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starcurtain · 6 months ago

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Female Guidance in Aventurine's Life

One thing I haven't seen discussed in much depth yet, but which I think is especially interesting, is the consistency of female guidance in Aventurine's life: Every single person who we have seen on screen offering Aventurine assistance or making a positive difference in his life is female (with one exception, yes, I'll get there).

Under the read more cause it's longggg:

Before even diving into his family, let's just get the obvious out of the way: Aventurine is, at least supposedly, blessed by a goddess. The very origin of his good fortune--be it actual blessing or curse--comes from the literal "mother goddess" who watches over him. This is one of the only instances in Star Rail where a god character is specifically given a gender, and Gaiathra is not ever ambiguous. She is the classic female fertility goddess with all the trappings of other famous triple goddess figures of the real world. Aventurine's personal belief in the goddess may be shaky, but he nevertheless continues to treasure his people's faith. Thus, at the core, we can say Aventurine is a character who is guarded by the most quintessential mother figure possible.

Now, with the most obvious out of the way:

We know that Aventurine's father died before Aventurine was even born, and therefore he would not have any memories of his father, leaving him to be raised by his mother and sister.

Both women clearly made an enormous and lasting impression on Aventurine; they haunt every single one of his memories of Sigonia and are the key elements of the family Aventurine longs to return to. While he flirts with the concept of death as a way to see his family members again, it was also his mother and sister who instilled in him any sense of self-worth and meaning to his existence, the only things keeping him from giving up on living. His mother believed him to be blessed; his sister insisted to his face that not even the only remaining remnant of their mother had any value in comparison to his life.

It is for his sister that Aventurine first begins expressing a self-sacrificial nature, and from his sister that this self-sacrifice is reinforced when she uses herself as a shield to help him escape massacre at the hands of the Katicans.

It is also from his sister that Aventurine learns many of the deeply meaningful actions he holds onto to the present day, despite having been so far removed from his own culture.

Conversely, every one of Aventurine's early negative experiences on screen appear to have been driven (at least primarily) by men.

Although the Katican tribe of course would have both men and women, the tribal societies on Sigonia appear to be on the fairly traditional side, with Aventurine's mother staying at the camp with her child while his father was the one to go out and hunt for offerings for Gaiathra. This is also supported by Aventurine asking Jade to take him to her "chief" later on. Therefore, it is likely (although of course not guaranteed) that a majority of the Katicans' army was male, and that Aventurine's early experiences with outsiders consisted almost entirely of indiscriminate pillaging and massacre at the hands of what the Avgin viewed as savage, invading warriors. In separate instances, Aventurine was traumatized by these warrior figures three times--first with the loss of his father, then his mother, and then finally his sister.

And even their hope, supposed to come in the form of the "men in black" from the IPC, completely abandoned them, leaving Aventurine once again betrayed by masculine figures that were supposed to be there to protect him. Led by Oswaldo Schneider, another cruel male authority figure, the Marketing Department of the IPC permitted the wholesale slaughter of Aventurine's people--something which we know Aventurine is now aware of.

Then, of course, the next piece of Aventurine's backstory we're given is his male slave master. I don't really need to say anything about this, do I? This man violated Aventurine's human dignity and bodily autonomy, and forced Aventurine's hand in a life or death battle for which Aventurine still punishes himself mentally, even years in the future.

In part to escape the difficulty of his situation and rise to a position where he would have enough resources to--he thought--help his people, Aventurine joins up with the IPC. But when he attempts to make contact with a powerful man in the organization, Diamond, he is instead met by a woman, Jade, who against Aventurine's own expectations determines that she will raise Aventurine up (or use him as a tool, depending on how you currently choose to interpret Jade's motivations), granting him wealth and status beyond his imagination.

(And this line in particular is interesting, because you can take it one of two ways: 1) Aventurine comes from a patriarchal planet that traditionally put men into positions of power [thereby making his own slavery an emasculating act, aligning him further with disenfranchised women]; thus, he is making the assumption that to get anywhere in this organization, he will need to work with a man; or 2) He actually was counting on Jade taking his bet and helping him right from the beginning, because Aventurine perceives women as inherently more likely to protect and aid him than men would be.)

In the end, Jade does exactly as she claims she will, launching Aventurine into a position of power while also closing golden handcuffs around his wrists. She positions herself not only as his supervisor, but as his advocate and ally. She entrusts him with her Cornerstone, a sign of significant faith in his abilities. She even seems to be keenly aware of his bias towards the mother figure, referring to him as "child" in their conversations.

Whether this is genuine or a manipulation tactic can certainly be debated (and I'm not inclined to think at this point that Jade is a genuinely good role model or selflessly supportive person in Aventurine's life), but whatever the case, women are the only people Aventurine even remotely considers to be "in his corner."

We see this even earlier, in Aventurine's call to Topaz. Like with the example of his mother and sister, Aventurine trusts in Topaz's ability implicitly, and considers her above anyone else when it comes to completing the mission in Penacony.

Although of course we don't know if Aventurine has any other friends or allies among the Strategic Investment Department, it seems very likely that Topaz, yet another woman, is the one he is closest with. At the very least, she is the only IPC character (so far) that Aventurine has a complimentary voice line for, one that shows his respect for her talent:

Over and over again, the story aligns Aventurine with female figures in positions of authority, and demonstrates that he is comfortable (although maybe not too comfortable, in the case of Jade) with relying on them and trusting their judgment, just as he did with his mother and sister.

