#my longest post to date

[cy-cyborg]

Toph Beifong doesn’t hold up as disability representation - Disability in the Media

[ID: A screenshot of Toph, a twelve-year-old girl with black hair in a loose, green and tan short-sleeve shirt and shorts, cheering in an arena. Next to text written in a rough, blocky font: "Disability in Media - Toph Beifong Doesn't hold up as disability representation" /End ID]

Avatar the Last Airbender is one of my all-time favourite TV-shows, and Toph is still easily one of my favourite members of Team Avatar. I was a few years younger than Toph when the show first started airing, and being a disabled kid who was into martial arts, constantly being dismissed by my able-bodied opponents and teachers, meant that I connected very strongly with her right from the get-go.

But upon my last couple of rewatches of the series, I began to come to the realisation that my opinions on Toph as a shining example of good disability representation were... well, pretty heavily influenced by my nostalgia for the show and that many aspects of Toph's character just don't hold up today. Which, honestly is fair, the show is nearly 19 years old (if it were a person in my country, it would be old enough to drink) and I think it's pretty ridiculous to expect every part of every character from an 19 year old show to age well. So today I wanted to talk about the things I think Avatar the original Last Airbender did right with Toph, where I think they missed the mark, and what changes I think would need to be made to Toph to make her work for a modern audience.

So let's start with why I think Toph doesn't really hold up as "good disability representation" today, and the elements of her character that just haven't aged as well.

For me, one of the biggest issues I noticed upon rewatching the show, is how often we are told (often by Toph herself) that she is blind, but how infrequently we are actually shown it's impact on her life beyond her bending or outside of jokey contexts. Outside of her bending, we only ever see her blindness impacting her ability to do things like read or write, otherwise, she functionally has full vision -so far as the audience is informed - with the only exceptions being when she's in the air or water (e.g. on Appa or in the submarines) or in loose soil (e.g. the desert). Having places and circumstances where she doesn't have access to her power that allows her to "see" was a step in the right direction, but I do think it would have been better if her seismic sense wasn't quite as accurate, even in the most ideal of circumstances.

But why? Well, I think Suki explains it really well, long before Toph is even introduced. when Sokka says "I should have seen you as a warrior instead of a girl" Suki stops him and says "I am a warrior, but I'm also a girl". Being a warrior and a woman are both important parts of Suki's character, and only recognising her as one or the other means ignoring a big part of who she is, and the same is true for Toph. Being blind is a big part of toph's character that has informed a lot of her life, but so is being a warrior and bending master. Many people see Toph as a warrior or fighter, but ignore her disability, but both are important. She's disabled, and a warrior, and those things don't cancel each other out, the same way being a warrior doesn't diminish Suki's status as a woman.

When the show was still airing though (and even still today) it was very common to see non-disabled fans of the show exclaiming that they honestly forget that Toph is even blind sometimes, with many people going so far as to say that she's not even disabled (and that this was a good thing). While I do think some of that comes from the fact they weren't used to seeing a disabled character as both disabled and an active participant in these kinds of stories, I do think this mostly happened because of the show's lack of, well, showing the impact of her blindness on her daily life and allowing her earthbending and seismic sense to erase the effects of her disability to some extent. It's much harder to forget a character is blind when it impacts their daily life in ways that are shown to the audience. This doesn't have to be in big, showy ways mind you, showing things subtly but consistently works way better than one "very special episode" type setup.

In the show as it is though, the seismic sense functionally gives Toph a perfect image of her surroundings until it's just not available anymore for *plot reasons*.

[ID: A black and white shot of Toph and how she sees the oponent she's fighting, with shockwaves radiating from him towards her to indicate how she's interpreting the scene. Her foe has jumped into the air and now has his hand dug into the ground of an arena, about to launch rocks towards her. /End ID]

In many ways, her picture of the world is better and clearer than what the non-disabled characters can see, leading to this feeling of her disability being erased. It may have been better though if the seismic sense could give her a general idea of big things in her immediate vicinity but she still missed the finer details, functioning at least a little bit more like a tactile/earthy-vibration version of the limited sight some legally-blind people have in real life. Things like a person's position, movement and overall pose would still be "visible" to her in a general sense, as well as big things in the environment (including things underground, since there are a few plot-points that require that), but smaller things like details about objects and creatures, people's facial expressions or what they're doing with parts of their body that have no direct contact with the ground (like their hands) is less clear. On top of this, she may struggle to detect smaller, lighter objects or creatures that realistically wouldn't cause much of a vibration at all. creatures as small and as light as Momo and Hawky for example might be detectable, but "fuzzy" to her, and anything smaller might make enough of a vibration to tell her it's there when it moves, but not enough for her to be able to tell what specifically it is without some other cue (such as sound). There are a few moments in the show that seem to imply this is what they were initially going for, but it's not really consistent, and is directly contradicted in her debut episode, "the blind bandit" when she explains that she can even "see" something as small as the ants off in the distance.

[ID: A shot of Aang, a twelve-year-old bald boy with an arrow tattoo on his head, dressed in a yellow and orange outfit, standing with Toph at night. In the foreground is an anthill will a trail of ants, which Aang is looking for. /End ID]

With an adjustment like what I'm suggesting though, she still serves her narrative purpose of teaching Aang the importance of being able to wait and listen - possibly even more so, as her needing to wait and collect more information in order to get a clearer image before striking, would back-up what Bumi tells Aang that he needs in an earth bending master. It would also still help to illustrate the connectedness of the world, a theme Toph continues to embody heavily in The Legend of Korra, while still showing the ways her disability impacts her more frequently.

When I talked about the "super-crip" trope a while back, I mentioned that one way to avoid the more harmful elements of the trope (where the character's disability is erased by their powers) is to use the ability in question more like a mobility or disability aid than a straight-up cure. The power should help them, but shouldn't make their disability redundant. People are creative and we would find ways to use a superpower or magic to help with our disabilities if it were available in real life, but what's the point of including a disabled character if you're just going to functionally erase their disability? For a character like Toph, I think this is the kind of approach that should be taken with her. Her seismic sense still helps her, but it's not a perfect replacement. (Ironically, I did use Toph as a "good" example of that trope, but I do think after this last rewatch, for the reasons I'm discussing here, I might have to backtrack that a bit).

I considered giving an alternative approach here, to keep the sensitivity of toph's seismic sense as it is in the show as is, but giving it draw-backs such as making her susceptible to sensory overload similar to what autistic people experience. However, while replacing one disability with another can work for some characters and stories, I don't think it's the best adjustment to make for Toph or any blind character, largely thanks to this also being a trope. The "blind (or d/Deaf) person who's other senses become super-human to make up for it" trope is very common in fantasy, sci-fi as well as older martial arts films, and while I'm not really the best person to cover it, I do know that members of both the blind and deaf communities have expressed a lot of frustration with it. Toph already falls into this trope quite a bit, and any suggestions I could make would have just dialled that element up to 11, and fixing one problem with another is never a good idea.

Another thing that actually did bug me for a while, even before my most recent rewatch of the show, is how Toph is treated on the rare occasions she does point out something won't working for her. There are a number of times where Toph advocates for herself and points out that something The Gaang is doing isn't accessible to her or sets a boundary to do with her disability, and she's either left behind, her concerns are brushed off or she's ignored entirely. The three most noticeable examples of this are in the Episodes "The Ember Island Players," "The Library," and Toph and Katara's segment of "Tales of Ba Sing Se."

In the Ember Island Players, Toph complains that the seats they have for the play are too high up and too far away, and she's unable to "see" what's happening on stage. Her friends don't really take any notice of her though except for Katara who tells her not to worry, "I'll tell your feet what's happening."

[ID: A shot of Katara, a fourteen-year-old girl with long brown hair and blue eyes, sitting with Toph, who is sitting with her arms crossed, annoying in a theatre seat. Both Toph and Katara are wearing red and gold, fire-themed outfits. Katara is looking at something off-screen. /End ID]

My problem here is that this particular kind of situation is something that is familiar to a lot of disabled people. Even the least independent disabled people I know get annoyed when their access needs or requests for accommodations, even among friends, are ignored and their pushback is brushed off with "don't worry, I'll just help you!" It's one of the first things that many disabled people tell non-disabled folks wishing to be better allies to us: you offering help instead of actually accommodating us isn't a good thing. We don't want to rely on others if we can avoid it, because honestly, non-disabled people often aren't very good at actually helping or in this case, relaying information to us without training and more often than not, it just results in us being left out. I find it very hard to believe a character as independent as Toph would accept that without any protest, especially considering that is pretty much exactly what ends up happening (even if the show didn't really acknowledge it). Katara never actually conveys anything about the play to Toph, except when she's attempting to throw Toph's words back in her face when she asks for clarification about the actor playing her - which ends up backfiring on her.

[ID: A shot from the same location as before, this time Toph has a huge smile on her face and is leaning on the balcony excitedly while Katara is leaning towards her, annoyed by her reaction. /End ID]

While it would have been better if Toph was actually listened to, it would have been…fine? if a justification was given for why they had to sit there (e.g. to avoid being recognised), if Katara had actually described the play for her. This wouldn't have been ideal, but it would have been better at least. In real life, many movies, TV shows (including this show's sequel series, The Legend of Korra) and other forms of visual media have an Audio Description track that does exactly that. If they weren't going to move for Toph to be able to see better, having Katara describe the play could have introduced kids to the fact this is an option. but instead it's brushed off, and I'll admit, it left a bit of a bad taste in my mouth, even back in 2006.

The Library is a bit more forgivable in my opinion, since Toph is still new to the group, but in this episode, she states that she doesn't want to go inside the spirit library because she isn't able to read and therefor there wouldn't be anything for her to do. However, it still would have been nice to see her friends consider this at all before they actually arrived. They could have (and should have) still gone, but some acknowledgement that they at least thought about the inclusion of their disabled friend would have been nice.

[ID: A shot of Aang, Katara, Sokka and another man are talking while looking down at a map on the table. Meanwhile, Toph is sitting on the other side of the table, completely disinterested as she sips from a large ice cup with her feet up on another chair. /End ID]

Alternatively, I do feel like Wan Shi Tong, a self-proclaimed all-knowing-spirit or his assistants would have been able to point her in the direction of something to interest her, since he does imply books aren't the only form of knowledge he collects.

The reason I mention this though is two-fold. In real life, disabled people are very often left out of "fun" group activities, whether that be in formal settings or in casual ones, like hanging out with friends. If the episode had been framed as "the Gaang learns about the library and decides to track it down," I might have been less critical, but it's specifically framed as something that at least starts out as a kind of break for the team where they all take turns picking out fun things to do so they can rest, and Toph's access needs not being considered at all until they're already there hits a bit close to home, especially since they just end up leaving her outside. Secondly, there's also a stereotype that disabled people (and especially blind people) don't belong in academia and places of learning, such as in this case, libraries. This stereotype is about as old as the concept of organised institutions of learning, and definitely isn't unique to AtLA, but the assumption is often that disabled people wouldn't be interested in more formal methods of learning, so it's not worth accommodating us. With blind people in particular, when I've seen this in media, the premise is often "well I can't read anyway so why bother?" which Toph definitely falls into here with no push-back against the trope.

[ID: A close up of Toph and the rest of the group, Katara, Sokka and Aang standing in a desert. Toph shrugs, looking bored, while the others looks confused and surprised with the exception of Katara, who looks mildly annoyed, standing with her hands on her hips. /End ID]

It does make sense that she would have been resistant to going in, and I'm not saying this episode should have turned Toph into a bookwork akin to Wings of Fire's Starflight (another blind character) or anything. But there was a chance in this episode to push back against some of these assumptions, and I think it's a shame they missed it. How cool would it have been if Toph had mentioned not feeling welcomed in more formal learning spaces because of her disability, which was just reinforced by the way her old earthbending instructor and her parents treated her. She decides to go inside the library anyway as "backup" in case something goes wrong, grumbling about it the whole way down. Wan She Tong starts his introduction mostly the same way, saying humans aren't welcome and Toph makes a snarky comment about it. Wan She Tong, equally offended that this human thinks he, the all-knowing-spirit, wouldn't have considered something, shoots back with an annoyed comment about humans being so self-centred. He explains that spirits come in all shapes and sizes, and not all of them have eyes, but they can still access his library. She's not the first sightless being in his study, and he-who-knows-ten-thousand-things knows this too. Once everyone is permitted entry, one of the knowledge seekers shows her to a series of slates about a lost earthbending form that she can actually read (or at least, "see" the pictures on) because it's carved. Or instead of a slate, it's a series of statues outlining the form, similar to what Aang and Zuko find in the episode "The Firebending Masters". Perhaps this form is something that helps her develop metal bending later on, and lays the groundwork for Toph becoming interested in teaching in the comics.

And finally, Toph and Katara's segment of Tales of Ba Sing Se. Katara convinces Toph to go get a makeover with her as part of a girl's day. Overall, this segment of the episode is pretty nice, and I liked that they showed that a person's gender expression (in this case, being a tom-boy) doesn't mean they can't like things outside of what we usually associate with that. Tom-boys can like girly things on occasion, and vice-versa, and I think this is an example of an episode that would seem a bit ham-fisted today, but honestly, was needed in 2006. However, there's a throw away joke where Toph says "as long as they don't touch my feet," and it immediately cuts to show spa workers filing down the calluses on her feet in a way so painful several staff are required to hold her down.

[ID: An image of Toph in a bath robe being held down in a chair by two spa workers while a third scrubs at her feet so hard that she is sweating. Meanwhile Toph is fighting against the two holding her down and has a facial expression like she is in a great deal of pain. /End ID]

this might be a minor thing in the grand scheme of the show, but it's still another example of Toph's boundaries about her disability and her access needs being disrespected by her friends, which the show just doesn't acknowledge it at all. People ignoring Toph's wishes about a part of her body she depends on in a much more direct way that others do is played off like a joke in a montage of otherwise enjoyable and goofy activities and this is a very, very common experience in disability circles.

There are a number of other, much more minor issues that show up with Toph as well, such as the fact she's the only one of the main cast who never has an on-screen (or on-page) relationship. not in the original show, not in any of the comics and not in The Legend of Korra. Again, it's not a big issue on it's own, especially because in AtLA, she's young enough where it's possible that she was just not interested yet, and she does have kids in The Legend of Korra where she mentions a relationship with a man named Kanto (Lin's father). So it is implied she does have some form of relationship eventually, but the issue is that it's never shown on screen or on the page. This feeds into a wider pattern in media of disabled characters being the only ones in their respective cast not given on-screen romantic relationships in stories, and so I still think it's worth pointing out, especially since the creators have had a lot of opportunities to correct that by now.

Toph is also portrayed, pretty much undeniably, as the best earthbener in a way that, at times, comes across almost like the creators felt like they need to compensate for her being on the team "despite" her being blind. This trope is one that I think Toph, at least partially, helped to popularise with the current generation of story tellers: The Disabled Savant. In this trope, disabled characters aren't really given the same room for growth as other characters; they aren't permitted to be average or still learning, they start good and get better. If they do progress, they often become the best, which is the case for Toph. To be fair, everyone in the The Gaang is the best at their respective skill by the end of the first series, which is why I say this is a minor point. She dose, however, have the least amount of on-screen growth in skill out of the whole team. Katara starts out barely able to lift any water at all, let alone actually bend it. Sokka is skilled with weapons from the start but does get his butt handed to him a number of times by others with more experience than him whom he learns from throughout his story arc. Zuko spends most of the early-to-middle of the show having things "blow up in his face" (to use his own words) and being belittled by his family of prodigies. While Aang is an airbending and, to a lesser extent, waterbending prodigy, he fails at pretty much everything else for a while before he starts to find his confidence - especially earth and firebending, not to mention the entire situation with locking himself out of the Avatar state. Toph is the only one who doesn't seem to fail or struggle all that much from a combat perspective. She does grow and improve in her bending (she invents metal bending after all) but she never has any moments where she really messes up or even struggles in combat all that much compared to the others.

All of these points and criticisms I've mentioned are not necessarily big in and of themselves, but when looked at together, they build up to create some issues with how Toph is depicted and how the people around her treat her disability

So that's it then? Toph is bad disability rep and Avatar should be "cancelled"?

God no. Like I said at the start, I still adore Toph and Avatar as a whole, but the show is a year away from being two decades old, it's bound to have some elements that don't hold up and I think it's worthwhile discussing them, specifically because I love the show and it's characters. Despite all the negativity I've brought up, I do think there are a lot of things AtLA did well with Toph too.

I've mentioned a few times that we rarely see how Toph's blindness impacts her life outside of her bending and combat abilities, and there's a reason I made that specification. Unsurprisingly, if you know much about the show's development, the ways in which Toph’s blindness and seismic sense impacts her bending and fighting style is one area where the show really does shine, and I still think that is worth a mention. The various types of bending are based on different styles of martial arts, specifically, different types of Kung Fu. Most earthbending in the show takes heavy inspiration specifically from Hung Ga, but Toph is different. Her bending heavily references Southern Praying Mantis Kung Fu, something unique to her within this world.

The reason for this (outside of simply wanting her to be visually distinct) was because the show’s creators made sure to consider what limitations Toph might have and what parts of the more common earthbending styles wouldn't work for her. Since her connection to the earth was critical in order for her seismic sense to work, they decided on a style that would keep her feet on the ground more, prioritised strong stances with minimal jumping and put more focus on attacking with her upper body. While not an intentional choice, the style they went with for Toph, according to the show's head martial arts consultant, Sifu Kisu, was supposedly developed by a blind woman in real life, at least according to legend. The creators also made further adjustments to the style with the help of martial arts consultants and just watching Toph fight is evident that a lot of love and care was put into the decisions made on that front.

I also appreciate that Toph's disability wasn't off-limits to joke about.

[ID: A picture of Toph waving her hand in front of her face with an exaggerated smile to remind the others she's blind. /End ID]

As I already mentioned, they didn't land 100% of the time, but lot of shows are afraid to use disability as a source of jokes, which would have felt weird and out of place in a show like Avatar. I see this hesitance in real-life too; people get extremely uncomfortable when I joke about my own disabilities and I've heard several people and even disabled comedians talk about the same observation. My last video on Tik Tok that got outside my usual audience was a joke about my prosthetic leg, and every single stictch and duet I received was people saying some variation of "I'm such a bad person for laughing!" "I'm going to hell!" or just straight up asking if they're aloud to laugh. If I didn't want you to laugh, I wouldn't have posted the joke! But joking about disability does make it more approachable. Despite how often Toph and the others made blind jokes though, outside of the one instance I mentioned earlier, they never felt mean-spirited or like they were punching down. Even when a very sleep-deprived Katara was intentionally trying to be.

I think it's also worth keeping in mind the context of the media landscape when Avatar The Last Airbender was airing. Today, characters like Toph are very common, so much so there's a whole trope about them (super-crips) but at the time, having a character with a major disability be a main character in an action-orientated kids show like Avatar was really rare. She wasn't the first of course, but a lot of the time, if they were included, they were almost certainly sad and depressed, wishing for a cure or they were designated to the roles of "Guy in the chair" (which is a character, usually a tech person, who helps from the background), inspiration, scary villain fake-out (or other variations of "creepy" character) or the actual villain. Having a character that was not only comfortable in her skin as a disabled person, who didn't want or need to be "fixed" or "cured" to be directly involved in the story, and who's main obstacle (at least in season 2) were how the people around her treated her, was pretty ground-breaking at the time (pun not intended) and went against the most prevalent stereotypes of it's day.

