#my apologies for taking a bit long

[sergle]

ALSO IMPORTANT TO NOTE, people dropping mad mad sums of money on gfms and charities and stuff are extremely impressive but that DOES NOT MEAN that putting like $5 towards someone's fund or any good cause is any less valuable, a lot of crowdfunding is about momentum and those single digits add up super fast, you do not need to be Rolling In The Dough to make someone's day!! moving the dial at all is extremely positive!!

[buggygerm]

OH HEY...... hey guys......

[ameyumez]

🍓 » Red Bouquet's Ever Red gifs! ♡

❲ ♡/⇄ + credit if using!❳

[epicthemusicalstuff]

Epic the Musical set design

Okay! So, y’all remember a while back when Jorge said he was inspired by Cirque du Soleil? Well, a few months back I got the opportunity to go see their show Awakening, (which was absolutely amazing with the way they did set and costuming by the way) and I was Inspired!

I would like to say this here, that these ideas are based off of the theatre that Awakening was in, and that I know these would not work in a conventional theatre-

So here are some ideas I drew up inspired by the space in which Awakening was performed. One of the things I loved was that the stage was 360 and that the floor moved in many segments up and down, allowing for it to move fluidly and be very visually captivating. A lot of the set pieces were either brought down from above, which I think would be wonderful for some scenes in Epic such as Aeolus’ island, and possibly the boat(?). Another aspects of using the above Also, I think starting the show with a giant wooden horse would be amazing, where it’s visible as people walk in and get seated, and the show could start with that being removed to show the actors were in it! (That would be so cool to see)

Also, Awakening used lots of giant puppets, and I would love to see those in Epic. Such as the Chimera, and the Cyclops, those would be amazing to see as giant puppets!!!

I have a few other things, but these are the main ones! Here are my little sketches on the concepts!

[puhpandas]

Rabbit Burrow

(3,785 words) Part 1 (part 2 found here)

Tony Becker, one year after surviving the attack from GGY, tracks down Gregory post-SB. But he has to get through Vanessa before he can get to Gregory.

Tony likes to think his detective skills are pretty good. So when he swings a leg over the seat of his bike and wheels it near the entrance, he hopes it's the right place.

He'd tracked down Gregory to this apartment complex somewhere in Gale county. It's still in Hurricane, and Tony had been able to reach it with just a bus ride. The apartment is somewhat run-down, but clean enough to where you can tell it's well kept, just old. The air conditioning units he passes on the way to the front door are brand new.

He'd taken the closest bus to Gale county right after school let out. He'd been restless all day up until finally acting on his findings. Tony has been searching for Gregory for a year. Finally finding something and having to wait for his middle school day to end was agonizing. He just hopes his Mom and Grandma wont be too mad at him.

He'd wrestled his bike he'd ridden to school that day discreetly onto the bus and wedged it in-between his legs and the seat in front of him. The air had been humid and thick all day with the signs of a storm, and Tony had seen the dark clouds and heard the thunder peeking over the treeline outside the bus window on the way here. He ducks inside the front door and beats the rain by seconds.

"Can I help you?" The receptionist asks him, giving him a weird look when he steps inside. Shes a lady with long, styled black hair and covered in jewelry. Tony tries not to look too suspicious as he sends her a polite smile, heading to the elevator on the wall to the left. He would also be wary if someone he'd never seen walked into a resident building.

"Just seeing an old friend." He tells her. He presses the button to the third floor and tries to break her gaze by stepping behind the closing doors. The elevator shakes a bit before moving up.

He tries to take a deep breath. Theres some kind of excitement floating around in his chest at the fact that he's done it, but he pushes it down, lowering his expectations.

Despite his theories, he really has no clue what to expect. Theres some sort of worry mixing with the excitement, and all he decides is that if he escaped once, he can do it again.

It both took too long and not fast enough when he finally reaches the third floor. He double checks his crumpled sheet of notebook paper in his hand once, then a second time, something nervous but anticipating thrumming in his veins.

He steps onto the beige carpet of the long hallway, fresh vacuum marks in it, and follows the number plates by each door before coming to a stop near the middle of the hall.

3-05 The plate reads back to him. He quadruple checks his paper again. Its right.

He sighs out deeply, not even realizing he was holding his breath. Despite himself, his brows crease ever so slightly.

He shakes it away, pushing past it. Maybe digging too deep is what got him into trouble before, but its different now. Tony... Tony's learned things during his search for Gregorys location. If there was any point during his investigation that he would call digging too deep, it would have been months earlier from now.

Besides. Tony has always been bad at staving off his curiosity.

He thunks his knuckles on the white wood of the door quickly after that, three times in succession. He kind of bluescreens for a second when he realizes what he just did, then shakes it off. Waiting with wide eyes at the door, watching for a rattling of a doorknob or listening for incoming footsteps.

Nothing. He waits a few more minutes before knocking again, this time a little louder and harder.