And this pretty much goes off the charts in Penacony, where Aventurine has more involvement with the female cast than virtually any other non-female character (even the Trailblazer!). We set the pattern off right away, with Aventurine immediately being placed into a negotiation situation with Himeko, respecting her role as the Express's leader and working to get himself aligned with the Express by acquiescing to her request for support.

Then there's the fact that Aventurine is the one who finds Robin's body, an event which, although he didn't let it show too much, was almost certainly traumatic for him, given the violent death of his own sister.

Next, twice in Penacony's story, we see Aventurine seek out Sparkle for information. He may not personally like her and her comments may be both racist and dehumanizing, but Aventurine does rely on her--being the only character explicitly seeking her aid, which no one else in Penacony seems to want.

In 2.0...

And in 2.1.

Now, say it with me, guys: Aventurine built an entire portion of his grand plan around the idea that if he looked pathetic enough, a female character would absolutely come and help him. And sure enough, the women come through for him, always! Sparkle gives him the exact last clue he needs to confirm his belief that he could use "Death" to reach the true Penacony, sealing the deal for the rest of his plan.

His plan which also hinged significantly on Black Swan's involvement too, another woman that he views as, if not trustworthy, then at least intelligent and hyper-competent.

Contrast all this, of course, with the treatment Aventurine receives at the hands of Sunday, the lone opposing male character he faces in Penacony.

Sparkle implies that Sunday would humiliate Aventurine in an unmistakably sexual and degrading way, and Sunday himself professes this same desire to see Aventurine humiliated.

Then we're "treated" to the moment in which Sunday uses the Harmony's (or perhaps actually the Order's?) power against Aventurine, in a scene which is supposed to reflect an interrogation but is also, very clearly, another nonconsensual violation of Aventurine's bodily autonomy and dignity by a man. While ostensibly seeking confirmation of the Cornerstone ruse, Sunday instead subjects Aventurine to unnecessary questions about his past on Sigonia, which recall and force Aventurine to re-endure memories of his trauma.

Even if this is what Aventurine prepared himself for and planned to have happen, the pain he experiences is very real, and he suffers both the physical and emotional consequences of Sunday's assault all the way up to his "Death" and possibly even beyond.

(Also, Sunday fans please don't get too up in arms with me for this; I also like Sunday! It's okay for characters to be morally grey!)

I think there's one other interesting example I would bring up here too, and that's Aventurine's conscious decision to weaponize his own masculinity against the Trailblazer. Through the 2.0 and 2.1 Trailblaze missions, Aventurine deliberately acts in an off-putting manner to the Astral Express crew, particularly the Trailblazer, in order to build up to the 2.1 climax where the Trailblazer is supposed to view him as an unrepentant villain and attack him without hesitation.

In order to achieve this uncomfortable, villainous effect, what does Aventurine do? Exactly what other men have done to him.

This is especially apparent if you're playing Stelle because of the ingrained societal taboo of a man entering a woman's personal space without consent, but even as Caelus, it is very clear that Aventurine is leveraging behaviors typically used to show dominance: In a complete 180 to all Aventurine's other body language in the game (normally quite withdrawn, frequently in defensive postures with his arms crossed or hand behind his back, almost always standing several feet away from other people), Aventurine violates the Trailblazer's personal bubble, looming over them (Caelus was sitting in this cutscene, lol), forcing eye contact, and commanding the space while informing them that they will have no choice.

For someone who was hunted, enslaved, had his movements restricted with chains, and due to his own slight stature has very likely been towered over by others who were intentionally asserting their power over him all his life, it is clear that Aventurine associates dominant, typically more masculine-coded physically-imposing behaviors with discomfort and even villainy.

Any girl who has ever had a man loom over her like this will realize very quickly: Aventurine wanted to make himself scary so he made himself act more like a bad man.

(Yes of course I know "not all men." I'm not saying every man behaves in this domineering way or that women cannot be domineering too, obviously, just that Aventurine had a very specific image in mind when constructing a "villainous persona," and the physically controlling tactics most typically used by aggressive men toward women was his immediate go-to.)

But where does that leave Dr. Ratio, the one male character actually on Aventurine's side?

Frankly, I don't want to derail my post about how intensely Hoyo chose to hammer on the message of "Women will protect you" in Aventurine's story with a discussion about a mlm ship, but the take-away here is going to lead in that direction anyway--so yes, Dr. Ratio is the exception.

What is interesting is that he does not come across as an exception at first, and in fact initially appears as another male character being rude and dismissive to Aventurine. Like, there are still people out there calling Ratio an unrepentant racist for this one.

Of course, it's later clarified that this is an act--likely even these insults were scripted specifically to give Sunday's spying ears the "insight" he needed to exploit Aventurine during the interrogation.

But even though it is an act, Aventurine still has noticeable trouble putting his faith in Ratio. He does genuinely doubt him a few times, despite knowing that they are working together to fool the Family.

Even his voice line about Ratio confirms that he doesn't think Ratio particularly cares for him; rather, he thinks Ratio simply tolerates him because he's slightly less unintelligent than those around them.

Ultimately, the entire act with Ratio ends up being a mirror of the real scenarios Aventurine has been experiencing with men his whole life (at least as far as we are shown his life). Men abandon him to fend for himself (unwillingly, like his father, or willingly, like Diamond leaving Aventurine to deal with Penacony alone on the inside). Ratio keeps leaving Aventurine completely alone. Men attempt to humiliate him and violate his boundaries (like Sunday and his slave master). Ratio insults Aventurine's appearance and intelligence repeatedly. Men betray him (like Oswaldo Schneider and his men leaving the Avgin to die). Ratio "betrays" him.

