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dutchdread · 4 years ago

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No offense bro, but why are you always so protective of Cloud? No disrespect to you or anything but I've heard quite a bit of different opinions and theories on Cloud myself and I do agree with the people who say that he takes Tifa for granted. Going through trauma in the past is not really an excuse for his behavior. He also does act like he's the only one who has suffered in his life. Do you have other reason to defend him other than the fact that you "relate" to him? Just wondering.

Sorry for the late reply, my life has basically left no room for hobbies these past months. Your question is hard to reply to because I am not sure what you mean when you say I am protective of him. I guess you mean I defend his actions? Specifically in ACC? Firstly let me state that there is a difference between being a good character and being a nice character, there is also a difference between agreeing with someones actions, or just understanding them. Personally, I never really liked Cloud, especially not when I was younger. A lot of my defense of Cloud doesn't come from me personally liking him, but from me thinking he's a good character. I also think Snape is a good character, but I don't like his actions, and I don't defend them, although I still understand them to a certain degree. I should also say that as I started to understand Clouds character more, I also started liking HIM a bit more, although I still don't like the things he did, and would very likely not be friends with him. But I do understand why he did what he did and cannot be too critical of him because of that. You've probably heard that before you judge someone, you should walk a mile in their shoes. That's great advice, if you want to judge someone, you should imagine what it would be like to be them, however, I've noticed that too often when people try to walk a mile in someone elses shoes, they refuse to take their own shoes off first. They don't think "what would it be like to be him", they think "what would I do in that position". But Cloud is not you, and you cannot judge him by how you would act, you've not gone through the same things he has, your thought patterns aren't the same etc. This matters because too often I see people judging Clouds actions in ACC, and establishing his motivations by saying things that boil down to "If I were in his position, I would only do those actions if I loved Aerith/didn't love Tifa/whatever". But they're not Cloud, and they're not understanding how Cloud thinks, and that it's different from how THEY think. But like you said, I do see some recognizable elements of myself in Cloud, which is why I do understand his actions, and why I feel relatively certain in defending them, because I see them coming from a good place. It's common for me to react to things in a way that others find counter-intuitive. Let me give you an example, my brother once was mad at me because I had not told him my girlfriend of several years and I had broken up while I did tell a random stranger at the pub. He said that he felt like he wasn't important to me if I told a random stranger but not him. The truth was the exact opposite, I love my brother, and could not bear to face him for some reason, as I told him: "if not caring enough was the problem, then I wouldn't have told a random stranger". I see people exhibit that same lack of understanding when discussing Clouds actions, where they feel like his actions must be the sign of him just being a bad person, or not caring. But ask yourself what is more likely, that Square-enix wants their hero to be a bad person, or that you simply are misunderstanding the character? I understand why people don't get Cloud, Cloud suffers from obvious mental health issues, and mental health issues simply are not something that the general public understands, even today. Not only that, but Cloud went through the most insane series of traumatic events anyone could ever imagine. He had an alien parasite in him, saw his entire town murdered before his eyes, then saw Zack murdered in front of his eyes, then saw Aerith murdered in front of his eyes, and just when he started living a peaceful life he is forced to watch his child succumb to sickness in front of his eyes, and then he finds he himself is dying. All this on the psyche of a man who had had a fear of failure ever since he was a child, spent most of his life essentially in war, and had a severe identity crisis as well. Do you think you can honestly judge him by going "that's not what I would have done"? Would that not be incredibly

presumptuous? Have you suffered from depression as a result of severe post-war PTSD and a lifelong feeling of inadequacy combined with a fear of failure and the belief that many of your loved ones died because you failed and were inadequate? Because that's the context in which you have to view Cloud when watching Advent Children. Saying "Going through trauma in the past is not really an excuse for his behavior" is just incredibly short-sighted, your behavior is determined by who you are, and who you are is determined by what you go through in the past. You can't expect a broken child to become a well-adjusted adult when being a well-adjusted adult is the result of having a normal childhood.

I also don't want to cause offense, but this really is a mindset you should change, because this mindset is one of the most pervasive and damaging ones in our society, it's the one that probably bothers me most when I hear it because it makes zero sense. It's like breaking a robots self-repair unit, and then being angry at it on the grounds that the self-repair unit should have fixed it. It's also very insensitive in general, it's the equivalent of saying "why are you depressed, just stop being depressed", people don't choose to be depressed, people don't choose to have a fear of failure. People don't choose their emotions, they're just there. They can be influenced by behavior over time, sure, but behavior is equally influenced by who you are and your emotions, which, as mentioned before, is determined for a large part by your past. People don't just "snap out of it". They fight and fight and fight, and sometimes they win and break out of the spiral, and sometimes they lose and it breaks them.

FFVII, and especially Advent children, is all about that struggle, and during those struggles you will have high-points, and low-points. FFVII shows all of those. It shows Cloud trying, it shows Cloud wanting, it shows Cloud failing, but it also, ultimately, shows Cloud prevailing. Judging Cloud for not breaking out of the spiral by the time of Advent children, when he was mentally only barely 18 years old, and when he started at the worst place anyone could ever imagine, is just not reasonable. It's the modern day equivalent of "let them eat cake", something that can only be said from the place of privilege of not knowing what the struggles of the people you're critiquing are actually like. So having that out of the way, lets look at Clouds actions from the perspective of Cloud. Cloud is a young boy, and he's in love with the girl next door, he wants to get her to notice him. One day said girl walks up a mountain and he follows, she falls off a bridge and ends in a coma. Cloud followed her because he's in love with her, and he gets the blame from the adults. Cloud internalizes this, and its important to imagine what this must be like for a child, to have the adults all tell him it's his fault that the person he loves ended up hurt. "your fault", "your fault". Afterwards Cloud starts thinking Tifa hates him and starts acting out. I think this is a good moment to point out btw that this child has no father figure. This is the start of his feelings of failure and inadequacy, he blames himself for not being able to protect Tifa, failure number 1, he thinks that if he were strong, he'd be able to protect her, he thinks that if he were like Sephiroth, then even Tifa would have to notice him. Now until this time Cloud is not an asshole, he's a bit of a rebellious kid yes, but notice that he's not a bad kid as much as he's a kid who wants to protect someone, has no direction, and is acting out. So Cloud thinks he's not good enough, but he leaves town confident that he'll become good enough, and even makes a promise to Tifa. All this follows logically from what we know about Cloud, and tells us a lot about how deeply seated these feelings are. Becoming Soldier wasn't a small thing, not some small passion project that he just came up with one day, it's the result of the things that happened in his childhood and he left everything behind make it so. He told the girl he loved, he promised, he boasted. And then he failed. Failure number 2. He comes back to Nibleheim and can't bear to look Tifa in the eye and admit that he couldn't do it, that he's a failure. His entire life so far has revolved around this and he wasn't good enough. So here we have Cloud, not in a great mindset, thinking he's a failure, and what happens? His entire town is murdered by the person he admired, someone he worked with. His Mother is killed, and Tifa, the girl he PROMISED to protect, gets slashed open so badly that apparently she needed to have her ribcage reinforced with metal. I think we can all agree that this by itself would be enough to potentially scar a person for life. (Cloud, not Tifa XD) So what's next for the boy who left town in order to become a hero? Well, he gets captured and experimented on for 4 years, during which his mind and sense of identity is bombarded with memories and knowledge of the lifestream in the form of mako, muddying up his thoughts. Cloud already had a weak sense of self as a result of his childhood, it's why he failed to enter Soldier and now this distaste for who he is makes him extra susceptible to Jenovas influence. The next thing Cloud sees, (he didn't consciously experience the 4 years of mind-fuckery) is his best friend getting killed trying to protect him, because Cloud wasn't strong enough. Failure #3. At this point, in Clouds mind the list of people dead because he could not protect them, because he's a failure, include his mother, his entire town, his best friend, and as far as he knows, the girl he loves. This is his life. His mind is broken, he hates himself, he doesn't want to be himself,

he has a mind-altering parasite inside of him trying to adjust his identity and Clouds just goes "I reject this reality and constitute my own". And why wouldn't he? Why wouldn't he want to live in a fantasy world where he wasn't a failure, where he made it into soldier, where he was cool and successful and not a disappointing failure? Zack tells him to be his living legacy and Cloud goes with it, then he runs into Tifa, Jenova adjusts Cloud further based on Tifas memories of them and rejoined with the girl for whom he joined Soldier Cloud is unconsciously all too willing to play the part. FFVII starts and it doesn't take long for the cracks in his fake persona to show, he meets Aerith, and becomes her bodyguard. He gets to be the hero he always wanted to be. But then, even as "Cloud strife, soldier first class", Cloud is still a failure, the plate still drops, killing thousands, he gives Sephiroth the black materia, he beats up Aerith, and ultimately, fails to save her as well. Tifa was the First Failure, and Aerith was the Final Failure. Even as a soldier, Cloud still couldn't save anyone, he loses even more faith in himself, he doesn't know who he is, he doesn't trust himself, and then when he also loses Tifas trust in who he is, he just breaks and gives over to Jenova/Sephiroth. Even Hojo calls him a failure. Cloud feels like a nobody. Now mentally weakened, under the influence of jenova cells, he gives Sephiroth the black materia AGAIN, and meteor is summoned. Another entry on the long list of moments Cloud can look back on in shame later on in life. He falls into the lifestream and again his psyche is under attack. We know what happens afterwards, Tifa finds him, cares for him, and saves him through his feelings for her. Cloud realizes who he is, realizes he's weak, and goes after Sephiroth without lying to himself. In the end he defeats Sephiroth mentally and is supposedly rid of his direct influence.

But that doesn't mean that this mentally 17 year old is now fine, we should remember these events when analyzing ACC. Cloud has been in constant fighting/war/peril ever since he left home as a child, and is now a traumatized 17 year old in a 21 year olds body. Novels and other materials give us an insight into how Cloud thinks during these times, and how he thinks about himself. We hear him say that he's going to live because that's the only way he can atone for his sins. He talks about wanting to change, and about believing he can change because he now has Tifa. He's a man (boy) who just exited war, and wants to be positive, but is still clearly blaming himself. We see that this initially goes well, we are told that Cloud experiences peace and happiness that he's never experienced before. We're also told about the things that make it go badly, when he has to deliver flowers to the ancient city for instance. While Cloud regained the sense of who he was the belief that he wasn't good enough, that he was a failure, was never solved, if anything it was put on hold until he got his memories back, and now he is forced to deal with it.

While he is no longer directly manipulated by Sephiroth he's still suffering from PTSD and, most notably, survivors guilt. He blames himself for the deaths of Zack and Aerith in particular, and starts visiting the church. Now most people might think it's natural to avoid places that make you feel bad about yourself, but that's not how a depressed person thinks, Cloud thinks he deserves to feel badly he WANTS to punish himself, he WANTS to feel bad. He's ashamed of the moments where he's carefree and laughing with Tifa. Why should he get to be happy when Aerith and Zack are dead because of him? He shouldn't be happy, he should be in pain, he should remember them, not doing so would be an insult to their memories, he must never forget how he failed them! That's how Cloud is thinking. We know of course that this is non-sense, Aerith and Zack wouldn't want this, if anything it's this mindset that is tarnishing the memories of Aerith and Zack, but that's not how a mentally unwell person thinks. Cloud wants to atone, and thinks he finds salvation in Denzel, whom he finds at Aeriths church. He thinks that by saving this life, he can, in some way, make up for all the death he caused. Tifa has a similar belief when she finds out Denzels parents died in the plate crash. And when Denzel joins the family, and Cloud has path towards redemption in his mind, things start getting better again. Because this is the cause of the problems Cloud is having in ACC. When Nojima says:

first off, there’s the premise that things won’t go well between Tifa and Cloud, and that even without Geostigma or Sephiroth this might be the same

This is the conflict he's talking about, he's not saying "Tifa and Cloud are incompatible, it has nothing to do with Sephiroth", he's saying "if Sephiroth didn't show up during Advent children, Cloud and Tifa would still be having problems because Cloud is going through survivors guilt."

But the good times don't last, Denzel has Geostigma and Cloud cannot find a cure, Denzel....is going to die. Cloud, has failed again. Not only that, but Cloud catches Geostigma....Cloud is going to die. And THIS is why Cloud leaves in Advent children. And you have to look at this as Cloud. Cloud said he was going to live to atone for his sins, but instead he's going to die. He won't atone for his sins, even worse, he's going to leave Tifa and Marlene behind. He failed again. He couldn't protect Denzel, he potentially brought an infectious disease into their house as well. Literally all Cloud can think about is that literally everything he's ever tried has ended in failure, everyone he's ever tried to protect, he's failed at. Do you understand how easy it would be for a person like this to fall into the trap of thinking "I deserve to die", "I don't want Tifa and Marlene to see me die", "Tifa and Marlene are better off without me anyway", "they'd be happier if I weren't here". Etc. Now we know this is nonsense, but come on, how many instances have you heard of depressed people genuinely believing that their loved ones would be happier and better off if they just didn't exist? However, throughout the movie, Zack, Tifa, and Aerith, all confront Cloud, and urge him to not give up. Cloud eventually does try again, and ultimately finds redemption not by being stuck in the past, but by letting the past rest and be beautiful (a lesson Cleriths unfortunately never learned). "I never blamed you you know, not once" "I want to be forgiven. By who?" "Isn't it about time you did the forgiving?" In the end, Cloud moves on, and therefore, so do Zack and Aerith. Aerith and Zack walk into the light, Cloud plants flowers on Zacks grave, and lets Zacks buster sword rest in Aeriths church, now no longer rusting, but shining. Instead of the past being a negative reminder, Cloud lets the past be beautiful. Cloud was doing Aerith and Zack a disservice by remembering them the way he did, because it was ruining his life, it wasn't a good thing, but it did come from a good place, from a good man whose ashamed of not being good enough. Yes, it harmed Tifa, people going through these things often do hurt those around them, but it's not because they're bad people, or even weak, but because people are imperfect and Cloud has gone through hell, both internally, and externally. Are his actions really that weird or deplorable? "He didn't even go save the kids!" Yes, he's hesitant about saving the kids, why shouldn't he be? Everyone Cloud tried to protect or save, ended up maimed or worse, or as Cloud puts it: "I can't even save myself". "He left Tifa alone!" Yes, he thinks he's going to waste away and die, can you blame him for not wanting to put Tifa through that and for thinking she'd be better off without him? "He drinks!" Wouldn't you?! Who wouldn't want to forget that stuff? But in the end, He's only gone for about a week, he never intended to harm Tifa, he never physically harmed Tifa or cheated on her, his entire life revolved around wanting to be better for Tifa and blaming himself when he wasn't good enough, how is it reasonable to say this man takes Tifa for granted when the fact that he thinks he has to BE BETTER in order to be worthy of being with her has been a constant throughout his entire life and story? He DOESN'T take Tifa for granted, that's why he's beating himself up, that's why he leaves, not because he thinks he's better than her, or that he'll always have her, or that she'll follow him like a dog, or something like that. But because of the opposite, because he thinks HE is not good enough, that SHE would be better of without him. Saying Cloud takes Tifa for granted, is honestly, simply, wrong. It's 180 degrees the opposite of what is happening in FFVII, the biggest constant in Clouds life, is that he doesn't take Tifa for granted, and I don't understand how anyone could argue otherwise.

#cloti #FFVII #ffvii crisis core #ffvii advent children #ffvii remake

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onlyherefortheshowmances · 4 years ago

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So I saw someone else get an anon message that said: “I hate to admit this, but I really can't shake the feeling that Benji loves Victor more than Victor loves Benji at this point.” I wanted to respond as well, because I think this is something people are probably seeing a lot and I really want to explain how I’m looking at it (from personal experience and just from looking at and examining the characters).

CW/TW: Mental Health, suicidal ideation/action mention, Addiction, Emotional Trauma, sex mention, Predatory relationship mention, catholicism, homophobia, misunderstandings, lack of communication, spoilers for love victor seasons 1 & 2 [let me know if I missed anything please]

I want to be frank in saying that Benji is my favorite character and I project onto him a lot (along with seeing a lot of myself in him). I’m also white AF, so I’m sure some of you think that’s relevant, but I really don’t think it is in this particular case. I do also however identify with Victor in a number of ways and I am trying to see the characters both as complex individuals with deep personal histories. Both have suffered traumas and both are clearly dealing with a lot of their own shit on top of being sixteen/seventeen and dealing with junior year of high school and all the pressures and expectations that brings for everyone.

I think what people are interpreting at loving someone more/less is actually about prioritizing someone/a relationship more/less. In my mind, from what I see on screen and interpret, they both love each other beyond words. They are both very much in love with one another. It comes down to how they display that to each other and to the public as well as where on their list of priorities this relationship falls.

Let’s start with Victor, struggles and life:

He is dealing with internalized homophobia and associated thought-patterns stemming from his upbringing in the Catholic church as well from the vocalized homophobic remarks from his mother (toward himself and Benji as well as likely at other points in his life toward strangers), his father (stating that he hopes Adrian doesn’t turn out ‘like that’; the scene in S1 where they’re at the church in Texas and he calls the hairdresser ‘flojito’; etc.), and his grandparents (on his birthday and likely at other points in his life). As a result of this, Victor tried to make himself straight (or at least interested in a girl) by dating Mia because he did like her as a person and everyone was telling him that’s what he was supposed to do. He ended up hurting her and almost losing her friendship (temporarily, he did, but she does seem to have forgiven him now).

He is dealing with outside homophobia as well. That kid on the very first day he was Creekwood responding to Benji helping him up. Felix’s comment that same day of ‘you don’t want to give people the wrong idea.’ The basketball team/gym class guys roasting him about not hooking up with Mia on the ferris wheel. Felix saying he’d be crazy to not like Mia. Lake asking ‘are you gay or something’ when he brought Felix along to Mia’s house, etc., etc. Some of these things may seem innocent enough, but they weren’t. Not to Victor who was already struggling to accept even the possibility that he might be gay. Once he managed to come out to his parents, obviously his father got better fairly quickly, but Isabel continued to struggle for six months which put even more pressure on Victor to try to lead this double life. Once he came out at school, the whole fiasco with the basketball team also occurred and that was a lot for him, because Basketball as always his safe-space. It’s where he went to get away from all the other pressure. It was something he didn’t have to think about and now suddenly, he did. Those pressure are also affecting his ability to think about what he may want and it seems affecting his ability to think (at all sometimes) about how any of that is also affecting Benji. It’s affecting him so much that he’s basically blind to how it’s also affecting Benji to see him suffer. He doesn’t even consider that possibility until Felix brings up how hard it is for him the night Felix breaks up with Lake and Venji get caught having sex.

