#my brain cooks sometimes

[vio-lenceee]

I have wandered many places But they’re all the same to me Nowhere I’ve found, to settle down A little bit further I’ll find my rest In the shadow of the valley That I love best so i guess i finally started playing fallout new vegas thanks to my friend! this is my courier 6 named Mr. Curious (Jonathan Frank Keith before running into Benny). he finds everything funny after doc patched him up. he also got amnesia for storytelling reasons and also because i kinda dunno a lot of stuff about fallout in the first place so i also drew his portrait as jonathan just to see the change bullet to the head made. he's got a pretty interesting past too as a brotherhood of steel's fugitive paladin but maybe i should make a character introduction sheet once again? or maybe i can just tell to anyone interested. we'll see

[jisuto]

[xxplastic-cubexx]

cant stop thinkin bout charles and erik readin together on the couch but instead of reading with him charles is listening to eriks thoughts while he reads. Live mind commentary ……..

[rumblecrow]

Heres my spiff design and my rt design together. PLEASE TELL ME YOU SEE MY SPIFF DESIGN WITH A MASK AND NOT HE HAVE MOUSTACHE

[cryptids-and-muses]

So I’m having one of my reoccurring dreams about my estranged family. It happens. But this time, in my old family home there’s this supernatural spinoff/reboot/sequel on the tv. I’m not even watching the tv in the dream mind you it’s just on.

The brothers are tracking this like doomsday cult as they do and SURPRISE castiel is back from super hell and he’s a mega powerful new kind of demon! And is the one the cult has been trying to use! And hes still in love with dean! Who’s too in shock to believe this is real or that’s really cas!

I don’t catch what happens next but later as I’m packing to go to the airport (another staple of these dreams) I’m listening to a video essay about how this continues the shows homophobic trend of treating gay love as monstrous and predatory. With tumblr discourse over how this was handled and if it was good or bad.

And can I just say, what a b plot

[somevillainfuckery]

me

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funny closet pig

[justanotherwriter140]

Kung Fu Panda 2 Scene Analysis + Discussion Post

Hey, all! Here's a KFP2 scene analysis because I felt like it. 🤷‍♀️

I have an itch to scratch and I'm going to make all of you read about it. I've been revisiting KFP2's remarkable storytelling methods—namely for conveying strong emotions without relying on dialogue and putting more faith in the narrative—and when I got to the harbor scene, I couldn't help but write something up on it. In general, writing short essays on scenes/sequences is a great writing exercise that I would recommend for fellow writers because it's a big help when you're trying to emulate a certain style or feel in your work. KFP2 is a great movie and I love it, so I often refer back to it when I'm struggling.

In short, this is me gushing. I know as a fandom we've talked this part of the movie to death a hundred times over, but it's a scene that deserves it. I'm going to be focusing on the aspects of it that interest me most, but the final battle following this scene is just as worthy of being fawned over. I am a KFP fan through-and-through and every scene (in this film especially) deserves its own discussion post. Unfortunately, I'm employed.

I've never done a dedicated sequence analysis before, but I've been delving back into studying animation and that paired with my long-time love for storytelling is more than enough to make me want to do a Tumblr deep dive on this 20~ second master-class in storytelling.

To begin, let's take a look at what's happening here:

Po swims to Tigress to make sure that she's okay. He holds her hand and gets close to her, which is something we can assume he would never do otherwise. I'll cite the attack-hug; we witnessed his (albeit completely understandable) reaction to Tigress initiating physical contact, and his instinct was to freeze in place. It tells us that physical contact is uncommon and maybe even a little awkward for them, and yet, he grabs her hand without hesitation.

My heart...ugh. I was little when this came out and I was STUPEFIED. I also realized I wanted to make movies, though, so I guess it worked out. 🤷‍♀️

Plus the little thumb-hold from Tigress. I'm nauseous. Kill me.

It's also worth mentioning that despite the fact that Po audibly says her name, she doesn't respond to hearing him. She responds to feeling him. She doesn't start to lift her head until he touches her.

Earlier in the film, it had been made a point that she "feels nothing," which was intended to refer to both her hands and her emotions. She physically and mentally beat herself up for 20 years until she couldn't feel the hurt anymore.

Even so, it only takes Po to unravel that. This is the movie further cementing the franchise-long theme of Po bringing inner peace to the valley. On a more personal note, it's also the movie telling us that Tigress's jadedness only goes as far as she lets it. She is capable of recovery, capable of feeling—it only matters that she allows herself to have those moments.

She looks up. She's relieved. She couldn't save China, but she saved Po. She didn't fail in protecting him this time. She did her job. There's a beautiful contrast between what she's feeling and what he's feeling but they share a point—kind of like a venn diagram. Both feel some kind of relief, however brief. As for their differences, Tigress's defiance is weakened and Po's is ignited. He takes on that weight for her.