I'm not saying when Aventurine devised the plan for their act, he consciously drew up a list of all the ways men had hurt him in the past and had Ratio re-enact them one by one, but like... that's what happened, whether or not Aventurine intended it.

And okay, the shrinking scene in Dewlight Pavilion was just for fun and probably only slightly fetishy, the devs promise; yes, it was supposed to be a joke! ...But it's also not a mistake that this is yet another instance of a male character in a glaringly metaphorical position of power over Aventurine. Aventurine's tiny in this scene! He's completely vulnerable! He's in a dangerous position and the male character could very much hurt him in this moment.

But Ratio doesn't. (In fact, his line here is supposed to be sarcastic, very ha ha--but also, what is Ratio really saying? "I won't do anything to you without your express consent." What a good guy.)

Virtually everything negative that we see in 2.1 is Ratio doing these things as an act at Aventurine's own request. He doesn't actually disdain Aventurine; his own voiceline about Aventurine reinforces that he sees Aventurine as talented and intelligent.

Whatever you think he was apologizing for in their early scene, he's the only person we're ever shown in-game apologizing to Aventurine at all.

He worked hard to "betray" Aventurine but only as he was instructed to do, and immediately checks in on Aventurine's well-being afterward, even urging him to give up the plan if it becomes too much to handle.

And then, of course, there's the note: "Do stay alive. I wish you the best of luck."

After this point, it cannot be denied that Ratio is unequivocally on Aventurine's side, wants to help him, and is not doing so out of any sense of self-gain but largely because he is a good person who simply cares about Aventurine's fate. By the end of 2.1, it can no longer be doubted that Ratio is the exception to the "gender rule" of Aventurine's life, which--the story shows us again and again--was that guidance, protection, and care for Aventurine come from women, while men repeatedly represent dismissal, betrayal, or pain.

Ratio is, at least as far as Aventurine's story shows us, the proof that men can be good, that things are not as black and white in Aventurine's life as they might appear, and that--if you do choose to ship him with or see Aventurine as attracted to men--his attraction could be validated (and potentially reciprocated) by a male figure who would not bring additional harm to Aventurine's life. Aventurine makes the final decision to live after seeing Ratio's note--the exception to the rule ultimately proves to be the last piece needed to keep him alive.

But I promised I wasn't going to derail my own post about w o m e n, so let me get to the final point, and the one I really wanted to talk about: Although Ratio gets virtually all the credit for "saving" Aventurine in the fandom, Aventurine was actually saved by, you guessed it, another woman.

Not going to lie, the reason I started this post was specifically because I wanted to talk about how Acheron and Aventurine's dynamic was completely unexpected but actually fits flawlessly with the theme of feminine guidance in Aventurine's story.

Despite the fact that Aventurine made Acheron's life much harder and actively used her as a chip in his grand gamble, she doesn't blame or chastise him for those actions. Although she expresses some incredulity that Aventurine is actually that lucky, she then turns around and congratulations him for his ingenuity, immediately supporting him despite the fact that they don't even truly know each other.

Then it gets even more interesting. Acheron, who frequently hits her companions with deep and sometimes very emotionally fraught questions, asks Aventurine: "Have you never wavered?"

We as players know for a fact that Aventurine is constantly wavering, constantly doubting himself, his luck, and whether he'll even live--or even wants to live--to see tomorrow. But we also know that Aventurine is not forthcoming about those truths, refusing to express them to anyone, even himself. The only way we hear those dark truths is through his "future" self (who by the way, is once again another male figure cutting Aventurine down--of course it's himself but it's also, from the player's perspective, once again reinforcing the message that he isn't going to find safety or kindness in an adult male presence). Aventurine almost constantly deflects and diverts when his emotions or struggles are brought to the fore (unless he's divulging them for the specific purpose of allowing someone else to weaponize them). "I'm fine," he says, like a lying liar who lies.

But he doesn't lie to Acheron.

He chooses to be completely candid with her, to lance open the deepest wound of his life--that he can win and win and win and still have lost everything. The glitz and the glamour has all been stripped away here, at the end of everything, and Aventurine finally feels safe enough to admit that he fears he has absolutely nothing in his life worth living for.

And then, we get this direct parallel: Aventurine looks to Acheron, the woman now before him, for guidance, for explanation, exactly as he looked to his sister in the past.

He needs help, he needs answers, and he is continually seeking that help from the female figures in his life, whose support and kindness echo the lost care of his mother and sister.

"Go where you should be," Acheron tells Aventurine, guiding him across the river of death just as his sister insisted that he flee through the rain toward life.

Look guys, Acheron's even the one who reminds Aventurine to look at Ratio's note in the first place because apparently being an emanator of Nihility gives you x-ray vision, but my girl just gets no credit at all for being Aventurine's real savior, come on now!! Yes, Ratio's note was the final reminder Aventurine needed that someone would be waiting for him on the other side, but Aventurine would never have even gotten to the point of being willing to read that note if Acheron hadn't stepped in and provided him an answer to his question.

She feeds him back his own answer: "Why does life slumber? To rehearse the death for which we are not currently prepared." It is Acheron who reminds Aventurine that giving into the Nihility is pointless, and that rather than simply embracing a meaningless death, it is up to humanity itself to find and make meaning by living. It's this, not Ratio's note, that Aventurine gives as his reason for choosing to go on when asked by his own younger self. It's Acheron's words that finally give Aventurine an answer--why do we live just to die? Because there are people we can still make proud. Because when we go into death, we should do so with our heads held high, having achieved our own sense of purpose in this life.