Victor also has struggles away from just his coming out and accepting himself journey. He has the struggles associated with his parents separation. Until fairly recently, Victor always thought his parents had a perfect relationship. He saw that as the ideal. Get together in High School, get married right away, stay together for ever, happily ever after. That’s what he was raised to expect. And now he’s seeing their relationship fall apart before his eyes. Hell, his devoutly Catholic mother had an affair, and he’s wondering if it’s really possible for your first love to be your only love especially after he and Benji start butting heads, so he’s already vulnerable to that viewpoint when Rahim brings up the possibility. He gets so lost in what’s happening to his parents and what Rahim is saying about it not usually working out that he forgets how in love he is and he sort of loses his will to fight for what he wants, because maybe it’s just doomed to fail anyway (until he sees Benji at the wedding and it sort of hits again - and then Felix’s speech thereafter, obviously). He kind of loses his way by getting caught up in the statistic improbability of your first love being the one and watching his parents’ marriage potentially fall apart and he wonders for a moment if it might be easier, if it might be better to just walk away and go toward Rahim who he seem to get along with and seems to understand the things Benji doesn’t about him, but what he fails to examine in that moment is that he’s only barely scratched the surface with Rahim and that Rahim doesn’t know him like Benji does and that every relationship has it’s ups and downs and what it always comes down to is how willing both parties are to work to make things right. How much you’re willing to step into the other person’s shoes and try to understand. In my opinion, even if he were to walk away from Benji and go to Rahim, that bubble of understanding isn’t going to last forever either. He’s failing to remember that when he got together with Benji (and for most of the summer it seems) that’s exactly what it was like and failing to remember that they have grown beyond that into a deep soul-altering love for one another that deserves his time, energy, and effort and NEEDS those things to keep it going.

Now let’s talk about Victor’s priorities in life:

Victor has always been close with his family, especially his mother. The strain on that relationship is very taxing on his mental well-being. He has a hard time ‘standing up to’ her or talking back to her, etc. because he loves her and he just wants their easy, close relationship back. He already overcame his own anger at her affair to get her back, but now she’s the one pulling away because of his sexuality and it’s hurting him because if he was able to forgive her for something that was actually wrong, why can’t she forgive him for something that he has no control over. So he loves his mother and his family and he hates disappointing them. He has spent most of his life fixing his family’s issues (as he explains to Simon in S1), but now he is the issue and he doesn’t know how to handle it. When in 2x1 he decides to just bring Benji over and try exposure therapy with his mom, it backfires in a big way. Even though they barely touch each other. Even though Benji just says the word boyfriend once, it’s too much for Isabel and Victor desperately wants to please. He desperately wants to not lose his mother (who has always been the person he is closest to), so that causes him to take a step back from going against her and the steps he still takes (telling her he wants her to call Benji his boyfriend not just his friend, the whole conversation outside the church, the conversation with Adrian, etc.) are things that Benji doesn’t get to see happening and it frustrated Victor that Benji won’t even listen to him when he tries to say that his mom is making progress at all, because she is so important to him and yet it seems like Benji just doesn’t even recognize or care about that. This leads him to say the thing he does at Brasstown before Benji runs out, because he assumes that it has to do with Benji being white and of course, that is part of it, but I think Victor in that moment is so overwhelmed by the rejection of his mother and now the refusal of his boyfriend to even try to understand that he snaps. He forgets all the struggles Benji has told him from his own past and he just lashes out which causes Benji to leave [more on Benji’s viewpoint of this whole thing later].

Victor also loves basketball. It’s true that in some case LGBTQIA+ individual participate in certain activities to make them seem more ‘normal’. Gay men participating in sports to seem more macho is a common one, so Benji thinking that’s why Victor plays basketball makes sense to an extend, but he never bothers to ask Victor about, only makes assumptions, and Victor feels like the fact that he actually likes sports makes him ‘not gay enough’ (see conversation with Andrew). What he’s forgetting entirely is his encounter with Bram and the gay basketball league in NYC from episode 1x8. There are many ways to be gay, and sports gays do exist and are perfectly valid. That’s not the type of gay Benji or his friends/bandmates are, but it is the type that Victor is and Benji failing to recognize that and failing to understand or even ask Victor about that drives one of many wrenches into their relationship. In episode 1x5 when Benji shows up to Victor’s first game back on the team and does the Go Grizzlies dance with the other basketball girlfriends, it definitely does a lot of help Victor realize this was just a miscommunication/misunderstanding rather than anything malicious. Basketball and his teammates continue to be a priority for him after this, but that seems to be something Benji is now capable of understanding.

Finally, Victor loves Benji. He wants to be with Benji; there is zero doubt about that. However, for Victor when he’s put on the spot (as in episode 2x8) and basically told he has to choose his mom (who has raised him and been his closest confidant and biggest supporter for his entire life) or his boyfriend (who he’s known for almost a year and been dating for six months and is helplessly in love with) it processes as an error message in his brain. He just wants everyone to get along. He’s not mad that Adrian knows that he’s gay (he’s wanted him to know for months), but he is upset that his mom is now even angrier. [see my section about Benji in this moment, for more about Isabel’s reactions as well] In his mind, telling Adrian could wait. In his mind, he was willing to go along with his mom’s requests for a while longer just to keep the peace so to speak. He didn’t want his whole life to fall apart and that’s what he thought was about to happen in that moment. That’s why he asked Benji to leave. He didn’t want to make his mom any angrier. Could he have chosen his words better? Yes. Could he have made Benji understand better? Yes. But he’s sixteen and his brain wasn’t functioning at full capacity because post-sex brain is definitely a thing and he was also looking at his mom who has already been horrible and barely able to look at him for six months, looking even angrier after he finally thought they’d made some progress after church the previous week.

So in conclusion, regarding Victor:

He loves his family (especially his mom). He loves Benji. He loves Basketball. Obviously, he’s not going to prioritize basketball over either of the human beings involved, but I think it’s important to at least note it’s importance in his life. As for Isabel vs. Benji. To Victor, these are the two most important people in his life. All he wants is to be able to love both of them and have both of them love him in return. When they are pit against each other, especially directly, it’s hard for him to make a choice. It’s hard for him to say ‘no’ to his mom and it’s hard for him to say ‘no’ to Benji, but in the moment (episode 2x8 specifically), he takes Isabel’s side, because he knows the ramifications of saying no to her and of making her even more angry that she already is are far worse than the ones for asking Benji to leave for the night. He failed to realize however, how close Benji already was to the edge and how upset he was going to be and how little he understood (or was willing to try to understand) about the situation. This is something he really needs to communicate with Benji (even though it’s not quite as important now that Isabel’s apparently come around). I think it’s important for Benji to understand that Victor values his relationship with his mother enough that it’s difficult for him to go against her without a lot of preparation and having a fully fledged reason, etc.

Now for Benji - Struggles and Life:

The obvious of course is that Benji is a sixteen/seventeen year old that’s barely a year sober and attending AA meetings regularly. Recovering from Alcoholism is difficult at any age let alone for a teenager. One of the most important factors in recovery is looking at the things that led you to drink in the first place. Looking at things that may be considered triggers and either learning to avoid those people/situations or learning healthy alternatives in those situations. I have multiple family members who are both actively drinking alcoholics as well as those in recovery. I also lost my best friend/ex-fiancé to alcoholism a few years ago, so to say I have some personal experience in this arena is putting it lightly. Benji admits to Victor in 1x7 that he used to drink a lot because he knew he was gay, but didn’t want to be. To me that whole story screamed, I’m an alcoholic and while a lot of others agreed with that opinion. I was not shocked that Victor didn’t understand that underlying truth. Those that don’t have intimate familiarity with alcoholism often do not recognize the signs (either as they happen when when they are not directly told). It is made clear in episodes 2x7 & 2x8 that Benji hates this part of himself, in fact he says as much to Victor when he arrives at his apartment late the night of his birthday. Benji has still not fully accepted that the alcoholic part of himself that attends AA meetings and drinks orange juice while his friends are drinking vodka is one and the same with the part of himself that loves Victor with all his heart. This is something I’d really like to see him reconcile and work on in season 3 and beyond. Understand that you can’t compartmentalize yourself. You are but one whole person and all facets of yourself are in fact part of the singular you. [Not accounting for those with dissociative identity disorder.] It’s not directly mentioned if he’s still struggling with urges to drink, but most if not all alcoholics do, especially when experiencing those aforementioned triggers. Seeing Benji meeting with his sponsor after the incident with Isabel/Victor is not shocking to me and if anything, that was the healthy and correct response on his part. The reason he was drinking in the first place was that he was gay and didn’t want to be (internalized and probably external homophobia) and he just experience some really intense homophobia at the hands of his boyfriend’s mom (and partially said boyfriend himself). Benji’s lack of understanding of where Isabel was coming from in episode 1x8 speaks volumes to just how traumatize Benji still is about his own experiences with homophobia. The only thing he can think about in that moment is that this woman hates me for being gay. She hates her son for being gay. Being gay isn’t okay, etc. What he doesn’t factor in is that Isabel is also devoutly Catholic. I honestly don’t think it’s the gay part of the sex that horrified her the most. The Catholic faith is also very clear on the practice of abstinence from sex (at all) prior to marriage. She would’ve responded the same way had she walked in on Victor having sex with a girl, in my opinion, but in the moment Benji’s own trauma is overriding his ability to understand that because all he can see is the homophobia. This is especially true after she calls him Victor’s friend rather than his boyfriend and that in my opinion, is why he snaps. Could he have phrased it better? Yes. Could he have said it without shouting? Yes. But he is a freshly seventeen-year-old whose brain is not functioning on all cylinders in that moment.

Sort of coupled with his alcoholism and recovery therefrom is the allusion his mother makes to ‘dark times’ following his accident. I do have suspicions that perhaps he was also struggling with mental illness, and likely continues to. Depression to the point of suicidal ideation or actions (possibly only in the form of drinking, but possibly in other forms as well). Anxiety is pretty obvious from his actions and reactions throughout the series as well. I also think he is dealing with some sort of trauma-based disorder stemming from the homophobia he experienced (especially the instance of his father taking him to strip-club). It may go as far as C-PTSD (which I myself am diagnosed with) or it maybe something less (or even more). I’m not in the habit of sticking mental health diagnoses of people (fictional or otherwise though). Dealing with these things on top of what in his eyes feels like rejection from not only Isabel, but in a way from Victor as well likely causes some very unpleasant thought patterns and the potential for thought spirals and the likely. I also see indications that he could suffer from co-dependency (whish I also have dealt with in the past), but I’m honestly not sure if that’s me projecting or if it’s actually there.

Then on top of all of that, his boyfriend who he loves more than anything in the world, tells his deepest darkest secret to someone he’s literally never met or spoken to and that said boyfriend has only known for maybe a week at best and thinks it’s no big deal. In that moment, I can 110% see why Benji requests to take a break and I feel that choice is 110% the right one to make. What is a relationship built on if not trust? Victor just destroyed most if not all of the trust Benji had in him. That doesn’t mean he stopped loving him, just that he doesn’t trust him. Love isn’t something you can turn off and on like a light switch especially not the kind these two share. I definitely think Victor has a lot of explaining to do and a lot of apologies to make. I do also think they both need to have a really long, really honest and open conversation. Benji needs to be willing to get a little vulnerable and explain why certain things are causing him so much distress, but he also needs to be willing to listen to Victor explain why he can’t simply go against his mother as Benji seems to think he should. They both really demonstrated a degree of selfishness this season along with an lack of communication and a lack of willingness to understand or even try to understand each other’s points of view and that is a recipe for disaster in any relationship.

There also exists the issue of Benji’s parents. His mother especially seems to overstep quite frequently and insert herself into his life where she was not invited or expected. I do wonder if this was always her personality or if this is something that started after Benji’s accident. I have a hunch it was likely the latter. I see indications that perhaps there was some neglect or just general indifference on his parents part as he was growing up. They clearly missed that he had started drinking heavily and that he stole his dad’s car that night. He was also evidently dating Derek for quite a while before the accident. (Derek is another section by himself though.) This not to mention the fact that his father took him to a strip club and paid for a lap dance when he was no more than sixteen if he was even that old, in an effort to turn him straight. Benji tells Victor in episode 1x7 that he and his dad used to be close and that they used to go to Dollywood on road trips and other such things, but that he’s been distant since he came out. We see from the scene where he walks in on Benji and Victor making out that he’s not vocally/outwardly homophobic, but I would not doubt that he still harbors some of those viewpoints in himself. It’s evident to me that Benji is not close to his parents (he may once have been, but at this point it’s pretty clear that he’s not anymore). Benji doesn’t have siblings to the best of our knowledge. It’s also mentioned that his nana (like a paternal grandmother) is deceased, so it’s really not clear how much contact he even has with his extended family or how much of one exists. For these reasons, in his mind, there is no circumstance where his family (especially not his parents) would take precedence of his own happiness or Victor’s. That is why it confuses/hurts/angers him that Victor doesn’t stand up to Isabel, because if the roles were reversed, he would have no problem at all telling his own mother (or father) off. He doesn’t seem to comprehend Victor’s need to keep his relationship with his mother intact. I’m very glad Isabel pointed out to him that Victor has stood up to her and risked their relationship for him, but the disconnect still lies in that Benji isn’t a fan of the fact that he didn't’ do that in his presence and that he didn’t do more.

Then there’s Derek. Derek is at least a sophomore in college in season 2 as he was clearly in college in season 1 as well. Meaning he is at least 19/20 when Benji is 16/17. They had been together for a year the previous spring (episode 1x6) which means they started dating when Benji was 15 and Derek was no younger than 18 (I think he is like at least a year older than the youngest possibility). Georgia’s age of consent is 16, and there are no ‘Romeo and Juliet’ laws in place in the state meaning it is categorically illegal for anyone 18 years of age or older to engage in sexual acts with anyone 15 years of age or younger unless they are legally wed, meaning until Benji’s 16th birthday, this relationship was illegal in general not to mention the predatory nature of someone in college dating a high school sophomore to begin with. They generally don’t prosecute if the people involved are within 4 years of each other though (which coincides with ‘Romeo and Juliet’ laws in other states) which they could’ve been within depending on Derek’s actual age and birthday. It doesn’t seem like charges were filed either way which is questionable on Benji’s parents part. Benji also tells Victor in 1x10 that Derek made him feel bad a lot of the time about the things he like and about being a romantic, we also see Derek crap all over Benji’s special anniversary date in 1x6. The toxicity of that relationship is sure to have left it’s mark on Benji and carried over into his new relationship with Victor. I also find it questionable that knowing that, Benji was shitting all over Victor’s love for basketball at one point (isn’t that exactly what he complained about Derek doing to him about his interests?), though as you see in my earlier comments, I do understand that perhaps Benji wasn't’ fully aware that Victor actually liked basketball and wasn’t just doing it to seem straight/make his dad happy/etc. I also think it’s quite confusing that Victor managed to come up with that date idea for Benji in 1x6 and then the best he could do for Benji’s birthday was champagne and sex? I’d be more than marginally hurt over that if I was Benji, to be completely fair. It is also worth it to note that Benji stayed with Derek for over a year despite all of their problems (which goes back to the possibility of co-dependency issues) and yet he was willing to break up with him just to chase after the possibility of Victor. They had already connected on so many levels even prior to that night that even the possibility of that relationship made Benji willing to leave someone he’d been with for more than a year (obviously Victor’s little speech in the hallway played a part in that).

Benji’s Priorities:

In Benji’s world, he has a few things that could be considered priorities.

Maintaining his sobriety is obviously one, but he keeps that separate from everything else. I don’t see it being held above or below anyone or anything. It’s just a completely separate thing to him (which again I feel he needs to reconcile). He was able to do that while also appeasing his friends and Victor (see episode 2x4 where he switches out his cups).

His music/band is obviously a priority, but again that’s something basic that everyone knows about and accepts. He doesn’t have choose between that and anything or anyone else that we’re shown.

Victor is his primary priority however. To him, that is the most important relationship/person in his life. He doesn’t know what he’d do without him. He says he loves that part of his life which I take to mean, he loves who he is when they’re together and not so much when they’re apart. To him, there is no question of who he would choose if there was a choice in front of him between Victor and literally anyone else (including his parents). That is why it confuses/hurts/angers him when the choice isn’t so simple for Victor when he actually has to make one between Benji and Isabel. Benji isn’t close with his parents and he doesn’t seem to understand what it is like for someone that is. Even if his parents didn’t come around right away. Even if they still may not be fully on board with everything, it didn't’ matter that much to him, because he could stand up to them because he didn’t care about destroying a relationship, because there already wasn’t much of one to begin with. This leads to him not understanding that Victor is seriously conflicted in the moments where he is made to choose between his boyfriend and his mother, because to Benji that choice is crystal clear. Again, they could really do with an honest conversation about this where Benji actually listens and tries to understand where Victor’s coming from, because right now, I think he just doesn’t quite get it. It’s clear that Isabel’s speech at Brasstown helped him to understand or at least start to, and obviously now that Isabel isn’t so much of an obstacle everything becomes a little easier, but it is still something that I really feel they need to discuss and understand about each other.

In conclusion:

Both of these boys need therapy (individual, family, and couples), and they would really benefit from a lot more open and honest communication where they both are able to speak honestly about their needs and desires as well as both being able to listen to and understand (or try to at least) one another.

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joaquinwhorres · 4 years ago

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The Fool (Ch. 6) {Fred Weasley x F!OC}

SUMMARY ››››› After getting tangled up with the Weasley Twins during the events of the Quidditch World Cup, Wren Collings’ life takes a turn for the chaotic. It threatens everything she has going for her, but she’s not convinced that’s entirely a bad thing.

