#my reaction to mutiny like

[zhoras-bitch]

"average greek pisses off 3 gods and demigods a year" factoid is actually just statistical error. average greek pisses off 0 gods and demigods per year. Odysseus of Ithaca, who is just going home & making a mortal enemy of yet another olympian each day, is an outlier and should not have been counted

[extraterracetrial]

Personally I think Ody already knew Eury opened the wind bag, initially bc there's just something about his tone and the way Ody cut him off in the beginning of Puppeteer that felt... deliberate? But it's also mirrored in Scylla and Mutiny

It's just a little thing in Scylla but when Eury first tries to confess in Puppeteer Ody gives him a task instead "go check out the island" vs "light up six torches" instead of talking about it, like he's avoiding it

But more prominently is "whatever you have to say can wait some more of this I'm sure" sounds to me like "don't tell me. If you don't tell me we can pretend I don't know and I don't have to do anything about it. Lie to me (by omission)" vs Eury's "tell me you did not know that would happen" and "then you have forced my hand" while said in anger can also totally be ready similarly. I've already seen others talk about how he was basically begging Ody to lie to him so like, "lie to me so I don't have to do anything about it" again

(whether or not Eury would've been able to play along, assuming he did want that, I don't know, and ig we'll never know)

Also Ody's total lack of reaction. Sure Scylla had "leaving them feeling betrayed" but having it said out loud could still sting. It could also be a "I thought we had a deal to not talking about that" type betrayal.

Anyway many thoughts head full

[gigizetz]

Hi gigi!! I hope your day is going well :) I had a few questions about the creative process with Mr Jalapeño, if you don't mind answering or if you're at liberty to answer

First, how early does Jorgy Gorgy approach you with the request to do an animatic for the livestream? Wisdom Saga came so soon after the Thunder Saga, but you still did pretty lengthy animatics for both those sagas AND the Sufferring and Scylla animatics on your own channel (like, seriously, are you God?? How do you crank out these high quality animatics so fast??)

Secondly, we've seen Jay's reference videos that he sends to artists, but I was wondering if you get any creative liberty in this process, too? I'm asking because I found it strange/funny how the reaction of Calypso hearing about Ody's wife was more "oh my god no what the heck he's taken" rather than "oh I'm gonna kill this woman" which was prevalent both in the original demo of the song and the animatics that sprouted from it! Was this change a direction you took, or was it one Jorgy wanted?

Sorry for the long ask, and I completely understand if you cant/don't want to answer some of these questions! Hope you have a lovely day tho :D

it's totally fine to ask that :D

for both animatics he approached me roughly 20ish days before the release of the songs (I think with Mutiny he might've reach out earlier but I can't remember), and we quickly go through which parts of the saga I'll be able to work on within that time frame.

And I do have a lot of creative liberty in those works. This specific Calypso moment was all Jay though!

[vodika-vibes]

Just One Date

Summary: You're a Military Doctor attached to the 212, and you've come to consider Commander Cody as a friend. Turns out, that he sees you a little bit more.

Pairing: Commander Cody x F!Reader

Word Count: 1333

Warnings: Cody makes suggestive jokes, and gets whacked with pillows and has a hand slapped over his mouth for it.

Tagging: @trixie2023 @n0vqni

A/N: HAPPY 2224 Day! I came up with this idea at 5:30 this morning when I originally woke up and when I remembered what today was. There might, possibly, be a sequel where the date actually happens. It depends on people's reactions to this one.

You’ve been a civilian employee to the GAR since you were old enough to enlist. The military wasn’t exactly your “dream” career, but it got you away from your incredibly toxic family, and it paid you to go to medical school.

And, really, at the time the odds of there actually being a war was slim to non-existent.

Jokes on you, the war started 6 months after you graduated and you found yourself bouncing from military base to military base, before finally getting assigned to The Negotiator, under General Obi-Wan Kenobi and Commander Cody.

The Commander is everything you’ve ever wanted in a Senior Officer, respectful and professional when the situation calls for it, but more than happy to share jokes with you when you’re not working.

The General, however, is a walking migraine.

At this point, you’re beginning to think that your job would be easier if you were assigned to literally any other battalion.

“General Kenobi,” You say as you pinch the bridge of your nose, “Did you, perhaps, skip your basic first aid lessons as a child?”

Helix, working on Commander Cody at the bed behind you, doesn’t bother to muffle his laughter, but you tune him out with the ease of long practice, instead pinning your General with an accusing glare.

“Well,” General Kenobi rubs his chin thoughtfully, “I was a very busy padawan-”

“So, perhaps, you skipped the basic first aid classes that say when you get stabbed, do not remove the stabbing implement?” You interrupt.

“Well, I wouldn’t say that I skipped the lessons-” He demures.

“And your reasoning for ignoring Commander Cody’s very reasonable order to not remove the knife from your thigh?” You ask.

“...uh…I was in shock?”

You smile. It’s a nice smile, and you’re pleased to see General Kenobi slump on the hospital bed, “Well, since you ignored your Commander’s very reasonable, and correct, order. You’re going to spend the next three days in a bacta tank.”

“I don’t think you’re allowed to use bacta tanks as a punishment.” General Kenobi says thoughtfully.

“I don’t think you’re in any position to argue with me.” You counter with a roll of your eyes. “Relax, General. It’s not a punishment. You’re more injured than you look. And maybe you can get some sleep if I drug you enough.”

General Kenobi sputters, “Commander! Are you hearing this?”

“Hm? What? I’m not listening.” Cody says with a sly smirk.

“Well, there you have it. The Commander’s on my side.” You say brightly, as you spin to grab a syringe of the sedative that was especially formulated for Jedi. “Good night, General.”

“This is mutiny,” General Kenobi says with a frown.

“Yes, yes. I know.” You inject the liquid into his IV, “We’ll see you in a couple of days.” The older man slowly drifts off to sleep, and you pass the General over to the men who can get him into a bacta tank easier than you.

And then you spin on your heel and move over to Commander Cody, who’s laying on his hospital bed very peacefully, a small grin playing on his lips. “What’s wrong with you?” You ask, as you grab his file and scan it.

“Well, I was blown up, mesh’la.” Commander Cody says blandly.

“Well, that was silly of you. Why would you do something like that?”

“I woke up this morning and thought, ‘how can I make my medics pull their hair out today?’ and decided that getting blown up was the best way to go about it.”

You smother your laugh and glance at him, “One of these days Helix is actually going to kill you.”

“But you’ll protect me won’t you?”

“Of course.” You wink at him, “Everyone knows I’m the scary one.” You scan his record for a moment, and then favor him with a smile, “Aside from some bumps and bruises, you look totally fine.”

He grins at you, “So you like how I look, do you?”

You sigh, “Commander, that joke got old within a week of working with any of you.”

Cody just laughs and sits up, “Come on, Doc. I won’t tell. We both know that I’m the most handsome.”

“One of these days,” You counter as you set your hands on your hips, “I’m going to buy a box of chocolates and address it to ‘the most handsome man in the 212’ just to see who wins.”

“Aww, mesh’la, you don’t have to buy me chocolates.”

“Ooh, someone’s cocky.”

“You have no idea.” He flashes a boyish grin, “I could show you, if you like.”

You squint at him, “What?”

“Just how cocky I am.” Cody clarifies with a sly grin.

Your jaw drops and your face burns, before you grab the thin pillow and smack him with it, “Behave!”

Cody laughs, as he fends off the pillow, “What? I just repeated what you said. It’s not my fault that your brain lives in the gutter.”

“Rude. Rude!” You huff, “I changed my mind, I’m not going to protect you from Helix. RIP Commander Cody. I knew you well.”

“C’mon mesh’la,” He teases, “Having a dirty mind is a boon. Well, I think. Especially if it’s dirty about me.” Cody reaches out and lightly grips your hips, tugging you closer.

You scowl at him, though it’s really more of a pout, “You know, there are almost 2 million men identical to you-”

“Yeah, yeah. But you don’t have dirty thoughts about them.” Cody replies confidently.

“You’re so sure of that?”

“Yup.”

You shake your head, “Come on, Commander. You’re hardly a mind-reader.”