Ratio gave Aventurine a promise: Someone is waiting for you to come back.

But Acheron gave Aventurine a reason: If life is inherently meaningless, doesn't that just mean you are free to give it meaning yourself?

She saved him, as women have been saving him all his life.

Anyway, this has already been horrendously long, but really what I wanted to say is that I think it is absolutely fascinating how consistent Aventurine's writing is when it comes to portraying where his support comes from and who he seeks guidance from. (Psst, just in case you still haven't figured it out, it's women!) In virtually every instance we are shown, we see the message reinforced that women are Aventurine's greatest allies and role models, while male figures are continually positioned to intentionally or unintentionally let him down and cause him distress.

"But women playing the supporting role to a male character is nothing new, Star, why are you so excited by this?"

Because the role women are playing in Aventurine's life is not the subservient supporter and emotional crutch role that female characters all too often play to male counterparts. None of the women in Penacony or Aventurine's past were there to do the emotional labor for him, to be a trophy or prize, or to cater to his needs. They don't exist solely to help him fulfill his character motivations; they aren't following him around waiting for his next request as their only role in the plot.

Instead, with Aventurine's story, we almost have an inversion of gender roles, where the male character eschews the stereotypical "men are leaders, fighters, and stoic heroes" archetype. Instead, no matter how hard he tries to hide it and keep a stiff upper lip, it is clear from 2.0-2.1's story that Aventurine is a deeply insecure, lonely, and explicitly traumatized survivor of genocide, slavery, and exploitation. Unlike most male characters, who are very rarely portrayed as genuine victims--because come on, shouldn't men be strong enough to fight back? Shouldn't men be able to shrug it off when they are hurt, emotionally or physically? (Of course I'm rolling my eyes here!)--Aventurine is belittled, humiliated, emasculated, and victimized on-screen, roles almost exclusively reserved for women, for whom surviving victimization in fiction is seen as noble.

Meanwhile, the women in Aventurine's life take on the roles traditionally given to male characters. They're both emotionally and physically his protectors. Aventurine's sister gave her life to guard his safety; Acheron ensured he could safely pass beyond the river of Nihility into the Primordial Dreamscape. They give him the tools necessary to succeed where he could not succeed on his own. His plan could never have gotten off the ground without Topaz and Jade entrusting their Cornerstones to him. The knowledge and capabilities of the women around him--not their "feminine charms"--are what allow them to help keep Aventurine on the right path even though he does waver. Even women who disrespect him, like Sparkle, still play a positive role in his life, able to provide him insight gained with their own intellect and talents.

When he has no one to rely on and doesn't know what to do, Aventurine is able to continually turn to the women around him, asking for and receiving not servitude or fawning, but their genuine wisdom and guidance.

tl;dr: If nobody else has him, Aventurine knows this random woman he met two minutes ago on the street will have him, because the women in his life literally never let him down.

(It's just so, so good, and ultimately, it should be very clear why Aventurine's story is as popular with women as it is! A+, Hoyo!)

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anna-scribbles · 6 months ago

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reading old journal entries is like. i take myself firmly by the shoulders. you are not fundamentally evil you are just fifteen

#i was always writing with a hyper awareness that my future self would be reading it #like i felt like i was looking over my own shoulder and i was self conscious about it #and i was always apologizing or asking my future self to forgive me for being dramatic or emo #i couldn’t stand the thought of not being self aware #but reading back now it’s like. girl. i like you. it’s fine.#you’re having a completely normal response to being fifteen. it’s just like that. it’s really okay #i guess i am still looking over her shoulder but mostly i’d just like to hug her #anna rambles

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capseycartwright · 20 days ago

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miss me, but let me go

“I have - I’ve carried this grief, for you, for so long, and I know I can’t let it all go, because a part of me is always going to grieve for you,” Eddie paused. “But I can’t feel like this forever, Shannon. I don’t think you’d want me to, either. So - I need to let some of it go. Okay? I need to - I need to be myself now. For me, and for Christopher. I want to be me."

On November 1, Eddie builds an altar for Shannon and finds a way to let her go.

ao3 link

November 1. The date is not one Eddie is likely to ever forget. Even before Shannon died, Dia de los Muertos wasn’t a holiday he ever missed - as a child, he would help his abuelo make their altar every year, a picture of his abuelo front-and-centre, Edmundo Diaz Senior, the man he’d been named for, looking sharp in his suit as he looked out from the glass picture frame where he’d lived all of Eddie’s life. He’d never met his grandfather - only carried his name.

Over the years, more faces found a home on the altar - friends, and family, time a fickle thing and the only certainty about life that it ended. Death was familiar, a constant in a world Eddie felt like he could never quite figure out.

After Shannon died -

The first November 1 after she died, Eddie built his own altar for the first time, explaining the tradition to Christopher. They had done it every year since, Christopher’s face in a set line as he made sure everything was absolutely perfect. No less than his mother deserved, Eddie knew.

Shannon hadn’t grown up with the traditions of All Saints and All Souls, but she’d embraced them wholly when she and Eddie had gotten married, making the altar herself when Eddie wasn’t there. It felt right to honour her with the traditions she had loved herself. That was why Eddie had taken to adding a picture of Shannon’s mother to the altar too, when she died the year after Shannon did. Breast cancer, they’d said, but Eddie knew heartbreak had been the thing that had pushed her over the edge.