PAIRING ››››› Fred Weasley x Female OC

WORD COUNT ››››› 4,589

WARNINGS ››››› There is no depression or mental health issues in this story, but there are mentions of death, violence, abuse, some PTSD, etc. As most of the specific warnings revolve around major plot points or are found throughout most chapters, I’m just going to rate certain chapters on the movie scale. This is chapter PG-13.

A/N ››››› General plea for validation through reblogs and comments.

Series Masterlist | Read on ff.net | Read on AO3

Wren felt sick all morning.

Ever since Fred and George had been escorted off to the Hospital Wing by Lee Jordan, she felt as if her stomach was twisting in on itself. She supposed this was a natural reaction to sending your friends to the Hospital Wing--a theory that was further solidified throughout the day as it seemed like everybody was talking about the failed attempts to enter the Tournament. Fred and George were not the only ones thwarted by the ageline, but their story was by far the most popular throughout the castle. Wren had even heard a group of ghosts gossiping about it, and several portraits had stopped her on her way to the common room to interrogate her about the incident and settle a debate as to whether their beards had gone down to their waist or their ankles.

The Common Room was not much safer in terms of avoiding talk of the Failure. Lee Jordan appeared to be holding court in the corner, recounting the story from his perspective to an enraptured audience, and even up in her room, Wren couldn't seem to get away from the terrible feeling that had made itself right at home in her core. Even her Potions' homework wasn't enough to distract her from the fact that Fred and George still hadn't made their way up to the common room yet, and it was nearing lunch.

Which was why right before noon, Wren found herself hovering outside the Hospital Wing.

It seemed to be busier than normal, which wasn't that much of a surprise, given how many names of unsuccessful entrants Wren'd heard other students throw around. She had to admit though, that she was a bit surprised at how raucous the noise was. Wren edged a bit closer to the open door, one voice rising above the others in an uncanny imitation of an old Scottish woman. "Albus, last year a known murderer and pack of Dementors roamed the school, and the year before that the heir of Slytherin opened the Chamber of Secrets. Perhaps, we could open it up to all students turning 17 this year?"

A slow measured voice responded, "Now, now, Minerva. Dementors and Basilisks are one thing, but a student died over 200 years ago from this Tournament. And even though it's now Ministry sanctioned, and we could potentially make it a tad bit safer, we must remain true to the spirit of the games, and only students who are of age can enter."

"But Albus, a student died--"

Footsteps rounded the corner, and Wren jumped back whirling on the couple who just came down the hallway.

Not a couple.

The bronze haired boy who was smirking as he said something to the girl walking beside him was Simon. He looked up from the blonde, his eyes landing on Wren who was just a step away from entering the Hospital Wing, and surprise quickly overtook his features. Still, he didn't look quite as surprised as Wendy Fairchild did, her cheeks turning a delicate pink.

"Wren?" Simon said, as if he couldn't believe that she was actually there. Then again, she could count the number of times she'd been to the Hospital Wing over the past six years on her fingers, so maybe it wasn't entirely unreasonable for him to be so shocked. Her eyes were drawn once again to Wendy, who suddenly looked very uncomfortable and very trapped. Simon stepped away from the blonde and towards Wren. "Did something happen? Are you alright?"

Her eyes shifted to the Hospital Wing's door, the noise suddenly quelled by the sound of a sharp admonishment. "I had a stomach ache, is all," Wren said, stepping further away from the door. "Hi Wendy."

"Hi Wren," Wendy greeted, her eyes darting between the couple as the tension between the three thickened. The blonde Ravenclaw licked her lips, her eyes darting for Simon as if he'd provide a way out of the awkward situation but he was focused on Wren, the worry gone from his face, and a cool stoniness taking over in its place. A small sigh escaped Wendy. "Well, I best be going. Thank you again for the help, Simon," she offered a brief strained smile at the couple before hurrying off down the hallway.

Wren looked down at the stones between her and her boyfriend, eyes studying the grooves and dimples.

"I heard about what happened to Fred and George," Simon remarked, and Wren's stomach rolled. Words bubbled up, excuses and explanations and apologies all at the tip of her tongue as she looked up at him, but he continued. "I'm sure you see now why I didn't want you to do it."

Wren flushed and nodded her head, pushing a strand of hair back behind her ear. "Simon I--"

"It's ok, Wren," Simon cut her off, stepping forward and folding her into his arms. "I forgive you." He pulled back slightly, cupping her face in his hand. "At least you realized how foolish it'd be and pulled out."

Wren offered up a shaky smile which dissolved as Simon bent forward and kissed her, before releasing her and wrapping an arm around her shoulders. "Maybe next time, you'll just listen to me."

The sick feeling in her gut was worse, her insides churning in protest even as she kept her lips sealed shut, keeping her confession trapped inside. Simon looked down at her, seeming to note her silence.

He sighed, withdrawing his arm from around her. "You might as well just ask, I know what you're wondering."

Wren's brow furrowed in confusion as she cast him a look. "What I'm wondering?"

"Wren, I'm not stupid. I saw the look you gave me with Wendy, and I see the look you're giving me now. You're easy to read."

Realization dawned on Wren at what he was implying, and she quickly stumbled over her words. "Simon, I--"

"She needed help with her Alchemy work, and that's it. Nothing happened."

"I know--" Wren started again, but Simon cut her off.

"I made one mistake," Simon said. "One. And you and I both know that you're just as responsible for it happening as I am."

Wren looked to the ground, nodding her head. "I know. I…" she trailed off. "You're right. I shouldn't have even wondered. I'm sorry."

Simon sighed, his arm going around her shoulders once more. "I forgive you, I just wish you'd believe me that I love you."

"I do," Wren said, looking up into his face. "I know you love me."

He nodded solemnly. "More than anyone else ever could," he said before pressing his lips to hers and whisking her away to lunch.

Wren spent most of her lunch picking at her food and absentmindedly listening to Alicia's ranting about her parents and their post-Hogwarts desires for her and to Katie's wondering about whether everything Professor Moody did was strictly legal.

If the other girls noticed that Wren hadn't really touched her food or seemed to be preoccupied, they didn't say anything. It's possible a look was shared, but she didn't catch it.

Instead, she sat there distracted until she noticed her dorm mates getting up from the table, and she did the same, leaving behind a half full plate to follow them up to the common room.

There, she lost four games of Exploding Snap in a row, and was in the middle of losing a fifth when Fred and George burst through the portrait hole, announcing their arrival with a chorus of "Heyyyyy".

Wren's head snapped to them, watching as the twins modeled their newly clean-shaven faces, stroking the smooth skin of their chins to a smattering of applause and laughter.

Fred scanned the common room, his eyes locking on hers once he found her. He navigated his way around the couches and chairs to her. "There she is…" Fred said as he approached, and she flinched. Alicia tapped the stack of cards and looked entirely unapologetic as Wren glared at her.

"Cheater."

"Hardly," the other girl returned, twirling her wand between her fingers.

Fred plopped himself next to Wren as George sat next to Alicia, throwing himself into her lap. She shoved him off, and with a dramatic sigh, he switched to laying in Angelina's.

"About time you're back," Angelina said, tugging at George's ear. He winced, swatting her hand away. "How long does it take to fix a couple of beards anyway?"

"Longer when Dumbledore interrogates us for the secrets of our near success," Fred said, catching Wren's startled glance. "Don't worry--we told him we couldn't divulge any information."

"He seemed to understand but mentioned he'd be much obliged if the recipe should ever end up under his office door," George said with a grin at Wren.

She flushed, shaking her head. "It didn't even work. I mean you two could have ended up--"

"Maybe it didn't work, Fred cut her off. But no one else even made it through the age line. We're the only ones to have crossed it."

"It was a good bit of magic, Wren," George agreed.

"But it just as easily could have landed you in the Hospital Wing for more than a few hours," Wren argued, and the group exchanged looks.

"I thought we'd been over this," George said, sitting himself up. "It was a minor risk, yeah, but we've taken bigger risks with our own testing."

"Besides, I doubt Dumbledore would have put any enchantment on the Goblet that could harm students if the whole point was to keep underage witches and wizards from entering," Angelina reasoned.

Wren wet her lips, turning this over in her mind. She still couldn't help but feel guilty for her failure, but what made her feel even worse was not the fact that she could have hurt Fred and George, but that she was disappointed her potion hadn't succeeded.

"Come on," Fred said, nudging her shoulder with his own. "You've got to admit, it was at least a bit thrilling to give it a go."

The corner of her lips traitorously twitched up. Around her, her friends made sounds of approval, George even reaching forward to shake her leg excitedly.

"He really came to ask you about the potion?" Wren asked, and Fred nodded solemnly.

"Seemed genuinely interested too," George added.

Wren offered a real smile then, and the group seemed to (accurately) take that as an end to the conversation.

The rest of the afternoon passed happily. George finally ended Alicia's streak in Exploding Snap and Lee came into the Common Room about an hour later and recounted recent would-be entrants' failures for them. Now that Wren wasn't wracked with worry and guilt with Fred and George, she was able to laugh along with the rest of the group, especially over Lee's dramatic impersonation of Milicent Bulstrode breaking down into hysterics over her newfound beard.

By the time it was dinner, the events of the morning felt like they had passed weeks ago, and Wren traipsed down to the Great Hall with the group more than ready for the Halloween feast.

She wasn't, however, ready for the selection of Champions. Her heart stilled for a moment as Cedric's name was pulled from the cup, her eyes skipping over the group of Hufflepuffs shaking his shoulders and cheering, and instead focusing on Nora.

If Wren were in Nora's shoes, she'd be pale. But instead her cousin was alternating between clapping loudly and cupping her hands around her mouth to cheer.

She was only silenced when a fourth name came out of the cup.

In fact, the whole Great Hall went quiet for a beat. And then another one. And then the whispers started, moving through the room like wind rustling through the trees.

"Harry got his name in?" Angelina hissed next to Wren.

"How?" Katie whispered back, her eyes moving to Wren, but Wren was already focused on Harry, whipping his head around with surprise and saying something hushed and quick to his friends. Dumbledore called him up to the front table and her eyes followed his path, a clawing tightness in her chest as she watched him pass behind Fred.

How had he, a fourth year who by all accounts was not the smartest in his year, managed to get across the age line when the combined minds of her, Fred, George, and Lee hadn't managed it?

Her jaw clenched as a hand closed over hers. "Hey," George said, leaning across Angelina to get her attention. "If You-Know-Who wasn't able to kill him as a baby, you won't be able to now, even with that look."

The joke, coupled with Harry's disappearance into the chamber behind the professors' table, drew the small group's attention to Wren.

"I'm not trying to kill him," Wren protested as Dumbledore and other adults disappeared into the back room as well. With the disappearance of those in charge, the hall grew noisy once more, the chatter electric. "I just don't understand how he got in is all."

The look of mild annoyance on Fred's face melted as he took her in. "She's jealous!"

"Am not," Wren huffed.

"Come on, Wren, a win for Harry is a win for Gryffindor," Angelina said, but her smile was a bit tight, and Wren felt a bit embarrassed at being jealous when Angelina, who had legitimately entered, hadn't been chosen.

"And more than that," Fred said, bending his head forward conspiratorially. "It's a reason to party."

By the time Harry Potter, the guest of honor and very reason for the party, arrived at the Gryffindor common room, the party was in full swing. Students had come together to lay out a solid stash of snacks on a few tables, and Fred and George had procured a few cases of Butterbeer in a suspicious amount of time. This of course meant that everyone was almost vibrating with excitement to greet Harry. Indeed, all of Wren's friends left her the moment he came through the portrait hole to bombard him with well wishes and questions.

Wren, for her part, hung back with Alicia, making her way through a bag of crisps while staring warily at Harry. "Reckon he'll tell anyone how he did it?" Wren asked as Alicia took a long sip from her butterbeer.

"Harry?" Alicia asked, her voice a bit raw from the carbonation. "Probably not. He's rather tight-lipped. It'd be easier to get it out of Ron."

Wren nodded, scanning the room for the twins' younger brother. As her gaze skipped from redhead to redhead, none of them belonged to Harry's best friend. "Where is Ron?"

"This is really bothering you, huh," Alicia asked, her expression sympathetic. "I know you wanted it to work, but honestly Wren, it was always a long shot. The twins knew that."

Wren had no intention of trying to get Ron Weasley to tell her how Harry entered, but she would have been lying if she dismissed Alicia's claim outright.

She had known it'd been a long shot too. She always had a healthy dose of skepticism throughout the endeavor.

But she couldn't get rid of the small, irritating feeling of disappointment that scratched at the back of her mind.

She doubted Dumbledore would want her potion recipe now that someone had had an actually successful workaround.

"Why the long face?" Fred asked, walking back up with George. Over their shoulders, Wren could see Lee tying the Gryffindor banner around Harry's shoulders.

The two followed her gaze and Fred snorted. "Still on about that, then?"

"No," Wren said petulantly. The twins exchanged a knowing look, and she scowled, swatting at them. "I'm not!"

Fred's eyes darted over her shoulder, and she whipped around to catch Alicia mid-nod before pretending she was sipping from her drink.

"I'm not!"

Fred and George exchanged another look, although this one seemed to be more of a conversation between two pairs of eyebrows than just a look.

"Alicia, we're stealing Wren," Fred announced, wrapping an arm around Wren's shoulders and guiding her forward before Alicia could even respond to the statement. George trailed after the two of them, the group stopping in a relatively quiet nook of the common room, away from the thick of the party.

"It has recently come to our attention that you, Wren Collings, are a natural born inventor."

Wren quirked an eyebrow, staring dubiously back at Fred. "What?"

"You're upset that you didn't find the solution to the age line and Harry did," George filled in.

"Plus, you greatly enjoyed the plotting involved in making our potion," Fred nodded.

"So we were talking…" George started

"And we think you'd be an excellent addition to the Weasley Wizard Wheezes product development team," Fred finished with a smile.

"The what?"

"Fred and I have always dreamed of opening a joke shop. We've been working on a few products over the summer," George explained.

"Fake wands."

"Tom-tongue toffees."

"Trick quills."

"And we think that your mind and potions and Herbology expertise would help us with our next venture," Fred said.

"Your next venture?" Wren repeated.

"Puking pastilles," the twins chorused with a nod.

"Puking pastilles." What they were proposing was so ridiculous, Wren wasn't able to come up with a coherent original thought. Instead she was turning the idea over in her mind--product development with the Weasley twins. It was true she'd enjoyed developing the aging potion with them, but that had been a one time thing. A deal. And even then it hadn't worked. Now they wanted her to come up with entirely original recipes for members of the public to eventually consume? She could poison all of London. Or worse, she could--

"You're spiraling," Fred said matter of factly. "I can see it right here," he said, poking at the crease between her eyebrows, and Wren slapped his hand away. He grinned at her. "Come on Wren, this is an exciting new venture. Nothing to get too in your head about at this stage."

"I just don't think I--"

"If this is going to be another self-deprecating statement, I should warn you. You're wasting your breath," George interrupted, holding up a hand.

"We happen to think you are nothing short of a genius, and there isn't anything you can say to convince us otherwise," Fred added.

Wren blinked at them. "I--" they cast her reproachful looks and she switched directions. "Thank you."

Fred smiled. "I'm going to take that as confirmation that you're in."

Wren shook her head, tucking a piece of hair behind her ear. It would be easy to tell them no. To stick to the plan of just studying for her classes and spending free moments trying to track down Simon. But she didn't want to.

"Yeah," Wren said with a tentative smile. "I'm in."

While working with Fred and George on the creation of puking pastilles was fun and often led to Wren laughing so hard her sides hurt, it was still, at its core, work . She was fairly certain she had never used her brain so much. Not even for NEWT-level Potions or Transfiguration.

Still, there were far worse uses of her time than being tucked away in the common room or a corner of the library, drawing up plans and theories with Fred and George and sometimes Lee.

"I need a break," Wren announced, placing her book on top of the stack they had pulled.

"Breaks are for the faint of heart," George said automatically, not even bothering to look up from his reading. It had been the line the three used to keep each other on track.

"I fear I'm going into heart failure," Wren answered, dramatically, dropping in her chair. "If I have to read another line about common Italian plants' side effects, I think my heart will finally give out."

"Alright Georgie, I think a break's in order. We don't want poor Wren's heart to explode," Fred said, snapping his book shut.

"So when Wren's going through heart failure, we get a break, but when I'm dying of boredom, you just eulogize me."

"That's about the size of things," Fred nodded, and George grinned, shutting his book and looking over at the two. He opened his mouth to say something, but before he had the chance, a look of curious confusion crossed his face.

"Hullo," he greeted, and Wren turned to see Simon walking towards the group.

"Hi, love," Wren smiled up at Simon. His bronze hair curled above his eyes, and she reached out a hand for him. He shot a quick look at her and then at the Weasley twins, keeping his hands firmly in his pockets. Wren curled her hand back in, resting it on her shoulder as if that was what she intended to do. "What are you doing here?"

"Searching for my girlfriend," Simon offered a small smile. "Have you seen her?

"Simon," Wren laughed lightly as Fred and George exchanged mortified looks at the excuse of a joke.

"Oh! I hardly recognized you. Haven't seen you in ages."

"Ha ha, very funny," Wren smiled and let out an exhale as if he was joking, but he had that look in his eyes that she knew too well. He turned to Fred and George.

"So you're the reason my girlfriend's gone missing."

"What can I say, our presence is a delight." It wasn't the tone of Fred's voice as much as the look of George's face that made her stomach drop.

"Thank you for sharing Wren with us," George stepped in. "Must be hard to let this one go."

"Indeed," he swiveled to Wren. "Speaking of which, have a second?" Simon asked, flashing a seemingly charming smile. Wren looked up at him, and a flash of fear, which she hoped was unnoticeable, crossed her face. She slowly nodded.

"For you? Always," she said, standing up to follow him. Had he heard about George? What did he want? She had heard that tone of voice before, and it never ended well. She followed him a couple of rows over so that it was deserted and nobody would hear them.

"I didn't realize you three were so close," he commented, his voice still friendly, but in the dangerous phase. If Wren thought that her research was going to give her heart failure, she was certain that this conversation might give her a heart attack. It pounded away in her chest, as she racked her brain for an explanation. She had a feeling after Simon's reaction to the aging potion that he wouldn't particularly care for the truth.