And I really want to emphasise that. For many Millennials and older Gen Zers, myself included, Toph was the first character that didn't tell us we were broken and needed to be fixed in order to be part of the group (even if they slipped up with that messaging occasionally). Prior to seeing Avatar, I honestly thought there was something deeply wrong with me for being happy with my life (a reminder, I was 10 years old when this show first started airing), because every other disabled person in the media only ever talked about how much worse their life was because of their disability, how much they hated it and how much they hated themselves. Many outright said that they wished they had died rather than become like me. Toph wasn't the first to go against those tropes, but she was the first example of a disabled character who wasn't like that many people my age saw. Did she do it perfectly? Hell no, but personally, back then, I was happy to have a character who maybe over-corrected and took things a bit too far than another sad character talking about how lives like mine weren't worth living.

I also deeply appreciated that Toph did struggle with her independence, at least initially, and where to draw the line with accepting help. Because of how much she'd been coddled and overprotected as a little kid, she saw any attempt at people being helpful and working as a team as them trying to baby her. It was very on the nose, but I liked that the show gave her an episode just dedicated to realising that it's ok to accept help. Again, this is a bit of a story telling trope today, but having the disabled character realise that it's ok to accept help, and to do it without talking down to them or saying that them wanting independence was bad, was a refreshing change compared to what was around at the time.

[ID: a zoomed out image of Toph, standing before her parents with Aang, Katara and Sokka standing behind her. /End ID]

While I think the show's creators could have benefited from consulting with disabled people and specifically blind people the same way they brought in consultants for the martial arts featured in the show, it's very clear to me that the intention behind Toph's character was good, and that actual effort was put in to make sure they depicted her well, even if some of it was a bit misplaced. It's also worth noting that the groundwork for a lot of my suggestions is already in place, they just didn't follow it all the way through. Overall, I'd say Toph was good for her time, and she's what was needed in the 2000's, even if she doesn't hold up as well today. I also think it speaks to how far we've come in terms of disability representation. When I first started engaging with the online fandom directly, almost no one, even other disabled people, argued that Toph wasn't good representation, because honestly, the bar was on the floor and we were just happy to have something different. But now there are options, and the standards are higher, and that's so, so good. It means that people, even in the media, are starting to listen and be more thoughtful about their depictions of disability than we were in 2006.

And finally, I want to really quickly mention The Netflix adaptation of Avatar. A few people have asked me now what I think they should do with Toph when they get to her, and what my predictions about the show are. I'm not going to talk about my predictions here, because this post is already way too long and that's not what this is about, but I don't think the suggestions I made today would necessarily work in this particular remake, primarily because of the tonal differences. Some adjustments definitely could, such the other characters doing a better job at listening to Toph when she points out inaccessibility and them actually considering her in the first place, but others might be harder to balance. The original show could get quite dark and serious at times, but it was primarily a light-hearted adventure story for kids. From what I've seen of the live action remake though, they're more heavily leaning into those serious elements - for better or for worse, and as such, trying to tone Toph down in the specific ways I mentioned might not balance out as well as it would in the original show. At the very least, the specifics would need to be different. To be honest, I'm not entirely sure what approach they should take, that's not really the point of this post, but I did want to quickly address it to avoid confusion. My suggestions today were specifically on how to approach the cartoon version of Toph for a modern audience, and were not meant to be read as suggestions on how her live-action counterpart should be depicted.

[pinkeoni]

WillEl Narrative Mirroring: Presenting Themes of Sexuality

If we consider powers as a means to present themes of sexuality, then looking at Will & El and how they mirror each other in narrative can reveal different angles on this topic and how the two sides of the coin come together to create a balanced whole.

Very very lengthy discussion of sex, sexuality, sexual assault, and child sexual abuse below the cut.

Will and El being different genders is important to their narrative mirroring, because they are displaying the difference between expectations in regards to male and female sexuality. Let's start with El and what her story says about female sexuality.

Layering the subtext behind supernatural elements is both practical and ethical, and I honestly applaud the Duffs for choosing to go this route rather than making it more explicit from the start, and instead sewing in details along the way. It helps keep the story digestible, allowing for a story like this to be shared to a wider audience while also not forcing their incredibly young actors to portray potentially very traumatizing circumstances.

I'm not the first nor will I be the last person to talk about all of the csa coding regarding El, Brenner, and the lab, especially here on tumblr. I was actually sent an anon awhile back linking a blog post back from 2016 that analyzed this exact thing.

"Eleven's interactions with 'Papa' are laden with coercive, coded language, intentionally leading viewers to make sexual abuse connections beneath the surface of the experiments we are shown. Eleven, vulnerable in a thin hospital gown, is told to "go deeper" and to ignore the men watching her perform. She is told the monster wants her, to go farther, "not to turn away from it." This language is intentionally loaded."

Girls are often forced into their sexuality at a young age, usually for the gratification of men

Young El, in hardly a hospital gown, is being forced to utilize her powers for the sake of Papa Brenner and other men in the lab. The sexuality/power connection is being established very early on.

And even once El has escaped the clutches of the lab and seems to find safety—

And before I have fingers pointed at me, no I am not trying to vilify Mike for this moment nor any of the boys for wanting to use El's powers to find Will. It's more complicated than that. The boys were young, their friend was missing and in danger, and they were excited by the prospect of a real life superhero being able to save their friend. I'll also get into how Mike is a victim of this forced heteronormative relationship much later in the post.

But still, even without meaning to, the boys are reinforcing the role that El is expected to fulfill, which is to use her powers and sexuality in service to the men in her life

Something impressive about that blogpost I linked earlier is the rightful calling out of how gross miIeven is way back in 2016, when the two were considered America's cutest couple by the general public.

"Crucially, in the climax, after Eleven's body is once again used for others, Mike promises her a home, and Eleven shows a glimpse of light, is almost comforted. She'll have a family, she'll have safety. Promise? No, Mike says. She'll have their mother, but while she's wearing his sister's dress he explains she won't be a sister, that he wants Eleven to meet his desire for a girlfriend. How could he possibly understand that more boundaries and a boyfriend is the opposite of what she needs?"

Girls oftentimes do not see many options outside of their sexuality

Starting in season 2 El has two modes of thinking: girlfriend or superhero. Her line of thinking isn't helped much by Hopper, who keeps her isolated from outside world. And like the boys, this is a complicated situation. Hopper is keeping El inside for the sake of her safety, lest the government catch her and lock her up again, and either use her or kill her. Still, this isn't good for her personal development.

Whereas Brenner was the sexually abusive dad who forced his daughter into adult roles at a young age, Hopper is playing the role of the overprotective dad who doesn't want to see his little girl grow up, something that continues in season 3. In his eyes, he is keeping El protected from the men of the outside world who are likely to want to take advantage of her, and keeping her locked in is his way of preventing that. But doing so is damaging to El's psyche in ways he may not realize.

So El is kept locked inside with some of her few windows to the outside world being spying on the boy who wanted her to be his girlfriend, and spending the entire day on the couch watching romantic soaps. Her options regarding freedom are skewed.

When El gets her first taste of freedom and leaves the cabin, she's in girlfriend mode. We know this when we see her go to Mike and she misreads and becomes jealous of his interaction with Max. Now I won't deny that El and Mike do have genuine care for each other, but here she ditches a boy that she hasn't seen in almost a year because he seems to have found another girl to fill that girlfriend role.

Having been hung up on in the void and replaced, El changes trajectory: superhero.

I do want to point out and emphasize the importance of El going to see Terry before this moment. El is not a robot that is programmed for sex and powers. She is very much human, and we see her desires for family and the life she could have lived, which is her motivation to seek both Mama and Kali.

Kali, another woman with powers who had been mistreated like her, offers El an alternative— use her powers against the men that have hurt her. When El sees that Kali is seeking her power as a means to use them, El leaves to save her friends and family.

I once again want to reiterate again El's humanity and her heart. El isn't returning to Hawkins simply as a means to become Mike's girlfriend and to become a superhero. She is doing so because she wants to save the people that she loves. Still, El's resolve for the season isn't super ideal given her overall arc. She is effectively fulfilling the roles that have been charted for her since the beginning. She learns that she can be a superhero and a girlfriend! Yay!

With danger out of sight, El seems to be spending her time doing the only other thing she thinks she can do, kissing Mike in her room. An activity which is described by Hopper and the rest of the party as being "unhealthy" and "bullshit."

So what is the solution? Completely remove her sexuality as Hopper aims to do?

We now come to my favorite friendship in the whole show, as well as the most important character in El's arc—

Max doesn't suppress El's sexuality or enforce it onto her, but rather is the first person who allows El to explore what she wants, offering her assistance but allowing El to lead the way. Brenner, Kali, Hopper, and Mike have all wanted to shape El into what they wanted her to be. For Brenner, a weapon. Kali, an avenger. Hopper, the perfect daughter. Mike, the perfect girlfriend. Max wants El to be whatever El wants to be. (God I love the elmax friendship so much)

Like I said before, Max does not aim to strip away El's sexuality like Hopper does. Hell, I wouldn't even say that she wanted to keep El from Mike. Hell, Max was even asking El if Mike was a good kisser after El had dumped him. Max is the one who offers to give El her moms Cosmo magazines. She isn't keeping El in the dark about sex and sexuality, but offering her a road map and actual information in order for El to come to her own conclusion about what she wants from it. El can look at pictures of Ralph Macchio and use her powers to spy but also enjoy shopping, listening to Madonna and reading comics.

When El is pushing her powers to find Billy, something that El choses to do of her own volition, it's the girls in her life (Nancy and Max) who advocate for her to lead the way while Mike is the one who wants to control her. And yes, once again the situation is complicated, Mike isn't doing this to be an asshole but out of concern for her safety, but needless to say he isn't beating the controlling boyfriend allegations. And this displays another facet of female sexuality—

Men often feel insecure when women exhibit ownership over their sexuality

Mike, who previously advocated for El to use her powers if it meant helping someone, is now actively pushing against it when it's El in the driver's seat and not him. And maybe Mike was right and El was pushing herself too far. And maybe he was concerned out of guilt for pushing her the first time, but would it also be too out of left field to say that Mike equates his part of his self worth on how much El needs him?

So maybe now I’ll talk about Mike

Mike really isn’t trying to be this malicious, manipulative guy who is using El for sex. Really, he’s not. Mike instead is a young boy who is going through some rather tough internal struggles of his own, and unfortunately brings El into it with him.

Mike is enforcing the heteronormative relationship onto himself just as much as he is doing it to El

I personally read Mike as gay and that plays into this analysis. Mike found a girl that he cared a lot for and everyone around him assumed that he must have feelings for her, so he played the role of the straight boyfriend. When I see Mike making out with El in her bedroom, I see a gay boy constantly trying to become attracted to his own girlfriend. Maybe if he keeps kissing her, maybe it’ll do something for him.

Keep in mind that Mike believes that that’s what El wants him to be, he’s not forcing onto her something that he doesn’t think she doesn’t want. He may have kissed her first, but then El was the one who tried to kissed him at the Byers house. Mike is mistaking El’s own confused feelings for genuine ones.

Being El’s boyfriend was Mike’s way of giving El what she needed, a way to be useful while simultaneously giving him a way to be normal. But what happens when his true feelings are starting to become harder to ignore?

Remember that Mike wasn’t writing “Love, Mike” when he believed that El was doing okay on her own in Lenora and making new friends. It almost makes me wonder if Mike would have said “I love you” to El if she had told Mike she was in distress.

But then again, we do see El in distress in front of Mike and yet Mike still can’t bring himself to say it. It isn’t until El is quite literally on her deathbed that Mike finally works up the courage.

In season four we have El regressing into her superhero or girlfriend mindset, with a third option added— monster.

A pinkeoni analysis that mentions El’s superhero/monster dichotomy???? SHOCKER!!

When girls are not seen as sexually desirable, they oftentimes feel monstrous as a result

El doesn’t have her powers anymore, and Mike no longer sees her as worthy of being a girlfriend, which means that she must a monster. This is a thought that is reaffirmed through El’s treatment from her classmates, and later El’s intrusive memories regarding the massacre. The only way El knows to escape this monster label is to regain her powers using NINA. This is what El knows, how to become a superhero. This is how she becomes desirable again.

I think that Max’s distance from El is a good contributing factor. Not the only one, but a main one for sure. El no longer has that guiding force, and there isn’t a girl in Lenora that understands her disposition and seems willing to take her under her wing. Sure she has her new mom Joyce, who is usually on the phone. Or her new brother Jonathan, who is usually stoned. And her new brother Will, whom we see try an give El support only for her to shut him down with “friends don’t lie.”

So El goes through NINA, gets her powers back, learns she isn’t the monster after all, oh and her boyfriend can say “I love you” now. And yet, as El realizes at the end, it’s not enough.

I promise this post is also about Will too

Now is the part of the post where we shift gears and finally talk about Will. El has more screen time than him, so there’s more to cover. I also felt like discussing her first laid some important groundwork in regards to how Will mirrors her narrative.

El showcased a lot of facets regarding female sexuality. Will covers aspects of male sexuality, but specifically gay male sexuality, which is an important distinction.

What does Hawkins feel about gay men?

Yeah, it’s not looking good.

Gay men are oftentimes perceived as predatory and dangerous

Will’s sexuality is practically an open secret. Will goes missing, and the town’s first thought is that he was taken by another gay man. Troy doesn’t say it directly, but the implication behind his words is that Will was raped and then killed, thus feeling the need to clarify that the man behind it was “another queer.” Gay men rape little boys and throw them into quarries, or so the town thinks.

The eighties is also such an important set piece for this narrative because the entire show takes place right in the midst of the Reagan Administration and the AIDS epidemic. A young gay boy dies and its suspected that another gay man killed him. The government is eager to sweep under the rug what actually did it. The anniversary of Will's kidnapping is Reagan's 1984 reelection date to the day.

Heterosexual men are treated differently on the basis of their sexuality

Well, duh. But I did want to highlight the differences between gay Will and his evil-straight-name-twin, Billy.

Billy wears his sexuality proud and openly. Based on Max's dialogue in season 3 we know that he has sex with girls often. In his introduction we are immediately shown girls ogling him. He arrives in town and is instantly liked and regarded. He catches the eyes of the hot moms in town and he's liked by the other guys.

Oh, and he's racist, violent, abusive, and overall a total sack of shit.

We see Billy's sudden rise to popularity in the same season that we see Will's incessant bullying and him being branded "Zombie Boy" by what seems to be the entire town. Even Billy who's been in town for like a day is already calling him "the freak." Will is sweet, kind, friendly, wouldn't hurt a fly, but he's the weird homo whereas Billy is the cool straight guy with the nice butt.

Gay men's sexualities are often suppressed

So now we get to the part that exhibits the WillEl mirroring, as well as some “Will has powers” theoretics. I guess your willingness as a reader to continue forward may depend on your feelings toward Will with powers. I may lose some of you, or maybe I may even swing some skeptics with my explanation. As I say in most of my posts: bare with me.

If El's sexuality and powers are being forced upon her, then Will's sexuality and powers are being forcefully snuffed out.

Let's take a look at Lonnie Byers, in many ways similar to Papa Brenner and in many ways his antithesis. Both abusive fathers with silver hair, Brenner is the obsessive parent who wants his fingers all over his daughter while Lonnie is the distant parent who wants nothing to do with his gay son. Joyce's dialogue "Lonnie said he was queer. Called him a fag." indicates that his homophobia probably has something to do with his distancing. Lonnie's verbal abuse of Will was likely a method of trying to snuff out his queerness. And when that didn't work, he left.

(and if you wanna get theoretical you could say that he had connections to the lab, knew about Will's powers and was trying to get rid of them, but that's just speculative)

A big part of season one is the fact that the entire time, Will was in his own house. He was spending his time running and hiding from the monster that was in his own home, the one that wanted to kill him. And the only time he ever expressed himself, the only time he ever used his powers—

—was when his loving and supportive mother encouraged him.

But also keep in mind that almost every time Will tries to speak with his mother through the lights, express more of himself and use more of his powers, it usually attracts the presence of the monster. Will continues his cycle of running and hiding until it doesn't work anymore, and we get what is perhaps the most overt sexual assault imagery in the show that even little fifteen year old Robin Pinkeoni picked up on in 2016.

Season one ends with Will experiencing sexual violence, and in season two we see how this trauma is encroaching on his everyday life, as well as being stalked by the same man that took him and shoved a vine down his throat for the sake of reproduction. He follows Will to the arcade. He follows him while he's trick-or-treating with friends. He finds Will at home. Eventually, he finds Will after hours at school where he's able to reenter his body in the second most overt sexual assault imagery in the show.

Where El's sexuality was suppressed in season 2, Will's sexuality was being forced upon

Will is feeling the effects of this assault for the rest of the season. He's finding it hard to sleep, and constantly feels the presence of the man who attacked him, everywhere.

Vecna is possessing Will because he wants to use him as a vessel to control help control his army, and for whatever other powers Will may have. If El never closed the gate, if Vecna had completely taken over Will's body as he originally planned, what would he have done from that point on? Would he have just discarded Will's body, or was there something special about him that he needed?

Will begins to believe that everything people say about gay men is true about him

Keep in mind that at this point Will's only experience and exposure to gay sex is being assaulted twice, all while his father and the whole town is bullying him and telling him that gay men are predators. Will isn't a predator. He isn't dangerous and we know this about him. And yet Will uses the freak label in a negative way.

So it's no surprise given the internal and external that Will is suppressing his sexuality even further.

In season 3 El begins her journey of self-discovery and likes what she finds. Will knows exactly who he is

and he hates it.

Will fucking hates himself bro. He knows he gay. And he accepts it. But he also accepts all of the labels and restrictions that it comes with. I am gay. My sexual desires are dangerous. I can never express and experience love and sex the way I want to.

And maybe there is a glimmer inside of him that sees that what he is is a wonderful thing, that maybe he does deserve better than all the abuse he's endured just for being who was.

And maybe these feelings were easier to pack away when he was younger. Maybe it was easier to say "I'm not gonna fall in love" when you're fourteen, but as you get older and grow into your teenage years...

...maybe your desires are getting harder to ignore.

What happens when you don't die innocent, and you grow up instead?

So we bring it around to season 5

El is a superhero and a girlfriend again. But it's not enough. Something is missing and she isn't fulfilled. Max is missing, and El is going to have to face and overcome her biggest challenge yet, which is completing her journey of self-discovery that started in season 3. She's going to have to put aside the expectations that many have for her and decide what she wants.

Will Byers is back in town. How has the climate surrounding gay men changed since then?

Oh! It's worse now!

Remember, the town believes that the same sodomizing Satanists are the ones behind the recent murders and earthquake. It's gonna be really bad for Will when he gets back.

So now Will is tasked with a challenge that is harder here in Hawkins than it might have been in Southern California. Maybe Will can't change the minds of these religious townsfolk but maybe he can somehow find a way to shift his own way of thinking. Embrace who he is, embrace his powers, and realize that he deserves more than the hand he's been dealt.

So that was... a lot

Analysis mostly over. Here are some of my concluding thoughts.

I know that this is probably one of my longest posts ever. I know that a lot of it feels like reiterating plot points, but that really felt like the best way for me to articulate all of my thoughts on this. A lot of it needs to be backed up with evidence from the show.

Also, sometimes when I sit down to make a new analysis, sometimes I don't make it because I think I have all of the answers, but I make it as a way to try and find answers. To talk through some of my long and complicated thoughts and open the floor to discussion. Even with the length of this post, there is waaaaaaaaay more that can be discussed regarding this topic (some that has already been discussed).

To wrap everything up, I wanna share this screenshot from Reddit, which low-key inspired this entire thing. For context, this was in response to a question asking if people expected to see a Will coming-out scene in season 5.

So, hopefully with this long ass post, I've proven that maybe the show is about the complex effects of one's sexuality in the 80's, actually.

[pocketmania]

So I managed to catch covid despite my best efforts and with it on type of my other chronic illnesses I feel like shit and am somewhat delirious.

As a result I am humbly requesting some illness comfort hcs for splatoon. Your choice on characters but I'd like it if you at least include Dedf1sh. Gender neutral or nonbinary reader please.

