#such a moving and emotionally charged scene

[justanotherwriter140]

Kung Fu Panda 2 Scene Analysis + Discussion Post

Hey, all! Here's a KFP2 scene analysis because I felt like it. 🤷‍♀️

I have an itch to scratch and I'm going to make all of you read about it. I've been revisiting KFP2's remarkable storytelling methods—namely for conveying strong emotions without relying on dialogue and putting more faith in the narrative—and when I got to the harbor scene, I couldn't help but write something up on it. In general, writing short essays on scenes/sequences is a great writing exercise that I would recommend for fellow writers because it's a big help when you're trying to emulate a certain style or feel in your work. KFP2 is a great movie and I love it, so I often refer back to it when I'm struggling.

In short, this is me gushing. I know as a fandom we've talked this part of the movie to death a hundred times over, but it's a scene that deserves it. I'm going to be focusing on the aspects of it that interest me most, but the final battle following this scene is just as worthy of being fawned over. I am a KFP fan through-and-through and every scene (in this film especially) deserves its own discussion post. Unfortunately, I'm employed.

I've never done a dedicated sequence analysis before, but I've been delving back into studying animation and that paired with my long-time love for storytelling is more than enough to make me want to do a Tumblr deep dive on this 20~ second master-class in storytelling.

To begin, let's take a look at what's happening here:

Po swims to Tigress to make sure that she's okay. He holds her hand and gets close to her, which is something we can assume he would never do otherwise. I'll cite the attack-hug; we witnessed his (albeit completely understandable) reaction to Tigress initiating physical contact, and his instinct was to freeze in place. It tells us that physical contact is uncommon and maybe even a little awkward for them, and yet, he grabs her hand without hesitation.

My heart...ugh. I was little when this came out and I was STUPEFIED. I also realized I wanted to make movies, though, so I guess it worked out. 🤷‍♀️

Plus the little thumb-hold from Tigress. I'm nauseous. Kill me.

It's also worth mentioning that despite the fact that Po audibly says her name, she doesn't respond to hearing him. She responds to feeling him. She doesn't start to lift her head until he touches her.

Earlier in the film, it had been made a point that she "feels nothing," which was intended to refer to both her hands and her emotions. She physically and mentally beat herself up for 20 years until she couldn't feel the hurt anymore.

Even so, it only takes Po to unravel that. This is the movie further cementing the franchise-long theme of Po bringing inner peace to the valley. On a more personal note, it's also the movie telling us that Tigress's jadedness only goes as far as she lets it. She is capable of recovery, capable of feeling—it only matters that she allows herself to have those moments.

She looks up. She's relieved. She couldn't save China, but she saved Po. She didn't fail in protecting him this time. She did her job. There's a beautiful contrast between what she's feeling and what he's feeling but they share a point—kind of like a venn diagram. Both feel some kind of relief, however brief. As for their differences, Tigress's defiance is weakened and Po's is ignited. He takes on that weight for her.

The way her head slowly falls back down makes me think she's too exhausted to keep her head up any longer. She had used all of her strength to hold onto Po and look fully at him, face to face, to be sure he was alright. Tigress is the most capable member of the group, but where her most important strength lies is revealed here as well as in the rest of KFP2: in her compassion and care for others.

Po looks at Shen with scathing, genuine contempt. He's taken away too many people Po loves, and Po won't let him take away another. He's thinking about the valley, about his friends, Mr. Ping, and his duty to defend China and bring evil-doers to justice. We see the resolve in his eyes. He'll do what he has to.

The angle of the image is also worth mentioning. With the way the "camera" is tilted—now at a direct eye-level as opposed to a few shots before when Po was almost slouching below mid-frame—Po looks bigger in this shot. He's being framed as a protector. Defender of China. The Dragon Warrior. He's really, truly stepping into this role.

Tigress bows her head and Po takes on the weight, which is a huge contrast to the rest of the film. Before this scene, Tigress is the one being strong, being smart, taking charge, and leading the group. Throughout the mission, Po was consistently reckless, stubborn, and distracted. We know why. This bit is his amendment. This is him saying and meaning, "I've got this."

And then he pushes Tigress away. The little look I caught in this screenshot lingers for only two~ seconds, but what I love about animation is that everything is intentional. He watches her float away for an extra few seconds because it meant something to someone that he did.

AND THEN SHE REACHES FOR HIM. Whose idea was this? We need to have some words. You guys were evil and I love it.

She's exhausted, hurt, and is likely carrying the crushing weight of China's defeat on her shoulders, and yet, she reaches for him. It wouldn't even be for her own comfort, either, but because she still has the urge to save him. Even in her state of being borderline unconscious, she still has that instinct—that care. She can't watch her friend be killed.

I pause on this whenever I watch this scene over. To me, this frame perfectly encapsulates Po as a character. We see him facing impending doom in the form of a massive ship with a monstrous-looking cannon strapped to the front, harboring a psychotic peacock fully intending to kill him—just like he killed Po's mother—when he gets the shot.

Despite this, Po only pushes Tigress—a loved one, and while it's far more impactful to the story that it was her, it could have been anyone and the point still stands—out of the way. He moves her out of the line of fire and lures the danger away. That simple action of pushing her away is the epitome of "show, don't tell" used correctly and tells the audience everything we need to know.

And then he goes and stands on a floating chunk of fallen ship (not even solid ground!) and fights solo against an entire fleet of weaponized ships. And then he wins in what's arguably the coolest, most badass way possible.

This—this frame, not the fight itself—is easily his most heroic and selfless moment and it's my favorite frame in the KFP trilogy.

Thanks to all who read this through for indulging my intense love for this specific sequence! This analysis isn't objective, obviously, so if there are any disagreements, I'd really like to talk about them! I'm always looking for different perspectives and ideas, and I'm sure there's a fan somewhere who interpreted this scene wildly differently. I'd also just really love to hear any additional thoughts if there's something I missed. And if another scene gets you super excited like this one does for me, tell me all about it!

An update for my readers: Chapter 6 of The Days is well on its way and I can't wait to share it with you—there's some fun stuff in there and I'm really excited to post it. Thanks for reading, guys! :)

[happybunnykat]

You know I forgot how close this scene in days came to cracking my egg.

(Spoilers for 358/2 days if you haven't played it PLEASE go do that it's one of my favorite games ever)

[reaper2187]

Kathryn hahn x female reader

The "Hot Ones" set was bustling with quiet excitement, a controlled chaos typical of pre-show preparation. Camera crew checked equipment, producers murmured among themselves, and a makeup artist made last-minute adjustments on Kathryn Hahn. Y/N sat across from her, observing the scene with a familiar calm. They had just finished working on a movie together, and now here they were, about to test their spice tolerance while answering questions that would dig deep into their lives and careers.

“Ready for this?” Kathryn asked, her wide grin flashing toward Y/N as she adjusted the lapel of her shirt.

Y/N smirked. “Born ready.” At 23, Y/N had already made a name for herself in horror, playing twisted killers that haunted the nightmares of many, but her recent turn as Knightmare in the Marvel universe was opening new doors. Her character, the daughter of the Seven Deadly Sins, was dark, complex, and thrilling to portray—just the kind of role Y/N loved.

Kathryn, on the other hand, was an actress with a range as wide as her laugh. The two had worked together on a thriller, a gritty, emotionally charged film, and the chemistry between them on screen had been palpable. Off-screen, that chemistry had turned into a solid friendship. And now, under the glow of studio lights, about to dive into an increasingly spicy array of wings, that camaraderie was about to be tested.

The host, Sean Evans, strolled in with his signature warm smile, taking a seat across from the two actresses. “You ready for this?” he asked, echoing Kathryn’s earlier question.

Kathryn gave a mock-terrified look, glancing at Y/N. “I thought I was until I remembered how much Y/N enjoys hot sauce.”

Y/N chuckled, her deep voice soft but edged with amusement. “I have a pretty high spice tolerance, so you’re in trouble, Hahn.”

Sean laughed. “We’ll see about that. Kathryn, Y/N, welcome to Hot Ones—the show with hot questions and even hotter wings. Let’s get started.”

The first wing was harmless, a simple kick of flavor without too much heat. They both handled it with ease, bantering back and forth about their experiences filming the movie. Sean jumped in with his first question for Y/N.

“Y/N, you’ve been known to dominate in the horror genre, playing some truly terrifying killers. What’s it like to play someone so evil, especially being so young?”

Y/N wiped her fingers with a napkin, thinking about her answer. “You know, it’s funny because I don’t think of them as evil when I’m playing them. I try to understand what makes them tick, why they do what they do. It’s more about understanding the character’s pain or trauma that leads them to those dark places. I’ve always been fascinated by the psychology of horror.” She glanced at Kathryn, who nodded in agreement. “And honestly, it’s pretty fun to play the bad guy. You get to let out all that chaos you’d never allow in real life.”

Sean nodded, intrigued. “And how does that translate into playing Knightmare in Marvel? She’s still dark, but she’s got that anti-hero edge.”