Every year, Eddie celebrated Shannon, and her mother, his grandfather, the people he’d served with who had died -

Except this year.

Eddie felt bad. Really, he did - he was going to build the altar himself, but when his dad had texted a picture of the Diaz family altar, Shannon front and centre, Eddie couldn’t quite bring himself to make his own. Shannon was being remembered - that was what mattered. He’d gone to her grave instead, only half listening as the priest had said mass over the graveyard, praying for the salvation of the souls who were buried there.

Grief was a funny old beast, Eddie knew. Grief had made him do crazy things - grief had driven his son to Texas, for crying out loud. The grief didn’t hit standing by her grave, but it did when dusk descended over Eddie’s house, and the absence of an altar began to feel like one of the worst things he’d done amongst a year of terrible decision-making.

Maybe he should have taken Buck up on his offer of coming over to make an altar with him, but Eddie had asked enough of his best friend in the last four months. Eddie knew Tommy had bought them tickets for some movie Buck was dying to see, and as much as Eddie was a near-professional third wheel now, he didn’t think he’d make a good addition to the back row of their local movie theatre.

Eddie winced as he looked at the candle he’d swiped from the dining table. “It’s cedarwood,” he said, apologetic as he lit it, setting the candle down in front of the framed picture of Shannon that lived on their fireplace. “I know you hated cedarwood, but I’m working with what I’ve got here, Shan.”

Eddie pressed his cheek against his folded arms, taking one, two, three shaky breaths. “I really struggled after you left, Shannon. I don’t think I really even realised how much until now - and it’s not just because you were gone, but you were gone and you wanted a divorce, and I - suddenly, I was never going to get answers.”

He’d been talking about Shannon a lot in therapy, lately, unpacking all his complicated feelings during his excruciating weekly hour with Frank.

“I don’t know if I even wanted to stay married to you,” Eddie admitted, the candle flickering in the growing dark of his living room. That was terrifying to admit out loud - that even if she had stayed alive, he and Shannon wouldn’t have made it work. There were a thousand reasons why, and Eddie could sit, and list them all, but one was more important than the others.

“I think I’m gay, Shannon,” Eddie had never said it out loud before, despite the thought never quite leaving his mind, Pandora’s box open, now. “If you were here, I bet you’d have such a laugh with that - not like, in a bad way. Just - I think you’d find it funny, that your mom’s gaydar was right after all.”

He couldn’t help but laugh at the thought himself. Shannon’s mom had been the bitchiest woman he’d ever met, and Eddie loved her for it.

“I’ve made such a mess of things,” Eddie paused. “But with you, most of all. I’m sorry - for my part in it all. I thought I was doing the right thing, joining the army. I just wanted to take care of you and Chris, and I didn’t see any other way out. I know it was the wrong choice - but I really thought it was the right one. You know?”

Shannon’s picture stayed silent.

“I have - I’ve carried this grief, for you, for so long, and I know I can’t let it all go, because a part of me is always going to grieve for you,” Eddie paused. For the life she might have had, if not for the car crash - Eddie sometimes liked to indulge himself and think of an alternative life where Shannon had survived, where they got divorced, and learned how to co-parent, and maybe they found their way back to being friends. It was a nice thought.

Eddie wiped roughly at his eyes. “But I can’t feel like this forever, Shannon. I don’t think you’d want me to, either. So - I need to let some of it go. Okay? I need to - I need to be myself now. For me, and for Christopher. I want to be me.”

With a shaky hand, Eddie pressed a kiss to the framed picture, setting Shannon back down with the candle. It was a half-assed altar, and somehow, that made Eddie feel worse. He scrambled to his feet, heading for his bedroom, and the box of Shannon’s belongings he knew was stashed at the back of his wardrobe. He hadn’t kept much for himself - most of it was for Christopher - but he had a few things. There was a necklace in there, he knew that Eddie had bought her for their first wedding anniversary. It was a cheap thing, because they were always broke, but it was something of hers - it would make it a more acceptable offering.

Eddie couldn’t help the breath that hitched in his throat as he spotted what was in his bedroom. A butterfly, resting on his pillowcase, on the side he always slept on. “Hey, little guy,” he whispered softly, not wanting to startle the tiny creature. His abuela loved butterflies - they were spirits of the people you loved, who had left, coming back to visit. Eddie felt slightly ridiculous, but he said it anyway. “Shannon?”

The butterfly didn’t move.

“I’m so glad Christopher isn’t here, because he would really think I’ve lost it,” Eddie crouched by the side of his bed, holding out a finger. “Hey. Is this your way of telling me it’s okay to let you go? Did you hear all of that?”

The butterfly moved, tiny wings fluttering as it came to land on Eddie’s outstretched finger.

“I hope that’s a yes,” Eddie knew tears were streaming down his cheeks, now, but he didn’t want to freak the butterfly out by wiping them away. “How did you get in here, eh? None of the windows are open.”

If Eddie Diaz believed in a higher power, still, he’d blame God - or the universe.

“Let’s get you outside,” Eddie said, and the butterfly flapped, a little, coming to land on the windowsill instead. “Yeah? You’re ready to go?”

The butterfly flapped in response again.

“I think I’m ready to let you go, this time,” Eddie admitted, carefully unlatching the window. “We’re going to be okay, me and Christopher. I promise. You can go. You don’t need to worry about us.”