"We're not that close," Wren dismissed. "We've just been studying together this year, is all. They're a whiz at Charms, and honestly this NEWT schedule is keeping me so busy--"

"Wren," Simon stopped her. "Don't insult my intelligence."

"What?"

"You're lying. I can see it all over you. What are you really up to with them?"

"What am I really up to?" Wren repeated, her heart beating faster. "Studying. Simon, where is this coming from? Why are you upset?"

"Why am I upset?" Simon asked. "After how you acted when you saw me walking down the hall with Wendy? I should have seen that you were projecting--accusing me of cheating while you're off spending your afternoon in a dark corner of the library with the Weasley twins!"

"Simon, it's not like that. You've just been busy and I—" Wren started to argue, jerking away and shutting her mouth quickly as Simon shoved a finger in her face.

"Do not turn this into my fault."

"It's nobody's fault. There's nothing wrong here!" Wren began to grow hysterical. "You're reading into things that aren't there."

"So I'm crazy?" He dropped his hand, but moved closer to her, and she took a half step back.

"No, of course not," Wren held her temples "I just--there's no reason to be upset. I would never choose them over you. I-I'll go tell them I have to go. We can go to the courtyard, or wherever you want. "

"Don't even bother. I don't want to be your pity pick. Just go back to them," Simon scoffed, shaking his head. "At this point, I'm used to being left behind. Makes sense you'd do it too."

"Simon, I'll come with you. Just let me get my stuff. Please--" Wren reached forward grabbing his arm, and he snatched it away from her, sending her toppling into a bookshelf. A few books came loose, tumbling to the floor in a messy pile.

"You always do this," Simon's lip curled. "Make a mess of everything. I wonder if your precious twins will put up with half the things I do." Wren watched him leave, trying to blink back the tears forming in her eyes. He was right. She did always make a mess of things. She knew what she should have done--what she should have said. She should have packed up as soon as he came over. She should have told the twins she'd see them in class and told him she had more than a second--she had hours for him. She shouldn't have argued.

Wren wiped away a few tears as she bent down to begin picking up the books and finding their proper places. Footsteps approached the end of the aisle, and her head snapped, hoping Simon had come back.

"Everything ok?" Fred asked, standing at the end of the aisle where Simon had been moments before. Wren quickly glanced back at the book she was shoving into the shelf, as if that would hide her splotchy red face.

"Fine," her voice came out high and not quite as lighthearted as she'd hoped.

"And that's why you've decided to take up a part time job as a librarian?"

She let out a sigh that could maybe possibly be construed as a laugh. "No, I just--um--we stumbled into the books." She hoped that would explain the red face if not for Simon's conspicuous absence.

"Ah," Fred nodded, and she could hear the disbelief in his voice. "And where is the other half then?"

“He…he had to run off. Prefect duties. I told him I'd handle it.”

Fred's eyes rested on her, as she picked up another book and shoved it between two other ones, not able to even concentrate on making sure they were in alphabetical order. She couldn't understand why Fred had taken it upon himself to interrogate her. He was silent even as she picked up another book, as if for once he were carefully choosing his words.

"Must've run off pretty quick. I came as soon as I heard the books."

It was Wren's turn to furrow her brow at him. "Why?"

“What happened here?” George appeared over Fred's shoulder, stopping him from continuing the sentence.

“Simon couldn’t keep his hands off Wren,” Fred said to George. Wren flushed from the choice of words.

George wiggled his eyebrows at Wren. “Kinky.”

She turned redder if possible and Fred’s jaw ticked.

“Need a hand?”

Despite the fact that George asked the question, Wren looked at Fred. “That would be lovely.”

George moved around Fred and picked up the last few books, sliding them onto the shelf.

“Thanks, George,” Wren smiled. He reached over and squeezed her hand. His brow furrowed slightly. Wren looked over his shoulder at Fred who caught her eye before turning and heading back towards their seats. She looked back at George and offered a tight smile, standing up. "Let's go back to take our break."

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phoenixkaptain · 4 years ago

Text

The amount of times in the show that Conan just straight up becomes unresponsive because he’s freaking the fuck out is, to be honest, a bit concerning. It seems to happen more as the series progresses, but it certainly appeared a few times early on.

Which, one could say that it’s just like when he’s deducing and doesn’t notice people talking to him. Or when he’s so busy staring at soemone that he doesn’t notice people talking to him. But, honestly? These scenes are concerning too.

He doesn’t realize people are talking to him until they call his name enough to jostle him out of it. When he’s staring at people, this is really concerning! He’s so focused on the person he’s looking at, most often a literal murderer, he tunes out the rest of the world. Most people, if they’re looking at someone realy hard, will hear people, they’ll just be distracted in answering. They’ll hear the voice and the tone and respond to those instead of the words. The fact the Conan doesn’t hear them at all, leaves us wondering how focused he is on them. If he’s so focused that his ears are ringing with the sound of his thoughts, which are so loud he has no choice but to focus on only them, well that leads to panic attacks.

Most of the time, when Conan or Shinichi are deducting, it’s shown as a very short thing. His mind jumps to make the connections, because his mind probably connects things that other people’s minds wouldn’t. Most scenes are short, because Conan/Shinichi figures out one part, then the second part, then the third and so on in little bursts. Something will be said and his mind makes a connection with something else that was said and he deduces things from that, which sounds like a long process but could be a quick as snapping your fingers. The scenes where Conan is thinking on something and the connections aren’t coming and he doesn’t notice other people talking to him are a bit rare. While Conan can figure things out if he thinks through them long enough, his brain isn’t really made to do that. It takes him so much longer and he has to put himself so deep in his thoughts that, even if he did hear people call for him, he wouldn’t respond because there’s that feeling of “It’s on the tip of my tongue and if I say nothing and don’t move and don’t breath and keep circling this thought in my head, the connection will come.”

You could say that this is just an overly long explanation on why I think Conan/Shinichi have signs of having ADHD or something similar to it (autism is an option). Why, I could end this by saying that even Conan’s seeming adversity to being touched, ie., looking uncomfortable when he’s drawn into hugs and getting stiff-backed even when Ran hugs him, could be a sign of such mental health because people with ADHD and autism don’t like touch. One of the reasons they don’t is because it’s sensory. It’s another thing their brain has to focus on, on top of everything else it pays attention to, and it’s stressful to suddenly have to think about something you didn’t expect. This also explains why he’s seemingly fine with Kogoro lifting him up by the back of his shirt: his mind relaxes the body because it knows being stiff would end up with the body being hurt, either from the collar digging into his neck or that it would be hard to time when to relax since Kogoro picks him up and drops him sporadically. But, also, it’s not skin contact. Conan wears clothes that don’t bother him, clothes that he seems to forget he’s wearing because he hardly ever takes note of them. He puts on clothes in the morning and forgets about them for the rest of the day, which means we can reasonably assume that he’s fine with the texture of the cloth, meaning even if it did get pulled uncomfortably tight, the tightness would be the issue, not the clothes.

There’s also, which I’ve been trying to figure out how to word it jokingly for a while, how he doesn’t mind the touch of animals. Conan refuses to hug most people, tending to get dragged into them, but he opens his arms willing for animals. Whether it’s Jirokichi’s dog, Lupin, jumping on him or the many cats in the series who approach him, Conan is fine picking up and giving and receiving physical affection from them. People who are touch-averse often turn to animals, perhaps without even realizing it. A part of being human is needing social interactions, one of which is physical touch. The good thing about humans is that, as social animals, we don’t have to get touch from another human, almost any other animal makes our dumb mammal hindbrain happy. Touch-averse people still need touch, even if it isn’t from other humans, so they often find it through dogs or cats. Conan seems to be one of these people, if we compare his reaction to animals touching him to his reaction to people touching him. (Of course, a part of it is probably that it’s easy to tell when an animal is going to jump on you or ask for affection. You have a bit of time to brace yourself, so to speak. Telegraphed movements aren’t very common in Detective Conan, since it deals with murder and sporadic movements, making obvious-signals of animals all the better for someone touch-averse.)

Perhaps, I’m jumping to conclusions. But, I, as well as other people with ADHD, can remember times where we had a similar light bulb moment to Conan’s. Someone will say something and our brain hits the gas and takes us to our destination. But! There’s also that sometimes, all it takes for Conan to piece something together is for him to say the words outloud and ask the question. This is very common for people with ADHD. Just thinking it leaves the thought it the tangle of the rest of thoughts that exist. Saying it aloud often triggers the brain to put more focus on what you’re saying. It’s a neat trick, maybe it works for neurotypicals too, I wouldn’t know.

Was this just a long, convoluted essay on why I think Kudou Shinichi has ADHD or autism? Yes. It was. Was this a too-long essay I wrote because I’ve been psychoanalyzing this character for almost ten years? Yes, that is the case. Are there more things I could add, like how Conan/Shinichi doesn’t understand why other people aren’t as in to solving crimes as him, how he seems baffled by the very idea that he should put the woman he’s in love with over figuring out who killed this guy, how he doesn’t seem to recognize romantic signals unless they aren’t directed at him, and how he doesn’t understand why people get mad at him for telling the solution to magic tricks? Sure. Couldn’t I also add that many animals like neurodivergent people, cats because they don’t like being stared at and pestered, dogs because dogs are empathetic and like hugs, which could be why Conan attracts animals to him so often and those animals like him a lot? I could.

This got out of hand, I’m done now, I promise.

#detective conan #edogawa conan #kudou shinichi #long post #its my dmb essay on a fictional character only i care about and ill make it as ling as i want #i woke up and just decided to write this #ive been writing this for an hour #also i lied when i promised to be done #ive related to the character of kudou shinichi since i started the show #i relate to how hard it is for him to think of anything but what he wants to think about #i relate to how easily he gets sick #i relate to him a lot #so i put my issues in there #slaps shinichi’s side this bad boy could fot so much pf my trauma in it

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systematic-advice · 3 years ago

Note

//suicide, abuse

hello, im sorry if i sound dry we are extremely dissosciated/blurry right now bbut i was wondering if you have any advice on what to do after a traumatic experience as a system. we just got retraumatized by our bodily sibling who has traumatized us many times before just told us to kill ourselves and that we deserved to get beat our whole life. i know that its common for systems to split during stressful/traumatic experiences and i can already sort of feel it happening, emotions that arent mine headache etc. and i just dont know what to do. are there precautions i ahould take? is there anything i can do to make it less scary/painful? anything would be helpful, thank you so much -🪶sys

Hello Anon.

I'm sorry it took me so long to get to this, we were taking a mental health break, but this sounds horrible and I'm so sorry you had to go through it. You deserve much better than that and your sibling should be ashamed. Cycle of Abuse is no excuse for saying something so horrible. I hope you are doing better now and let me start off by assuring you that your sibling is wrong. You didn't deserve any abuse, no one does.

I would say the first step is to try to take a few deep breaths when things like this happen. Getting yourself to a safe space and breathing then starting the process to ground yourself. Find five things in the room you could touch, touch some if you can, five things you could smell and what they might smell like, five things you could taste- all of that classic grounding stuff. What you're trying to do i remind yourself where you are in the timeline. You're present, not when the trauma happened. If you're retriggered, this can help to remind you you're not in that scary moment.

Going for a walk might help once you've calmed yourself a bit. Getting out and moving forward helps to get your mind off of things. There's a lot to be said for going outside and getting AWAY from the people who are hurting you, if only for a little while.

Reminding yourself that this is 'their' issue, not yours did a lot for us. They are saying these things to you because someone either said it, or something like it to them. And that's NOT an excuse, but it helps to redirect the anger mentally for us. 'They're jut lashing out, so that thing they said has no founding, they're just trying to hurt me and it's not going to work."

Playing games to distract yourself in the time after can help keep you from fixating on it. Something brain intensive, like an RPG or survival game usually works for us.

I hope these suggests help you Anon. Sorry this happened. No one deserves such things.

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bubonickitten · 3 years ago

Text

Fic summary: Jon goes back to before the world ended and tries to forge a different path.

Previous chapter: AO3 // tumblr

Full chapter text & content warnings below the cut.

Content warnings for Chapter 29: discussion of Jon’s & Daisy’s restrictive diets & associated physical/mental deterioration (and potential parallels with disordered eating etc.); arguing & relationship disputes (that are not immediately resolved in-chapter); self-harm (burning oneself with a lit cigarette); cigarette smoking; discussion of suicidal ideation; panic & anxiety symptoms; discussions of grief & loss; cyclical mental health issues (post-traumatic anniversary reactions; related self-loathing, internalized victim blaming, & survivor’s guilt; generally speaking, Jon’s relapsing into self-isolating, worse-than-usual headspace, esp towards the end of the chapter); depiction of parental neglect/rejection (Martin's mother). SPOILERS through S5.

There’s also a Hunt-themed statement that contains descriptions of indiscriminate violence & unprovoked warfare against a civilian population. Oh, and a cliffhanger.

Let me know if I missed anything!

_________________

“Statements ends,” Jon says, somewhat breathless as he fumbles to stop the recording.

“You alright?” Daisy asks.

“Fine.” The word is punctuated by a click and a whirr as the recorder resumes spooling.

“Are you, though?”

“Yes.” Scowling, Jon jabs his finger at the stop button – only for it to keep recording.

“It’s the Hunt, isn’t it.” Daisy sighs, rubbing the back of her neck. “Sorry it’s been so prominent for the last few. I’m… not quite scraping the bottom of the barrel yet, but–”

“It’s fine, Daisy.”

“Still, I–”

“I said it’s fine–!” Jon winces at his sharp tone. “I’m sorry, that was… I’m just – on edge, I suppose.”

Which is an understatement, really.

Because it’s September. It’s September, and after September is October, and October is–

Well. These days, he can’t even look at a calendar – can’t even look at the time and date on his phone – without icy dread coursing through his veins.

Sporadic flashbacks have become an everyday occurrence, set off by the smallest of stimuli: a dropped glass shattering on the breakroom floor becomes a window bursting inward into shards; a thunderstorm heralds a fissuring sky, marred by hundreds upon thousands of greedy, unblinking voyeurs; his own voice is a doomsday harbinger, a key crammed into a lock he can’t keep from unbolting. The memories are too immediate, too vivid to feel past-tense.

It’s to be expected. Studies, common knowledge, and anecdotal evidence all point to the impact of anniversaries on mental health. He knows what a textbook post-traumatic stress response looks like. Monster or not, in this particular sense he remains overwhelmingly human. No matter how much he rationalizes it, though, intellectually understanding a psychological phenomenon does little to soften the lived experience of it.

And it does nothing to temper the chilling knowledge – bordering on conviction – that it may happen again.

“Would be worrisome if you weren’t stressed out, considering… you know. Everything.” Daisy leans back in her chair, stretches her legs out in front of her, and rolls her shoulders. “Speaking of the Hunt. Any new developments?”

“I mean… nothing since yesterday? Everything I know, Basira knows.”

“Basira… isn’t keeping me updated,” Daisy says, shifting uncomfortably in her seat.

“Ah,” Jon says, with tact to spare. “I’m sorry, I didn’t realize.”

“It’s fine.”

“Is it?”

Daisy sighs. “She thinks that I think she’s wasting her time.”

“And do you?”

Daisy gives a jerky shrug. “Don’t you?”

“Not… necessarily,” Jon hedges. Truthfully, his answer to that question is as mercurial as his moods these days, shifting from hour to hour, sometimes minute to minute. Daisy gives him an unimpressed look. “I won’t lie and say I’m optimistic, but that doesn’t mean it’s not worth trying.”

“You sound like Martin.”

“Well, he spent ample time drilling it into me,” Jon says with a wry smile. “I don’t have the same capacity for hope as he does, but improbable doesn’t mean impossible. If I’d had it my way, I’d have lain down and died ages ago. I’m only here now because of him.”

“Mental health check,” Daisy says automatically.

“Not thinking of hurting myself,” Jon replies, just as rote. “You don’t have to do that, you know. I’ve told you, I’m physically incapable of killing myself even if I wanted to.”

“That doesn’t stop you brooding.”

“Anyway, I wasn’t referring to anything recent.”

“Weren’t you, though?” At his blank look, Daisy gives an impatient sigh. “It hasn’t even been a year since you woke up, Sims. Up until six months ago, you were wandering an apocalyptic wasteland–”

“…I found myself utterly alone. Facing down a room full of nothing eyes, willing myself to take action. I never did, though–”

“–I wanted to act, to help, to do something, but – my mind had all but seized up, and I felt helpless to do anything but watch as events progressed–”

“–there was nothing I could do to save him – he died – so did any hope I had of – doing good in the world–”

“–there’s a sort of numbness that you adopt after months or years of bombing–”

“–I did spend a lot of time just… slumped in despair – had no reason to think it would help, but I could see no choice but waiting for death–”

“–hoping against hope that – it wouldn’t be forever–”

“Hey!” Daisy’s voice finally breaks through the rush of static. Or perhaps it was the pressure: Jon looks down to see her bony fingers caging his own in a bruising grip.

“Sorry,” he says, catching himself as he starts to list woozily.

“Not to say ‘I told you so,’ but…” Daisy gives his hands another light squeeze. “You sort of just proved my point there.”

“I’m well aware that I’m – traumatized, or whatever–”

“Not ‘or whatever’–”

“–but I’m not a danger to myself, so could we please just move on?” Jon mumbles, averting his eyes. “You wanted a Hunt update.”

Daisy scrutinizes him for a long moment before she allows the conversational pivot to stand.

“Basira said you’ve heard back from that Head Librarian,” she says, “but she blew me off when I started prying.”

“Zhang Xiaoling,” Jon says, his shoulders relaxing. “She was able to confirm some of Jonah’s intel. They do have a statement about a book matching that description in their records, and she agreed to forward a copy once it’s been digitized. They’re further along in their digitization process than we are–”

Daisy snorts. “Probably because they’re actually working on it.”

“That, and they have the benefit of a Head Librarian who actually has a background in archival studies,” Jon says drily. “In any case, they have a large archive, so it’s a work in progress. She’s processed our inquiry, though, and she says she has someone on it. We should hear back by tomorrow at the latest.”

“Huh,” Daisy says. “Sounds…”

“Like a functioning archive?”

“I was going to say ‘streamlined,’ but sure.”

