#no book spoilers in this post or significant show spoilers

[twig-tea]

What I'm left with after episodes 1 & 2 of Love in the Big City is a visceral reminder of the yawning loneliness of isolation that comes from otherness, finding a kindred spirit, and then the betrayal and heartbreak at knowing you're no longer each other's most important person, and how society expects that to happen but somehow you (I) got blindsided by it anyway.

This show is beautiful, bitingly funny, and quietly devastating. And it is so, so gay. The way Young describes the relief of returning to the loud music and lights and packed dancefloor of the club is the same feeling that washed over me watching this show; even with these sad themes around the loneliness of our 20s , the familiarity is ironically a warm and comforting reminder that we're not alone.

[thattheater-kid]

If the end of Reckoning of Roku isn’t “hair holds memories” idk what is

[reinemichele]

(Eep it's embarrassing to be perceived)

I exclusively make bad choices 😏😏😏 (I don't mind spoilers)

[whaledenwtf]

Hello! This might be a weird request but what about Gale, Halsin and Astarion with a s/o who's super cute and friendly and overall just a gigantic sweetheart who also happens to canonically be horrifyingly powerful. Like potentially even more destructive than Gale and the orb. Enemies who know their lore turn and run just at the mention of them and their name strikes fear into many hearts but then the camera pans over and it's this short sweetheart of a person. Literally this post basically

Thank you so so much, I really love your writing! Also Happy Holidays sweetie! ☺️

I love this idea!! I made it headcannons so it wasn't too long to read! REQUESTS ARE OPEN!! Please ask more, I love writing things for people <3

REQUEST HERE

Headcannons: Astarion, Gale and Halsin with a super cute friendly S/O who's horrifyingly powerful

Warnings: None, this is just indulgent FLUFF, Minor Spoilers for Act 1 and for Gale and Astarion's Lore

Astarion

You were always sweet with Astarion, and only made him feel comfortable and safe.

After he told you he was a vampire, you accepted him despite everyone else telling you not to!

When you told him you could beat Cazador, he didn't believe you at first because of your sweet nature.

The first time he realized you were a legend was when you guys raided the Goblin Camp to save Halsin.

You initially told everyone your name was Tav, so nobody really knew who you were.

Every Goblin met their end with a swing of your weapon, gutting them before they blinked.

It scared your companions, honestly.

When you got to Minthara, you told her your name was (Y/N), and she backed away from you.

Astarion was confused until Karlach, Wyll and Lae'zel spoke of your legendary moniker.

Wyll may be known as the "Blade of Frontiers" but you were known as "The Walking Death" and that was thrilling for Astarion.

Every monster, creature and being met their demise when face to face with you.

Astarion was a slave for 200 years, only knowing the bare minimum from Cazador. But knowing you were on his side, and under his thumb, that thrilled him!

Once you apologized about lying to your companions, they all welcomed you in their arms, especially Astarion.

As he slowly falls in love with you, he realizes that he likes knowing his significant other is not only powerful and showed no mercy, but showed him life through another lens.

You show him that love doesn't make someone weak, but stronger.

You're powerful, and having you by his side makes him feel unstoppable as well.

He is very grateful for you. You will pull him from Cazador's clutches and stay with him through it.

Despite your sweet nature, you kicked ass. You saved everyone you could, which annoyed Astarion. But he loved you despite it, and always will.

After all, why would he run away from the first good thing to happen to him?

Gale

He was also confused about who you were right away. As a scholar he spent most of his time in books, rather than the battlefield.

Honestly, his mind was distracted between the Netherese Orb in his chest and Mystra.

When you pulled him out of the portal, he was struck by your kindness.

Then he was struck by your beauty when you fought valiantly for your companions.

He was excited seeing someone so powerful near him, and honestly fell harder.

After telling you what Mystra did, you told him you'd kill her.

He laughed you off, until he saw what you could do.

Now he's worried he won't have a goddess to worship.

Your battle prowess is astounding, and he can't help but admire you as you shout commands to your companions.

You always were gentle with Gale, soft touches and sweet nothings between you two.

He always finds it difficult to associate you with your title.

"The Slayer of Man and Beast" he's heard Lae'zel and Shadowheart call you.

You always chuckle and tell them "soon you'll have to add gods to that"

Now he's even more worried about his goddess

Over time, he considers you his goddess. After all, you've protected and respected him much more than Mystra ever had.

When he tells you about the Netherese Orb, you shrug him off.

"Nothing will keep me from you, not even a bomb."

Wow

When you two are alone, he caresses your muscles and your hands. He's in love with the idea of his significant other being this battle-worn individual set to protect him

Throughout your adventure, you remind him that you would protect him with your life.

"All for little old me?"

"Nobody will stop me from protecting you. No monster or goddess."

Man you really hate Mystra for hurting Gale so bad.

You dream about smiting her and protecting Gale in your arms.

While adventuring, you always keep Gale by your side. Everyone teases you for it until you shoot them a warning glance.

You're so so good to him. You take hits for him, heal him in battle, and heal him in the privacy of his tent.

"You're too good to me." He muttered once, eyes closed.

"You've never been treated right. It's my personal duty to make sure you never doubt yourself ever again." You replied, kissing his eyelids.

He just fell harder.

Halsin

He actually knew who you were before you saved him.

When you said your name, he bowed his head in respect.

"An honour to put a face to the name" He said to you.

You told him you loved how big and safe he was.

"You're the one who would keep me safe, little one."

He wasn't wrong. You've saved him multiple times throughout your adventure.

You were very sweet with Halsin, always leaning against his arms and closing your eyes when you sit together in camp.

He found it amusing, seeing such a feared individual be so innocent and kind with him.

In his 350 years of existence, he's never been so captivated by someone like you.

When he tasked you with eradicating the Goblin Camp, he enjoyed seeing the fear in Minthara's eyes when you said your name.

Despite being a druid, he knew that with life also came death. He accepted your past.

He found the juxtaposition of your personality endearing.

One day, he was in wildshape lounging around as a bear. You laid on him and spoke about different topics regarding your life.

In that same day, he saw you obliterate 20 goblins on your own.

He never thought he'd be aroused by someone killing goblins, but you did that.

You also knew all the spots to scratch when he was a bear??

Yes that's the spot. Right behind his ears.

He liked seeing the way you treat your companions with such kindness.

You showed respect and compassion to those who you find deserve it. You helped people find safety, and feel safe.

It was beautiful, the way you showed such love to those who were close to you.

He always compared you to the ocean.

"Why the ocean?" You asked him once.

"You can be calm, bring peace. But you are also wild, strong in the most beautiful way." He replied.

He enjoyed the way you blushed.

One time, you asked him to wildshape and you rode him into battle. Nothing is scarier than seeing (Y/N) "The Tempest" riding onto a bear.

Even your companions were scared

Ever since then, you always did it. It was like couple bonding, somehow??

Gods, he loves his little tempest

Hope this is as enjoyable for you guys to read as it was for me to write!!

[graceshouldwrite]

The Most Powerful Hack to Make Your Readers Cry

You’ve seen it all: show, don’t tell, plant a visceral image in the reader’s brain of the environment/character, write a complex character arc with lots of growth and setbacks, establish deep relationships, high stakes, etc. 

All the advice for making readers cry I’ve seen so far is basically that list. But, while those things are absolutely important, I find that the thing that always does the trick, whether as a tipping point or in and of itself, is this: 

THE CALLBACK! 

Before we move on, this is an ANALYSIS heavy post, so all the book + show examples contain spoilers!!

So, what do I mean by a “callback?” Think of Chekhov’s gun, but, here, you use the gun to pierce your reader’s heart. As a refresher for anyone who needs it, Chekhov’s gun is just a rule in writing that anything you introduce in the book should play some role in the plot.

