#such a moving and emotionally charged scene

[justanotherwriter140]

Kung Fu Panda 2 Scene Analysis + Discussion Post

Hey, all! Here's a KFP2 scene analysis because I felt like it. 🤷‍♀️

I have an itch to scratch and I'm going to make all of you read about it. I've been revisiting KFP2's remarkable storytelling methods—namely for conveying strong emotions without relying on dialogue and putting more faith in the narrative—and when I got to the harbor scene, I couldn't help but write something up on it. In general, writing short essays on scenes/sequences is a great writing exercise that I would recommend for fellow writers because it's a big help when you're trying to emulate a certain style or feel in your work. KFP2 is a great movie and I love it, so I often refer back to it when I'm struggling.

In short, this is me gushing. I know as a fandom we've talked this part of the movie to death a hundred times over, but it's a scene that deserves it. I'm going to be focusing on the aspects of it that interest me most, but the final battle following this scene is just as worthy of being fawned over. I am a KFP fan through-and-through and every scene (in this film especially) deserves its own discussion post. Unfortunately, I'm employed.

I've never done a dedicated sequence analysis before, but I've been delving back into studying animation and that paired with my long-time love for storytelling is more than enough to make me want to do a Tumblr deep dive on this 20~ second master-class in storytelling.

To begin, let's take a look at what's happening here:

Po swims to Tigress to make sure that she's okay. He holds her hand and gets close to her, which is something we can assume he would never do otherwise. I'll cite the attack-hug; we witnessed his (albeit completely understandable) reaction to Tigress initiating physical contact, and his instinct was to freeze in place. It tells us that physical contact is uncommon and maybe even a little awkward for them, and yet, he grabs her hand without hesitation.

My heart...ugh. I was little when this came out and I was STUPEFIED. I also realized I wanted to make movies, though, so I guess it worked out. 🤷‍♀️

Plus the little thumb-hold from Tigress. I'm nauseous. Kill me.

It's also worth mentioning that despite the fact that Po audibly says her name, she doesn't respond to hearing him. She responds to feeling him. She doesn't start to lift her head until he touches her.

Earlier in the film, it had been made a point that she "feels nothing," which was intended to refer to both her hands and her emotions. She physically and mentally beat herself up for 20 years until she couldn't feel the hurt anymore.

Even so, it only takes Po to unravel that. This is the movie further cementing the franchise-long theme of Po bringing inner peace to the valley. On a more personal note, it's also the movie telling us that Tigress's jadedness only goes as far as she lets it. She is capable of recovery, capable of feeling—it only matters that she allows herself to have those moments.

She looks up. She's relieved. She couldn't save China, but she saved Po. She didn't fail in protecting him this time. She did her job. There's a beautiful contrast between what she's feeling and what he's feeling but they share a point—kind of like a venn diagram. Both feel some kind of relief, however brief. As for their differences, Tigress's defiance is weakened and Po's is ignited. He takes on that weight for her.

The way her head slowly falls back down makes me think she's too exhausted to keep her head up any longer. She had used all of her strength to hold onto Po and look fully at him, face to face, to be sure he was alright. Tigress is the most capable member of the group, but where her most important strength lies is revealed here as well as in the rest of KFP2: in her compassion and care for others.

Po looks at Shen with scathing, genuine contempt. He's taken away too many people Po loves, and Po won't let him take away another. He's thinking about the valley, about his friends, Mr. Ping, and his duty to defend China and bring evil-doers to justice. We see the resolve in his eyes. He'll do what he has to.

The angle of the image is also worth mentioning. With the way the "camera" is tilted—now at a direct eye-level as opposed to a few shots before when Po was almost slouching below mid-frame—Po looks bigger in this shot. He's being framed as a protector. Defender of China. The Dragon Warrior. He's really, truly stepping into this role.

Tigress bows her head and Po takes on the weight, which is a huge contrast to the rest of the film. Before this scene, Tigress is the one being strong, being smart, taking charge, and leading the group. Throughout the mission, Po was consistently reckless, stubborn, and distracted. We know why. This bit is his amendment. This is him saying and meaning, "I've got this."

And then he pushes Tigress away. The little look I caught in this screenshot lingers for only two~ seconds, but what I love about animation is that everything is intentional. He watches her float away for an extra few seconds because it meant something to someone that he did.

AND THEN SHE REACHES FOR HIM. Whose idea was this? We need to have some words. You guys were evil and I love it.

She's exhausted, hurt, and is likely carrying the crushing weight of China's defeat on her shoulders, and yet, she reaches for him. It wouldn't even be for her own comfort, either, but because she still has the urge to save him. Even in her state of being borderline unconscious, she still has that instinct—that care. She can't watch her friend be killed.

I pause on this whenever I watch this scene over. To me, this frame perfectly encapsulates Po as a character. We see him facing impending doom in the form of a massive ship with a monstrous-looking cannon strapped to the front, harboring a psychotic peacock fully intending to kill him—just like he killed Po's mother—when he gets the shot.

Despite this, Po only pushes Tigress—a loved one, and while it's far more impactful to the story that it was her, it could have been anyone and the point still stands—out of the way. He moves her out of the line of fire and lures the danger away. That simple action of pushing her away is the epitome of "show, don't tell" used correctly and tells the audience everything we need to know.

And then he goes and stands on a floating chunk of fallen ship (not even solid ground!) and fights solo against an entire fleet of weaponized ships. And then he wins in what's arguably the coolest, most badass way possible.

This—this frame, not the fight itself—is easily his most heroic and selfless moment and it's my favorite frame in the KFP trilogy.

Thanks to all who read this through for indulging my intense love for this specific sequence! This analysis isn't objective, obviously, so if there are any disagreements, I'd really like to talk about them! I'm always looking for different perspectives and ideas, and I'm sure there's a fan somewhere who interpreted this scene wildly differently. I'd also just really love to hear any additional thoughts if there's something I missed. And if another scene gets you super excited like this one does for me, tell me all about it!

An update for my readers: Chapter 6 of The Days is well on its way and I can't wait to share it with you—there's some fun stuff in there and I'm really excited to post it. Thanks for reading, guys! :)

[happybunnykat]

You know I forgot how close this scene in days came to cracking my egg.

(Spoilers for 358/2 days if you haven't played it PLEASE go do that it's one of my favorite games ever)

[majikkulu]

✮ ˖° ⸜ masterlist ꕤ ･

╭₊˚๑  ૮꒰˶˃  ᵕ  ˂˶꒱ა  ♡    in  this  super  sweet  pick-a-card  reading,  we’re  diving  into  who’s  coming  your  way  and  all  the  cute  little  details  about  them!  remember,  this  is  a  general  reading  so  take  what  resonates  and  let  go  of  the  rest. 

pick  the  picture  or  pile  that  calls  to  you,  and  let  the  magic  begin!  ✧˖°.₊  ♡  ✩˚  ༘

﹒ ﹢ ♡. PILE ONE ﹑ ﹒ the  one  heading  your  way  in  love  is  a  force  of  nature,  bursting  with  passion  and  an  electric  energy  that  keeps  them  constantly  on  the  move.  they’re  a  whirlwind  of  spontaneity,  sometimes  overwhelming  with  their  wild  enthusiasm.  never  one  to  stay  put  for  long,  they're  always  pushing  forward,  chasing  the  next  thrill.  impulsive,  maybe,  but  undeniably  magnetic  and  sizzling  hot.  when  it  comes  to  romance,  they’re  all  in  or  all  out—no  middle  ground.  expect  the  unexpected  with  them,  as  they  dive  headfirst  into  anything  without  worrying  too  much  about  the  fallout.  focus  might  be  a  struggle,  but  they’ll  make  it  up  to  you  in  the  bedroom;  trust  me,  they're  *very*  good  there.  you  could  pick  up  some  fire  sign  vibes,  maybe  even  a  touch  of  cancer.  this  person  knows  exactly  what  they  want,  and  they  won’t  hesitate  to  go  after  it.  they’re  the  type  who  chases  hard,  with  a  strong,  unyielding  will  that  doesn't  bend  easily.  their  intensity,  especially  emotionally,  is  something  you  can’t  ignore.  once  they  set  their  sights  on  something  or  someone.  they  become  laser-focused  and  single-minded.  their  energy  is  dominant,  unapologetically  confident,  and  they're  well  aware  of  their  worth.  there's  an  aura  of  strength  around  them  that  demands  respect.  traditional  in  how  they  approach  things,  they  prefer  to  take  charge,  protect  those  they  care  for,  and  provide  in  a  way  that  feels  secure  and  grounded.  but,  with  all  that  confidence,  there  might  be  a  bit  of  control  lurking  under  the  surface.  they’re  likely  feeling  unsatisfied  with  their  current  options,  a  bit  emotionally  restless,  maybe  even  bored  with  the  scene.  guarded,  too,  unsure  if  what’s  on  offer  will  meet  their  deeper  needs.  getting  them  to  open  up  may  take  time,  but  once  they  do,  their  true  feelings  will  come  out,  and  they’ll  be  all  in.

﹒ ﹢ ♡. PILE TWO ﹑ ﹒ this  person  is  a  rare  blend  of  generosity  and  stability.  when  they  love,  they  love  hard.  their  love  languages  are  likely  gift-giving  or  quality  time,  and  they  have  an  unmatched  ability  to  provide,  whether  it’s  emotionally  or  financially.  they're  the  real  deal,  no  games,  no  drama.  what  you  see  is  what  you  get.  if  you  need  support,  they’ll  be  right  there,  ready  to  show  up  for  you  in  every  way  possible.  but  there’s  a  past  here,  a  hurt  that  lingers—this  person  has  a  deep  well  of  love  to  offer,  but  they  want  to  be  met  with  the  same  energy  in  return.  they've  faced  rejection  and  abandonment,  which  has  made  them  cautious.  they’ll  give,  but  they  also  want  something  back.  it’s  all  about  balance  with  them.  they  might  be  the  “date  to  marry”  type,  always  thinking  ahead,  planning  for  the  future.  they’re  in  the  process  of  figuring  out  what  they  truly  want,  and  they  might  be  uncertain  if  you  align  with  their  long-term  vision.  they  could  be  hesitant  to  fully  invest  because  they’re  assessing  whether  the  future  you  two  could  share  is  truly  worth  it.  right  now,  they  may  be  dealing  with  some  emotional  or  financial  struggles,  and  loneliness  seems  to  weigh  on  them.  this  could  make  them  hesitant  to  open  up,  fearing  rejection  or  judgment.  accepting  help  might  be  tough  for  them,  but  beneath  it  all,  they’re  incredibly  caring  and  nurturing.  they  want  something  real,  long-lasting,  and  they’re  more  than  willing  to  put  in  the  work.  they’ll  take  care  of  you,  emotionally  and  practically,  and  give  you  the  stability  and  security  you  need.  this  is  someone  who’s  attuned  to  the  needs  of  others  and  willing  to  invest  everything  they  have  into  building  a  future  with  someone  special.