“Oh, definitely,” Y/N replied, leaning back in her chair. “Knightmare is all about redemption, but she’s also struggling with her nature. She’s the daughter of the Seven Deadly Sins, so she’s constantly fighting against her darker impulses. There’s something relatable about that—fighting your inner demons, you know?”

Kathryn cut in, laughing. “It’s wild because Y/N, in real life, is the least threatening person ever. You wouldn’t guess she plays these intense, terrifying characters by the way she’s so laid-back.”

Y/N gave her a playful nudge. “What can I say? I’m full of surprises.”

They moved on to the next wing, which had a noticeable increase in heat. Kathryn started to feel the burn, her eyes widening slightly, while Y/N stayed cool, eating the wing like it was nothing.

“Okay, Kathryn, this one’s for you,” Sean said, holding back a laugh at her reaction to the spice. “You’ve had such a versatile career, from comedy to drama, and now this thriller with Y/N. What’s it been like switching between genres?”

Kathryn blew out a breath, fanning her face. “Whew, that’s hot. Uh, yeah, it’s been a wild ride. I love that I get to explore so many different kinds of roles. Comedy will always be my first love, but I also love getting into the grittier stuff, like our movie. There’s something so cathartic about diving into those deeper emotions.”

She turned to Y/N, her eyes bright. “Working with Y/N was a dream. She’s got this quiet intensity on set, and it just pulls you in. You can’t help but feed off of it.”

Y/N chuckled, shaking her head. “You make me sound like some brooding method actor.”

Kathryn raised an eyebrow. “Aren’t you?”

Y/N grinned. “Maybe a little.”

The third wing brought the heat up a notch, and while Kathryn squirmed in her seat, Y/N remained as calm as ever. The difference between their reactions was obvious, and it made the dynamic all the more entertaining for Sean and the audience.

“You’re not even breaking a sweat, Y/N,” Sean said, half amazed. “What’s your secret?”

Y/N shrugged casually. “I just like spicy food. Grew up eating it. Plus, after playing a serial killer in all these horror movies, I guess my pain threshold’s pretty high.”

Kathryn laughed through the heat building in her mouth. “You say that so casually, like, ‘Oh, just another day at the office, murdering people and eating fire.’”

Y/N gave her a sly smile. “Pretty much.”

The fourth wing hit hard, a noticeable jump in spice, and Kathryn visibly winced, reaching for her water. Y/N, however, still appeared unfazed, though she did take a sip of her water just to stay hydrated.

“You’ve worked on some pretty intense scenes together in your latest movie,” Sean said, wiping his own brow. “Was there a moment during filming where the tension on set was almost too real?”

Kathryn let out a deep breath, eyes still wide from the spice. “Oh, man, there was this one scene where Y/N’s character is supposed to be chasing mine down this dark alley. It was late at night, cold, and Y/N is just in full killer mode. She’s got this look in her eyes, and even though I know it’s all acting, for a split second, I thought, ‘Oh my God, I’m going to die.’”

Y/N laughed softly. “I do remember that. You gave me this look after we cut, like, ‘Please don’t ever look at me like that again.’”

Kathryn nodded emphatically. “Exactly! You scared the hell out of me, but it made the scene so much better. That’s what I love about working with you. You’re so committed, and you push everyone around you to be better.”

Y/N glanced down, almost shy for a moment, her masculine energy softening under Kathryn’s praise. “I just want to make sure we all bring our best, you know?”

They reached the fifth wing, and by now, Kathryn was struggling. Her face was flushed, and she took frequent sips of milk between bites, while Y/N continued to soldier on, a subtle sheen of sweat on her brow the only sign that the heat was affecting her at all.

Sean jumped in with another question, this time focusing on their personal dynamics. “You two clearly have great chemistry, both on screen and off. Was there a moment when you realized you clicked as friends?”

Kathryn looked at Y/N, a smile curving her lips despite the heat. “I think it was during one of our rehearsal breaks. We were both exhausted, and Y/N just pulls out this deck of cards and starts doing magic tricks. I lost it. I didn’t expect that from her at all.”

Y/N chuckled. “Yeah, I was just trying to lighten the mood. Rehearsals can get intense, and I figured a little distraction wouldn’t hurt.”

Sean raised an eyebrow. “Magic tricks? Really?”

Y/N nodded. “It’s just a hobby, something I picked up when I was younger. Helps with the hand-eye coordination too, which is useful when you’re playing someone who’s good with knives.”

Kathryn shook her head, laughing. “See what I mean? Full of surprises.”

The sixth wing, known as "Da Bomb," was infamous for its brutal heat. Kathryn braced herself, biting into it hesitantly, and immediately regretted it. Her face contorted in agony as she reached for her milk, gasping slightly.

“Oh my God,” she muttered, her voice barely above a whisper. “This is insane.”

Y/N took a bite, her expression neutral for a moment before she nodded slowly. “Okay, yeah, this one’s got some kick.”

Sean, looking slightly devilish, leaned in. “Y/N, you’ve got a high spice tolerance, but even you seem to be feeling this one. Has anything ever rattled you on set the way this wing is?”

Y/N considered the question, her voice steady despite the heat. “Honestly, the only time I get rattled is when the stakes are high for the scene, like an emotional climax. I can handle gore and action all day, but the scenes where you have to really tap into something vulnerable—that’s the

stuff that gets me.”

Kathryn, tears in her eyes from the heat, managed to nod. “Yeah, those are the hardest. You get so wrapped up in it, it’s like you’re baring a part of yourself.”

Y/N reached over, patting Kathryn on the shoulder. “You’re doing great, Hahn. Almost there.”

They finally reached the last wing, the infamous "Last Dab." Kathryn looked at it with dread, while Y/N calmly added an extra dab of sauce to hers, a cocky smile playing on her lips.

“You’re insane,” Kathryn muttered, though her voice held admiration.

Y/N winked. “Gotta go out with a bang, right?”

They both took their bites, and Kathryn immediately regretted it, her face turning red as she reached for more water and milk, anything to dull the fire. Y/N winced slightly, but powered through, still in control.

Sean laughed, amazed. “Y/N, you’ve officially survived the hot seat! Kathryn, you too—barely.”

Kathryn, still recovering, gave a shaky thumbs-up. “I don’t know how I’m still alive, but I made it!”

As the interview wrapped, Y/N leaned back in her chair, her calm demeanor intact, while Kathryn fanned herself, still feeling the burn. Despite the spice, the bond between them was undeniable, strengthened by their shared experience on set and in life. And as they exited the stage, laughing and teasing each other, it was clear that their friendship—like their careers—was built to last.

This is the second one as a little sorry for not posting

[fizzie-frog]

You know, the Stolitz scene was a trainwreck as a whole (they usually are), but what honestly got me most was the way Blitz started pleading when he thought his livelihood was going to be taken away.

THIS IS NOT A STOLAS SLANDER POST. I'm coming from a place where I've seen Blitz being mostly, if not entirely blamed for their lack of communication most of the time.

Moving on...

People keep going like "Well if imps are so low in the hierarchy..." - Let's take a break to think. Blitz isn't rich, he's just getting by really. And how is he getting by?

By prostituting himself. To the upper class.

That's what it is, he's a certified whxre. Things may have evolved in the meantime, but that's how it started. Blitz got asked for the deal while being chased by a crazy lady and him, wanting to keep his business and livelihood, said yes, obviously.

Now Stolas was suddenly taking the book back with no apparent explanation (until they got to the crystal), so of course Blitz thought he was doomed. On a side note, why couldn't Stolas say "You won't need the book, I have an alternative" instead of the ominous "I'll need the book back, permanently. I have made up my mind." I would be scared out of my mind.

He teared up immediately and started pleading, you could already see what was going through his head. He won't have the means to support his business anymore, to pay his employees, to afford a home, he'll be homeless and have no means to take care of Loona. Everyone will leave him again and he will starve on the streets all alone.

He'd do anything to be able to live a life a bit better than miserable, of course he would.

And this brings me to Stolas's treatment of Blitz. I see that everything tends to fall on Blitz, and I'm not saying he has no fault (in fact I didn't even like him at the beginning of the series too much), but Stolas treated him like a peasant. Just the episode before Ozzie's he's called him his "impish little plaything" and asked for a reward for the rescue. He put out cigarettes on his horns, he ignored his "stop" most times, he addressed him in this little baby voice with babying diminutives. "Itty bitty" imp.

And I am sure Stolas is socially clueless. He was brought up alone and sheltered, taught to be a prince first and foremost.

Stolas probably saw this as playful banter, as something that is inoffensive, silly. It was only in the Ozzie's episode that he finally saw that actually, his silly play served to make Blitz feel smaller.

And of course in this scenario, Blitz would see this coming out of the nether. He reacted quite badly, but why would this prince be actually in love with him? As he said, he needed to have a minute (or several) to think about everything. They needed to talk this out, and Blitz was about to apologize when Stolas cast him out.

They were both emotionally charged. They fucked up. But I can see Blitz's side. And the power imbalance is so evident, that hierarchy that everyone keeps saying is irrelevant - in a moment's notice, he could have his life swept from underneath him. Just like he thought it happened in that split moment; it worried him so much that he cried and pleaded (and that's not in Blitz's character to do).