The butterfly seemed to pause, for a second, before it flew out the open window, disappearing into the beginnings of the evening. Eddie wasn’t sure how long he stood there, tears pouring down his cheeks, rolling off the curve of his chin and onto his shirt, but the next thing he knew, he could hear -

“Buck?”

“Eddie! You’re a firefighter - how long have you left that candle unattended, huh? Eddie - Eddie, where are you, man?”

Buck appeared in the doorway of Eddie’s bedroom, a family-sized bag of sour patch kids tucked under one arm. “Do I need to teach you the basics of fire safety all over again?” he huffed, pausing as he noticed Eddie’s tears. “Eddie - you okay?”

“Yeah,” Eddie offered his best friend a teary smile. For the first time, Eddie might actually mean that yes. “I’m okay. There - there was a butterfly,” he explained, gesturing at the window vaguely. “I had to let it out.”

“A butterfly?” Buck looked confused.

“My abuela always said butterflies were the spirits of people who’ve died,” Eddie explained. “I lit a candle for Shannon, and there was a butterfly just sitting on my pillow, when I came in here. It’s…” he paused. “It’s stupid.”

Buck’s face softened. ‘It’s not stupid,” he shook his head. “You think it was Shannon?”

Eddie glanced at the window again. “I hope it was,” he admitted, taking a deep breath before he closed the window. That in itself felt like symbolism, Eddie decided - a closing of a chapter he should have let go a long time ago. That’s what he needed it to be, at least. “Wait - aren’t you meant to be on a date?”

Bcuk shrugged. “We changed the tickets to tomorrow,” he explained, holding up the bag of candy. “You said you weren’t going to make an altar, and I didn’t want to let you skip out on it. These were her favourite, right?”

Eddie could cry all over again. Buck, like Shannon, hadn’t grown up with Dia de los Muertos, but here he was, with a bag of Eddie’s dead wife’s favourite candy, ready to sit in Eddie’s grief with him. Eddie wasn’t sure what he’d done in a previous life to deserve a friend like Evan Buckley, but he thanked whatever God or universe was listening for giving him Buck anyway.

“She’d eat so many she’d give herself a stomach-ache,” Eddie grinned, and the memory didn’t hurt, the way it used to, the grief a dull ache that he could grow around, now. He leaned into the embrace Buck offered, breathing in the familiar cedarwood scent of Buck’s favourite cologne. “Thanks. For being here.”

“Nowhere I’d rather be,” Buck hummed, pressing a ridiculous, loud, smacking kiss to the top of Eddie’s head. Eddie loved him. “But I’m buying you one of those electric candle warmers if you’re going to keep leaving candles unattended, Eddie.”

Eddie was mostly listening as he let Buck guide him back to the living room, the candle still flickering golden in front of Shannon’s picture. It was the same one he’d put on her memorial programme - bright, and beautiful, just like she’d always been when she was alive.

Buck grinned, as he set a piece of candy in front of her picture. “Berry,” he explained. “My favourite,” he added, tossing a handful of the sour sweets into his own mouth.

They sat, the television playing reruns of a procedural in the background, eating candy until their stomachs hurt, the candle burning all the way to the end.

The butterfly didn’t come back.

Buck stayed.

Eddie was ready to move on.

(Buck stayed.)

#911 abc #eddie diaz #evan buckley #its pre relationship buddie but mostly its about eddie and grief #in which i ramble #in which lorna writes fic

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gotham-daydreams · 1 year ago

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Okay we see how Bruce, Dick, Jason, Tim and Cass become Yanderes for reader what about Damian, Steph and Babs?

That question is exactly why I'm kind of debating on making a kinda "Part 2.5" sort of thing, and it would show how Tim and Damian got further roped into things like Bruce, Dick, Jason and Cass. Along with how Steph and Babs take the news of "heyyy, um. you know Y/n? yeah that one sibling of ours that's lived here for years that we've barely have like, 10 conversations with collectively? Yeah, that sibling. Uh, we just figured out they've basically been living an entire life without any of us knowing, and might've run away because we were barely involved in their life despite them making multiple attempts to have us be there. So, we kind of need your help to find them. Like. Now-"

Though honestly I'll just put the run down here, so-

Bruce kind of gave Damian the little push he needed before hopping on the train, kind of like what he did with Jason but a little different. With him finding Damian, and some questions being thrown around, before Damian just decides to help look for you.

Honestly I can imagine that Damian wasn't super serious about finding you or anything at first, and was more so just trying to help because Bruce and Dick were looking for you. Hence why he looks for Alfred first with the intention to get the search done and over with. Though, that does begin to change a little when he eventually stumbles upon your room and gets that small glimpse of all he's missed out on after having talked with Alfred.

The room itself doesn't necessarily get to Damian — not like it does with Bruce and Dick — but it's more of the contents of the room itself that get him started on the yandere path.

Honestly, how Damian and Tim begin to develop their more Yandere thoughts and feelings for the reader is through finding something in your room, leading them to find more stuff, and that eventually getting to the thought process of "i didn't know they did this... i would've liked to know about this before/share this thing with them." Which then leads to a more yandere-like mindset.

For Damian (since we're already on the topic of him), he finds that one art award that you got, and becomes curious. Eventually he finds the unfinished art pieces that Bruce had found earlier, and while he isn't impressed or anything at first, the more unfinished pieces he finds the more he kind of begins to see your potential, and that leads to his own thoughts on the matter. With him wishing he knew about how you liked to do art too, and that eventually leads to him thinking that he could've helped you refine your skill, and the both of you could've drawn or painted together.