Specifically, the name comes from the example that if a reader introduces a gun in the first act, it MUST go off later, (maybe, say, in the third act). For example, in the TV show Breaking Bad, the protagonist Walter White prepares a vial of poison (ricin) that he wanted to use to eliminate an opponent early on in the series. After the assassination attempt falls through, the ricin makes an appearance again in the very last episode of the show, when Walt finally uses it to kill another opponent. 

Got that? Alright, onto the examples of successful, tearjerking callbacks: 

1. The Last Olympian (Rick Riordan); “Family, Luke, you promised.” 

Context: The character Annabeth says this line. Years ago, Annabeth had run away from home, and Luke had effectively adopted her into a found family with another kid named Thalia. Common reason for leaving home = parental trauma! Yay! He promised Annabeth that they would be each other’s “family” from now on. 

Now: Kronos, the antagonist titan, has possessed the demigod Luke and uses his body to strike Annabeth, injuring her. She’s also holding a dagger that Luke had given her when she joined his “family.”

Significance: her words + the dagger are a mental + physical reminder to Luke of his promise. They force him to recognize the sheer degree of his current betrayal by bringing him back to a different time. The fact that their found family only happened because of parental trauma bringing them together makes it worse—Luke felt abandoned by his Olympian father, Hermes. Now, he realizes that he basically did the equivalent to Annabeth by joining the titans. 

2. Les Miserables (Victor Hugo); Jean Valjean’s death 

Context:  At the beginning of the book, the bishop had caught Valjean trying to steal candlesticks to sell. Instead of handing him over to the police, the bishop told the police that he had given them to Valjean, saving him from arrest and showing him mercy. This changed his life forever, kickstarting his character redemption arc. 

Now: Jean Valjean dies surrounded by his loved ones, remembered as a benevolent man who bettered thousands of lives. He’s surrounded by light from candlesticks that once belonged to a bishop.

Context: Valjean had once taken in an impoverished woman named Fantine, showing her mercy and promising to take care of her daughter, Cosette, after Fantine died. Valjean then rescued Cosette from abusive quasi-foster parents (it’s a long story), raising her as his own daughter. This furthered his arc by allowing him to finally understand how unconditionally loving someone feels. 

Now: Valjean describes Fantine to Cosette, who never knew her mother. 

Significance: Both examples throw readers back to much earlier points in the story before the completion of Valjean’s character arc. In a way, this final scene feels like an external manifestation of his kindness paying off; both he and the reader feels a sense of accomplishment, relief, and just a general “OMG WE MADE IT.” Readers don’t feel cheated, because they were with Valjean every step of his 1,400 page arc. The weight of it all just crashes down on you...

3. Your Lie in April (anime); Kaori’s letter after she dies

Context: Kaori’s entire plot significance is that she helps Kousei, a piano prodigy who can’t play piano anymore due to traumatic parental memories associated with it, play again—but also, just to help him enjoy life again after a turbulent upbringing. She meets him a year before she dies of a medical condition, and her free spirit + confidence influences him to find beauty in life and music again. They basically do a crap ton of crazy funny stuff together lol

Now: Kaori has died, and she leaves a letter to him. Among other general confessions and thoughts, she references things they did and memories they shared: she says, “sorry we couldn’t eat all those canelés,” reminisces about  jumping with him off a small bridge into the stream below, “racing each other alongside the train,” singing Twinkle Twinkle Little Star as they rode the bike together, etc.

Significance: Yes, the nature of the letter is just sad because she’s revealing that she loved him all along, apologizing for not being able to spend more time with him, lying that she didn’t like him (to spare his feelings b/c she knew she would die soon), etc. BUT, these small details highlight exactly how many experiences they shared, and the depth of their relationship. Thus, they emphasize the significance of her death and the emptiness it leaves behind. 

4. Arcane (show); “I thought, maybe you could love me like you used to, even though I’m different.” 

Context: Character Jinx says this in the last episode to her now estranged older sister, Vi. Without going into the crazy complex plot, basically, orphans Vi and Jinx used to care for each other before a bunch of crap went down that got them separated. They then grew up on opposite political sides; Jinx grows up on the side of the underbelly city rebellion, and Vi grows up working on the side of the richer city that essentially oppresses the undercity. Thus begins the development of their opposing viewpoints and work environments, to the point where they always meet on opposite sides of a political battle, never able to come together as a family or understand each other again. 

Now: After a super dramatic confrontation, Jinx reveals that although she wants Vi to love her like she did before their separation, she knows it’s not possible because “[Vi] changed too.” She finishes with, “so, here’s to the new us” before blowing up a political council meeting a few blocks down filled with people Vi sides with. Oops! This cleanly seals the fate of their relationship as something basically irreparable.  

Significance: This callback isn’t through literal flashbacks or items like in the previous examples. Jinx’ lines are enough to bring back images of their childhood to the audience’s mind. Now, the audience subconsciously places this image of: 1) two sisters so different, hurt, and torn apart, right next to 2) the image of two sisters as innocent children who loved each other and would care for each other no matter what. 

Why do callbacks work so well? 

If you’ve noticed something in common with all of them, you’re right: they remind audience of a time BEFORE the characters have come so far on their arcs, developed, and put on so much more emotional baggage. 

Callbacks force the audience to SUDDENLY and IMMEDIATELY feel the weight of everything that’s happened. The character’s anguish and overwhelming emotions become the audience’s in this moment. Callbacks are a vehicle for the juxtaposition of worlds, before and after significant development. 

This works because we, as mortals, fear IMPERMANENCE the most. We fear LOSS. For us, time gone is time we will never get back; callbacks make us face that exact fact through a fictional character. A lost moment, time period, or even part of oneself may hurt as much as losing a loved one, and nothing makes humans grieve more than the realization of a loss. A callback slaps the audience in the face with the fact that something was lost; loss hurts so much because almost 99% of the time, what’s gone is gone forever. 

Of course, a good callback requires good previous character development, stakes, imagery, and all that jazz, but I thought I’d highlight this specifically because of how under covered it is. 

∘₊✧────── ☾☼☽ ──────✧₊∘

instagram: @ grace_should_write

I’ve been binging general media lately: I finished Death Note, Your Lie in April, and Tokyo Ghoul all within like a month (FIRST ANIMES I”VE EVER WATCHED!!), reread lots of Les Miserables, analyzed a bunch of past shows like Breaking Bad, watched a bunch of My Little Pony, worked to fix up my old writing... and that’s not even all! The amount of times I’ve CRIED while enjoying the above media and so much more honestly just inspired this post. 

Like, no joke, my eyes were almost always swollen during this period whenever I hung out with my friends and it was so embarrassing help 

Personally, I just find that this method works super well for me, and I watched a bunch of reaction videos to these above scenes (and read book reviews on the book scenes I mentioned), and it seemed that just about everyone cried during these parts. That’s when I realizes that the callback might also just be a universal thing. 

Anyway, this post is long and dense enough as is. SORRY! As always, hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated <3333

Happy writing, and have a great day,

- grace <3

[choosingwhatmatters]

Music in The Loyal Pin, Episode 1

My goodness, what a beautiful chocolate brownie of a first episode! There are already wonderful posts about the way in which the funds of the series have been put to good use. One aspect that has not been highlighted yet (please correct me if I'm wrong) is the music. And oh!, the music we get in this series.

My ears perked up from the very beginning of the show. We get an orchestral score! All the instruments of magic welcome us at the palace: strings, a harp, a glockenspiel, woodwinds, bar chimes, a piano - I was smiling within seconds.

Tv shows very rarely receive a score like this because arranging, recording and mixing music for twenty different instruments is time-consuming and complex, by which I mean expensive. One trick you can use to lower the costs is using synthesised instruments. The strings we can hear are not real. However, a brilliant thing the scoring team does here is mix in real instruments. For example, we can hear real flutes, if I am not mistaken. Some cello and violin pieces throughout the episode have also been recorded with real instruments. For me, the whole soundscape is simply beautiful!