Tony perks up when footsteps finally near the door, and his lips part prematurely when the doorknob rattles, not even put-together words yet on his tongue. They fall away immediately when a woman with blonde hair pulled back in a ponytail opens the door, one of those chain locks keeping it open maximum of three inches. "Hello?"

He stutters for a moment, words lost on his tongue, before he clears his throat, putting on a polite smile. "Hi, there." He says. "Um. Who are you?"

"I should be asking you that, kid." The woman raises a brow at him, never opening the door more than the chain lock allows it. She peers at him through the gap, and Tony tries as discreetly as possible to look past her head and shoulder into the apartment itself. "What are you doing here?"

When he looks back, shes still looking at him in a way Tony can only describe as cautious. The light in the hallway on the ceiling is flickering, and it casts split second shadows on the womans face that makes the bags under her eyes that much more prominent and her face that much more intimidating. "Well?"

Tony realizes he hasnt answered, and coughs slighty. "Oh. Sorry." He says, reluctant to continue. "I'm... I'm looking for Gregory."

Tony watches intensely to see if the name rings a bell or catches her attention. Just as he expects, her face twists ever so slightly in recognition. Tony catches something adjacent to panic or fear in her eyes until it's gone not half a second later.

"Who's asking?" She asks eventually, voice carefully even after a what appeared to Tony to be a mini conundrum in her head.

"His friend." He answers honestly. He ducks his head when the woman scrutinizes him, looking almost angry, but restrained enough to not show it. "I mean it," He says earnestly. "he and I... we were best friends. Last year. I came here to look for him."

Her eyes widen ever so slightly at that, and she studies him, eyes flicking back and forth over his face and his clothes and his hair. Tony doesnt miss the way her eyes linger for a millisecond on his scars. Its silent in the hall save for the two looking at eachother, and the buzzing of the flickering light on the ceiling is enough to save him from hearing his own heartbeat.

"Okay." She says eventually, and Tony subconsciously feels himself sag a bit at the relief that he won't turned away right as he was this close. She shuts the door without a word, and all Tony can do is stare at the peeling landlord white paint on the door as the sounds of the woman unlatching the multiple locks on the other side reach his ears. He waits patiently, until she cracks the door open not much wider than it had been with the lock, but just enough to fit his body in. "Come in. But no word to anyone. Got it?"

About what? Tony's about to ask, but then he steps through the door and the words die on his tongue.

"Oh." He says outwardly when Glamrock Freddy Fazbear sits on the couch. His body is adjacent to the patchwork quilt Tony has on his bed that his Grandma made him, and any of the makeup he had been painted with has long since scratched off.

His eyes are shut, and theres two jump cables attached to his ears that are plugged into a portable something. He doesn't so much as twitch when Tony enters the room.

The woman gives him a look after she re-locks only the deadbolt behind him and passes him into the apartment. "Oh." He repeats. "Not a word."

She nods at him, and it's only now that Tony can see the rest of her that isnt just her face. Shes in her twenties, if he had to guess, and she has a white tank top on with some sort of stain near the collar along with Hello Kitty fleece pajama pants. Her socks are mismatched and her nails are painted a purple color that could rival the deep bags under her eyes.

She collapses into an armchair (which hes pretty sure has a mismatched leg attached to it half-hazardously) and only looks at him silently as he steps further into the house, not so discreetly angling his body to get a peek past walls and open doors across the house.

Shes about to speak when Tony does first, "Wheres Greg?" He asks straight up. "Can I see him?"

Her lips twitch, and she just leans further back into the chair. The TV is playing some sort of Spring baking show, and the droning of the host mixes with the pattering of the rain on the window on the wall by the TV.

Anticipation and impatient-ness buzzes under his skin at being right here, and this woman undoubtedly knowing Gregory certainly doesnt help.

She only hesitates for a moment, but Tony can see the influx of thoughts that undoubtedly ran through her mind. She opens her mouth, taking a slow breath, before, "At school."

"He goes to school?" Tony gasps slightly, eyes widening. He moves to the couch, toeing past Freddy Fazbear as to not touch him even with just a brush of his jeans before sitting down, facing her. "What school?"

"He goes to Raindrop." The woman tells him, seemingly not hesitating this time.

It doesn't ring a bell, but it must be a middle school in Gale county. "...I go to Hailstorm." Tony says. "We both did. Or used to."

She stares at him after that, fingers drumming on the arm of her chair. She says nothing, just scrutinizing him, before, "You sure have a lot of cryptic ways of telling me how you used to know Gregory."

He wants to apologize, because it seems like what to do in response to that statement, but for some reason, that feeling in his gut he's learned to trust as his Detective sense tells him that he shouldn't.

Shes still looking at him intensely, and the rain outside pattering on the window somehow feels louder. There's some thunder outside that rumbles the floor, and the lighting casts a shadow on the living room. A few white lines across the coffee table caused by the blinds covering the window.