What strengthens that mindset is when he gets his hands on a notebook that you had used to practice whatever you were struggling with, and left notes for yourself on how you could improve upon certain things as well. Maybe if Damian had known you were into art before, he could've helped you, and you both could've improved together. Refine each other's skills, and just be able to create together. Which Damian really begins to like the thought of. Especially as he sees how you improved the deeper into the notebook he gets.

So, he also sets out to find you, but with a more positive mindset and thought process.

Honestly, out of everyone, Damian is the least worried about you and your well-being. Not because he necessarily has faith in your abilities to stay alive in Gotham, while also potentially being by yourself, but rather he isn't focused on that part? Not as intensely as some of the others, anyway.

Besides, if you were to turn up dead, then he'd have the "you die, I kill you" mindset. You aren't allowed to be dead or 'missing' in his mind, and so you aren't until proven other wise — but even then he's going to need a lot of solid proof to even believe it.

Damian is just more focused on the "we have a common interest and I want to do this thing with them" part of learning that you're into art. Even if you aren't anymore, just knowing that it was something that you used to do is enough to get him jumping on the yandere train. You'll be doing art with him one way or another, and you can't do shit about it. ¯\_(ツ)_/¯

Sure his reasoning isn't a strong, but it's enough to get him started and to go looking for you with the others when they eventually start tearing Gotham apart in hopes to find you. Damian now has a sudden need for quality time and your his main target, sorry not sorry.

Tim on the other hand just sort of, stumbled upon your room, and thanks to Dick was very quickly roped into this mess (as mentioned in "Not Here").

He actually looks through the box with all of your more personal belongs first as Dick tries to call and text you like crazy, while also trying to figure out more stuff.

The first thing he minds is an mp3 player, which, again - as mentioned in "Not Here" held very early versions of songs you were working on at the time, along with some of the very first songs you ever wrote. Which, after listening to a few of them, is immediately a big fan. Though that ends up being both his downfall and how he begins to develop his more yandere tendencies.

Like Dick, you had tried to call and message him about certain performances and such you thought he'd like, and hoped he'd attend, but to no avail. It sucks even more for Tim now because if he had just given your music a chance just a little sooner, maybe things would've been different between the two of you. Maybe you wouldn't have left.

Not to mention that, since he now really loves your music - just knowing that he's wasted so many opportunities to hear more of it, and the completed, fully fleshed out versions of some the songs on the mp3 player makes him upset. He really feels the hit of neglecting you, and that hit only lands harder when he goes through that 'List/Progress' notebook that Bruce had seen earlier in "Not Here".

A notebook which does reveal a lot about you, and how you only did so many activities because you hoped that if anyone in the family was into one of the activities/hobbies you tried, then you'd be able to bond with them over it. Though look at where that got you. Countless awards hung on your walls, with a number of accomplishments to your name - and yet not once were you able to use them for their original purpose. Not once were you able to hold a full, long conversation with any of them about any of the things you've done.

It wasn't even your fault because you tried to put in the work, Tim could really see that now, but you just weren't given the chance to actually put it to good use.

Maybe that's why he ended up helping Dick as much as he did, and maybe that's why he took the time to download some of your songs before heading out to look for you. He wanted to feel closer to you then he really was, and wanted your music to be something shared between the two of you.

Tim wants to not only get closer to you, but to hear everything you've ever made music wise. A want which he fully intends on making a reality.

Stephenie and Barbara are a bit different, however. Since, as stated in "Not Here", both of them are informed of what's going on after everyone else but Damian and Alfred absolutely loses their minds over you not being in the Manor. Though, again, both take the news a bit differently.

Between the two, Steph easily feels the worst. So her motivations and actions — like Bruce, Dick, Jason, Cass, and Tim — are more out of guilt and regret. She already doesn't like the thought of her own neglect having caused you to keep so many things to yourself that you basically hid yourself away, but the idea of her — along with everyone else — having pushed you so far away that you ran away? That... doesn't make her feel good, to say the least.

Sure, she doesn't feel as bad as Bruce or Dick - who easily feel the worst because of their respective roles in the family, and them feeling like they failed to even be a semi-present figure in your life for you to recognize them as your Father and Older Brother (to which they are correct, but aren't aware of that yet) - but it's still enough for her to try and look for you too.

Kind of like Bruce when he was looking in the Manor, Stephanie doesn't know where to start looking, and that only worsens her regret.

I guess her development comes more with time? Since the more she and the others look, not only do her feelings grow, but she also learns more about you as everyone starts sharing information over the intercoms. Things they just found out about you — like how you spent your birthdays alone with Alfred and had waited for them each year until recently, how you made music, what kind of competitions and such you've participated in, who were your teachers, how majority of what you did wasn't even for yourself - but rather a chance that one of the many activities you did try out was something anyone of them were into, so that way you could actually have a conversation with them - and more. (Which may be shown later? Not in a official post/part to the series but perhaps in a sort of side thing that shows the mayhem going on. But who knows?)

Case and point, while they are all looking for you - Steph slowly becomes more yandere for the reader the more she learns about you and how her and the other's actions impacted you. Like some of the others, she wants to make it up to you, but isn't entirely sure how she'd even go about doing that. The more aware she becomes, the harder she falls.

Barbara on the other hand, I'd say, is more lowkey as of now when it comes to her development as a yandere?

I mean, Dick, while very much panicking, basically told her it was an emergency and he really needed her on the bat computer because he had to look for you. Which, in the same breath, gave a list of locations and possible teachers you might've had in the past (you can thank Tim for trying to figure all of that out) and if she could look into it.