What about the music itself? There are three things I would like to talk about: the pentatonic scale, Pachelbel and a melody that I hope will become one of Pin and Anin's.

1. The very first thing we hear when Anin has landed on Pin is a melody comprised of five different notes. For Western ears, these fives notes are inevitably associated with music from South-East Asia. The scale resulting from these notes is called a pentatonic scale, and if you ever feel like playing it: look for the black keys on any piano keyboard and go wild. The cool thing about the pentatonic scale is that it's fantastic for improvising. In Western music, it's used all the time because these notes simply sound good together.

We have a lot of ambient music in this episode. Music that blends with the peaceful atmosphere onscreen, and often the pentatonic scale is used to do just that.

2. Which brings me to another piece of music I want to talk about: Johann Pachelbel's Canon in D major. It's the first and the last piece played at the dance. While the king discusses Anin's future with the rest of the family, we can see Pin and Anin dancing to this piece. I find this significant because most music scholars believe that Pachelbel composed the Canon as wedding music (for Bach's brother, no less).

I haven't read the book the series is based on. I have avoided spoilers as best as I could. Logically, I KNOW that it is very unlikely that we get a happy ending here. But I get to see two women in a historical setting dancing to a wedding piece and this fact alone makes me very, very happy.

3. Off to my last point. Even though most of the episode features music, I have noticed very little repetition. There is, however, one piece of music that comes back.

We can hear it when Pin and Anin have their first meeting, and again when Anin discovers her windmill and her ribbon in Pin's bedroom. (What do you call those tiny windmills? And, more importantly, what is it with these two and tiny windmills? Thank you, creators, for the nod to your GAP fandom.)

The piece sounds somewhat like this:

The harmonies are more intricate, but this gives us an idea what we can listen out for in future episodes. The melody is simple and sweet. It could be connected to childhood and adolescence. I'm curious to see if we encounter it again.

And I'm very excited to see whether the score team continues with motives and reprises. I love straining my ears for these because they give us even more clues about the happenings onscreen.

Thank you for riding along with me! I am so excited to see what the show has in store for us!

[mryoyo000]

“Wicked” Book and Musical Thoughts (SPOILERS)

in advance: these are just my personal thoughts—I am not trying to force my opinion on anyone and I welcome any disagreement!

SPOILERS (also long sorry) also for the sake of writing this I actually went back and reread Wicked for the first time in several years.

I think it might be helpful for people to consider that Wicked the book, and Wicked the musical, are not just different in terms of plot and tone, they are ultimately telling two different stories with different goals. If you are having a hard time reconciling the musical/movie to the book or vice versa, this might be one way to look at it.

I think the differences ultimately add up to two entirely different stories. The book is a lot darker, definitely not written for younger audiences, and it also has a very different scope. The musical is about Elphaba, and primarily it’s focused on Elphaba’s relationship with Glinda. The book is attempting to tell a sort of epic scale story (whether or not it succeeds in that) about the times in Oz during Elphaba’s life—and Glinda has significantly less overall prominence and presence than in the musical.

I don’t think you can overestimate the significance of this difference. This might be one of the most fundamental differences between the book and the show/movie—Glinda is central to the musical, but only one among an ensemble in the book. I have critiques about the book which I won’t get into in depth here, but this is NOT one of them and I actually think that, for what the book is trying to be (which is NOT what the musical is trying to be), Glinda’s relative lack of prominence is the right decision. The book goes through a number of perspectives before reaching Elphaba herself, and all of these other voices are among the people in her life who either died and/or became estranged from her. (Elphaba does not become the point of view until she’s reached the point where she starts referring to herself as “the Witch.”) In the book, Glinda functions as one among many of Elphaba’s relationships that fell apart and failed over time—there cannot be a central relationship between them in the book because the book is telling a story about Elphaba losing everyone in her life.

So the book is not trying to be “about” Elphaba and Glinda, and the story it is telling about Elphaba is a lot bleaker than the one that the musical is telling.

Elphaba’s story in the book is about loss, and also about failure. I think this is also one thing that causes the book to be controversial. Elphaba is unable to succeed in the book—for all of her revolutionary sympathies, she is constantly prevented (narratively) from making any actual difference. The sad joke of the book is that the “wicked witch of the west” title wasn’t given to Elphaba even out of spite—it was transferred to her because Nessarose was already being called the wicked witch of the east. Elphaba isn’t even treated as a wicked witch for the most part—she’s seen as an oddity, and she’s more mocked than feared.

for anyone reading this post who is also an ASOIAF reader, I would make comparisons between Elphaba and Catelyn, since in the book Elphaba’s final confrontation with Dorothy shows her at her most broken (she is only called the Witch at this point) after an entire book’s worth of loss, and of seeing all of her hopes never come to fruition.

the tragedy of the musical is that Elphaba was never evil, just misunderstood and labeled by others.

the tragedy of the book is that in the last moments of her life, Elphaba really did become the wicked witch, after a lifetime of being broken down. She was genuinely threatening to kill Dorothy out of paranoia.

It’s a strangely private scene though, because Dorothy is the only person who witnesses Elphaba’s final breakdown. This moment of real “wickedness” is only seen by Dorothy, no one else in the story knows about it, and it ends anyway with Elphaba’s destruction.

There is a lot more to get into as far as differences (Glinda is an entirely different character, so are Boq and Nessarose etc.) but I think I wanted to mainly focus here on Elphaba and also to say that I think the book is at least worth reading to find out how you personally feel about it. last but not least but also not relevant to the post as much, I would say that out of the Gregory Maguire books I’ve read, Confessions of an Ugly Stepsister is my favorite and I would personally say that I think it’s better than Wicked, both as a book in its own right and as a reworking of a classic story. I would recommend it as an introduction to Maguire’s writing even before Wicked, because it’s a more focused and smaller story and I think it has stronger characterization. It has typically Maguire sardonic dialogue but overall is less cynical than Wicked, so it’s less heavy—no need to slog through fascist dystopia Oz with this one.

[wilcze-kudly]

Seeing those designs of the next avatar and her friend as adorable and promising as they are, why do they look like they belong in Voltron TvT?

Spoilers for the leaked potential designs under the cut!

Okay, so I think the characters in of themselves look fine, pretty cute. Though the artstyle is a clear variation from the the artstyles of the previous shows, which, while there were some miniscule changes, stayed relatively consistent.

For example the top lashes are much mor prominent and I think there's a general change in the facial proportions as a whole.

The main thing that upsets me about the leaked designs is the clothing choices for the characters, as I said in my previous post. The Avatarverse has a history of taking inspiration from real world outfits of various cultures, such as Southern Water Tribe parkas, or from other pieces of time appropriate media, such as Bolin's jacket in B4 being inspired by a WW2 comic book character, the Rocketeer.

These two, Jae (right) and our new Avatar, (Pavi) look, well a bit generic sci fi. At first I couldn't place my finger on what threw me off their designs, but I'll do my best to explain.

I tried to make a lil vision board to help me illustrate my points. Below you have the potential designs, with their colour palettes beside them, along with tve more vibrant colours I'd bicked from Tenzin and Aang's reference or promotional art. Bottom left is a sheet of Earth Kingdom background characters, and to the right of that you have designs for more prominent characters of a similar origin. I've also added desings for the air nomad bodysuits and pro bending uniforms which i believe are the closest to the proposed new clothing style.

As you can see the clothes Jae and Pavi are weaeing have more colours overall, but these colour palettes are more muted, which is a cheap trick to make clashing colours fit together more harmoniously. You can see this in a lot of modern futuristic shows, like Voltron, which I mentioned earlier.

It's usually a technique of having a character's palette consisting of more muted tones while having one or two colours that are more vibrant. This is a bit of a step away from Avatar's designs, which had less colour combinations as a whole, but were much more vibrant, with exceptions.

Avatar would usually pick a colour palette based around one colour, usually the one corresponding to their element, and work around it to pick colours that wouldn't clash, but were still eye catching enough.