﹒ ﹢ ♡. PILE THREE ﹑ ﹒ this  person  is  as  honest  as  they  come,  with  a  deep-rooted  value  for  truth,  no  matter  how  hard  it  might  be  to  hear.  they  won’t  sugarcoat  things  and  expect  the  same  level  of  transparency  from  others.  deception  doesn’t  stand  a  chance  around  them.  they’re  too  sharp,  too  clever  to  fall  for  any  tricks.  it’s  hard  to  manipulate  them,  and  they  see  through  the  BS  with  ease.  they  might  come  off  as  independent,  even  cold  or  detached  at  times,  approaching  life  with  a  logical,  no-nonsense  mindset  rather  than  getting  caught  up  in  emotions.  but  there’s  another  side  to  them,  one  that’s  deeply  emotional,  balanced,  and  wise  beyond  their  years.  they  don’t  wear  their  heart  on  their  sleeve  at  first,  but  when  they  do  open  up,  it’s  with  depth  and  sincerity.  communication  is  key  for  them.  they  value  clear,  honest  conversations.  this  person’s  the  type  who  believes  in  hard  work  and  collaboration,  understanding  that  sometimes  you  need  the  right  person  by  your  side  to  make  things  work.  they’re  skilled,  dedicated,  and  probably  excel  at  what  they  do.  they  might  come  from  your  workplace  or  school,  but  not  necessarily.  what  matters  is  that  you  likely  share  the  same  values.  emotionally,  they  know  how  to  handle  their  own  feelings  and  have  a  natural  understanding  of  others'  emotions.  there’s  a  nurturing,  calm,  and  even  romantic  side  to  them  that’ll  shine  through  once  they  feel  comfortable.  they’re  thoughtful  and  patient,  never  rushing  into  anything,  but  when  they  do  invest,  they  do  it  with  intention  and  care.  their  love  is  sincere,  deep,  and  genuine.  there’s  something  about  this  connection  that  feels  meant  to  be,  with  a  powerful  chemistry  between  you  two.  it  will  go  beyond  surface-level  attraction.  it’s  the  kind  of  bond  that  brings  out  your  deepest,  most  vulnerable  selves.  you’ll  complement  each  other  in  a  way  that  feels  effortlessly  right.

﹒ ﹢ ♡. PILE FOUR ﹑ ﹒ the  person  coming  towards  you  is  nothing  short  of  intense.  they've  been  through  some  deep,  life-altering  experiences.  things  that  make  you  look  at  life  from  a  completely  different  angle.  they've  undergone  countless  transformations  and  changes,  shedding  the  old  layers  of  themselves  to  become  who  they  are  now,  unapologetically  raw  and  real.  their  emotions  run  deep  and  fierce,  and  with  that  comes  a  level  of  unpredictability  that  will  keep  you  on  your  toes.  they’re  a  hardworking  soul  who  believes  in  taking  their  time,  slowly  building  trust  with  the  patience  of  someone  who  knows  that  the  best  things  are  worth  waiting  for.  they’re  serious  about  commitment,  ready  to  put  in  the  effort  to  create  something  lasting  and  meaningful.  while  grand  gestures  aren’t  their  style,  they  show  their  care  through  consistent  actions,  building  a  foundation  brick  by  brick.  loyalty  is  one  of  their  strongest  traits,  and  their  romantic  side  is  heartfelt,  though  they  might  express  it  in  subtler  ways.  there’s  a  chance  they  have  an  artistic  flair,  channeling  their  emotions  through  creativity  and  self-expression.  they  love  deep  conversations,  but  also  the  simple,  intimate  exchanges  that  make  a  relationship  feel  warm  and  real.  there  may  be  some  inner  struggles  with  anger  or  frustration,  but  it's  part  of  their  complex  nature.  beneath  it  all,  they  are  stunningly  beautiful  and  radiate  an  independence  that  shows  they  are  fully  comfortable  in  their  own  skin.  they’re  self-assured,  and  don’t  need  a  relationship  to  complete  them.  they’re  content  on  their  own,  not  seeking  validation  from  others  but  standing  strong  in  who  they  are.

[time-traveling-fetus]

I know everybody is reblogging my Incredibles post cause we all hate insurance companies and Bob's boss is intentionally the most punchable man in the entire movie. But i do think it's interesting how the movie handles his actions. It doesn't discuss whether or not it was an ethical decision. The scene is emotionally structured to encourage viewers to be 100% on board with throwing Gilbert Huph (yes thats his boss's name) through four solid walls, but whether or not it was a good decision is simply not commented on. We were given enough reason to not be sympathetic to Gilbert and we can move on.

What is commented on is how problematic it is for Bob to do this. Not problematic as in immoral, but problematic as in it literally causes problems for him. It was a rash decision made out of anger. Immediately after we can see him realize what he's done. So now Bob doesn't have a job. He can't support his family. The government is giving Gilbert hush money so he doesnt oress charges, which is the last support the government will give Bob. Even though Rick Dicker offers to relocate Bob, he can't put his family through that again. He can't disappoint his wife again. Ultimately what he did was lash out of anger and get punished for it. He's a grown man, and a super at that! He can't just throw someone through a wall. It's a surprisingly grounded response in a children's superhero movie. It's a moment that says "We aren't in a world where the good guys can just punch the bad guys and call it day anymore. It's not like Bob's glory days." At the end of the day he has to drive home in his broken car and tell his wife how he ruined everything. Which really does a lot to illustrate how bleak Bob's disillusionment with life is. Bob doesn't want to live in the new world he's been thrust into, which is why his and other supers' righteous desperation was so easy for Syndrome to manipulate.

[reaper2187]

Kathryn hahn x female reader

The "Hot Ones" set was bustling with quiet excitement, a controlled chaos typical of pre-show preparation. Camera crew checked equipment, producers murmured among themselves, and a makeup artist made last-minute adjustments on Kathryn Hahn. Y/N sat across from her, observing the scene with a familiar calm. They had just finished working on a movie together, and now here they were, about to test their spice tolerance while answering questions that would dig deep into their lives and careers.

“Ready for this?” Kathryn asked, her wide grin flashing toward Y/N as she adjusted the lapel of her shirt.

Y/N smirked. “Born ready.” At 23, Y/N had already made a name for herself in horror, playing twisted killers that haunted the nightmares of many, but her recent turn as Knightmare in the Marvel universe was opening new doors. Her character, the daughter of the Seven Deadly Sins, was dark, complex, and thrilling to portray—just the kind of role Y/N loved.

Kathryn, on the other hand, was an actress with a range as wide as her laugh. The two had worked together on a thriller, a gritty, emotionally charged film, and the chemistry between them on screen had been palpable. Off-screen, that chemistry had turned into a solid friendship. And now, under the glow of studio lights, about to dive into an increasingly spicy array of wings, that camaraderie was about to be tested.

The host, Sean Evans, strolled in with his signature warm smile, taking a seat across from the two actresses. “You ready for this?” he asked, echoing Kathryn’s earlier question.

Kathryn gave a mock-terrified look, glancing at Y/N. “I thought I was until I remembered how much Y/N enjoys hot sauce.”

Y/N chuckled, her deep voice soft but edged with amusement. “I have a pretty high spice tolerance, so you’re in trouble, Hahn.”

Sean laughed. “We’ll see about that. Kathryn, Y/N, welcome to Hot Ones—the show with hot questions and even hotter wings. Let’s get started.”

The first wing was harmless, a simple kick of flavor without too much heat. They both handled it with ease, bantering back and forth about their experiences filming the movie. Sean jumped in with his first question for Y/N.

“Y/N, you’ve been known to dominate in the horror genre, playing some truly terrifying killers. What’s it like to play someone so evil, especially being so young?”

Y/N wiped her fingers with a napkin, thinking about her answer. “You know, it’s funny because I don’t think of them as evil when I’m playing them. I try to understand what makes them tick, why they do what they do. It’s more about understanding the character’s pain or trauma that leads them to those dark places. I’ve always been fascinated by the psychology of horror.” She glanced at Kathryn, who nodded in agreement. “And honestly, it’s pretty fun to play the bad guy. You get to let out all that chaos you’d never allow in real life.”

Sean nodded, intrigued. “And how does that translate into playing Knightmare in Marvel? She’s still dark, but she’s got that anti-hero edge.”

“Oh, definitely,” Y/N replied, leaning back in her chair. “Knightmare is all about redemption, but she’s also struggling with her nature. She’s the daughter of the Seven Deadly Sins, so she’s constantly fighting against her darker impulses. There’s something relatable about that—fighting your inner demons, you know?”

Kathryn cut in, laughing. “It’s wild because Y/N, in real life, is the least threatening person ever. You wouldn’t guess she plays these intense, terrifying characters by the way she’s so laid-back.”

Y/N gave her a playful nudge. “What can I say? I’m full of surprises.”

They moved on to the next wing, which had a noticeable increase in heat. Kathryn started to feel the burn, her eyes widening slightly, while Y/N stayed cool, eating the wing like it was nothing.

“Okay, Kathryn, this one’s for you,” Sean said, holding back a laugh at her reaction to the spice. “You’ve had such a versatile career, from comedy to drama, and now this thriller with Y/N. What’s it been like switching between genres?”

Kathryn blew out a breath, fanning her face. “Whew, that’s hot. Uh, yeah, it’s been a wild ride. I love that I get to explore so many different kinds of roles. Comedy will always be my first love, but I also love getting into the grittier stuff, like our movie. There’s something so cathartic about diving into those deeper emotions.”