Her face doesnt so much as twitch, he notices, and she doesn't blink when she looks at him. Her green eyes bore into him, almost glowing in the shadow cast beneath her bangs. It reminds him of how he'd done to her not minutes ago. What he does to people he wants to analyze. To see how they react to something.

That's what shes waiting for, he realizes. He has a feeling that if he doesnt match her cryptic bluntness and instead apologizes and caves that easily, that it will somehow result in her turning him away.

Theres a glint in her eye when he becomes aware of reality again enough to look, and he thinks she somehow just came to the conclusion that Tony figured it out.

Then, he tries to sit up a bit straighter, and muster up that same glint mirroring back at him. "You sure have a cryptic way of letting me know you dont trust me."

Her mouth twitches slightly, but its all Tony needs to know he'd guessed correctly.

Its silent for a moment, and the woman grabs the remote on the next arm over and pauses the baking show she'd been watching. She shifts in the red velvet seat, as if getting comfortable, before, "Tell me how you know Gregory, and I'll tell you how I know him."

He has a feeling he isnt getting to Gregory unless he gets through this woman first, so he clears his throat, leaning his forearms on his knees.

"Me and Gregory met early last year at the beginning of the school year." He begins. "Right after summer ended in August. He was the new kid, and he sat at our table at lunch since it was mostly empty. Me and my friend arent the most popular, so there was room to spare."

She waves a hand, signaling him to stop. "Your friend?" She asks. He nods. "How many of there were you?"

"...Just me and E-- my friend." He says. "There were two of us, and when Greg sat at our table, we remembered how he looked a little lost earlier in class and we introduced ourselves. Then we just... clicked, I guess. He would partner with us in creative writing."

"Writing, huh?" She smiles slightly.

"Yeah." He replies. "Then, it was just business as usual for the months afterwards." He pauses, fidgeting with the hem of his jacket he loves so much that reminds him of the trenchcoats big city investigators wear. "Then... I had gotten wrapped up in this mystery."

She shifts, crossing a leg over the over and holding her hands together. "A mystery?"

Tony nods, remembering it like it was yesterday. He thumbs the part of arm where a scar is on his arm that his jacket covers. "The three of us would always go to the arcade in the Pizzaplex." He tells her. "And one day, I noticed high scores that seemed impossible to reach, and I became obsessed with solving who it was who had gotten there."

Tony thinks hes very good at reading people. So he doesn't think it's just his imagination when the woman in front of him goes a little rigid in her seat.

Theres some sort of creases under her eyes, Tony notices, that weren't there before.

"What did you do?" She asks.

Tony has a feeling that she somehow knows already. So he doesnt beat around the bush.

"I solved the mystery, eventually." Tony says. "Because GGY had been Gregory, and he'd invited me to the Pizzaplex and tried to kill me."

She sags a bit, looking somehow infinitely more tired, but no surprise detected. "But you survived."

"Not..." He shakes his head, picking at the skin by his fingernails. "I wouldn't have. If not for Greg saving me."

"Huh?"

"He--" Tony searches for the words, looking at the carpet between his knees and remembering that afternoon in every vivid detail he'd looked over countless times before. "He'd tried to kill me, yeah, but... he was almost fighting himself as he did it. He was like having a fistfight with himself."

He doesn't look up at her, he just keeps remembering how Gregory had gone rigid right before plunging the knife into Tony's gut a second time and stopped himself. How it had looked like somebody yanked Gregory backwards, but it had been his own self throwing his body. Just so he didnt hurt Tony again.

"He looked like he was a malfunctioning robot." He recalls. "He was like, hitting himself, and was making noises like he was fighting something. I was too frozen to move at the time, but then he threw me a really high security pass for the Pizzaplex and told me to run."

Then he had collapsed in front of him, like he was holding himself down. He doesn't tell the woman, though.

He looks back up to see her staring, eyes wide in suprise. She looks deep in thought for all but a few moments before shaking herself out of it. "So what did you do?"

"I ran." Tony says. "He had got me already. He stabbed me in the back, the first time. That was how I knew he was attacking me in the first place. But I ran away with the pass, and I went to a room with a ton of monitors and erased the security footage."

Her eyes blow wide as saucers, that time. "You got stabbed," she begins. "and instead of getting help, you erase the security footage?"

"Yeah." Tony nods. "Greg would have gotten in trouble if I didnt."

She's silent, after that. Tony just keeps picking at the skin on his fingers. "I somehow knew that Gregory didnt deserve to be. He just..." Tony trails off. "He didnt seem..."

"Seem like himself?" She suddenly cuts in, and Tony's eyes widen.

He nods, a small tilt of his head, and the woman sighs. "That's what being mind controlled will do to you."

A year ago, probably longer by now, Tony would have never believed that. He would have never thought something so outlandish that is only ever shown in fiction could be a possibility.