Even more muted designs had a wealth of detailing and patterning. Which brings me to my next point. Pointless design choices. Let's compare Jae and Asami's designs, which both have some similarities.

They both have a type of shirt, boots and baggier trousers. But for Asamu, the details on her outfit make more sense. She has the logo of her company, a pattern on her chest, clasps to keep her jacket closed, pockets, and a bunch of straps that wind around her boots to either keep the black leg warmers in place, or secure her shoes.

Jae has that more 'futuristic' detailing that boils down to slapping multicoloured bumps onto a character. What are those grey things on his trousers? Pockets maybe, though they don't LOOK like pockets. What is that orange thing on his boot? It's not a locking mechanism like a buckle or button since it doesn't seem connected to anything. Is the orange thing on his belt supposed to be a buckle? Why is there a weird orange thing on his neckline? Im assuming the logo on his chest and shoulderpads is supposed to signify him as an airbender as it looks a bit like an airbender arrow which I don't know how to feel about.

Jae and Pavi's designs notably lack details of buttons, clasps and their clothes just feel like they don't fully make sense along witg being generic. Pavi has a brooch holding her customary spocalyptic wanderer cloak closed, though it is drawn in a way that we don't see where the cloak ends. The brooch may carry some significance, and it may juat be less detailed because its not focused on, but it does also just look. Generic.

There's also the lack of Avatar's staple inspiration from actual cultures, particularly chinese in these outfits. Jae's outfit only keeps the baggy pants and his weird neckbrace thing sorta slides off to the right, which doesn't really make sense. Pavi's clothing is the lesser offender here, but I really can't say I would pinpoint ger as an Avatar character if you didn't tell me she was one.

And I'm far from a cultural expert, so I really could just be talking out of my ass but none of these outfits carry the hallmarks of what I expected from avatar characters.

It's a shaame really because seeing what seems to be the concept art you can find here, I like these designs a lot more

Pavi's clothinv is much more vibrant, her clothing seems more detailed and Jae has a white lotus outfit that makes much more sense. And I like that he has an arrow again. I genuinely hope this ia the version we get, though this looks more like concept art, while the designs I was talking about looked like finished character sheets.

If you like these, designs, more power to ya. I think Pavi is adorable and sweet and she deserves better clothes lol. I hope Jae's outfit is just a uniform he takes off at the beginning of the show or smth. Because it ugly.

[sleepy-spacetronaut]

Pilot Project : Vogelfrei, a Gravity falls Fanfic Idea

(POST DATESTAMP: post started on December 8, 2024)

Start note: If some of you remember my post about a potential fanfic with the Handyman Bill Au , then I have great news! Not only have I settled on a title, but the story is lining up for a potentially elaborate sequel! While the first story will mostly be written in a traditional sense, I decided to experiment with comic making for the follow-up story. After mind-boggling hours of search for a pleasant closure to the initial story (for which leaving an open ending seemed tasteless), making a sequel was a rather exciting idea. From all the stories I’ve ever wrote, rarely any had been turned into a duology, let alone one in comic format. Additionally, the sequel will require a lot more world building, unlike the first story, it will loosely follow the bases of the gravity falls books (TBOB and the Adventures) rather than the show.

Fanfic Idea in Brief Details

Title: Vogelfrei/ Pilot Project Vogelfrei

Placeholder title : Tears So Hot They Make The Universe Burn (No comment about the terrible acronym this title would have gotten.)

Expected length : ~15-20K words to begin with (book 1)

The plot : see here for a draft of the plot idea, however it is not up-to-date -> a fresh version with an adequate summary will be posted later.

Pairings? : Billford(One-sided then QPR), Fidauthor (Also QPR) Melody/Soos, Fiddleford/Stanley, Ford & Old Goldie* (briefly).

*canonically, Ford is married to the golden statue because of Stan usurping his name, no one’s happy about it. They get a divorce, much to Stanley’s dismay.

Production: what to expect ?

To start, all the energy I get and pour into making fanfiction is bestowed upon me by coffee, the hyper fixation frenzy of an ADHD brain ,and the reading of amazing fanfiction that inspired me to further my ideas into actual, tangible stories. I will do my best to get the story plot down as text before the enchantment of the fixation flies away, as if I ever lose the interest,the whole house of cards comes tumbling down.

Pacing of the production : I have both the general outlines for Vogelfrei and its sequel ready, with a little luck I will get the first story down through the winter holidays, if not, it will stretch until around June for the completion. The sequel will be produced immediately after the first story is finished.

Comics and artworks: I have recently experimented with 6-10 panel comic strips on my iPad, but I am better at making traditional art. So there will be digital and paper drawn doodles peppered here and on AO3 once the process is started. I will have separate batches of art, one which will contain art directly related to the plot , and another with ‘extras’, labeled accordingly.

Answers to any other inquiries you might have

TBOB and Gravity Falls series compatibility -> will I get spoilers?

If you’re new to the fandom and haven’t seen the whole series yet, I suggest to finish it first and skim over the GF wiki , for context of how Bill ends up in the Theraprism. I haven’t gotten my hands on much of TBOB except some pages and ideas here and there, therefore it probably wont be much of a spoiler—There however will be lots of contradictions, especially with TBOB.

2. Audience ratings

Both are 16+ in my opinion, if you are younger and choose to read regardless of the warnings, that is up to you. Thought keep in mind there will be a significant amount of swearing, some depictions of substance abuse (alcohol mostly, but also some other stuff), self-harm, violence (verbal and physical) and suicidal thoughts (briefly towards the end the first story). In any case, I will add a CW/TW notice when time comes.

3. Asks/Fanart

Questions, comments, music suggestions and fanart are all very welcome! I’m mostly writing this for myself to satisfy cravings, but I’d be glad to know that it also made someone else smile.

End note : Soon the winter holidays will begin and so will my writing, hopefully, I will get the time to do half of the story. I will post here and on AO3, but most of the art will link back to my blog. If , in the end, the story gets to monopolize my tumblr, I will make a separate blog for it to keep this one from getting too cluttered. If you have any questions or comments, feel free to ask!

P.S.: In parallel to this story, I am working on another Gravity falls Au, called Rewind the Timeline, for which I intend to write a short historical fanfiction which will span from the late 18th century throughout the 21st century. It will be focused on Bill’s perspective a lot more than Vogelfrei, which will have some shifts in point of view. You can find the fic idea on my pinned post.

[fraeuleintaka]

Official Investigations Artbook

This is the 78th post in the Ace Attorney Investigations Collection Countdown: 3 days left until release!

Today's topic: the official Investigations Artbook!

[Spoilers for Investigations 2 in some of the images]

Back when both Investigations games were first released there was not only a Complete Guide for the first game (sadly not for the second one) but also an official Artbook for both! By now it's also out of print and was, again, only released in Japan so it's difficult to get but not quite as difficult as some of the other books I showed in previous countdown posts. Since I also call the Artbook my own now (my newest treasure) and it's full of amazing art from the Investigations games I want to talk about it as well!

Firstly, I love it's unique cover art! Justified to show off both of the games' main casts and it's so pretty! Being an Artbook of course the book is on the larger side (compared to, say, the Guide) and the paper is thick and glossy to really make the art shine. It's not a hardcover, unlike other artbooks I own, but the spine is robust enough that it doesn't hurt that much. Still very nice quality.

The first few pages contain a collection of all kinds of promotional artwork for the Investigations games in large and wonderful detail. I especially love these illustrations with Miles, Gumshoe and Kay in various situations. Gumshoe holding Miles' umbrella. Them thinking hard together on the solution of a case. Kay and Gumshoe taking pictures together. Gumshoe draping his coat over Miles when he falls asleep in his chair. So cute!