“I don’t have to be. I see how you look at me.” He says with a smirk.

“And how do I look at you?” You ask sarcastically.

Cody’s smirk grows into an amused grin, “Like you wanna drag me into a supply closet and ri-” You slam your hands over his mouth.

“Okay! Thank you!” You yelp, your face burning. “Why do people think you’re the mature one?” You bemoan.

“Because I play the part well,” He says smugly, his voice muffled by your hand. 

“Can I remove my hand or are you still going to try and embarrass me?” You ask.

“I like it when you get all embarrassed, it’s cute.” Cody replies before he pulls your hands away from his mouth, and then presses them to the bed next to him without releasing them.

“Hm, you seem to have forgotten to release my hands.” You say dryly.

“I didn’t forget. I did it on purpose.” He says, his dark eyes scanning your face.

“And why would you do that?”

“Go on a date with me.” Cody says.

You blink at him, startled. “I beg your pardon?”

“One date,” He clarifies, “That’s all I’m asking for.”

“Commander-”

“Cody.” He interrupts, his gaze serious, “One night. Let me show you how good we could be together.”

You avert your gaze for a second, and you know that he can feel your heart racing with how he’s holding your hands still. “Commander, we’re not going to be returning to Coruscant for several months-”

“Cody, and I don’t care. I can woo you even on the Negotiator. Give me a chance.”

“And if we don’t go well together at the end of the night? What then?”

“We’re going to be great,” Cody counters, “But, if,” He rolls his eyes, “For some reason, we don’t work out, then nothing will change.”

“Com-”

He tugs your wrists so that you topple against him, “Cody. My name isn’t that hard, is it?”

“...Cody.” You finally say with a sigh, though there’s a small smile playing on your lips, “I suppose, since you’re so eager, I can agree to a single night.”

“There's going to be more than one.” Cody says confidently. 

You hum thoughtfully, “Prove it.”

He grins at you boyishly, “I can do that. I already have the whole thing planned.”

“...How?” You ask, exasperated.

“I’m very good at what I do.” He replies smugly.

[hacash]

There’s something interesting about Crozier being set up as this very washed-up figure who is, quite frankly, crap at command: he’s dismissive of his underlings, has all the tact of a runaway horse, drinks on the job to the extent of not being able to do his job, he’s not inspiring or comforting when he needs to be, he doesn’t seem to show any understanding at all. But because he’s such a flawed character, he understands human frailty intimately. And when the mutiny occurs his first reaction is: I want as many of them back as will accept my help, I see my own flaws in them and I embrace that, I forgive each and every one of them except the men man who let them down.

Whereas Goodsir is the gentlest, kindest, most moral etc on the show, he’s understanding to all, compassionate to all, and so on and so forth. And his moral compass is so strong that it can’t bend, it can only snap. And so his response to the mutineers can’t be compassion, it can only be pay evil unto evil - and so he acts to kill as many of them as possible (even people like Diggle and Hodge and Manson who the audience knows are fairly harmless) even though it’s fairly obvious that most of the mutineers are just scared idiots, because Goodsir’s moral code can’t allow for anything else.

And by ‘interesting’ I of course mean ‘ow’.

[piratecaptainscaptainpirates]

On a recent rewatch of s2e3, I noticed how interesting it is to spot clues something's up with the gravy basket before Ed does! The entire episode really rewards a rewatch or ten but I think this part is especially neat. For the purposes of organizing my thoughts, here's what I've noticed so far that contribute to a feeling of "something is definitely off here:"

It is so blue. Blue like water, maybe? Especially when you're expecting and noticing it, it's striking just how blue all the gravy basket scenes look. The blue doesn't let up, either - in fact, I almost think the blue filter gets heavier once Ed realizes what's going on.

Hornigold is always bringing up stuff that's just a little too relevant to Ed's situation - for example, when he's trying to get Ed to eat some soup and Ed resists on the grounds of Hornigold's past behavior, Hornigold says that "I was in a bad place back then, last time I was too much on the rhino horn." I don't think it's a coincidence Ed's also been doing so much rhino horn other characters have been commenting on it.

Part of this is surely just for the sake of adding levity, but you know how no one responds quite right to stuff in dreams? It's like how in the opening scene with Stede's dream, dream-Ed's dialogue is just off enough to notice. The way Hornigold talks to Ed reminds me of that - he's hitting enough rational responses that it makes sense and you don't notice right away, but something's definitely weird. For example, he says "I can see you're agitated" when Ed is, like, thrashing and hyperventilating and visibly terrified of his soup. "Agitated" is such a mild word to use that it almost seems inaccurate.

Hornigold flips topics to things that are probably weighing pretty heavily on Ed's mind in a way that really stands out when you watch for it. When Ed tells him about his mutiny, Hornigold seems very disinterested and then suddenly pivots to ask him "are you worried you're insane?" Ed immediately replies "yeah, a little bit," letting us know this isn't the first time he's had that thought. And immediately after that, no buildup or segue or anything, Hornigold launches right into the "I once fed a cabin boy a live crab" thing, which is probably drifting to the front of Ed's mind considering he's thinking about Hornigold and that was such a traumatic event for him. The conversation is clearly following Ed's thoughts, not Hornigold's.

We know Hornigold is Ed and we know Ed hates himself, and Hornigold is so fucking mean to Ed, even when he's seemingly trying to take care of him, like with feeding him soup. He force-feeds him and talks down to him constantly, telling him his mutiny was basic, shutting down his ideas (like the inn), dismissing his emotional reactions, and refusing to offer him any real comfort.

Really interesting stuff. I adore how OFMD has so many little details in every episode you can only fully appreciate on a rewatch!

[girlbossblackbeard]

ahhhh new teaser new thoughts!!

^in this photo we can see both Zheng Yi Sao and Spanish Jackie which means, despite Jackie's reaction to Stede and Co. trying to steal her indigo powder and despite Zheng Yi Sao's reaction to Stede and co. mutinying, somehow they're all gonna put their differences aside and wind up working together, most likely to defeat the English/Privateers/whomever tf Ricky winds up working with. This is actually a little surprising to me because it seemed like Zheng Yi Sao's fleet were getting set up to be a bigger villain by the end of ep 3, so I'm excited to see how her relationship with Stede (and Olu!) is resolved.

^in this shot we see Ed and Zheng Yi Sao, further proving that she becomes an ally to them rather than an adversary. I am soooooooo excited to see those two interact with each other, one bad bitch to another 🥺 I'm also wondering if this is around the same time that we get Stede (WITH HIS EARRING HEWWO!!!) talking to SOMEONE about how it's not so bad being a failure from the trailer since he's also wearing the slutty little top with strings. part of me thinks he's talking to Zheng Yi Sao, potentially after having lost a battle? idk man we'll see!

^this last one had my heart stopping for a moment thinking I was watching my beloved Revenge get blown to all hell but upon closer inspection this looks like one of Zheng Yi Sao's ships. The flags are very rectangular and I think they're legitimately red in this shot, not just because of the fire. The other ship looks a lot like the British navy ships we saw in s1 based off the 3 yellow stripes along the top of the hull

anyway that's all I've got for now, can't wait to go even more insane in just 2 days :))))

[backpackingspace]

I just really think we glossed over eurylochus's confession and the mutiny in thunder saga. Like first off no reaction from odysseus at all?? And then after being stabbed and over thrown and (I assume) tied up all odysseus has to say is my head hurts? And then eurylochus is reverting to calling odysseus childhood nick names??

[noxer]

"Getaway - from hero to zero"

DISCLAIMER: Everything expressed is a subjective opinion that does not claim to be true or significant, I am not justifying anyone, and all this is necessary to simply examine one character under a magnifying glass.

I really love Getaway as a character because you can endlessly interpret him and his actions, even though he only appears in MTMTE and LL, which I remember were written by the same writing team. Getaway is interesting as an antagonist, especially since at first he is presented as a rather likeable character, and at the time of the events of MTMTE his motivation is still quite understandable. And the fact that it's getting such a negative reaction shows how well it's written (or how much people like Cygate). And he’s so pathetic that I want to tenderly bite his head off. So I want to put together what we have on this special agent and see what he’s like. After all, despite the fact that he is revealed to us in comics, we can only guess about many details, since the writers could not show everything as it is, so as not to disrupt the intrigue.