The way her head slowly falls back down makes me think she's too exhausted to keep her head up any longer. She had used all of her strength to hold onto Po and look fully at him, face to face, to be sure he was alright. Tigress is the most capable member of the group, but where her most important strength lies is revealed here as well as in the rest of KFP2: in her compassion and care for others.

Po looks at Shen with scathing, genuine contempt. He's taken away too many people Po loves, and Po won't let him take away another. He's thinking about the valley, about his friends, Mr. Ping, and his duty to defend China and bring evil-doers to justice. We see the resolve in his eyes. He'll do what he has to.

The angle of the image is also worth mentioning. With the way the "camera" is tilted—now at a direct eye-level as opposed to a few shots before when Po was almost slouching below mid-frame—Po looks bigger in this shot. He's being framed as a protector. Defender of China. The Dragon Warrior. He's really, truly stepping into this role.

Tigress bows her head and Po takes on the weight, which is a huge contrast to the rest of the film. Before this scene, Tigress is the one being strong, being smart, taking charge, and leading the group. Throughout the mission, Po was consistently reckless, stubborn, and distracted. We know why. This bit is his amendment. This is him saying and meaning, "I've got this."

And then he pushes Tigress away. The little look I caught in this screenshot lingers for only two~ seconds, but what I love about animation is that everything is intentional. He watches her float away for an extra few seconds because it meant something to someone that he did.

AND THEN SHE REACHES FOR HIM. Whose idea was this? We need to have some words. You guys were evil and I love it.

She's exhausted, hurt, and is likely carrying the crushing weight of China's defeat on her shoulders, and yet, she reaches for him. It wouldn't even be for her own comfort, either, but because she still has the urge to save him. Even in her state of being borderline unconscious, she still has that instinct—that care. She can't watch her friend be killed.

I pause on this whenever I watch this scene over. To me, this frame perfectly encapsulates Po as a character. We see him facing impending doom in the form of a massive ship with a monstrous-looking cannon strapped to the front, harboring a psychotic peacock fully intending to kill him—just like he killed Po's mother—when he gets the shot.

Despite this, Po only pushes Tigress—a loved one, and while it's far more impactful to the story that it was her, it could have been anyone and the point still stands—out of the way. He moves her out of the line of fire and lures the danger away. That simple action of pushing her away is the epitome of "show, don't tell" used correctly and tells the audience everything we need to know.

And then he goes and stands on a floating chunk of fallen ship (not even solid ground!) and fights solo against an entire fleet of weaponized ships. And then he wins in what's arguably the coolest, most badass way possible.

This—this frame, not the fight itself—is easily his most heroic and selfless moment and it's my favorite frame in the KFP trilogy.

Thanks to all who read this through for indulging my intense love for this specific sequence! This analysis isn't objective, obviously, so if there are any disagreements, I'd really like to talk about them! I'm always looking for different perspectives and ideas, and I'm sure there's a fan somewhere who interpreted this scene wildly differently. I'd also just really love to hear any additional thoughts if there's something I missed. And if another scene gets you super excited like this one does for me, tell me all about it!

An update for my readers: Chapter 6 of The Days is well on its way and I can't wait to share it with you—there's some fun stuff in there and I'm really excited to post it. Thanks for reading, guys! :)

[vaguely-concerned]

thematic throughlines I am noticing in veilguard so far:

-- even at times when everyone involved is acting with the best of intentions, bad things and consequences still happen. how will you live with it, how will you move on from it? (b/c the alternative isn't pretty)

-- parenthood, leaving a legacy in other people's lives, what do we owe each other -- and what is too much to ask of anyone?

-- the tension between individuals and the organizations and structures they exist in

-- the transcendent power of love and connection to overcome despair (this is a bioware game that one comes free on the bingo card)

-- if there were a bunch of gigantic hands everywhere would that be cool or what? (it would)

[emotinalsupportturtle]

Does anyone think of that moment when Tony and Cameron are literally in bed and he’s so upset about Declan leaving and she says “I knew you and Declan weren’t going to work out you’re too similar”

like leave Cameron alone and go fuck that old man Tony. We know you want to

[candycryptids]

His is the spear that will pierce the Heavens!!

or something- I was sent a bunch of pretty outfits and this was just me kinda- faffing around with the dress-up dollie. experimenting with the sun and Dragoon Animations (the only 'posing' I did to any of these was Positioning/Rotating the whole character and some in-game lights yk) - I think they look neat

[dumb-coward]

So i bought a packet of instant mix custard. And in my tiny little brain I saw them say mix 400g with 600g sugar and i was like ah yes. Imma get 1kg of custard. (2.2pounds)

No. NO

I followed the rest of the instructions to add fucking 3kg of water/milk. And my brain didnt process that I just made 3kg of custard. 🫡 (6.6pounds was the conversion)

My hand is shaking. I am tired. Wtf.