Then we get two double pages of extensive relationship diagrams of all characters appearing in both games and how they relate to each other. Unlike the Complete Guide the Artbook doesn't hold back on spoilers so all of these connections are what you know them to be at the end of the games and not only what they might appear like at first. Really appreciate that, it's much more detailed and useful this way. (Though it does make total sense that the Guide doesn't spoil everything immediately like this.)

The main section of the Artbook is filled with character artworks (obviously), that includes their full body art, a collection of some of their chibi sprites and a large collection of their confrontation animations. These are drawn especially detailed and with various frames depending on the animation! The high resolution confrontation sprites of the collection (and the mobile version) are directly based on these. And they look absolutely gorgeous! So worth it for these alone!

The main characters are all put together at the beginning while the rest of the characters are sorted with the cases they first appear in. They also don't get as many pages to them as the main characters do which is to be expected.

Every case is introduced with a little summary at the beginning with all the major characters appearing in the case and all of the relevant pieces of evidence. We get a show of all the significant images appearing during each case and even the zoomed in deduction screens. Lovely! Before that though we get a complete timeline on the events that are important to the games' story, when they take place and what important things happened there. So nice and really useful for mapping everything out (like when writing fanfics)!

The next rather large section focuses on concept art for the characters. Especially for the main characters there's a huge variety of sketches, some of them from very early development! It's by far not all of them, as the Complete Guide had several that aren't shown in the Artbook, but it's definitely a lot and pretty much for every little character, even the victims. I especially love seeing what changed in different development stages and what stayed the same. There are even some additional treats in the sketches like an illustration of Shi-Long fist fighting de Killer that looks insanely badass!

Towards the end we have a bunch of shorter sections with one being a detailed show of all the background artwork of the two games including some fun commentaries from Gumshoe! On Miles' office, for example, he rants little about Portsman being a bad prosecutor and states that it was a lot of work to clean up the entire mess (because of course he's the one who cleaned it). There are also a bunch of interviews with the staff and a nice little Q&A section about some character detail (like what kind of ice cream de Killer holds). Definitely my favourite part of the interview was them delving a little into Shi-Long's design and how hard the character designer Iwamoto fought to make him shirtless! He even came up with a reason after being denied (that Shi-Long has 7 scars on his chest that are formed like the constellation Orion and he wants to show them off) but Yamazaki didn't buy it 😄 I wouldn't have minded a shirtless Shi-Long at all but I'm also very happy with his final design 😉 The spirit of the idea is definitely conveyed in it!

And speaking of favourites, the last and probably my favourite bonus in the Artbook that I want to mention is a couple of pages full of these short character interactions! They essentially play out a scene of the characters talking about something with these wonderfully drawn animations. I can't go through them all but I want to highlight my favourite one: Shi-Long and Miles meet in a restaurant. Unusually for him, Shi-Long is on his own without his subordinates and Miles asks him about it. Shi-Long quotes Lang Zi at him and says that he does do stuff on his own occasionally. Miles then notes the amount of food on his table (enough for more than 20 people!) and after trying to deflect a little by mocking Miles' "deduction" to which Miles doubles down Shi-Long admits that he tends to order way too much when alone and asks Miles to join him. Miles doesn't refuse but makes a little comment about Shi-Long apparently having some difficulty with being alone. Awww, so cute! The other interactions are of a similar kind, ranging from funny to heartwarming and wholesome. I can totally see Shi-Long having such issues when he's used to being accompanied by so many people (especially considering what happens inbetween I1 and I2) and I adore the idea of Miles (and the others) keeping him company. Reasons why this is my favourite cast in AA and I love their every interaction! Getting more of those is not something I necessarily would've expected from an Artbook but that's just makes it even more amazing!

[mayonesamitch]

Lets yap about Geode and why it's practically canon!

Contains spoilers

Okay I've been wanting to write this for a while but never had time to. However, winter break just started! I should be working on some unfinished school work but I don't care about school. So here it goes! This is basically why Geode (Cole x Geo) is canon/will be canon.

So first, I wanted to talk about how Cole never really had an actual love interest up until now. Sure, in season 3, there was the stupid love triangle thing with him, Jay, and Nya, but it was confirmed by the writers that Cole never really had feelings for Nya and was just confused by the attention she gave to him. I'd also like to assume that P.I.X.A.L's perfect match detector thing also threw him off. (I'm just gonna call her Pixal for the remainder of this, yes she'll be mentioned again)

He also never had much of a romantic relationship with Vania. Sure, they were close and had a great friendship together, but that's where it ends, just a friendship. They never really did anything more. And when it comes to Ninjago, they make the love interest very obvious.

The writers are also very aware that they haven't given Cole a love interest. They make subtle jokes about it, like in this scene. While the ninja are hanging out with their significant other (expect for Lloyd who had a love interest but uh... we saw what happened the Harumi...) except for Cole. He's instead looking at the cake that the woman is holding up. The writers of the show also have said that his love interest is cake as a joke, so they're aware that they haven't given him a love interest yet.

They also once posted this on the Lego.com website as a poll. This might be far fetched but to me it implies that there might be someone else in the future that will be Cole's lover. I know that it says girlfriend but it doesn't mean that the someone Cole is yet to meet can't be a guy. Maybe Cole is a bisexual too we can't take that completely off the table either.

Now, let's talk about the actual ship of Geo × Cole. Geo is not as social as the other and is more timid. He keeps more to himself. However, with Cole, he's an open book. He raised a whole family with him. They're also rather close. Cole has never been that close to anyone other than the other ninja, and even so, it still took him a while to get used to them. So him being so close to Geo as fast as he did is quite attached to Geo. And if that isn't gay then I don't know what it is.

Now this is the part where I talk about my personal favorite and probably one of the most canon ships ever in Ninjago, PixZane. (Pixal x Zane, told you I was gonna mention Pixal again 😉) It is very obvious that they love each other and is canon that they're dating. So, why did I mention them? Well, they never explicitly say, "We're dating." Instead they say that they're "compatible." Zane also says that she has "Half of my (his) heart" Which all of those are all just says of saying that they're in love and dating. Also they both have a strong attachment together. I mean, Zane is desperate for Pixal in Dragons Rising, and in the comic, Zane's Pixal Project, he's so desperate for her and is willing is sacrifice himself for her. In fact, Pixal only says, "I love you." In Crystalized. Took them only 8 years to finally hear something less nindroid-y but that just proves my point more. Yeah, with all of that plus the stuff I didn't mention, they're dating at least.

So why did I mention all of this? Well, a common rule for story writing is, "Show, don't tell." Very common in real life to, like phrases like, "Your actions speak more that your words." So they would apply that rule to a ship like Geode. I mean, the hints are very loud, yet sneaky in a way. Enough for me to apply the gay label but not enough for someone to say it's 100% without a doubt canon.

I'd also like to say that the writers of the show hype up and imply this ship more than a little. One of the writers of Ninjago posted this on his Instagram. The writer is also gay so that's some extra points. (I got it from here.) Also I just realized that the little effect thing around their hands make a heart, so I'll add that to the evidence list. Also this clip, Doc Wyatt seems to support the ship. So I'm pretty sure the writers are planning something big for them, maybe... a kiss? Who knows?

Now, in the end, it is a gay ship, so they have to be much more vivid about it or else the show could get banned in certain places around the world if they do make it canon. However, other cartoons do have canon LGBTQ+ representation that's more prominent. (Ex. The Loud House - Clyde's dads (Howard and Harold McBride) + Luna is a bisexual, Adventure Time - Princess Bubblegum and Marceline) Plus, there is some LGBTQ+ throughout the show which I talk about more here. (Shameless plugging XD) So it wouldn't be out of character for Ninjago add a gay ship in the series. Not only will it give them more open doors since it shows how they're willing to add queer relationships into the show, so they might add some more queer relationships. It would also make Cole the first canon LGBTQ+ ninja of the main 6.