First steps

The only thing we know about Getaway's past is his telling Tailgate about his first battle, from which the newly activated Getaway escaped. I don’t want to analyze specifically the act itself, because it is quite difficult to judge whether this escape was justified or not (pro - what else did the Autobots expect from a newborn?; con - the other MTO, it seems, remained to fight). I want to talk more about the impact of this act on Getaway's personality. Because Getaway is definitely ashamed of what happened, since it doesn’t fit into the image he wants to create. The only reason he shares this story with Tailgate is to a) make Tailgate feel sorry for him; b) instill in Tailgate an even greater sense of hostility towards Decepticons; c) a kind of therapy - he needs to share this with someone, and he doesn’t feel an emotional attachment to Tailgate, that is, he doesn’t care what he thinks about him, plus, Tailgate still has to die according to the plan, which means he’s already won't tell anyone anything.

Shame in most cases leads to anger, either at oneself or at others. Getaway chooses the second, and begins to slowly accumulate resentment and anger towards both the Autobots and the Decepticons, that is, towards those who started this war and thus forced him to be born as a soldier. In addition, the feeling that he is now forever branded a coward lays the first bricks of Getaway's exorbitant ambitions, as a way to make amends for his initial transgression. Let's add to this the very status of Getaway as literally a consumable item - the fact that he could die in the first minutes of his life was quite expected. Then attempts to become something big become a matter not only of ambition, but also of banal survival, because a specialist is less likely to be sent directly under fire than an ordinary soldier.

Diplomatic corps

We know almost nothing about Getaway’s work in the special unit. What I want to highlight here is Getaway's attitude towards Prowl. He clearly has a certain respect for him, and we have no reason to believe that this respect is feigned, if only because Getaway's behavior is in many ways a copy of Prowl's, only a little more inept. Getaway tries to manipulate like Prowl, tries to scheme like Prowl, but since he has less experience being the one who plans the operations rather than the one who executes them, things do not go entirely smoothly. Honestly, I can't get out of my head the image of Prowl berating Getaway not for attempted mutiny, but for how clumsy it was.

I mean, his entire plan rested on one Tailgate, and if something happened (and it did), all, literally all the threads would lead to Getaway. Getaway tries to be smart and accurate, but in the end his actions still amount to brutal blows to the head (sometimes literally), simply because that's how Getaway is used to acting. He is an operative, not a tactician or strategist. He acts here and now, with small goals like “kill X”, “successfully escape”, “survive”, and when fate confronts him with the need for long-term planning, Getaway simply cannot cope. No matter how manipulative the scriptwriters make him out to be, for the most part Getaway behaves almost instinctively. I highlight this this way because a similar pattern of “a small person (bot) trying to seem like something big” is clearly visible in Getaway’s behavior almost always. He tries to be an Autobot, but escapes from his first battle. He tries to be an "evil genius", but in the end, all his plans fail and he gets through only through luck and evil chaotic throwing, in the hope that something will work. He wants to become Prime, but does everything to ensure that his name is associated with this title as little as possible. Getaway may be a villain, but he's primarily a failed villain, not a villain with a plan.

"Primus apotheosis" - or similar symptoms?

I'm actually very wary of the whole "primus apotheosis" situation, because it was only added in LL, and therefore there are some doubts and inconsistencies with MTMTE, but more on that a little later. What do we know at all: there are certain signs that distinguish Prime from among ordinary bots, and Getaway, having discovered them in himself, becomes fixated on this. Why is that? Back to the “I’m-more-than-I-seem” pattern. For Getaway, it is important to be more significant than he is, so much so that he is ready to cling to semi-mythical descriptions just to feel better. In fact, these signs are no better than some “aryan standards” - they are just an easy way to gain superiority over others. For Getaway, “primus apotheosis” is only a consequence of his ambitions and inferiority complex, which took this form due to the war surrounding him and a certain “cult of Prime” that reigned among the Autobots. Since 1) i am a doctor not in the field of psychology, 2) we have no information about the Cybertronian psyche, 3) Freud’s diagnoses is not the most reliable, in principle, it is difficult to say whether Getaway actually has such a disorder, but if yes, it fits perfectly into his image.

Also, the “primus apotheosis” fits into another aspect of Getaway’s personality – his rather contradictory relationship with their god. The Autobots, unlike the Decepticons, in some places still retain a somewhat functional attitude, as well as faith in Primus. From this point of view, Getaway is in a rather unenviable position - he is a MTO who ran away from his battle, that is, in some sense, did not fulfill his function, he is constructed cold, that have long been considered second-class, he is a murderer, no matter what he said. And Getaway simultaneously hates Primus for who he created him, who he forced him to be, and longs for recognition and forgiveness from him. Becoming a Prime was about affirming that he was worthy, that he was forgiven, that everything he had done was right. Because if sinners like Optimus and Rodimus could become Primes, then so could Getaway.

Mutiny

We already know that Getaway hates his origins, and this anger is constantly projected onto others, but especially Megatron. The logical chain is as follows: “if you had not started the war, I would not have been created as MTO, I would not have had to become what I became, I would not have had to prove my right to life, I could have been like others.” For Getaway, Megatron is another obstacle to being as valuable as the others. He dared to start this war, and made Getaway's life like this. I also wonder if Getaway might see killing Megatron as some kind of “redemption”? "I killed the greatest monster in our history, something previous Primes couldn't do, I'm not that hopeless, right?" However, even if you remove the specific reasons, Getaway will still have the motivation to get rid of Megatron, because of whom many, many cybertronians died. Removing the one who started and supported the most destructive war of your species away sounds like a good reason. And Getaway does everything for this purpose, at least until the ill-fated events of LL.

Crucial moment

The difference between Getaway MTMTE and Getaway LL is quite noticeable. In MTMTE, Getaway is motivated precisely by his hatred of Megatron as a military leader; his “primus apotheosis” was only added into LL. In MTMTE, Getaway really was a mini-Prowl - he had a completely understandable and even justified motivation - to get rid of an objectively dangerous crew member - which he solves in a not the most humane way, using Tailgate. Getaway in MTMTE has a lot of likeable traits until we are gradually introduced to his slightly less pleasant sides, making it difficult for us to know how to feel about him. Yes, he put one of the beloved characters in danger, but he did it for a reason we can understand. We get asked a pretty tough question, which is great, right?

Now forget all this. Because in LL, Getaway does terrible things for terrible reasons, and his “primus apotheosis” is revealed, and it just becomes difficult for us to respect him at least as a villain.

But why is this even the case?

Doylist explanation

It was vital to the writers that the core cast was Always Right™. In MTMTE, it was quite easy to sympathize with Getaway (unless you are a fierce fan of Tailgate and Cygate). And since the main goal was the redemption of Megatron, Getaway had to be removed. Because Getaway's character asked this question: "Maybe Megatron can redeem himself. Maybe he deserves it. But what if we, who suffered from his decisions, are physically unable to forgive him after all? Don't we deserve our good ending?" And the writers didn't have an answer to that question (because there's no right answer). And they had to make Getaway much worse so that readers would not have the slightest desire to understand and and accept his ideas.

Watsonian explanation

Getaway has really, truly gone crazy. He has currently spent some time in a cell, unable to move or speak, having previously been held captive by Tyrest for an undetermined amount of time. Yes, Getaway is an operative, his psyche must be prepared, but everyone has their own limit of strength. Getaway later leaves the team at the mercy of DJD because they were the ones who threw him into the cell, even though he was doing them a favor by getting rid of Megatron. Thus, he allows his partner and friend to die, which is also unlikely to contribute to mental health. And as time goes on, Getaway's actions become increasingly desperate and insane in an attempt to survive and reach Cyberutopia, where he hopes he can find forgiveness for all the terrible things he has done. In the end, his last actions are, in order, 1) an attempt to blow up the ship along with himself; 2) unsuccessful suicide attempt; 3) an absolutely senseless attack on Cyclonus, either out of desperation or in the hope that he would kill him; 4) he lost his sense of reality so much that he believed the illusion created by the scraplet colony. By the end of LL, Getaway is more of a hunted animal than the calculating saboteur he was in MTMTE.