And then he was so scared of not being enough too, ugh, his little "I can always do better!". He's so used to everyone just seeing him as a lost cause, better to be discarded. With this amalgamation of things, no wonder he can't believe Stolas would have feelings for him.

So uh, I don't know what the conclusion to this is. Normalize getting imps some actual comfort? So far the only really privileged imp in Helluva Boss is Fizz after getting rid of Mammon. And when I say priviledged, I'm referring to wealth and upper class, not taking into account personal issues such as disability and so forth.

Anyway, this was my two cents on Stolitz. I honestly haven't thought too much on them, I'm riding on the Fizzarolli high. I'm chill over here in my Fizzmodeus bubble, but doesn't mean I have no thoughts on Stolitz.

[muchanmocha]

Oh I'm going to have so much fun excavating this

Difference between Round 5 and Round 7 encounters

The reason for Luka's reaction

Breakdown of what Hyuna's existence means to Luka

How that influences their potential face-off

Luka and Hyuna’s reunion scene. In times past, they shared a bond like no other, but now they’ve gotten used to the years without each other.”

— Round 5 Commentary, Artbook [Translation by @/alnstENG]

The eye contact Luka and Hyuna make in Round 5 marks their first reunion after a long period of time.

Hyuna calmly looks over her shoulder at him, still sporting bruises and blood from the beating Mizi gave him.

Luka doesn't even bother to fully get up, merely staring up at her with his default blank expression as she leaves with his opponent's unconscious body.

Overall, an unusually calm reunion considering the emotionally-charged history between them.

Then we have Round 7.

In sharp contrast to their previous composed demeanor, this time they're both wide-eyed upon seeing each other, visibly affected by the encounter.

Makes sense for Hyuna, an extremely expressive character now standing face-to-face with the source of her biggest trauma.

But Luka? So far he's only shown us 3 types of expressions: blank, smirking, and gleeful. "In shock" is an unexpected addition, especially for someone who prides himself in being trained to anticipate anything that could go wrong on stage beforehand in order to maintain his constant heart rate. This is the most raw emotion we have ever seen from him outside of the strange, flushed smiles he's shown.

Why is he so shocked?

The simplest answer is that he didn't expect to see Hyuna here and now, yet the same reasoning should have applied even more so for the unexpected reunion in Round 5 which presumably took place years after they last saw each other. Hyuna has already crashed his performance once. Could he really not have anticipated her reappearance in the realm of possibilities he considered?

No, I think the key here isn't that he didn't expect Hyuna to be there.

It was the state she's in that prompted his reaction.

A core facet of Hyuna's character is her strength. We've seen that aspect of her reinforced again and again throughout her appearances in every piece of content we're given.

Remembering her trauma from whatever went down with Luka and Hyun Woo is the only time we ever see her weakness, but even then she bounces back with grit, determination, and cheer in All In.

"Every obstacle in my way"

"I've crushed them all"

"Step all over me but I'll rise again"

Luka and Hyun Woo are her only weaknesses. Short of that, she feels almost untouchable, infallible with the momentum she carries with every move.

This is the Hyuna we know, and the Hyuna Luka remembers.

But both we and Luka were wrong.

Hyuna now stands before him drenched in sweat, unable to even stand up straight, hair messed up and all over her face, dark bags under her eyes, and most hard-hitting of all — a gaping, bleeding wound in her side.

How does it feel to have the strongest person in his life, and in the series, stand before him in this condition? Reduced to this before they even faced each other?

His expression says it all.

But wait it's only going to get worse from here.

They're going to force him to face her now.

(The good news is, if they have a special round with their special guests, Hyuna would at least be given first aid and be out of immediate danger.)

A charismatic vocalist with a powerful voice and performance. If she had remained on Alien Stage, she might have become Luka's only rival...

— Hyuna's Profile, Artbook

Hyuna is simultaneously three types of existences for Luka, some potentially more canon or prominent than others.

1) Hyuna is the only person who can give Luka a sense of crisis.

Up until now, Luka hasn't taken any of his opponents seriously, including Mizi (Artbook Commentary) and Till (Patreon).

But Hyuna has been established as Luka's rival since early on and their stats certainly reflect that. She's the one person who has a chance of beating Luka, thereby also being the one threat he could ever face or treat seriously.

The fact that his greatest opppnent is injured now gives him an edge and in terms of survival, it's something he should take advantage of.

However—

2) Hyuna is also the "worthy opponent" he's been looking for this whole time.

Luka chose to compete again on Alien Stage for Season 50. Heperu could have been the real decision-maker here, but even if that were the case, I don't think Luka was unwilling. The stage is the only place he has full control of his life, so returning to it is like giving an alcoholic alcohol after leaving him dry for a spell.

In addition to the regular stages, he's looking forward to facing a "worthy opponent" in the finals (Magazine Interview).

If anyone could construct the perfect performance with him, if anyone could allow him to experience the most brilliant moments on stage, if anyone could be the worthy opponent he seeks... it'll be Hyuna.

The fact that she's not in top condition would certainly put a damper on that.

3) Hyuna is likely the only existence Luka has ever cared about.

Hyuna is the only person from beginning to end that Luka has shown to care about in any way whatsoever, to the extent that he wants to protect her. Of course, with the caveat that she submits.

Luka -> Hyuna [Intimacy 70%, #1]

No. You're just avoiding the current situation. If you were in my arms, your safety would be guaranteed....

Yet circumstances won't allow for that option anymore even in the unlikely situation where she was willing.

We can all see the upcoming death match implied in "Special Guests" — a showdown between the only two contestants to have ever successfully run away from Alien Stage, and the effective two-time reigning champion.

What kind of mental state is he going to go into this match with?

Does he steel himself and place survival above Hyuna regardless of what his past intentions have been? Take advantage of her weakened state for survival?

Does he falter, feet swept out from under him by the one situation he didn't anticipate?

Will he be conflicted for once in his life regarding whether he wants to win? Weighing survival and the safety of the one person he wanted to keep alive? For his victory means her certain death?

Or perhaps the most interesting choice of all.

He remorselessly goes through with it, chasing victory because that's all that defined him up until now, and while Hyuna is important to him — the only person important to him — she, at 70% intimacy, is not more important to him than his most primal instinct to survive. He who looks down on Season 50's competitors for getting caught up in their emotions (Patreon Q&A).

Or so he thinks.

Luka wins. He proves himself no better than his past opponents, losing himself to the basic desire to survive. This realization won't be pleasant.

He also proves himself wrong; it turns out Hyuna did matter to him more than he can reason, more than he thought.

Because despite his rationalization, she is the sole anchor he has in a world where he's made no human connections other than the hollow, baseless ones constructed in the five minutes on stage before his opponents are sent to their deaths. He'll need to continue to live without his remaining anchor in a world where he otherwise exists 24/7 in a micromanaged cage under the watch of Guardian Heperu, a certified control freak.

Thus he crumples before Mizi in their revenge match. Not because of Mizi especially, but because he is now living with the consequences of his own choices.

[thigholstercas]

So I wanted to have all these parts of scripts that I love with destiel moments that were erased, changed, or added context in one place. Bare in mind that there are some that are Production Drafts and others Writer's Drafts, and so on.

4x02 - Are you there, God? It's me, Dean Winchester

Oh honey, he's gonna be your husband

Honestly, I'm just putting this here because I love this scene.

5x04 - The End

Cas received the order to follow Dean's commands once, and he sticked to it up 'til the end of everything.

7x17 - Born again identity

Just remember, this was after everything that happened in season 6 and widow!dean arc 1.0

Forward to Cas' speech in 15x18, yes the parallels.

Swear this is a whole Dean thesis. If we go back to what started this whole thing in tmwwbk. Dean tells Cas, we can fix this. And he never stopped wanting to fix it.

8x17 - Goodby Stranger

Like, I know they established that it didn't make sense for Dean to say I love you here, which fair, and we ended up which I need you (somehow worse).

But if we look at this as a whole, what Dean might understand is that saying I love you makes people leave him. Fastforward to the part when Dean takes the sigils so Cas can find him and Naomi visits and tells him that Cas doesn't return his feelings. Fastforward again to the You didn't trust me because even if we get to know that it was hard for Cas to leave with the tablet, away from Dean, Dean doesn't. For Dean, he left him, without even acknowledging that he loves/needs him, ignored him, and didn't trust him. Imagine you say I love you and you are left feeling abandoned, betrayed, and angry.

8x19 - Taxi Driver

This in the middle of I love you, and You didn't trust me is something

8x22 - Clip show

The one guy that's always had your back.

9x22 - Stairway to Heaven

Don't know what they smoked to write this, but I want some

10x23 - Brother's Keeper

You'll see the word shattered used a lot. This very much both destiel and drowley imo.

Season 12 is weirdly filled with these, so here are special mentions (because the max of pictures is 30 and there are too many moments). Most likely, it has to do with the market research by the end of 2016, which is why from 12-15, these scenes are more emotionally charged.

Mary saying Good friend when Dean and Cas hug in 12x01

Cas told Mary I promised (Dean) when they were talking outside the barn before going in to help Dean save Sam in 12x02

Dean telling Mary Get him outta here! when Cas was wounded in 12x12. And of course, when Cas says the things they have shared changed him (but that's on screen)

Cas texts? from 12x16

Dean is a worried husband on 12x18.