[pageofheartdj]

Everyone talks about ADHD memory problems with missplacing things, or entering rooms and forgetting why.

No one talks about ADHD memory problems with struggling to learn new skills.

You research and practice. And forget.

Sure something sticks.

But it's frustrating that you need double the time to learn the thing, because your stupid brain can't just grab the information from the first(several) time, like others do.

[xxplastic-cubexx]

you say they can’t put telepaths in marvel rivals, yet we have some very credible leaks that jean grey and emma frost are gonna be in the game soon.

that being said, jean has telekinesis (and the phoenix force) and emma has her diamond form. telepathy is all charles has, lmfao. odds are pretty low for him, but maybe not zero if they give him telekinesis!

if yall have me say he got psionic blasts one more time i am going to scream HE HAS MORE THAN TELEPATHY . LIMITED BUT HE HAS IT <- he has gone against sentinels and disabled armies with it before HE CAN FIGHT I PROMISEEE

and technically they did give him telekinesis in krakoa (and very weak telekinesis sometimes before krakoa) so .... not my fave move but he does have that ...... and ig they give him a gun sometimes ........ last resort type shit but he has options ..

[ssaalexblake]

dw is a mid kid's sci-fi tv show and it's quality level has been mostly entirely consistent (mid, basically, with the occasional very good episode to balance out with crimes against humanity it sometimes produces) the whole reboot, and anybody acting like the Only thing going into peoples opinions of the characters are writing preferences are either Deeply naive or are trying to hide something they know people will not take kindly to.

[vice-like]

these results WILL surprise you

i'm happy to announce that the vast majority of you got this WRONG, while 4 of you got it right: yes, the right answer was NONE, these are both baby matoba!!

the left one is from this panel (left) in world unbent and the right one is from this panel (right) in hand extended

[timetravelstudies]

a meandering post about transmasculine aesthetics (or lack thereof)

i was thinking about how in both big and small, common and niche/micro ways, when youre transmasc you kind of have to resign yourself to the double bind of both always having to borrow the language of other people and groups to describe yr own experiences and simultaneously being accused (though not always so directly & in so many words) of stealing valor.

this i think applies across the board in a variety of cases but specifically i was thinking about victimization/victimhood, including but not limited to sexual victimization. and ofc victimization is not all there is to being trans &/or queer but as i said a while ago in a post re: that one girl raised by gay dads who was complaining about how lgbt culture is "too focused" on homophobia, victimization (& ostracism, & aggression, & in general adverse social circumstances) is an inescapable part of the queer experience so i feel like this is an especially apt case study.

like (and now im gonna go so micro and niche this probably wont be recognizable outside my very specific sphere of mutuals & inlaws but its the example on my mind rn) i have often seen tboys etc. on here for lack of a better word romanticizing a certain kind of sexual abuse & exploitation that is commonly associated (socially and artistically) with boys and young men who are "too" "feminine" and thus attract the attention of adults esp adult men. and like even once we go past the whole "are you allowed to (fantasize/post/make art/romanticize/jerk off/...) about X thing, do you have the correct trauma, i want an itemized list of everything bad that's happened to you on my desk by tomorrow or i unleash the mob" and we get to people who correctly see that type of thinking as always anti-victim and inherently deleterious (as well as anti-art but thats another post entirely), there are still plenty of instances of in this case transfems who have this...... disdainful and almost condescending tone of "actually what youre sexualizing is MY experience, MY oppression, MY victimization, /I/ and/or people like me were the ones who were abused for being boys who looked like girls, NOT you" which ..... i dont even really want to disprove or anything like that bc im not particularly interested in that, and tbh i get how it can be extremely annoying and frustrating for a general group of people to not give a fuck about your extremely real and continued oppression and/or contribute to it only for some of them to turn around and also aestheticize some aspects of that experience. like i totally get where the girls are coming from on this mostly.

but what i want to draw attention to is something else which....... ok let's say all the guys immediately drop the ganymede/painting of isaac/takemiya bpd shota/whatever posting tomorrow. let's say that is a transfeminine or queer male experience the tboys have no claim over or whatever. the alternate pool of imagery & psychosexual landscape to borrow from is that of female victimhood. which again a lot of guys do draw from. but as soon as a tboy gets on some ldr coquette dollette traumacore shit he gets accused of holding onto his white female privilege of being presumed harmless and ontologically innocent and so on. so what then?

to be clear, im bringing up these criticisms which are most commonly levied at transmascs by transfems not because i want to criticize transfeminine people or transfeminism especially but because i see this stuff as the most poignant and relevant commentary on transmasculinity that exists in the contemporary discourse as of 2025, and im including academic & adjacent writing in that statement. (for instance, a cis feminist critique to the ldr shit would be that trans guys are trying to escape sexist oppression while stealing its valor, as i was saying at the beginning of the post. i think that statement is erroneous and dumb for reasons that should be self evident and if they arent then this post isnt for you.)

