#not talking about an entire series

[blurrilines]

All I’m gonna say to anyone who claims to like Bernard or Timber is the very second we see them again or even just Bernard, you’d all better be buying the Fucking Issue

[paintedcrows]

Holiday Classics

Been thinking about Ford watching the 70s Animated Lord of the Rings Movies... (companion comic to this post!)

[ghostslazy]

Extremely rough first stab at the Taz Vs. Dracula lineup bc I love them all so so much already and don’t have the time to finish a lineup of characters for fun rn 🥲

Close up sketches, design notes and surprise drac under the break:

Travis’ characters are always the hardest for me to design idk why, but I made him very western inspired with some vampire hunting flair. Lady Agatha Thistle’s breed was one I hadn’t heard of before but I love a good blood hound. I always end up making Travis’s chapters warm toned, they’re all very red/orange coded to me. (Beef would be the exception I think he’s very pink and blue in my mind)

Clint always makes the sweetest roundest characters I love designing his. I wish we had a cannon spelling because there’s so many directions you can go with “Filo” also his characters are usually green or green adjacent to me. I cant wait to see him bust out more booger potions

Justin never misses with a character and I cling onto every single one he makes so quickly and violently it’s getting embarrassing. I like the idea that she would still dress extremely fancy and posh even tho her new body should be in some battle ready armor. Also I made her blue since she is a Frankenstein’s monster and most likely wouldn’t have the blood flow to have a human color. Plus I love the monster high color palettes so I’m referencing a little bit. Justin has very cool coded characters to me, lots of blue and purple and forest greens.

Probably not sticking with this Dracula design but I want him to love a bit more silly and slick, I think having him be lanky and shorter will pair him very well against our rough and rowdy boys

[secriden]

There's something so wondrously momentous about Style only saying his "I love you" now, when he realises that all the secrets he was keeping from Fadel are already laid bare.

He says this a significant time after Fadel has said his (and, in the context of the wider narrative, after Kant and Bison) and for the character we have seen as prone to glibness, exaggeration and flippancy with his words, that feels incredibly intentional.

Because this confession was the only truth Style had left to give.

Fadel is finally done playing his (poorly thought out) game, done with his (already cracking at the seams) charade, done with giving Style more opportunities to pull at his heartstrings with his earnestness lies.

Fadel is demanding the truth, and tells Style exactly what truth he wants to hear.

And the thing is, there is truth in this: Style's motivations at the start were wrapped up in a deception specifically targeting Fadel.

I know we, as a fandom, harp on about Style "doing all that for a car", but something I would like us all to revisit is what Kant actually says to Style when he first asks Style to "hit on" Fadel:

Kant: You need to help me. You know I don't usually feel this way about someone. And then shortly later, after Style refuses: Kant: Hey, hold on. (Kant grabs Style's hand.) What do I have to do to for you to help me out? Should I pay you?

(Please forgive my inability to gif and watch Style's reaction to this.) Style is visibly surprised and intrigued. Kant seems to be serious about this request, and I think Style decides to test just how important it is to Kant by asking for the one thing he knows Kant will not give up.

Just look the expressions on Style's face. We didn't have the context of knowing Style back then as well as we do now, but this is the look Style gets when he's throwing out a challenge (to Fadel), when he's trying to ferret out some new insight (from Fadel), when he wants to see how someone (Fadel) will react to whatever outlandish (provocative) thing he's said or done.

And when Kant agrees, Style even checks again if Kant is serious about going through with it -- and it's this that convinces Style of the sincerity of Kant's request.

Yes, the car was a factor, and yes Style also wanted revenge and to humble Fadel, but at the centre of Style's motivation has always been a plea for help from a friend.

In episode 1: Kant: Under one condition. You have to make him head over heels in love with you. Style: I'll do it. Not just for the car, but someone like him needs to be humbled by someone like me.

But in agreeing to help Kant, Style really was damning Fadel to play the fool because Fadel's feelings (his heart) was a commodity that Style was fully willing to play with back then.