Thank you for your service 🫡

Man, that sucks. I'm so sorry you've been feeling so icky, anon. I hope you make a speedy recovery and feel better <3 !!

I'm gonna do all of the idols (including Big Man) because I don't wanna leave everyone out + I feel like they'd all have some unique way of going about your illnesses. I'm also so sorry for the wait! I've been busy recently, so I'm sorry (to everyone) if posting and responding is slow!

Now onto the thingy

‎‧₊˚✧[ The Idols W/ a Sick!Reader ]✧˚₊‧

(🎨🔫👨‍❤️‍💋‍👨💭) - splatoon headcanons

(reader type) - gender neutral

‧₊˚ ⋅ 𓐐𓎩 ‧₊˚ ⋅

- - - - - - -

Callie

♨ Callie is the type of person to follow all those clichés you see on T.V.

♨ Shrimp soup, ice pack on the head, thermometer in the mouth, absolutely no moving or leaving your room whatsoever, all that stuff

♨ She's not a doctor but she thinks she might be able to help

♨ The MILLISECOND she hears you sniff or cough, it is straight to bed with you

♨ If you throw up or something she'll be there to hold your tentacles back (if they're long enough)

♨ If she sees you out of bed other than to go to the bathroom she will throw a FIT and drag you back to bed

♨ She will do all the chores in the house and will cook for you, regardless if it's just a common cold or not

♨ You got sick around the time Grizz was defeated, so she had a lot of free time other than the occasional acting gig and the release of Wave Goodbye.

♨ Checks up on you every second

♨ Cuddles with you despite knowing she'll get sick too

♨ ❝ Quit it, you idiot! You're gonna catch a bug!

♨ ❝ Guess who doesn't care! ♪"

♨ She shares all the drama and gossip she's heard when she gets home if she has stuff to do

♨ Keeps you company while you rot in bed <3

Marie

♨ She's a lot more lenient than Callie, let's just make that clear

♨ Marie believes that, as long as you're not on the brink of death and it's a simple symptom, you don't have to be bedridden.

♨ You got sick around the time Grizz was defeated as well, so she had a lot of free time, too

♨ Except Thursday nights, because that's when she has her podcast "Marie After Midnight"

♨ You're allowed to help with chores, but she does all the cooking

♨ Mutualism, y'know?

♨ Also shares drama and gossip with you that she's heard while out and stuff as she checks your temperature n' all

♨ ❝ So then she said that she broke up with him-oops, you've got a fever-but then she was seen kissing him, like, an hour later!"

♨ She's still physical with you. She just keeps her distance a lot more

♨ She may not be a doctor, but she's certainly your personal nurse

Pearl

♨ The moment she found out you were sick it was a direct trip to MakoMart for medicine

♨ Her diagnosis was that you hadn't been treating yourself very well

♨ Pearl definitely isn't experienced with taking care of people medically since she grew up rich and didn't really have to do any of that stuff

♨ She knows about medicine and bandages and that's about it

♨ Buys literally all the medicine in stock

♨ Only the best medical care for her pookie wookie

♨ She does all the cooking and cleaning. She doesn't give a slug's ass what you came down with. You are not overworking yourself on her watch

♨ You got sick just before Off the Hook went on tour, so it threw a small wrench into the plan, but that was alright!

♨ She could make it work! (With the help of time management from Marina)

♨ Pearl isn't too good at cooking by the way, so it'll just be fruit or something that doesn't require more effort than a microwave and boiling water

♨ ❝ Okay, so I accidentally set the water on fire, so it'll just be fruit instead of noodles today.

♨ ❝ You what???

♨ But yeah give her a chance she tries her best </3

Marina

♨ Marina is probably the most medically trained person on this list

♨ Becomes a professional mother

♨ You also got sick around the time Off the Hook was going on tour, so that made her a bit busier since she had to work on the tour, the memverse, and make sure you didn't die

♨ So what did she prescribe? Love, it was the only medicine! That and prednisone

♨ She's almost as lenient as Marie but as caring as Callie

♨ Since she was in the military, she learned a bunch of ways to treat sick people, so she's a wiz at this

♨ She doesn't want you completely immobilized, so she lets you help with chores and cooking

♨ Will check in with you every once is a while, but when she does she asks a gazillion questions at a time

♨ ❝ Hey, (N/N), are you feeling any better? Are you hungry, thirsty, do you have a headache? Do you need medicine? Are you too hot, too cold?

♨ ❝ Just trying to process everything you just said.

♨ Makes songs dedicated to you and sings them at concerts (which always make you feel better)

Shiver

♨ Shiver, being the youngest of the Hohojiro family, doesn't know all that much about medicine

♨ But she tries her best, especially for you! Is that a lie? No!

♨ She definitely gets advice from Frye and Big Man. They even help take care of you sometimes

♨ She makes a bit more of a deal about it than she should

♨ You got sick around the leader splatfest (that goes for all of Deep Cut), so of course Shiver was all over you during the halftime break

♨ ❝ (N/N)? Please tell me you're okay! You haven't thrown up, right? Do you have a fever? I could get you some water and a fan if you do!

♨ She asked when all you wanted was a Crabby Cake.

♨ Shiver, no matter how much she loves you, will never admit that she had to get help from someone else

♨ Takes you everywhere just so you're in her sight, even while she's out banditting

♨ Orders Master Mega (or one of the Deep Cut members) to carry you around everywhere

♨ She mostly cooks you spicy food, even if it's mild

♨ Shiver is always cold (as her name kinda suggests) so she'll hug you when you get too hot

♨ Will buy you anything and everything you want, just like Pearl would

♨ Basically your gremlin helper

Frye

♨ Frye's family has a bunch of remedies that probably aren't safe to the public

♨ Big Man has repeatedly told her not to use these remedies as a last resort

♨ ❝ Just take 3 of these a day, she says as she holds up what is possibly the most toxic food known to inkling and octoling kind

♨ Other than that, she's good at treating people. Like i said before, she's got siblings, so she kinda had to be

♨ Frye's like Marie when it comes to stuff like this because she also believes that, as long as you're not on your death bed, you'll be fine

♨ With that said, she will not hesitate to carry you around and do everything for you

♨ ❝ Oh, yeah, no, straight to bed! C'mon, I'll carry you! You can work, but don't overwork yourself, man! I'll finish cleaning the dishes, just don't die on me!

♨ ❝ Frye, all I said was,'I feel kinda hot'.

♨ Just like with Shiver, the rest of Deep Cut helps out with taking care of you, too

♨ She mostly cooks you sweet food

♨ Frye is a human heater (as her name kinda suggests), so she'll hug you when you get cold

♨ Trust me when I say she'll barely treat you any different from when you weren't sick

♨ She'll still throw her banter-punches and lean on you and shake you and all

♨ Just be ready to take care of her when she gets sick from that :,]

Big Man

♨ Probably the most caring person on this list next to Marina

♨ He is a LOT more normal out of the other two members of Deep Cut

♨ And since he's a naturally caring person he makes a great caretaker

♨ Big Man's family definitely has remedies they use, too. Except these remedies are actually safe to use on people

♨ Mostly cooks you sour food, even if it's mild

♨ He is always prepared; he's got tons of medicine and tissues for when you guys go out together (and barf bags..)

♨ Big Man believes you're a capable person, so he'll also let you help with chores and cooking until he sees that you're tired/dizzy

♨ Then he'll send you right back to bed and spend the rest of the day caring for you

♨ ❝ Ay? Ay ay. ((N/N)? Do you need anything? More water, or more blankets?)

♨ ❝ I'd like for you to just be with me, if that's okay.

♨ Starts gushing over the entire thing and spends the rest of the day with you. Chores can come at the end

♨ At that moment, you thought you were cured

Acht

♨ There are a lot of people on this list who let you fend for yourself holy hell

♨ You got sick just after the Side Order DLC would've been completed, so Acht didn't have anything better to do than hang out with Marina or make music

♨ Acht seems like a "tough love" kinda character (that's also very caring at the same time), so that's why I feel like they'd be another character like that

♨ Though they still cook and clean for you from time to time! Albeit they're.. not the best cook..

♨ (You're better off ordering out.)

♨ Sometimes, if they think you've worked enough, they'll throw you over the shoulder and carry you

♨ Acht doesn't know medicine as well as Marina (considering they're a dropout) so they go to Marina for advice

♨ Acht might fuck up the procedure once or twice, but it all works out in the end! They try, trust me

♨ Also keeps you company while you rot away in bed

♨ Lets you suggest music for them to make (and its always good)

♨ Not always prepared but always ready to seek out the things you need

♨ ❝ Hey, you need tissues? Alright, lemme see if I have some.

♨ The combination of their personality and the way they care for you makes you oh-so-happy

♨ Even after you've gotten better, you still think you're sick.. sick with love that is

♨ Corny, I know, but it's true

- - - - - - -

‧₊˚ ⋅ 𓐐𓎩 ‧₊˚ ⋅

[franklyimissparis]

who’s who in “let ‘em in” by wings (1976)

and some other thoughts on the song

prefacing this by saying that paul himself has changed his own interpretations and offered many explanations up for each name mentioned in the song! i don't necessarily think there's one right answer about what's about who - paul is known for writing about multiple things at once and having many layers of inspiration behind his lyrics. i will mostly be focusing on the names paul lists off within the song, in the order they appear, starting with:

- sister suzy: suzy was linda mccartney's alter ego within her own band, suzy and the red stripes which was active at the time this song was written. paul has stated on many occasions, including in “the lyrics”, that sister suzy is a reference to linda.

- brother john: a lot of articles reference brother john as being john eastman, linda's brother, while others reference john lennon. paul himself said it could be either. but if we're being honest, the first person paul's gonna think of when someone says “john” is lennon, hands down.

it's worth noting the use of sister when describing linda, paul's wife. while it could make sense in the context of the line brother john being john eastman (john and linda being actual brother and sister to one another), i think it's valid to examine the other potential meanings as well, particularly if we think of brother john as john lennon. it places paul's relation to them both as, firstly, familial and implies an equality in the roles they've served within paul's life. starting the list of people with linda (placing her as the most important as the lot) and then john second is interesting as well. we've seen countless examples of paul and john both comparing their relationships with their wives to their relationships with each other and i think it's striking that paul does this here, whether consciously or not.

(nowadays, paul's brother and sister in law via his wife nancy are actually named jon and susie, coincidentally enough.)

- martin luther: paul writes in "the lyrics" that this is about MLK which i'm sure it partially is but also there is an account of the other three beatles jokingly calling john "john martin luther lennon" in the early days though i couldn't find a solid source for this. there is the infamous 1985 hunter davies quote from paul's off the record phone call with him where he called john “martin luther lennon" but that was obviously years after let 'em in and in a massively different context (though potentially this could suggest that it’s a comparison he’s mentally made before but that’s a bit of a stretch, evidence wise lol). i’ve also heard people say martin luther could potentially be a reference to george martin as well, which is possible. others have speculated that this is a reference specifically to martin luther and the 95 theses (“knocking on the door" i.e. nailing the theses to the door) which paul says may have been true on an unconscious level but wasn't purposeful.

- phil and don: the everly brothers, one of paul and john's earliest and biggest influences as young lads. they were heavily inspired by the everly brothers when they performed as their duo, the nerk twins. they also referred to themselves as the foreverly brothers on other occasions.

- brother michael: paul's brother mike, unsurprisingly. though paul also states in “the lyrics” that this might have been a reference to michael jackson as the timing works with paul and linda meeting the jackson 5 around the same time as well but i think realistically he probably mostly had mike mccartney in mind with this one.

- auntie jin: paul’s real and favourite auntie from liverpool. saw one very rogue take that it’s meant to sound like ‘antigen’ but, quite frankly, i think that’s a bit horseshite.

- uncle ernie: in “the lyrics”, paul mentions that he has a cousin called ian who was sometimes referred to as "ern". but also states that at this point he was just playing with words and sounds and this probably wasn't his intention. previously, paul has attributed the line as a reference to keith moon, who was close to the mccartneys in the 70s prior to his death and played the character of uncle ernie in the film tommy (1975). it also could refer to ringo starr as well, as he voiced uncle ernie in the LSO's recording of tommy. ringo himself referenced let 'em in ("someone's knocking on the door/someone's ringing my bell") in 2003 in the song "english garden" which suggests that, at the very least, he felt as though there was some connection to him there.

- uncle ian: like previously stated, paul has mentioned his cousin ian as potentially inspiring this line but personally i think uncle ian could be a reference to paul himself. "ian iachimoe" (meant to phonetically sound out "paul mccartney" backwards) is one of paul's many pseudonyms, thought to have been created around 1966. he signed the lyrics of paperback writer with "yours sincerely, ian iachimoe" and it is also said that in order to distinguish themselves from the rest of his mail, paul would tell his close friends and family to address letters to ian iachimoe so he would know to read them.

paul referred to "let 'em in" as the musical equivalent of a "stocking stuffer" in “the lyrics” which i'm sure it was in his mind but me and my tin hat will be reading deeper into it as usual! this song reminds me quite a lot of “call me back again" in the sense that i think (subconsciously) it may be a bit of a poke at john to get in contact with him.

it's important to note that the album was written/recorded/released around the time of the infamous “it isn't 1956 anymore” incident where, according to john, paul kept showing up at the dakota with his guitar after sean was born without calling ahead. john would let him in but would be a bit put off about it until one day he gave paul a bit of shite for it and paul took it quite personally. while the actual incident is noted as happening in april of 1976 (according to the beatles bible) if it's true that, as john says, this happened a few times there could have also been some tension with paul appearing at john's in the prior months before paul recorded the song in february of 1976.

paul has spoken of the song as reminiscent of a typical party in liverpool where there's sort of a constant stream of family and friends coming through the door - this could be something paul is nudging john to remember (especially with the references to their teenage musical influences and acquaintances and paul's family members that john himself once knew personally.) something along the lines of "oh come on, john, you've gotta just let people into your life, you can't shut out the people who love and miss you. this is how it used to be with us, don't you remember those days?" ... but that's just my interpretation. anyway sorry this was so long but i just thought i'd share in case some of you hadn't heard all the possible interpretations of the lines :))

[cirr0stratus]

thinking about frodo and sam and how their characters are near identical to stanislaus katzinsky and paul baumer and how they are both fictional men of different statuses that were created during the horrors of world war one by two people who used their incredible poetic voices to cope with the realities of warfare and how the relationship that these characters have transcends friendship and brotherhood and even romantic love because what they have is so much more important than that, it’s so much more. how there isn’t a word for the relationship that they have, and people like me are stuck thinking about these quotes and being completely normal about them

“We sit opposite one another, Kat and I, two soldiers in shabby coats, cooking a goose in the middle of the night. We don't talk much, but I believe we have a more complete communion with one another than even lovers have.

We are two men, two minute sparks of life; outside is the night and the circle of death. We sit on the edge of it crouching in danger, the grease drips from our hands, in our hearts we are close to one another, and the hour is like the room: flecked over with the lights and shadows of our feelings cast by a quiet fire. What does he know of me or I of him? formerly we should not have had a single thought in common – now we sit with a goose between us and feel in unison, are so intimate that we do not even speak.”

“you lay close to me. I'd be dearly glad to see you have a sleep. Id keep watch over you; and anyway, if you lay near, with my arm round you, no one could come pawing you without your Sam knowing it.”

“A little soldier and a clear voice, and if anyone were to caress him he would hardly understand, this soldier with the big boots and the shut heart, who marches because he is wearing big boots, and has forgotten all else but marching. Beyond the sky-line is a country with flowers, lying so still that he would like to weep. There are sights there that he has not forgotten, because he never possessed them – perplexing, yet lost to him. Are not his twenty summers there?

Is my face wet, and where am I? Kat stands before me, his gigantic, stooping shadow falls upon me, like home. He speaks gently, he smiles and goes back to the fire.

Then he says: "It's done."”

“Frodo's face was peaceful, the marks of fear and care had left it; but it looked old, old and beautiful, as if the chiselling of the shaping years was now revealed in many fine lines that had before been hidden, though the identity of the face was not changed. Not that Sam Gamgee put it that way to himself. He shook his head, as if finding words useless, and murmured: 'I love him. He's like that, and sometimes it shines through, somehow. But I love him, whether or no”

“Kat my friend, Kat with the drooping shoulders and the poor, thin moustache, Kat, whom I know as I know no other man, Kat with whom I have shared these years—it is impossible that perhaps I shall not see Kat again”

“'If you don't come back, sir, then I shan't, that's certain,' said Sam. 'Don't you leave him! they said to me. Leave him! I said. I never mean to. I am going with him, if he climbs to the Moon; and if any of those Black Riders try to stop him, they'll have Sam Gamgee to reckon with,”

[mechazushi]

Iharu's Day Out {co-staring Dadka} (A Kn8 short story)

Preamble] So I've got this idea for a series of {what was supposed to be short?! Don't know where all this came from} one-shots about Kaiju n.8 that are all about Kafka interacting with one member from the third Division because we only really see him talking to Reno or Hoshina most of the time and not a lot of the rest of the team gets much more screen time. I don't know how often I will be posting these and they will NOT be in chronological order. The time frame they will be taking place in is after everything is over (Number 9 is dead, Tachikawa base is rebuilt, the public knows about Kaiju n. 8, and the original members of Division Three are back together.)

Notes] Alcohol, implied off screen sex act, minor law breaking, pining IharuxReno, background HoshinaxKafka, implied HaruichixAoi, confession, basic tomfoolery, uncensored swearing.

Summary] Iharu's plans with Reno get derailed when Reno has to leave on a mission just before they have to leave. Depressed and dejected, Iharu heads back to the barracks to drown his sorrows in food... only to have that plan as well get derailed by Kafka.

#########################################

This was the third time in thirty minutes that Furuhashi had changed his outfit. Finally landing on white high tops, black camo jeans, a black leather jacket and a white graphic anime tee. He kept going back and forth on the tee, debating on whether or not it made him look like he was too childish. Iharu spent an extra minute mentally kicking himself for not bringing more casual clothes from home when the base got reopened. Then again, asking Reno out to a movie date was pretty spur of the moment at the time. He caught himself mid thought and placed his hands on either side of the closet that was designated to every member of the Division. "Not a date. Movie night-. It's... a movie night. This is to see if this could lead to a potential date. Yeah, just... focus on that right now."

Knocking him out of his thoughts was a very distinct ringtone. Iharu had spent a lot of time messing around in the settings on his phone and was very proud of himself when it came to the songs he picked for each member of the Third Division. Aoi was the theme song from Cops, Kikoru's was the Nightcore version of Pretty Little Psycho. The one that was playing now was Cold as Ice by Foreigner. A little on the nose, considering who it was attached to, but nonetheless fitting for person who he thought was the coolest guy on the force.

Reno☃] Hey. Can we talk?

Reno☃] Somethings come up.

############################################

"Sure. Sounds fun."

Iharu played Reno's response to this movie night plan over a week ago in his head over and over, taking his chilled and plain response and visualizing it as a bat to beat himself and this unfortunate event the two over them have gotten themselves into.

"Last minute dispatch to the mountains. Sorry Iharu." Reno had said, wanting to give him the bad news in person as he sat on a bench in a locker room and laced up his boots over his tech suit.

"Guess that means you'll be back late then, huh." Iharu leaned against a locker, arms folded and looking into the distance through the doorway. He didn't want Reno to see the disappointment. Not that seeing it would change the situation, just didn't want make Reno feel bad over the fact that, not only is he leaving Iharu behind, but he has to take a rain check on their date movie night- it was supposed to be a movie night, Iharu had to remind himself. He didn't feel like it was fair to take his crush/rival out on the town and call it something so loaded without seeing if the feeling would be returned.