Bottom line

So what do we get in the bottom line? Getaway was destined from birth to become a bargaining chip in a conflict to which he had nothing to do. His unsuccessful "debut" began his quest to become something significant, in the hopes that others would forget who he was. Prowl gives him this opportunity, which is why Getaway begins to see him as a role model, adopting his worldview, ways of acting and attitude towards others. At the same time, Getaway “grows up” in an environment where some stereotypes and prejudices, including religious ones, still persist, and there is also an idealized figure of Prime. Since his promotion to special agent has hardly changed anything for Getaway about himself, he becomes fixated on the supposed signs (perhaps with the occasional intervention from Skids), although most of the time he "keeps it under control" until something serious happens. Getaway has loyalties and principles, he can have feelings towards others, and I don't believe his attempts to kill Megatron were always purely selfish. But Getaway puts these feelings aside in favor of “more important things,” because the fear of being a nobody again, of being just MTO running away from battle, is stronger than all his attachments. Getaway is a terrible (and rather unhappy) bot, not because he has always been like this, as they tried to present it in LL, but because between real significance - being important to someone - he chooses false significance - being important to everyone, which the same as being important to no one. It is still easier for Getaway to run away, chasing something illusory, than to fight for something important. And no one is to blame for this but him.

[ellena-asg]

Barbossa's reaction/opinion about sparrington? :-)

Ayy, Hector! ♥️ Hm. Something like "Whatever" cause he isn't much focused on Jack's and James' private life. But, he is everyone's "weird uncle" (shout out to kiyotakasgirlfriend ♥️) so there's also "My congratulations but if you want to ask me - sorry, I don't officiate weddings anymore. Ah, you chose Mr Gibbs, good". And, jokingly: "So, lovebirds. Time to find a cozy nest for you, ha? Somewhere nice. On the LAND. Oh. Poor Pearl! You won't need her on the land! But don't you worry, Jack. Have a great time. I WILL TAKE HERRR!" 😉

And... He would be okay with sparrington? I mean, it's really not his business and not his focus. Also, it's not against his interests. James as ex commodore/admiral (and now pirate) is no longer a danger or Hector's enemy (but he will be if Hector tries to hurt Jack again - oh of course Gibbs told James about the mutiny).

I think Hector would like James or at least like some things about him. For sure James' sassiness and sense of sarcasm (cause it's a pure Art 😄). His intelligence, good manners and gentleman's heart. His love for the sea and ships. And that fascinating mix: James being so calm and non-violent vs James who can be such a hurricane (fire and water in one man). And come on, James is cute, how not to like him? 😉 Plus: they can roll their eyes together when Jackie does something silly 😂 (Hector's and James' eye-rolling is sooo ♥️)

I would really want to see Hector trying to be a better friend to Jack, trying to be a friend again. And being friendly to Jamie. Would be great to see him around Jack & Co and him having a nice and epic time with them all ♥️

[this-is-gonna-hurt-me-inside]

Codywan POTC AU ideas

Ok so people seemed to like the idea (and my lack of experience in actually making posts that reach people showed when I tried to make this post through reblogging and it didn't appear anywhere :') ) so here's what I currently have with some rough drawings!

Here's the original post I made about it

Ideas and drawings for AU below, please feel free to use!! No idea if I'll actually write something for it, the creature in charge of driving my brain will decide I guess.

Ok so, Obi-Wan fills the role of Elizabeth and Cody is Will in terms of who’s the governor’s child (or grandchild/ward here) and who is found floating at sea with a mysterious medallion and becomes a blacksmith. Going to deviate from the story a lot but needed Cody to have that blood importance link - you will see why later.

Dooku is governor who takes in his grandson Obi Wan as his ward after Qui-Gon’s death, then brings him with him to port royal (feel like Dooku is a good fit for all the colonisation/sugar plantations/definitely not the good guy the films presented him as considering Caribbean in the 1770s.) Obi-wan and Cody grow up keeping in contact and obliviously infatuated with each other as per films.

Not sure if there’s a Norrington equivalent here. Satine would probably be the easiest fit in terms of romantic triangle but couldn’t be an exact match as she’d never be a soldier even if we ignored period accuracy (no idea if I will or not) and a lot of his actions would be an insult to her as a character. Think it would probably be that Satine and Obi-Wan are dear friends who aren’t interested in each other romantically but are being pressured to marry because advantageous match etc. (Possibility of both getting into Methodism and abolitionism through that and that being their points of discussion, and the clash occurs when from start of events of second film Obi-Wan goes and begins to take a much more active route to abolition eg. Killing slavers and boarding their ships to liberate those inside. Satine being against the killing and violence etc but thats later on!)

For Captain Jack Sparrow, who better than the greatest space pirate of them all, Hondo Ohnaka! (Was considering having Quinlan Vos for it but feel like his moral compass is too strong honestly)

As in the films, black pearl (possibly renamed) attacks the port and Obi-Wan is taken aboard with medallion when he invokes parley and, when he gives his surname as Fett, is taken away as they leave. Barbossa I’m currently thinking is Maul (which ties in beautifully and absolutely not completely accidentally with the clone wars episode where Hondo’s crew mutiny him to join Maul) who is going to manage to get singularly obsessed with Obi-Wan by the end of the events of the first film where he is not actually dead/possibly reincarnated like Barbossa in the films but blames Obi-Wan for everything (which would honestly be more justified than the root of Mauls obsession in canon).

Cody breaks Hondo out to help him rescue Obi Wan, they assemble a crew on Tortuga. Various Jedi characters will be appearing as part of a large network of escaped slaves and outlaws (for various reasons) who want to help people in similarly difficult and/or dangerous situations. The Jedi have had dealings with Hondo before and essentially have a similar reaction to him as ghost crew in rebels - don’t trust him as far as they can throw him but often forced to work with him against their better judgement.

Plot progresses as first film but more oh the real villains are the colonisers (though Maul and his crew are giving them a run for their money). Find out that not only is Fett blood needed to break the curse since Jango was involved with initial treasure taking, but there’s a mysterious extra reason why people are wanting to get their hands on a son of Fett. Murmurs of gaining favours with others saying it’s bad luck to have one on the same ship as them. Jedi and Hondo who have known Fett are also reluctant to give their opinion when Cody asks what Jango was like.

Movie accurate romantic and sexual tension between obi-wan and cody, gonna say period accurate homophobia also playing its part in stopping them acting on it.

After being rescued from being marooned Obi-Wan promises Dooku he will marry Satine if they rescue Cody, then sneaks out of ship to help take the Pearl and then on to rescue Cody. If it is Jedi in the crew they may well go with him but otherwise same as film. Hondo persuades Maul that he should become a commodore and Mauls crew “take a walk”. Then events as film but Obi wan kills Maul.

When they’re back at port royal, Cody saves Hondo from execution and Obi Wan saves them both either through really banking on his power as Dooku’s ward/heir or sneaking them away with distraction (possibly even before execution date). I quite like the second option as there’s an opportunity for using smugglers tunnels and a first, desperate kiss as Cody escapes with Hondo to join the crew on the Pearl.

So ends first film as it were. Here’s some more rough drawings of Cody and Obi-Wan start of first film vs third film. I absolutely used a reference for that first drawing of Cody and I nabbed the obi wan base for the drawings from another piece I’m working on so sorry about style discrepancies!

Second film! Satine and Obi-Wan’s wedding is taking place the next day and Cody, who has been writing letters back and forth with Obi-Wan , is waiting in the smugglers cave for him so they can run away together. But Obi-Wan never shows. Cody either hears at port or through Satine directly (who knew the plan to run away and was banking on the scandal meaning she could avoid marriage for a good while afterwards) that Obi-Wan has been taken into captivity by a Lord Palpatine/Sidious working for the interests of the East India Trading Company. The charges are for aiding and abetting pirates, his role in helping Hondo and Cody escape has been discovered apparently (maybe yes maybe no, Palpatine doesn’t give a fuck he just wants the compass). Cody somehow finds out about the compass being the wanted trade (Satine as a go between perhaps? Saying she’ll send hired men to get the thing that will save her fiancé?) and heads off in search of Hondo.