anyway. my aim isnt really to debunk these transfeminist criticisms or even put an asterisk next to them and say in which exclusive cases they are applicable. the transfeminist theory answer to these qualms is obviously that there is overlap btw the experiences of cis women, trans men and trans women because they all occupy a minoritary (in the deleuzian way) position in the hierarchy of power founded by and based on cis masculinity. but the point im trying to make, or rather the issue im trying to discuss, isn't one of power politics. it's one of language, or more specifically symbols, or more specifically aesthetics.

there is no such thing as a transmasculine aesthetics, and yes, this is most likely because of discrete sociocultural historical reasons and was probably in no small part spurred by a transmasculine desire for assimilation into one group of cis men or another at all costs or at least for blending into the background as "just a regular guy" (this was a really interesting post touching on this topic. i havent done the reading myself but it's a credible account that makes perfect sense to me). but again, im not interested in a social and historical account. What im interested in is aesthetics: how people internalize, digest, express concepts on a sensorial and pre-verbal (or non-verbal or quasi-verbal) plane.

regardless of the reasons, we are here now: there is no transmasculine imagery of sexual victimization. there is no transmasculine imagery of much anything. this is especially true the more "queer" you get in an academic sense, i.e. the further away you go from a type of (trans)masculinity that is as close to hegemonic as you can get without cisgenderism (strong, in control, buff, facial hair, capable, handy, butch, a top, dating a woman or someone unambiguously more feminine...). there is no transmasculine aesthetics of gender non conformity, of artsiness, of etherealness, of fragility, of madness, of gayness & bisexuality, and yes, of sexual victimization - or rather, there are aesthetic languages for all these things that transmasculine people understand, appreciate and engage in, because we are people in the world like everyone else, but none of them are recognizable as transmasculine.

if youre wondering, why do you really care that much about aesthetics? arent there real, material problems in the world? id say yes, and we face those too. however. i am a big proponent of the importance of aesthetics as a mode of analysis because i believe human beings perceive, interpret and digest the world largely (though ofc not exclusively) through aesthetics. but even if you dont agree with me on the general plane, please look at the world around you. in the 2020s aesthetics are everything. all of our culture, all of our thinking, is done through imagery first and logic and words second, if at all.

in fact, though it is almost certainly just a coincidence due to the unprecedented exposure transgenderism is having right now (which i dont count necessarily as a good thing but not the point rn) a kind of explicitly transmasc aesthetics IS being born through what some have jokingly dubbed the "sweatermuppet industrial complex" - you know, the st sebastian with top surgery scars, png of a syringe, dog poem, richard siken quote collage type shit. ive criticized that stuff before and i'll do it again, not only because i find it corny, but also and especially because i feel that not even a few years since its inception have passed and already it has become a self-referential, sterile vein only good for selling lame sweatshop tshirts. but thats what happens when you scold every other type of expression out of existence: at worst it simply never gets made, or at least shown, again, and so it doesnt get to inspire the next thing, at best its edges get sanded down into something inoffensive if not exactly excellent and you get the doglamb with two heads again. and at this point it feels important to restate that any representation of queer & trans existence, ESPECIALLY the negative aspects of it (which again, are an inevitalbe and intrinsic part of it) will necessarily be offensive or even repulsive and yes, problematic, to some.

anyway. it all pisses me off and makes me sad for so many varied reasons. because i love aesthetic and artistic expression - not even just art, but every kind of utterance that is done on an aesthetic level - and i want to be free to do my own & also i want to see those of other people who are similar to me in some ways but different in others and let that inspire me to create, think and live in new ways (as indeed i already do with stuff mostly made by non-transmasculine people). because those of us (transmasculine people, trans people, gnc people, queer people) who are marginal and specific and weird even within our already small identity-groups deserve to express ourselves and be understood rather than languish in unsayability. because any of these experiences - queerness, transness, sexual abuse - is painful enough already when you CAN talk about it. because transfeminine people are lowkey carrying & saving art, culture and cultural discourse in this century even more than usual and i believe and feel in my bones transmascs as a group can give that much more if not to the mainstream at least to the community. because i believe the only thing that can save us from hurtling past the edge and down into the void is an aesthetic revolution and i also believe that only queer people can bring that about. etcetc. and yes tumblr is a very bad place to have any sort of conversation bc youll get into fights anywhere but tumblr is also soooo irrelevent. but also i feel like this is the only place where we can have this sort of conversation at this (extremely granular, specific, sophisticated) level where you need to have understood a bunch of shit beforehand already. theyre still doing pronoun circle type shit on ig. anyway. that was my post thanks for reading. shuffles off my soapbox