Not that he was wrong, to. Really, anyone in their right mind wouldnt think so. But things have changed since then.

And Tony has seen a lot of things during his search that probably nobody else has. Plus, This woman has been so cryptic up to this point. If she told him this straight up, and it's clear that she knows Gregory...

Suddenly, everything that day seems to make perfect sense. And everything he'd found that he'd filed away into his little mental Gregory crazy wall.

(He'd used to call it evidence wall, like normal people do. But, well, at some point, maybe Tony had thought the things he'd been finding were a bit too crazy to deem as normal.)

Theres been a stretch of silence while Tony had been taking that in, and he only breaks it to say, "Is mind control a topic you're familiar with in this house?"

Her eye twitches, a bit. And now that Tony is looking for it, he notices that same strange sheen on her eyes that Gregory had during their friendship. That weird red tinted film that makes their eyes turn a completely different color when the light hits them right.

Tony doesnt yet understand how the mind control Gregory had been under works, but all he can hope is that there are some side effects.

She stares at him, eyes narrow, and theres another roar of thunder outside the window.

"Who are you?"

"Tony." He answers. "Tony Becker. Ring a bell?"

She hums, and she looks at him in a way where he feels like he's being dissected.

"He didnt remember anything for a while." She says eventually. "But hes been having dreams, lately. Sometimes he talks about two kids he used to be friends with."

"Me and Ellis." Tony's eyes widen. It doesn't even occur to him that he shouldn't share Ellis's name.

"He worries about you." She says. "I've heard him say he hopes you're okay. You and that other kid. You must have been close if he remembers being that good of friends with the two of you."

"We were." Tony replies. Memories of him, Ellis, and Greg going to the Pizzaplex and trying to get the most dunks in the basketball hoops flash in his mind. He thinks about when Gregory would come over to Tony's little run down house that he shares with his Grandma, and they write graphic novels together for the fun of it.

Gregory liked to call them comics before he'd suddenly decided that stuff wasnt cool anymore and stopped coming over. It had been like everything Tony saw him enjoy that wasnt painfully average for a child suddenly didn't mean anything to him anymore.

And then Gregory tried to kill him in a dusty back room.

Everything hed given up seems to make more sense now. It wasnt willingly at all.

"He doesn't remember your names." She speaks up suddenly, ripping Tony out of his thoughts. "But he remembers more and more every time he has a dream. Something reminded him of you one day, I guess. That must have been when it started."

Tony opens his mouth, but the beeping of a digital clock interrupts him. He follows the womans arm as it reaches across the seat to turn it off.

The time reads 5:00pm.

He watches as she looks over at him, and nods to the door. "After school activity." She informs him, getting up out of the seat. His eyes follow her as she moves towards the front door. "I'm his ride."

Tony's eyes widen at the implications. "So I just--"

"Stay here." She tells him. She grabs a flannel off of the small coat rack by the front door and slips it on, sliding some Adidas sandals on top of her socks and reaching in the pocket of the coat to grab car keys. She pulls them out, and Tony notices that theres a keychain of a white rabbit dangling from the key ring.

The breath is suddenly stolen from his lungs, and he bolts off of the couch, a buzzing under his skin. "You're bringing him?"

She nods to Freddy Fazbear. "If you can wait." She smiles at him, and it's the first time Tony has seen her smile, instead of the carefully kept nonchalant-ness. "He'll wake up pretty soon once he's done charging. So you won't be completely alone."

Tony doesnt know what to say to that. Thousands of words spawned from the thousands of thoughts hes had about finding and tracking down Gregory are on the tip of his tongue, but he only gets any out when the woman begins to leave the house.

"Wait!" Tony reaches out a hand. She turns around, a brow raised. The door is still slightly ajar, and the sound of heavy rain reaches his ears. "What's your name?"

She smiles a bit at the question. "Vanessa."

"Vanessa," He asks, oddly desperate. "Dont tell him I'm here." He swallows. "I want to see him remember me."

Vanessa tilts her head, but nods after a moment. "Sure, kid."

She smiles one last time on her way out, and says, "Tony Becker."

The sound of the rain outside disperses when the door shuts and locks, and Tony doesnt move for a long while. He just stares at the landlord white door, electricity under his skin and something floaty in his stomach.

Greg. He thinks in his mind when he finally rips himself away and looks around some more, seeing a door propped slightly open down the hall with a bed and a desk with pencils and paper strewn all about. He doesn't dare go in, but stares at what he can see. Its been a while.

The silence is numbing, when he can only hear the faint whirring of Freddy Fazbear on the couch next to him and the rain on the window, he plants himself on the couch cushion next to the animatronic, grabbing the remote and resuming the baking show Vanessa had been watching.