She turned to Y/N, her eyes bright. “Working with Y/N was a dream. She’s got this quiet intensity on set, and it just pulls you in. You can’t help but feed off of it.”

Y/N chuckled, shaking her head. “You make me sound like some brooding method actor.”

Kathryn raised an eyebrow. “Aren’t you?”

Y/N grinned. “Maybe a little.”

The third wing brought the heat up a notch, and while Kathryn squirmed in her seat, Y/N remained as calm as ever. The difference between their reactions was obvious, and it made the dynamic all the more entertaining for Sean and the audience.

“You’re not even breaking a sweat, Y/N,” Sean said, half amazed. “What’s your secret?”

Y/N shrugged casually. “I just like spicy food. Grew up eating it. Plus, after playing a serial killer in all these horror movies, I guess my pain threshold’s pretty high.”

Kathryn laughed through the heat building in her mouth. “You say that so casually, like, ‘Oh, just another day at the office, murdering people and eating fire.’”

Y/N gave her a sly smile. “Pretty much.”

The fourth wing hit hard, a noticeable jump in spice, and Kathryn visibly winced, reaching for her water. Y/N, however, still appeared unfazed, though she did take a sip of her water just to stay hydrated.

“You’ve worked on some pretty intense scenes together in your latest movie,” Sean said, wiping his own brow. “Was there a moment during filming where the tension on set was almost too real?”

Kathryn let out a deep breath, eyes still wide from the spice. “Oh, man, there was this one scene where Y/N’s character is supposed to be chasing mine down this dark alley. It was late at night, cold, and Y/N is just in full killer mode. She’s got this look in her eyes, and even though I know it’s all acting, for a split second, I thought, ‘Oh my God, I’m going to die.’”

Y/N laughed softly. “I do remember that. You gave me this look after we cut, like, ‘Please don’t ever look at me like that again.’”

Kathryn nodded emphatically. “Exactly! You scared the hell out of me, but it made the scene so much better. That’s what I love about working with you. You’re so committed, and you push everyone around you to be better.”

Y/N glanced down, almost shy for a moment, her masculine energy softening under Kathryn’s praise. “I just want to make sure we all bring our best, you know?”

They reached the fifth wing, and by now, Kathryn was struggling. Her face was flushed, and she took frequent sips of milk between bites, while Y/N continued to soldier on, a subtle sheen of sweat on her brow the only sign that the heat was affecting her at all.

Sean jumped in with another question, this time focusing on their personal dynamics. “You two clearly have great chemistry, both on screen and off. Was there a moment when you realized you clicked as friends?”

Kathryn looked at Y/N, a smile curving her lips despite the heat. “I think it was during one of our rehearsal breaks. We were both exhausted, and Y/N just pulls out this deck of cards and starts doing magic tricks. I lost it. I didn’t expect that from her at all.”

Y/N chuckled. “Yeah, I was just trying to lighten the mood. Rehearsals can get intense, and I figured a little distraction wouldn’t hurt.”

Sean raised an eyebrow. “Magic tricks? Really?”

Y/N nodded. “It’s just a hobby, something I picked up when I was younger. Helps with the hand-eye coordination too, which is useful when you’re playing someone who’s good with knives.”

Kathryn shook her head, laughing. “See what I mean? Full of surprises.”

The sixth wing, known as "Da Bomb," was infamous for its brutal heat. Kathryn braced herself, biting into it hesitantly, and immediately regretted it. Her face contorted in agony as she reached for her milk, gasping slightly.

“Oh my God,” she muttered, her voice barely above a whisper. “This is insane.”

Y/N took a bite, her expression neutral for a moment before she nodded slowly. “Okay, yeah, this one’s got some kick.”

Sean, looking slightly devilish, leaned in. “Y/N, you’ve got a high spice tolerance, but even you seem to be feeling this one. Has anything ever rattled you on set the way this wing is?”

Y/N considered the question, her voice steady despite the heat. “Honestly, the only time I get rattled is when the stakes are high for the scene, like an emotional climax. I can handle gore and action all day, but the scenes where you have to really tap into something vulnerable—that’s the

stuff that gets me.”

Kathryn, tears in her eyes from the heat, managed to nod. “Yeah, those are the hardest. You get so wrapped up in it, it’s like you’re baring a part of yourself.”

Y/N reached over, patting Kathryn on the shoulder. “You’re doing great, Hahn. Almost there.”

They finally reached the last wing, the infamous "Last Dab." Kathryn looked at it with dread, while Y/N calmly added an extra dab of sauce to hers, a cocky smile playing on her lips.

“You’re insane,” Kathryn muttered, though her voice held admiration.

Y/N winked. “Gotta go out with a bang, right?”

They both took their bites, and Kathryn immediately regretted it, her face turning red as she reached for more water and milk, anything to dull the fire. Y/N winced slightly, but powered through, still in control.

Sean laughed, amazed. “Y/N, you’ve officially survived the hot seat! Kathryn, you too—barely.”

Kathryn, still recovering, gave a shaky thumbs-up. “I don’t know how I’m still alive, but I made it!”

As the interview wrapped, Y/N leaned back in her chair, her calm demeanor intact, while Kathryn fanned herself, still feeling the burn. Despite the spice, the bond between them was undeniable, strengthened by their shared experience on set and in life. And as they exited the stage, laughing and teasing each other, it was clear that their friendship—like their careers—was built to last.

This is the second one as a little sorry for not posting

[fizzie-frog]

You know, the Stolitz scene was a trainwreck as a whole (they usually are), but what honestly got me most was the way Blitz started pleading when he thought his livelihood was going to be taken away.

THIS IS NOT A STOLAS SLANDER POST. I'm coming from a place where I've seen Blitz being mostly, if not entirely blamed for their lack of communication most of the time.

Moving on...

People keep going like "Well if imps are so low in the hierarchy..." - Let's take a break to think. Blitz isn't rich, he's just getting by really. And how is he getting by?

By prostituting himself. To the upper class.

That's what it is, he's a certified whxre. Things may have evolved in the meantime, but that's how it started. Blitz got asked for the deal while being chased by a crazy lady and him, wanting to keep his business and livelihood, said yes, obviously.

Now Stolas was suddenly taking the book back with no apparent explanation (until they got to the crystal), so of course Blitz thought he was doomed. On a side note, why couldn't Stolas say "You won't need the book, I have an alternative" instead of the ominous "I'll need the book back, permanently. I have made up my mind." I would be scared out of my mind.

He teared up immediately and started pleading, you could already see what was going through his head. He won't have the means to support his business anymore, to pay his employees, to afford a home, he'll be homeless and have no means to take care of Loona. Everyone will leave him again and he will starve on the streets all alone.

He'd do anything to be able to live a life a bit better than miserable, of course he would.

And this brings me to Stolas's treatment of Blitz. I see that everything tends to fall on Blitz, and I'm not saying he has no fault (in fact I didn't even like him at the beginning of the series too much), but Stolas treated him like a peasant. Just the episode before Ozzie's he's called him his "impish little plaything" and asked for a reward for the rescue. He put out cigarettes on his horns, he ignored his "stop" most times, he addressed him in this little baby voice with babying diminutives. "Itty bitty" imp.

And I am sure Stolas is socially clueless. He was brought up alone and sheltered, taught to be a prince first and foremost.

Stolas probably saw this as playful banter, as something that is inoffensive, silly. It was only in the Ozzie's episode that he finally saw that actually, his silly play served to make Blitz feel smaller.

And of course in this scenario, Blitz would see this coming out of the nether. He reacted quite badly, but why would this prince be actually in love with him? As he said, he needed to have a minute (or several) to think about everything. They needed to talk this out, and Blitz was about to apologize when Stolas cast him out.

They were both emotionally charged. They fucked up. But I can see Blitz's side. And the power imbalance is so evident, that hierarchy that everyone keeps saying is irrelevant - in a moment's notice, he could have his life swept from underneath him. Just like he thought it happened in that split moment; it worried him so much that he cried and pleaded (and that's not in Blitz's character to do).

And then he was so scared of not being enough too, ugh, his little "I can always do better!". He's so used to everyone just seeing him as a lost cause, better to be discarded. With this amalgamation of things, no wonder he can't believe Stolas would have feelings for him.

So uh, I don't know what the conclusion to this is. Normalize getting imps some actual comfort? So far the only really privileged imp in Helluva Boss is Fizz after getting rid of Mammon. And when I say priviledged, I'm referring to wealth and upper class, not taking into account personal issues such as disability and so forth.

Anyway, this was my two cents on Stolitz. I honestly haven't thought too much on them, I'm riding on the Fizzarolli high. I'm chill over here in my Fizzmodeus bubble, but doesn't mean I have no thoughts on Stolitz.

[thigholstercas]

So I wanted to have all these parts of scripts that I love with destiel moments that were erased, changed, or added context in one place. Bare in mind that there are some that are Production Drafts and others Writer's Drafts, and so on.

4x02 - Are you there, God? It's me, Dean Winchester

Oh honey, he's gonna be your husband

Honestly, I'm just putting this here because I love this scene.

5x04 - The End

Cas received the order to follow Dean's commands once, and he sticked to it up 'til the end of everything.

7x17 - Born again identity

Just remember, this was after everything that happened in season 6 and widow!dean arc 1.0

Forward to Cas' speech in 15x18, yes the parallels.

Swear this is a whole Dean thesis. If we go back to what started this whole thing in tmwwbk. Dean tells Cas, we can fix this. And he never stopped wanting to fix it.

8x17 - Goodby Stranger

Like, I know they established that it didn't make sense for Dean to say I love you here, which fair, and we ended up which I need you (somehow worse).

But if we look at this as a whole, what Dean might understand is that saying I love you makes people leave him. Fastforward to the part when Dean takes the sigils so Cas can find him and Naomi visits and tells him that Cas doesn't return his feelings. Fastforward again to the You didn't trust me because even if we get to know that it was hard for Cas to leave with the tablet, away from Dean, Dean doesn't. For Dean, he left him, without even acknowledging that he loves/needs him, ignored him, and didn't trust him. Imagine you say I love you and you are left feeling abandoned, betrayed, and angry.

8x19 - Taxi Driver

This in the middle of I love you, and You didn't trust me is something

8x22 - Clip show

The one guy that's always had your back.

