, not knowing they died soon after.

TLDR;

So from her perspective: A guy she's been friends with for years starts repeatedly assaulting her and she's stuck with him, then he gets her pregnant. Her other friend who she tells says he'll do something about it (he won't) and she has no choice but to trust him. Then the guy she told crashes the ship they're all on and fails in taking himself out. Now she's trapped with her r@pist and she tells someone else who does actually try to do something but she kills herself instead.

Anyways guys, I'm just missing my wife, the end.

[welovelouisandbucky]

My two favorite Slytherin boys headcanons bc why not?

T/w: few swear words, my writing, and some out of character stuff because im delusional, little suggestive if you can call it that, and yes aside from that if you find any pls let me know:) also my writing

A/n: hi y'all, I just want to say pls be kind as this is my first time writing for these characters so if there's any mistakes pls overlook them thank you! Also I tried my best to keep this GN so everyone can read and enjoy this and yeah that's it, have great day!!!

S/n: requests are open so feel free to send in ideas, I'll love to write what you guys suggest. Also feel free to ask for more Slytherin or any Harry Potter characters you want headcanons/blurbs about, I'll love to write and add more🤗

Masterlist

Mattheo Riddle

(gifs credits to the rightful owner)

Also this one's long as you can see I got carried away😁

Mattheo who always looks forward to see your face after the end of the day

Mattheo who will fight any one who looks at you funny or talks shits about you

Mattheo who glares at every single person but the seconds he spots you his eyes softens up in millisecond in adoration

Mattheo who holds your books or bag everywhere you guys go, because God forbid if his princess/prince ever has to worry about those things when he's there to do them for you

Mattheo who waits after you when the class is over so he can walk you to other class while he pulls you as closer to him as possible

Mattheo who searches for you before every Quidditch game so he can have his good luck charm kiss from you

Mattheo who pretends to hate and act tough when you baby him while secretly melting into a puddle inside every time you call him sweet names. ( He absolutely loses his shit when you call him baby but shush it's a secret 😌)

Mattheo who has probably drawn you only few hundreds of times in his super, super duper, very classified sketchbook that no one knows of.

Mattheo who always encourages you to do things you want to do but are too scared to actually do it.

Mattheo who always supports your decisions, even if they are stupid

Mattheo who appropriates your little hobbies and interests even if they are weird, he just wants to you to feel safe and heard around him

Mattheo who's always there for you whenever you need him, always there to hold you close on bad days because he knows how it feels when you are at your worst and there's no one to comfort you (thankfully he doesn't have to worry about being alone now that you are here as well as his friends)

Mattheo who struggles with expressing his emotions and feelings but still tries his hardest to show them to you because he wants you to know how much you mean to him.

Mattheo who's not that good at comforting but still pulls you to him because he can't stand seeing you cry and not do anything about it.

Mattheo who willingly listens to you rant about everything and anything because he loves hearing your voice (even if half of the things you said are going above his head but hey at least he's trying! ☺️)

Mattheo who hates not knowing what's happening around him because it makes him feel helpless and he hates feeling weak. That's why he always, and I mean always knows what's going on everywhere

Mattheo who's touch starved (bc yk all that being dark Lord's son and growing up with death eaters and all) and craves your touch. He's always in any way touching you, whether holding hands, or a hand on your thigh or waist just any kind of physical touch because he wants to be as close to you as possible.

Mattheo who loves loves cuddles, doesn't matter who's spooning who as long as you guys are in each other's arms.

Mattheo who loves you so much that it physically hurts him, and there's nothing he wouldn't do you

Mattheo who will always protect you no matter what

~~~

Theodore Nott

Theo who loves to tease you throughout the whole day just so he can see you all worked up for him

Theo who looks forward to your quick comebacks every time he comments on something he knows he will get reaction out of you and absolutely loses his shit when you roast the shit out of him for it

Theo who calls you sweet endearments in Italian because he loves to see your confused smile, contemplating whether he roasted you or called you something sweet in foreign language

Theo who keeps you company while you finish your homework in library

Theo who loves spending time with you on Astronomy tower (he just in general loves spending time with you but astronomy tower is more special to him) while you are snuggled up against his side as you guys look at stars.

Theo who will read with you, doesn't matter what kind of books you guys are reading as long as both of you are together.

Theo who prefers reading classic novels but will happily read cheesy rom-com books with you because you said so (secretly he enjoys them too but hush🙈)

Theo who actually enjoys reading poetry, and sometimes when you guys are alone he'll read few to you

Theo who's always there to comfort you whenever you have problems with your family because he knows how it feels.

Theo who's always there to stand up for you in any situation

Theo who starts to smoke less around you if it bothers you, but if you smoke too then both of you guys will smoke together at the Astronomy tower

Theo who loves silence and doesn't enjoy talking much but is always ready to listen to you talk for hours, you are the only person he can talk and listen to for eternity without ever getting sick of it.

Theo who loves when you wear his clothes

Theo who said I love you first time when he saw you curse someone out because they said some shit about him, he doesn't really care whatever shit they were saying but seeing you stand up for him made him feel emotions he never felt before.

Theo who just absolutely loves you and wants to spend entirety of his life with you

Thank you so much for reading, likes and comments are very much appreciated. As well as positive criticism, pls don't hate this is a safe place for everyone!! Bye bye have great day!!!

~~~~

Enzo's headcanon!

[leconcombrerit]

This thing had been rotting in my files for a year (minus three weeks but that's basically a year). It was a redraw of one of my first ever pieces for this fandom, and I still find it quite okay if a little stiff in places, so I thought I might as well share it since I don't draw that much anymore.