He doesn't listen to a word. He just trembles with anticipation and bobs his leg up and down as he stares at a random corner of the screen.

ao3 link

[sentientsky]

"I forgive you." It came out like a blood clot—like an artery dripping gore—like an oil spill. Crowley felt his shoulders rise, fall, fall, fall. The air between them hummed, the tension of six thousand years turning every atom electrified and silently screaming. Breath shuddered out of him, human and terrible and hollowing. He had never been more grateful for the swallowing darkness of his glasses, for the way they hid the centuries of pre-emptive grief and wicked terror. The air was suffocating, the once familiar bookshop turned catacomb.

And then, hating himself for it but seeing no other way forward, he spoke the words aloud. "Don't bother". And then he was out in the middle of Soho and the breeze was harsh against his too-warm skin. Stepping out into the sun felt like rising to the surface of some great ocean—the gasping, desperate feeling in his lungs, the sudden crash of noise. A woman across the street called for her wife. A car horn. A dog barking. Laughter, cruel and far-off. He pulled breath into lungs that didn't need it, winced as he felt slivers of cold drive into the soft flesh of his throat.

So that was it; five and a half million years of want and need and burning, aching somedays, cyphered pleas for "our side". All gone in the space between shaking half-breaths and a kiss still seared against his lips.

Fuck it.

He'd ruined it the first time, had forced them both to look directly into the sun, to face the thing they'd been dancing around for the better part of six millennia. He could do better—would do better. At a music café some years ago, a human had been playing the piano—something soft and slow. A jazz number, if the demon remembered correctly. But the remarkable thing wasn’t the song itself, but that they were playing it with their eyes closed. Aziraphale had pointed this fact out to Crowley, excitement lilting in his voice (even then, the sound had thrilled him, sent a stab of warmth through his heart). It was only after the final note reverberated through the room that the artist opened their eyes, blinking in the sudden rush of stage lights. Aziraphale, ever the music connoisseur, approached the musician. The pianist had explained that, for them, reading music never came easy. Rather, they learned by touch, by the way the keys felt on their fingertips. In fact, the only way they could play a song was with their eyes closed. If they watched their hands as they played or thought too hard about their next move, they got confused and tripped over the notes. Muscle memory, they’d said.  It was muscle memory—the galactic familiarity of finding the space between seconds and prying—that guided Crowley now. He hadn’t done it since Not-Armageddon, but it came easily to him just the same. Time, you see, operates kind of like sound, like music; it loops and sways and carries forward in waves. If you know where to look (as the demon did), you can disrupt the flow, send it back towards the shore. 

And this was what Crowley did now. Drawing his hands through the ripples of minutes and seconds and hours and millennia, time stilled around him. It was natural. Easy, like breathing or sleeping. Or loving Aziraphale.  Slowly, the world turned backwards; humans retreating from whence they came, cars driving in reverse, the wind blowing in the opposite direction. If Heaven had taken notice of their "half-a-miracle", Crowley expected them to be able to see this from every edge of the universe. He likely only had one shot at this.

The world aligned itself once more, and time returned to its regular, steady gait—a rubber band snapping back into place. Something hummed in Crowley’s chest. Something bright and burning and the shape of a neutron star.  Hands shaking, he reached for the handle of the bookshop and pushed. The bell above the door rang, clear and and too-loud in the morning air. Aziraphale whirled around, a trembling half-smile on his face. Oh. Oh, somebody, this was going to be harder than he thought. It felt like all the oxygen, all the courage, had been punched clear out of him "Crowley!" A beat, a shuddering breath. "Angel". He pressed his still-trembling hands into his pockets and strode forward. "Oh, Crowley, dear, I've been looking for you. I have excellent news." His stomach did a little flip, something deep within him growing hollow and fearful. "We have to talk," he managed to choke out around the heart still lodged in his throat. "Yes, I quite think we do. I have something to tell you." Aziraphale strode forward, all grins and beauty like a flickering star, all plasma and heat. He could practically feel the agitated warmth roll off of his angel. Crowley shivered. "I just met with the Meta—” "No. Wait," the demon held up a hand, pausing the rushing torrent of Aziraphale’s words. "Just let me say my thing, please." "My dear boy, just—oh, what is that lovely human expression—"

"Hold that thought," Crowley muttered. His eyes burned behind his glasses. Aziraphale looked pleasantly taken aback.

"Yes, how did you know? I—" "No." The angel's eyebrows crinkled in confusion. "No?" "No," he repeated, enunciating each letter with perfect clarity. He was going to do it right this time. He was going to keep him from leaving. He could be good. Right? "I’m gonna speak, and I want you to listen to me without interrupting, m'kay?" Words were building in the basin of his sternum now, pushing up on his airways. He was going to have to say it outright this time; no more waltzing around this frenzied galaxy of emotion. Willing his hands to steadiness, he pulled his glasses from his face, and tucked them into the collar of his shirt. Aziraphale's breath seemed to catch for a moment, meeting the ferocity of the demon's gaze head-on. A deer in headlights. And then, "Crowley, I really—" (Eons hurtled through his mind in a split second, the serrated knife's-edge of want like a being all its own. Aziraphale in the garden. Aziraphale in the tavern, on the cliffside, on the West End stage, in the Bentley, in the bookshop, in the very marrow of Crowley’s bones.) "I love you," he rasped, ichor writhing in his veins.