9x22 - Stairway to Heaven

Don't know what they smoked to write this, but I want some

10x23 - Brother's Keeper

You'll see the word shattered used a lot. This very much both destiel and drowley imo.

Season 12 is weirdly filled with these, so here are special mentions (because the max of pictures is 30 and there are too many moments). Most likely, it has to do with the market research by the end of 2016, which is why from 12-15, these scenes are more emotionally charged.

Mary saying Good friend when Dean and Cas hug in 12x01

Cas told Mary I promised (Dean) when they were talking outside the barn before going in to help Dean save Sam in 12x02

Dean telling Mary Get him outta here! when Cas was wounded in 12x12. And of course, when Cas says the things they have shared changed him (but that's on screen)

Cas texts? from 12x16

Dean is a worried husband on 12x18.

Dean explaining that no matter how much Cas messed up, did the wrong thing, or every dumb move he got it in 12x20. Cas was always Cas.

12x10 - Lily Sunder has some regrets

Dean telling Cas he has changed, and it has all been for the good. Again, forward to 15x18.

12x19 - The Future

This whole episode is charged with scenes from Dean and Cas. Like you have the angry Welcome home from Dean when Cas returns from Heaven. Dean calls Cas a super strong dude in a trenchcoat. The mixtape scene with the That was a gift. To keep. And Dean softening a bit even if he's angry because he's more worried.

But I think the biggest one is this one. The destiel sex scene (jk)

And after this, even though it is said in the show. There is more insistence from Dean to not let go of Cas -> We're not gonna let you just walk away. Not again. Not happening.

12x23 - All Along the Watchtower

The word shattered is mentioned a lot in the scripts. This is every part that describes Dean's reactions after losing Cas. Forward to 15x18.

13x06 - Tombstone

This is one of the best things that never happened in the show. You have Dean choking down his emotions saying he's much better now and Cas who fought with the empty with everything he had in 13x04 to return to Dean, coming to a meadow near a windmill because Dean thought he'd like it.

13x14 - Good Intentions

Forget about the in love part. They are best friends, and we didn´t get this.

13x20 - Unfinished Business

He lost Cas and it damn near broke him. Not we lost Cas, I.

14x12 - Prophet and Loss

Losing Dean was unacceptable. Cas said that losing Dean was unacceptable. And Dean got emotional. And then forward to 15x18, Cas just goes no, Dean can't die because that'd be unacceptable to me, so i'll sacrifice. And then, Dean gets emotional. Again. But for Dean, the unacceptable happened.

15x09 - The Trap

Forward to 15x20. In this future that Chuck showed Sam that he lost Dean the second Cas was gone.

Have I said how much they used the word shattered. Anyway, Dean wanted Cas to stay. That's his best friend.

He's amazing.

15x18 - Despair

This is not that different from what it was filmed, it is just that seeing it described makes it different. Especially when you get things as Still beautiful, still Dean Winchester, Dean is emotional, stunned, shocked. And have I said how much they used the word shattered. Also, you can see how it starts as a confession because Cas is confessing that he made a deal, but then it ends as a declaration, a declaration of love. Which makes testament such a good word for it.

15x19 - Inherit the Earth

The fact that Dean couldn't say Cas was gone

He's not the ultimate killer. He's not daddy's blunt instrument. He's someone who raised his little brother for love, who fought for the world for love and the most caring man on Earth

15x20 - Carry On

We don't talk about this episode because the script has way too many [omitted] but this is exactly what happened in 15x09 when Chuck showed their future to Sam if they followed the road they were taking.

Okay, that was it. Probably missed some, but for me, these are the parts that stand out.

[wen-kexing-apologist]

Random QL Superlatives: 2024 Edition

Well I see @lurkingshan started the trend, so I better hop on

Most Heartbreaking Use of Weather: Let Free the Curse of Taekwondo

gif by @my-rose-tinted-glasses

I am going to be honest. Korea really fucking came for my throat with multiple shows that wielded weather as a weapon against my emotional state. But Hwang Da Seul absolutely wins the award for destruction of my very soul via snow. I swear to god every time it snowed in this fucking show I was losing my mind over the scene that played out before me. First it was doorways that crushed me (shout out to To My Star 2), and now it’s three snowflakes on Do Hoe’s cheek. 

Most Emotionally Charged Inanimate Object: Ossan no Pantsu ga Nandatte Ii Janai ka (aka No One Cares for an Old Man’s Underwear)

gif by @avorbl

Not a BL but one of the most important stories involving queerness of the year imo. When Makoto went back to that store to buy that wallet for Kakeru I kid you not I spontaneously erupted into tears. This was not the first nor the last time that this show made me bawl like a hungry newborn, but it for sure was one of the best indicators that Makoto was not only beginning to accept, but internalize and reshape his worldview to be more loving and accepting of difference. 

Most Realistic Fight Between a Lawyer and Henchmen: Doku Koi: Doku Mo Sugireba Koi to Naru (aka Love is Like a Poison)

gif by @conscbgb

Step aside Matthew Murdock! There’s a new lawyer in town and he absolutely cannot fight for shit! Honestly an iconic moment in this show to see Shiba Ryo take an offensive stance and then immediately get his ass beat in to the ground because he’s a fucking lawyer, not a goddamn superhero. Also it gives Haruta a wonderful little opportunity to show off his skills and to save his loser boyfriend who loves him. 

Most Important Hand Flex Since Pride and Prejudice (2005): The Trainee 

gif by @namtanlovesfilm

HELLO! I THINK WE MOVED PAST JANE’S DESK GRAB A LITTLE TOO QUICKLY! Seriously, not only was it a great hand scene in general (which you know I live for) but it was also a quick and easy way to demonstrate 1) Jane has feelings for Ryan and is trying to hold back and 2) Jane understands the inherent power imbalance between him as an AD and Ryan’s boss and Ryan as an intern. Zero points for Judy.  

Best Creepy Smile: Dead Friend Forever

gif by @lilitblaukatz

HI HELLO I’M ALREADY YELLING AGAIN! BARCODE! BARCODE TINNASIT! As disappointed as I was with the way DFF ended, I was blown out of the fucking water by Barcode’s performance as Non. From KinnPorsche to here that boy has grown astronomically as both an actor and singer, and I’m really proud of him. He had to navigate a lot of different emotional centers with some incredibly terrible things happening to his character. He was able to make Non extremely sympathetic and also creepy as hell! Be On Cloud lost out big time with Barcode leaving the company. 

Best Use of a Dildo: Knock Knock Boys

gif by @pharawee

Honestly for all the BLs that include sex, we rarely get the acknowledgement that sex toys exist, much less the actual usage of said sex toys. I loved that Almond visited a sex shop, purchased a dildo, and that we got to watch a scene of him attempting to use it. This show was honestly the biggest surprise of the year for me in terms of enjoyment. I wasn’t even really interested in this show but love Seng and wanted to support his work and then this was absolutely delightful and honestly Almond and Latte stole the show for me. Good job boys!

Best Distinction Between Reality and Fiction: BL Drama no Shuen ni Narimashta: Crank Up Hen! (aka I Became the Main Role of a BL Drama)

gif by @itagakimizuki

Full offense to a particular corner of fan culture, the way that the boundaries between real life and fiction have been known to blend when it comes to emotional bonds between fans and famous people can be very toxic and genuinely dangerous to the health and safety of everyone involved. It is difficult for me to think of a show that made me laugh as hard, as loudly, or as often as I Became the Main Role of a BL Drama did, and yet it included one of the most innocuous but brilliant lines of the year when Akafuji realized that his feelings for Aoyanagi were Real and that he could not have those feelings and continue to think of himself as Aoyanagi’s fan. Iconic. 

Best Use of Subtle Foreshadowing: Love for Love’s Sake 

gif by @my-rose-tinted-glasses

Shout out to the sound of water, shout out to some of the opening visuals, shout out to red rimmed eyes, and video game malfunctions that increased as time went on, and shout out to Tae Myung Ha being absolutely drenched after running through the school. Not only were the performances commendable throughout but the story itself was phenomenally supported by hair and makeup, sound, and special effects. I beg you all never to forget the importance of those that work behind the scenes, because goddamn did so much of this show suddenly get darker with context.  

Best Backing Track to Hear Over My Tears: Tsukuritai Onna to Tabetai Onna (aka She Loves to Cook and She Loves to Eat)

Kasuga sitting alone in the darkness of her own car, calling her father and officially, permanently severing ties with her father because she has found her strength thanks to the people she currently has in her life was such a highlight of this year. And of course they really drive the stake through my heart by lifting that entire scene up by having Kasuga walk out of the lonely dark and into warm companionship with fucking ‘Chosen Family’ by Rina Sawayama and Elton John playing in the background. WHAT A PERFECT SONG CHOICE! I am about to cry just thinking about it. Also, I definitely totally did not pause in the middle of typing up this post just to rewatch that scene…I don’t know what you’re talking about….

Best Use of Catholicism: Marahuyo Project 

God. This show struck an incredible number of layers when it gave us Archie. The way his grief and his fear and his internalized homophobia caused him to say and do some truly vile, harmful shit to the queer kids on the island was so heartbreaking and real. I have not really gotten the image of Archie’s neck where he’s been scratching at the rosary out of my fucking head since I watched it. This show was beautiful, and brilliant, and full of light and life, and pain, and it included an intersex character which is only the second of the 180+ shows I’ve watched out of Thailand, Japan, Korea, Taiwan, and the Phillipines to have done so. 

Best Use of Internal Screaming: Cherry Magic Thailand

gif by @zhouxiangs

(AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH)

Best 'Mark Me Down as Scared and Horny' Face: Unknown

Wei Qian was not prepared for the fact that sending Zhi Yuan to the United States only made Zhi Yuan stronger. I want to acknowledge that this show had a chokehold on me almost all the way through the end for being rather heavy, but that I was especially impressed with Modi's performance as Wei Qian. And it must be said that the look of panic in his eyes when Zhi Yuan feeds him the congee is comedy gold.

Gayest Little Run: Love in the Big City

(could not find any gifs of Go Yeong running in the park so please enjoy this lovely gif by @taeminie )

Again this is not a BL but the way my tumblr community has engaged with this book and this show is one of my favorite parts of the entire year and this is still a really important piece of queer media. I really hope Nam Yoon Su wins all the fucking awards for his performance as Go Yeong. He breathed so much life and texture into that character and it was a joy to watch him take this wonderfully difficult and complicated character on such a beautiful emotional journey. Also he fully committed to the gay little run and that alone is award worthy. 