Okay, well I think that's about all I have to say about the most gay characters in Ninjago. Also thank you for all the likes + reblogs on my queer Ninjago post, I like yapping about this show clearly, especially the queer part cause I'm part of the LGBTQ+ community so I might as well spread my pride. I literally love Geode so much please make it canon in my life.

Anyways, I hope everyone enjoys their winter break, gets lots of presents this year for Christmas, and stay up for New Years. Make sure to stay healthy and have lots of fun with family and friends.

[weirdly-specific-but-ok]

a lil good omens brainrotted update from your mascot

Hello my maggots it's nearly midnight here's how the brainrot's going (spoiler alert, there are no, uh, ripe braincells anymore).

I just spent a rather significant amount of time drawing leaves into my bullet journal (because it's Crowley themed this month).

That whole time I listened to first Crowley's apartment ambience and then to a bunch of Good Omens edits and got extremely emotional about it but in the best way. God I love this show.

Every day (it'S a-GEtTinG clOSeR) I have a stare-off with the Good Omens book that keeps me company on my desk.

It laughs in my face, daring me to read it.

I recall the last time I opened it (to summarise, I read a line about Crowley and burst into tears like the macho guy I am). I refuse.

We are locked in a battle of wills. Who will win, the book or I? I'm torn between wanting to read it so bad and the fear that I will never be emotionally stable again if I do.

Speaking of books, just for vibesies an update on the one I'm writing, I've written 7,200 words in the past six days (when I pulled the WIP out of its musty folder because of that post Neil made).

The page I made in the bullet journal was actually a writing tracker here lemme show y'all because I'm proud of the progress I made:

[Yes, that is the Good Omens book lurking in the top left, it's never far away. The battle is perpetual.]

Crowley quotesssss all the Crowley quotes I love them so much it's insane.

Also, I'm gonna go get yarn to I can continue my endeavour to learn crocheting to make a Crowley-beanie. @singalongpoppet is my guru and leader in this journey. Not sure if I'll manage it, but a guy can dream. Channeling my non-existent cottagecore era.

I am also considering getting a Plant.

Weirdly enough, this is not entirely brainrot, I was supposed to grow a plant back in January because my word thing of the year was Grow (the burden of prophecy is real).

However, I am dreadful at taking care of them, even succulents. I managed to kill a wild cactus that I brought home from a roadside. It survived several months but in the end being around me was too much for it, poor thing.

I assume there is a bit more to plant-parenting than misting them and screaming at them to GROW BETTER, so any advice, please?

End of update, I have no idea how to write conclusions so have a snapshot of the dynamic of Rian and Avi, the characters in the book I'm writing [spoiler alert: their dynamic is dumpster fire].

Love you my maggots have a wonderful brainrotted day xxx

[lurkingshan]

I Feel You Linger in the Air: Novel vs Drama 

gif by @wanderlust-in-my-soul

Happy IFYL special day! While I wait (not so) patiently for the special episode to become available for international viewers, I thought I would stop being lazy and get around to writing up my thoughts on the adaptation choices of the drama now that I’ve finally had a chance to read the original novel. 

First, let me just say: the novel is so fun. I’m so glad folks like @clairedaring and @pharawee talked about it on here and @waitmyturtles read it first and told me to jump on it, because I’ve had a really hard time with poorly translated y novels before and was definitely skeptical. But the story was excellent and the English translation was really solid, so a great time was had by all and I wasn’t even salty about spending eighteen American dollars on it. I didn’t think the novel was perfect (turtles can attest I had a few LOUD complaints) but it was a very enjoyable read. Shoutout to @bengiyo, @neuroticbookworm, and @wen-kexing-apologist as well for listening to me rant about Tee’s choices as I made my way through the novel. Bonus: if you have the chance to read this novel while vacationing in Thailand surrounded by plumeria trees and romantic scenery, I highly recommend. 

So, with that established, let’s talk about the adaptation! Adapting novels to a visual medium always comes with a lot of choices, and it’s not easy to make everything translate effectively. On the other hand, a live action drama can make some of what’s on the page feel even more vivid and new elements can be introduced that add to the canon. I’m on the record as both loving this show and feeling like there were some significant missteps in the writing, so I really wanted to understand the source material and how some of those choices were made. So here’s your spoiler alert for IFYL’s adaptation: it’s a real mixed bag of choices from our dear frenemy Tee Bundit, and all in service of one clear goal. 

I Feel You Linger in the Air, but Make It Sadder!

I’m going to break down the details below, but this is the TL; DR right here. Every choice Tee made in this adaptation was in service of transforming a relatively light and often comedic time travel romp into a story of deep melancholy and a thorough examination of queer pain. This is Tee’s whole schtick, so we can hardly be surprised; and yet I was kind of taken aback by how stark the difference in these stories felt even as a lot of the plot stayed the same. During the drama’s airing @respectthepetty talked about how this show was just too damn sad for her, and I gotta say, she was definitely picking up what Tee was putting down. YMMV on how sad you like your romance, but Tee Bundit is a very sad boy indeed.

Jom

gif by @junghaesin

Let’s start here, because this is definitely my biggest grievance with Tee: he removed most of Jom’s personality from the book in order to give us a flatter, sadder version of him that fit better with a much more melancholy vision for this story. As it turns out, Jom was originally written to be smart, sassy, and very funny (h/t to @stuffnonsenseandotherthings whose post on this really got me interested in reading to see the difference). Novel Jom is a smartass who never misses the opportunity to work in a salty comment or express his frustration when things aren’t going his way, and he’s such an active character. He does not just sit back and let things happen to him; he thinks and he struggles and he tries. By comparison, show Jom just feels… vaguely confused, mildly depressed, and wildly passive most of the time. This is by no means a knock on Nonkul, who is a fantastic performer—these are clearly writing and directing choices and he is interpreting the character as instructed.

And it’s not just the removal of his core personality, either. Jom in the book has emotional intelligence and a stronger sense of connection to others. For one, he actually cares that Eung Phueng is his sister! Throughout the book, we see him dedicate time and energy to finding ways to care for his sister despite their different social stations; this dynamic is completely absent from the show, where Jom doesn’t even seem to remember Eung Phueng has his sister’s face most of the time. This was a major hole in the show and I still don’t really understand why Tee dropped the ball on it when there was so much material to drawn from in the book.

Winner: The novel, hands down. If you take nothing else away from this post, please take it as a recommendation to read the novel so you can experience Real Jom in all his sassy glory.

The Mythology 

gif by @chickenstrangers

Now, I can’t really claim that either the novel or the show does a fantastic job with the mythology, because there’s a lot of hand waving in either case and some definite plot holes. But I will give the book credit for being upfront from the start: it didn’t really intend to explain it beyond giving us a little preamble about wormholes (yes, wormholes!) and for having Jom actually notice and care (and get very amusingly frustrated) that he didn’t understand what the wormhole wanted him to do or how to control it. He actually tried quite a lot in the book to figure it out, rather than just sitting around gazing morosely into the distance. In the end, the book tells us that Yai vowed to love Jom at first sight in every lifetime, which is a vow he made after the wormhole brought Jom to him but somehow affects the times that had already happened from our perspective. It’s a paradox that doesn’t fully make sense, but it is at least an explanation.

The show, by contrast, intentionally added layers to this mystery that it had no intention of resolving. The drawings opening up connections to the present, the ghostly visages haunting the characters, the glimpses of Jom in the future doing things we never saw in the original timeline, Mustache Yai kissing Jom in the water—all show inventions, and all setting up an expectation that some sense would be made of these clues. Which of course, never happened. Instead, these things were used to contribute to the spooky scary vibe and make everything feel sadder, and the show offered no explanation at all for why any of this happened.

Winner: It’s a draw since neither really did it well, but I’m staying salty with Tee for fucking with me.