“The wonders of a hiring process that prioritizes job qualifications as opposed to a candidate’s apocalyptic potential.”

“What are the chances their institution is also led by a centuries-old corpse with a god complex?”

“Non-zero, I imagine.”

Daisy wrinkles her nose. “Ugh, don’t say that.”

“If it makes you feel any better, I don’t have evidence one way or the other.”

“It doesn’t. Does she know about…” Daisy waves her hand vaguely. “All of this? The Fears, Rituals… Jonah?”

The question gives Jon pause. He thinks back to his meeting with Xiaoling all those years ago – well, last June, from her perspective.

“Some of it, I think,” he says slowly. “She seemed familiar with some of the Archivist’s abilities. There were parts of my visit that struck me as odd at the time. I didn’t realize until later that she had been speaking both Chinese and English at different points in our conversation.”

Daisy frowns. “She didn’t clue you in?”

“She didn’t, no. But…”

Elias made a good choice, the Librarian’s voice echoes in Jon’s mind. I did offer him someone, but he thought the language might be too much for him.

It does tickle me, Jonah’s voice chimes in, that in this world of would-be occult dynasties and ageless monsters, the Chosen One is simply that – someone I chose.

“I don’t know if she’s aware of Elias’ true identity.” Jon swallows with some difficulty, his mouth suddenly dry. “Or his intentions.”

“So is it really smart to trust her?”

“If she’s in communication with him, there’s nothing she can tell him that he doesn’t already know. We’re just following up on information he gave us. And he’s likely spying on our correspondence whether she’s in contact with him or not. Not much we can do about that.”

“She could have her own ulterior motives,” Daisy says.

“True enough, but… I got the sense that her primary interest is curation. Studying phenomena, building a knowledge base–”

“In service to cosmic evil,” Daisy says pointedly.

“W-well, yes, but – I don’t think she has delusions of godhood herself, and I don’t think Jonah has tempted her with the idea.” Jon huffs to himself. “He wouldn’t want to share his throne.”

“Hm.”

“I’m not saying we trust her or the Research Centre as a whole. I had reservations about their motives then and I still do. It’s not unthinkable that they’re a front for something more sinister in the same way that the Institute is. But… I don’t think there’s any especial danger in utilizing their library.”

“Sims,” Daisy sighs, “your danger meter is broken beyond repair.”

“In my defense,” Jon says, bracing one arm on the desk to leverage himself to his feet, “at this point, everything is just differing degrees of dangerous.”

As the two of them leave the tunnels, Jon’s phone buzzes in his pocket. When he glances at the screen, he sees a text notification from Naomi – in addition to two missed calls. He frowns to himself. The two of them text regularly, but she rarely calls.

“What’s up?” Daisy asks, her brow furrowing in concern.

“Naomi,” Jon says distractedly, already returning the call. Naomi picks up on the first ring.

“Jon?” Naomi’s voice sounds thick and tear-clogged.

A cold weight settles in Jon’s stomach. “What’s wrong?”

“I j-just” – Naomi pauses to clear her throat – “just needed to hear a familiar voice.”

“What happened?” Jon asks – and realizes too late that in his urgency to discover the source of her distress, he’s poured too much of himself into the question.

“Nothing.” What starts out as a self-deprecating little laugh quickly deteriorates into a half-sob. “Nothing new, anyway. It’s always like this, this time of year. Evan and I didn’t have an exact date planned, but we’d talked about an autumn wedding. Thought it would be fitting, since we met in September, you know? Tomorrow is our anniversary, actually. Or – or it would’ve been. A-and then by the time I’ve picked myself back up, the holidays will have crept up on me, and that’s always hard, and – and then before I know it, it’s March, a-and that’s its own kind of anniversary, and it’s just… it’s a lot.”

“Oh, I – Naomi, I’m sorry, I didn’t mean to–”

“It’s fine,” she says with a sniff. “Don’t think I would’ve been able to get it all out, otherwise.”

“S-still, I–”

“It’ll be three years this March. And it still feels like it was yesterday. I spend six months out of the year feeling like I’m still stumbling through that cemetery, and I just…”

This time last year, Jon thinks with a lurch, I was still the monster in her nightmares.

And even now, he still pulls her there whenever they’re both asleep.

“When does that stop?” Naomi laughs again, a desperate, pleading thing. “When does the healing come in?”

“I… I don’t know,” Jon says truthfully. “Anniversaries are… they’re hard enough on their own. It doesn’t help that… well, it’s difficult to heal from something when you’re still living it.”

“What do you mean? Evan’s dead,” Naomi says, her voice breaking on the word. “He’s not coming back. It’s… it’s over.”

“There are still the dreams. The narrative might have changed, but the stage dressing is still the same.” Jon draws his shoulders in, one arm pressed tight to his stomach. “Keeping the memory fresh.”

“It’s not so bad.” Naomi sniffles again. “Better than being alone.”

“‘Alone’ or ‘nightmares’ shouldn’t be your only options.”

“I have my own nightmares, you know,” Naomi counters, sounding slightly annoyed. “When I’m asleep and you’re not. And they’re worse, because in them, I actually am alone. Nothing supernatural about it. It’s just… me.” She sighs. “This time last year – and the year before – I didn’t have anyone. And I just… I didn’t – I don’t want to be alone.”

“You’re not,” Jon says. “Not anymore.”

“I – I know, but I…” Naomi takes a breath. “I was… I was thinking – maybe tomorrow I could come by.”

“I’m sorry,” Jon says gently, “truly I am – but it’s not safe. Especially for you, especially right now. Not with Peter here.”

Naomi is already the equivalent of an unfinished meal to the Lonely. That, together with her association with Jon, is more than enough to mark her as a potential target should Peter take notice of her.

“Feels safer than being alone,” Naomi says. “The Duchess helps – a lot – but I…” She lets out a fond but tearful chuckle. “I can’t expect her to grasp the nuances of… grief, or loneliness, or what have you.”

“How about this,” Jon says. “We tell Georgie what’s going on – as much or as little as you’d like, even if it’s as simple as ‘I don’t want to be alone right now.’ I doubt she’d be opposed to having you over.”

“I wouldn’t want to impose. I mean, I – I’ve not spent much time with her outside of just… spamming the group chat with cat photos. I like her, but she’s your friend. I’m just… a friend of a friend.”

Nestled between the words is a familiar sentiment, unarticulated and nonetheless resounding, echoing all of the earnest conviction it had when first she made such a confession: All my friends had been his friends, and once he was gone it didn’t feel right to see them. I know, I’m sure they wouldn’t have minded, they would have said they were my friends too, but I could never bring myself to try. It felt more comfortable, more familiar, to be alone…

“People can have more than one friend,” Jon says. “I can’t speak for Georgie, but she wouldn’t go out of her way to talk to you if she didn’t like you.”

Indeed, that might be the reason Jon was able to open up to Georgie in the first place. He observed early on that she had no qualms disengaging from people whom she had no interest in getting to know. Whatever Jon might have felt about himself on any given day, the simple fact of the matter was that Georgie would never have let him get so close if she hadn’t seen something redeeming in him.

And she likely wouldn’t be letting him stay close now if she didn’t still see something worth salvaging.

“It’s up to you, of course,” he says. “I won’t pressure you. But I think Georgie would be more receptive to friendship than you expect. And I think – I think you’d get along with Melanie, too.” Naomi is silent on the other end of the line. “At the risk of overstepping, I… I know being alone feels like the natural state of things, but it doesn’t have to be. If you want, I can talk to Georgie. Lay the groundwork. I won’t give her any of the details – it’s not my story to tell – I’ll just let her know that you’re feeling alone and could use some companionship.”

“Okay,” Naomi whispers. “Just… let her know she’s not obligated.”

“I will. On the extremely off chance she says no, or if she’s busy tomorrow, I can keep you company remotely. We can spend the whole day holding up the office landline if you want.”

“It’s a Friday.”

“And?”

“It’s a work day?”

“Naomi, my job is wholly comprised of monologuing to any tape recorder that manifests within a six-foot radius and doing my utmost to render my department as counterproductive to both the Institute’s professed and clandestine organizational objectives as humanly or inhumanly possible.” Naomi barks out a startled laugh. “I won’t be fired no matter what I do – which is a shame, seeing as it became my foremost professional development goal somewhere between finding out my boss murdered my predecessor and virtually dying in an explosion at a haunted wax museum. Barring a sudden and unexpected apocalyptic threat – which, admittedly, is unlikely but not unthinkable– I’ve already cleared my non-existent schedule for you.”

“Okay.” Naomi makes a sound somewhere between a sniffle and a chuckle. “Thanks. Really.”

“Any time.”

_________________

The statement is an unnerving, circuitous thing: a firsthand account from an unnamed member of the Drake-Norris expedition in 1589. In many ways, it’s eerily similar to the last statement Jon accessed from Pu Songling’s archives: Second Lieutenant Charles Fleming’s shellshocked, guilt-fueled confession of atrocities committed under orders.

The historical record is rife with accounts of Francis Drake’s cruelty, Jon knows: his role in the transatlantic slave trade, the unprovoked massacres committed in his name, the preemptive strikes that incited further bloodshed. The statement giver speaks in awestruck horror of the bloodlust lurking in the man’s eyes, the vitriolic fervor with which he undertook his campaign to seek out and destroy the remnants of the Spanish fleet – and the depths of his rage when his efforts ended in defeat. Humiliated, he turned his vengeful eye to the Galician estuaries.

The writer tells plainly of his own complicity in the sacking of Vigo, razing the town to the ground and slaughtering its inhabitants with indiscriminate zeal. For four days Drake’s men carried out their rampage, retreating only when reinforcements arrived to stem the tide.

“You may ask yourself,” the Archivist reads on, “how it is that a man born into the reign of Good Queen Bess sits before you today, some four centuries past his due?

“You see, as we left the shores of Galicia that day, I heard from behind us a vicious braying, as if someone had set loose a great host of hounds. They were close – close enough for me to sense their stinking breath hot on the back of my neck. Such a thing was impossible, for we were by that time far from shore, having already rowed half the distance between the beach and the waiting armada. That did not stop me dreading the dogs lunging and tearing into me at any moment.

“I am not ashamed to admit that I let out a whimper.

“As the seconds ticked by and the pack failed to descend upon us, my curiosity grew to outweigh my terror. I turned to look – and was thus ensnared. It was, I realize now, the instant at which I became beholden to the blood. My greatest folly.

“Perhaps I oughtn’t have been so surprised to see no hounds surging toward us atop the waves, but you must understand that the proximity of their snarling was far more convincing than their visual absence. In looking behind us, though, I was able to appreciate the havoc we left in our wake: the great plumes of ash rising from the smoldering rubble, backlit by a flickering orange glow, and wails of despair so profound as to combat the noise of the wind, the waves – even the discordant shrieking of the hounds.

“It was a scene of such devastation as I had never seen before or since. Looking back, I think upon the acrid stench of charred flesh on the breeze with horror and… indescribable remorse. It shames me now to admit that at that time, I had never felt such… rapture.

“That was when a motion caught my eye. Between the distance and the billowing smoke, it should have been impossible to discern such detail, yet there he was: quarry I had left for dead, emerging from the debris and staggering away from the ruins of his… wretched life. As he looked out to behold our retreat, I could see the grief playing on his face, the fury, the fear – but what most set my blood to boiling was the spark of relief I saw in his eyes.

“It awakened something in me – a famished and merciless thing, composed of tooth and claw and a mind beginning and ending and utterly encompassed by the call of the pack. With a roaring in my ears and a single-minded violence supplanting my sensibilities, I deserted the rowboat and swam to shore. A chorus of howls carried me forward, and I let them be my wings, steering me down the swiftest, straightest path to my target.

“I slowed for nothing, and I made certain my prey did not live through the night.

“As you can likely guess, the chase did not end there. Those baying devils who had so called me forth continued to hound my steps, nipping at my heels, spurring me ever onward to the next quarry. Those who once knew me would scarcely have recognized what I became. Whenever I dared look into a mirror, I would see in myself a dogged, seething violence so akin to that which had lived in the eyes of my former commander. A cruelty that once had frightened and repulsed me had become the blood and breath of me.

“For a time I sought to refrain from the chase. The longer I refused the call, the weaker I became. The hounds’ breath on my neck grew hotter; their braying swelled louder. I found myself wasting away: always hungry, never sated. Eventually my faculties began to slip. I would lose myself to such… bestialimpulses, and only the stain of blood on my teeth would return to me my reason. It pains me to confess to you now that it did not take long before I ceased my resistance entirely.

“It was at the turn of the sixteenth century that I happened upon the artefacts now in your possession. Their previous owner was a formidable adversary. I spent nearly a fortnight tracking him before I managed to run him down, and he fought like a tempest before he fell.

“Ordinarily I did not linger after a kill, instinct hastening me ever onward to the next great game. As I turned to leave, though, I was overcome by the sense that the hunt was… unfinished. Troubled, I reached down to check the man’s pulse. I was reassured to find him quite dead, but as I drew back, I noticed the brooch.

“It was a simple thing made of tarnished copper, fashioned into an incomplete ring, the ends of which resembled the heads of dogs. The moment my fingers brushed that ornament, I knew it was meant for me. It went into my pocket with nary a conscious thought.

“The itch of the hunt was still crawling down my spine, though; the frantic snuffling of phantom hounds yet filling the air all around me. I continued to search his person until I found what was calling out to me: a thin volume bound in leather. Curiosity ever my folly, I opened it.

“Up until that point, I had never learned to read nor write Latin with any degree of mastery. Yet I could understand the text within with perfect clarity. The script did not transform to English before my eyes, nor did the book render me proficient in the language. No, I simply… beheld the pages, and the meaning flowed into me.

“The story tells of Herla, legendary king of the Britons, who visits the dwarf king’s realm. Upon leaving, he is gifted a hound and warned not to dismount his horse until the dog leaps down. When Herla and his men return to the human world, they discover that not days but centuries have passed: all those they had known have long since perished, and the Saxons have taken possession of the land. In their distress, some of the men dismount, whereupon they turn to dust. Herla warns the survivors to stay in their saddles, to wait until the dog leaps down.

“‘The dog has not yet alighted,’ the author tells us, ‘and the story says that this King Herla still holds on his mad course with his band in eternal wanderings, without stop or stay.’

“The next several pages are unreadable. The language resembles none I have ever encountered, and I have yet to find a soul who can decipher it. I can however attest its hypnotic qualities. I have spent many hours mired in those words, but I could not for the life of me tell you what I saw there. Others to whom I presented the text found themselves either enthralled or agitated, though none could recall such episodes once lucidity returned to them. I expect you mean to unravel its secrets, but you may do well to let its mystery stand.

“The final passage – a single page, this written in English – tells of Herla’s escape: how, weary and driven to despair, he casts the dog from the saddle and into the River Wye. The instant the hound hits the water, Herla and his band crumble into dust, at last meeting the same fate they spent so many hundreds of years trying to outpace.

“I have had hundreds of years of my own since first reading the tale to digest its message, and that is why I come to you today. Although I have killed several times since these items came into my possession – it should come as no surprise that there are those who covet them – I have not sought out a single hunt since I vanquished the man who yielded me these trinkets. The hounds at my heel have not ceased their clamoring, but so long as the brooch is on my person, they cannot sink their teeth in me. I am always hungry, yes – but I am no longer starving.

“But I am also weary. I have come to understand that even as the hounds can never catch me, they will never leave me. In my four hundred years, I have played the role of both the hunter and the hunted, and have learned that they share the same ultimate plight. Whether I be predator or prey, I am trapped in the throes of an endless pursuit. So long as I should live, my blood shall never quiet.

“And that is the key: so long as I should live. Even now, the fervor in my blood insists that the hunt is eternal, but I know now that one cannot outrun one’s end forever. Much like my constant, howling companions, Death will always be nipping at my heels. In that sense, he is perhaps the ultimate hunter. Just as I have delivered to him so many souls, neither can I escape his judgment. If ever I am to rest, I must bow to his supremacy.

“And so, like Herla, I shall cast the dog away from the saddle. I leave it in your care now, and the book. I should be so lucky to exit this life with the dignity I denied so many others, though I fear I shall be found undeserving of such a swift end. I can only hope that, whatever my comeuppance should be, I shall have the grace to accept it without complaint.”

With a heavy exhale, Jon depresses the stop button on the recorder, then puts his head in his hands, putting pressure on his closed eyes.

“You alright?” Basira asks.

“More than I’d like,” Jon mutters.

“If I thought there was any chance this guy was still alive, I wouldn’t have given you the statement to read.”

“I know. Just…” Jon waves his hand vaguely.

“Unpleasant, yeah.”

And rejuvenating, Jon thinks bitterly. It’s only been a few days since his last statement from Daisy, and already he had begun to feel famished.

“They sent along some supplemental records,” Basira says, rifling through printouts. “The statement is cross-referenced with two objects in their Collections Storage – here.”

The document she slides across the desk contains two catalog listings:

Item No. 9820702-1

Description: Pennanular brooch, copper alloy. Geometric and interlace motifs. Confronted zoomorphic terminals (canine profile). Moderate surface oxidization and patination. Dimensions: 5.5cm x 4.5cm body; 12.5cm pin. Artefact dated ca. 500–700 CE.

Properties: Primary subject (Case No. 9820702) reports mediating effect on the Hunter’s affliction (unverified). Item implicated in subject’s alleged abnormal longevity (unverified). Further study suggests dormancy and/or lack of reactivity to unafflicted subjects (see associated Investigation Log).

Storage: Special Collections – Inorganic Storage, Container Unit No. 982-05. Acid-free board housing, etherfoam packing. Environmental parameters in brief: maintain stable temperature (16-20°C); relative humidity, 32-35%; light levels, <300 lux. Handling protocols as per Acquisitions & Collections Policies and Procedures §3.5.3: Artefact Preservation – Metals – Copper and Copper Alloys.

Access: Upon request. Curator approval required prior to initial visit. Applicants may submit statement of intent to Acquisitions & Collections Department Head Curator for clearance. Terms, procedures, and degree of supervision subject to Curator’s discretion.

Provenance: Surrendered 2nd July, 1982 upon receipt of accompanying statement (Case No. 9820702), subject name unknown. See also Item No. 9820702-2.