__ Shout out to all the thoughtful, intentional, and beautiful queer shows that got made this year. Please tag me in other superlatives if they get made, I want to see what people loved or connected to in the show offerings this year. Love you, family <3

@bengiyo asked to be tagged in superlatives.

[cosmichymns]

Not beta read. All spelling errors are mine. On AO3.

When Two Halves Split

You and Emily walked into your shared high rise DuPont Circle apartment after landing back in Quantico about 50 minutes ago with used go-bags that got dropped unceremoniously by the front door. You were tired, sore, embarrassed, and still felt dirty. You could sense Emily was tense, with worry still etched in every line of her face.

You hadn’t meant to be so careless but over the past year, since Emily had become Unit Section Chief, it had been sinisterly creeping up on you. It started with little things like volunteering for more physical roles along the likes of Morgan and Alvez. Your strength had never been an issue. Then it graduated to losing your cool with the local police force much easier than your normally calm and collected temperament usually allowed. Within the past six months it had escalated to charging into potentially dangerous buildings without waiting for backup or clearing scenes. It had gotten to the point that even Rossi, your more physically and emotionally reckless boss, had to pull you aside a few times.

“Can I run you a shower, love?” The low timbre of Emily’s voice rolled through your body, causing you to snap out of your reverie.

Without looking to her, you shook your head while making your way to the kitchen for a glass of wine. You poured two glasses but leaned against the counter, facing Emily, taking a few sips before walking to your wife and handing her the other glass. She accepted it, took a small sip, and continued to study you.

“Thank you,” she murmured, holding the glass with two hands and allowing her fingers to tap along the side. “Just let me help you wash your hair. There’s still a but of dirt in your hair.” You let her run a cool hand through your loose auburn curls, proving her point as a small clump fell to your shoulder.

Dirt. The dirt was everywhere but that’s what happens when an unsub attempts to bury you alive and then when you struggle, shoots the disturbed earth, grazing the side of your deltoid. It still stung. Thankfully it only needed a few stitches. Just another scar for the book, you had thought as Alvez’s hands dug you out of the earth. JJ had called Emily right away, as she always did when you inevitably made a shit choice, and your wife arrived halfway across the country in record time.

You sighed, giving in and knowing she was right with a small forced smile. “Yeah, I’d like that.”

Emily let her hand carefully run from your hair, over your good shoulder, down your arms until she found your hand, and fingers interlaced. She led you across the stylish yet homey apartment to the en-suite master bathroom. She sipped her wine as she turned on the tap and her fingers tested the temperature. You stood there awkwardly, watching her as she bent over to test it again.

“Do you need help, hmm?” Emily asked, setting down her now empty glass and turning to you. She made no move until you answered.

“Please?” You answered, suddenly feeling overwhelmingly needy and small.

Emily hummed quietly in response as she took your glass and started to delicately unbuttoned your shirt. You looked down, watching her recently picked at fingers remove layer by filthy layer. You instantly felt a pang of guilt at the sight of her pale, long digits. They looked fresh and not filled scabbed over and knew you were the cause. You sighed again and closed your eyes to avoid seeing the damage you caused.

Before you knew it, you were both under the spray of hot water. The bathroom lights were dimmed, a few candles lit along the windowsill, and Emily had secured a waterproof bandage over your stitched up muscle. Her hands were dotingly massaging your scalp with your favorite peony scented shampoo. Your hands clung tightly to her shapely waist, letting her care for you.

You had missed her physical presence of this last case, as well as the past four others. You missed sharing a hotel room for as many hours as the team could spare before getting up to do it all over again. JJ had offered to share a room while you but you had declined politely each time.

“Y/n?” Emily questioned softly, the inflection sounding like it wasn’t the first time she had quietly called your name. “Sweet girl?” Her fingers so gently lifted your chin up so your eyes met.

“Yes? I’m sorry… I was just…” you let your explanation trail off. She already knew.

“Sit for me?” Her fingers were carding through your clean, wet hair, coaxing you into the present.

“I think I’m done.”

“Y/n, please humor me.”

“Emily, I just want to…”

“Sit.”

The assertive tone in her voice sent a shiver down your spine, your body knowing what it meant. You looked up at her, immediately searching her face for any type of annoyance, and finding none. Knowing it was a 50/50 shot, your subconscious chose defiance as you set your jaw. She raised a greying eyebrow, a silent warning. You knew she always made good on punishments regarding your bratty behavior.

You stifled a huff, never broke eye contact, and slowly took your time sitting down in the tub, which you didn’t realize was now half full of steaming water. You had no idea why you were challenging her over the most minuscule things, especially when she was only trying to help. Trying your wife at this juncture was in no way an intelligent choice. Saying nothing, Emily held your gaze for a few moments more than necessary while standing tall above you then sat behind you, pulling you to her bare chest.

Over the course of ten minutes you sink into her embrace, melting your body into hers, as she gently kisses under your ear and partially down your neck. The kisses aren’t insistent or pushy. They’re soothing and full of affection. Unexpectedly, your eyes start to burn and fill with scorching tears of embarrassment and confusion. She shushes you tenderly as you turn your head to the side, visualizing her out of one blurry eye. She brings a hand up and rests it above a breast, anchoring your body to hers. She kisses along your cheekbone up to the corner of your eye as angry tears finally give way.

“Oh, my sweet love,” Emily murmurs with a quiet devotion.

Emily doesn’t attempt to dispel your tears. She doesn’t downplay or ignore them. She also doesn’t try to rationalize them. You lean your face into the crook of her warm neck as you close your eyes, trying to assuage your emotions. Emily gently runs her free hand over your good arm patiently.

“I don’t know why.” You say softly once your breathing has evened out.

“Why what, love?”

“Why I’m so… so reckless. So stupid. It’s just gotten worse and… thoughtless. Impetuous. That’s not who I am but…” You shake your head roughly, pulling yourself from the mold your body has made against her. She lets you.

“Hmmm…” Emily just hums, leaning her head against the edge of the deep clawfoot tub but keeping eye contact with you.

“I don’t want anything dangerous to happen to me but it almost always does because I’m so… untethered.”

“And why is that, do you think?”

You turn in the tub to face Emily, your legs finding their way around her hips and behind her back. She pulls you into her lap, hands on your waist. The dim flickers of the candle throw dancing shadows across her face. You try not to look to closely at her ever deepening worry lines, some which you know for a fact you have caused. You run a thumb tenderly back and forth along the fine crows feet lines that extend from the corner of her eyes like a burst of sunlight. She smiles, dimples popping, at your loving gesture.

“It hasn’t been the same for a while.”

“Since I’ve become Section Chief?” she ventures.

You think on it for a moment. “Actually, yes.” You looked at her questioningly but she doesn’t elaborate, just studies you carefully. “I know you’re only a phone call away and in most cases you and Garcia are a reliable, steady stream through our ear pieces but…” You pause. “It’s not the same.”

Emily nods encouragingly, her brows furrowing slightly as your thumb slows to a stop. She thinks she knows where you’re going with this because it’s something that she’s keenly aware of on her end.

“I miss your presence,” you continue. “Your physical presence. We used to be paired together so often when you were a field agent… but this is by no means your fault.” You added the last part quickly. “I just feel a bit…”

“Unstable.” Emily finishes the sentence knowingly, chewing on the inside of her cheek and letting her dark eyes drift to the ceiling.

“Mmhmm”, you hum in acquiescence. “I don’t want you to feel bad or guilty or like you caused this because in no means-“ You cup your hands around both cheeks, gently tilting her head down to meet your eyes. “-your fault in the least. I need you to understand that. I feel so silly for acting out subconsciously like a petulant teenager whose frontal lobe isn’t fully formed. At least they have an excuse.”

Emily is silent for a moment, as if she’s not sure she should say what she’s thinking. You don’t push but instead run you thumbs delicately over her high and sharp bone structure. Without realizing it, your eyes have dropped to her lips while you lick yours in anticipation of her voice. She notices right off the bat and smiles sweetly, leaning forward and placing a chaste kiss on your lips as you sigh.

“I’ve asked JJ to watch over you more but that doesn’t appeared to have helped much,” Emily finally says.

“And I’ve asked Garcia about you…”

At this you both share a quiet laugh. Everything about this woman is addicting. Her lips, her eyes, her laugh…

“I can’t have you hurting yourself because you miss me though, Y/n. It’s not fair to either of us or the team. Can you honestly say you can get this under control?”

You sigh again, sliding down her body just a touch so you’re able to rest your head on her chest, right under her chin. She extends her neck back a bit, giving you more room to get comfortable. You run your pruned fingers down her strong, lightly muscled arm, worrying your bottom lip with your teeth.

“It’s never on purpose. Like I don’t plan to go into the field and fuck around and find out with an unsub. It’s hard to control my environment and without a doubt count on the rest of the team like I did with you. I never thought I would become this needy, clingy partner. I had always despised and even looked down on it… but feeling your warm skin on mine, your strong heartbeat in my ear…” You take a shaky breath, your eyes starting to burn again. Nothing you’re saying feels like it’s making the least bit of sense. “It is the epitome of everything. You’re everything. I was spoiled to work with you as much as I did and I need to realize it can’t always be like that. I have to-“ You scrunch up your nose. “-share you.”

You feel Emily stifle a small giggle underneath you and rub her own pruned fingers along your spine and over your hips. She was waiting for an answer.

“I’ll… I’ll talk to Employee Health, I suppose but I feel like I would be able to work through it on my own.”

The second the sentence slipped from your mouth your light eyes met her dark ones, assessing and reassessing. “We can try whatever you want to, my love. I’ve been considering making my presence more known in the field as well. I didn’t realize how much I would miss it. And miss you too.”

The two of you relaxed in the expensive bath for a few more minutes before drying off, redressing with Emily checking your injury, and wandered into the bedroom. Once the both of you were settled and cuddling in bed, your head once again on Emily’s chest and your injured shoulder facing the ceiling, your eyes drift slowly closed.