And there are aspects of truth here too. When Kant tells Style about Fadel (and Bison) being hitmen, Style decides he's done and wants out. Kant reasons that it's more dangerous for Style to break up with Fadel now, because it would look suspicious, but crucially this isn't enough to convince Style.

So Kant, once again, makes the plea to friendship and to his need for Style specifically, and it is this that causes Style to finally cave.

But in doing so, the things that Style agrees to are:

Kant: Work with me. Help me get more information about them. Once we get that, it's done. Captain puts them in jail, and we walk free.

So while Style may not be directly working with the police, he is working with Kant who he knows is working with the police. By proxy, Style is involved with the police, but in front of the empty pool, he makes it clear to Fadel just what that involvement actually entailed:

Style: Kant asked me to take you out so you could leave him alone and he could freely investigate. Fadel: What did he get out of it? Style: I don't know! That ain't my business! All I was asked of is to take you out.

And this, too, actually is true! Since finding out, Style has literally not discovered a single thing that could be remotely useful to the police investigation:

He's found out that Fadel likes to gym at night. He's found out that Fadel uses tenderloin in his burgers. That he runs in the morning before going to the market. That he attends a grief support group.

But these were all things Kant also already knew and could have given the police if it were in any way useful for the investigation.

Even his attempts to get Fadel to confess to his "other job" (something the police also already know) were clearly in service of wanting to save Fadel and/or convince him to give up the life of crime in the hopes that Fadel wouldn't have to be sent away from Style to prison.

But the truths are tangled up in misunderstandings and Fadel's own assumptions now; and also further tainted again by Bison's own hurt over Kant's betrayal. And Fadel literally cannot see -- because his eyes are filled with tears [see: @thisautistic's gifset + my tags] (good grief, Joong, the actor you are) -- the honesty Style is bleeding from the marrow of his bones.

Because the truth is that along the way Style has also found out that Fadel is a good older brother. That Fadel is still hurting and bleeding inside because his parents were murdered. That Fadel wears his favourite bands' make up in secret because he cannot bear the thought of other's judgement. He's found out that Fadel misses Style, wants Style, and hates himself for it. That Fadel is afraid to love. That Fadel is acutely aware of his own darkness and cannot comprehend an existence that would not involve someone (Style) rejecting it. That Fadel does not believe that 100% trust is possible, but that he will get himself drunk so that he can offer Style as much vulnerability as he can physically make himself give.

Because the things that Style did find out were all the ways Fadel's heart is soft and tender and precious and worthy worthy worthy of all the love Style has to give.

And Style will stand firm on this truth because this is the only thing he has left to give Fadel.

Because Fadel knows, now, all the ways Style was unworthy of his trust, but crucially has not figured out the most important truth:

Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. -- Quoted from my meta post on the "One day, I'll be your 100%" line.

And as I alluded to in the tags on @yinwaring's insightful post: Style fully embodies the belief he espouses; because even in the face of a gun to his head and Fadel threatening to kill him if he will not admit that this, too, is a lie, Style refuses to give Fadel anymore dishonesty.

And this is because Style knows that the truth matters; now more than ever.

Because Style has had days to grapple with his worry after Fadel's disappearance. Style has had a week's worth of checking the diner only to face the regret he feels about not handling things differently. Style has had to recognise the terror of thinking he had lost something he never even knew he wanted in the first place.

And while Fadel had his realisation back in episode 4, Style never had to face this until Fadel vanished from his life and left a gaping hole in the shape of the absence of Fadel's smile.

So if this is what it takes, if this is the penance that Fadel demands of him, then it is a price Style is most happy to pay.

Because Fadel does not realise is that Style, too, now knows what it means to lose a love worth fighting for.

And in the war Fadel now feels compelled to wage against Style (because, yes, that's definitely still going on), the one damning thing Fadel has failed to recognised is that his only true weapon was leaving Style behind.