Dean explaining that no matter how much Cas messed up, did the wrong thing, or every dumb move he got it in 12x20. Cas was always Cas.

12x10 - Lily Sunder has some regrets

Dean telling Cas he has changed, and it has all been for the good. Again, forward to 15x18.

12x19 - The Future

This whole episode is charged with scenes from Dean and Cas. Like you have the angry Welcome home from Dean when Cas returns from Heaven. Dean calls Cas a super strong dude in a trenchcoat. The mixtape scene with the That was a gift. To keep. And Dean softening a bit even if he's angry because he's more worried.

But I think the biggest one is this one. The destiel sex scene (jk)

And after this, even though it is said in the show. There is more insistence from Dean to not let go of Cas -> We're not gonna let you just walk away. Not again. Not happening.

12x23 - All Along the Watchtower

The word shattered is mentioned a lot in the scripts. This is every part that describes Dean's reactions after losing Cas. Forward to 15x18.

13x06 - Tombstone

This is one of the best things that never happened in the show. You have Dean choking down his emotions saying he's much better now and Cas who fought with the empty with everything he had in 13x04 to return to Dean, coming to a meadow near a windmill because Dean thought he'd like it.

13x14 - Good Intentions

Forget about the in love part. They are best friends, and we didn´t get this.

13x20 - Unfinished Business

He lost Cas and it damn near broke him. Not we lost Cas, I.

14x12 - Prophet and Loss

Losing Dean was unacceptable. Cas said that losing Dean was unacceptable. And Dean got emotional. And then forward to 15x18, Cas just goes no, Dean can't die because that'd be unacceptable to me, so i'll sacrifice. And then, Dean gets emotional. Again. But for Dean, the unacceptable happened.

15x09 - The Trap

Forward to 15x20. In this future that Chuck showed Sam that he lost Dean the second Cas was gone.

Have I said how much they used the word shattered. Anyway, Dean wanted Cas to stay. That's his best friend.

He's amazing.

15x18 - Despair

This is not that different from what it was filmed, it is just that seeing it described makes it different. Especially when you get things as Still beautiful, still Dean Winchester, Dean is emotional, stunned, shocked. And have I said how much they used the word shattered. Also, you can see how it starts as a confession because Cas is confessing that he made a deal, but then it ends as a declaration, a declaration of love. Which makes testament such a good word for it.

15x19 - Inherit the Earth

The fact that Dean couldn't say Cas was gone

He's not the ultimate killer. He's not daddy's blunt instrument. He's someone who raised his little brother for love, who fought for the world for love and the most caring man on Earth

15x20 - Carry On

We don't talk about this episode because the script has way too many [omitted] but this is exactly what happened in 15x09 when Chuck showed their future to Sam if they followed the road they were taking.

Okay, that was it. Probably missed some, but for me, these are the parts that stand out.

[cosmichymns]

Not beta read. All spelling errors are mine. On AO3.

When Two Halves Split

You and Emily walked into your shared high rise DuPont Circle apartment after landing back in Quantico about 50 minutes ago with used go-bags that got dropped unceremoniously by the front door. You were tired, sore, embarrassed, and still felt dirty. You could sense Emily was tense, with worry still etched in every line of her face.

You hadn’t meant to be so careless but over the past year, since Emily had become Unit Section Chief, it had been sinisterly creeping up on you. It started with little things like volunteering for more physical roles along the likes of Morgan and Alvez. Your strength had never been an issue. Then it graduated to losing your cool with the local police force much easier than your normally calm and collected temperament usually allowed. Within the past six months it had escalated to charging into potentially dangerous buildings without waiting for backup or clearing scenes. It had gotten to the point that even Rossi, your more physically and emotionally reckless boss, had to pull you aside a few times.

“Can I run you a shower, love?” The low timbre of Emily’s voice rolled through your body, causing you to snap out of your reverie.

Without looking to her, you shook your head while making your way to the kitchen for a glass of wine. You poured two glasses but leaned against the counter, facing Emily, taking a few sips before walking to your wife and handing her the other glass. She accepted it, took a small sip, and continued to study you.

“Thank you,” she murmured, holding the glass with two hands and allowing her fingers to tap along the side. “Just let me help you wash your hair. There’s still a but of dirt in your hair.” You let her run a cool hand through your loose auburn curls, proving her point as a small clump fell to your shoulder.

Dirt. The dirt was everywhere but that’s what happens when an unsub attempts to bury you alive and then when you struggle, shoots the disturbed earth, grazing the side of your deltoid. It still stung. Thankfully it only needed a few stitches. Just another scar for the book, you had thought as Alvez’s hands dug you out of the earth. JJ had called Emily right away, as she always did when you inevitably made a shit choice, and your wife arrived halfway across the country in record time.

You sighed, giving in and knowing she was right with a small forced smile. “Yeah, I’d like that.”

Emily let her hand carefully run from your hair, over your good shoulder, down your arms until she found your hand, and fingers interlaced. She led you across the stylish yet homey apartment to the en-suite master bathroom. She sipped her wine as she turned on the tap and her fingers tested the temperature. You stood there awkwardly, watching her as she bent over to test it again.

“Do you need help, hmm?” Emily asked, setting down her now empty glass and turning to you. She made no move until you answered.

“Please?” You answered, suddenly feeling overwhelmingly needy and small.

Emily hummed quietly in response as she took your glass and started to delicately unbuttoned your shirt. You looked down, watching her recently picked at fingers remove layer by filthy layer. You instantly felt a pang of guilt at the sight of her pale, long digits. They looked fresh and not filled scabbed over and knew you were the cause. You sighed again and closed your eyes to avoid seeing the damage you caused.

Before you knew it, you were both under the spray of hot water. The bathroom lights were dimmed, a few candles lit along the windowsill, and Emily had secured a waterproof bandage over your stitched up muscle. Her hands were dotingly massaging your scalp with your favorite peony scented shampoo. Your hands clung tightly to her shapely waist, letting her care for you.

You had missed her physical presence of this last case, as well as the past four others. You missed sharing a hotel room for as many hours as the team could spare before getting up to do it all over again. JJ had offered to share a room while you but you had declined politely each time.

“Y/n?” Emily questioned softly, the inflection sounding like it wasn’t the first time she had quietly called your name. “Sweet girl?” Her fingers so gently lifted your chin up so your eyes met.

“Yes? I’m sorry… I was just…” you let your explanation trail off. She already knew.

“Sit for me?” Her fingers were carding through your clean, wet hair, coaxing you into the present.

“I think I’m done.”

“Y/n, please humor me.”

“Emily, I just want to…”

“Sit.”

The assertive tone in her voice sent a shiver down your spine, your body knowing what it meant. You looked up at her, immediately searching her face for any type of annoyance, and finding none. Knowing it was a 50/50 shot, your subconscious chose defiance as you set your jaw. She raised a greying eyebrow, a silent warning. You knew she always made good on punishments regarding your bratty behavior.

You stifled a huff, never broke eye contact, and slowly took your time sitting down in the tub, which you didn’t realize was now half full of steaming water. You had no idea why you were challenging her over the most minuscule things, especially when she was only trying to help. Trying your wife at this juncture was in no way an intelligent choice. Saying nothing, Emily held your gaze for a few moments more than necessary while standing tall above you then sat behind you, pulling you to her bare chest.

Over the course of ten minutes you sink into her embrace, melting your body into hers, as she gently kisses under your ear and partially down your neck. The kisses aren’t insistent or pushy. They’re soothing and full of affection. Unexpectedly, your eyes start to burn and fill with scorching tears of embarrassment and confusion. She shushes you tenderly as you turn your head to the side, visualizing her out of one blurry eye. She brings a hand up and rests it above a breast, anchoring your body to hers. She kisses along your cheekbone up to the corner of your eye as angry tears finally give way.

“Oh, my sweet love,” Emily murmurs with a quiet devotion.

Emily doesn’t attempt to dispel your tears. She doesn’t downplay or ignore them. She also doesn’t try to rationalize them. You lean your face into the crook of her warm neck as you close your eyes, trying to assuage your emotions. Emily gently runs her free hand over your good arm patiently.

“I don’t know why.” You say softly once your breathing has evened out.

“Why what, love?”

“Why I’m so… so reckless. So stupid. It’s just gotten worse and… thoughtless. Impetuous. That’s not who I am but…” You shake your head roughly, pulling yourself from the mold your body has made against her. She lets you.

“Hmmm…” Emily just hums, leaning her head against the edge of the deep clawfoot tub but keeping eye contact with you.

“I don’t want anything dangerous to happen to me but it almost always does because I’m so… untethered.”

“And why is that, do you think?”

You turn in the tub to face Emily, your legs finding their way around her hips and behind her back. She pulls you into her lap, hands on your waist. The dim flickers of the candle throw dancing shadows across her face. You try not to look to closely at her ever deepening worry lines, some which you know for a fact you have caused. You run a thumb tenderly back and forth along the fine crows feet lines that extend from the corner of her eyes like a burst of sunlight. She smiles, dimples popping, at your loving gesture.