“We still have yet to talk about that little defiant stunt in the bathroom…” Emily’s low voice broke the comfortable silence with a tinge of playfulness.

‘Oh no…’, you thought

[rwrbmovie]

BTS of #RWRBMovie: Storming Kensington

From HELLO:

For Matthew, this scene was an important one, but one that he felt needed a different energy than what is on the page. "It is very similar and it's also simultaneously very different to the book which I think is just one way of describing this entire movie," he says. "Casey said to me after watching it for the second or third time, 'It's like there's my book, and then there's your movie and the two are very, very similar and also very different,' which is good because if the movie was so faithful to the book, it, I don't even think it would please the fans of the book.  "I know that's probably a controversial thing to say but it wouldn't have served the story very well." He continues: "I needed to observe the logic of a film and trust that I had internalized the emotional truths of the book and the Storming of Kensington in the book is a lot more chaotic and Alex is highly charged.  "When we were in rehearsals, and Taylor and Nick and I began to really delve into that scene, we realized quickly that if Alex came on that strong then Henry, given where he is mentally, would simply say, 'well, get out,' and kick Alex out. So we knew implicitly that we needed to do a different version of that scene, one in which Alex isn't at all certain of success.  "In the book, Alex is willing to burn down the castle in order to get what he wants, and although the scene actually uses a lot of dialogue from the book, our Alex in the film knows that if this doesn't work, their relationship is over. So he's a little more careful with Henry, more fearful, and Henry is more heartbroken, and those decisions really determined everything else that followed in the scene." 

From Glamour:

Galitzine, meanwhile, says his most rewarding time on set came during the film's emotional climax, when Alex and Henry must decide if—and how—they're going to move forward in their relationship. “It's the emotional height of the movie in a lot of ways, and sometimes as an actor, you can very much get in your head about that,” he says. “But Taylor really was just so emotionally present that it helped me. We got to a vulnerable, beautiful space. Those kinds of moments are where you drift into a level of truth and sincerity that feels very real. That's what we're always aiming for.”

From I’ve Never Said this Before With Tommy DiDario:

ML: We had to break for lunch, and we haven't finished the scene and I was really, really worried that we were gonna come back from lunch and I would've lost them and never re-captured what was happening on set before lunch. And it was the pivotal part of the scene, the end where Alex makes an ultimatum to Henry. We got back on set and we started filming again and instantly in the first take, after lunch, Taylor started crying and Nick was facing away from him and he heard Taylor, and Nick started crying. The back half of that scene is so beautiful because they're doing such great work and I really had a difficult time cutting it because there was such beautiful, nuanced work from both of them. What's so remarkable about it is they had just had lunch, and they came right back into it and they were more dialled in, more in touch with each other than before. It was pretty remarkable. I have to say that was the moment I knew that whatever happened with this movie, those two actors would be fine in their careers.

[morbidology]

Born on August 25, 1965, in Louisville, Kentucky, Mia Zapata grew up in a family that nurtured her artistic inclinations. From a young age, she displayed a deep passion for music, influenced by artists such as Billie Holiday and Bessie Smith. Zapata learned to play the guitar and piano and by her teenage years, she was already honing her vocal talents.

In 1984, Zapata moved to Ohio to attend Antioch College, where she studied liberal arts. It was here that she co-founded the punk band The Gits in 1986. The band, which was known for its raw energy and Zapata's soulful, powerful voice, quickly gained a following.

In 1989, Zapata and her bandmates relocated to Seattle, a city that was emerging as a hotbed for alternative music, soon to be internationally recognised as the birthplace of grunge. The Gits became a fixture in the Seattle music scene, earning respect for their intense live performances and Zapata's emotionally charged lyrics.

Seattle, during this time, was teeming with creativity, with bands like Nirvana, Soundgarden, and Pearl Jam redefining the sound of rock music. The Gits, though not as commercially successful, were deeply respected by their peers and had a dedicated following.

On the night of July 7, 1993, Mia Zapata left the Comet Tavern, a popular hangout in Seattle’s Capitol Hill neighborhood, after spending the evening with friends. She never made it home. Her body was discovered early the next morning in the Central District of Seattle. She had been brutally beaten, sexually assaulted, and strangled to death.

The news of Zapata’s murder sent shockwaves through the Seattle community and beyond. In the wake of her death, local musicians and community members came together to form Home Alive, a nonprofit organization dedicated to providing self-defense classes and raising awareness about violence against women.

For nearly a decade, Mia Zapata’s murder remained unsolved. The Seattle Police Department, despite extensive investigations, was unable to identify a suspect.

But then in 2001, a routine search through the FBI’s Combined DNA Index System yielded a match between DNA found on Zapata’s body and that of Jesus Mezquia, a Florida fisherman with a criminal record. Mezquia was arrested in 2002 and extradited to Seattle to stand trial for Zapata’s murder.

In 2004, Jesus Mezquia was convicted of first-degree murder and sentenced to 36 years in prison.

[donttxtathebeach]

HOLLYWOOD

Drew Starkey x Actress!reader

smau & Real Life

This series is a mix of angst, fluff, and feels, with a healthy dose of swoon-worthy moments that will have you rooting for Y/N and Drew 

Disclaimer: For how I wrote it, Jonathan Nolan is divorced; it will make sense. I promise I have a vision. 

BEHIND THE SCENES:

Y/N Nolan, 25-year-old actress and daughter of Jonathan NolanBritish-American screenwriter and film producer; she spent the last seven years dominating the horror genre, earning her the title of Hollywood’s “queen of horror.” But for the first time in her career, she steps outside her comfort zone to take on the role of Ani in Anora, a raw, emotionally charged drama that forces her to confront parts of herself she’s long buried. The role is transformative—but also terrifying. Drew Starkey, the 31-year-old actor whose kindness and calm demeanor started to shift Y/N’s world after their viral Actors on Actors interview. Their easy banter sparks rumors online, but their connection runs far deeper behind the scenes. Drew becomes Y/N’s rock as she navigates the intense emotional toll of her new role and the pressure of being Hollywood’s “it girl.” Follow their journey as Drew helps Y/N process the weight of her career and the vulnerabilities that come with it, even though she grew up in this industry. Whether it’s late-night talks at his apartment, quiet moments of comfort after emotional breakdowns, or the steady way he supports her without ever pushing her boundaries, Drew becomes the safe space Y/N didn’t know she needed. From friends to lovers. The media is obsessed with their every move, and fans are shipping them left and right, but Y/N and Drew are just taking things slow—learning how to lean on each other in a world that’s constantly watching. From private movie screenings to heartfelt confessions, Hollywood explores the beauty of falling in love when life feels overwhelming and finding someone who reminds you of who you are underneath it all.

MEET & GREET

Y/N NOLAN

( FC for smau's Mikey Madison & occasional Mia Goth)

Y/N grew up in the picturesque town of Nantucket, a world away from Hollywood’s glitz yet tethered to it through her father, the visionary director of Interstellar. Her childhood was shaped by both beauty and heartbreak; at the tender age of five, her mother left, leaving her father to raise her alone. A devoted parent, he stepped back from directing to focus on being there for her, driving her to ballet classes and movie sets, ensuring she felt supported in every aspect of her young life. The industry was always a part of Y/N’s world. By the time she turned 13, her father resumed his directing career, and she was old enough to understand the passion and dedication that filmmaking required. It wasn’t long before she began forging her own path in the industry, debuting with her first role in the haunting A24 horror film The Blackcoat’s Daughter (2017). Her chilling performance captured attention, but it was her work in X and its prequel, Pearl, that earned her the title of “queen of horror.” Her ability to balance vulnerability, terror, and raw humanity in each role made her a standout talent in the genre. The momentum didn’t stop there. Y/N starred in Infinity Pool, a surreal and provocative exploration of morality and identity, followed by the highly anticipated Maxxxine, the final chapter in Ti West’s celebrated trilogy. Each film reinforced her reputation as a fearless actress who thrived in the dark, twisted corners of storytelling. Though she’s now recognized as Hollywood’s “it girl,” Y/N has stayed true to her roots, continuing to reside in Nantucket. The serene coastal town provides her a haven away from the chaos of her rising stardom. Her lifelong best friend, Elle Fanning, has been by her side through it all. The two met as children on the set of a movie her father was directing—Elle was five, Y/N was four—and have been inseparable ever since. Their friendship has been a constant source of strength and joy, with Elle always cheering Y/N on as she conquers new challenges in her career. Now 25, Y/N is taking on her most emotionally demanding role yet in Anora, stepping out of the horror genre to prove her versatility as an actress. As she navigates her meteoric rise, she’s also building a budding romance with actor Drew Starkey, whose quiet, grounding presence has become an unexpected anchor in her life. Through it all, Y/N remains a beacon of humility and resilience, embracing every challenge and triumph with the grace of someone who knows where they come from—and where they’re headed.

DREW STARKEY

Drew Starkey, a Southern charmer from North Carolina, grew up far removed from the Hollywood spotlight. Raised in a close-knit family, Drew’s upbringing was humble and grounded, with strong values instilled by his parents. Though he initially pursued a more traditional path, attending college with the idea of pursuing business or law, his love for storytelling eventually won out, and he began acting in local theater productions. Drew’s big break came in 2018 when he landed the role of Rafe Cameron in Netflix’s Outer Banks. His portrayal of the deeply flawed, troubled character earned him critical acclaim and put him on the map as a versatile actor who could bring layers of complexity to even the most unlikable characters. With his piercing blue eyes and natural charisma, Drew quickly became a fan favorite and a rising star in the industry. Drew has consistently sought out roles that challenge him as an actor. From independent films to supporting roles in major projects, he has steadily built a career defined by thoughtful choices and quiet intensity. Despite his success, Drew has managed to stay grounded, attributing his level-headedness to the support of his family and his love for the outdoors, which he often retreats to whenever he needs a break from Hollywood. At 31, Drew is entering a new chapter in his career and personal life. His professional chemistry with Y/N began during their Actors on Actors interview for Variety, where the pair immediately connected over their shared passion for storytelling and mutual respect for each other’s work. What started as lighthearted banter soon turned into something deeper. Drew’s admiration for Y/N goes far beyond her professional accolades. He’s drawn to her down-to-earth nature and the way she values her roots, a quality that resonates with his own upbringing. While their relationship is still in its early stages, Drew’s actions speak volumes—whether it’s rearranging his schedule to support her at events or organizing thoughtful gestures to celebrate her achievements, his affection for her is clear. As Drew continues to evolve as an actor and a person, his partnership with Y/N feels like a natural extension of his journey. For Drew, being with Y/N isn’t just about finding love—it’s about finding someone who sees him for who he truly is.