Which is why Style has already won. Not because Fadel's walls have crumpled again or because they don't still have a ton of things to talk through and work out (they really, really do), but because Style has already been stripped bare (and I mean this literally, like we all recognise THAT was the reason why Dunk is only in boxer shorts in that scene, right?? Like, I know we were joking about it, but seriously, that was so very intentional and a visual representation of Style being both stripped and, most importantly, freed from the lies he felt compelled to tell Fadel) and this means he has nothing holding him back.

And Fadel can wield his gun and his words and his anger and his hurt, but Style will die on the hill of the truth that he knew and understood and chose to love Fadel anyway, and saved this last confession for when he knew he could tell Fadel the truth without any lingering deception; and when the time is right, when Fadel is finally ready, Style will be there to welcome him back with open arms and, without any hesitation, an open heart.

[blossoms-phan]

thinking about what it means to be chained together, work, life and social, to quite literally be beside each other in life and… still make the confirmation that phil is indeed the funniest person he knows sound like the most earnest and sincere thing in the entire world? to spend so many of your days and years together now, with evidence of all those smiles and laughter written all over your face. something about the simplicity of these questions, timeless ones but untainted by social media or meme speak, leaning fully into the girly sleepover night energy but also just… answering so honestly, in a way that’s funny and charming and completely them but walls down. thinking about them trying to make dil and tabitha best friends and being disappointed when that reduced their romance level. thinking about “i think 14-year-old dan and phil would have been friends”, about more than just romantic, about i didn’t have a best friend for the first 18 years of my life, real best friends. their friendship is so important real lovers are friends first etc etc

[aroaceleovaldez]

reminder that the only reason the "ADHD is actually demigod BATTLE STRATEGIES" and "dyslexia is DEMIGOD BRAINS HARDWIRED FOR ANCIENT GREEK" things exist in the PJO universe is because it's a very direct reference to early 2000s teaching/parenting techniques for neurodiverse and disabled children, which aimed to frame childrens' disabilities and hardships as a "superpower" or strength so that the children would feel more positively about their disabilities or situations. This technique has fallen out of favor since then for the most part since more often than not it just results in kids feeling as though their struggles are not being seen or taken seriously.

Yes, demigods are adhd/dyslexic (and sometimes autistic-coded) in the series. This is extremely important and trying to remove it or not acknowledge it makes the entire series fall apart because it is such a core concept. Yes, canon claims that their adhd/dyslexia is tied to some innate abilities, which is based on an outdated methodology. It's important to acknowledge that and understand where it comes from! But please stop trying to apply it to other pantheons in the series like "oh, the romans have dyscalculia because of roman numerals!" or "the norse demigods have dysgraphia for reasons!" - it's distasteful at best.

A better option is to acknowledge the meta inspiration for why that exists in the series, such as explaining potentially that Chiron was utilizing that same teaching methodology to try and help demigods feel more comfortable with their disabilities and they aren't literal powers. In fact, especially given Frank, there's implication that being adhd/dyslexic isn't a guaranteed demigod trait, which means it's more likely to be normally inherited from their godly parent/divine ancestor as a general trait, not a power, and further supports the whole "ADHD is battle strategy" thing being non-literal. It also implies the entire greco-roman pantheon in their universe is canonically adhd/dyslexic - and that actually fits very well with the themes of the first series. The entire central conflict of the first series fits perfectly as an allegory about neurodiverse/disabled children and their relationships with their undiagnosed neurodiverse/disabled parents and trying to find solutions together with their shared disability/disabilities that the kid inherited instead of becoming distant from each other (and this makes claiming equivalent to getting a diagnosis which is a fascinating allegory! not to mention the symbolism of demigods inheriting legacies and legends and powers from their parents and everything that comes with that being equivalent to inheriting traits, neurodiversity, and disabilities from your parents).

anyways neurodiversity and disability and the contexts in which the series utilizes representation of those experiences particularly during the 2000s symbolically within the narrative is incredibly important to the first series and the understanding of what themes it means to represent. also if i see one more "the romans have dyscalculia instead of dyslexia" post in 2023 i'm gonna walk into the ocean.