Hondo’s meanwhile been visited by an old friend to tell him it’s time to pay his debt, and the black spot appears in his hand. Surprise it’s not Jango! It’s Either Fox or Rex! Hondo scared shitless and runs ship aground on an island which is where Cody finds him and his crew at that time. (Do the Jedi help him get there??) Anyway think the island scenes will be more OFMD vibes than actual events of dead man’s chest.

Hondo tricks Cody into going onto shipwreck to search for key he’ll trade in return for compass. Flying Dutchman arrives and with it it’s captain, Darth Vader.

Another very rough drawing I added extremely rough shading to! Vader is combined Davy jones style with a vampire squid because 1) on brand 2) the membrane sections reminded me of the his mask. He’s wearing a bicorn hat which wouldn’t actually be the trend for another couple of decades but let’s just pretend Vader is incredibly fashion forward.

Cody is alive and so not of interest to Vader, until Hondo, who Vader has sensed and has appeared in front of on the Pearl, tells Vader that he’s a Fett and so part of his payment of 100 souls. Vader scoffs that a Fett son is payment of another’s debt and can’t be used by Hondo, but Hondo replies that Jango Fett died on land and so has no need to settle his debt anymore. Vader finally accepts when Hondo tells him Cody is in love, giving him a fortnight to find the other 99 souls.

Cody hasn’t heard this on the other ship so first he hears of it is Vader basically telling him and welcoming him as another son of Fett. Cody is confused when Vader tells him he can join his brothers on deck, figures he means crew mates, but instead comes face to face with dozens of men who look near identical to him in various states of ‘fishification’.

More rough drawings! I spent too much time on these but they’re still rough so heck it. Only did Alpha 17, Rex and Fox for these ones.

Alpha has been part of the crew for the longest time, as the first son that Jango Fett ‘paid his debt’ with. Torn between hair styles, but he’s turning into a great white shark. Alpha hasn’t known any life outside of the ship as he was barely walking when Jango took him to Vader. Jango essentially decided to settle his debt with Vader by making the souls to give himself because he’s a full out bastard. Mostly this meant one night stands and then showing up a few years down the line and promising to the mother he’d take care of the child.

Fox actually managed to live his life without Jango taking him as a child but it was still a hard life and he’s actually encountered Lord Palpatine/Sidious before. He doesn’t talk of that time but he has the brand on his neck from it (the pirate P). Either Palpatine killed him or eventually he either ran into Jango or those who knew of sons of Fett and believed that sending one to Vader would grant you favour from him/gain you a wish or something. It doesn’t, Vader just subtracts one from Fett’s debt. (Possibility of Palpatine killing Fox hoping to gain communication/favour with Vader?)

Rex is the most recent addition to the brothers in the crew aside from Cody. He’s only a couple of years younger and only a bit of fishification has started. He’s the most hopeful still of the brothers. He’s the one Cody trusts most and has as a confidant for his plan to steal the key.

Meanwhile Obi-Wan has escaped and disguised himself as a pirate. Manages to find Hondo and various Jedi. They may their way to island with the chest on it and Cody, who has managed to escape the Dutchman (name change pending) appears and fights Hondo.

Feel it would be kind of funny if Maul were to appear at this point and go all KENOBI, just to add to the chaos.

Vader is Anakin and fulfils the role of Davy Jones with Calypso being Padme (fun bit when they go to see her in her human form and they’re met by the handmaidens). Not a perfect fit as padme isn’t flighty and wild like the sea but hey ho. So Vader locked away his heart and trapped Padme in human form.

I honestly have no idea if the twins are running around somewhere or not and what they’re doing. Ashoka is definitely around somewhere as is Ezra and other rebels.

Had an idea of reincarnation or believed to be of Obi-Wan as someone Vader viewed as his in some way. Can either actually be reincarnation of just that they look similar/obi-wan is a descendant but Vader ends up obsessed with him which helps add validity when they pretend he’s Calypso/Padme.

Satine has been facing off with Palpatine and his cronies from a legal stand point but Palpatine isn’t playing fair or legal (particularly when he gets Vader’s heart (possibly delivered by Maul?)). Bo Katan would be sick to turn up and fight anyone and everyone.

Not sure if Jango is actually dead or not, but he had Boba and since he stuck around and loved his mother he thinks of him as his true child and has amazing cognitive dissonance to not be horrified and trying to rescue the others. But think he’s probably dead and boba’s running around somewhere not even aware how much danger he’s in (but possibly told by Jango not to tell people his real surname).

Oh also! Note on initial drawing - so I imagine that occurring with Mace Windu filling the role of Barbossa in the wedding scene!

Anyway hope there’s something in here that intrigues people!

[epic-kotlc-crossover]

Mutiny

this is based on the song "Mutiny" from Epic! Fitz is Odysseus and Keefe is Eurylochus

"Tell me you didn't know that would happen," Keefe almost begged Fitz, though he could already feel the guilt wafting off of him, almost as thick as the rain pouring down.

"Look me in the eyes, Fitz." Fitz wouldn't look away from the ocean, so Keefe stepped forward. "Tell me you didn't just give up six of our friend's lives, Fitz, please."

Fitz gripped onto the side of the balcony tighter. The feel of guilt almost choked Keefe, but what made him stop was the resolve.

"SAY SOMETHING!" He shouted, hating how his voice cracked. Finally, this seemed to get a reaction from Fitz, who spun around and Keefe got his first real look at him since Scylla. His hair lay stuck to his face, artfully messy in a way Keefe couldn't help but admire; his eyes were darting everywhere, almost wild-looking, but the teal still took Keefe's breath away.

He was always so effortlessly handsome.

"I CAN'T!" Fitz's scream cut through his thoughts and shattered the silence.

Keefe swallowed, and the lump was almost painful. He drew his sword, determined to protect the last few men he had with him.

"Then you have forced my hand." Fitz seemed to pale.

"Keefe..." his voice was quiet, nervous, and his emotions radiated it too. "Lower your weapon." What did Fitz think Keefe would do? He'd willingly let six people die. Keefe couldn't let that happen again.

"You miss Sophie so bad you're willing to kill." Keefe spat out Sophie's name like it was poison-she was a great person, sure, but worth sacrificing people? No. A hot flash of anger erupted from Fitz.

Fitz drew his own sword. "I don't want to fight you! You would do the same if you were in my position."

Keefe adjusted his grip on his weapon, his palms feeling sweaty. "If you want to make all the choices you get to have all of the blame!" He lunged at Fitz, slashing a cut through his clothes.

How am I supposed to trust you now? Keefe thought as hard as he could, wondering if Fitz's telepathy actually didn't work or he was lying.

The captain seemed to flinch, though that might have been from the cut.

Fitz advanced forward. "Keefe, you need to move because you are not getting in my way." With each flash of their swords Keefe could feel himself get more and more lightheaded as Fitz's guilt seemed to melt away, hiding itself into something smaller. Fury and determination grew in its place.

Keefe lunged forward, and in an attempt to block Fitz's sword, he moved forward too far and it cut through his clothes-and, Keefe realized with growing horror, embedded itself in Fitz. Fitz let out a loud, horrible scream, and staggered back.

A huge wave of pain rushed through Keefe's blood and he immediately kneeled next to him.

"No, no no," Keefe muttered, and yelled behind him. "Do any of you know how to clean a wound?"

No one answered, so he yelled at them to find the nearest island. He needed to help Fitz. He was furious at him, but he was still his friend.

He turned around, trying to ignore Fitz's body, and called for all the crew to dock at the nearest island-they were running low on food.

In a few hours, they'd found one, with hundreds of bright red cows dotting the landscape. When they landed, Keefe told everyone to stay on the ship while he scoped it out.

After a few minutes, he'd decided that it seemed generally safe, though he still couldn't find a single human soul that he could ask to give Fitz come help.

Next to him, a cow mooed.