ELLE FANNING

Background on Elle Fanning for Hollywood

Elle Fanning, a true Hollywood prodigy, was practically born into the industry. As the younger sister of Dakota Fanning, she began acting at the tender age of two, often playing younger versions of her sister’s characters. But Elle quickly proved herself as a star in her own right, earning critical acclaim for her breakout performance in Somewhere (2010), directed by Sofia Coppola. From there, she cemented her place as one of Hollywood’s most talented and versatile actresses, seamlessly transitioning from child star to leading lady. While her career blossomed, Elle also cultivated a deep and enduring friendship with Y/N. The two met as children on the set of a movie directed by Y/N’s father when Elle was five and Y/N was four. Despite their young age, their connection was immediate and unwavering. Growing up together in the often isolating world of Hollywood, they became each other’s anchor, navigating the pressures of fame, auditions, and red carpets side by side. Now in her late 20s, Elle has developed a reputation as one of the industry’s most beloved stars, known for her grace, warmth, and transformative performances in films like The Great, The Neon Demon, and Maleficent. Despite her successes, she has always prioritized her friendship with Y/N, often describing her as her “chosen sister.” Elle’s role in Hollywood reflects her steadfast support for Y/N during a pivotal time in her career. Whether it’s cheering her on at premieres, hyping her up on social media, or simply being a comforting presence during moments of doubt, Elle is the epitome of a loyal best friend. Their bond goes far beyond the glitz and glamour of the industry. From spontaneous trips to Nantucket, where Y/N still reside, to quiet nights reminiscing about their childhood adventures, Elle and Y/N share a connection that is both rare and enduring. For Elle, supporting Y/N isn’t just about friendship—it’s about celebrating the person who has been by her side through every triumph and trial, proving that true sisterhood knows no bounds.

ABBIE’S CORNER

welcome to Hollywood, I honestly have had this storyline written in my notes since Anora came out, so I'm excited for it! was having such a big writers block for my Rafe story, because although I love Rafe, I love writing for Drew a lot more!

[phantomchick]

The ending of Oshi no Ko vs The beginning (chapter 166 vs 10)

So as you can see, there's clear evidence of intentional parallels happening here. This is the aftermath of Ai's death that mirrors the aftermath of Aqua's. Aka already claimed to have the ending planned well in advance months ago so it's not a big surprise that even the ending panels of the first (not counting the prologue) and last chapters match.

And yet Oshi no Ko still falls flat despite fulfilling its promise of a revenge-tragedy.

I think the biggest problem it has is the way the last chapter tells us instead of shows us as chapter 10 did.

Yes chapter 10 also used narrative text boxes a lot, but I argue that the effect then was much more immersive.

With them being used with precision to move us through a time skip with only the most necessary information about the fall out for the characters, even the distance had the effect of doing characterisation work with Aqua describing in a narrative text box how the policemen hid the scene from Ruby but Aqua felt his mother's body going cold beneath him as they arrived - this use of the text boxes casual tone over child Aqua sitting in his dead mother's lap gave a sense of disassociation and shock to the scene.

Even the textboxes turning black to mirror Aqua's dark emotions concerning his revenge as the star in his eye turned black showed how much attention was being paid to their use.

Ruby.

Ruby felt much more real in chapter 10, her rant about the internet's callous response to Ai's murder felt real and emotionally charged. In comparison, for all she's the main subject of the last chapter, she feels like a 2d cut out of herself, barely in there for all we see her struggling through Akane's observant gaze.

She expresses her motivation to be an idol despite hardship by acknowledging that Aqua's right about idolwork being difficult and cruel but reminding him that despite the darkside of the entertainment industry, their mother 'shone' very brightly. The talk about how Ruby shines more the darker things get and how this is a good thing because it reaches out to people trapped in darkness of their own (just like her when she was a terminally ill cancer patient) is clearly meant to echo this idea.

Frankly it fails.

Ruby feels hollow.

To the point where we barely get any insight into Ruby's real feelings at all or any emotional connection with her in comparison, by 166 it's genuinely unclear whether or not she's lying even to the portrait of her dead family when she's 'alone' on her way out the door.

We don't see a conversation between her and her adoptive mother about Aqua, we don't see her talking to Akane at all. We see her grief and her success from a deified distance, just like the fans do. And it alienates us from the character.

Lies are love and she has two stars in her eyes. Just like her mother did.

I think this more than anything condemns the idol industry, she has to keep lying even to herself about her job being fun because otherwise what was all that pain and suffering and loss for?

Aqua died in a murder-suicide (shout out to Taiki for experiencing a loved one doing this twice, poor guy) to give his little sister success in a job that she has to get up at 5.30 for, devote her entire youth to and will have to quit in less than a decade. It has to matter, that she provides escapism for people who are suffering like she did, but it doesn't change the grim reality of her exploitation.

I think the lack of dialogue in the final chapter and the loss of voice for Ruby in the last few arcs mirrors the loss of agency she experiences as she becomes the ultimate idol, everyone's star.

But that doesn't change the fact that from a reader perspective it's just bad writing. Aka failed to carry his audience with him to the finish line and his messages about the idol industry were blurred by the rushed plot after the movie arc began.

If it weren't for Mengo's art hard carrying the clumsily executed story, I can honestly say that I don't think many would have read this manga all the way to the end.

[herefortheships]

Just rewatched Beetlejuice Beetlejuice again, and I have thoughts!

But this was my first time watching it while being a Betelgeuse x Lydia shipper, so there might be some unhinged shipper takes here. I'll leave my completely speculative, potentially emotionally-charged impressions under the "read more" cut, under the list.

A lot of what I'll mention here I already noticed after my first watch, but I hadn't written a post like this about my impressions after watching the movie, so I decided to put it all here.

Here it goes!

This movie NEEDED more Betelgeuse. I'm sorry, Michael, but you are kinda wrong. It's not like we need the movie to be all about Betelgeuse, but we needed at least five or ten more minutes with the ghost with the most.

The movie sprang to life whenever Delia was onscreen. The same can be said about Betelgeuse.

The chemistry between Michael Keaton and Winona Ryder was through the roof. All scenes between them were immaculate and precisely why we needed MORE Betelgeuse!

I didn't notice how slow the first half of the movie felt, until Betelgeuse shows up. The movie picks up the pace after the couples therapy scene.

Betelgeuse is crazy about Lydia, no doubt. Was he gonna try to kiss her when he said "come here" right before she yelled "home, home, home!"? I think he definitely was going to throw himself at her. Anyway, he had several chances to do that later and he didn't try anything, but he might have been more restrained not to scare her away again.

Betelgeuse always seems to be more careful around Lydia (about checking her out, touching her, etc). Is he shy about Lydia specifically? lol

We needed more interactions between these two, especially so Lydia could see Betelgeuse wasn't the scary demon she thought him to be. He's more of a self-serving, lovable a-hole with a perverted side, than an all out evil entity. (She still got to see he's not that bad through his actions in the movie, after he saves Astrid and goes above and beyond by also exposing Rory and sending Jeremy to hell lol, but we needed a little more conversation between the two. This would help Lydia process her trauma around Betelgeuse. (*I have a point about this particular thing below, under the cut). Also would have helped the audience see why Betelgeuse's motivation to marry Lydia had nothing to do with Delores and everything to do with how he feels about Lydia herself (he was already chasing Lydia before Delores came into the picture, and had been doing so for over 30 years, as he keeps her photo on his desk and hasn't moved it from there, as shown by the cobweb behind it. Betelgeuse is looking into that portrait literally every single day).

Delores could have been entirely removed from this movie and nothing would have changed. When she shows up and says "Betelgeuse is mine" she literally does nothing to Lydia, whose photo she had literally smashed minutes earlier. When faced with the real woman who she believes to be stealing her man, she doesn't attempt anything against her? That was weak writing.

Everything around Delores was weak writing, except for her backstory.

Lydia did not leave Winter River at the end of the movie. I think the bed she wakes up in after the nightmare is still in Winter River.

As a matter of fact, the nightmare/dream sequence starts when she's quitting her show. The music that denotes that this is a dream starts there. Lydia did not quit the show. She might later on (if there's a 3rd movie we'll know if she did quit), but by the end of this movie she did not quit. That was part of the dream.

Betelgeuse starts blowing up like a balloon before Lydia says his name three times. She's said it once and he started ballooning. So I confirm: he did this himself on purpose. This man is a drama king and this was his grand exit back into the afterlife. 😂

I had this strange vibe that Astrid was bullshitting when she said that by violating code 699 the marriage contract was null and void. The contract also burned when she mentioned it. If it was null and void by Betelgeuse's violation of the code, why is it that it only burned when Astrid mentioned it?

Betelgeuse was indeed in bed with Lydia at the end. Not only is she sleeping to one side of the bed, the pillow he was in was wrinkled like he'd been lying there, and we can also hear the echo of his laugh. This makes me believe that he's the one who put the dream in her mind. Maybe to get back at her for banishing him. (This is a headcanon though, but the fact stands: Betelgeuse was truly there).

Oh before I forget, Lydia did look sad/conflicted at the end after Betelgeuse blew up and vanished. We can't know exactly how she felt after her time with Betelgeuse in this movie because it ended before we had a moment with Lydia alone after everything was said and done. Her story doesn't wrap up, because after she says her goodbye to Delia, what we have with Lydia is the dream sequence. Then she wakes up next to Betelgeuse, and again, alone, but still we can hear Betelgeuse's laugh echoing in the room as Lydia looks half scared, half confused (her face is like "wtf??") as the final scene of the movie.

And now for the potentially unhinged fangirl takes and headcanons (mostly revolving around Betelgeuse and Lydia):

Lydia has always had unresolved feelings for/around Betelgeuse. These unresolved feelings, whatever they are, has not allowed Lydia's romantic relationships to progress. The movie presents these feelings as trauma, and I find that very interesting. Let's explore this one a bit:

Early in the movie when Lydia is talking to Astrid about death and Richard is mentioned, Lydia mentions that her relationship with Richard had ended long before he left and had his accident in the Amazon. Astrid also mentions later that his dad left after his relationship with her mom had ended (If I recall correctly, Astrid says it like "after they separated, my dad left").