“It hasn’t been the same for a while.”

“Since I’ve become Section Chief?” she ventures.

You think on it for a moment. “Actually, yes.” You looked at her questioningly but she doesn’t elaborate, just studies you carefully. “I know you’re only a phone call away and in most cases you and Garcia are a reliable, steady stream through our ear pieces but…” You pause. “It’s not the same.”

Emily nods encouragingly, her brows furrowing slightly as your thumb slows to a stop. She thinks she knows where you’re going with this because it’s something that she’s keenly aware of on her end.

“I miss your presence,” you continue. “Your physical presence. We used to be paired together so often when you were a field agent… but this is by no means your fault.” You added the last part quickly. “I just feel a bit…”

“Unstable.” Emily finishes the sentence knowingly, chewing on the inside of her cheek and letting her dark eyes drift to the ceiling.

“Mmhmm”, you hum in acquiescence. “I don’t want you to feel bad or guilty or like you caused this because in no means-“ You cup your hands around both cheeks, gently tilting her head down to meet your eyes. “-your fault in the least. I need you to understand that. I feel so silly for acting out subconsciously like a petulant teenager whose frontal lobe isn’t fully formed. At least they have an excuse.”

Emily is silent for a moment, as if she’s not sure she should say what she’s thinking. You don’t push but instead run you thumbs delicately over her high and sharp bone structure. Without realizing it, your eyes have dropped to her lips while you lick yours in anticipation of her voice. She notices right off the bat and smiles sweetly, leaning forward and placing a chaste kiss on your lips as you sigh.

“I’ve asked JJ to watch over you more but that doesn’t appeared to have helped much,” Emily finally says.

“And I’ve asked Garcia about you…”

At this you both share a quiet laugh. Everything about this woman is addicting. Her lips, her eyes, her laugh…

“I can’t have you hurting yourself because you miss me though, Y/n. It’s not fair to either of us or the team. Can you honestly say you can get this under control?”

You sigh again, sliding down her body just a touch so you’re able to rest your head on her chest, right under her chin. She extends her neck back a bit, giving you more room to get comfortable. You run your pruned fingers down her strong, lightly muscled arm, worrying your bottom lip with your teeth.

“It’s never on purpose. Like I don’t plan to go into the field and fuck around and find out with an unsub. It’s hard to control my environment and without a doubt count on the rest of the team like I did with you. I never thought I would become this needy, clingy partner. I had always despised and even looked down on it… but feeling your warm skin on mine, your strong heartbeat in my ear…” You take a shaky breath, your eyes starting to burn again. Nothing you’re saying feels like it’s making the least bit of sense. “It is the epitome of everything. You’re everything. I was spoiled to work with you as much as I did and I need to realize it can’t always be like that. I have to-“ You scrunch up your nose. “-share you.”

You feel Emily stifle a small giggle underneath you and rub her own pruned fingers along your spine and over your hips. She was waiting for an answer.

“I’ll… I’ll talk to Employee Health, I suppose but I feel like I would be able to work through it on my own.”

The second the sentence slipped from your mouth your light eyes met her dark ones, assessing and reassessing. “We can try whatever you want to, my love. I’ve been considering making my presence more known in the field as well. I didn’t realize how much I would miss it. And miss you too.”

The two of you relaxed in the expensive bath for a few more minutes before drying off, redressing with Emily checking your injury, and wandered into the bedroom. Once the both of you were settled and cuddling in bed, your head once again on Emily’s chest and your injured shoulder facing the ceiling, your eyes drift slowly closed.

“We still have yet to talk about that little defiant stunt in the bathroom…” Emily’s low voice broke the comfortable silence with a tinge of playfulness.

‘Oh no…’, you thought

[rwrbmovie]

BTS of #RWRBMovie: Storming Kensington

From HELLO:

For Matthew, this scene was an important one, but one that he felt needed a different energy than what is on the page. "It is very similar and it's also simultaneously very different to the book which I think is just one way of describing this entire movie," he says. "Casey said to me after watching it for the second or third time, 'It's like there's my book, and then there's your movie and the two are very, very similar and also very different,' which is good because if the movie was so faithful to the book, it, I don't even think it would please the fans of the book.  "I know that's probably a controversial thing to say but it wouldn't have served the story very well." He continues: "I needed to observe the logic of a film and trust that I had internalized the emotional truths of the book and the Storming of Kensington in the book is a lot more chaotic and Alex is highly charged.  "When we were in rehearsals, and Taylor and Nick and I began to really delve into that scene, we realized quickly that if Alex came on that strong then Henry, given where he is mentally, would simply say, 'well, get out,' and kick Alex out. So we knew implicitly that we needed to do a different version of that scene, one in which Alex isn't at all certain of success.  "In the book, Alex is willing to burn down the castle in order to get what he wants, and although the scene actually uses a lot of dialogue from the book, our Alex in the film knows that if this doesn't work, their relationship is over. So he's a little more careful with Henry, more fearful, and Henry is more heartbroken, and those decisions really determined everything else that followed in the scene." 

From Glamour:

Galitzine, meanwhile, says his most rewarding time on set came during the film's emotional climax, when Alex and Henry must decide if—and how—they're going to move forward in their relationship. “It's the emotional height of the movie in a lot of ways, and sometimes as an actor, you can very much get in your head about that,” he says. “But Taylor really was just so emotionally present that it helped me. We got to a vulnerable, beautiful space. Those kinds of moments are where you drift into a level of truth and sincerity that feels very real. That's what we're always aiming for.”

From I’ve Never Said this Before With Tommy DiDario:

ML: We had to break for lunch, and we haven't finished the scene and I was really, really worried that we were gonna come back from lunch and I would've lost them and never re-captured what was happening on set before lunch. And it was the pivotal part of the scene, the end where Alex makes an ultimatum to Henry. We got back on set and we started filming again and instantly in the first take, after lunch, Taylor started crying and Nick was facing away from him and he heard Taylor, and Nick started crying. The back half of that scene is so beautiful because they're doing such great work and I really had a difficult time cutting it because there was such beautiful, nuanced work from both of them. What's so remarkable about it is they had just had lunch, and they came right back into it and they were more dialled in, more in touch with each other than before. It was pretty remarkable. I have to say that was the moment I knew that whatever happened with this movie, those two actors would be fine in their careers.

[morbidology]

Born on August 25, 1965, in Louisville, Kentucky, Mia Zapata grew up in a family that nurtured her artistic inclinations. From a young age, she displayed a deep passion for music, influenced by artists such as Billie Holiday and Bessie Smith. Zapata learned to play the guitar and piano and by her teenage years, she was already honing her vocal talents.

In 1984, Zapata moved to Ohio to attend Antioch College, where she studied liberal arts. It was here that she co-founded the punk band The Gits in 1986. The band, which was known for its raw energy and Zapata's soulful, powerful voice, quickly gained a following.

In 1989, Zapata and her bandmates relocated to Seattle, a city that was emerging as a hotbed for alternative music, soon to be internationally recognised as the birthplace of grunge. The Gits became a fixture in the Seattle music scene, earning respect for their intense live performances and Zapata's emotionally charged lyrics.

Seattle, during this time, was teeming with creativity, with bands like Nirvana, Soundgarden, and Pearl Jam redefining the sound of rock music. The Gits, though not as commercially successful, were deeply respected by their peers and had a dedicated following.

On the night of July 7, 1993, Mia Zapata left the Comet Tavern, a popular hangout in Seattle’s Capitol Hill neighborhood, after spending the evening with friends. She never made it home. Her body was discovered early the next morning in the Central District of Seattle. She had been brutally beaten, sexually assaulted, and strangled to death.

The news of Zapata’s murder sent shockwaves through the Seattle community and beyond. In the wake of her death, local musicians and community members came together to form Home Alive, a nonprofit organization dedicated to providing self-defense classes and raising awareness about violence against women.

For nearly a decade, Mia Zapata’s murder remained unsolved. The Seattle Police Department, despite extensive investigations, was unable to identify a suspect.

But then in 2001, a routine search through the FBI’s Combined DNA Index System yielded a match between DNA found on Zapata’s body and that of Jesus Mezquia, a Florida fisherman with a criminal record. Mezquia was arrested in 2002 and extradited to Seattle to stand trial for Zapata’s murder.

In 2004, Jesus Mezquia was convicted of first-degree murder and sentenced to 36 years in prison.

[herefortheships]

Just rewatched Beetlejuice Beetlejuice again, and I have thoughts!

But this was my first time watching it while being a Betelgeuse x Lydia shipper, so there might be some unhinged shipper takes here. I'll leave my completely speculative, potentially emotionally-charged impressions under the "read more" cut, under the list.

A lot of what I'll mention here I already noticed after my first watch, but I hadn't written a post like this about my impressions after watching the movie, so I decided to put it all here.

Here it goes!

This movie NEEDED more Betelgeuse. I'm sorry, Michael, but you are kinda wrong. It's not like we need the movie to be all about Betelgeuse, but we needed at least five or ten more minutes with the ghost with the most.