Keefe could feel his stomach growl.

"Where are we?" asked Fitz, and Keefe jumped, hating himself for letting Fitz sneak up on him. Turning around, Keefe saw that Fitz was being supported by two of the crew members, his dark brown hair frizzy across his face and his signature smile a little wobbly.

Keefe wanted to make a comment about how he shouldn't be standing up but kept his mouth shut.

"We're on an island-the first we found." Keefe turned to him, forcing a grin on his face even when he felt the huge amount of pain Fitz was in.

He kind of deserves it, though. A tiny part of his brain reminded him. Because of him, six people are dead.

Fitz pointed to one of the cows, talking to him almost like Keefe hadn't nearly killed him hours before.

"These are Apollo's cows, you see that statues over there?" Keefe could barely hear him, fingering the grip on his sword. How long could one cow feed the crew?

At least a week, and they'd be actually full for the first time in a while.

A wave of panic coursed through his veins, and he snapped his head over to Fitz.

"Please don't tell me you're doing what I think you're doing." Fitz told him. "These cows-they're sacred. We can't kill them."

Keefe laughed, a sad, quiet laugh. "Fitz, you know as well as I do that we're never going to make it home."

Fitz shook his head quickly, and placed his hand on his sword again. "You don't know that, Keefe." He stepped back, and Keefe quietly missed the proximity. "This is the home of the sun god, do you know what will happen if we kill his cows?"

He ignored Fitz, and quietly unsheathed his sword. "How much longer do we need to suffer, Fitz?" Taking a step forward, He heard Fitz's panicked voice behind him, asking him to stop.

"How much longer until you decide that we're not important enough to go home? How much longer until you decide that you want to see Sophie so badly that all of us have to die?"

Fitz flinched, and Keefe took the opportunity to kill the cow, and Fitz let out a yell.

"What have you done?" Keefe spun his head around at the terror in Fitz's voice and in his veins. "You've doomed us all, Keefe! The cows were immortal-the sun god's friends! Who do you think he'll send now that you've killed one?" Keefe's blood turned to ice.

Fitz staggared up to the ship, but Keefe quickly scooped him up and sprinted onto the ship.

"Everyone, grab an oar and row as fast as you can!" Fitz roared.

The entire crew did as they were told, with punctuated with shouts of "Faster!" coming from Fitz, until a clap of thunder came and pure terror radiated off of him, his face turning deathly pale.

"We're too late."

[madrone33]

Things have been CRAZY since the Thunder saga release! I love it SO MUCH! Thank you thank you Jorge and cast and crew and everyone it was amazing! (Also, Jay, pay for my therapy-)

Anyway, here's my immediate reactions to the Thunder Saga as I listened to it when it dropped at my midnight! (I'm australian, so I got to listen to it 12 hours before the Livestream lol)

Oh btw; copious amounts of swearing ahead. I had zero filter on my thoughts while smashing my keyboard as the songs played, so lmao yeah

oh what the fuck Penelope motif in EDM???

oh my god it's a fucking odypen duet.

"Jump in the water" naiad penelope??

DAUGHTER???

OOH MY FUCKING GOD NO IT'S SUFFERING???? THE SUFFERING!!! FROM THE CUT SONG CLIP! HE FUCKING JUKED US! HE LIED! JORGE WHEN I FUCKING CATCH YOU-

omg they're so cute

NO IT'S THE FUCKING ZEUS/INFANT TUNE??!!!!

Scylla!! Circe theme!

Is this. This has to be the sirens right??

OH MY FUCKING GOD IT'S LIKE THE START OF POLYPHEMUS WITH THE ARROW SHOT.

the grunge thing in the background reminds me of that one BNHA s5 ost track with the MLA boss. Uhhh Re Destro I think?

Oh god IT'S THE FUCKING SIRENS!! JAY FUCKING LIED A G A I N !!

ODY WHAT THE FUCK YOUR VOICE WHAT THE FUCK THIS IS SO FUCKING BADASS WHAT

Oh I just looked at the title it's called Different Beast!!

Beeswax!! They did the thing!

"So I just played along" -> "now I know how to get back to my island!" omg holy fuck Ody you're so fucking smart

This is just Suffering part 2 and I love it so much

Oh my fucking god. Ruthless odysseus is a fucking DIFFERENT BEAST.

NOT THE "WHOA" FROM REMEMBER THEM WHEN THEY'RE STABBING OUT POLYPHEMUS' EYE!!!

Holy fuck. That was insane. OMG IT'S SCYLLA TIME!! What the fuck those two songs went by so fast. Scylla's ALREADY HERE??

EURYLOCHUS' SECRET

HE OPENED THE FUCKING WIND BAG I KNEW IT!! BUT BRO REALLY JUST CAME OUT AND SAID IT! MY MOUTH LITERALLY DROPPED OPEN!!

NOT THE FORGIVE ME!

FULL SPEED AHEAD

OH GOD SCYLLA'S VOICE IS SO PRETTY

Odysseus totally ignoring his confession

AHHHHHH IT'S HERE!! THE FIDDLE !! IT'S HER!!!

"DROWN in your sorrows and fears!" THE GROWL!!

The death screams holy shit

"We are the same you and... I" Omg the harmonising.

Wait that's IT??? NOOOOO. But oh god it's Mutiny next

The orchestral LRO theme!!

Ohhh Eury's fucking pissed. Oof that spat "captain"

Wait I have to go back, I didn't catch that. Something wits something crazy and mad?

"When we fought the cyclops" It's this part!!! Ooh this is before the LRO reprise? 👀

ooof he's pissed.

*sword through flesh sound effect* - Ohhh that's fucking sickening

Oh shiiiit. wait wait wait that's Ody's voice. Did the crew just stab Ody in the back???? Wait I have to go back.

Oh they DID.

Yo wtf? Time skip?? Oh they didn't kill him??

oh fuck the cow sounds

Wait wait no oh shit Eury's singing the Zeus/survive melody???

"Please don't tell me you're about to do what I think you'll do!" Oh shit but that was EURYLOCHUS' LINE!! NO STOP

HE CALLED HIM ODY!

"I'm tired my friend!" NO NO NO

"Please don't do this! I need to get. Home!" ODYSSEUS' VOICE 😭

Ok but the ensemble and strings and shit is heavenly oh god

THE JUST A MAN NOOOO

*angry choir noises* - ohhhh they're fucked

did. Did eurylochus just try to suicide them??

"WHO DO YOU THINK HE'LL SEND?" Oh god ody that was raw

FULL SPEED AHEAD

*Thunder sounds* - oop

Aaand there's an ad. Fuck.

THE THUNDER!!!

STRIKE! he's HERE!!

AHHHH IT'S HIM!! LUKE THE LIGHTNING BOLT HOOOOLT!!!

i'm just going to adore these glorious vocals for a sec

"Choose." ohhh fuck

NO NOT THE CALL BACKS TO THATI AND JAM

OH GOD AND THE SIRENS TOO???

ooh the rain

oh bye bye eury

YO WTF. IT'S TELEMACHUS' LULLABYE. IS THAT THE END. IS THAT IT. WHAT THE FUCK. WHAT DOES IT MEAAAN

yeah that sounds like closing credits for real. If I didn't know he survives then I'D THINK HE'S DEAD FOR SURE

-

IT'S OVER????? Holy shit. Bro I have to just. Sit. For a second.

Ok I'm listening to that over. God.

The LYLA chick or whatever! From Spiderverse! That's who the "oh no *rolls eyes*" reminded me of!

Also, is this why Jorge said the 12 long years was wrong in TAOW? 'Cause it sounds like they've spent a while running from Poseidon after The Underworld saga, so was it intended for there to be a timeskip of two years between the Acts?

Ohhh wait shit. Did Scylla influence Eurylochus' decision to tell?? Is that what Jorge meant by her having some sort of telepathy?

So "reason for shame" and "we are the same" is to both of them - Eury for the bag, and Ody for what he's planning on letting happen - and "leaving them feeling betrayed" is because both things make the other feel betrayed?

oh god wait was I right about that too?? Six torches. Six men. He definitely planned that then. Shiiit

Yep that's six death screams.