Family Drama 

gif by @thii-nii

Here is where we get into some of the stuff Tee added to the story that actually worked pretty well. One very smart adaptation choice: he made Yai and Eung Phueng siblings so that Yai would have a reason to be more involved in their household and able to interact much more with Jom in the early parts of the story; in the novel there is no connection between the households and Yai and Jom barely interact for the first several months after Jom arrives in the past. He also added a lot of family drama in the back half of the show: the struggles with Yai’s father, the shady uncle, the plot to force Yai to marry, and the big confrontation over Robert’s misdeeds are all show inventions, likely added both to pad out the story and make the relationship harder and sadder, and because he was looking for an alternate source of conflict since he was not doing Part 2 of the book (which takes place once Jom is yanked away again and shot back to the Commander Yai time period). 

Another major change from the novel to the show: in the novel, Yai’s plans to go study abroad were already set before Jom even got there, not something he won as a consolation in a negotiation over marriage. Which has some implications I’ll get into in the next section.

Winner: The drama, where the family dynamics were much more thoroughly explored. 

The Romance 

gif by @loveisactivated

As I mentioned above, Tee made a smart choice in bringing Yai more firmly into Jom’s orbit early in the story, but unfortunately, he didn’t do much with that advantage and actually failed to use some of what the novel gave him to work with. In the novel, Jom is much more aware of the attraction between him and Yai, very attuned to Yai’s flirting and their age gap, very aware of his own growing attachment to Yai, and thinking through the implications of all of it as it grows, which is a more natural and believable build up to their romance than in the show, where Jom seems distracted and unaware of Yai’s affections until they suddenly start jumping each other. That lack of romantic development in the show (which we discussed even as it was airing) was not because the material was not there for Tee to use in the book; he simply had other priorities and neglected to build it properly in show time.

That said, I have to give major credit to Tee for how he handled the romance once our leads were together and intimately involved. First, he really brought some of the scenes that were in the book to life in a way that still has me shook, like Yai’s drunken poetry recitation (credit must also be given to Bright for his eye work in that and many other scenes, what a stunner). And on top of that, the drama has some of the best physical intimacy scenes I have ever seen in any drama, full stop, and that is nearly all Tee and his creative team. He used elements from a few scenes in the book, but he remixed and amplified them to be a lot more powerful, and certainly much more artful and sensual than the sex scenes in the book. That olive oil masturbation scene? The show gets full credit, and the way the direction, editing, and performances so vividly painted their attraction to each other still gives me shivers when I think about it.

But anyway, back to bitching about Tee: one of the scenes that really stuck out for me like a sore thumb in the romance arc in the show was when Yai learns he will be going abroad and he and Jom discuss it in a curiously flat and emotionless way, with Yai acting like it’s no big deal for them to be separated for three years. I mentioned above that this was a change from the book: in the novel Yai was already set to go abroad before he ever met Jom, it was not a new surprise that came about after they were together. They discuss Yai’s impending departure twice in the book; once when Jom is still only Yai’s majordomo, and then once again when they are lovers. As you can imagine, the emotional tenor of these two scenes are quite different. And Tee used the wrong one for the show! I almost threw the book at the wall when I realized I was reading the verbatim dialogue from that scene in the show in the context of Yai and Jom hardly knowing each other yet, and then again when I got to the second conversation that was actually appropriate for two lovers who do not want to be parted. That has to be one of the most senseless adaptation mistakes I have ever seen. Tee Bundit, what is wrong with you!!

Lastly for this section, I will just note that the very long, drawn out goodbyes between Yai and Jom are also a show invention. In the book, Jom gets yanked to the next time period with no warning shortly after they get together and begins his next adventure with another Yai. Since Tee was ending the show here in this time period, he went in a different direction, having Jom and Yai much more aware of Jom fading and anticipating a separation so that he could (say it with me) make everything sadder. His choice to wallow for two entire episodes in sorrow and melancholy and to put much heavier focus on Yai’s despair was entirely his own, and so very on brand.  

Winner: It’s a draw. The book definitely writes the romantic arc more holistically and doesn’t have any of the missteps the drama does, but the show is so artful and the parts it gets right are so good I will remember them for the rest of my life. And I can’t pretend I’m not an angst monster at heart, so Tee’s sad af vision totally worked on me.

Sides and Queer Community

gif by @my-rose-tinted-glasses

Here is where Tee’s adaptation really shines, and I know others have discussed these changes before so I won’t go too deep on the details. But I absolutely have to give Tee props for taking tiny threads for these side characters in the books and building them into whole people that we actually care about. Especially in the case of Ming and Fong Kaew, Tee really made something of their extremely thin book stories to turn them into fan favorite characters with real growth arcs. I do think the book was better in the way it handled the fated connection between Fong Kaew and Khamsaen, but everything else about Fong Kaew’s story was deepened by the show. And Tee gets credit for adding so many meaningful stories for women characters in the first place, let alone developing a lesbian romance for Eung Pueng and Maey. He picked up on a tiny bit of subtext for underdeveloped characters in the book and ran with it, and it really enhanced the story. 

He also used side characters as a means to make this story feel all around more queer, not only by including additional queer romances but by building out a real sense of community and solidarity among the queer characters. Not only the addition of nods to real queer history, but the speakeasy, James’s explicit queerness, and Nuey the Green Queen are all Tee additions to the canon that really enhanced the story.

Winner: The drama and it’s not close. Well done, Tee!

That Ending

gif by @dragonsareawesome123

One of my biggest interests in reading the novel was seeing how the ending with modern Yai is explained in the original source material, because I found the drama version of that scene so lacking. Well, it turns out, the novel did pretty much the same thing! The ending sequence of the book is even shorter than the scene in the show and similarly offers zero explanation for this new version of Yai or how he knows Jom before they jump each other and the story concludes. The main narrative ends there and the book then tacks on an epilogue explaining who this new Yai is, and it reads like an afterthought. Honestly, it felt to me like the writer ran out of steam and just didn’t bother to finish the story, and Tee did exactly the same thing. Which is kind of infuriating, because being able to fix stuff like that is one of the best things about a good adaptation. 

Winner: Absolutely no one, my kingdom for a proper ending to this story.

gif by @pharawee

So, my conclusions? 1) Tee Bundit is the saddest creator in Thai bl, hands down; 2) It’s a draw between which version of this story is better. The novel and drama both have different strengths and significant flaws, but both versions are compelling and had me on the edge of my seat. I highly recommend the book to anyone who is missing the show and wants another chance to revisit these characters, plus the added bonus of seeing Jom wrangle Commander Yai, something we are unlikely to ever see on our screens (though hope springs eternal besties!). If you do decide to give it a read, come talk to me about it! 

[cursedcrazy-starkid]

Little detail in NPMD that’s living rent free in my mind (spoilers ahead!)

I know the fandom has been obsessing over figuring out the lyrics to everyone’s favorite chaotic™️ scene but I wanna acknowledge something in the choreography that caught my attention💃🏻

Okay so first off MASSIVE PROPS to Lauren for choreographing this so amazingly. If you pay close attention you’ll notice that each of the Lords in Black has their own cute little 8 count dance related to their character (some more clear than others).

Pokey💙

switching back and forth between his hand and the mask (I’m assuming representing him wanting to block out every voice that’s not his own).

Nibbly💗

need I explain???

Wiggly💚

I’m assuming the arm motions are supposed to represent his tentacles

Blinky💜

also self-explanatory

Tinky💛

… okay honestly this one tripped me up but it fits the vibe

Okay so this alone was a cool discovery, but THEN I noticed that the Lords in Black cycled through each other’s choreography throughout the scene. After a million watches that I absolutely don’t regret I’m pretty sure I figured out the pattern to be: Wiggly➡️Tinky➡️Nibbly➡️Blinky➡️Pokey🔁 in a looping order. There were a few discrepancies in this pattern (I think possibly either due to choreography mistakes or maybe it was just to make the choreography look more symmetrical?) but this was the order that most commonly persisted:

Anything in parenthesis is what I think they were supposed to do because it’s a simple switch that fits the pattern (Corey never did Tinky’s dance but did Nibbly’s for 2 cycles, Lauren had Nibbly and Tinky’s reversed).