There, he'd said it., said it fully and completely, without so much as flinching. It was the same love he'd expressed for the past several thousand years in a million little, unspoken ways: an ox rib, a revolution, a church, a burning bookshop and the bottom of a glass and a lost best friend. A yellow Bentley, a lifetime of tethering his life to Aziraphale's, of trailing after him like a moth to flame—like a dog to its owner. "I love you," he pushed on. They were both looking directly into the sun again, Crowley urging them to stare straight into the heat of it all. The words were spilling out of him now, a heaving, thrashing current falling to the bookshop's hardwood floors. "I love you and you can't go to Heaven." Aziraphale froze, pupils blown wide and unblinking, for just a moment. Tension stretched out like a thread between them. And then he pulled in breath like a drowning man (who wasn't really a man at all), and tears were gathering in the corner of his eyes, and oh god, he'd made his angel cry. Fear and guilt and horror slammed into him at a million kilometers an hour and left him halfway between dizzy and nauseous. His fingers tensed at his side, desperate to do something, fix what he'd so obviously broken. Heaven would be on the front step any moment. It was too late, wasn't it? It was always too late. "Crowley—what?" Aziraphale breathed, mouth twisting into a brutal, terrible, heart-wrenching sob. Crowley ached, panic lancing through him like a knife. "I—I really, I can't. You could come with me." He stepped forward, moving to place his hands on the demon's shoulders. Crowley leaned into the touch, almost unconsciously. "Don't go," he croaked, tears beginning to prick his own eyes once again. This time he didn't reach for his glasses, didn't try to hide his fear. If he was going to do this, he was going to do it right. And then Aziraphale could hate him and his desperate, hungry, reverent love in the aftermath. "Don't go where I can't follow. Please".

His angels blue-grey eyes searched his own, and the weight of his gaze was impossibly heavy, pressing down on his chest like a river-smoothed rock. "Crowley, please. I don't understand. The Metatron said—" His palms found the sides of Crowley's throat, thumbs resting gently on the side of his jaw. Crowley sucked in a breath. "Angel," The scent of earl grey—of old books and soft tartan chairs. Aziraphale's hands were shaking. "I know what the Metatron said," he intoned, soft as rainfall. "You can't go. It's not—they won't change. You're better than that." "But you could be an angel. With me," he murmured, soft thumbs running across sharp cheekbones. "Be my second-in-command." "Don't want to be. Want t' be an us," he felt tears—traitorous, burning tears tip over the edge of his lashes and fall against his face. "Crowley, darling, please." A beat. "I love you." The bottom of the world dropped out from under him in that moment. Aziraphale loved him. He loved him and he'd said it aloud and now it was out there in the world and it was as though every nerve on his body was on fire. His angel pushed on, "Truly, I love you. I need you with me. Please, come with me. We can do good, I know it." He could never say no when his angel asked something of him. Especially not when his kind, gentle hands were holding him like something good, something precious. Especially not when Aziraphale had just admitted to needing him, had injected the word with so much warmth he thought his all-too-human heart might beat clear out of his chest. But there was a first (technically, second) time for everything. He drew in a heavy breath, and tilted his head, breaking his angel's hold on him. Aziraphale's hands—now empty, still shook. He made a soft whimpering sound, and Crowley ached to kiss his fingertips, banish the fear. But instead, he looked up towards the ceiling, to a God who was not there—who maybe had never been there at all. He felt the Heavenly Host drawing near, a sense of hollow emptiness, the scent of absence. This was the time of last-ditch efforts, of holding his heart out and hoping Aziraphale might take it as it was, bruised spots and all. "I can't. I won't. I need to be here, on Earth, with you." "Crowley, please. I don't think you understand what I'm offering you," he huffed. A residual shard of anger stabbed at him then, and he turned his gaze sharply back to the angel before him. "Oh, I understand perfectly well, angel. I'm fairly certain I understand better than you do." Aziraphale's mouth drew into a thin line, tears welling fresh in his eyes again. And still, Crowley ached. A beat. Something in the angel shifted, then, turned on its edge—the walls beginning to go up again, and it was just like it had been not fifteen minutes ago. He was watching the same moment play out over and over again; some cyclical, torrential nightmare. "I would like you to come with me, but," Aziraphale paused, voice breaking in the middle. "But I'm leaving, with or without you." And there it was, like it was predestined. Despite the love, despite the want, despite every shared bottle passed between them, every half-accidental touch and glance and whispered word—despite the way he would’ve let Aziraphale run a sword through his chest... It wasn't enough. It was never enough. They were re-enacting their old magic trick, right there in the bookshop, this time with Crowley staring down the barrel, letting Aziraphale pull the trigger. Aim for my mouth, but shoot past my ear. Aziraphale wasn't shooting past his ear. His bloody ribcage felt as though it might splinter apart. Wingbeats in the distance, a grief wide enough to drown the sea. Crowley reached down, pulled his sunglasses from their resting spot against his clavicle. And then the hunger in his eyes was once more hidden, and he was walking towards the door like a man headed to execution. "Crowley—" Aziraphale nearly keened, the wall crumbling for a split second. Without turning, Crowley said the only words he could think of. "I forgive you."