Ohh yo. Eurylochus wanted all the power. He took the power from Odysseus. And then Ody game him all the blame when Zeus arrived.

There's boat creaking noises in the pause before "Then you have forced my hand." Huh I guess it makes sense that they're still on the boat. I guess my mental image was influenced by the beach fight vid XD

huh an ad again on thunder bringer. Wow yt hates this one

Yeah the vocal performances of the cast were are next level. The emotion in their voices hit 👏 different 👏

Well damn. I love it so much more the second go around, and I already loved it.

just kinda sitting here in silence lol. I don't have anyting rn. No thoughts head empty.

shit. Well eurylochus is dead. O7 I guess.

The Thunder Saga is over. Damn.

[georgies-ftts]

my genuine thoughts and reactions watching One Piece as someone who has never consumed a different piece of One Piece media before

spoilers… obviously…

Episode 1:

thick glaswegian accent straight away you’ve won me over

this guys moustache is immaculate kinda looks like every version of captain hook ever mushed into one

i recognise the scottish guy

random guy #374’s sideburns are… definitely there

slay drop a bomb before you’re executed horribly

cracker opening theme actually 9/10 should’ve been longer

fourth wall break?

nope he’s talking to a bird

okay funky trouser man you shout into the abyss

this birds got better drip than me

‘Mutiny’ funny actually

he’s not having a good time

what the actual fuck is that ship

aldiva? love of my life?

Koby needs a fresh trim… probably… idk

love me some cheeky windmills

i recognise red hair hat man too

that kids fully gonna die

luffy is fuckin nuts

is he eating… raw??? steak???

australian pink haired harrypotter is about to shit himself

dudes about to get his shit rocked

funky hat man??? is fucking??? elastic

rope burn doesn’t exist in this universe

elastic head is genuinely fuckin horrific

but also slay

think i’m gonna like depressed green hair man

Mr 7 is wearing two ruffs….

‘My favourite is number 1’ fuck him up emotionally i like it

and then fuck him physically this is going grand actually

sword fights that are choreographed immaculately and with fluid camera movements truly do hold a very special place in my heart

oh wait is the luffy kid funky straw hat man

“your mug” yes get that slang in there

wait but luffy has a steady american accent with no twangs

purple orb i’d eat it

oh so would he apparently

what the fuck it’s green

who the fuck is red haired hat man i can’t be bothered to pull up imdb

don’t kill shanks he treats the bar staff with respect

he was in ‘fresh meat’ i found him

he’s so gonna die

i’d slap man bun guy so fuckin hard

luffy needs to like… have a nap or something

woah luffy straight in there with the insults

he had a munch and now he’s a bit bendy

now i recognise koby jesus christ

didn’t need to slap the poor guy jesus

koby is cute i like them

ginger woman floating in the sea

“sweetheart” fucking get rid of them

is she gonna fuck em up

slay queen found a new love of my life and she’s wearing funky socks

‘where’s my face?’ bruvva i could squish your cheeks like a toddler that wall is not for you

it’s green haired sword guy love him

“one for my friend” dude that is a body. in a sack.

it’s ginger sock girl, marry me

blonde british man is gonna catch these fists, sir that is a child leave her alone

lucious malfoy looking ass

yes Zoro (the subtitles are the only reason i know what’s goi-)

did he just eat that off the floor.

blonde british man is fucking terrifying

another sword fight???????

kolby you are me actually

fuck them up fuck them up fuck them up

i’m a lesbian but i do think green haired man just turned me bisexual

“my father” jesus fuckin christ they hired draco malfoy

like the rum???

jesus christ daddy’s boy needs a fuckin gag or some shit

i want Zoro’s earrings please

why does this man have a metal plate bolted into his face

“where does it even go” i think you know

koby realising not everything that’s made out to be ‘good’ is always good slay, we love a little bit of depth

i love a cgi sewer pipe

jesus chrrriiiiiiist draco malfoy is back

kick him in the balls

“when i get down” dude you are literally half on the floor already….

my wife ginger socks girl is back everything is good

she’s gone again, devastated

luffy kinda has the percy jackson cockiness yknow?

luffy 10/10 would do a phycology gcse

fucking english bastards ruining everything

it’s fine she fucked em up again

what is the grand line may i ask

her eyes are stunning

i think she just shat herself

draco malfoy needs to go what the-

that’s his bare arse

chop his dick off

please

i beg you

i think luffy just wants some friends

she’s a pickpocket too holy fuck-

“i’m never joining” yuh huh sure

why’s she searching the papers on the desk surely they would be in a draw or some shit or like a secret message or something

win for luffy

153rd marines really doesn’t sound all that threatening

so he’s like… hench as fuck too?

protect the hat luffy as you should

green haired man’s just pitched up c’mon

slay, literally and figuratively

is he wearing zebra trousers?

not where i thought the sword went…

yeaaahhh fuck him up

that kick was fucking immaculate

so green man is also fuckin hench???

oi listen to the queen

HA MALFOYS HAIR REMINDS ME OF MY WEIRD BARBIE

zoro smiled that’s it life is good

KOBY MY SON

koby no don’t

okay koby you slay love you

you keep them massive fuck off glasses safe

do they meet again? please tell my they meet again and they both live and are happy i will cry-

ooo action music my favourite kind of tv music

what the fuck is that snail and why is it also a phone

SCOTTISH MAN IS BACK

they took your mum actually

a pirate in a straw hat who’s skin is made of rubber thankyou

ooo new emo green haired man

they infact we’re not planning anything ever

that’s that one guy from agents of shield

jesus he’s fuckin creepy

oh that’s terrifying actually

FUCKIN TUNE

[nowjumpinthewater]

@ilikebookssomuch and i wrote a crossover of KOTLC and Epic but we started in the saga so there's no backstory :P

Here's their part!! (thunderbringer!)

My part is Mutiny, so hope you enjoy!! (Keefe is Eurylochus and Fitz is Odysseus!)

This is my half for @myfairkatiecat's birthday gift!

Hope you enjoy :DD

you can also find more of these @epic-kotlc-crossover :)

"Tell me you didn't know that would happen," Keefe almost begged Fitz, though he could already feel the guilt wafting off of him, almost as thick as the rain pouring down.

"Look me in the eyes, Fitz." Fitz wouldn't look away from the ocean, so Keefe stepped forward. "Tell me you didn't just give up six of our friend's lives, Fitz, please."

Fitz gripped onto the side of the balcony tighter. The feel of guilt almost choked Keefe, but what made him stop was the resolve.

"SAY SOMETHING!" He shouted, hating how his voice cracked. Finally, this seemed to get a reaction from Fitz, who spun around and Keefe got his first real look at him since Scylla. His hair lay stuck to his face, artfully messy in a way Keefe couldn't help but admire; his eyes were darting everywhere, almost wild-looking, but the teal still took Keefe's breath away.

He was always so effortlessly handsome.

"I CAN'T!" Fitz's scream cut through his thoughts and shattered the silence.

Keefe swallowed, and the lump was almost painful. He drew his sword, determined to protect the last few men he had with him.

"Then you have forced my hand." Fitz seemed to pale.

"Keefe..." his voice was quiet, nervous, and his emotions radiated it too. "Lower your weapon." What did Fitz think Keefe would do? He'd willingly let six people die. Keefe couldn't let that happen again.

"You miss Sophie so bad you're willing to kill." Keefe spat out Sophie's name like it was poison-she was a great person, sure, but worth sacrificing people? No. A hot flash of anger erupted from Fitz.

Fitz drew his own sword. "I don't want to fight you! You would do the same if you were in my position."

Keefe adjusted his grip on his weapon, his palms feeling sweaty. "If you want to make all the choices you get to have all of the blame!" He lunged at Fitz, slashing a cut through his clothes.

How am I supposed to trust you now? Keefe thought as hard as he could, wondering if Fitz's telepathy actually didn't work or he was lying.

The captain seemed to flinch, though that might have been from the cut.

Fitz advanced forward. "Keefe, you need to move because you are not getting in my way." With each flash of their swords Keefe could feel himself get more and more lightheaded as Fitz's guilt seemed to melt away, hiding itself into something smaller. Fury and determination grew in its place.

