#not my ai art
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By alelimia.ia
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arson-jellyfish69 · 7 months ago
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AI disturbance overlays for those who don't have Ibis paint premium. found them on tiktok
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pinkiepig · 7 months ago
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I wanted to draw a cool tiger from someone’s dream 🐅
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(Link to the original poster)
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dreemurrinthenight · 3 months ago
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if y’all see this floating around: yes, it’s from me, and yes, you can find the original post on hoyolab under the same user <3
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why-animals-do-the-thing · 28 days ago
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The Exotic Animal Photo Reference Repository is live!
You can find it at: https://www.animal-photo-references.com!
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Here's how this repository works: all photos were taken by me, a human, at zoos, aquariums, sanctuaries, and other facilities with animals in human care. There is no AI involved in the photo editing or creation and there never will be. Right now there's 56 species on the site; my catalog has over 300 and I will be uploading the rest of them as fast as I can.
Artists creating derivative or transformative works (without AI) have blanket permission to use these references. Yes, even for work you're going to sell.
All other usage/reproduction requires permission, but assume I'm friendly and please do ask! That's educators, researchers, the media, people who need images for a school presentation, etc. This is just to retain copyright/control in case they're scraped/reused unethically - it doesn't meant I don't want folk to have access! So please do reach out via the contact form on the repository website, I don't bite and I'm most likely going to say yes.
Please don't repost the repository photos to your own blogs: I've created @animalphotorefs as a dedicated blog to share photos from the site, and of course I'll reblog a lot of it here! That again just helps with retaining copyright and sourcing of the images. If you really want to repost some for a specific purpose, please just ask me first!
Also, folks, this project has no funding. It's just me and my camera.
There will never be a paywall on the site - I believe resources like this absolutely must be free for everyone to access. So please, please, please support the repository if you use it. Want sneak peeks at photos, cute videos I take, or to help choose what I photograph and what gets posted first? You can do that through Patreon (and there's a free trial on the most interactive tier!) If you'd like to just drop a tip, I've also set up a Ko-Fi.
I can't wait to hear what everyone thinks of the repository.
To whet your thirst for cute photos, here's an Indian rhinoceros contemplating a goose.
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supd00dle · 3 months ago
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First I wanted to draw Maria’s new model but then—
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ARK SIBLINGS AND EGG SIBLINGS
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hamletthedane · 11 months ago
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I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.
What I thought that meant: telling us about unique sculpture materials and paint mixtures.
What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.
What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.
The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.
And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.
But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.
I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.
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lalalychee · 4 months ago
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closer than you know
i've been working on this painting for over 3 months and i am exhausted 💀 so excited to be done with it. i'm really proud of it though!! it's definitely the most detailed painting i've done in quite some time.
(please be sure to zoom in to see all the little details i worked so hard on!)
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hanavbara · 9 months ago
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“no matter who i’m in love with, you’re my only hero nana” 💔
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comikbook · 1 month ago
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i hate that so much dark/horror art is just fucking. ai
anyways look at my art that is DRAWN and NOT AI
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plus a wip under the cut
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colorful-horses · 7 months ago
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not a phase
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By ritviktakkar
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space-dinosaurs · 1 month ago
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Don't fuck with the science team
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cozylittleartblog · 8 months ago
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"content creator" is a corporate word.
we are artists.
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ink-the-artist · 1 year ago
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Video game I saw in a dream. It was in this low poly style like an older video game. You play as this character I think was meant to be a lamb, or maybe a weird mix of a lamb a mouse and a rabbit, (while not really looking like any of those things) and you’re running away from a wolf. Your objective is to last as long as possible before the wolf catches and eats you.
The house you’re running in is endless and bizarrely put together like most building interiors in dreams are (like the infinite toilet dream dimension on Reddit lol) the layout of the house is pretty detailed, you can stop and hide in places like closets or bins while the wolf looks for you, you can go up and down stairs and into rooms etc.
You never actually know where the wolf is or how close it is to you until it appears in your line of sight, it makes no noise and the game gives you no way of knowing where it is, and it’s pretty unpredictable it doesnt move at a consistent pace. When the wolf catches you there’s an animation showing it eating your character
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