Then, when Lydia is talking to Delia after she's seen the Betelgeuse ad that Astrid found in the attic, she starts talking to Delia about how she met Rory at a grief retreat dealing with the loss of Richard and some unresolved feelings. Notice how she said her relationship was over long before his death. Naturally she was grieving him, but what are these unresolved feelings about? Is there guilt involved due to... :

Later, when Lydia tells Rory about Betelgeuse, she goes about it this way: She reminds Rory about their couples therapist, and how he told her that until she faced this "thing" that she was holding back, her relationship with Rory was not going to evolve. This thing of course turns out to be Betelgeuse.

So this kinda confirms that Lydia has some unresolved feelings around Betelgeuse that are holding her romantic relationships back.

As I mentioned above, this is presented as trauma. Is it because of her experiences in the first movie? I don't think so for various reasons: She not only grew up surrounded by the love and care of the Maitlands, she also hasn't seen or heard Betelgeuse in years though she's felt his presence. She also appeared to be living happily at the end of the first movie. You can't present me a traumatized character in the sequel when you showed me this character to be completely fine at the end of the previous film. Lydia also mentions to Delia that her anxiety comes from seeing ghosts every day.

So her traumatic feelings about Betelgeuse stem from something inside her that she needs to face or she won't be able to move on. Keep in mind these are my interpretations and shouldn't be taken as fact! But I believe that Lydia's trauma stems from guilt about having feelings and attraction toward Betelgeuse (possibly since she was a teenager), someone who, in her own words, she is convinced is a "trickster demon".

She may have always been attracted to him, but she pushed it down ("held it back", using her own words). She probably worries that having these feelings makes her "wrong" in some form. That she is "dirty" or even "evil" herself. How can she feel an attraction to someone like Betelgeuse, who is not only scary-looking, but also did scary things to her family and once tried to force her to marry him? These are her conflicted thoughts.

Confronting these emotions is Lydia's true path to healing wholly, because she will be faced with her own darkness. And this is what she is vehemently avoiding by wanting Betelgeuse out of her life (whilst simultaneously wanting him in her life).

This is yet ANOTHER reason why we need a third film: Lydia needs to face her own feelings about Betelgeuse or else she will always be stuck in life. Her relationships will always fail because her heart belongs to someone else; to the one person (ghost) she refuses to give it to, not because of what she feels about him, but because of what having these feelings makes her feel about herself. Only facing this will Lydia be whole again.

That's interesting material for a third and final film, but again, just my headcanons and interpretations. These movies are mostly comedy, and so it's unlikely they will go into the deep stuff. But then again, this movie at times went surprisingly deep, despite being mostly bonkers comedy, so there is a chance they will explore deeper, darker themes in the final installment. Usually the final film in a series goes harder than the rest into the deeper and more nuanced themes.

[ppumeonae-bigvibe]

did you know they were dating?

↖ navigation: seventeen masterlist || main masterlist

pairing: club pres! mingyu x vice pres! reader

↬ tags: nonsense fighting which i pulled out of thin air, this time ft the hiphop unit, i saw this trope about lovers who fake hate each other on the outside but love each other deeply on the inside and i was like "wow thats kinda cute", quite wholesome towards the end-ish, hinted jokes

summary: you and mingyu's relationship in the eyes of your friends

word count: 1.1k words

seungcheol: "I KNEW IT. i just knew that the amount of tension bouncing off each other would have brought them closer together."

"i literally just came and they're already going at it? great, just great." seungcheol enters the room, shaking his head. he haphazardly dumps his bag at the back of the club room, joining vernon and wonwoo who were observing the entire fight go down.

there you stood with your arms akimbo, glaring right back at an equally emotionally-charged mingyu, who wasn't going to back down in this argument.

"i don't get why our members should following your steps! you're making them do extra when they can simply refer to my method which concisely explains how to go about planning events such as this." you tapped the whiteboard repeatedly to prove your point.

he makes a show of carding his hand through his dark brown locks, "this is how i was taught from our advisors, going the longer way is tedious but this evokes discipline from our future members. don't you see that?"

"um...actually" wonwoo cautiously raises his hand up and the two of you (almost comically) stared at the bespectacled boy, simultaneously hollering, "not now wonwoo!" seungcheol casts his gaze over to the two of you, almost neck to neck as you both breathed down each others throat.

a moment of realization hits him and seungcheol made a face, "i'm going to stand outside. call me when this shitshow is over."

----

wonwoo: "wait...they're dating? uhhhm. good for them i guess?"

wonwoo sighs unhappily, having been caught in the middle of crossfire. he feels his attention waning, homework long forgotten. the classroom has been vacated of everyone, except for the three of you who stayed back to revise a little more.

"wonwoo, can you tell mingyu that he's being the unreasonable one?" you leaned over, wagging your finger. mingyu gasped exasperatedly, "wonwoo, you tell that bugger to shut it!"

wonwoo felt himself get jostled by the bigger male and he huffs, "you two quit it! it's just a minor issue!" silence blanketed the three of you and wonwwo stiffens in his seat.

did he touch a nerve?

"you. outside. right now." you abruptly get up from your seat and spun on your heels, not turning back to look once. wonwoo gulps, "wait, i didn't mean..."

"don't worry about it." mingyu rolls his shoulder back a couple of times and wonwoo stands up in attempt to break off the fight, "mingyu-yah, maybe you should calm down--"

mingyu shoots him a look and wonwoo immediately zips it, sitting back down in defeat.

what did he get himself into?

----

vernon: "i had a hunch, but this just confirms everything. thing is, why would they choose to fight to show they love each other? that's...so weird."

vernon exits the toilet, the corner of his eyes attracted to the scene unfolding right outside the clubroom. mingyu was talking with you (nothing unusual), only for the fact that his hands were grasping yours while you had your head inclined forwards, avoiding him. vernon couldn't make out the conversation, but judging from the looks of things it wasn't going well.

"what kinda fight is that...did it have to get so personal..." vernon mumbled, still hovering by the restrooms so he didn't need to awkwardly go through the two of you to enter the clubroom.

he continues observing mingyu, who was leaning closer to you by the second and you huffed, shoulders moving animatedly with whatever conversation that had you so worked up. vernon nearly gasped out loud when he witness mingyu pulling you in for a hug; vernon desperately rubbed his eyes again to make sure they weren't playing tricks on him.

with sweaty palms, he pulls out his phone to hurriedly snap a picture, no doubt to send it to the group chat that didn't have the two of you inside. the sound of the camera shutter seemed to get your attention because just when you jerked your head towards his direction, vernon ducked down and out of sight.

he vaguely hears you murmuring, mingyu's baritone voice lilting in the quiet along the hallways. vernon remained motionless with bated breath, waiting for you two to walk away from where he was.

"that's right, just keep walking...walk away from me, please, please...!"

as soon as he couldn't distinguish anymore sound coming from you two, he makes a run for the clubroom, bursting through the door.

"guys! you won't believe what i just witnessed!!"

----

mingyu: "i think...our bantering has gone a little too far." you: "a little? you fight with me every opportunity you get!" mingyu: "am not?!"

"did you really have to pull that stunt in front of our juniors?" you chuckled lightly and mingyu delights in the way you were slightly bumping shoulders with him as you two stroll leisurely out of school.

"i mean, all banter aside, i love you. you know that right?" mingyu refutes back, an age-old statement that never fails to worm its way into your heart. he repeats it once more, earning him a giggle from you.

you rolled your eyes, reaching up to ruffle his hair playfully, "i know that. say, maybe if you showed your loving side to me, then people would take you more seriously."

"you really think so? i think our fellow members get a kick out of us bickering. i bet they keep tabs on us too." you hummed at mingyu's statement.

"nah, i like it when you get up close and personal with me." mingyu finally concludes, adding on, "i love it more when you're feisty, you know?" he exaggeratedly pouts his lips, making kissy faces as you mock-disgustedly push him away.

"YOU'RE NASTY KIM MINGYU!"

@ppumeonae-bigvibe 's work ; likes and reblogs are appreciated <3

[valariecomet]

Honestly seeing (mostly kataang and maiko shippers but not just them) say ppl need to move on from what Bryke did with book 4 air makes me genuinely mad.

When I first started watching the show I was basically bullied out the fandom for drawing Zutara fanart. I was either 11 or 12 at the time and it was during 2020. A bunch of people older than me were mocking me for my fanart, not even because it was bad (not that if they did it would have been justified) no, because it was of a ship they like. I was called a whole bunch of colourful names and slurs and got accused of some horrible things just for liking Zutara and it did affect me.

Now, imagine 12 year old me finding and watching Book 4, do you think that just because that was in 2008 it didn't affect me? No! Of course it did! If anything it made me feel worse, so much so I left the fandom for two years and I only got back into ATLA when I was 14, even then I have only recently started engaging with the fandom again. Just because it occurred in 2008 doesn't mean it doesn't affect people now and I'm sure I'm not the only kid who has been discouraged by that video. If you were a kid at the time or not, the video can and has had an affect on people.

Also, it's not like Bryke were kids when they did that, no, they were full grown adults using children's fanart to mock them. It was disgusting and the fact they have never apologized, as far as I know, is gross. It doesn't matter how long ago it happened because it happened and still affects people, I don't think people should be forced to move on just because you believe that it isn't a big deal or it was ages ago so they should be forgiven. If you don't care that's fine, but don't try to force people to feel different to how they feel.

If your a Zutara shipper who's fanart was in that video, I am genuinely so fucking sorry. That is horrible and I can't imagine how it could have affected you. I know if I was in your situation I would still be upset about it to this day because of how discouraging the video was. I know your probably not reading this but if you are I feel for you.

Also I'm writing this after trying for about two hours to complete the gosh darn pachinko machine level in super Mario sunshine so if I sound a bit emotionally charged it's because I have just spend the past two of so hours in agony ✌️

Edit: I forgot about the Azulaang and Tokka scenes in the video since I hadn't watched it in ages, you guys too I'm so sorry, that was so cruel for you guys too.