Keefe lunged forward, and in an attempt to block Fitz's sword, he moved forward too far and it cut through his clothes-and, Keefe realized with growing horror, embedded itself in Fitz. Fitz let out a loud, horrible scream, and staggered back.

A huge wave of pain rushed through Keefe's blood and he immediately kneeled next to him.

"No, no no," Keefe muttered, and yelled behind him. "Do any of you know how to clean a wound?"

No one answered, so he yelled at them to find the nearest island. He needed to help Fitz. He was furious at him, but he was still his friend.

He turned around, trying to ignore Fitz's body, and called for all the crew to dock at the nearest island-they were running low on food.

In a few hours, they'd found one, with hundreds of bright red cows dotting the landscape. When they landed, Keefe told everyone to stay on the ship while he scoped it out.

After a few minutes, he'd decided that it seemed generally safe, though he still couldn't find a single human soul that he could ask to give Fitz come help.

Next to him, a cow mooed.

Keefe could feel his stomach growl.

"Where are we?" asked Fitz, and Keefe jumped, hating himself for letting Fitz sneak up on him. Turning around, Keefe saw that Fitz was being supported by two of the crew members, his dark brown hair frizzy across his face and his signature smile a little wobbly.

Keefe wanted to make a comment about how he shouldn't be standing up but kept his mouth shut.

"We're on an island-the first we found." Keefe turned to him, forcing a grin on his face even when he felt the huge amount of pain Fitz was in.

He kind of deserves it, though. A tiny part of his brain reminded him. Because of him, six people are dead.

Fitz pointed to one of the cows, talking to him almost like Keefe hadn't nearly killed him hours before.

"These are Apollo's cows, you see that statues over there?" Keefe could barely hear him, fingering the grip on his sword. How long could one cow feed the crew?

At least a week, and they'd be actually full for the first time in a while.

A wave of panic coursed through his veins, and he snapped his head over to Fitz.

"Please don't tell me you're doing what I think you're doing." Fitz told him. "These cows-they're sacred. We can't kill them."

Keefe laughed, a sad, quiet laugh. "Fitz, you know as well as I do that we're never going to make it home."

Fitz shook his head quickly, and placed his hand on his sword again. "You don't know that, Keefe." He stepped back, and Keefe quietly missed the proximity. "This is the home of the sun god, do you know what will happen if we kill his cows?"

He ignored Fitz, and quietly unsheathed his sword. "How much longer do we need to suffer, Fitz?" Taking a step forward, He heard Fitz's panicked voice behind him, asking him to stop.

"How much longer until you decide that we're not important enough to go home? How much longer until you decide that you want to see Sophie so badly that all of us have to die?"

Fitz flinched, and Keefe took the opportunity to kill the cow, and Fitz let out a yell.

"What have you done?" Keefe spun his head around at the terror in Fitz's voice and in his veins. "You've doomed us all, Keefe! The cows were immortal-the sun god's friends! Who do you think he'll send now that you've killed one?" Keefe's blood turned to ice.

Fitz staggared up to the ship, but Keefe quickly scooped him up and sprinted onto the ship.

"Everyone, grab an oar and row as fast as you can!" Fitz roared.

The entire crew did as they were told, with punctuated with shouts of "Faster!" coming from Fitz, until a clap of thunder came and pure terror radiated off of him, his face turning deathly pale.

"We're too late."

[synesindri]

so admittedly i did think it was a little bit random when they started calling the mutineers a coven but i've seen the light now so here are my thoughts on this kickstarted by this description of a common 19th century british witch archetype:

literary representations of witches would also be underpinned by popular tales recorded by folklore collectors in most parts of Britain, which portrayed such people as utterly wicked, possessed of all too effective magical powers, and ending up brutally punished by death or injury

— ronald hutton, "Witches and Cunning Folk in British Literature 1800–1940," p29

1. "utterly wicked." i mean. no justification needed for this one probably.

2. "possessed of all too effective magical powers." not directly, but hickey is weirdly unaffected by sickness and starvation and exposure and exhaustion compared to the others (a lot of his off-the-rails behaviors/mentalities later on do map on reasonably well to symptoms of lead poisoning and other things going on, but like, he isn't bleeding or losing teeth and i would sell my soul for my skin to look the way his does even during the very worst of everything, so). he also clearly has a lot of power over many of the men, in an understandable leadership way that is more reliant on charisma, bribery, planfulness, and situations than magic, but it does seem kind of magical at times

3. "ending up brutally punished by death or injury." hard to get more brutally punished than literal bodily bifurcation. the rest of the "coven" likewise meet brutal ends.

4. devil shenanigans. lots of focus during this time period in british lore on witches and devil worship. obviously the tuunbaq is not a or the devil and it is troubling to suggest as much (even in its role as a fabricated entity that does not actually belong to the culture it has been inserted into). nonetheless, it is presented fearsomely in a way that seems likely to be understood as demonic or hellish by a christian crew such as the men of terror and erebus (it might even be described as such canonically? i don't remember specific examples and i haven't checked). certainly everyone has a good christian "avoid that thing" reaction to the tuunbaq — everyone except hickey, who finds it appealing and sees an opportunity to seek power through it, much as folkloric and literary witches of the era were depicted as doing through the devil.

5. christian inversions and rejections. the mutiny arguably really kicks off with the murder of lt. irving, the most outspokenly christian person in the group. christ symbolism through the "punished as a boy" scene through framing and posture. as lt hodgson so kindly spells out for us, cannibalism and (catholic) communion both involve the consumption of human blood and flesh. at mutineer supper time i was briefly convinced they were about to say grace (totally subjective on that one but whatev). hickey going up the hill to listen to his thoughts was very prophet-like imagery. hickey's final speech rejects god and religion. probably there are more examples but i think that's enough for this post that is already longer than i planned for it to be.

6. sexuality part 1. witches of the time and place were associated with non-normative sexual practices (including homosexuality, promiscuity, femdom, sexual coersion, so on and so forth). hickey is directly depicted in a sexual and romantic relationship with another man (who is also the one who first suggested mutiny in the first place, solidifying the narrative importance of the connection between gay people and mutiny. be gay do crimes but for serious). idk what the stance in general fandom scholarship is about the hickey-tozer dynamic, but i would say that is plausibly depicted as at least being implied to be not 100% heterosexual, which is particularly notable because that has important potential effects on how the power structure of the mutineer camp works — a chaste rank-based collegiality has a very different vibe than a situation where the main guy in charge and his second in command might be fucking (or kissing, or holding each other's faces in a sort of tender pseudo-religious way, or whatever else they might have been getting up to together) — this is getting a bit off from witchcraft but certainly there are many comparable depictions of witches coercing powerful men to do their bidding by using sexuality (see my non-existent au i just thought of just now that's based on lewis's the monk, i guess???)

7. sexuality part 2. witches also were notorious for doing castration to people. sorry, irving.

8. sexuality part 3. perhaps most notably witches were regarded as having sexual relationships with the devil. none of the mutineers ever gets it on with the tuunbaq obviously (although i feel confident that some adventurous fic writers out there have probably made this a subject of their study), but it is KIND of attempted symbolically. i talked about this already but it bears repeating here that the tongue is an erogenous body part generally, and there is possibly some mild extra narrative emphasis on that symbolism for hickey specifically, so the metaphorical self-castration of him cutting out his own tongue and offering it to the tuunbaq is a little bit giving weird sex. it's also giving nun/priest/monk-like disavowal of the potential for (at least a few types of) sex with human beings in favor of pledging oneself to a deity.

9. human sacrifice. common trope with witches, and the clear point of hickey's dragging everybody up that hill with him when he goes also to attempt to sacrifice part of his own human self to the tuunbaq.

10. identity. this is a little less solid but there's often kind of a sense that witches aren't who they claim to be? see lewis's the monk again, with (spoilers, i guess) the character of monk rosario revealing himself actually to be matilda, a seductive witch, who eventually does a double reveal that she's a demon. the "i'm not really cornelius hickey" reveal is giving that, a bit.