Anyway this may already be a thing because I definitely need to get caught up on Hatchetfield lore but I’m wondering if there’s any significance to this order?

It almost matches the order that we were introduced to the Lords in Black in (Blinky being the one out of place):

Wiggly (Black Friday)

Blinky (Watcherworld. NMT Season 1, episode 1 part 2)

Tinky (Time Bastard. NMT Season 1, episode 2 part 2)

Nibbly (Honey Queen. NMT Season 2, episode 1)

Pokey (Yellow Jacket. NMT Season 2, episode 4).

It almost matches reverse order to when we were first introduced to all of the dolls in The Witch in the Web: Pokey➡️Blinky➡️Tinky➡️Nibbly➡️Wiggly. Nibbly and Tinky are reversed, which could maybe be connected to Lauren reversing their dances in the order but I feel like that’s too far of a reach:

It also almost matches the order that the names are read from in the black book (again reverse order and Nibbly and Tinky are switched):

^creds to whoever typed out the script cause my digital ticket expired by the time I realized I wanted to double check this

It makes sense that invoking the names ends with Wiggly since it’s been implied at multiple times that he is the most powerful and terrible of the Lords in Black but other than that I’m clueless.

One moment that perfectly matches the pattern in the dance if you reverse it is the one real picture we have of the dolls from Nick’s Twitter:

If you start with any of them and go backwards it matches the (most consistent) pattern from the dance perfectly: Nibbly⬅️Tinky⬅️Wiggly⬅️Pokey⬅️Blinky

There’s more stuff that shows up in the choreography throughout the dance that intrigued me but this post is already way too long and I’m guessing with my luck there’s probably 0 significance to the order that the dances were done in buuuut yeah I’m driving myself insane on this so if anyone has any insight let me know!

Nerdy prudes must die🤪

[meraki-yao]

So I found this on Weibo and I couldn't stop laughing. This is incredibly niche but I feel the need to share and explain this to my friends on this side.

So the bottom half is the photos that we initially thought were the royal suitor photos before the movie came out, then realized it was in the texting montage, then confirmed by Matthew that this actually isn't Alex and Henry, it was Taylor and Nick chilling between takes.

NOW, the photo on top is a still from 1987 TV show adaptation of one of the four Chinese Classics: "The Dream of the Red Chamber". That is the main couple reading another classical Chinese novel (yes this is very meta) "Romance of the Western Chamber" together, and I think this book that they're reading is the first romance novel/love story to have the couple be in starkly different social standings yet be together in the end.

This isn't a case of parallel in the same sense as my posts putting firstprince and Rapunzel x Eugene or Simba x Nala or Jack x Rose together and finding similarities. In fact, the couple from Red Chamber is nothing like firstprince or Taylor and Nick, not even remotely close, and their relationship ended in tragedy: spoilers, the girl died of a broken heart and the boy lost the will to live and became a monk.

But the point here is that this pair? This is our culture's Romeo and Juliet, our Pyramus and Thisbe. This scene in particular, this imagery of them reading in the garden together, has the same significance as the balcony scene in Romeo and Juliet. Like, if you ask a Chinese person for an imagery from classical literature that depicts love, this is the image most people will say.

AND SOMEHOW THIS PHOTO OF TAYLOR AND NICK THAT WE ALL THOUGHT WAS ALEX AND HENRY LOOKS EXACTLY THE SAME AS IT

This is the most random connection and it's definitely a stretch but as someone who cried over the ship in the top half at the age of 11 I am so fucking amused by this comparison

[akirathedramaqueen]

No better than any royal

It's an analysis regarding classism in Helluva Boss and Blitzø's part in it.

Warning: Apology Tour spoilers. Be advised if you haven't watched the episode yet. And also it's big as hell itself, I am not good in being laconic thing.

I wanted to write a post about the thing which bothered me for some time already, but I wasn't sure how to articulate it properly. Now that the 'Apology Tour' has come out, and we've got another parallel on the same thing, I think I need to grab my shit together and try to analyze this to the best of my abilities.

See, something tingled in me a while ago when I noticed that Fizz, when stating in the 'Oops' episode, "If you think you are superior to anyone, then you are no better than any royal.", was looking at Blitzø the majority of the time. And, of course, he specifically says "neither of you", so... yeah. No doubt he was addressing both Blitzø and Striker.

There is an opinion going around that Striker as a character is designed to be compared to Blitzø. They are both prejudiced towards privileged people (here you can read a wonderful take from @tealvenetianmask on the class rage Blitzø experiences to get deeper into his reasons), with Striker taking it to the extremes as far as killing them with joy, while Blitzø... well, hurting one particular royal in his own way.

Then there's the next person, who says Blitzø's behavior resembles that of Striker, in the "Apology Tour" newest episode.

He says that right after Blitzø throws an accusation that Stolas has just a turn-on for people he looks down on. I like, by the way, how the camera moves up to Stolas, showing their significant physical difference in height and symbolizing their gap in social status.

Which is him, by the way, doubling down on a similar statement in the 'Oops' episode.

I am with you on this one, Fizz :.)

Stolas is very upset about it, and very justly so - Blitzø is putting words in his beak, assuming his mindset, demeaning his feelings, and disrespecting his wishes that he was very clear about. Blitzø means it, unfortunately, and, my take is, he is as much of a classist as the rich assholes like Stella whom he hates for the same very reason.

Just hold on with me for a moment. Look at this.

They are all the same. Stolas is the same.

Blitzø is treating Stolas unfairly based on his social class. Blitzø has a negative opinion of Stolas based on his social class. That's pretty much the definition, although more often than not it's referred to people of lower social status. Still counts in my book.

Don't get me wrong. Stolas is not innocent. He is raised in the privileged world and he takes advantage of it. He is treating his workers unfairly (remember that stressball imp guy?), and this also needs to be addressed... But it does not change the fact that Stolas's genuine feelings got mocked by Blitzø because the latter is so adamant in his superstitions, he does not believe anything the prince says.

And, to add to that, I think Blitzø takes great pride in being the 'I-made-myself' guy, running a successful business they said is rare for an imp. He is insistent in letting everyone know he has a transaction with Stolas, not a relationship. An exchange. A business deal. A fair trade, however stupid and twisted does that sound. He hates privilege, and he is afraid, insecure even, to be associated with it. He does not want to become like them.

And Blitzø, like Fizz said, thinks he is superior to ones who mingle with blue bloods and take from their riches. He thinks he is superior to blue bloods themselves because he earned everything he owns, and they got a birthright to hold onto.

Which, essentially, makes Blitzø no better than any royal.

That does not make him irredeemeable, though. He has plenty of reasons for behaving like that. He suffers every day from injustice. He is at the bottom of the food chain, he has to wait for 5 years to get an appointment for an essential vaccine, he gets ridiculed all the time for just existing. For just being an imp.

Blitzø just needs to understand, that, however privileged Stolas is, he is as fucked by this system as Blitzø is. Stolas had the whole life planned for him, he had no choice even in whom to marry, and he had to put up with years of abuse and trauma to hold an image. He did not have parents and has no friends. He struggles to survive in the environment where people like him are not welcome. He suffers because of the same system as Blitzø does, albeit differently.

I am not trying to compare who has it worse. The only point is that Blitzø is oblivious to the fact that Stolas can get hurt. Physically and emotionally.

Blitzø needs to understand that Stolas is different. Blitzø needs to give Stolas a chance to prove he is wrong. Blitz needs to let their relationship flourish. And through Stolas, he will eventually see that there are probably more royals who are not so horrible as he thinks. That everyone is different regardless of their social status.

As a closing note, I want to say that I wait for Striker's return. I think that there will be a point where they will meet again, but that time Blitzø will mature and prove that he has changed. And no one will dare to say that Blitzø is just like him ever again, which would be a perfect closure for the class conflict.