Appendices:

· Investigation Log No. 9820702-1;

· Supplemental Documents Nos. 9820702-1.01 through -1.03.

Cross-reference:

· Case No. 9820702;

· Item No. 9820702-2;

· Acquisitions & Collections Catalog §3.6.4: Antiquities – Adornments and Jewelry (Inert).

Item No. 9820702-2

Description: Bound manuscript. Front and back covers unembellished leather (source undetermined) stretched over wood board (source undetermined). Leather cord binding (calf, bovine). Paper and parchment leaves. Ink corrosion and paper degradation present but minimal (fair condition inconsistent with age and media). Dimensions: 8.8cm x 14.0cm x 2.5cm. Artefact dated ca. 1190–1450 CE.

Contents: Eighteen (18) pages total, one-sided.

· Title page (1) iron gall ink on parchment (sheepskin): Gualterius Mappus – De nugis curialium – xi. De Herla rege

· Pages two (2) through four (4) iron gall ink on paper (hemp pulp, linen fiber): Medieval Latin (ca. 12th century) script.

· Pages five (5) through sixteen (16) ink (chemical composition undetermined) on paper (cotton fiber): alphabetic script (unknown roots); refer to Supplemental Document No. 9820702-2.03 for comparative linguistic analysis (inconclusive).

· Page seventeen (17) ink (chemical composition undetermined) on paper (cotton fiber): Middle English (ca. 15th century) script.

· Page eighteen (18) parchment (sheepskin): blank.

Transcripts and translations (where possible) provided in Supplemental Document No. 9820702-2.01*.

Properties: Primary subject (Case No. 9820702) reports total comprehension of Latin portions of the text despite lack of proficiency. Text alleged to diverge from source material (De nugis curialium – Map, Walter, fl. 1200). Both claims verified upon further examination (see associated Investigation Log). Probable association with the Hunter’s affliction.

Storage: Special Collections – Secure Storage. Environmental parameters in brief: maintain temperature at 20-22°C; relative humidity, 32-36%; light levels, ≤50 lux. Housing and handling protocols as per Acquisitions & Collections Policies and Procedures §2.5.5: Document Preservation – Premodern Inks – Iron Gall and §9.2: Special Precautions – Occult and Esoteric Texts.

Access: Restricted.

Provenance: Surrendered 2nd July, 1982 upon receipt of accompanying statement (Case No. 9820702), subject name unknown. See also Item No. 9820702-1.

Appendices:

· Investigation Log No. 9820702-2;

· Supplemental Documents Nos. 9820702-2.01* through -2.07;

· Incident Report No. 9930214.

Cross-reference:

· Case No. 9820702;

· Item No. 9820702-1;

· Acquisitions & Collections Catalog §2.1.1: Archival Media – Occult Books (Active);

· Interdepartmental Bulletin No. 9941002, “The Library of Jurgen Leitner: Lessons Learned.”

*Addendum, 16th February, 1993:Supplemental Document No. 9820702-2.01 reclassified as Restricted Access. Direct all inquiries to Pu Songling Research Library Head Librarian or Acquisitions & Collections Department Head Curator.

“So?” Basira prods. “What do you make of it?”

“Well, assuming the statement is a reliable account, it seems…”

“Promising, right?” Basira says, her eagerness tinted with relief. “If we can–”

She stops abruptly as the tape recorder on the table clicks back on.

“I think that’s our cue to move this conversation elsewhere,” Jon says.

Not that it will stop the tape recorders from listening in, but he has no desire to make Jonah’s surveillance any easier for him.

_________________

It takes some hemming and hawing, but Jon manages to convince Basira that this really ought to be a group discussion. As she recaps the statement and shares her own remarks, Jon keeps a close eye on the other two people in the room. Martin is listening attentively, leaning forward slightly but otherwise at ease. Daisy, though… she’s all corded muscles and jittery legs, taut and precarious on the edge of her seat.

All the while, Basira appears impervious to the storm brewing in Daisy’s eyes, even as Martin catches on and begins chewing on the inside of his cheek, darting nervous glances between the two of them. By the time Basira finishes her overview, the tension in the air is palpable, nearly electric.

For several seconds, no one speaks.

“So,” Martin says, his voice a bit pitchy. He clears his throat before continuing. “Magical, Fear-resistant brooch, huh?”

“It wouldn’t be unheard of,” Jon says. “Remember what I told you about Mikaele Salesa?”

“The apocalypse-proof bubble? Yeah.”

“That camera of his didn’t just protect him from the Eye, it hid him from the Powers in general.”

“What was the catch?” Daisy asks pointedly. “Got to be a catch.”

“Does there?” Martin asks. His hesitant smile falls at Daisy’s blank stare, and he tilts his head back with a sigh. “Yeah, alright.”

“It’s… not entirely benign, no,” Jon says. “In Salesa’s statement, he called it a ‘battery’–”

“–charging itself on all the quiet worries that come from living in hiding, and then when the sanctuary collapses, all that fear flows out at once. No doubt, if my oasis breaks before I die, the Eye will get quite the feast from me, but in this new world–”

“That’s enough of that, I think,” Martin says, resting a hand on Jon’s arm.

Jon bites his tongue, shuts his eyes, and takes a deep breath in, only daring to speak once the tingling on his lips subsides. “Sorry.”

“Nothing to apologize for.” Martin offers him a reassuring smile. “Just didn’t want you getting bogged down.”

“That’s one term for it,” Jon says, not quite under his breath. It’s true enough, though. Sometimes it feels like the Archive is pressed up against the door, watching for the tiniest crack, waiting for any opportunity to surge through and drag him under. Lately, Martin has grown uncannily adept at sensing when to interrupt these lapses before they spiral out of control – likely because they’ve been growing more frequent.

“That’s what I thought,” Daisy says. Puzzled at the apparent non-sequitur, Jon glances at her, but she isn’t looking at him. All of her attention is focused on Basira. “This thing is probably the same. It’s not some… some harmless miracle solution. If we mess around with it, it’s bound to blow up in our faces sooner or later.”

“I’m… not sure about that, actually,” Jon says. “The brooch didn’t free the Hunter, it just made it so he couldn’t be caught. I think that’s what it was feeding on – the Hunter’s gradual awareness that he was no different from the hunted, that sensation of being perpetually stalked from the shadows by a greater predator. It spent centuries charging itself on that fear, and it culminated in the realization that he would never escape it. He would always be waiting for the axe to fall, and Hunt was happy to keep him as perpetual prey. If he wanted the chase to end, he had to give up the artefact – and once it was no longer keeping him in stasis, he had a choice to make.”

“Go back to hunting, or let it catch him.” Daisy breathes a humorless laugh. “The Hunt, or the End.”

“But it would keep you alive,” Basira says. “It would buy us time to find a way to free you for real.”

“What about the Leitner?” Martin asks. “That’s what Jonah sent us after in the first place.”

“Turns out it’s not actually from Leitner’s library,” Jon says. “No bookplate, and it seems the statement giver had it in his possession since the 1500s. It’s… difficult to tell from the statement whether it had any significant effect on him. He called it ‘hypnotic,’ but he was already a Hunter by the time he found it. I imagine it might have different effects on someone not already under the Hunt’s influence.”

“He sort of alluded to that.” Basira takes a moment to peruse the statement, running her finger along the page until she finds the relevant line. “Here – they ‘found themselves either enthralled or agitated.’ A bit obscure, but… he says it like it’s an afterthought. If it outright turned anyone into a Hunter, he probably would’ve said so.”

“That doesn’t mean it isn’t dangerous,” Daisy says.

“I never said it wasn’t,” Basira replies coolly. “The record references a transcript, so I assume they had someone read it at some point. And it also mentions an incident report.”

“What was the incident?” Martin asks.

“Don’t know,” Basira says. “They didn’t provide any of the supplemental documentation, just the catalogue listing and the statement itself. But they acquired the book in ‘82 and didn’t make the transcript restricted until ‘93, so… either it was dormant when they first studied it and became active later, or they didn’t study it closely enough to activate its effects, or it doesn’t affect everyone the same way, or – or maybe their workplace safety guidelines just changed and they decided not to risk studying it anymore.”

“Jonah did say something about its effects varying depending on how much of it a person reads, right?” Martin asks. “Though who knows where he got that from.”

“There might be some truth to that,” Basira says. “The catalogue entry does describe what’s on the title page, so I’m assuming that part at least is safe. I’m most curious about the untranslated chunk in the middle.”

And I’m a universal translator, Jon thinks, fidgeting with the drawstring of his hoodie. Basira’s eyes flick to him, as if reading his mind.

“I… suppose I could–”

“No,” Martin and Daisy say simultaneously.

Jon scowls. “You didn’t even let me finish the–”

“You threw yourself into the Buried – twice – to save me,” Daisy says severely. “You can’t keep sacrificing yourself at every opportunity.”

“I wouldn’t be–”

“What, re-traumatizing yourself by reading a Leitner?” Jon shuts his mouth, pressing his lips tightly together. “It’s not worth it, Sims.”

“Daisy,” Basira begins, but Daisy cuts her off.

“No. I’m not having him throw himself to the wolves just because you’re curious.”

Basira flinches, hurt momentarily crossing her face before her expression goes stony.

“You really think that’s what this is about?” she says, her voice shaking. “Knowledge for knowledge’s sake? Me being curious?”

“You can’t tell me you’re not,” Daisy says, and then her expression softens. “And I love that about you, I do – you’re brilliant, Basira – and driven, and passionate, and…” She sighs. “But sometimes… sometimes you need to let things go.”

Out of the corner of his eye, Jon notices Martin cross and uncross his legs, his lower lip captured between his teeth. When Jon catches his eye, Martin jerks his chin minutely at Basira and Daisy, a grimace on his face. All Jon can offer is a helpless, equally awkward shrug. Near as he can tell, Basira and Daisy seem to have momentarily forgotten that they have an audience, and judging from their locked eyes and thunderous expressions, he doubts either of them would appreciate a reminder right this second.

“Let you go, you mean,” Basira says tersely. “When you say ‘it’s not worth it,’ what you really mean is that you’re not worth it.”

“Well, I’m not.”

The cavalier tone is the last straw, it seems.

“Why won’t you just let me help you?” Basira slams her hand down on the rickety table, straining its wobbly legs. “You’re just so ready to–” She lets out a frustrated groan. “You never used to give up this easily.”

“Maybe should’ve done,” Daisy says flatly. “Might’ve lowered my body count.”

“Giving up Hunting doesn’t have to mean giving up on living,” Basira says. “I might have finally found an alternative, and you won’t even consider–”

“I’m not doing anything that’s going to hurt someone, and that includes exposing Jon to a fucking Leitner.”

“I’m right here, you know,” Jon mutters testily, the friction finally getting the better of his nerves. “Don’t I get a say?”

“No, you don’t,” Daisy says, rounding on him. Now that all of her brimming agitation is funneled in his direction, he regrets saying anything at all. “Because lately, whenever I ask you if you want to hurt yourself, the best you can give me is ‘it doesn’t matter because I can’t die anyway.’”

“Jon?” Martin says urgently, his eyebrows drawing together.

“Th-that’s not what I–”

“You’re not thinking rationally,” Daisy speaks over Jon’s stammering. “You’re thinking like a condemned man with a rope around his neck and something to prove, and I’m not going to be the noose you use to hang yourself with.”

“Will you listen to yourself?” Basira says heatedly. “You get on my case about double standards–”

“That’s enough!” Martin bursts out. “This isn’t helping. Daisy’s right, Jon. You’re not going anywhere near that book – I don’t want to hear it,” he adds before Jon can retort. “Not now, anyway. We’ll talk later. But Basira’s right, too,” Martin says, turning his attention to Daisy. “You can’t make amends by dying, and you can’t do better going forward if you’re not alive to try.”

“Who says I deserve a chance?” Daisy says.

“Whatever you think you ‘deserve’” – Martin gives Jon a meaningful glance as he says it – “you’ve got a chance, and people who want to help you through it, and you ought to consider that before you assume you’d do more good dead than alive.” He exhales a sharp breath. “Anyway, forget the Leitner, and forget what Jonah said about it. The brooch seems like the more promising option here.”

“I agree,” Jon says, cowed. “Between the book and the brooch, the statement giver credited the latter with keeping the Hunt at bay. And perhaps my bias is showing, but truthfully I – I’m not inclined to see those books as anything but tragedies waiting to happen.”

“What’s the difference?” Daisy says flatly. “It took a decade for something bad enough to happen for them to make the Leitner’s transcript restricted. The brooch could be just as much of a time bomb. Just because it doesn’t have any ‘incidents’ connected with it now doesn’t mean it never will.”

She isn’t wrong. Looking back, Jon had found it infuriating that Leitner would continue meddling with the books even after he witnessed the horror they wrought, all while claiming to have learned from his hubris. Just because this particular artefact isn’t a book doesn’t make it any less ominous.

And yet…

“I think it’s already shown its more sinister side,” Jon says slowly.

“You think,” Daisy scoffs.

“It doesn’t give a Hunter strength, it makes them perpetual prey. It… won’t be pleasant for you, I’m sure,” Jon admits, “but Basira’s right – it could keep you alive while we search for a better solution.”

“There might not be a better solution,” Daisy says stubbornly.

“Which is what I said before you browbeat me into taking statements from you,” Jon counters.

“I didn’t browbeat–” Jon raises his eyebrows. Daisy gives a flustered groan. “It’s just – it’s different, okay?”

Much as Jon wants to disagree, he knows better than to argue. They’d only end up talking in circles.

“I think it’s an avenue worth pursuing,” he says. “Given the alternatives.”

“Please, Daisy,” Basira says. “Just… consider it, at least.”

The for me remains unspoken, but Jon can hear it loud and clear. As can Daisy, it seems – the defiant set to her jaw falters for a moment before she tenses again.

“Fine,” she says grudgingly. “But if it starts to go south–”

“If it manifests any new properties, we’ll prioritize containing it over interacting with it,” Jon says.

“You promise?” Daisy asks, but she looks at Basira when she says it. It takes a moment, but Basira does nod.

“Do you think Pu Songling will let us have it?” Martin asks. “Seems like their protocols are…”

“Rigorous?” Jon supplies.

“You’d almost think they were running an academic institution or something,” Basira says drily.

“Yeah, but treating the artefacts like museum pieces, it’s… it’s weird, isn’t it?” Martin says. “It’s not as if they’re fragile, right? They’re held together by… nightmare alchemy, or whatever.”

“I suppose it’s to be expected,” Jon says. “I know the Librarian has a degree in information science. And I recall her telling me that the Curator is an historian with a background in museology. But you’re right – it would be nice if Leitners were as delicate as the average old manuscript.”

“At least they’re flammable,” Daisy mutters.

“We spoke with the Head Curator,” Basira says. “She’s willing to work out a trade.”

“A trade?” Martin asks.

“Knowledge for knowledge,” Jon says. “An artefact for an artefact. I get the impression that the Librarian and the Curator are both very… collections-oriented. True to their titles, I suppose.”

“Hold up,” Daisy says. “‘The Librarian,’ ‘the Curator’ – are those just job titles, or are they, like… Beholding Avatar titles?” Jon blinks at her, perplexed. “I mean – the way you keep saying them, it’s sort of like…”

“What, ‘Archivist’?” Jon gnaws on his thumbnail as he pauses to consider. “I… don’t know, actually. I wasn’t really doing it consciously? It just…” He shrugs helplessly. “It felt right.”

“Is it coming from the Eye, then?”

“I have no idea, Basira.” Jon leans forward, props his elbows on his knees, and digs the heels of his palms into his eyes. “I wouldn’t be surprised.”

“Hm.”

“In any case…” Jon exhales slowly, forcing himself to sit up straight again. “They seem to take the research and curation aspects of their roles to heart. They aren’t reckless with their pursuits, they take ample precautions, but the scholars at Pu Songling do study the items that come into their possession. And from what I understand, the Curator takes avid interest in adding to their collection. Same as the Archivist’s role is to record stories. To what extent her efforts are driven by her connection to the Eye versus her own innate curiosity, I couldn’t tell you, no more than I can make that distinction in myself.”

“Sort of a chicken-or-egg situation, then,” Daisy says.

“From an evolutionary perspective, the egg came first,” Jon says automatically. “Amniotic eggs have been around for over three hundred million years. Birds originated in the Jurassic, true galliforms didn’t evolve until at least the Late Cretaceous, phasianids don’t appear in the fossil record until about thirty million years ago, and chickens as we know them were only domesticated about eight thousand years ago–”

“Oh my god,” Daisy groans, putting her head in her hands.

“What?” Jon says, heat rising in his cheeks as Martin muffles a snicker beneath his hand. “I’m not wrong.”

“Pu Songling’s Collections Department is larger than our Artefact Storage,” Basira interjects, “but the, uh… Curator has a shortlist of artefacts she’s been on the lookout for. I checked our records and found a match. A ring – probably belongs to the Vast, based on the reports surrounding it. Looks like the Institute purchased it from Salesa in 2014, shortly before his disappearance. The Curator considers it an ‘equitable exchange,’ but she still wants to assess the ring in person before making the trade.”

“And we still have to talk to Sonja,” Jon adds. “On the one hand, she likely wouldn’t object to being rid of an artefact, but on the other hand… I imagine she won’t be keen on letting it out into the world.”

“I think it would be a harder sell if you were just going to swap it out for another artefact – something unfamiliar that they’d have to develop all new protocols for,” Martin says. “But yeah, even if you won’t be making the brooch her problem, she’ll probably still want to know what we want with it. And I can see her pressing the Curator on why she wants the ring when she gets here.”

“The Curator won’t be coming here,” Basira says evenly, casting a surreptitious glance at Daisy to gauge her reaction. “Says she’s too busy to travel.”

“So you have to haul the ring up to her,” Daisy says.

“I mean” – Basira breathes an uneasy laugh – “it’s a ring. Not much hauling involved–”

“Oh, don’t start–”

“–and there are precautions I can take. Looks like Artefact Storage has relatively thorough documentation for this one.”

“‘Relatively’?” Daisy repeats, unimpressed. “You were just complaining about how sparse their records are. ‘Relatively’ isn’t saying much.”

“Well, it’s better than nothing.” Basira rubs at her face. “I have to do this. Just… trust me.”