[demigods-posts]

i really think the fandom kind of glosses over the trauma annabeth endured in ttc. like, the poor girl fell off the side of a cliff, was manipulated into holding the literal weight of the sky on her shoulders for hours, and (if i remember correctly) was tied up at one point. but this is all we can be certain happened because that's all of what percy saw. but what about what we didn't see? the poor girl probably spent the first few days immobilized and in so much physical pain once artemis took the sky from her. she was probably starved, or at the very least, not getting the amount of food and water she needed consistently. she probably spent most of her nights in an endless cycle of torment knowing that her friends were coming for her, but not knowing how long it would take them to find her. she probably quietly cried herself to sleep knowing the reason she was even in this mess was because of luke. i could go on and on, but you get my point.

[wotchernewt]

i think the most interesting thing about wild life so far is how textually, canonically, Explicitly Stated Within The Episodes And Therefore Admissible As Canon Lore, grian is in control of this one. like you can go around writing angst about the rest of the life series being The Watchers tormenting everyone but this time it's unambiguously grian responsible for the torment. he knows all the wild cards in advance because he designed them, and he has the power and authority to stop them in their tracks if he decides they've gone too far. i want fifteen fics about this on my desk by this evening.

[lotus-pear]

rewatched madoka magica again today bc i fucking hate myself and to absolutely no one’s surprise i went through all five stages of grief in a single evening

[sibylsleaves]

I still think it’s so funny that they did that whole Josh “do you think about him when he’s not around are his concerns your concerns is his happiness at least as important to you as yours” speech when they literally showed. zero indication of any of that being true

[xinilia]

the great thing about hua cheng’s devotion is I straight up cannot get enough of it. I will reread fics hundreds of times just to hear him describe the sheer depth of the adoration he feels for xie lian. it’s therapeutic to hear about how much love someone can be capable of

[the-bat-bros]

Playing Arkham Knight and giggling - swinging my feet every time Bruce is like “I wOnDeR wHo ThE aRkHaM kNiGhT cOuLd Be!?”

[desultory-novice]

Do you think Galacta Knight's horns are real or part of his mask?

...Oh wow. This ask floored me, anon, because personally I've always believed they were a part of his mask and not real horns and yet, I have almost never found anyone who agreed, let alone would even entertain the possibility they were just decorative...!

It just always made the most sense to me...?

Like, that kind of thing is VERY standard for medieval helmets - animal, insect, and demonic motifs to be an intimidating figure on the battlefield, that is. Both realistic and exaggerated depictions.

(Also, the game IS developed in Japan by a Japanese studio and it would not be at all weird for them to draw inspiration from samurai helmets for his mask design.)

We KNOW Meta Knight, at least, is shy to show his true face, so why would another puff not do the same thing and try to look fiercer than his face suggests? Especially if his only inborn distinctive trait is having angel wings, a symbol of peace and benevolence?

(I also believe, aesthetically, that having the only physical difference between Galacta Knight and Meta Knight outside of their opposing colors being MK's devil wings and GK's angel wings - as opposed to devil wings v angel wings AND horns - makes them MUCH better parallels to each other? Adding real horns in just muddies it.)

Also, imo, in every render and model of him, the "horns" are too closely modeled into the helmet to have room to feasibly grow out from his head! Just saying, but that would be a ridiculously uncomfortable design to wear in RL, constantly rubbing and chaffing against his horns, preventing it from moving and "breathing" with his face while not providing any form of protection for them either!!

They're also made of the same golden color AND texture as the ornamentation of his shield. I know I'm going against fandom popular opinion here, but that also tells me they are ORNAMENTAL.

While ornamental horns just seem the most logical to me for species, character, historical, and design reasons, it's pretty obvious that aesthetically and interest-wise, non-ornamental horns have a complete stranglehold have won out in the fandom.