The movie sprang to life whenever Delia was onscreen. The same can be said about Betelgeuse.

The chemistry between Michael Keaton and Winona Ryder was through the roof. All scenes between them were immaculate and precisely why we needed MORE Betelgeuse!

I didn't notice how slow the first half of the movie felt, until Betelgeuse shows up. The movie picks up the pace after the couples therapy scene.

Betelgeuse is crazy about Lydia, no doubt. Was he gonna try to kiss her when he said "come here" right before she yelled "home, home, home!"? I think he definitely was going to throw himself at her. Anyway, he had several chances to do that later and he didn't try anything, but he might have been more restrained not to scare her away again.

Betelgeuse always seems to be more careful around Lydia (about checking her out, touching her, etc). Is he shy about Lydia specifically? lol

We needed more interactions between these two, especially so Lydia could see Betelgeuse wasn't the scary demon she thought him to be. He's more of a self-serving, lovable a-hole with a perverted side, than an all out evil entity. (She still got to see he's not that bad through his actions in the movie, after he saves Astrid and goes above and beyond by also exposing Rory and sending Jeremy to hell lol, but we needed a little more conversation between the two. This would help Lydia process her trauma around Betelgeuse. (*I have a point about this particular thing below, under the cut). Also would have helped the audience see why Betelgeuse's motivation to marry Lydia had nothing to do with Delores and everything to do with how he feels about Lydia herself (he was already chasing Lydia before Delores came into the picture, and had been doing so for over 30 years, as he keeps her photo on his desk and hasn't moved it from there, as shown by the cobweb behind it. Betelgeuse is looking into that portrait literally every single day).

Delores could have been entirely removed from this movie and nothing would have changed. When she shows up and says "Betelgeuse is mine" she literally does nothing to Lydia, whose photo she had literally smashed minutes earlier. When faced with the real woman who she believes to be stealing her man, she doesn't attempt anything against her? That was weak writing.

Everything around Delores was weak writing, except for her backstory.

Lydia did not leave Winter River at the end of the movie. I think the bed she wakes up in after the nightmare is still in Winter River.

As a matter of fact, the nightmare/dream sequence starts when she's quitting her show. The music that denotes that this is a dream starts there. Lydia did not quit the show. She might later on (if there's a 3rd movie we'll know if she did quit), but by the end of this movie she did not quit. That was part of the dream.

Betelgeuse starts blowing up like a balloon before Lydia says his name three times. She's said it once and he started ballooning. So I confirm: he did this himself on purpose. This man is a drama king and this was his grand exit back into the afterlife. 😂

I had this strange vibe that Astrid was bullshitting when she said that by violating code 699 the marriage contract was null and void. The contract also burned when she mentioned it. If it was null and void by Betelgeuse's violation of the code, why is it that it only burned when Astrid mentioned it?

Betelgeuse was indeed in bed with Lydia at the end. Not only is she sleeping to one side of the bed, the pillow he was in was wrinkled like he'd been lying there, and we can also hear the echo of his laugh. This makes me believe that he's the one who put the dream in her mind. Maybe to get back at her for banishing him. (This is a headcanon though, but the fact stands: Betelgeuse was truly there).

Oh before I forget, Lydia did look sad/conflicted at the end after Betelgeuse blew up and vanished. We can't know exactly how she felt after her time with Betelgeuse in this movie because it ended before we had a moment with Lydia alone after everything was said and done. Her story doesn't wrap up, because after she says her goodbye to Delia, what we have with Lydia is the dream sequence. Then she wakes up next to Betelgeuse, and again, alone, but still we can hear Betelgeuse's laugh echoing in the room as Lydia looks half scared, half confused (her face is like "wtf??") as the final scene of the movie.

And now for the potentially unhinged fangirl takes and headcanons (mostly revolving around Betelgeuse and Lydia):

Lydia has always had unresolved feelings for/around Betelgeuse. These unresolved feelings, whatever they are, has not allowed Lydia's romantic relationships to progress. The movie presents these feelings as trauma, and I find that very interesting. Let's explore this one a bit:

Early in the movie when Lydia is talking to Astrid about death and Richard is mentioned, Lydia mentions that her relationship with Richard had ended long before he left and had his accident in the Amazon. Astrid also mentions later that his dad left after his relationship with her mom had ended (If I recall correctly, Astrid says it like "after they separated, my dad left").

Then, when Lydia is talking to Delia after she's seen the Betelgeuse ad that Astrid found in the attic, she starts talking to Delia about how she met Rory at a grief retreat dealing with the loss of Richard and some unresolved feelings. Notice how she said her relationship was over long before his death. Naturally she was grieving him, but what are these unresolved feelings about? Is there guilt involved due to... :

Later, when Lydia tells Rory about Betelgeuse, she goes about it this way: She reminds Rory about their couples therapist, and how he told her that until she faced this "thing" that she was holding back, her relationship with Rory was not going to evolve. This thing of course turns out to be Betelgeuse.

So this kinda confirms that Lydia has some unresolved feelings around Betelgeuse that are holding her romantic relationships back.

As I mentioned above, this is presented as trauma. Is it because of her experiences in the first movie? I don't think so for various reasons: She not only grew up surrounded by the love and care of the Maitlands, she also hasn't seen or heard Betelgeuse in years though she's felt his presence. She also appeared to be living happily at the end of the first movie. You can't present me a traumatized character in the sequel when you showed me this character to be completely fine at the end of the previous film. Lydia also mentions to Delia that her anxiety comes from seeing ghosts every day.

So her traumatic feelings about Betelgeuse stem from something inside her that she needs to face or she won't be able to move on. Keep in mind these are my interpretations and shouldn't be taken as fact! But I believe that Lydia's trauma stems from guilt about having feelings and attraction toward Betelgeuse (possibly since she was a teenager), someone who, in her own words, she is convinced is a "trickster demon".

She may have always been attracted to him, but she pushed it down ("held it back", using her own words). She probably worries that having these feelings makes her "wrong" in some form. That she is "dirty" or even "evil" herself. How can she feel an attraction to someone like Betelgeuse, who is not only scary-looking, but also did scary things to her family and once tried to force her to marry him? These are her conflicted thoughts.

Confronting these emotions is Lydia's true path to healing wholly, because she will be faced with her own darkness. And this is what she is vehemently avoiding by wanting Betelgeuse out of her life (whilst simultaneously wanting him in her life).

This is yet ANOTHER reason why we need a third film: Lydia needs to face her own feelings about Betelgeuse or else she will always be stuck in life. Her relationships will always fail because her heart belongs to someone else; to the one person (ghost) she refuses to give it to, not because of what she feels about him, but because of what having these feelings makes her feel about herself. Only facing this will Lydia be whole again.

That's interesting material for a third and final film, but again, just my headcanons and interpretations. These movies are mostly comedy, and so it's unlikely they will go into the deep stuff. But then again, this movie at times went surprisingly deep, despite being mostly bonkers comedy, so there is a chance they will explore deeper, darker themes in the final installment. Usually the final film in a series goes harder than the rest into the deeper and more nuanced themes.

[phantomchick]

The ending of Oshi no Ko vs The beginning (chapter 166 vs 10)

So as you can see, there's clear evidence of intentional parallels happening here. This is the aftermath of Ai's death that mirrors the aftermath of Aqua's. Aka already claimed to have the ending planned well in advance months ago so it's not a big surprise that even the ending panels of the first (not counting the prologue) and last chapters match.

And yet Oshi no Ko still falls flat despite fulfilling its promise of a revenge-tragedy.

I think the biggest problem it has is the way the last chapter tells us instead of shows us as chapter 10 did.

Yes chapter 10 also used narrative text boxes a lot, but I argue that the effect then was much more immersive.

With them being used with precision to move us through a time skip with only the most necessary information about the fall out for the characters, even the distance had the effect of doing characterisation work with Aqua describing in a narrative text box how the policemen hid the scene from Ruby but Aqua felt his mother's body going cold beneath him as they arrived - this use of the text boxes casual tone over child Aqua sitting in his dead mother's lap gave a sense of disassociation and shock to the scene.

Even the textboxes turning black to mirror Aqua's dark emotions concerning his revenge as the star in his eye turned black showed how much attention was being paid to their use.

Ruby.

Ruby felt much more real in chapter 10, her rant about the internet's callous response to Ai's murder felt real and emotionally charged. In comparison, for all she's the main subject of the last chapter, she feels like a 2d cut out of herself, barely in there for all we see her struggling through Akane's observant gaze.

She expresses her motivation to be an idol despite hardship by acknowledging that Aqua's right about idolwork being difficult and cruel but reminding him that despite the darkside of the entertainment industry, their mother 'shone' very brightly. The talk about how Ruby shines more the darker things get and how this is a good thing because it reaches out to people trapped in darkness of their own (just like her when she was a terminally ill cancer patient) is clearly meant to echo this idea.

Frankly it fails.

Ruby feels hollow.

To the point where we barely get any insight into Ruby's real feelings at all or any emotional connection with her in comparison, by 166 it's genuinely unclear whether or not she's lying even to the portrait of her dead family when she's 'alone' on her way out the door.