"Yeah. Sorry." Reno picked up his bag and started to walk pass Iharu. "Movie will still be there tomorrow. Right?"

Iharu tried to school his expression into something more optimistic to mask his depression. " Yeah, but I'm in Weapons Training all day tomorrow. Maybe another movie?" He crunched the unnoticed prepaid ticket stubs in his fist and shoved it in the pocket of his jeans. "Mind kicking their monster ass a little harder then normal. For me?" He didn't mean to come across as pleading as he said that, but it helped channel the last bit of resentment at the situation out of his head so now he can spend the rest of the allotted time off to sulk in his bunk.

Reno smiled and clasped a hand on Iharu's shoulder. "Sure thing."

Reno walked out of the locker room and headed toward the door that lead to the chopper pad that would whisk him away, as well as Iharu's plan for the three hours that he could squeeze out of Vice-Cap. All Iharu could do was watch as Reno lightly jogged away and feel as if he was doing that to get away from him faster. He knew that Reno liked him as a friend at least, but he felt that Reno could act a little less chill about being forcefully blown off a dinner and a movie. Iharu turned and started walking toward the canteen with the intention to take as much food and drink he could smuggle out to his bunk, make a Blanket Fort of Solitude*tm and attempt to stuff his dashed feeling under a quarter pound of katsudon, cheese puffs and soda popsicles-made in prison style.

Iharu was dragged from his thoughts by a loud, friendly, and familier voice. "OYE! Iharu! Wait a sec!"

Kafka Hibino came barreling down the hallway having turned a corner and apparently looking lost. The man was almost out of breath by the time he managed to catch up to Iharu. "Have you seen Reno around? I -huff- wanted to tell him safe travels before he -huff- left."

"He's heading down to the heli-pad now. Book it and you might catch him." Iharu said apathetically, scratching his neck. Which was really out of character for him, but he couldn't help hoping that was the end of the conversation, seeing that he just wanted to spend his three hours of time off drowning in food.

"Great! Thanks! Hey, you headed to the canteen?"

"Yeah."

"Good. Give me a minute and I'll meet you there. Want to talk to you about something." Kafka took off running in the direction that Iharu pointed in before Iharu could refuse. He sighed deeply and started his way back to a journey to food-comaville; population one.

Iharu made it during a lull in orders and took his time deciding what to pig out on. He walked over to a seat at a table that was as far as he could make it from the others in the large and sparsely populated room. He managed to plow through 4 chicken kievs and a large bowl of rice with a coke before Kafka managed to walk into the lunchroom. He searched for a bit, found Iharu and started to walk to him... before deciding better and grabbed a Hamburg steak meal and then headed over.

"Well, I didn't get to tell him goodbye, but he did get to see me waving from the platform, so there's that. I feel better." Kafka sat down next to Iharu and assembled his steak to his preference.

"I'm glad." Iharu said sarcastically, "What did you want to talk to me about?"

"Your attitude, actually." Kafka said, then took a big bite of smothered chopped steak. Iharu partially choked mid-sip, Quickly recovering to stare down the senior with barely concealed audacity. Kafka saw and chuckled a bit around the food in his mouth.

"Nothing serious! Saw you were looking a little down in the dumps when I talked to ya. Just wanted to check in, make sure its nothing pressing, though I'll understand if you're not open for conversation at the moment."

"What are you, a counselor?" Iharu said defiantly. Kafka put his hands up in surrender before diving back into his meal.

"Say the word and I'll leave. If its not anything Reno said, I'll leave you to your moping."

Hearing Reno's name and the implication that he might of said something caused Iharu to curl up slightly, not bothering to hide the change in expression that very much told Kafka that Reno definitely said something. The pinkette paused for a minute before responding "What makes you think he did?"

Kafka smiled a warm, knowing smile, put down his fork, and swallowed. "Because I know Reno. He is extremely chill most of the time, but sometimes he can't tell that his coolness... can unintentionally burn others. Especially when you don't tell him outright." He turned to a slumped Iharu before continuing, " He told me that you two were going to watch a movie together tonight, right? He seemed excited about it.... in his own little way."

Iharu pushed his food away from him and dug his face in his crossed arms. 'Of course Reno would tell the division's Father Figure.' In admitting defeat, Iharu sighed and turned his head to face the half kaiju man.

"It wasn't just going to be a movie. There was going to be food too. There's a food stall festival a block from the movie theater that was selling some really good smelling food and it was the last day for it to be around and I had thought maybe we could take a shortcut through that really pretty shrine afterword- the one that lights up all those paper lanterns when sunset hits- and I had planned to pay for all the food and there was going to be gifts a-a-and-" He sat up to dig up the crumpled ticket stubs from his pockets and rudely threw them on the table, "And I had even PREPAID THE TICKETS AND.....haa. I just...... I wanted a nice evening with him. I knew three hours were rushing things but it was all Hoshina could let us take today."

Kafka picked up the stubs and straighten them out with the edge of the table. "And it absolutely would of been had it not been for a sudden arrival of 5.6 mole kaijus, huh." Iharu tucked his head back into his arms.

"Yeah, fucking mole kaiju. The least they could do was let me come with, but noooo! Everyone seems to think that I'm only relevant to Reno if he's wearing his stupid super suit."

'"If it makes you feel better. Reno likes having you around inside and outside the suit. Definitely enjoys the push-n-pull thing you two have going on." Iharu haphazardly wiped his nose on his leave as he looked to Kafka again.

"Doesn't matter anymore though, does it. He's not here and there's no sense going to the theater with two tickets and only showing up by yourself." Kafka scratched his ever present 5'o-clock shadow as he contemplated for a moment.

"Could ask around. I'm pretty sure Aoi hasn't taken any hours off in a while. Or maybe Shinomiya? She might be into cowboys verses bio-mech-monsters." Iharu tilted his head up hearing Kafka describe the movie.

"You've seen Ranger Rika against the Metal Mess of South Bend?"

"Just the trailers for it. Tokusatsu style, right? Watched a bunch of those as a kid. Somehow managed to pirate a few movies onto a mp.3 player when I was younger. Got me through a lot of bunker-hunkering in my middle school years."

Iharu laughed, "An mp.3 player? God you are old. And when was sitting in a kaiju shelter called 'Bunker-hunkering'?" Kafka reached over and playfully shook the younger compatriot by his shoulders.

"MP.3S ARE NOT THAT OLD! MINE STILL WORKS AND I STILL USE IT, YOU ASSHAT!" Hearing this only caused both of them to split themselves into fits of laughter. A moment later Kafka was lightly hugging Iharu and trying (and failing) to slow his heart and breathing while Iharu was wiping away tears and giggling. The shark-toothed teen looked up at the division's adopted father figure contemplatively.

"Ya know.... why don't you come with me." Kafka looked a little taken aback at that offer.

"Really? With me? I mean, I'm not going to turn down a free movie. Just thought that you young folk would rather run around with... well, people of similar age." Iharu started laughing again.

"What, so you finally decided you're old now?"

"Well, there's no hiding the fact that I'm damn near forty." Kafka said as he rolled his eyes.

"Yeah, but you're cool and forty. Which is like, guaranteed cool. And you're probably the only person here that would enjoy a movie of this explosive caliber." Iharu got up from his seat and picked up the tickets, offering one to Kafka. He smiled massively and pushed the offering had back toward Iharu.

"Hold on to them for now. I gotta talk to Hoshina about taking some hours away from base first. Tell you what, grab a bag of snacks to take in and I'll meet you by the garage."

"Bag of snacks? Ya know the theater sells them there, right?" Furuhashi said walking side by side with Hibino as they wandered back into the hallway.

"Excuse you, but I have been raised on the philosophy that you never buy theater snacks when you can sneak in your own. The theft of it all makes them taste better." Kafka winked as the two of them parted ways. "Should only take a minute or two. Text when you hit the garage!"

############################################

"WHAT DO YOU MEAN NO?" Kafka said calmly as he adopted a wide defensive stance against is superior.

"I get you can be simple some days, but even you should know what that word means." replied Soshiro Hoshina, the vice captain of the Third Division. The man carefully put down the log book that contained the recorded hours of all enlisted that each individual was allotted to spend.

"What I mean is, do you mean no as in 'You still have chores or training left', or no as in 'I can't afford to have you leave base today'." Kafka breathed slowly through his nose in irritation as he emphasized each scenario.

"No as in 'You have no hours left to spend.' You used them all." Hoshina turned the catalog to face Kafka as the burly man planted his hands on the desk. All he could do was sigh at his unforeseen short comings.

"Honestly, I wanna talk to whoever came up with the policy that cut half of our vacation days and replaced them with this 'Payable Recreational Hours' bullshit. You seriously can't fudge the rules even a little bit?"

"Trust me Kafka, I wasn't the one who opted for that either. And as Vice Captain and currently the highest ranking on base, 'Fudging the rules' as you put it, would be a terrible move and give me a soft reputation. So, no."

Kafka shrunk his appearance and pulled out his big doe eyes to aid in his pleading. "But this is important! Hoshina, please. Its not even about me, this is for Iharu's sake."

Hoshina's interest piqued exasperatedly upon hearing that. "Oh? And pray tell, what could be so pressing that you have to emergency call off three hours for?" Kafka started to sense that this was the first slip into a bad situation and immediately back peddled.

"If it helps, I guess I could get away with an hour and a half?" he shrugged.

"So what was the other two and a half hours going to be spent on?" Hoshina said, leaning back in his office chair and crossing his arms.

Kafka knew he couldn't lie to someone so close to him, especially when that person was adept at seeing through his lies specifically. "Just, uh... food and... travel?"

This isn't helped by the fact the man can't even get away with half truths in the first place. Hoshina leaned his elbows on the desk as he stared down menacingly at the resident Kaiju Man.

"Kafka. The whole truth now, and I'll let you off with janitorial duty for a week." All Kafka could do was unclench his body and accept defeat.

"Ok. Iharu had prepaid some movie tickets to a Ranger Rika film and we both felt it would be a waste not to use them and the plan had involved a food stall festival and Reno was supposed to be there-!" Upon remembering what Iharu's initial plan was, Kafka was struck with an idea. "Hey that could work."

'What" Hoshina said in a clearly vexed manner.

"Why not give me Reno's hours? They both called off right? And since he had to leave, doesn't that technically mean that there's hours left on the table?" Kafka's brilliant smile was quickly diminishing as his superior kept staring a hole through his skull.

"First off, that's rude." Hoshina said holding up a hand to count on, "Second, that's got to be a violation somewhere. And Three, even if it wasn't, I still wouldn't allow it."

"What, you want me to see if Iharu will hand both the tickets over and we both go?" Hoshina just pinched his nose bridge at that and sighed.

"No, Kafka. I'm irritated that you're trying to weasel your way into blowing off duty for street food and movie tickets."

"But they're prepaid movie tickets!" Kafka sighed. He could only hang his head in despair as he could see his impromptu plans slipping away from him. "Is there nothing that could change your mind?"

"No. Not when I'm this irritated." Hoshina said as he went back to crossing his arms.

'Irritated, huh?' Kafka rolled his partner's choice of words in his head, before coming up with a horrible idea and using it to fuel a devilish course of action.

"Well, then. I guess I'll just have to break out the big gun." Kafka whispered as he smirked. He rounded Hoshina's sturdy desk, a fact the two of them had certainly proved time and time again, and now Kafka was going to have to certify that statement one more time, it seems.

"Kafka?" Hoshina questioned as his work buddy visible stopped acting like his associate and donned his more... submissive side. Starting with turning the chair to face him, Kafka got down on his knees in front of his commanding officer and slowly slid a hand under the left pant leg to lightly tease his superior's ankle.

"Guess i'll have to help with that irritation before I leave, won't I?" Hibino said, still wearing a cocky, lopsided grin as he brought the other hand just under Hoshina's knee.

'Kafka, no." Hoshina gritted out, bringing his hands to the arm rests and firmly gripped them.

"Kafka, yes." replied the kneeling man as he kissed his secret lover's knee.

"Kafka, if you think I'm going to give you your requested hour and a half-"

"Three hours."

"You're not going to get any hours if you keep this up."

"Come on. We both know that's not true, Soshiro." Kafka said, looking up from his kiss to the knee and molding his throat into his other voice. The one where he isolates a partial transformation around his vocal cords, adding a low growl to his already bass tone. Taking extra care with using Hoshina's first name, Kafka leaned forward and caressed his cheek against the side of Soshiro's inner thigh, letting in a wicked light in behind his glossy eyes.

"We both know I get what I want if I work hard enough for it."

Kafka began to tease the inside of Soshiro's thighs, littering them with light and slow kisses. Switching back and forth between the two, inching close, but not close enough. Hoshina felt rooted to the seat, pinned down by this tormenting display. All he could do was reach over and place a hand in Kafka's surprisingly soft tufts of hair. He carded it through a little before gripping it. Not enough to hurt, but definitely attention getting. Kafka let out a hot puff of air against his commander's hip, reveling in the feeling of Soshiro's short nails digging into his tough scalp.

"Give me a good performance, and we'll discuss what I'll let you get away with." Hoshina said, mentally kicking himself for not training his pet to be on a shorter leash.

############################################

"Come onnn. Where is he?" Iharu whined, shifting one strap of the back pack off one shoulder to the other as he was on his way to Hoshina's office. "How long does it take to call off a few hours?"

Furuhashi had made it to the door of the office just in time to see Hibino walk out in an entirely different outfit than the work jumpsuit he was in earlier.

"You know, with that much work, I should get a thank you as a courtesy!" Kafka said with the biggest shit eating grin one could have on their face. This statement was quickly followed with him slamming the door closed before he could be hit with whatever Hoshina tried to throw at him. All Kafka could do in response was giggle uncontrollably before stopping in his tracks at Iharu's sudden appearance.

"When did you get here?"

"I sent you a text that I was at the garage and you didn't respond. I waited, like, 9 minutes before I wondered where you were and now I just have more questions. Like, did you change in Hoshina's office? Why was he throwing shit at you? Thank you for what?" Kafka's face got visible red as he tried to find a way to change the subject and instead, opted to grab Iharu's upper arm and drag him harshly back toward the direction the garage was in.

"Ask no questions, and I'll tell no lies. Better news, I just got us a lot more than three hours."

"Can I ask HOW?"

"Maybe later. Got the snacks?" Iharu wrenched his arm out of Kafka's grasp to slip the simple, black, mini back pack off his shoulders to show the contents to his impromptu partner for the night.

"Yeah, got some drinks too. Had to break into Kikoru locker to get a less conspicuous bag to put them in, though."

"Good idea. You know where the theater is?" Kafka said, picking up the pace a little more the closer they got to the getaway vehicles. Iharu had no problem matching his pace, but was getting increasingly worried as to why they were acting like they were in a hurry. The movie didn't start for another forty five minutes.

"Yes, its close by so I don't know whY weRE RUNNING?"

"Cause not only do I want to catch the pre-showing, we really, really should leave before Hoshina saw what I put down in the time log sheet."

"WHAT DID YOU DO?" HIbino got to the heavy security door and opened the entry to the covered garage where most members of the defense force kept their personal vehicles.

"Nothing I'm going to regret later. Here, take this." He said as Iharu walked through the door and tossed him a suspicious set of keys. Iharu caught them and examined them quickly.

"Are these... Hoshina's keys? The one to his supercharged bike? You know I have my own bike, right?"

"Yeah, but when you think about it, his bike's bigger and I can't drive one, so I'm going to have to ride pillion. And trust me, you're going to want that extra bit of room."

As the two of them jogged to the Vice Captain's super bike, all Iharu could think that this wasn't going to be a simple movie night anymore.

###########################################

The two of them had made it into the theater with plenty of time to spare and minimal suspicion. They turned in their stubs and walked inside the air conditioned room that was showing the Ranger Rika film. There, Kafka was met with a surprise.

"Holy shit! You prepaid seats to a show that had in-house recliners?" Kafka walked by in awe and they made their way to one of the seats closer to the front. "Surprised you didn't pick seats closer to the back. Kinda bougie place to bring 'just a friend' don't ya think?" Kafka winked at Iharu as they settled down into their reserved seats.

"I don't ever want to hear the word bougie out of your mouth ever again. And I felt like paying extra for the reclining seats, that ok with you?" Iharu said defensively.

"Fine, fine. Just wondering why you felt the need to score brownie points with Reno, is all. He'd be happy just getting off base with you, being an easy guy like that." Kafka started to root around in Iharu's stolen bag for the drinks he mentioned earlier.

"This isn't point scoring! I just... I wanted to- what I'm trying to say is... give me that." The furious looking teen grabbed the glass coke bottle out of the older man's offering hand. Kafka looked on warmly at Iharu, piecing together some dots in his head. Not enough to make a solid conclusion, but his previous levels of mopiness started to make sense. Hibino brought the sealed bottle to his mouth and cracked the metal pop top off with his teeth.

"You know that they make these twist off now, right? That has to fuck up your teeth something awful." Iharu stated as he began to twist off his own bottle before the movie really started. At least he was trying to, and apparently failing miserably due to the sharp edges on the bottle cap digging into his hands uncomfortably. Kafka took the bottle from his hands and proceeded to open the bottle like he did before and handed it back.

"Again, I am not that old. Don't ruin my one piece of happiness in my life."

"Opening bottles... with your teeth?" Iharu replied, pushing the button that reclined the seat back and brought the foot rest up.

"Old habit from childhood that I've managed to keep because Monster Sweepers has a surprisingly great dental plan. Now hush, previews are starting." Kafka said as the lights began to dim in the room.

############################################

"Holy shit! That movie was amazing!" Iharu said as they left the theater doors and landed on the sidewalk.

"Yeah, that was a great movie. Was a lot more emotional then I was expecting." Kafka mentioned as he squatted low and stretched a leg out to the side.

"You weren't kidding! That plot twist that Missy Whisky was a plant based robo-zoid horse and the scene where she was dying and her body fueled a new oasis got me actually crying! I never cry!" Kafka could only look up at Iharu incredulously, knowing that the younger soldier cried at anything involving animals; sometimes even about Kaijus.

"I think my favorite shot of the whole thing was at the end when Ranger Rika was in a lawn chair with a beer, sitting in that new oasis and we get to see that Missy Whisky was ok, she was just a metal skeleton now." Kafka said as he stood back up and stretched his back.

"Yeah, he deserved that beer, honestly. My favorite scene was when Rika had to jerry rig a new leg and ended up making that burst shot rocket leg. When I heard Golem explain the concept, I thought it sounded so stupid! Whats the point in putting a rocket in your leg if it can only fire off in short burst? Then it trails into the scene in the canyon where he has to fight the Centa-Snake and he was keeping up on foot! Certified Ultimate Badass moment this year!" Iharu started to walk away, following the flow of the crowd so as to not interrupt it too much. Spurring Kafka to hurry up and follow him as well. The two of them walked far enough down the street to where they could walk side by side more comfortably.

As they walked farther away from the theater, it became clear that Iharu was still basking in the warm afterglow of a good memory made. He was still chattering about all the details of the movie, even going into the depths of character analysis and how it showed through in the clothing the characters were wearing. It was very clear he was dying to watch this someone as his mouth seemed to be going a mile a minute with no signs of stopping. Kafka kept up as best he could with the conversation, adding what he could to the conversation. If he was being honest though, he didn't really see as much in the movie as Iharu apparently did. It seemed Iharu noticed as well as he started to slow down his talking speed, becoming more quiet as they went along.

"You good?" Kafka said, noticing the small, slight drop in demeanor.

"Yeah, Im...I'll be fine. I think. I got to see the movie today, which is what I wanted." Iharu stated, visible not looking as fine as he tried to say he was. It was clear to Kafka that it wasn't the possibility that Iharu might of not watched the movie that got him feeling down. I seemed that he still couldn't get Reno not being here off his mind. Kafka felt it was a bit early to press the matter, seeing they got out of a good movie and didn't feel like spoiling the once good mood with questions, so he decided to try and redirect Iharu's train of thought to something more pressing.