And then I had second thoughts, which obviously led to me posting it anyway, as you can see, but I realized I've almost made it a point not to draw anything related to Sasi anymore. As in at all. I can't, and I don't want to, and even sharing old art feels a bit 'meh'. It's too directly linked to my long going art block.

What I mean by that is that if I took all the followers I have out there and asked them what they know me or initially followed me for, you might have a fair amount of Lis 2 and the occasional Desert Bluffs afficionados, but you'd get an overwhelming majority of Sanders Sides. Sanders Sides fashion posts even. I was by no means famous for it or anything, but at my small artist scale, it was the biggest success I had.

And it makes it much harder to go back to it at all now. One, because I don't give a damn about the show anymore. Two, because I haven't been properly obsessing over anything in a while (there was a series early this year but given the actual emotional distress I get thinking about it I'm ruling it out). I haven't had real engagement from my own brain, nor real engagement from a broad audience -which makes sense, I'm not posting for anything that will reach a broad audience. But it takes its toll regardless.

Even when I finally finished writing a long fic, I couldn't help but feel 'all this for what ? Ten people or so and two hundreds have dropped it ?'. Which is a bad way to think about stuff you write for your own enjoyment but, you know, the brain gets happy with external validation even if you pretend really hard you don't care.

And so it feels tempting to go back to the golden goose just the time to get the creative juice pumping back, and I try, and I always end up frustrated and angry and feeling even less like making art that before. I'm not having fun with Sasi. Like an old friend you have nothing to say to and yet you have so much to say otherwise, so you get a bit frustrated, you know ? Not sure I'm making much sense, but that's how it feels. I want to have something like that again, but it won't be with Sanders Sides, and I somehow just want if off my radar.

It was left hanging, then lost its spark, and then I stopped caring altogether and I most likely won't even watch the finale when it does come out. I'm over it. I wish I wasn't though, because it does feel like the artistic spark won't come back all on its own this time, and the buzzing community made it so much easier to bounce back and do shit when your brain got wired all wrong.

It sounds like I'm just bawling after love and likes and stuff, and I guess that's part of it, in a way ? Like I'm in no place to do things for myself, and seeing the one thing I used to use to get back in the flow giving me a bored sense of dread doesn't feel too great.

Yet this drawing is still good ! I find it good ! I don't remember everything, but I can tell from the looks of it that I spent a while on it ! It's nice ! I should celebrate that. So I'm sharing it. I think it will be the last piece of Sasi I ever share, though. I'm not watching the finale when it comes out. I don't care about it. I'll just keep doodling my OCs and characters from cool books every once in a while. I'll write little things.

I just really, really need to stop trying to go back to it when it's clearly not working and not even for good reasons. It was a fun ride though ! So yeah. Basically. A whole ass rant for a one year old piece of art. I'm in my bi-annual depresso mood, nothing too surprising there.

[dontbesoweirdkira]

AH DO I LOVE YOU RANTING

about the weaponized incompetence batsis, thing is what you said is true about them not really that insistent to force reader to the vigilante route because she DOES have a valid reason. Barbara? On a wheelchair. Jason? Tortured, dead, replaced, revived. Steph and Cass? Dead and revived. Happened too many times already to kids under Batman. If anything it's called self-preservation.

I think that honestly the being peeved and possible jealousy is also true. If reader were to be skilled than most YET refuses to join? Boy. Jealousy of her skills, peeved at her indifference.

I can see potential routes to this.

A) Reader still weaponizing her incompetence, while the Batfam has mixed feelings of jealousy, peeved, disappointment yet can't bring themselves to force her because she is right! Girly just wants to remain alive.

B) If reader is petty as fuck, going foul aka bringing up the deaths and failures of her siblings during an argument with batfam, telling him that he got blood on his hands.

C) Somehow ending up as a vigilante but again, a petty as fuck one. REFUSES to be associated with the batfam, even having a really different aesthetic and working separately. Either kill like Jason OR do everything bad minus killing to the enemy to spite Batman.

D) If she has an assassin mama, goes back to her mother's side of the family because she ain't dealing with Bruce.

Hello again! I'm happy you enjoyed the last post :)))

For an interesting plot, if you were to write it, i'd say go with the kids being upset/jealous with the reader thus thrusting her into the line of fights with them. They want her to be side by side with them. Patrol is not always about crime fighting because some nights nothing happens. It's a bonding moment. They rooftop hop and act silly, they want you there with them. They feel like you don't want to be there with them...it's hurtful. They bug Bruce about it to get him to force you into it but he allows you to choose. They might be pissed because they didn't really get a choice. You're going to be here with your siblings.

Maybe they don't fully understand your worry because all of them will obviously protect you. Especially the older ones in the group. You'll be fine. You don't get to be miss perfect, Bad things happen and you don't get to escape that out of fear.

I personally would say C option. Perfect example of weaponized incompetence . Jason would be loving you so much. Ya'll would be amazing together and everyone else is like...maybe don't be so brutal?? they'd try to split you up and explain what you are doing wrong. Doesn't work obvi and you are back to being a menace with Jay.

Bruce would intervene and maybe threaten you with going back to your moms. Or maybe he'd force you to stay back like you wanted...Who knows.

But B is my personal favorite because i live for Bruce slanderrrrrrr. Spit on him too just to add extra flavor.

All of these are good options though!! A lot for the imagination. Especially depending on how you view each character. You can get insanely dark with this if you want tooo.