[chocolate-cringymuffin]

Hello, I am alive haha.

[sysig]

Care for your sparring partner (Patreon)

Bonus:

[emily-mooon]

While I hop through all of my art wips, have this ship chart I made for nordegrim!

[sometimesartmostlychaos]

Etsy shop is back online! <3

[scarapanna]

[Wip] cakehound struggles/silly

Finally getting to draw out storybook asks, I'm not used to drawing little tiny cake dogs sbdnsh

Gave them the stubby legs treatment since otherwhise it'd look like a dog wearing a cake costume hehchdhc

[way2gosuperrstarr]

I'm glad my ask made ur day! I’ve literally talked to friends and even coworkers about the AU lmao. It’s such a good idea and a so many hilarious (and angsty) scenarios could happen. I keep wondering most about Moon and how he handles his new role. I imagine its quite difficult for the DCA after having spent most of their functioning lives as stage performers. The first time Moon successfully and confidently completes a naptime must be so comforting for him.

hello again!! gosh thank you once more, again its just so crazy to think this thing like . Exists outside of just my little Bubble of Thought and Space, wow 😭

regretfully i havent drawn or shared much of moon in this au yet (i will remedy this in the future! sun just seems to come by default </3) but he is handling it .... about as well as sun is (very clumsily!). funny enough, considering he's literally from the theatre, moon has a sort of "stage fright" in his new environment. he's very awkward, kind of offputting, and stumbles over a good chunk of the more "interactive" parts of his new job, like talking to the children or to mc/yn. he's not really used to talking to others except for sun, and he doesnt exactly have the same instant charm and charisma factor that sun has and flaunts. he wasnt like this in the theatre; this is new to him. feeling awkward and shy is a sort of new feeling to him; at least feeling this much of it is.

he still has a lot of his "theatre villain" antics (both of them still have a lot of their 'theatre days' in them). sun and moon's childcare protocol was sloppily slapped over their preexisting programming, so it's still there. just sorta .... mixed into the untested childcare programs. he feels a little worry about scaring the children with his posture and mannerisms.

yes, i do imagine his first successful naptime on his own would be quite uplifting :} yn is only supposed to be an assist in the daycare; the one legally required human to be around the children, and there to make sure sun and moon's programming is running smoothly and fill in spots anywhere they're lacking. they aren't supposed to be running anything. that's the dca's job. and moon is..... sort of hiding from that responsibility at first, i suppose? and he does feel a little terrible about it. even when he's down and helping, yn's still doing a lot of the heavy lifting during naps at first. his first truly successful and on-his-own run would surely feel quite rewarding and nice. :}

moon hides away for the first naptime or two. in fact, yn doesnt even know he exists at first— sun never really gets the chance to tell them. their first meeting is quite the shock, to say the least. or, a shock for yn, a little bit mortifying for moon.

[wayfinderships]

Good morning gamers!! Hope you're all doing well! As for me, I'm thinking about this bastard again-

[spyderschaos]

Just finished chap 2 of gold-silk: origins but I want my friend to read it before I post it incase smth doesn’t make sense and to spell check and shit but it’s almost 11pm so I have to wait till tomorrow

[fuckthisshitimin]

Lovely type of interaction is when someone in front of me in line is struggling with bagging their groceries or finding their change or making the machine work and trying so hard to be fast and looking at me with mild panic and I get to catch their eyes long enough to summon my chillest voice to say "I'm not in a hurry, it's fine" and they smile back or visibly relax. Always great.

[mobius-m-mobius]

Hello there!

I have to ask cause it's everywhere and apparently my husband and I didn't see it!

Aziraphale & Crowley were obvious to us as a couple but we didn't see this with Loki & Mobius (please people don't be mad 🙃). I saw a great love and a bond that will last forever but not the way we witnessed in Good Omens. To me it was more of a family thing. Like Mobius has two sons. Could be the representation of Thor and Loki. I don't know. I was so surprised when I saw all this on Tumblr. I want to rewatch the show now to see if I really missed all the signs.

Hi there! 😊 Thank you for the ask and please don't worry for wondering, part of the joy in a watching experience is being able to see something in a completely new light. I hope you've come to the right place as Lokius and Aziraphale/Crowley are the only romantic pairings that have stood out to me in ages but now for fairly different reasons so I'll do my best to explain why in my own personal view Lokius is a slow burn for the ages above and beyond all other love stories to me and I'd absolutely recommend rewatching Loki, especially season 2, with the mindset that the tropes of every good romance are present in *every* interaction Loki and Mobius have.