"We are walking in the right direction for the festival, right?" Iharu looked up at the older man, redirection of thoughts successful.

"Oh yeah, Food! That was a thing wasn't it? Uhhh...." Iharu said, stopping to process their current location. "Yeah, one more block and a right and we should be there."

"I remember that you said you found it because you... smelled it?" Kafka said quizzically.

"Oh, yeah. There was an attack early last week two streets down and I wanted to stop by when I smelled it. Couldn't though, had to check for yoju then head back to base for a report. Couldn't leave for a week and started feeling desperate. It smells really good-!" Iharu stopped dead in his tracks, looking straight across the street.

"What? Is everything Ok?" Kafka said, looking around before landing his eyes at whatever Iharu was looking at. Across the street, in a store window, sat a rack holding a cluster of very unusual looking hats.

"Cowboy hats. Can you believe it?" Iharu said, looking absolutely puzzled as to why they were there. Taking a longer look, the window belonged to what appeared to be a restaurant dedicated to American cuisine. Specifically western style - steaks and big burgers. it looked like the restaurant had conjoined with a kitschy souvenir store. Kafka thought hard for a minute before turning back to Iharu.

"You wanna?" Kafka asked, jabbing a thumb to the store front. Furuhashi looked back with a clearly confused look. "Come on, we just got out of a Cowboy movie. Isn't it customary to get a least one in honor of a good movie?" Kafka playfully punched Iharu in the shoulder as Iharu just shook his head before he responded.

"I have never heard that ever, and I'm a fan of all the Ranger Rika films."

"All I'm hearing is you've got some hat buying to catch up on." Kafka said, committing an act of jaywalking to drag his new friend over to the store.

"We don't need to buy a cowboy hat!" Iharu protested as they hit the sidewalk.

"Fine. Then I'm getting one without you." Kafka retaliated, hand on the store handle.

"OH, no. If I leave you alone in here, you're going to buy me one in a stupid color. Like blue or green." Iharu said, walking into the store before Kafka.

"But I thought you said you didn't want one?" the Half-Kaiju said, throwing a pointed smirk at Iharu.

"I just said I don't trust you, therefore I have to buy one to make sure you don't buy one for me." the pinkette said defiently, studying the hats on the rack. Kafka just chuckled quietly behind him and soon joined him at the rack too, but not before ordering a side of steak fries to go.

Minutes later, the two of them left the store with hats and fries in hand. Kafka bought a black one with a braided rawhide band threaded with turquoise beads and Iharu's was a simple white stetson.

"Kinda surprised you didn't get the pink one." Kafka said, placing his hat on his head.

"I thought about it, but I mean... pink on pink? It might be a bit much." Iharu said, gesturing to his hair. "That and I thought that white hats just looked cooler anyway."

"This decision totally isn't related to Ranger Rika and his outfit design at all, right?" Kafka said, dripping with sarcasm and Iharu fiddled with the chin strap on the stetson.

"Pfft, Of course not! Why would you say such a thing?" Iharu said through a choked chuckle as his ears got a noticeable shade pinker.

###########################################

Short walk later, they had made it to the start of the street where the festival was held. Both sides of a seemingly endless boulevard was lined with lanterns, ramshackle food stalls, and carnival games. The lights gave the whole street the warmest inviting glow that paired with the slowly setting sun and the scent from the cooking food made the entrance all the more enticing. Adding on the visual ebb and flow of the crowd flittering between the brightly advertised stalls truly made the scene before them come alive. All that was needed to become one with the crowd was as simple as stepping inside and it would feel like a whole different reality. Before the duo could, Kafka decided to take a look at the parked sign at the beginning of the boulevard.

"Hey, did you know about this?" Kafka pointed at the sign.

"No. What's it say?"

"It says that the food festival is in collaboration with the local bars on this street. Beer and cocktails are half off." Iharu whistled approvingly at the news.

"God, a beer sound wonderful right now. Haven't had any since Hoshina trashed my stash in the vent." Kafka said, groaning at the distant textural memory of the cool, aggressive liquid sliding down his throat.

"I don't know man. We still gotta head back to work in a couple of hours. Getting drunk tonight that worth it?" Iharu questioned. Kafka choked on his own spit in a suspicious manner for a minute at hearing how long they had left on the outside.

"Speaking of which..." Furuhashi began to eye the old man intensely now, "How many hours did you get out of Vice-Cap?" Kafka made an attempt to clear his throat before answering.

"Yeah, about that...I, uhhh...didn't have any hours left."

"HIBINO."

"Honestly, the whole payable hours thing sounds stupid anyway so when Hoshina wasn't looking I... wrote in our own hours?" Kafka shrugged at a very red Iharu.

"WHAT DO YOU MEAN 'OUR'? HOW MANY?"

"Three... hundred and thirty six." Kafka said quietly. When Iharu didn't respond back, Kafka felt the need to explain himself.

"I THOUGHT IT WOULD BE FUNNY! 336 hours equal out to two weeks so I thought it be like an 'I'm quitting' joke. Ya'know, in retaliation of the stupid new hours rule? Vice Captain wasn't giving me any wiggle room here and you said you were coming to a food festival with Reno and two hours for a food festival is not a lot of time, especially if you want to do it right, and now there's possible booze involved which is another two on top of that and I just think that only getting three hours to spend away from base isn't a lot of time and you really looked disappointed at not being able to go- albeit the original plan involved Reno- but I mean we're here now and..."

Kafka could only sigh at his now clearly flawed line of thought as Iharu put his face in his hands. One one hand, Iharu agreed with him. Three hours wasn't a lot of time and he also hated the new hours ruling. But that short amount of time would of been worth it because he would of been with Reno. But now... Reno wasn't here. He was with Kakfa, a close member of the team that was trying his best to look out for him and cheer him up in light of the disastrous change in his plans. Iharu was here now, without Reno, and was still enjoying himself despite himself. The whole reason for coming was because of Reno, but here he was anyway; feeling guilty because he was having fun without Reno, knowing this was to be for him. Iharu wasn't really angry about the hours that Kafka had managed to cheat out of Vice-Cap. He knew he was going to pay for them as soon as Kafka got involved on this little outing. It just didn't feel right, him about to be having fun with someone who wasn't supposed to be here.

Kafka clasped a gentile hand of Iharu's shoulder.

"Hey. If you're not comfortable with this, we can just grab one or two things and head back early. You can tell him about the prepaid tickets and bring him back a snack. I'm sure he'd appreciate it after fighting in the mountains all afternoon." The older man smiled comfortably down at the distressed teen.

There he went again. The Dad of Division Three. He really knew just how others felt sometimes. Just when it didn't conflict with the mans's own feelings, that is. Kafka could tell that he was stressed about staying here too long and having fun without the one he wanted to be here with, so now he's trying to accommodate by telling him they could leave and bring back a gift that Reno couldn't help but like. Iharu wanted to come here with Reno... but he was here with Kafka. The happiest, most understanding, and most uplifting person to be around. Especially when you're upset, just like he is right now. And you know what, Kafka is here. With him. Right now. He got Iharu to the movies and spared him a day of sulking around the barracks getting fat and feeling sorry for himself. And that should be rewarded.

"You know what? Fuck it. I'm game." Furuhashi said, dropping his hands from his face.

"About what?"

"Getting drunk. I was going to stuff my face with cafeteria food earlier, and now I get to stuff my face with fried street food and alcohol. Honestly? Upgrade."

"Wait a minute? Are you sure about this? I mean, its not like those hours actually count or anything." Kafka said, reeling slightly from Iharu's change in demeanor.

"Hey man, you're the one who wrote in two weeks of hours, and I'm going to use them. Unless someone from base comes down here and carries my plastered ass off the sidewalk, I don't plan on leaving. Besides, didn't you say there's a right way to food festival? Maybe I'd like to know the secret too. Ya' know, for next time." Iharu stared into the sunset over the festival, feeling empowered about his newfound dereliction of duty.

He was upset. About the time constraints, about a lack of Reno in his presence, about not being able to tell him how he felt in a way he had been planning for about a week now, and about a dozen other minor things that had gotten under his skin recently.

None of that matters now. He was here. In good company. And with access to cheap booze. And may the Gods themselves strike him down now, because he wasn't going to let this opportunity go to waste.

Kafka approved this new feeling welling up inside new drinking buddy and sealed the deal by lifting Iharu's hat off his back where it was hanging and placed it on his head. Making his voice gravely and southern, Kafka quoted a line from the movie.

"So... You finally decided to take charge of your own fortune, aye Rika?" Feeling the new weight on his head, Iharu turned to look up at Kafka and saw the brightest, toothiest, most genuine grin he thought that man could fit on his face. Iharu's eyes started to gather tears in accepted pride, but he blinked them away harshly and looked back at Kafka, matching his Kaiju smile with an aggressively mischievous one of his own.

"First things first. Nearest 7/11 location." Kafka said, turning toward the closest convenience store he could see.

"O-Ok? Why?" Iharu questioned, but followed Kafka's lead anyway.

"They carry this wonderful little drink that prevents hangovers. Fantastic shit, truly. Take it from a guy who use to party with a group of people who went on pub crawls every time someone had a birthday, hangovers do not need to be experienced more than necessary." Iharu's eyes lit up at hearing this.

"oh man! You have to have some crazy stories from your college days."

"College? You seriously think I had the attention span to make it in that kind of setting? This was from working in Monster Sweepers. Let me tell you, Tokuda; guy I used to work with, couldn't let go of a scotch bottle to save his life. Which is funny because having one on him is what saved another guy I worked with..."

#########################################

"And that's how my second boss ended up eating his own ring finger, wedding band and all." Kafka said as Iharu finished up the last of a batch of heavily sauced, fried chili shrimp.

"Damn, I didn't know you guys caught so many strays on the job site. Ya'll really need a security detail while you're working or something."

"Yeah, it can get to be a bit much some days. I actually proposed a deal to Haruichi that asked if his dad's company could come up with some Kaiju-fiber t-shirts or arm sleeves. Just *burp* something cheap they could throw together from scraps to help out my old buddies on the job site. Just a little protection or a way to finish the job faster so we're not working so long."

Kafka finished up a can of beer as Iharu checked a notification on his phone. They were leaning against the base of one of the few stone building that were on the street. The two of them had already hit up several food stalls and three bars in between. Currently they were standing off to the right of an ally that led to the last one they were in, having left to get some fresh air.

"Don't see a reason why they couldn't? It's more money for them, isn't it? Hey! it finally downloaded." Iharu said, propping up his phone on a jutted window ledge.

"What did?"

"I downloaded that song that played during the saloon walkabout scene. I thought we could maybe make a TokTic with it." Kafka tossed his empty into a trash can before turning to Iharu.

"TokTic? Oh! Those short video things. Shinomiya is always sending me those. Her attempt to 'Keep me from falling back to the Stone Age'. Prissy brat. Love her! Just... so damn rude some days."

"Well, now here's your chance to show her that you can be relevant." Iharu chuckled, "Alright, here's what I was thinking."

Iharu began to lead Kafka through some easy dance steps and dictated which pattern this was supposed to happen. They ran through the process a few times so Kafka was sure he could do it, even though Iharu reassured him that it doesn't have to be perfect. Iharu pressed record and they started doing a intensely cowboy inspired, feet shuffling based choreography to 'No Diggity' by Blackstreet with their new hats on full display.

They wrapped it up with them moonwalking off screen. Furuhashi then quickly ran back to grab the phone. They ducked back into the ally to get out of the way of the rippling crowd as the phone's owner began messing with the video's settings and cropped the beginning and end to make it feel cleaner. Hibino whistled as he looked over Iharu's shoulder as his fingers flew over the screen with what seemed to be practiced efficiency.

"You've made a few of these?" Kafka asked.

"Yeah.", Iharu said sheepishly, "I had this account back when I was in Subjugation School. It kinda started as something I messed with in my down time between classes, making edits of shows and movies I was really into at the time, and then it just sorta turned into a daily routine showcase-turned-ask blog. Soon after it started to pick up followers, especially after I got to join Division Three." He began to show one of his latest edits that he made to Kafka.

"Wow! I have to admit, but the editing seems really smooth. I can see a lot of thought went into this." Kafka said as he took a brief overview of the collection that Iharu had made over the years. Furuhashi looked away bashfully as his face turned as pink as his hair.

"It really is just a hobby at this point. Most of my followers seem to just enjoy the daily blog stuff more. But, to be honest, I always told myself that if, for some reason, I didn't make it in the Defense Force I... might have pursued a career as a film director." Kafka slung his arm over Iharu's shoulder and drew him in close.

"Now that, I would have definitely paid... to... see." He stepped back to look at his surroundings, taking in the view of the ebbing crowd and sensing a disturbing lack of panic and chaos. But... why would there be? There was nothing to be afraid.... oh.

Oh Shit. There it was.

Kafka got a familiar sinking feeling deep in his gut. Like a cold wave of heavy mist and dry ice was dropped into his stomach. He started whipping his head around, trying to see if he could place the direction in which the dangerous disturbance could be coming from.

"Iharu! Eyes up! Trouble incoming." The teen flashed a worried look toward Kafka as he hurriedly put his phone away.

"Kaiju attack? Here?"

"Yeah, a honju. Small one though, it feels like. To close for comfort, though. Get the alert out!" Kafka ran to one of the food stalls next to them and grabbed a megaphone out of a hawker's hands

"EVERYONE! IMMINENT KAIJU ATTACK! START HEADING TO THE SHELTERS!"

Some people started to gather up their stuff while others only looked on in disbelief, thinking he was some drunk prankster, until a small earthquake rattled the street and stalls. Everyone began to feel the threat approaching with the sound of distant buildings crashing over the sudden wailing of the alert system through speakers and phones alike. The people started sprinting toward the nearest shelter, with Kafka and Iharu helping the stragglers and the fallen catch up to the rest. Once it seemed like a majority had made it off this particular street and others, too scared shitless to move, had been relegated to closer, save enough zones like basements and reinforced closets, did Kafka start running toward the source of the disaster. Iharu, not far behind, ran after him.

"Sir! Do you think we should be heading toward this? Its not like we could be of much help without gear."

"Kinda figured we'd look at it and go from there? Least I could do is break it down visually and have you relay the information." Kafka started to summon some of his Kaiju bio-works through his system, calling forth faster speed and inhuman claws, and used them to get to higher elevation. As the cryptid soldier began to race across rooftops, Iharu mentally broke down the things that he could help with, starting with field reconnaissance and path prediction.

##########################################

Even without the suit, Iharu was keeping up with with a supped-up Kafka. It helped that he was trying to gain more height than speed to better survey the land and find the cause of danger. Once he found a sign of the monstrous disturbance, Kafka began giving directionals down to Iharu. As the man on the ground, he took it upon himself to keep track how they were moving between the three of them, figured a possible heading, and started to send directions back to Kafka in an attempt to head whatever this was off at a pass. So far, they hadn't hit any major damaged areas yet, so Iharu wasn't too focused on checking for possible trapped survivors.

Thanks to Kafka's sight and Iharu's planning, the two of them had made it to the location of the honju. Bursting through a broken and slanted ally way, Iharu had caught sight of the beast first. It was cephalopod based, resembling a mix between a squid or an octopus, crossed with an armored spider. Its' head was blue and bulbous, with a thin, wide, white ribbon running the diameter of its rounded top. It had four darker blue tentacles, each ending in a triangular nub covered in wicked spiked suckers, and another eight acting as its legs. All of them covered in what looked like black, striped,and jointed keratin plating and all of them ending in squishy tarantula paws. It was big, about a family-of-four house sized, tall as well as wide, and it was pissed.

"You don't think it smelled all the fried seafood and wanted revenge, do you think?" Kafka leaped down from a shattered rooftop and landed close to Iharu. The younger one grabbed the senior's wrist and dragged them both behind some cover before the honju saw them.

"Well, you said you wanted to break it down. Now's your chance." Iharu hissed quietly.

The aquatic beast lumbered forward, bellowing a watery warble as it bashed its tentacles against the building to its left. Kafka braced his back against the large piece of broken wall and shimmied upwards slowly in an attempt to gain a better look without breaking cover. He began to mentally run through a back catalog of information about Honju and Yoju, both from personal experience and from research on his down time, and came up with very little. But what he did come up with could still be very useful.

"Ok, here's the deal. Both Honju and Yoju can have aquatic forms and when they do, they stick unusually close to the original anatomy of their more normal counterparts."

"And how is that helpful?" Iharu whispered harshly as he stayed close to the ground in a crouched position.

"I'm getting there, hold on. From what it looks like, this bastard is sticking pretty close to something from the squid family. Which means it would be a safe bet that its core is somewhere close to the surface of the body, situated around the junction between the trunk and its head, and under a thick backbone made of cartilage."

"Alright, i'll tell everyone to aim for the.... neck I guess?" Iharu began to pull out his phone, but Kafka shooed it down to dismiss the idea.

"Here's the thing. You can actually kill a normal squid really easily by hitting it right at that junction. And I mean like one hard smack kinda deal." Kafka slid down the cover to better demonstrate with his hands to his partner.

"Yes, this has been established." Iharu sounded exasperated, almost desperate too as the beast trudged on by.

"I have a really bad idea." Kafka looked Iharu dead in the eyes with as much seriousness as he could. All Iharu could do was send a look of disbelief right back.

"Whatever it is, no."

"Ok, but if I'm right, the Defense force doesn't even need to show up because we'll be done already."

"HOW, may I ask? We don't even have any weapons." Iharu was becoming flabbergasted now, slowly debating to stop bothering with discrepancy.

"Ah, but you forget, I'm a living weapon. I don't even need a full transformation. Just make sure it doesn't turn around for a second while I grab a lamp post and get to higher ground." Iharu just groaned into his hands while Kafka turned and ran to find a suitable post, preferably one already uprooted.

Minutes later, Kafka had managed to fine a suitable improvised weapon to attack with and was trying his best to lug it over quietly. Iharu was still hiding behind the original piece of cover, watching his battle buddy struggle while keeping an eye on the yoju, making sure it hadn't been alerted to Kafka's presence. Kafka was on the other side of the street, opposite to Iharu's position and had much more cover to work with since that was the side the monster seemed to be taking its aggression out on. However, this came with its own set of problems as Kafka kept knocking the lamp post on what seemed to be every obstacle imaginable. Causing Iharu to flinch and indirectly slowing the beasts progression as it kept picking up on Kafka's poor attempt at stealth. After Kafka had managed to bang the bottom of the post against an unseen rock and cause the honju to turn around and face his general direction, it became clear to him that if he was to scale a building and get closer, some preventative measures were going to have to take place.

After waiting for the monster to turn back around, Kafka started to wave his arms around to get a hold of Iharu's attention.

'Go distract' Kafka tried to pantomime using military hand gestures.

'Me distract?' Iharu responded back, to which Kafka affirmed

'Are you nuts?' Iharu sent back, ducking as a chunk of debris flew over his head.

'Just throw a brick or something.' Kafka sent before picking up the post and tried to quietly lean it on the nearest building. Iharu hung his head at the absurd situation and looked around for a suitable rock.

Speedily crouch walking past several broken walls and roof pieces, he had managed to get back in front of the honju's path. Looking back, Kafka had transformed his hands back into claws and was now trying to climb the side of a building while alternating bringing the pole up with him. He seemed to be doing fine so far, trying his best not to make more noise than he could get away with. Kafka had made it to a metal fire escape landing that was miraculously still attached to a partially demolished building. He leaned over to pull up the light post behind him... and smacked the top of it into the landing above.