“You know I do–”

“Then let me have your back,” Basira says, practically pleading. “Let me help you.”

“Fine,” Daisy mutters, her posture going slack. “Do what you want.”

It’s not exactly a resounding endorsement, but it’s as good as they’re likely to get.

_________________

Despite Daisy’s lack of enthusiasm, Basira immediately throws herself into making arrangements. The Curator at Pu Songling is more than accommodating, seemingly as eager as Basira to make the trade. The real challenge is the Head of Artefact Storage.

It takes over a week of cajoling, lengthy justifications, and a concerted, collaborative effort from Basira, Jon, and Martin before Sonja finally, albeit reluctantly, agrees to discuss the matter with the Curator. Over the following days, Basira and Jon facilitate negotiations between the two: mediating a fair amount of (professional, but nevertheless pointed) verbal sparring early on, and later arbitrating the terms and conditions of the trade.

“You’d think that in the course of dealing with literal supernatural evil on a daily basis,” Basira gripes at one point, “bureaucracy wouldn’t be the biggest priority.”

“I’ve found that the bureaucratic process gives me ample time to make assessments,” Sonja says, unruffled. “Red tape has a way of bringing out the worst in people. Sometimes that’s a procrastinating student who woke up this morning, realized their deadline is next week, and ‘needs access to our materials, like, yesterday,’” she says, complete with finger quotes and a mocking tone. “And sometimes it’s some shady rich snob who’s been consistently cagey about his motives, and eventually he starts to go from impatient and entitled to desperate and frustrated, and that’s when the red flags start popping up crimson. After a while, you learn to distinguish the mundane sort of desperation from the more sinister sort.”

“Huh,” Jon says, smiling to himself. He knew Sonja was clever, but he never knew she was so calculating. It seems Jonah made the same mistake with Sonja as he did with Gertrude – overestimating a person’s curiosity and malleability, underestimating their prudence and pragmatism, and then promoting them to a position where they were free to act in a decidedly un-Beholding-like manner.

Once Sonja is sufficiently assured that the Curator has no intentions of utilizing the artefact or allowing it to venture beyond the secure confines of Pu Songling’s Collections Storage, the process starts to go a bit more smoothly. As expected, Sonja is amenable to the prospect of having one less piece of malignant costume jewelry, as she puts it, provided the Archival staff take full responsibility – both for the ring once Basira signs it out and for the artefact they receive in exchange.

“The ring has a compulsion effect,” Sonja tells them. “Makes people want to put it on – and once it’s on your finger, it’s not coming off until you hit the ground. Luckily it’s not a particularly active artefact, at least not compared to some of the other things we have here. I wouldn’t call it safe, obviously, but” – she raps her knuckles on the wooden beads of the bracelet on her opposite wrist – “it’s never breached containment.”

The how and why become abundantly clear upon seeing the closed ring box, so caked in earth and grime that it’s impossible to make out the color or material underneath.

“Buried, I take it,” Basira murmurs, giving Jon a sidelong glance.

“Yeah.” Jon grimaces at the phantom taste of soil on his tongue. “An artefact to contain an artefact.”

“Looks like the Curator is getting a twofer,” Basira says.

“Fine by me,” Sonja says with a nonchalant shrug. “That’s the box it came in, actually. Don’t know why it works, but it does, and that’s all I care about. So long as you keep it closed, the worst you’ll get is vertigo. As far as we’ve observed, anyway. There’s always a chance that an artefact has more secrets than it lets on at first glance. Assuming you know everything there is to know is a good way to end up in a casket.”

“We’re well aware,” Jon says. “Believe me.”

“Seriously, though – if this goes tits up, I don’t want to hear it,” Sonja says sternly, all but wagging a finger. “And if you call up here a few months from now to tell me that you’ve got a rogue artefact wreaking havoc in the Archives, and I’ve got to put my people at risk to contain it, I will unleash unholy hell.”

The funny thing is, Jon believes her.

_________________

Despite the progress they’re making on obtaining the Hunter’s brooch, dissent continues to simmer within the group – particularly where Daisy is concerned. As the escalating tension in the Archives becomes ever more tangible, Martin begins to feel claustrophobic under the weight of all the things left unspoken.

Daisy is consistently ill-tempered: bellicose in one moment and taciturn in the next, frequently seeking out solitude whenever her agitation gets the best of her. Martin suspects that her volatile mood has as much to do with her deteriorating condition as it does to do with her lingering aversion to the rest of the group’s efforts. Although she and Basira haven’t had another row – so far as Martin is aware, anyway – there’s been an undeniable friction between them. On the worst days, Basira keeps to herself, burying her head in her research while Daisy slinks off to some dark corner of the Archives to brood until Jon comes to drag her away from her thoughts.

Not that Jon is much better. He’s been sullen lately, growing more withdrawn, sleeping less and jumping at shadows even more than usual. Martin often catches him in a trance, staring vacantly into space and droning horrors under his breath. More and more he lapses into statement clips mid-sentence, regardless of how recently he’s had a statement. Sometimes, all it takes is a momentary slip for Jon to lose his footing and devolve into a frenzied litany of back-to-back, fragmentary horror stories. On a few recent occasions he’s lost his voice entirely, though luckily it’s only been for an hour or two at a time.

(So far, Jon says morosely after each episode.)

Most unsettling, though, is the chronic faraway look in his eye, like he’s seeing something else. Like he’s somewhere else, lost across an unbridgeable divide.

Martin is well-acquainted with the sensation of feeling alone in the presence of others. That doesn’t make it any less distressing. It’s not that Jon intends to be distant. He might not even be aware of it; would likely be mortified if he knew just how much that detachment stirred Martin’s longstanding fears of isolation and abandonment. Jon’s still affectionate, after all. Although he seems reluctant to actively seek out comfort these days, he’s still prompt to take an outstretched hand, to lean into a kind touch, to accept a proffered embrace. Still makes a concerted effort to muster, however feebly, a soft smile whenever Martin enters a room. Still attempts to be present and attentive and open.

But sometimes it feels like Jon is out of reach, separated from the rest of the world, watching it pass him by through layers of frosted glass. Martin knows the feeling. What he doesn’t know is how to fix it.

Before long, Basira is set to leave for Beijing, an artefact of the Vast nestled away in her luggage amidst assurances to Sonja that, yes, under no circumstances will Basira attempt to take it on a plane or into the open ocean because, no, Basira does not have a death wish, thank you very much.

Martin half-expects another quarrel to break out on the eve of Basira’s departure, but Daisy is oddly subdued. Perhaps she just doesn’t want to part ways with angry words and unresolved arguments, or perhaps she’s simply come to accept the rest of the group’s decision to move forward with the plan. Considering the dark circles under her eyes, though, it’s just as likely that she’s simply too fatigued to start a fight.

A few days later, Martin descends the ladder into the tunnels to find Jon standing at his makeshift desk, staring down at the map unfurled across its surface – the product of the group’s ongoing efforts to survey the sprawling tunnel system of the former Millbank Prison. The blueprint-in-progress is an equally sprawling thing: sheets of mismatched paper layered one atop the next and taped together, its irregular borders comprised of haphazard angles and dog-eared edges.

The hand-drawn map on its surface is chaotic, reflecting the penmanship of four different authors. Jon’s contributions might be the messiest – the burn scar contracture on his dominant hand renders his lines shaky at best, and his handwriting has always been a tad chickenscratch. Daisy’s isn’t much better. Conversely, Basira’s additions are the neatest, her strokes as steady as the persona she tries to project to the world. Martin’s are passable, if only because, unlike Jon or Daisy, he actually has the patience to use rulers and book edges to trace straight paths.

To be fair, it would probably look a mess no matter how painstaking they were in constructing it. The tunnels are as labyrinthine as expected: a vast network of arterial corridors with offshoots along their lengths, branching into three- or four-way forks, most of which lead to dead ends. Occasionally, they find a path that loops back around and connects other parts of the maze, creating a series of meandering, convoluted closed circuits. It’s difficult to tell just by looking, but they are (Martin hopes) making progress. At the rate they’re going, they have to be on track to find the Panopticon before the winter solstice.

In any case, as Martin approaches the desk, he sees that familiar vacant look on Jon’s face, as if he isn’t actually seeing what’s in front of him. The effect is underscored by the cigarette burning away in his hand, hanging limp and forgotten at his side. Martin clears his throat lightly, in deference to Jon’s hair-trigger startle reflex. He doesn’t count the fact that Jon doesn’t jump at all as a success. If anything, it’s cause for concern.

“Jon?” Martin tries. There’s a slight delay before Jon glances over, giving Martin no acknowledgment aside from a sluggish blink before lowering his head again.

“I, uh…” Martin offers a weak smile, attempting to keep his tone light. He gestures at the cigarette. “I thought you quit?”

Jon shrugs, refusing to meet Martin’s eyes. “Not like it’ll kill me.”

“Might catch up with you later, though,” Martin says, scratching at his neck. “You know, once we find a way out of here.”

“There is no ‘out’ for me,” Jon says mulishly.

“You don’t know that. Or Know it.” Jon’s only reaction is to press his lips tightly together, like he’s biting back a retort. “Look, I’m not trying to nag you, I just wor– Jon!” Martin yelps as he watches Jon put his cigarette out on the back of his hand.

Martin lunges forward, grabbing Jon’s hand and yanking it close to inspect the damage. It’s the same hand that Jude shook, already textured and pitted with webs of hypertrophic scarring. Somehow, Jon managed to plant this newest burn on a patch of previously-undamaged skin, sandwiched between two bands of knotted tissue.

The contours of her fingers, Martin recognizes with a queasy lurch – followed by another when he thinks to wonder whether Jon sought out that scrap of healthy skin on purpose just now.

Jon barely reacts, staring into space with wide eyes and dilated pupils. Martin looks down again to see the circular singe mark already knitting itself back together, leaving only a small, shiny patch of discoloration ringed with a dusting of ash. In all likelihood, even that will be gone by morning.

If only all wounds would heal so easily.

“What the hell were you thinking?” Martin hisses, fighting to keep his voice even. He brushes a soothing thumb over the spot, as if to apologize to the abused skin on Jon’s behalf.

Jogged out of his reverie by Martin’s sharp tone, Jon stares daggers at him, his mouth open as if to unleash a scathing reprimand, the set of his jaw so reminiscent of those early days in the Archives. An instant later, though, he withers, cringing away and fixing his eyes on the floor.

“I wasn’t,” he mumbles, at least having the decency to sound contrite. “Wasn’t really paying attention.”

It’s not the first time Martin’s witnessed a self-inflicted injury. When pressed, Jon always claims that it’s not a deliberate, planned form of self-punishment, but rather a reflex reaction that kicks in when he starts feeling adrift in time. Somewhere along the line, it seems, he convinced himself that physical pain is as good a shortcut as any – a sort of panic button to bring him back to the present when he needs grounding.

Whatever his intentions, though, and no matter what rationalizations Jon wants to dole out, it’s not a healthy coping mechanism. And it’s difficult for Martin to believe that self-punishment doesn’t factor at all, considering Jon’s obsessive guilt spirals and his blasé attitude towards being hurt.

“‘S already healed,” Jon says with a spiritless shrug. He drops the snuffed-out remainder of his cigarette on the floor and unnecessarily grinds it under his heel.

“That’s not the point.” Martin doesn’t realize how tightly he’s grasping Jon’s hand until Jon winces. Although Martin relaxes his grip somewhat, he doesn’t let go. “It doesn’t matter how quickly your body heals, or that you’ve had worse, or whatever other justifications you want to make. You’re still getting hurt. That’s not okay, and – and if it were me in your shoes, you’d be telling me the same thing.”

“I’m sorry.” Jon’s hair falls to cover his face as he ducks his head.

It’s fine, Martin almost says – except it’s not, is it?

“Come on,” he says instead, guiding Jon to sit in the nearest chair before taking a seat next to him. Where before Jon was all stiff limbs and rigid spine, now he looks like he’s given up the ghost, drooping like a wilting flower.

Though he allows Martin to keep hold of his hand, Jon doesn’t return the pressure. And Jon’s skin is freezing – no doubt partly due to the damp chill of the tunnels, and partly because he has, by his own admission, always had shit circulation. Combined with his limp fingers and loose grip, though, the overall effect is far too reminiscent of those months spent keeping vigil over Jon’s hospital bed, his hand nothing but cold, dead weight in Martin’s.

It took too long for Martin to admit that he had been foolish to hope that Jon was still in there somewhere, aware of Martin’s presence, fighting to regain consciousness. The whole time, Martin was just keeping his own company. Jon wasn’t just unreachable – he wasn’t there at all.

(Martin had been wrong about that in the end. He doesn’t know that he’ll ever forgive himself for not being there when Jon woke up.)

Martin bites his lip as he formulates a response. He’s learned over the years that when Jon is like this, it’s best to strike a careful balance between docility and defiance. Push too hard too fast, and Jon will dig his heels in; approach him too tentatively, and he’s liable to interpret concern as pity; force him to talk about his feelings, and he’ll bolt; smother him with tenderness, and he’ll balk.

Granted, Jon has become much more receptive to tenderness over the years. Most of the time, anyway. When his skewed self-worth and convictions about what he does and doesn’t deserve don’t get in the way.

“At the risk of being a nag–”

“You’re not a nag,” Jon says softly.

“When’s the last time you had a statement?”

“A few days ago.” The response is too quick, too automatic.

“A few days ago,” Martin repeats, allowing a bit of disbelief to seep into his voice.

Jon nods stiffly. “Monday, I think.”

“Today is Tuesday.”

“I–” Jon cuts off his own retort, turning to blink owlishly at Martin. “Is it?”

“Yeah,” Martin says, his heart sinking. Jon must be losing time again. “So you had a statement yesterday?”

“No, I – I don’t…” Jon squints up at the ceiling, wracking his brain. “I don’t think so? It’s – I think I would recall if it had been shorter than one day.”

“So, last Monday?”

“I don’t – I don’t know,” Jon says, growing testy. “I suppose. Must’ve been.”

“Are you hungry?”

“I’m always hungry.” The admission is devoid of all the simmering agitation that had been there only moments before. Now, he just sounds tired.

“Well… I think you might be due for one.” Although Martin had been striving for gentle suggestion, there’s a harsh edge to the words. Rather than get Jon’s hackles up again, though, he seems to crumple under what he doubtless reads as an accusation.

“You’re right,” he says hoarsely. “And I’m sorry. I know lately I’ve been…”

“Tetchy,” Martin offers, just as Jon says, “a bit of a prick.”

“Your words, not mine,” Martin says with a tentative grin. Jon returns his own feeble half-smile, but it quickly falters.

“I’ve almost exhausted Daisy’s catalogue,” he confesses. “Only a handful left now. I’ve got to make them last until the solstice.”

An apprehensive chill runs down Martin’s spine at that. “And then what?”

“I haven’t thought that far ahead.”

There’s virtually no chance that Jon, prone to rumination as he is, hasn’t been dwelling on it.

“Basira said she has a few statements, right?” Martin asks. “Which… if you already have a statement about an encounter, can you still get nourishment from other statements about it, so long as it’s coming from someone else’s point of view?”

“Probably.” Jon shrugs one shoulder. “The factual details of the encounter are less important than the subject’s emotional response. Different perspective, different story, different lived experience of fear.”

“Then… you have my statement about the Flesh attack, but there’s still Basira’s. And – and maybe Melanie–”

“I’m not taking another statement from Melanie,” Jon says tersely. “She’s been tethered to me for too long without say, and I’m not dragging her back in.”

“But if it’s consensual–”

“It won’t be, because I don’t consent.”

“If the alternative is literally starving–”

“I’ll find another alternative. Or I won’t. But I’m not asking Melanie for a statement.” Jon keeps his head bowed, but he looks up at Martin through his lashes. “The first time she quit, I was worried that she might show up in my nightmares again, but she didn’t. I don’t know if her severance from the Eye will keepher out of my nightmares if she gives me a new statement, and… I can’t risk it. I can’t do that to her. Even if the nightmares weren’t an issue… I’m not going to ask her to relive yet another traumatic experience for my benefit–”

“–I shall choose to die rather than take part in such an unholy meal–”

Jon claps a hand over his mouth, a panicked look in his eye.

“…nor shall I take my own life, whatever extremity my suffering may reach,” he tacks on, too much of an afterthought for comfort.

“Which means we need to plan for the future,” Martin says, forcing calm into his voice despite the way his heart picks up its pace.

“But it can’t involve Melanie,” Jon says – gentler than before, but still firm.

“No, you’re – you’re right,” Martin relents. “It wouldn’t be fair to her. But we could still ask Basira.”

Jon makes a noncommittal noise, his expression rapidly going pinched and closed off again.

“Lately,” Martin says, licking his lips nervously, “lately it feels like you’ve been shutting everyone out again. It isn’t healthy–”

“Healthy?” Jon’s glare could burn a hole in the floor. “I don’t need to be healthy, I just need to be whatever it wants.”

Once, Martin might have been daunted by Jon’s scathing tone. By now, he knows that Jon is all bluster – and that the brunt of it is turned inward, against his own self.

“Please, Jon. Tell me what’s going on. You’re worrying me.”

Those, apparently, are the magic words, because Jon finally capitulates.

“It’s October,” he tells the floor.

“It… is October, yeah.” Bewildered, Martin waits for elaboration. When a minute passes with no response forthcoming, he prompts, “Is that… bad…?”

“Historically, yes, it has been,” Jon says with a tired, frayed-sounding chuckle.

“I… Jon, I need you to help me out here,” Martin says helplessly. “I can’t read your mind.”

“October is when it happens, Martin.” Jon glances at Martin once, quickly, before returning his gaze to the ground. He’s twisting one hand around the opposite wrist now, fingers curled tightly enough to blanch his knuckles. “The eighteenth. When everything goes wrong.”

“You mean…”

Jon’s sharp inhale becomes a choked exhale, which in turn abruptly cuts off as the Archive takes its cue.