(adding a read more here as I feel this is about to get almost horrifically long if you'd like to know even some of the signs lol)

Right from the start we see Mobius recounting being a fan of Loki's most mischievous acts on the timeline, pushing the question of just why he's focused on ruling and nothing else, really getting under his skin in a way no one ever has before?? And in that there's something even better and deeper than love at first sight; intrigue. Loki's furious at being held by the TVA but can't help being drawn back to what an enigma Mobius is to brush off his insults and offer salvation in the face of knowing every good or bad thing Loki's ever done and believing in him anyway.

Cue the tentative partnership and rapport they both get far too comfortable in which you see when Mobius indulges in letting Loki ruin the mission at the renaissance fair and later tries to backtrack in reassuring Ravonna he's got things under control, then again when Loki realizes Mobius has been reading him too well and defaults to leaning in to "fix" his perfectly tied tie, a callback to when Mobius pointed out Loki has a tendency to try and seduce people in more powerful positions who could help him. You actually see Mobius lean in for a moment before realizing himself and pulling back, but contrary to everyone else Loki's tried this with he doesn't give in or get angry, he laughs and once again points out what Loki's up to, trying to find a way to get to the Timekeepers.

That entire sequence is the tipping point for me when they officially enter romantic territory, as Loki's visibly thrown and surprised by the way Mobius reacts and scrambles after him, finally taking things seriously enough to do real work and is rewarded not only with trust he's never been given so freely before but a now mutual fascination you see during their conversation in the cafeteria (a highlight of the series for me ) when Loki can't help but try and learn more about the person who knows him so well already by asking genuinely about Mobius and his jet ski magazine. Blew me away because any previous version of Loki would've never taken the time or interest in something so ridiculous (in his eyes), but this Loki shyly takes in the way Mobius beams and opens up, because how could you not fall a little when such a simple pleasure makes someone happy?

Then when they research Roxxcart they flirt again, Mobius praising Loki and teasing he might take his job before what we refer to as the Roxxcart grocery store divorce and for good reason 😂 When Loki's captured back to the TVA, Mobius isn't just hurt, he's clearly jealous and *extremely* so because he thought *they* had been building something only to now think Loki played him all along and during Loki's next interrogation Mobius loses his temper in a way he never has before, making scathing comments about Loki stabbing him in the back and siding with his "girlfriend" which should kind of speak for itself there 😅 Then their mutual assurance of trust before Mobius is pruned and the hug in the void being initiated by Loki is huge as well when this is the first time he's shared EVER that with someone and you see the crushing despair when Mobius later no longer remembers.

Getting into s2, it's easier for me to sum up with the base of their s1 relationship laid out since there's no need to get into as much detail when the entire thing is pure romance start to finish.

Loki and Mobius frantically desperate to find each other when in reality they had been separated for maybe an hour? Mobius ignoring all other issues at hand and his superiors to gently hold Loki by the waist and pull him close, constantly grounding by touching his back, arms, anywhere to provide extra comfort and Loki giving him that control, Mobius spending the entire season actively trying to enjoy being on the field without limits for a change and organizing dates between the two of them all season when his focus used to primarily be on the work. He repeatedly asks Loki to go for a drink, suggests visiting the theatre, going on a hot air balloon ride, etc, while Loki stops to indulge in popcorn and pies just because small joys are important to Mobius. When Loki visits Mobius' original timeline self they spend the ENTIRE ep flirting with each other, and honestly Don having two kids is just as it seems since there were no official indications otherwise; he may share genes with Mobius but is a different person with a different life. Don can't stop bringing up how single he is, teases Loki about following him home, which Loki absolutely did but only after fixing his hair and coat to try and look as good as possible before seeing him (because again, he looks like Mobius) and getting so flustered stammering over his words he may as well have been in a 90s Hugh Grant rom com 😂😂

Don't even get me started on the finale, which has every character except Loki and Mobius basically living their ideal life while the two of them are clearly left unfulfilled and wanting, missing each other to the point Mobius leaves the TVA (which exists out of time) for a timeline that Loki can see as a tear rolls down Loki's face in the final scene because of it.

Do I think that had their characters been tied to anyone but the Disney/Marvel corporations they, like Aziraphale and Crowley, would've shared a kiss as well? Absolutely yes, but that isn't a necessity for me personally and in all honesty despite Aziraphale and Crowley having kissed I actually felt season 2 of Good Omens was a massive backtrack for their relationship compared to the quality of time they spent together in season 1 which I much preferred. Again, that's personal preference and everyone sees and interprets elements of romance differently which is completely fine and I hope this wild ramble at least gave some perspective on how I and many others view Lokius 😂💖 Happy watching, no matter how you end up viewing them, and thank you again for the ask!