Before the monster had time to react to Kafka's blunder, Iharu had thrown the rock as hard as he could, aiming for it to land in front of its face and keeping its attention forward. This would of worked had Iharu had picked a smaller or lighter rock, as it had flown straight into one of the beast's wiggling tentacles. Iharu didn't have time to duck behind cover as it had turned to face the source of bodily harm. The honju roared as it raised its front arms and tentacles in defiance and began to lumber quickly toward the only thing it could really see, a mop of alarmingly pink hair.

"Shit, shIT, SHHHHIIIIIIIIIITTTTTT!" Iharu bolted down the street, leaping and bounding over ruble in his path as the squishy, blue beast rapidly shuffled behind him giving chase. Kafka vocally mirrored the pink human rocket's sentiment as he rushed to carry the light pole up to the remains of the roof.

The buildings around Furuhashi turned into a blended blur as he blasted down the street, the journey made easier now that he hit a section that the honju hadn't demolished yet and left no obstacles to jump around. However, that didn't mean that he didn't have an easy time running away. With every footstep the multi-limbed monster made, sent the road trembling, forcing Iharu to find some sea legs fast. While it seemed to be a constant fact that spider based kaiju were slow enough to be outrun by anyone able-bodied, The shaking this one was creating gave Iharu a feeling that one misstep, one slight falter in his adrenaline fueled gait, could spell a messy end for him.

As he came onto a three-way, he juked the literal fish-out-of-water and whipped right, feet sliding out from under him. Iharu had to recover quickly as the squid-spider had regained it's footing as well and picked up its pace. Tentacles slammed and swiped all around him, causing the younger soldier to duck and weave intensely and dug deep inside of himself to find the strength to go faster.

A simple image. A snow blonde man with frosted violet eyes. Once facing a complimentary sunset, turned back to face Iharu in his mind's eye.

That's all it took for him. Not thinking too much about it (surely if he did, he would call himself out on his patheticness) Iharu managed to speed up just in time. He found himself passing under a familiar Torii gate just as the honju began to bring down a weighty tentacle. Before it could though, a squelchy crunch sound echoed down the food stalls lined boulevard him and Kafka were on earlier. Iharu kept going until he noticed the lack of quaking that was accompanying his previous flight for his life. Slowing down cautiously, he turned around to gawk at the scene that had unfolded behind him

Just passing under the Torii gate was the unnatural squid like beast, now limp and an opaque, milky color. Stood on top of the bulbous trunk in a victorious killing pose was Kafka, having hammered the concreted base of the lamppost square over its one-shot kill spot. Kafka let go of the post once it seemed sure that the monstrous cephalopod wasn't going to move anymore and stood up and relaxed. He flashed Iharu a thumbs up in reassurance.

Iharu was far from reassured and was shaking from the head to toe in adrenaline withdrawal. He took a second to catch his breath and immediately regretted it, running over to an uncovered trash can and vomited his stomach contents from the nerves.

#########################################

Several back rubs, gurgled curses, and vehement apologies later, Iharu felt okay enough to walk again. Kafka took a second to extend his kaiju sensory powers to check the immediate area for more threats while Iharu double checked him with research from his phone. Certain they had eliminated the only threat that had decided to make its presence known, the two discussed their next course of action. Seeing that the damage had been localized to a different part of town and how none of it had really reached the festival, they decided to see if they could encourage those that were still around to start the food stalls back up. To be honest, the decision was made from a mutual understanding that if it didn't, the two of them would have no choice but to head back to headquarters. Which felt like admitting defeat too early, seeing as they had wanted to stay out as long as they wished tonight, damn the consequences.

The two split up and went around to the surrounding buildings and encouraged the caged civilians inside that it was safe now. Once told that it was some off duty members of the Defence Force, those inside started to walk out and braced themselves for the possible damage that wasn't there. Some of the bartenders of the local bars that hadn't left in the evacuation started a one time only deal of giving everyone that had stayed a round on the house. Once it seemed that the neighborhood's basements and closets were emptied, Kafka and Iharu met in the center of the street.

"I got everyone on the left." Kafka started.

"And I got everyone on the right. Going to head to the shelter where everyone headed to and see about bypassing the lock on it to get everyone out. You coming?" Iharu said, already turning to leave.

"Nah, I'm gonna stay here and see what I can do about the squid at the gate. Get it out of here before it gets rank." Iharu managed two thumbs up as he briskly jogged away to the rescue.

A large crowd had begun to form around the fishy corpse under the gate. Kafka could make out some of the hushed phrases as he politely muscled his way through.

"Can't believe it had gotten so close."

"There doesn't seem to be any casualties so far?"

"We were lucky that some members of the third division were here tonight."

"Its almost seems like the gods were looking out for the festival, don't ya think?"

"The spirits must have considered the food too good to waste- excuse me, coming through! Make way, if you don't mind." Kafka began to move more easily through the crowd after making his presence known.

Getting to the front, he stood proud and took a long look at the situation before him. His past experience in the Sweepers began to flow easily into his mind as he walked around and over the dead beast. It was soft and squishy, with a tough skin. Not so tough that it probably couldn't be pierced by a good knife, he thought. The keratin plates were only held on with a thin sheet of tendon and looked like it could be filleted or pried off with little difficulty. The legs seemed closer to a crab than a spider at a closer glance, it just had an extra set. Breaking the crab legs would be challenging, however. Sure they could be cracked, but only after heated drastically and directly at the joints. Kafka leaned back and sighed. He knew he wasn't going to be the one cleaning this up, but he'd hate to have the whole squad out here for what could be a three person job.

Well, three if they had five hours. The more people, the less time of course. This one just so happened to be simple to break down, however. Give him ten minutes and he could teach everything that was important to the crowd in front of him. They could probably have this all dismantled before the Sweepers even got out of bed.

"Hey! You're with the Defense force, right? How long do you think it would take to get this out of here?" A portly man in a tan canvas apron shouted up at Kafka. The half kaiju man slid down the deceased squid beast so he could talk to the man in an appropriate manner.

"Well the thing's dead, so that parts' already done. Getting the body out of here is down to the Sweepers. I used to work with them, so I can just call a few of them up and we can get this dismantled and out of here soon. It's all a shame though."

"What make you say that?" A taller man behind the chunky one piped up.

"Well, for one, if the JAKDF finds out I'm here, I'm gonna have to get back on duty sooner than I'd like." This caused a slight chuckle from the neighboring crowd that heard him, causing some to relax slightly.

"And this is me saying from previous experience, the dismantling for this thing would be easy; it's just labor intensive. Wouldn't need fancy tools or anything. Just some willing hands, and I'd hate to bring out a whole ten piece crew for something this small. I don't even think Izumo really messes with squid types anyway. Not unless they exhibit some unnatural power so this would end up getting tossed in a trash heap in the end." The short man from earlier turned to look at the milky squid spider and shook his head in sympathy.

"Damn shame they aren't edible, huh?" A light bulb went off in Kafka's head as he turned to look at the man. Looking down, he saw that, in the pockets of the man's apron, was a handful of toothpicks and a couple sets of sharp metal chopsticks with bells attached to the ends of the wooded handles. Instruments designed to get people attention when someone made takoyaki.

"Actually.... most aquatic type kaiju are."

Half an hour later, Iharu lead the throng of people that had made it to the shelter back to the street and saw the most ridiculous sight. People had swarmed the dead honju, a third of it now seemed to be missing. Some had rigged a makeshift pulley system over the Torri gate and was lifting large chunks of milky, spotted flesh up and away from the rest of the body. Kafka was at the base, directing others on how to properly separate the armored plates from the legs while somebody on the other side was using a cutting torch and passed off the legs to another group that was putting them in a steaming metal barrel. Some had set their respective stalls back up and had hurriedly changed or added on new parts to their signs, all now advertising a kaiju variant of wherever fried food they were selling before.

"KAFKA! Mind telling me what's going on?" Iharu shouted over the sound of intense manual labor. Kafka looked at everyone and asked if they understood. When everyone nodded yes, Kafka broke away and joined Iharu.

"Funny thing, actually. I was talking to this guy in the crowd about the labor and how it would be a waste if we got the Sweepers involved. He said something about 'Shame it ain't edible' and it made me remember that some sea-bearing ones are and the guy I was talking too ran the giant takoyaki stand, the one where they're as big as your head, and the guy behind him was selling calamari rings and-"

"So you thought it would be a good idea to teach everyone here how to dismantle a kaiju? You don't seriously expect people to eat that, right? It's kaiju meat, how are you so sure it doesn't have parasites or something?"

"Oh! Already solved that problem." Kafka said, "Quick vinegar bath. Kills the sturdier ones and the heat kills the rest." Iharu looked past Kafka suspiciously and stared at the group of volunteers working away at the dead and, apparently edible, body.

"And where's the organs and shit going, might I ask?"

"Called an old work buddy that has a truck. He's going to be here in an hour to pick up the double bagged trash bags and throw them over the fence at work. He's getting paid in fried food when he gets here." Kafka mentioned, sounding proud of himself. Iharu just shrugged it off, thinking that it sounded like Kafka-appropriate levels of absurdity and that he shouldn't complain too much about it. After all, this removes any and all reason for the third Division to come down here. No chaos, no bodies, no trouble. Which meant that they didn't have to explain to co-workers why they weren't back yet and be forcefully dragged back against their will, so wins all-around honestly.

The squat man from earlier walked over to where the two were talking, carrying two white and unmarked carryout boxes the size of a soccer ball.

"Here, you killed the damn thing. You get first dibs on the spoils." he handed them over and jogged back to his station, now flooded with a line of people wanting to try kaiju squid takoyaki.

The off duty officers looked at each other briefly before rapidly tearing open the top of the box, revealing the most wondrous sight and smell. Inside was a massive takoyaki ball, fried with a variety of fillings, more than just onions and corn and slathered in eel sauce and kewpie mayo, topped with bonito flakes.

'Maybe it was worth almost getting smashed into a pancake.' Iharu thought before diving into the free meal.

########################################

'Cleared the surrounding area of potential causalities in quadrant Charlie, found none. Path of destruction heads east. Permission to follow?" Aoi Kaguragi, a member of the Third Division, relayed the pertinent information through his ear piece, awaiting further instruction.

"Message received, free to follow Kaguragi. Take care." Okonogi relayed back.

Aoi nodded over to his partner for tonight, Haruichi, and the two of them headed in the direction of the chaotic path of broken rubble. The two of them, as well as a small crew had been sent out to examine the emergence site of the recently exposed kaiju. The team was originally sent out to fight the disturbance, but halfway through suiting up, was almost called off due to the honju signature suddenly disappearing. Vice Captain Hoshina had the last say however, and made the crew go out anyway. Saying at the very least they should check for injured and make a damage report. He didn't say this specifically, but the impression was given that, since they were all the way out there, someone might as well find out why the signature disappeared in the first place. Aoi and Haruichi got done first, so they went to find the answers.

Following the cracked pavement lead them to a three-way intersection that had clearly sustained some bludgeoning damage as indicated by the mid-sized honju-like dent in the buildings in front of them. They turned to the right and continued to follow the rows of spider cracks that had imprinted onto the houses and streets, only to have their concentration broken by a passing truck clearly overladen with bulging, lumpy, stained trash bags.

"Was that a giant squid backbone?" Haruichi questioned.

"I'm surprised you know what one looks like." Aoi stated, not letting small things distract him from following the path of structural chaos that led down the street.

"You do know that I go fishing with my cousins on occasion. 'Cook what you catch' kind of vacations."

"What, on your overpriced yacht?" Aoi smirked as he couldn't resist adding a touch of teasing in his voice. Haruichi could come across as so mild mannered some days, it made it hard to picture him as a son of a business tech tycoon. Everyone on the base that knew him would occasionally tease him about it and it seemed that, as polite and agreeable as Aoi was in person, even he wasn't above the periodic ribbing-of-the-rich.

"It's a moderately sized deck boat, thank you very much. If I kick out the family, it should be big enough for the two of us to have some fun. If you're interested, that is?" Haruichi said, words dusted with seduction as he winked at Aoi. Kaguragi's lips thinned in an attempt to not break his resting bitch face at the salacious suggestion.

"Then again, that implies either of us get enough time off to go anywhere these days." Haruichi huffed. Aoi quietly grumbled in agreement before he straightened his attention to the sight down the street.

As the two crested the small hill, the sounds of the festival became more apparent and the smells of the food crashed down on them like a tidal wave of spices and fried oil. They noticed that the damage they had been following seemed to have stopped here suddenly, directly under the Torri gate still covered in ropes. A couple of people on ladders were carefully taking them down and a pair of women, one young and one old, were on their knees scrubbing away at what looked like a large blue ink stain.

"Hello! Sorry to bother you, but have either of you seen a medium sized honju pass through here? We're with the Defense Force and we would like to make sure that the threat isn't still around."

"The big squid spider lookin' thing?" the younger lady of the two said as she looked up.

"I would assume so, we didn't know what it looked like since it seemed to disappear so quickly. My partner and I followed its tracks here, but they don't appear to be anywhere else." Haruicho adjusted the kevlar strap attached to his gun so it would sit squarely on his back and kneeled down to talk to the women face to face.

"A couple of off duty members of yours already took care of it. It was sitting here, spilling its blood on the sidewalk until the big, polite looking oaf got the bright idea to tell Aki that it was edible. Once that got passed around, some of the other seafood fryers wanted to get in on its dismantling and get their own pound of flesh to fry. If ya want to try it, better hurry. It's selling out fast." The old woman pointed to the stalls behind her just as some of them had walked out to write on their respective signs detailing about how they were almost sold out of fried or battered kaiju meat.

Izumo looked back to his partner and could almost see the drool cascading from Kaguragi's open mouth. Aoi looked down at him, hoping that he wasn't going to have to defy a direct order that didn't allow him to get in line. Haruichi dismissed him wordlessly with a hand wave, not that it mattered as Aoi had already left and now it seemed he was trying to use his Defense Force title to skip ahead in line. Sighing at his partner's antics, Haruichi returned to his conversation.

"You mentioned a 'polite looking oaf', and from that description, I have a feeling I might know who you're talking about. Would you mind telling me where the festival savior headed off to?"

"Last I saw, him and his pink haired friend went to celebrate in one of the bars around here. There's several, mind you, but I don't think they've crossed over to the left side yet. Best guess? Stick to the right and see which one sound the loudest." Haruichi thanked the old women for the advice and walked down the street. He stopped by Aoi and told him the same thing before starting his investigation in earnest. The words of the old women came back to mind, however, once he pieced together who the off duty members could be.

'Kafka's with Iharu? Here? That's odd. I thought Iharu was leaving with Reno? And weren't they just heading to a movie? Shouldn't they have been back by now?' Haruichi thought. As he passed down the street, carefully listening to the volume of any of the bars he passed, all he could do was hope that neither of them were too plastered to answer some questions.

#########################################

Haruichi walked up and down the street to get a good idea as to which of the bars seemed to be the loudest and popped his head into a few of of them to see if he could find his fellow co-workers. Third bar he picked seemed to be a karaoke bar. It was fairly narrow, with the bar on the right and the left wall lined with as many booths as one could fit comfortably. There were a couple of standing tables placed offset to each other in the middle of the room it seemed, but it was hard to tell how many there were through the mass of people crammed in the room. From the top of the short set of stairs he was standing on, he could see to the other side of the bar at least and look at the loud drunken pair singing their lungs out on the shallow stage placed at the end of the sitting area.

And who would of guessed it would be the 'polite looking oaf and his pink haired friend'. Kafka was the one holding the mic and had his arm slung over Iharu's shoulder, almost looking like he was putting his full weight on it with how far the two of them were bending toward the ground. Iharu was holding a large beer mug that was a quarter full and was still threatening to spill out onto the floor. The two were heavily engrossed in their rendition of... God, Haruichi couldn't even tell. Thankfully he wasn't subjected to the aural torture much longer as the song finished. While Iharu thanked the very drunk, very enthusiastic crowd for being such good listeners, Haruichi waved his arms over his head and got Kafka's attention.

"Heyyyyy! I'll be DAmned! It's fucken' Haruichi! Holy SHIT!" Kafka exclaimed. He dragged Iharu clumsily off the stage and waved Izumo over to some bar stools that some patrons happily got off of once Kafka explained himself and that his friend from the Defense Force showed up. Haruichi managed to muscle his way through the crowd and make it to the seats next to the others just as Kafka wrapped him up in a massive drunken bear hug.

"God, man! Where you've been? We've been here keeping this party going since we took down that ugly mutherfucker. Hey, you didn't hear about us from Hoshina did you?" Kafka's breath smelled heavily of cheap whisky but wasn't slurring his words half as much as Haruichi thought he would.

"I'll answer your questions if you answer mine. What the hell are you doing here? And with Iharu? I thought him and Reno had a date or something?" Kafka made a silencing gesture with his hand as he got closer to Haruichi.

"I wouldn't try and say that too loud. Reno had to blow the date for a mission and I don't think Iharu's been taking it too well. He had prepaid the movie tickets and I mentioned that I like Ranger Rika films, so now we're here."

"Okay, and what about the kaiju that showed up around here? I heard from the locals that you killed it?" Iharu, who had picked a spot on the other side of the two, had leaned in to hear them better and had perked up at the mention of the kaiju fight.

"OOHHH MAN! HaRU! YOU should of SEEN US, MAN! I wasss running for ma LIFE from that THING! I got chasssed ALL the WAY to the- the.... big red thing and Kafka ;OH man, KAFKA! HE came on it from ABOVE and smacked it with a fucken' LIGHT POLE! A light pole, MAN!" Iharu accentuated his retelling with wild hand gestures and made it clear to Haruichi that either he had more than Kafka did or couldn't hold his liqueur very well.

"Don't mind him, he's on his fourth mug right now. Is the rest of the division here with you?" Kafka asked.

"No, It's just me and Aoi here at the festival. The rest of the group is back at the emergence site making sure there's no casualties and taking a damage toll. Aoi's outside at the festival buying out all the fried food he can get his hands on right now." Haruichi replied, politely refusing the bartender's inquiry of whether or not he would be having a drink.

"Oh, that's nice. here's hoping that he manages to grab some of the kaiju meat before it's gone." Kafka downed another shot of whiskey that the bartender had poured out for him.

"Okay, sure. Last question. Aren't you guys supposed to be back by now?" Haruichi tried to look very pointedly at the two of them when he asked.

'What do you mean by that?" Kafka pounded on his chest as he said, fighting the burning sensation firing its way back up his throat. Izumo looked around appearing very puzzled before he looked back at Kafka.

"I don't know what time you guys left, but you can't tell me the two of you have enough hours to be out here for much longer." Hibino choked on his own spit for a second before trying to respond to Haruichi pointed suggestion, however it seemed to be a second too long as Iharu had already heard him and took the chance to... vocally express his opinion on the matter.

"FUCK THEM HOURS!"

'Iharu, maybe not right now-" Kafka tried to interject.

"NAH! I'M TIRED ABOUT HEARING ABOUT HOW MANY HOURS I GOTTA HAVE OR HOW MANY I GOT LEFT!" Iharu had gotten off of his stool and now began directing his speech to the drunk crowd behind him.

"WHEN I SAY I WANT A DAY OFF, I SHOULD GET THE WHOLE DAY OFF! NOT GET BACK A 'SORRY, CAN'T LET YOU DO THAT' OR 'WE NEED YOU TO COME BACK IN' TWO HOURS INTO A BREAK I SCHEDULED OFF THREE FUCKIN' DAYS AGO!" Now the crowd was cheering for Iharu, getting riled up on his behalf and probably relating as well due to how he worded his rant.

"SAY IT WITH ME! FUCK THEM HOURS!" Iharu started the chant with his mug held high in the air.

"Fuck them hours!" the crowd chanted back.

"FUCK THEM HOURS!" Iharu tried again

"FUCK THEM HOURS!!!" All the people in the room joined in this time.