I have seen innumerable asks questioning + folks speculating via art and other mediums, "What horns do you think Kirby will develop when he grows up?" Most people go to great efforts to research, dream up, or uncover the appropriate "head attachments" for their puffs when designing Kirby OCs to "fit" their interpretation of Galacta + what a mature member of Kirby's species simply MUST look like.

Quite simply, Galacta having horns clearly stirs folks imaginations(1) more than a dark pink puff with angel wings who wants to represent themselves as a fierce demon on the battlefield.

...Even though Galacta Knight making a conscious choice to contrast their angelic visage with demon horns whenever they are in battle says a lot of fascinating things and makes them a more interesting and nuanced character to investigate, in my opinion.

--

(1) While I think it's more fascinating if he doesn't have them, I would be remiss to ignore the issue that, in a lineup, it provides Galacta Knight some much needed visual diversity from the others. It makes his gijinka and unmasked form instantly more recognizable than they would be otherwise.

Real horns have more appeal for the same reason many folks (and I am guilty of this) give Dark Meta Knight a scar on his eye under his mask, even though realistically, him taking that kind of injury is practically impossible. (That's what the mask is there FOR lol!)

[absolutebl]

It is WILD to me that GMMTV is fielding OffGun AND TayNew in the same quarter

That Last Twilight is airing AS WELL

That they optioned 3 JBLs

That The Sign is up there licking kicking ass and taking names (and Saint is behind it!)

That there's a high heat omegaverse BL staring Pavel

That there are 20 BLs airing right now and none of them Korean.

With 5 VAMPIRE BLs announced for next year

Thailand legit looked at 2023 and thought "yeah but we could make it worse better weirder"

[sunsetovertheocean]

I feel like sibling and platonic relationships don’t get talked enough, especially in relation to romantic relationships in fandoms.

Like cool, I love these ship, but can we PLEASE discuss the fact that Dean is the only person who has never lied to Lia? How he is the only person she will listen to, because he’s the only person she trusts? How Dean was the one person who prevented her from feeling trapped all the time? How Dean was the only person Lia ever let know and get close to the real her? How they were the only constants (besides Judd love him too) in each other’s lives for years in their childhood? The way he knows her and she knows him? She knows how to comfort him and distract him and get him to feel things and tried to help him with his father by looking through his father's file, ignoring her own feelings about it because she just wanted to help him only to find out that she can’t help. (Just think for a moment how she must have felt when she realized that. Because this genuinely breaks my heart.) The fact that they are intensely protective of each other, the way they have conversations without talking just by looking at each other, the way Dean trusts her and Lia trusts him, how they are literally siblings.

And this is going into kind of headcanon-y territory, but I like to believe that Dean didn’t ask Lia any questions about her past and waited for her to tell him herself, and refrained from profiling her (too much at least), and truly didn’t/doesn’t know anything about her past that she didn’t/doesn’t tell him. And how Dean told him things about his past he hadn’t told anyone before, not just to get her to trust him, but also because he trusted her. Just think for a moment please, how Lia, a girl who has been lied to and hurt and threatened and abused by every single person in her life, would feel about meeting someone who didn’t do any of that. Who never even lied to her, not once. For every lie she told him, Dean only ever told her the truth. Dean didn’t blame her for anything, for any part of what she went through. How confused she must have been, finding out that not everyone was like that. How hurt she must have been when she realized that what happened in her past, her childhood, was so much worse than she thought. Because before she thought that everyone was like that and it was normal, but meeting Dean who was entirely fundamentally different in every single way, showed her that it wasn’t. Think about how Dean must have felt, meeting a girl so defensive and closed off. How meeting her awakened a side of him he didn’t think he had, the side that felt and loved and trusted and the side that felt the inexplicable need to protect that girl.

And the fact that to protect her, Dean turns the attention on himself and his past, which he hates, just so Lia doesn’t have to face questions about her own past. Lia would go through hell for him, and he would do the same for her.