“…what settled over me wasn’t dread; there wasn’t enough uncertainty for that. It was doom. I was certain that some sort of disaster was on the horizon–”

“–something bad. Something unspeakable. And I would have helped make it happen–”

“–the fear never really went away. I’ve heard that being exposed to the source of your terror over and over again can help break its power over you, numb you to it, but in my experience it just teaches you to hide from it. Sometimes that might mean hiding in a quiet corner of your mind, but–”

“–soon enough, I could no longer fool myself–”

“–the calm I had been getting accustomed to had been torn away completely, and where it had been was just this horrible, ice-cold terror–”

“–that – we can’t escape the ruins of our own future–”

“–a future where – humanity was violently and utterly supplanted, and wiped out by a new category of being–”

“–there are terrible things coming – things that, if we knew them, would leave us weak and trembling, with shuddering terror at the knowledge that they are coming for all of us–”

“–I think in my heart, I have been waiting for this moment. For the final axe to fall–”

“–we create the world in a lot of ways. I suppose it shouldn’t be surprising that, when we’re not being careful, we can change it–”

There’s a breathless pause before Jon continues, in a nearly inaudible whisper: “What could I have chosen to change? Would a different path have been possible?”

“It is,” Martin says firmly, “and we’re on it. What happened last time won’t happen again. We won’t let it.”

Jon doesn’t acknowledge the reassurance.

“I should’ve known,” he says with a quiet ferocity, in his own voice this time. “It was too peaceful. I should’ve known it wasn’t going to last. And – and on some level I did know – I knew it wasn’t over – but I just… I didn’t want to be the one to shatter the illusion, I suppose.” His expression goes taut. “Didn’t much matter what I wanted, in the end. But I still should’ve seen it coming. Can’t let my guard down again.”

“How could you have known?” Martin doesn’t intend for it to come out as exasperated. He tries to reel it back, to gentle his tone. “You’ve said yourself that you can’t predict the future–”

“No, but I knew Jonah had plans for me. And I knew nothing good could come of feeding the Eye, but I kept on anyway.”

“It’s not like you were doing it for fun, Jon! You needed it to survive, and Jonah took advantage of that. Or…” No – that makes it sound purely opportunistic, doesn’t it? In reality, it was all part of Jonah’s long game from the start. “He made you dependent on statements specifically becausehe wanted to take advantage of that.”

“I made choices,” Jon says tonelessly. “I can’t absolve myself of responsibility just because Jonah was nudging me in a particular direction.”

“You were manipulated,” Martin insists, “and I’m not having you apologize for surviving it. For not starving to death.”

“You don’t understand,” Jon says, growing more distressed, reaching up with both hands and tangling his fingers in his hair. “When that box of statements finally arrived, I… I couldn’t shoo you away fast enough. I was hungry, yes, but I wasn’t starving yet. I could’ve waited longer, but I just… I wanted one–”

“–should have fought harder against the temptation – but my curiosity was too strong–”

“You shouldn’t have to wait until you’re literally on death’s doorstep before you fulfill a basic need,” Martin interrupts.

“I should when that ‘basic need’ entails serving the Beholding,” Jon says heatedly. “And I – I should’ve known better – should’ve known not to jump headlong into the first statement that caught my eye. I’d known for a while that the Beholding leads me away from statements it doesn’t want me to know. It logically follows that it would lead me towards statements that would strengthen it. If I’d had any sense, I would’ve been suspicious of anything in that box that called out to me. It didn’t… it didn’t feel any different, but I – I suppose that somewhere along the line I just got used to… to wandering down whatever path I was led. I didn’t think, I never stop to think–”

“If anything, Jon, you overthink. You’re overthinking right now.”

Martin has known for a long time now that Jon will latch onto the smallest details, allow his thoughts to branch into an impossible number of routes and tangents, tie together loose threads in countless permutations in the interest of considering all possible conclusions, no matter how outlandish. He will apply Occam's razor in one moment before tossing it into the bin, only to fish it out again: lather, rinse, repeat. His mind is a noisy, cluttered conspiracy corkboard, and he’ll hang himself with red string if given half a chance, just to feel like he’s in control of something.

“It’s easy to look back and criticize your past self,” Martin says, “but he didn’t know what you do. If we knew the outcome to every action, maybe we wouldn’t make mistakes, but we’re only human–”

“Not all of us.”

“–so we just have to do the best with what we have in the moment,” Martin continues, paying no heed to Jon’s grumbled comment. No good will come of guiding him down that rabbit trail right now. Anyway, Martin has a more pressing concern–

“Why didn’t you tell me about any of this sooner?” he blurts out, immediately wincing at his lack of tact. “That came out wrong–”

“Why didn’t I tell you how quick I was to chase you out of the house and sink my teeth into a statement the moment temptation presented itself?” Jon scoffs. “Because I’m ashamed. Why else?”

“No, not–” Martin scrubs a hand over his face. It’s a struggle, sometimes, not to grab Jon by the shoulders and shake him until all of that stubborn self-loathing falls away. “About the fact that you’ve got a – a post-traumatic anniversary event coming up, I mean. You haven’t been well, and I thought I understood why – thought it was just… all of it, in general. But here I come to find you’ve been agonizing over the upcoming date of the single worse day of your life–”

“One of the worst,” Jon says quietly.

“What?”

“I didn’t lose you until much later.”

Martin’s breath catches in his throat at that, a sharp pang shooting through his chest.

“Well… you’ve got me now,” he says meekly. “So – so you don’t have to suffer in silence, is what I’m saying. What happened to you – no, what was done to you – it was horrible, and it wasn’t your fault. I know you don’t believe that, but it’s the truth.”

“Either I’ve always been caught up in someone else’s web, passively having things happen to me with no control over my life–”

“–the Mother got exactly the result she no doubt wanted, one that would lead to a fear – so acute that I could later have that horror focused and refined into a silk-spun apotheosis–”

Jon bites down on one knuckle, eyes shut tight as he waits for the compulsion to subside.

“Or,” he says after a minute, “or I do have control, and I can change the outcome, which makes me culpable. I don’t know which prospect I hate more. Which probably says some unflattering things about me.”

“It’s not that simple–”

“It is,” Jon says viciously. “If there is another path, then I should’ve found it last time!” He closes his eyes, pinches the bridge of his nose, and takes a steadying breath. When he speaks again, he’s no longer bordering on shouting, but there’s a quaver in his voice, a fragility that Martin finds more disconcerting than any flash of anger. “The way I see it, there are two options. One, what happened in my future was inevitable and nothing I could’ve done would’ve changed it – which certainly doesn’t bode well for this timeline. Or, the outcome can be changed, in which case my choices matter, and had I just made better choices, maybe I could have prevented all of this from ever happening in the first place.”

“You’re not being fair,” Martin says, his hands clenching into fists – but Jon isn’t listening.

“Doesn’t make much difference, I suppose. The consequences are the same either way–”

“–billions of – people making their way through life who had no idea what was right above their heads–”

“–would-be occult dynasties and ageless monsters–”

“–minds so strange and colossal that we would never know they were minds at all–”

“–idiots who destroyed themselves chasing a secret that wasn’t worth knowing–”

“–there, caught up in a series of events that I didn’t understand but that terrified me – I did the stupidest thing I’ve ever done–”

“–running was pointless. To try to escape from my task would only serve to fulfill another. I finally understood what I needed to do–”

“–I don’t know if you have ever drowned, but it’s the most painful thing I have ever experienced–”

“–I do not suppose I need to dwell on the pain, but please know that I would sooner die than endure it again–”

“Would you?” Martin says abruptly. Jon won’t look at him. “Jon, I need to know if you’re feeling like hurting yourself.”

“What would it matter if I was?” Jon still won’t look at him. “I’m categorically incapable of hurting myself in any way that matters.”

Martin blinks in disbelief. “Okay, that’s blatantly untrue.”

Jon has been a glaring portrait of self-neglect for as long as Martin has known him. That simple lack of consideration for himself, together with compounding survivor’s guilt, was the perfect stepping stone to active self-endangerment. Now that Jon’s convinced himself he’s invulnerable to a normal human death, he’s all the more careless with himself.

“I don’t want to die,” Jon whispers. “That’s the problem.”

“What—?”

“Before, I was unknowingly putting the entire world at risk by – by waking up after the Unknowing, by crawling out of the Buried, by escaping the Hunters, by continuing to read statements like it was – like it was something routine, as unremarkable as – as taking tea. Now, though – now I know better. I know what Jonah is planning, I saw what I’m capable of, and still I… I don’t want to die.”

“Well… good,” Martin says. “You should want to live–”

“It doesn’t much matter what I want–”

“–I never wanted to weigh up the value of a life, to set it on the scales against my own, but that’s a choice that I am forced into–”

“–doesn’t get to die for that – gets to live, trapped and helpless, and entombed forever – powerless–”

“–a lynchpin for this new ritual – a record of fear–”

Shit, Martin thinks the instant he recognizes the statement. It’s the worst of them all, virtually guaranteed to send Jon spiraling.

“–both in mind as you walk the shuddering record of each statement, and in body as the Powers each leave their mark upon you – a living chronicle of terror – a conduit for the coming of this – nightmare kingdom–”

“Okay, okay, stay with me–”

“–the Chosen one is simply that: someone I chose. It’s not in your blood, or your soul, or your destiny. It’s just in your own, rotten luck–”

“Jon, can you hear me? Jon–”

“–I’ll admit, my options were somewhat limited, but my god, when you came to me already marked by the Web, I knew it had to be you. I even held out some small hope you had been sent by the Spider as some sort of implicit blessing on the whole project, and, do you know what, I think it was–”

Martin reaches over, taking both of Jon’s hands in his own and squeezing tightly. The pressure seems to do the trick: lucidity sparks in Jon’s eyes and he takes a deep, ragged breath, as if coming up for air.

“There you are. Are you okay?” Martin rubs both thumbs over the backs of Jon’s hands in rhythmic, soothing motions. “Hey, it’s–”

“I don’t want your kindness!” Jon snaps, jerking backwards and snatching his hands out from Martin’s grip.

Both of them lapse into a stunned silence. As mortification dawns on Jon’s face, Martin can feel the color rising in his cheeks. It only takes a few seconds for the blood rushing in his ears to be drowned out by another voice.

Martin can remember with cutting clarity the days prior to his mother’s departure to the nursing home. She had been in (somewhat) rare form, her already-short fuse dwindled down to nothing, sniping at him around the clock, full of caustic observations and spiteful accusations.

I don’t want your help, she had sneered as she entered the cab, swatting his hand away.

It was one of the last things she ever said to him.

“Well, tough,” Martin bites out, “because you deserve it, and you never should’ve had to go without it, and you’re not going to change my mind about that, so you may as well stop trying!”

“Martin, I – I – I’m sorry, I didn’t mean–”

He saw, Martin realizes all at once, his skin crawling with humiliation.

“I’m going to go make some tea,” Martin says, rising to his feet.

Jon reaches out a hand. “Martin–”

“I just need a breather, okay?” Martin says, a pleading note to his voice. His lungs are constricting, his chest is tightening, there’s a lump in his throat, and he really doesn’t want to have a panic attack in the tunnels – or in front of Jon. “I’m not – I’m not angry, okay, I just need some air.”

Jon opens his mouth, then immediately closes it, clutches his hands to his chest, and gives a tiny nod that Martin just barely glimpses before turning to flee.

_________________

“Stop crying,” Jon hisses at himself, furiously scrubbing at his face as the tears slide down his cheeks. “Stop it.”

He plasters the heels of his hands over his closed eyelids. It does nothing to stem the flow, only brings to mind images of pressing himself bodily against a door to hold it closed, only for the crack to continue widening, millimeter after millimeter, the flood on the other side trickling through the gap, rivulets swelling into rivers, frigid eddies biting at his ankles, a whitewater undertow threatening to drag him below the waves–

“Enjoying our own company, are we?”

Once, Jon might have been humiliated to be caught mid-breakdown, raw-voiced and puffy-eyed, especially by Peter Lukas of all people. Several lifetimes spent in thrall to cosmic horrors have a way of putting things in perspective.

“What do you want?” Jon says with as much ire as he can muster.

Peter hums to himself, starting a slow, back-and-forth pace in front of Jon. “It occurred to me that I’ve been derelict in my duties as far as the Archives are concerned–”

“That’s just now occurring to you?”

“–and, as such, I thought it was high time that I met the infamous Head Archivist of the Magnus Institute.”

“Well,” Jon scoffs, gesturing at himself, “you’ve met him.”

“I must admit, I was expecting something a bit more… hm.” Peter taps a finger against his lips. “Formidable.”

“Sorry to disappoint.” The scathing sarcasm is rendered pitiful by an ill-timed, involuntary sniffle. Jon can’t bring himself to care.

“The state you’re in, you hardly seem fit to work.” A pause. “Have you ever considered taking some time off?”

“A six-months hospital stay has a way of eating up your PTO, oddly enough. I’m told that payroll already has already had to make special exceptions for my ‘unprecedented’ circumstances.” Jon chuckles to himself. “On multiple occasions. Did you know the Institute considers a kidnapping in the line of duty to be an ‘unexcused absence?’”

“I think you’ll find that Elias and I have different management styles,” Peter says mildly. “I’m open to making allowances – particularly since your department can function so smoothly in your absence. Your assistants have proven themselves to be quite capable of working independently – and seeing as your approach to supervision borders on fraternization, I imagine they would be more productive without excess drama to distract them.”

“I’ll take that into consideration,” Jon says acerbically.

“No need.” Jon squints at him, and Peter stare him down. “It’s not a request, Archivist. It’s an order.”

There was a time, not long ago, that sneaking up on the Archivist would have been difficult. Only Helen had consistently managed to ambush him, and that was because she didn’t waste time sneaking – she manifested and launched the jump scare in the same instant, giving him no chance to See her approach. Readjusting to a binocular point of view had been a process, but rarely does he find himself yearning for the panoramic field of vision that had been foisted upon him during the apocalypse.

Occasionally, though, there are moments when 360° sight would come in handy. Too late, Jon realizes this is one of those moments.

By the time he notices the tendrils of encroaching fog, they’re already curling around from behind him, pooling at his feet, ghosting across the back of his neck, affixing themselves around his wrists.

“It’s alright,” Peter says placidly, almost soothingly. “You can let go now.”

Jon shivers as his heart pumps ice through his veins, fingers and toes going numb as he struggles for breath.

No. No, no, no, no, no–

“I am not Lonely anymore,” Jon gasps out through chattering teeth.

“No,” Peter says with an air of nonchalance. Then he smiles, sharp and cold and cruel and the only detail Jon can still discern through the fog. “But you will be.”

___

End Notes:

Daisy: hey siri, google what to do if i suspect my bff has been possessed by the ghost of a fussy paleornithologist Jon: why are you booing me????? i’m right

Pretty sure this is the longest chapter yet? Probably bc of the statement. I could’ve split it into two, but, uh. I like that cliffhanger where it is. >:3c (Sorry for that, btw.)

Quite a bit of Archive-speak this chapter. Citations as follows: Section 1: 122/124/011/007/047/155. The Xiaoling quote is from MAG 105; the Jonah quote is ofc from 160; the Naomi quote is from 013. Section 3: 181. Section 5: 058 x2; 144/130/086/143/121/149/134/144/143/069; 147; 017; 147; 057/160/106/111/067/121/129/098; 155/128/160; 160 x3. Section 6: 170, of course.

I’m taking wild liberties with Pu Songling Research Centre’s whole deal. I’m conceptualizing their spookier departments as being like… actually academia-oriented, instead of “local Victorian corpse with illusions of godhood throws a bunch of traumatized nerds with no relevant archival experience into a basement, what happens next will shock you”. Xiaoling is out here like “our digitization is still a work in progress, I’m sure you know how it is” and Jon Sims is like “digitization who? i don’t know her”. (Listen, he tried once. Tape recorder was haunted, he got kidnapped a bunch, there were worms and things, he died (he got better), his boss used him as a battering ram to open a door to Fearpocalypse Hell – it was a lot.)

Likewise, we didn’t get much info about Sonja in canon, so I’m having fun envisioning her as a certified Force To Be Reckoned With (and a bit of a Mama Bear wrt her assistants). Most of the Institute is leery of the Archives (& especially Jon) but Sonja’s seen a lot of shit and Jon Sims doesn’t even rank on her list of Top Spooky Scary Things.

re: the statement – it’s not clear in-text, but I want to clarify that I’m not conceptualizing Francis Drake as being influenced by the Hunt. Fictionalizing aspects of history is tricky, and I’d feel personally uncomfortable chalking up Drake’s real life atrocities to supernatural influence, even in fiction. In the case of this particular fictional member of his crew, he was (like Drake’s real-life crew) complicit in following Drake’s orders for entirely mundane reasons and was only marked by the Hunt at the point in his statement where he first recounts hearing the Hunt chasing after him.

At some point in writing this chapter, I had 137 tabs open in my browser for Research Purposes and like 20 of those were bc my dumb ass seriously considered writing that statement in Elizabethan English before going “what are you DOING, actually.” If I’d tried, it would have come off as inauthentic at best, if not ridiculous, bc I’m unfamiliar with English linguistic trends of the 1500s, and I’d basically be badly mimicking Shakespearean English, which isn’t necessarily indicative of how everyone spoke at the time, and I don’t know what colloquial speech would look like for this particular unnamed character I trotted out as exposition fodder, and it was probably unnecessary to formulate a whole-ass personal history for him for the sake of Historical Realism for a single section of a single chapter of a fanfic, and… In the end, I decided that this pseudo-immortal rando can tell his life story in modernized English, as a treat (to me) (and also to those of you who don’t think of slogging through bastardized Elizabethan prose as a fun endeavor).

Speaking of research – shoutout to this dissertation that had an English translation of the Herla story in Walter Map’s De nugis curialium, and if you want to read the whole story, you can find it on pages 16-18 of that paper. I feel it’s important for you all to know that IMMEDIATELY after Map dramatically proclaims, “the dog has not yet alighted, and the story says that this King Herla still holds on his mad course with his band in eternal wanderings, without stop or stay,” he goes on to say in the next breath “buuuut some people say they all jumped into the River Wye and died, so ymmv. ¯\_ (ツ)_/¯ anyways, can I interest you in more Fucked Up If True tales?” (Herla throwing the dog into the river wasn’t in the original story though. I made that part up.)

Thank you so much for reading! <3

#the magnus archives #tma #tma fic #long post #tma spoilers #magnuspod

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