We don't see a conversation between her and her adoptive mother about Aqua, we don't see her talking to Akane at all. We see her grief and her success from a deified distance, just like the fans do. And it alienates us from the character.

Lies are love and she has two stars in her eyes. Just like her mother did.

I think this more than anything condemns the idol industry, she has to keep lying even to herself about her job being fun because otherwise what was all that pain and suffering and loss for?

Aqua died in a murder-suicide (shout out to Taiki for experiencing a loved one doing this twice, poor guy) to give his little sister success in a job that she has to get up at 5.30 for, devote her entire youth to and will have to quit in less than a decade. It has to matter, that she provides escapism for people who are suffering like she did, but it doesn't change the grim reality of her exploitation.

I think the lack of dialogue in the final chapter and the loss of voice for Ruby in the last few arcs mirrors the loss of agency she experiences as she becomes the ultimate idol, everyone's star.

But that doesn't change the fact that from a reader perspective it's just bad writing. Aka failed to carry his audience with him to the finish line and his messages about the idol industry were blurred by the rushed plot after the movie arc began.

If it weren't for Mengo's art hard carrying the clumsily executed story, I can honestly say that I don't think many would have read this manga all the way to the end.

[ppumeonae-bigvibe]

did you know they were dating?

↖ navigation: seventeen masterlist || main masterlist

pairing: club pres! mingyu x vice pres! reader

↬ tags: nonsense fighting which i pulled out of thin air, this time ft the hiphop unit, i saw this trope about lovers who fake hate each other on the outside but love each other deeply on the inside and i was like "wow thats kinda cute", quite wholesome towards the end-ish, hinted jokes

summary: you and mingyu's relationship in the eyes of your friends

word count: 1.1k words

seungcheol: "I KNEW IT. i just knew that the amount of tension bouncing off each other would have brought them closer together."

"i literally just came and they're already going at it? great, just great." seungcheol enters the room, shaking his head. he haphazardly dumps his bag at the back of the club room, joining vernon and wonwoo who were observing the entire fight go down.

there you stood with your arms akimbo, glaring right back at an equally emotionally-charged mingyu, who wasn't going to back down in this argument.

"i don't get why our members should following your steps! you're making them do extra when they can simply refer to my method which concisely explains how to go about planning events such as this." you tapped the whiteboard repeatedly to prove your point.

he makes a show of carding his hand through his dark brown locks, "this is how i was taught from our advisors, going the longer way is tedious but this evokes discipline from our future members. don't you see that?"

"um...actually" wonwoo cautiously raises his hand up and the two of you (almost comically) stared at the bespectacled boy, simultaneously hollering, "not now wonwoo!" seungcheol casts his gaze over to the two of you, almost neck to neck as you both breathed down each others throat.

a moment of realization hits him and seungcheol made a face, "i'm going to stand outside. call me when this shitshow is over."

----

wonwoo: "wait...they're dating? uhhhm. good for them i guess?"

wonwoo sighs unhappily, having been caught in the middle of crossfire. he feels his attention waning, homework long forgotten. the classroom has been vacated of everyone, except for the three of you who stayed back to revise a little more.

"wonwoo, can you tell mingyu that he's being the unreasonable one?" you leaned over, wagging your finger. mingyu gasped exasperatedly, "wonwoo, you tell that bugger to shut it!"

wonwoo felt himself get jostled by the bigger male and he huffs, "you two quit it! it's just a minor issue!" silence blanketed the three of you and wonwwo stiffens in his seat.

did he touch a nerve?

"you. outside. right now." you abruptly get up from your seat and spun on your heels, not turning back to look once. wonwoo gulps, "wait, i didn't mean..."

"don't worry about it." mingyu rolls his shoulder back a couple of times and wonwoo stands up in attempt to break off the fight, "mingyu-yah, maybe you should calm down--"

mingyu shoots him a look and wonwoo immediately zips it, sitting back down in defeat.

what did he get himself into?

----

vernon: "i had a hunch, but this just confirms everything. thing is, why would they choose to fight to show they love each other? that's...so weird."

vernon exits the toilet, the corner of his eyes attracted to the scene unfolding right outside the clubroom. mingyu was talking with you (nothing unusual), only for the fact that his hands were grasping yours while you had your head inclined forwards, avoiding him. vernon couldn't make out the conversation, but judging from the looks of things it wasn't going well.

"what kinda fight is that...did it have to get so personal..." vernon mumbled, still hovering by the restrooms so he didn't need to awkwardly go through the two of you to enter the clubroom.

he continues observing mingyu, who was leaning closer to you by the second and you huffed, shoulders moving animatedly with whatever conversation that had you so worked up. vernon nearly gasped out loud when he witness mingyu pulling you in for a hug; vernon desperately rubbed his eyes again to make sure they weren't playing tricks on him.

with sweaty palms, he pulls out his phone to hurriedly snap a picture, no doubt to send it to the group chat that didn't have the two of you inside. the sound of the camera shutter seemed to get your attention because just when you jerked your head towards his direction, vernon ducked down and out of sight.

he vaguely hears you murmuring, mingyu's baritone voice lilting in the quiet along the hallways. vernon remained motionless with bated breath, waiting for you two to walk away from where he was.

"that's right, just keep walking...walk away from me, please, please...!"

as soon as he couldn't distinguish anymore sound coming from you two, he makes a run for the clubroom, bursting through the door.

"guys! you won't believe what i just witnessed!!"

----

mingyu: "i think...our bantering has gone a little too far." you: "a little? you fight with me every opportunity you get!" mingyu: "am not?!"

"did you really have to pull that stunt in front of our juniors?" you chuckled lightly and mingyu delights in the way you were slightly bumping shoulders with him as you two stroll leisurely out of school.

"i mean, all banter aside, i love you. you know that right?" mingyu refutes back, an age-old statement that never fails to worm its way into your heart. he repeats it once more, earning him a giggle from you.

you rolled your eyes, reaching up to ruffle his hair playfully, "i know that. say, maybe if you showed your loving side to me, then people would take you more seriously."

"you really think so? i think our fellow members get a kick out of us bickering. i bet they keep tabs on us too." you hummed at mingyu's statement.

"nah, i like it when you get up close and personal with me." mingyu finally concludes, adding on, "i love it more when you're feisty, you know?" he exaggeratedly pouts his lips, making kissy faces as you mock-disgustedly push him away.

"YOU'RE NASTY KIM MINGYU!"

@ppumeonae-bigvibe 's work ; likes and reblogs are appreciated <3

[valariecomet]

Honestly seeing (mostly kataang and maiko shippers but not just them) say ppl need to move on from what Bryke did with book 4 air makes me genuinely mad.

When I first started watching the show I was basically bullied out the fandom for drawing Zutara fanart. I was either 11 or 12 at the time and it was during 2020. A bunch of people older than me were mocking me for my fanart, not even because it was bad (not that if they did it would have been justified) no, because it was of a ship they like. I was called a whole bunch of colourful names and slurs and got accused of some horrible things just for liking Zutara and it did affect me.

Now, imagine 12 year old me finding and watching Book 4, do you think that just because that was in 2008 it didn't affect me? No! Of course it did! If anything it made me feel worse, so much so I left the fandom for two years and I only got back into ATLA when I was 14, even then I have only recently started engaging with the fandom again. Just because it occurred in 2008 doesn't mean it doesn't affect people now and I'm sure I'm not the only kid who has been discouraged by that video. If you were a kid at the time or not, the video can and has had an affect on people.

Also, it's not like Bryke were kids when they did that, no, they were full grown adults using children's fanart to mock them. It was disgusting and the fact they have never apologized, as far as I know, is gross. It doesn't matter how long ago it happened because it happened and still affects people, I don't think people should be forced to move on just because you believe that it isn't a big deal or it was ages ago so they should be forgiven. If you don't care that's fine, but don't try to force people to feel different to how they feel.

If your a Zutara shipper who's fanart was in that video, I am genuinely so fucking sorry. That is horrible and I can't imagine how it could have affected you. I know if I was in your situation I would still be upset about it to this day because of how discouraging the video was. I know your probably not reading this but if you are I feel for you.

Also I'm writing this after trying for about two hours to complete the gosh darn pachinko machine level in super Mario sunshine so if I sound a bit emotionally charged it's because I have just spend the past two of so hours in agony ✌️

Edit: I forgot about the Azulaang and Tokka scenes in the video since I hadn't watched it in ages, you guys too I'm so sorry, that was so cruel for you guys too.