Think about how before, all of Lia’s love had essentially been very idk submissive almost, like how she followed her mother and what her mother told her. I think she truly believed at some point that her mother was safe to trust. And then, well, we all know what happened and how her mother is actually evil and— Anyway, after her mother, the only person she trusted in her childhood before, completely shattered and destroyed all senses of trust in others, she lets herself trust and love this boy who trusts and loves her. And this love is fierce and protective, infinitely intense and powerful. The kind of love that can destroy worlds and build new ones, defying all logic and all boundaries. The opposite of what her love had been previously. And think about how much she had to have trusted him to let herself love like that.

Also think about how hurt Lia must have been when Dean shut her out. She trusted him with her whole being, she loved him and she saw them as a unit regardless of what happened and what other people entered and left their lives. They would always be with each other. Dean had never shut her out before, and Dean shut her out too. That hurts my soul way too much for it to be healthy. (I am choosing to believe that they had a conversation afterwards and then they both proceeded to cry and it never happened again yay happy ending tbh considering writing that bc I don't think I will survive if it doesn't end happily like that)

And Dean!! He’s lived his entire life terrified of feeling, terrified of becoming his father. He was living in a house alone with Judd and profiling killers which definitely perpetuated his fear, and then here came this girl whom he could protect. A girl he wouldn’t let himself hurt, a girl he could help for once and not mess it all up. And he didn’t mess it up. He saw how hurt she was, and how little she was willing to admit the truth to. And in that, he saw someone he could understand. He saw someone who he could profile for a good reason, but only profile enough to be able to get her to trust him and not enough to violate her privacy and that trust. He let himself get close to someone for the first time in his life. And for the first time in his life, he wasn’t a monster. Lia didn’t see him as a monster.

Because of their past and childhood, Dean didn’t trust himself and Lia only trusted herself and no one else. But meeting and loving each other? It taught Dean he can trust himself not to hurt someone. And it taught Lia that she can trust someone who won’t hurt her.

Maybe it’s because of the amatocentric world being way too focused on romantic relationships, but why aren’t we talking about this more??

[celestriix]

thinking about klavier gavin again because i saw someone say that the fact that he's the only prosecutor in the series who wants to find the truth and isn't insanely obsessed with winning like the other prosecutors makes him really boring

and i understand it to some extent when comparing him to other prosecutors but... Klavier Gavin??? BORING????

after playing aa4 i was OBSESSED with klavier gavin and the untouched potential of this guy

he loses his best friend/bandmate, his brother AND his mentor in the span of like a year?? i think??? which is INSANE.

there's something very tragic about klavier, a person who values finding the truth above all else, finding out that two of the people closest to him betrayed his trust and lied to him and used him for their own means AND ARE MURDERERS.

and then his mentor, a person who taught that seeking the truth is what a lawyer should do, gets murdered by a person who believes that winning in trials is the most important thing above all else WHICH IS THE SAME EXACT THING THAT KRISTOPH VALUED AS WELL !!!

this core belief of finding out the truth that klavier has, leads him to finding out about the things that daryan and kristoph did, and even though they are important to him, people he CARES about, he continues to work with apollo to see that justice is served.

and the fact that we don't get to see anything of klavier getting any closure after the events of aa4 makes me insane

we never get to see much of klavier's feelings on what happened or him fully processing the events of aa4 and that one case in aa5 and it makes me soooo upset. i wish he got more than that little cameo in aa5 and that one tiny flashback appearance in aa6.

in an alternate universe, aa4 got a true sequel that fully explored klavier's character, as well as phoenix's, klavier's, AND apollo's relationship with kristoph, and klavier's relationship with phoenix post-aa4, and also a more thought out? (for the lack of a better word) backstory for apollo, and an exploration of the jury system, and a game that ACTUALLY built upon the foundation that aa4 laid out.

and i am forever upset that we are not in that alternate universe.