"You think we should do something?" Haruichi asked.

"I think they're already handling it." Kafka pointed to two tall, well built men dressed in black polos walking over to the center of the crowd where Iharu had made himself at home, driving the people around him into a frenzy. The two at the bar watched as their friend was lifted up, crowd surfing style and was carried to the front door of the bar. They rushed off of their seats and joined in at the back of the mock revolution that was following their leader, still chanting 'Fuck them hours."

The two of them watched as their coworker was unceremoniously tossed onto his ass on the street outside of the bar. Watching their appointed leader get treated with such carelessness seemed to shake the throng of people out of their rebellious state of mind and dispersed quietly. Kafka and Haruichi looked down at a stunned Iharu laying spread eagle, not really sure what he should do next. Kafka decided to lay down next to Iharu while Haruichi sat down on the lip of the sidewalk behind their heads.

"So, you just got your first experience getting kicked out from a bar. How do you feel?" Kafka asked, not looking at Iharu but instead looking up at the stars being framed in the corners of his vision by the lanterns lining the street.

"Ssstars look purtty tonight." Iharu replied, pointing up at the sky with the glass mug he was holding onto inside the bar.

Kafka chuckled, "Yeah, they sure do buddy."

"You think they're going to notice the mug you're still holding?" Haruichi asked, face in his hands and his elbows on his knees. It looked like Iharu finally realized what he was holding as he brought it closer to his face. Looking closer at the mug, he could see that the glass had a pattern molded around the base. An interlocking pattern made up of a six pointed star with tiny branches spouting off the ends of each point. Almost like a snowflake.

Iharu violently convulsed into tears at the thought and curled up into a ball, clutching the beer mug close to his chest.

"Geez, what did I say?" Haruichi asked.

"I have a feeling this is about something else." Kafka said, rolling onto his side to comfort his partner.

"I jussst wanted to take him on a date, isss dat so wrong?" Iharu sobbed, fighting to talk around the mucus building in his throat.

"Reno?" Haruichi asked

"Reno." Kafka replied, hugging Iharu close to his chest as best he can.

"I was going to show him how much we have in common and take him to pretty placesss and buy him nice things! I jussst wanted to tell him how much it meant to me to be his fwend and how much I loved hiiimmm..." Kafka just rubbed his back as his body became racked with shakes from his struggle to breathe. "I jussst wanted to tell him that I thinks he's so cooool and that I think he's pretty when he's asleep and I didn't want to sssound creepy when I did! Why couldn't he be here?" Iharu screamed into Kafka's wind breaker, now stained with tears and mucus.

"It'll be okay. You'll have other chances to tell him." Kafka tried to say reassuringly in the awkward position.

"Buts I wanted to tell him today! I don't think I can wait any longer before I say sssomething ssstupid and ruin everything! And I don't even know if he'll like me baaaack!" Iharu only to calm down slightly, but at least the shaking stopped. Kafka looked back at Haruichi expectantly, silently asking him to help out here. Izumo slid himself off the sidewalk and scooched over to the men making a scene in the middle of the street and placed a hand on the younger one of the three.

"There, there. I'm sure you two will be able to talk it out. I have no doubt that Reno harbors anything less than love for you in his heart."

"Okay, that'sss nice and all, but do we know it's love 'as a fwend' or love 'as a partner'? 'Cuz I really want it to be 'as a partner' but I don't want to tell him if he'sss going to find that uncomfortable." Iharu said as tried his best to wipe his face clean with the sleeve of his jacket. Haruichi pondered for a minute before suggesting a plan.

"Maybe... I could ask?", Iharu looked tearfully behind him as best as possible to look Haruichi in the eyes. "I wouldn't say anything incriminating, just... see if he's open to the possibility?"

This seemed to pacify Iharu a little bit as he brought himself to a sitting position.

"Yeah, but that doesssn't solve what I could do for a date, though. This wasss da best I could come up with and I was racking my brain for a week." Iharu slurred, wiping his face. Kafka up-righted himself as well and scratched his side as he positioned himself perpendicular to Iharu.

"Well, either way, you're going to have to wait and save up time again before you're allowed to head back out." Kafka thought for a moment as he paused in his scratching, "Its the middle of June now, right? Late July, early August is a pretty good time for a beach date. Romantic enough and lots of places do a sorta 'last week of summer hoorah' kinda deal."

"And we're pretty close to the beach. Wouldn't need to save up many hours if you're that desperate for time." Haruichi chimed in. Iharu took all of the information in and, for the first time tonight, seemed genuinely happy. The kind of happiness that can be seen all the way through someone's core.

"Did I miss something?" A familiar, but muffled baritone rang out from the left of the group. It was Aoi, back from a successful shopping spree in the festival. His arms were laden with bags upon bags of different types of food. It was almost comical how many bags there were seeing as one couldn't even find his large torso. Ranging from white plastic bags, to brown paper ones, to clear ones showcasing the goods inside. All seemingly stuffed to the brim.

"Is that... a hamster butt hanging out of your mouth?" Haruichi asked. Aoi quickly chewed and swallowed it so he could speak more clearly.

"Its hamster shaped kikufuku mochi. I almost feel guilty eating them because they're so cute. Unfortunately for them, they're just as good as they look. Don't worry, I bought enough for everyone. Three of these boxes are for me though." Aoi paused and stared at the bags really hard for a second. "Actually, it's two now, but my point still stands."

######################################

Haruichi made the suggestion that, maybe, they should be making their way back to base but Iharu became very irate at that suggestion. So to pacify him, the pair-turned-quartet walked around the festival a little longer, buying some more food to help Iharu feel more like his happier self. Well, everyone else walked. Kafka started giving Iharu a piggy back ride when it seemed like he was swaying on his feet and complained about foot pain. They had made it halfway down the other side of the street when Kafka looked over and saw something that jogged his memory. Aoi noticed the feeling of disconnect in the group and turned around, causing Haruichi to look as well.

It was another Torri gate, nestled between two brick buildings, looking like it was erected as a protective marker. Blocking against the bustle of the festival, locked behind its towering height was a well worn stone path trailing up and to the left, hiding its destination behind a thick grove of trees. What refreshed Kafka's memory, however, was that the trail was lined with a multitude of overly colorful paper lanterns in a variety of shapes and sizes. The stillness of the trees and the ethereal light pouring out from the lanterns contrasted against the feeling that came from being out on the street. It really felt like there was a chance one could get swept away by playful spirits if one made the decision to turn off from the sidewalk and explore this detour.

"Hey, Iharu? Kafka asked, shifting his friend's weight on his back and rousing him from the light slumber he was about to slip into.

"Yeah," Iharu said sleepily, "What's up?"

"Didn't you say there was a shrine that you wanted to take Reno to that had paper lanterns and was close to the festival?" Iharu looked over at what Kafka was looking at and lit up a little at the memory.

"Oh yeah! Thisss might be it actually." Kafka looked over at the other two members of the party.

"I think we're going to take a detour. He had plans to stop by the place earlier. The path ahead might be long, so you can go ahead on back, If you want."

"Oh, no. We're sticking with you to make sure you both actually make it back to base." Haruichi walked over to stand under the gate and made an 'after you' kind of gesture. Kafka shrugged his shoulders and walked ahead of Izumo and Kaguragi.

The path had no steps, but sloped upwards gently. Turning sharply left then right then back again, it took the group on a slow and peaceful journey up a hidden hill behind the buildings back on the main boulevard. Kafka was in the lead, setting a slow pace with a sleepy Iharu on his back while Aoi and Haruichi had a quiet discussion further back. Still keeping pace, but leaving enough room between the two of them as to not make things feel rushed.

The path lived up to its initial impression back at its entrance. The trees seemed to block any sound from the festival down at ground level. Not to make things eerily quiet, was a methodical thrumming of cicadas and crickets weaving through the quiet rush of leaves dancing in the light wind. The lanterns were attached to arms connected to rough-hew logs and cast their warm, glassy light over the leaves, bushes, and stones. The shards of colored light danced over Iharu's partially lidded eyes, preforming a hypnotic dance that succeeded in keeping him half awake, half asleep.

His thoughts walked themselves backwards through the events of the day. Starting with the foods and the drinking, quickly sweeping past the terrifying chase against the giant squid monster, slowly reliving the events after, though, and before the movie theater. All the way back to the start, with Reno. Was he sad that he didn't get to do any of this with Reno? Absolutely. But considering the alternative was spending three hours in the barracks, wrapped up in a bare minimum of three stolen blankets, and blowing all that time feeling shitty about the situation he was in; getting to experience all of this anyway, in spite of how he wanted things to go, and having fun with someone he always worked with and was now getting this chance to be closer to as friends... well... this night did a fine job of making him happy anyway. And that was okay.

"Hey... this was nice." Iharu mumbled as he nuzzled Kafka's shoulder. Kafka just gave a big, warm smile back and let Iharu enjoy the scenery as they continued to find the end of the path.

The group finally hit a set of stairs that led to the main part of the shrine. Cresting the top of them, they were greeted with a lovely sight. A moderately sized shrine and a couple outbuildings were surrounded in the thick grove of trees on this hill. The lightly cloudy night sky was visible only in the center of the grove, with a half moon peaking out from the edge of the canopy's opening. It initially seemed that the main source of light was coming from candles and more of the lanterns that lined the path up here. Looking around longer proved that a building off to the right had electric lighting and was the one providing the most light. The light bulbs inside seemed to have attracted all the bugs in the forest and made the projecting light flicker chaotically onto the ground.

Both the shrine and the buildings around it appeared to be old, but very well maintained. Shimenawa ropes of all sizes lined the roofs of the Shrine and select other buildings. The candles, some exposed; others in glass containers, were on the floor of the main shrine and illuminated the collection box at the end of the stone path.

The four of them walked down to the end to pay their respects and make donations. Since Aoi's hands were full and he didn't have much money left after his buying spree, Haruichi paid for them both. Kafka's wallet was in the back pack on Iharu's back. So, without jumping off, Iharu took off the bag and pulled out both of their wallets. Kafka had plenty left but Iharu only had a couple 1000 yen bills and a lot of spare change. He dug out some 5 yen coins and tossed them in with Kafka's donation, still riding on his back. Haruichi made his and the whole group held their hands together in silent prayer.

The group turned around after a moment and walked back toward the entrance they came through. This time staying closer to the right as another group of people walked into the holy grounds as well. Sticking closer to the right afforded the group a good look at the wares the only properly illuminated building was selling. It was mainly some snacks and wooden key chains. There was the omikuji box of course, right next to a display of handmade protective charms and talismans. There was a man on the inside working away, oblivious to the world as a women sang a gentle song on a small black radio. Iharu glanced over the selection of charms and saw one that immediately caught his eye.

"Hey! Heyheyheyheyhey." Iharu's hand shook as he pointed at the charms display.

"What? What is it?" Kafka asked, trying to look at where Iharu's hand was pointing at.

"Looklooklooklook. The blue one." Iharu said vaguely. Kafka walked closer and leaned in to scan the display stand better. He found the light blue one that Iharu was pointing at. It didn't stand out much more differently than the rest, with all of them having the same complicated looking decorative knot pattern and they all were made with different colors of fabric. What he finally put together was that the pattern on the fabric... had snowflakes on it.

Kafka sighed heavily. "I take it you want the blue one for Reno?"

"Yeah, yeahyeahyeah." Iharu nodded quickly.

"You do realize you're broke now, right? You don't have enough money on you to pay for one." Kafka stated. Iharu hung his head and started to whimper loudly and pathetically into Kafka's shoulder.

All Hibino did was sigh heavily again. "Hand me my wallet." Furuhashi gave a small, delighted squeal as he dug out Kafka's wallet again. He paid the man for the charm and turned to meet back up with the other two. Looking around, they found them at a different part of the grounds, standing by a makeshift stall. Getting closer, they could see that it was selling bottles of plum wine and offering free samples to interested buyers. Aoi was sampling his, while Haruichi was having a conversation with the old lady running the stall. Aoi nudged Haruichi to let him not be shocked by their arrival. As Haruichi let Kafka in on the discussion he was having, Iharu immediately spaced out of it and let his eyes wander over the stall. The eyes eventually landed on the label that was on the bottles.

"Oooohhh!" Iharu cooed, "There's snowflakes on it."

"Don't tell me you want to gift Reno that too?" Kafka said exasperatedly. Iharu started to whine again as Haruichi passed a small wad of money over to the shocked lady behind the table.

"That's okay. I shouldn't be needing a whole case of wine anyway." Haruichi walked over to the side and grabbed a large plastic crate of wine bottles.

"And yet... You're buying a whole case of it anyway?" Aoi said with a raised eyebrow. As they walked back to the entrance, Izumo pulled out a bottle and tried to slide it into the open portion of the bag on Iharu's back.

"It's called 'Supporting local businesses'. And it wouldn't hurt to have something to surprise him with on that beach da- Hey!" Haruichi refuted as Iharu pulled out another bottle from the crate as he backed away.

"And, yoink!" the mischievous mohawked man giggled as he held his ill-gotten prize over his supplier's hands.

"Haven't the two of you had enough alcohol tonight?" Aoi said, witnessing the altercation.

"Hey, we made plans to get plastered tonight and I'm still feeling way too sober for that goal." Kafka said as he helped Iharu keep the bottle out of Haruichi's reach.

"You are a horrible role model, you know that?" Izumo said, giving up on the task in favor of protecting the rest in the crate.

"Eh, open." Iharu said, rudely tapping the lip of the bottle to Kafka's mouth.

"Ya could say please, ya know." Kafka returned as he took the bottle from Iharu. He did a partial transformation on his mouth and stuck the largest fang into the cork at the top. Wiggling slightly, the stopper popped satisfyingly and as he spit the cork into his hand, Iharu took the opportunity to steal the wine back.

"HEY! Leave me a sip of that, will YA?"

###########################################

The group made it back to street level and started back on the path to headquarters. They began the trip with the intention of taking a bus back, assuming the truck that Haruichi and Aoi came in on already left without them. The two of them weren't surprised, they were the ones that offered to look for the missing kaiju signature and haven't reported back on it yet, as it was hard to do so since the earpieces only have so much range. And seeing as how long the two of them had been gone and how late it was, they thought that it would be less of a hassle if they hiked it back to base and went inside quietly, just to give their reports in the morning.

The closest bus station was still a ways away, so the group started to walk in the general direction. The walk was quickly derailed as they passed the restaurant that sold Kafka and Iharu their new hats. With some major protesting from Aoi, who was against the idea, Haruichi purchased a dark navy blue one for Aoi and a vibrant red one with silver stars for himself anyway, seeing as Aoi still had his hands full with bags and physically could not intervene. The grumbled protests from Aoi were eventually silenced when he got to keep a large chocolate peanut butter milkshake all to himself.

Thankfully, the bus ride home was uneventful, save for Iharu drunkenly talking Haruichi's ears off when he asked what the Ranger Rika film was all about. However, problems began to arise again as they reached the main gate of the base.

"Ssso, how are we gonna get inside?" Iharu slurred from the top of Kafka's back. He started to carry him again after they got off the bus and saw that he was still swaying on his feet. They were all the way through the empty parking lot and reached the imposing security wall that surrounded the institution. Just under half a kilometer, was the double gated entry point. One of three that were imbedded in the thick concrete barrier.

"What do you mean?" Izumo asked as he turned around to look at the two behind him.

"We probably should've been back, like, hours ago. So if we show our i.d's to the guard, we're probably going to get flagged and that's not something that we want to deal with right now." Kafka said slowly, the gratuitous amounts of alcohol finally catching up with him.

"Did you guys have any sort of plan to get back inside quietly after this little exhibition of yours?" Aoi asked as Haruichi just looked annoyed. Kafka looked back at Iharu as Iharu could only shrug back an answer. He looked back and thought hard for a minute.

"Well... I think Shiggys' working the east gate tonight." Kafka said.

"And... Who's Shiggy?" Haruchi inquired.

"Oh, he's super chill. Dude works the late shift and isn't really a 'by the books' kinda guy. If either one of you has an i.d. on ya, he'll probably just let the whole group on in, no question." Aoi and Haruichi looked at each other, silently debating if they should go through with this. Aoi tried to give a very pointed look to Haruichi, indicating that he should be the one to whip out the i.d., but Haruichi had to defend himself.

"Sorry, but I only carry some cash out on missions. I leave the wallet and cards in my locker."

"Why do you even bring cash with you in the first place?" Iharu mumbled out.

"Last second grocery buys. Snacks, body wash, other things I forget sometimes." Haruichi turned back to Aoi. "So what about you? You can't tell me an ex-military officer doesn't carry at least six forms of identification for emergencies." he mocked. Aoi looked at Izumo, down to the ground in deep thought, gave a hard glance at the plethora of bags he was still holding, and finally hung his head in defeat. Kaguragi sighed heavily as he turned his back to his partner.

"Haruichi... I give you permission to touch my ass." Haruichi gasped in delight as he carelessly dropped the plastic box of wine and wiggled his fingers in excitement.

"Ooohhoohoo! This is a rare treat! What's the occasion, might I ask?"

"If I'm right, my wallet should be in my left back pocket. JUST the left one." Aoi said, looking back with a very pointed expression.

"Yeah you say that, but maybe I should check the right side too. Just to be sure." Haruichi giggled darkly, clearly taking too much joy out of this.

"Do that and I break your ha-nds!" Aoi's voice cracked when Haruichi slyly pinched both of his ass cheeks.

"Ah, would you look at that! Found it." He said as he pulled out the wallet.

"Kafka... shoot me if I ever start acting like that around Reno." Iharu said.

"I don't know. It's kind of endearing... in a weird way." Kafka quirked an eyebrow at the odd scene.

"Ah, trouble. I'm not seeing your base i.d., babe." Haruichi said after a few seconds of rummaging around in the wallet.

"You're sure? Fuck." Aoi cursed quietly. "Do I even trust you enough to look in my front pockets?"

"Nope. I'm going to look anyway." Haruichi giggled again as Aoi visibly winced at the feeling of the other's hands slowly sliding into his thin front pockets from behind. Izumo's hands didn't stick around long, which Kaguragi was thankful for, but it only brought them back to the original problem.

"I'm not feeling your i.d. in here either." Haruichi said as he gently patted Aoi's hips.

"Shiiiiiiiit. That means I never took it off the lanyard in my locker." Aoi threw his head back in disappointment. While this exchange was going on, Kafka and Iharu were looking off in the distance, specifically at the impossibly tall wall. Kafka scanned the parking lot to make sure that there wasn't that many cars to worry about and asked Iharu a question.

"You think If I run fast enough, I can scale that?" He said, nodding to the concrete barrier.

"What, in kaiju form?" Iharu contemplated for a moment, "Yeah. I think you could."

"I know I could, but what about if I carry three other people?" Kafka nodded back to the other two who were deep in what seemed to be a battle plan discussion. "Plus baggage."

Iharu took a long look at the pair next to them while he processed what Kafka was suggesting. He began to chuckle darkly as it all fell into place for him.

"I don't know man, but it be hilarious to try." The two of them began to chuckle in agreement before Kafka decided to put his plan into action.

"Haruichi! Grab the box. I wanna try something." Kafka said as he walked into position.

"Oh, that's great! Honestly, me and Aoi here were getting nowhere with a pla-HEY!" Haruichi cried out as Kafka grabbed him by the waist forcefully after he picked up the crate. Aoi was also none too pleased with where this plan was going, shall we say.

"Passengers, this is your captain speaking. Flight Kafka 690 will be taking off shortly, so please make sure that all baggage is secure and accounted for before it's wheels up and time for take-off." Iharu said smugly as Kafka walked back a few feet, holding a struggling Haruichi and Aoi.