[athousandbyeol]

oh, my God. this episode is so intense. i think i'm still in a daze. but i'm trying my best to make sense of everything i understood from today's episode.

opening the episode with bernoulli's principle—all about two objects [people, in this context] coming together, colliding, because of the wind [in this context, attraction, love]—is such an amazing way of setting the tone of the episode. everything feels so bittersweet, hopeless and hopeful from the get-go.

sheng wang's sense of loneliness, jiang tian's nature of reluctance, all those things mingling together in this emotionally charged connection they've built, was so poignantly portrayed in this episode. somewhat, they're in a turbulent state—whether to stop the wind from blowing at them, so that they would no longer be close.

the scene where sheng wang was asking jiang tian to carry him, honestly, that is so painful. because i think, all sheng wang wanted at that moment was a connection—he wanted to hug jiang tian. he wanted to be close. he just wanted so much of jiang tian that he thought, maybe, if he asked jiang tian something silly, the latter would agree. he did. he would know, right? i guess that feeling of relief and happiness and love and acceptance dawned on him. and it was so overwhelming.

but what hurts me more is how jiang tian could only watch sheng wang's grip around his wrist. there was hesitance in his eyes. there was want. there was desire. but he couldn't. he didn't want to be close.

so sheng wang crossed the line again. the only way he could ever be this close to jiang tian was to make the first move.

and later, we finally knew that jiang tian has always been pushing people away. he didn't want that connection. he was afraid of hurting them—hurting himself.

and throughout the rest of the episode, uncle ding's "don't let jiang tian push you away," became a recurring motif. we saw sheng wang and jiang tian becoming close. we saw jiang tian openly showing that he cared (the express card was sheng wang's; jiang tian bought it for him). jiang tian standing up for sheng wang; believing in him.

and it all crumbled the moment jiang tian said, "i would stay [at school] later."

because it isn't because jiang tian didn't care about sheng wang. he cared. he cared so much. but jiang tian is afraid too. he's afraid of this connection. he's afraid of being close. because what will happen if they are closer? what will change between them? what will happen to them? isn't what they have right now are already good enough?

all of sheng wang's attempts at making jiang tian stay are in vain. "i couldn't make you stay."

when he said, "the more one tries, the more pathetic they look," somehow insinuates that sheng wang felt that he was pathetic for being the one who showed more effort—the one who wanted to be with jiang tian—the one who wanted to be close.

and sheng wang finally stated the real reason why he loathes bernoulli's principle, "it sounds like 'effort in vain'. and i hate that."

because he felt that everything he did—everything he shared with jiang tian—was only in vain.

[deception-united]

Hello, I love your blog. I'm writing a story about cheating and I was wondering how you write the person finding out and the couple breaking up making it clingy and annoying?

Hi, thanks for asking! Writing about cheating and the fallout can be emotionally intense, so it's important to approach it with sensitivity and realism. Before you reach this point, though, make sure the dynamic of the couple is established. One one hand, you might want to create a strong foundation of trust and intimacy between them before the cheating happens to make the betrayal worse, making it as much as a shock for the reader as it is for the character; but on the other, there might have been factors here and there that made it expected, or at least lessened the shock. In this case, you may want to drop subtle hints or foreshadow events that hint at what is to come.

Though this is a very general mould, the scenario might typically go something like this:

It all starts with the discovery—the moment the person finds out about the cheating. This scene will likely be extremely emotionally charged. Consider different ways they might discover the truth—catching the other in the act, finding incriminating evidence, or hearing about it from someone else, for example. Show the character's initial shock, disbelief, anger, heartbreak.

There may be a confrontation, or the person being cheated on might decide to keep this information private for the time being, for whatever reason that may be. The former scenario will likely be intense and dramatic, with raw emotions pouring out on both sides. It's important to use dialogue that reflects the feelings of betrayal and hurt in this moment. As the truth comes out and emotions run high, the situation may escalate, leading to a heated argument or even a physical altercation. Remember to be mindful of realistic consequences and character reactions.

After the confrontation, show the aftermath of the breakup: the emotional fallout for both parties involved, any collateral damage to friendships or family relationships, the process of healing and moving on (or not. Revenge and resentment is good, too), and how the experience changes the characters. This will add depth and carry the story forward.

Here are some tips to keep in mind:

Show one or both parties overreacting to the situation. This could involve exaggerated emotions, dramatic accusations, or unreasonable demands.

Focus on the insecurities of the person who discovers the cheating. This could involve them constantly seeking reassurance or displaying jealousy even in unrelated situations.

Adding miscommunication will fuel the high-strung emotions present in the altercation. Perhaps the person who discovers the cheating misinterprets innocent actions as signs of further betrayal.

Show the person exhibiting obsessive behaviour. Namely, stalking.

Have the person who discovers the cheating guilt-trip the other person, making them feel overly responsible for the situation and manipulating them emotionally. This could also work the other way around.

Include meddling friends or family members who exacerbate the situation by taking sides, spreading rumors, or encouraging certain behaviour.

You can depict the person who discovers the cheating as overly dependent on the relationship for their happiness and sense of self-worth, making the breakup even more devastating for them.

Showcase extreme mood swings, from intense anger and resentment to desperate pleas for reconciliation, creating a rollercoaster of emotions that can be exhausting for the other party, though keep in mind that this could put off the reader if taken too far.

The two characters will probably not be having a logical conversation in this moment. Keep it filled with emotional outbursts and irrational accusations rather than rational discussions, preventing any resolution or closure.

Try to drag out the breakup process with unnecessary confrontations, repeated arguments, and attempts at reconciliation, making it feel drawn-out and tiresome for both characters and readers alike and making the resolution or aftermath all the more satisfying.

Again, all this depends on your story and characters, but I hope this is helpful nonetheless. Happy writing ❤

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[amuseoffyre]

I was reading the interview with Jes Tom about the trans allegory of Ed dropping his leathers overboard and my brain latched onto it and started gnawing :D

It got me thinking that this definitely vibes with feelings I had back in 1x10 with Izzy keeping this emotionally vulnerable version of Blackbeard safely hidden from public view ("you will not speak of what you see on pain of death"), Lucius encouraging Ed to express himself and the whole "this… whatever it is that you have become" scene.

Ed says it there himself "I am still Blackbeard" and Izzy flat-out tells him he's not unless he presents himself a specific way, dresses and acts a specific way ('this is Blackbeard'.) Simply being "Edward" and expressing himself and his emotions means that Ed faces hostility, derision, implicit threat and "I should have let the English kill you".

Ed pulls on his leathers again again because he's been threatened by someone close to him, but this time it's different - the intent is different. No more "I am still Blackbeard" because apparently his version of Blackbeard isn't enough (and this is already on the back of Stede saying "you can't be Blackbeard without your black beard"). Now it's "the kraken" or "the fucking devil".

More importantly, when he puts the clothes back on, he does it based on one of the propaganda pictures distributed by the English. This isn't his choice of presentation anymore. I find it fascinating that his look at the beginning of S2 is some kind of hybrid of the Mad Devile Pyrate Blackbeard and the image that Izzy shoved in his face in 1x10. (Also love the detail that Izzy's image has elements that appear in Black Pete's fantasy of Blackbeard, to confirm that this image isn't accurate either)

It's a defensive pushback, escalating to the 'viking vampire clown' aesthetic, because if he's being threatened by someone he trusted and he's had past experience of people being nice to him then turning on him ('it's a fickle crowd'), he'll have to go to another extreme to make sure no one will get close enough to hurt him or threaten him again.

The clothing is only a surface element. It's part of an armour to protect himself with his presentation. Stede's line in 1x03 explains it in a nutshell - "It's a power move - make people feel underdressed and suddenly, you're the one in charge". People don't know him/aren't afraid of him when they see him without it (the party ship - "do you know who I am?") and this carries over into S2 as well (the people at the fish shack).

It only hit me now that every scene where he expresses his emotions when he's in his leathers includes some kind of hiding - his hair loose around his face, hiding under a robe in Stede's bath tub, standing at the back of the ship where no one can see his face, closing himself away to cry in an empty room, hiding under a blanket at Mary and Anne's. He's been forced to hide his vulnerabilities when he's in his armour for decades.

Even when he's talking to Stede (and others), he doesn't express his real intentions. It's all skirting around what he actual wants and feels. The "run me through", the "next adventure" - Ed doesn't feel he can express what he wants directly, because he always has to keep his guard up.

The beginning of 2x07 is Ed wanting to shed the need for that surface armour, that visible shield for Edward. He drops them overboard and immediately goes and talks to Stede about his emotions and his feelings for the first time.

The fact that Izzy saw the leather-drop and this time says "maybe you should listen to it" instead of tearing him down shows how far they've come. Ed feels safe with Stede and wants to just be himself, but when faced with the idea of staying in the world where that armour - that presentation and the expectations that come with it - is necessary again, he panics and runs.

Then their entire world is burning and as far as he knows, Stede is injured or dead.

Once again, the leathers come back, but this time, Ed is the one who chooses to put them on. He's taking this piece of himself that he has hated for years and turns it back into the armour that has protected him for this long to get back to Stede. Him having that choice, making that choice, is key.

I think the biggest thing is him realising he can be Blackbeard and Ed and whoever he wants to be without cutting off pieces of himself. So much of the Blackbeard presentation has been code-switching and hiding his real self. This time, he doesn't hide. He finds a letter and has a cry over it and the instant he's back at Stede's side, he drops his weapon and, for the first time, kisses Stede out in the open in front of people and tells him he loves him.

Ed is no longer afraid to be seen and expressing himself. He's letting himself - all aspects of himself - be seen. The clothes aren't him. They just happen to be there while he is himself.

My expectation is that S3 will see him finally being able to leave that armour behind for good and I can't wait for it.