"This is BY FAR the stupidest plan I have ever been forced to be a part oooOOFFFF!" Haruichi screamed as Kafka began to run full sprint toward the insanely high wall. As he got closer, his legs turned into his kaiju ones and the flaps on his calves flared open to reveal the after burners the transformation offered. Jumping onto the wall itself, Kafka's afterburners set fire to the bottom of his pant legs as he rocketed himself and everyone he was carrying into the sky. He could feel his back and elbows transform too to help him keep his back straight as the burners on his elbows helped stabilize him as he somehow managed to stay rooted to his path.

"Kafka you BASTARD!" Aoi screamed.

"If I drop this, I'll KILL YOU!" Haruichi mirrored, changing his grip on the crate of wine, somehow having not dropped any bottles yet.

"FUCK YEAAAAAHHHH!" Iharu cries of joy overshadowed the screams of the others.

"ALLLLMOOOOST THERRRREEE!" Kafka shouted, deep in concentration. The top of the wall got closer and closer, the end of this terrifying ride nearly in sight. The screams of the whole group rose to a deafening peak as Kafka just barely passed the edge of the wall. Relief was felt only for a brief moment when a noticeable shock wave passed through Kafka's body and transferred into the bodies of the others.

"Oh shit." a collective conclusion that was voiced by the whole group.

#########################################

It was just passed one in the morning when Reno and the team he was with made it back to base. He was so very tired. No one ended up being injured, thank God, but the anxiety of the situation took a severe toll on everyone involved. The mole kaiju were easy to take out, but the process to do so ended up becoming the world's most stressful game of literal Wack-a-mole.

Reno thought things would get better when everything was over, feeling hopeful on the chopper ride back, but when Reno pulled up his Chatter app and saw he's feed was just a timeline of Iharu and Kafka having the time of their lives at the food festival, it really put a damper on the ride back.

'I guess he really wanted to leave base today' Reno thought somberly. Iharu was his own person. If he wanted to leave, that's on him. If he wanted to take someone with him, that's on him too.

'It's just... I really wanted to go with him. And thought... he wanted me too..." Reno packed away his gun and excess supplies into his locker, feeling sluggish as he did. Suddenly, a loud metallic slamming noise decided to ring out through the locker room that he was in and dislodged him from his thoughts. Suit half unzipped, Reno tied the sleeves around his waist as he looked down the aisles to see where the door slamming was coming from.

Looking down the row behind him, he saw what seemed to be a very pissed off Kikoru Shinomiya, telling by the feral growling and tearing at her spare bio suit.

"Ummm... Is everything okay? Shinomiya?" Reno asked tentatively.

"I"M GOING TO MURDER THAT PRAWN HEADED RAT BASTARD!" Kikoru growled out as she finally managed to get her lower half into the power suit. Reno only became increasingly concerned now knowing this unbridled rage had something to do with Iharu. He couldn't ask anymore questions, however, since Vice Captain Soshiro Hoshina decided now would be the time to make his presence known.

"Reno. Good to see that you and the rest are back safely."

"Ah! V-vice Captain." Reno stuttered out, startled. "I was just getting my stuff packed before I joined the others for the after mission briefing."

"Good to know, but I think the rest of the team can make the report without you for now." Hoshina said curtly.

"S-sir?" Reno questioned vaguely.

"Don't worry, it's nothing life shattering. I just want to ask you about what the original plans you had with Iharu Furuhashi were about." Hoshina said, his voice giving off the sense that there was some concealed irritation.

"Um, plans? You mean the trip to the movies?" Reno asked.

"Yes, and where you were... haa, hold that thought. Go for Hoshina" he said as his hand made it up to his earpiece.

"Hoshina, this is Okonogi. We've got a massive disturbance at the front gate."

"Define 'disturbance'." Hoshina requested. If one looked closely, you could almost see his temple throbbing in a matched rhythm with his heart.

"I'm pulling security footage now. It's... Kafka Hibino, Sir? It appears that he is trying to... run up? The outer wall and is carrying three other Division members."

"I'm sorry? Other Division members?" Hoshina clarified.

"Yes Sir, that is correct. Just a moment... It looks to be Iharu Furuhashi, Aoi Kaguragi, and Haruichi Izumo. The absent members from this afternoon."

"What the hell is going on?" Reno asked, adjusting his own earpiece to the main channel, wanting to be included in the conversation.

"Sir, update! Kafka had made it up the wall, but has tripped and all four of them are in free fall on the other side" Okonogi reported. Hoshina's sigh turned into an exasperated growl toward the end.

"Come along Reno. We're apparently going to have to save our respective dumbasses." Hoshina turned to leave the room with a puzzled Reno trailing behind.

"Respective dumbasses?" Kikoru muttered. Immediately, a light came on upstairs. "Not until I get a hold of that ASSHOLE FIRST!" Kikoru turned and blasted past the vice captain and ran in the opposite direction of the front gate.

"Who put a bug in her suit?" Hoshina asked as they both leaned on the doorframe and watched her go.

"WRONG DIRECTION, KIKORU!" Reno added helpfully.

######################################

"SSSHHHHIIIIIIIIT" Everyone screamed as they realized what was happening. Kafka relaxed his arms as Haruichi and Aoi planted their feet on his hips and pushed themselves away as far as they could. Iharu, though, hung on for dear life. Haruichi and Aoi still had the their bio suits on, so the landing from such a height didn't give them much trouble. Izumo landed on the balls of his feet and managed to roll with the momentum onto his thighs, through his knees and back onto his butt. All while managing to keep all the wine bottles in the crate. Well, most of them. Two had slipped out during descent and were still up in the air. He rushed forward, leaped into the air, and grabbed them before they touched the ground. Aoi just tanked the landing and kept on his feet.

"You good?" Haruichi asked.

"Just fine." Aoi said through gritted teeth.

Kafka and Iharu were not so lucky.

Kafka also tried to roll into the fall, but messed up and landed on his foot weirdly. Iharu still hadn't let go at this point, so when Kafka fell to the ground, Iharu's knee made contact next.

"Fuck! That was a knee!" Iharu exclaimed. Once momentum seemed to stop, the two of them untangled and rolled away from each other.

"Well, that didn't look pleasant." A sly voice from away came into clarity.

"Vice Captain!" said Haruichi.

"Vice Captain, Sir." said Aoi when he felt recovered enough to speak.

"Well, shit." came from Kafka, knowing he'd been caught.

"YOU THIEVING PIECE OF CRAP!" Kikoru had made a beeline to the crumpled Iharu and began to physically berate him with her foot. "WHERE THE HELL IS MY BRADA BACK PACK?"

"Here, here! It's right here! WAIT, MY SHIT'S STILL INSIDE!" Iharu said as he handed over the stolen bag, only to realize too late that he left his gifts inside.

"I can see that! What is this? Wine? Plum wine? and a beer glass?" Kikoru took a whiff inside the mug, "A used BEER GLASS? What the hell is this doing in here?" Kikoru pulled out a ring of keys next.

"And who the hell's keys are these?' She asked. Hoshina immediately took them from her hand and looked at them in his.

"Kafka... why the hell does Iharu have my keys in a stolen back pack?" Hoshina said, gritting the words through his teeth. Kafka and Iharu looked at each other for a moment before shouting in unison

"OH SHIT! WE FORGOT THE BIKE!"

"YOU WHAT?" Soshiro screamed, hauling Hibino up by his collar.

"And is this... are there FRY CRUMBS IN MY BRADA? IS THAT A CHILE SAUCE STAIN? IN MY BRADA?" Kikoru began to weaponize the empty bag and used it to beat the already downed Iharu.

"Oh, damn. I didn't know that was Brada." Haruichi said, trying to pass by the commotion.

"Thanks Captain Obvious, I think we figured that out." Kafka retorted as he was dragged off the ground by Hoshina.

"NONE of you go too far. You all have some explaining to do." Hoshina said, gripping tightly to Kafka' forearm.

"Kikoru, I think he's had enough!" Reno said as he finally stepped into view and intervened in the one sided fight between the two of them. As he helped Iharu off the ground he asked, "Hey, are you alright?"

It didn't take Iharu very long to realize who was helping him up and immediately threw his arms around Reno's neck.

"AEDZGJNSTR, RENO! You're back! I'm so happy now!" he said as he gurgled drunkenly around his words. "I'm so happy that you're back! I was missing you all day. I'm sorry that left without youuu. I prepaid the tickets and Kafka said I should use them, so I did, but I was wishing that you were there 'cuz it was a great movie and I went to the festival without you too and it was making me sad, but I had food and I thought I would be okay and then I saw this mug and it reminded me of you-" Iharu broke away to grab the somehow intact mug from Kikoru's hands.

"It was this mug, 'cuz see! It has snowflakes on it and it made me think of you and how much I missed you and how I wanted to take you with me on the date but I couldn't and I thought about how I thought I blew my chance to tell you that I love you-" he took a big deep breath, "But Kafka and Haruichi said that I could take you to the beach and I felt happy again so the mug made me happy again because it still reminds me of you so I want you to have it." Iharu had finally stopped talking for a moment and looked deep into Reno's widened eyes with his watery, eager ones. Reno could feel his face start to burn once he slowed down all the words that Iharu had said and realized what it meant. Before Reno could even begin to tell him anything, Iharu looked like he remembered something else and turned back to a stunned Kikoru, who had been listening to the entire conversation. He grabbed the protective charm and the bottle of wine and clumsily shoved them into Reno's hands.

"Oh! Also, Me and Kafka and Haruichi and Aoi all went to this shrine that I wanted to show you because I thought it was pretty and you remind me of pretty things and when I was there I saw this charm and it has snowflakes on it, so of course I had to buy it- well, Kafka bought it, but I still want you to have it 'cuz its pretty and do you think they'll let me put this on your gun? 'cuz I think that would be cool-ohohoh! OR I could put it on the suit! That would be really cool if they let me do that. Oh and speaking of cool- looklooklook-" Iharu picked up the bottle of plum wine and showed him the label.

"This has snowflakes on it too! It's going to be a surprise when I take you on our beach date in a few weeks!" Iharu had wrapped his hands back around Reno's neck and begun to swing themselves around, causing Reno to put his already full hands on Iharu's waist to keep themselves upright.

"I'm going to save up my hours again and when we go to the beach, we're gonna go on a picnic and I'm gonna break out the bottle and I'm gonna tell you how much I looove youuu and how much I like being around youuu and how much I like being yourrr rivaaal..." Iharu had finally stopped spinning them around and leaned all the way onto Reno, wrapping his hands tightly around his crush's shoulders.

"Doesn't that sound really nice?" He whispered, gently nosing the shell of Reno's ear.

Reno felt like he was shaking. Whether from shock or excitement, he wasn't sure. He took the bottle that was still in Iharu's hand and tightened his around the sleepy drunk's waist. He felt his face flush even harder, blood flooding his brain and making his ears and shoulders feel like a million degrees in the cool night air. Burying his face into Iharu's shoulder, Reno confessed his only thought on his mind.

"That... sounds amazing, Iharu." But Iharu wasn't listening. Having fallen asleep, nuzzled into Reno's neck and breathing softly, almost snoring.

"Well, wasn't that a touching display." Hoshina said sarcastically, not one to let the quiet stand infinitely. "He's still getting a hefty reprimand, as well as you." He said, directing the last bit of statement to Kafka, which he was now holding by the ear.

"What the fuck possessed you to write in three hundred AND THIRTY SIX HOURS? DID YOU THINK YOU COULD HONESTLY GET AWAY WITH THAT? AND YOU LEFT MY BIKE BEHIND?" Hoshina said as he began to drag Kafka away, causing the rest of the group to cringe in response to the abuse.

"Forget a week of janitorial duty! It's a month- no, three months! And you can forget the office sex too!" Aoi and Haruichi were nodding along solemnly to what Hoshina was saying, mentally grieving for Kafka and any spare time he would've had, only to snap back to reality at the last bit of punishment.

"Oh, come on! It was a joke- wait, lets thINK ABOUT THIS!" Kafka cried, 'Three months for a joke is a bit much, don't ya think! I'll get the bike back, I swear!"

"YOU CAN'T EVEN DRIVE IT! If you keep arguing, I'll cut out the blowjobs too!" Hoshina said sternly, still dragging Kafka away. His cries of disappointment were heard all the way to the guard house.

/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\ Bonus/\/\/\/\/\/\/\/\

"You sure you don't want help with that?" Kikoru asked, carrying her (apparently) expensive black back pack and a couple plastic bags of food that Aoi got her at the food festival.

"No thank you, I'm good." Reno said as he struggled to carry an asleep Iharu, the items he got for him, and the bags of food that Aoi also got for him.

"Are you at least aware that you have to make a left turn in about twenty feet?" Kikoru retorted, smiling smugly at all the trouble that Reno was going through to not disturb Iharu's sleep.

"Yes, Kikoru, I know where I'm going. A fair bit better than you, since you still can't remember where the front door is." Kikoru snobbishly stuck her nose in the air at the insult.

"The front door was always down and to the right of the of the mission personnel lockers. It still seems stupid that they would change the layout in such a drastic manner."

"Whatever Kikoru. Have a good night." Reno turned to go into the male barracks as Kikoru parted to go to her side of the building.

He walked into the area holding the bunks and put Iharu down on Reno's bed since Furuhashi slept on the top bunk. Reno knew better than to try and get him up there by himself. He set him down as gently as he could, making sure not to catch any of the gifts under Iharu. Reno set his stuff down and leaned over to put the deeply asleep soldier's feet on the bed, and since he was down there, took off Iharu's shoes too. Carefully wrenching the sheets out from under the body, Reno tucked him in as gently as possible. Getting shocked for a moment when Iharu shifted and grabbed the blanket from Reno's hands, but when all Iharu did was tuck the sheet under his chin, Reno let out the breath he didn't know he held.

Not wanting to leave him alone so soon, however, Reno took a pillow from another bunk and placed it on the floor about where Iharu's head was. Getting to the floor as carefully as possible, he sat down on the pillow and opened the bags of food, courtesy of Aoi. He rummaged around quietly and started to pull out some of the goods based on what seemed more delicious at the moment, eventually pulling out a large, marked takeout box that just said 'kaiju squid' on the top.

Before he opened it, he felt a hand lightly smack him on the back of the head. Reno turned around, thinking that he somehow ended up waking Iharu, only to see that he was just shifting in his sleep. A hand was now exposed from its place from under the covers and was hanging limply from the bed's edge. Thinking for a moment, Reno gathered some courage and bravely placed Iharu's hand on the top of his head. In doing so, he could feel Iharu's fingers lightly twitching in his hair, almost like it was trying to brush through it in his sleep. Reno just smiled and went back to his midnight meal.

(holy fucking shit, I did it! I got this made! World, prepare to meet my first public fanfic.)

[crazybookcat]

Alternate version + lore under the cut

I've had this thing finished for about a month now. Sooo I figured it was time high time for me to properly introduce this boy to you all! His name is Times New Roman or otherwise know as Frak and Merl's hubband.

Ok now with the introduction over on with the actual lore! Roman is from an au I made with my friend @smokbeast called Betatale. (You can see more about Merl, Frak, Roman and a buncha other characters on his blog, go check it out!) As the name says, Roman is meant to be from some sorta beta of Undertale. He sorta had Sans' place in his au, but not entirely, he's def his own thing. He is not a sans, and he is not in any way related to Frak. His family is all dead thank you very much. Much like Sans he only has one hp, but that's due to his lil condition. He was born with an immense amount of magic which his soul and body is way too weak to hold. So he's on perma hardcore mode, one hit one kill. (Well- most of the time ;3) Roman has the power to travel the multiverse. It takes a lot outta him and he isn't able to do it without touching Frak. Mostly because it wouldn't be possible without his other half, but also cuz Roman wouldn't even attempt to go anywhere far without him. (Merl came into their lives after me and Smoki had traumatized these two so much they refuse to not be near eachother pretty much constantly anymore).

Roman is the token 'extrovert' outta him and Frak. On the outside he's very friendly and disarming. Bro will attempt to charm his way into just about anyone's good graces. He jokes and jabbers, easily sliding on the mask of a well adjusted monster. (Something he defiantly is not). Oh also he's 5'0, my boy is short short. Roman's an artist and he tends to sketch the people around him a lot, like some sorta romance movie main character. (His sketchbook mostly consists of Frak and Merl but don't tell them that-) A lotta his quiet time is spent drawing, tinkering with random machines, or talking his beloved's (proverbial) ears off about his latest ideas. I almost forgot to talk about his attacks- how silly of me. Ok so my boy's head is basically a Gaster Blaster, from which he can admit devastating blasts of magic. It's his most dangerous weapon, and something he can easily manage to do with his high levels of magic.

Mostly he just tries to stay outta range so he has time to snipe a hit with his blast attack. Staying out of range often means hiding behind Frak, who he stays very close to in battle. Mostly it's so Roman can lead an enemy into one of Frak's attacks or heal him. Speaking of which! Roman has a kindness/patience soul. He just likes to pretend that his only soul trait is patience because I traumatized him of course. Alrighty, I think I'm done for now- if you read all that I'ma give you the biggest pat on the back. Feel free to send me asks about him! The aus I have with Smoki are seriously my biggest brainrot atm.

[masonjarsmoments]

I saw your rb about the fic thing so... tell me about what ur writing or planning on writing rn I always wanna know!!

So l actually only wanted to write a few shorter one shots for now but then inspiration strike.

Thanks to that Laver Cup video i now want to write a Casper taking Daniil and Grigor on a road trip through Norway fic. I did some planning so far but haven't written anything. But I miss Norway so much so this is going to be an emotional ride.

And then today at work I had an Idea for a multi chapter fic that will be about Christmas spirits but more on that when I actually writing it.

[twicethetrouble]

Mass effect 1 is giving me trouble, but not in the way you'd expect.

[briannysey]

Went to a queer meet and greet at the new campus today (super cool) and i watched two people hit it off and immediately start flirting with each other in like an escalating series of reaponses and like-

Idk if it was being closeted & trans for most of my life or the autism or what, but I don’t really understand how people do that.

In part im like desperately afraid of making someone else uncomfortable and expressing attraction in any way feels like it’s always going to do that? And in part i just have a lot of difficulty being forward or flirtatious or raunchy at all.

Granted ive often shut down or gotten uncomfortable when others have expressed attraction to me- which (aside from trauma stuff) i think was related to me not being comfortable with people being attracted to the masculine presentation i was in for most of my life

[nemaliwrites]

oh my god i'm DONE FINALLY it SUCKS and i HATE it but i'm DONE

[incomingalbatross]

New chapter of my Soulmates AU!

[abbysratking]

Yall we're in the trenches rn im looking at my wips and idk what i want to go for

[themyscirah]

"I'd really rather not" IS CRAZY

also is she just eating a block of cheese in full costume

[autistic-lalli]

to the person who sent the ask about the adventure 2 flashback, my essay is coming. but, uh. it's five pages and I'm only on like, page three of the dream itself. so it'll be a bit before I answer.

to the rest of you, big ol' analysis post coming in the next few days!!

[atonalginger]

Chapters: 8/? Fandom: Starfield (Video Game) Rating: Explicit Warnings: Graphic Depictions Of Violence, Major Character Death Relationships: Sam Coe/Original Female Character(s), Original Female Character/Original Male Character Characters: Sam Coe, Starborn!Sam Coe, Delila Aiza (Starborn), Fury Shepard (original male character), Goose (original male character) Additional Tags: major spoilers for main story of starfield, Angst, Angst and Feels, Romance, Canon-Typical Violence, Emotional Hurt/Comfort, Lust at First Sight, exploring the lives of a Starborn!Sam and Starborn!Lila, sexually explicit chapters will have warning noted at the top and an star in the chapter name, Explicit Sexual Content

I finally have an AO3 and spent the better part of a night working to get the first 8 chapters of the Starborn Saga, as well as some of my other short fics.

It's Happening