It's safe to say that Barbara's introduction into the whole situation was very chaotic. An emotional, worried, and panicked Dick is never a good one, so that was fun to deal with while slowly drowning in confusion.

Eventually, she got the run down and was quick to help, but like Bruce, Cass, Damian, and Jason - she was more confused at the start.

Ouf of everyone, and maybe besides Jason, Barbara has had the least amount of interaction with you - and the room for possible interactions with you for her were much smaller anyway considering that you aren't a vigilante, and never intended to be. So, it only makes sense that one of the people you've easily had the least connection with, was the person who communicated and mainly interacted with the rest of the Batfam when they're doing vigilante work.

What didn't help is that she barely even saw you at events or even holiday gatherings and such the family would have, with you being so neglected that they just... failed to even notice you missing at the time. The day she was introduced to you was when you were first adopted, and that was basically both the first and last full interaction either of you have had with each other. Other than that, she would hear small comments about you sometimes from the others, but even then it wasn't much and those soon died out as one could've guessed.

Even when she was in the Manor, she might've caught a few glimpses of you, but nothing else - so the beginning of her fall into being a yandere is definitely much slowly and lowkey when compared to the others.

I feel as if this whole situation may encourage Babs to want to get to know you better? After all, your disappearance did cause the whole family to basically start a whole manhunt just to find you, so I feel as if that would be enough to get Barbara interested at the very least. Not to mention all of the things she's hearing about you from everyone - it would be nice to try and actually meet you, not just know about you.

In other words, I feel as if Barbara may develop more as a yandere in part 3, seeing as I can see her more yandere tendencies begin to develop once she actually 'meets' you. Y'know what I mean?

So tldr; Damian becomes a yandere for the reader by finding out they're into art/have done art in the past, and now has a deep need to bond with them.

Steph becomes a yandere through her guilt and regret, and like some of the others, want to make it up to the reader.

Babs, on the other hand, hasn't exactly become a yandere just yet, but will once she 'meets' the reader and see them for herself. As of right now, she's just curious, but we'll get there in part 3.

Also, this is unrelated to the ask, but I would like to point out how pretty much everyone in the Batfam thinks you ran away rather then you just leaving. Do what you will with this information for now :]

Anyways, I hoped that answered your question, even if I got a bit rambly! If there's anything else in particular anyone else would like to know, feel free to send in an ask!

#a bit of a ramble- whoops #though that is generally how it goes #and again i might write some of this out- but mostly the things i mentioned about steph and babs #yandere batfam #platonic yandere batfam #platonic yandere #yandere dc #yandere x gn reader #gn reader #sibling reader #neglected reader

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sk3tch404 · 4 months ago

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Yandere Donnie Darko Hcs

A/n: I finally came around to watching Donnie Darko while I was styling my hair this morning. It was so good and omgg HIS CHARACTER!!! Love it 💜 What he voices in where he rebels against authority resonates with me in the most honest and straight up sense, it's crazy.

CW: Characterizing of psychosis without research (I am in no way claiming this is how individuals who suffer some psychosis or with schizophrenic symptoms act or feel like. This is simply a work of fiction and how I see Donnie's mental state affect the scenario), Donnie is actually very tame here except for his obvious criminal record and acts of violence, and YALL HES A MENTALLY ILL TEENAGE BOY so he's a lowkey soft okay. Y'all see him with Gretchen? So caring and passionate ugh, love him sm. <33 I try to write as close to canon as possible, but sometimes that leads to really soft yans and I kind of doubt my writing. Despite that. I like to think that not all yanderes need to be possessive killing machines in order to fit into the troupe. Everyone's got their own way of dealing with obsession, and so I think I did decently with this one lol.

Proof read a few times, so sorry for wordy/run on sentences and possible wonky grammar.

I feel like Donnie is very observant and patient with his darling. He's quite analytical for a teenage boy which leads him to take time to consider the variables that weigh within your possible relationship.

Donnie is still an awkward kid, so dont be surprised when you accidentally find him staring at you for a considerable period of time in class. In school, he doesn't approach you, seeing as the setting is already suffocating enough. He'd try to catch you after school or when you two have a little bit of privacy.

He's kinda shy and clumsy at first glance--- too talkative in his speech and self-aware of his minor fuck ups. Over time, he'll be more open to what he wants with you. Donnie might not really understand how to handle love and all of its complexities, but hell try really hard to make it work.

Yeah, y'all saw how fast he dived in for that kiss in the film?... Embarrassing, but it's true that he's quite excited to show his affection for you. He'll be "so chill with it," and he is to an extent--- not too clingy at all--- but when he's around he gives you guard dog privileges. Stays at your side and defends you from any brain rotting comments made from the guys around the neighborhood. Donnie isn't much of a fighter, but he's damn well capable of planning and executing a crime if it calls for it. One count of arson, another unaccounted for, severe property damage, and murder? Don't doubt it for one second that he won't consider further acts in the future to come.

His psychosis affects him directly when it comes to you--- as it also does with most things. He already feels so shitty with how things are going in his life, Frank voicing the many thoughts he has about you day to day stresses him further. Sometimes Donnie is scared Frank will convince him to hurt you as the countdown progresses. Despite that fear, he can't keep away from you.

This distress causes Donnie to rebel more often. As he spirals down the rabbit hole Frank keeps digging for him, the anxiety that follows with what will happen to you once the world ends lingers late at night in his bed.

Donnie's main love language is quality time. He walks with you from school and chills with you pretty much wherever. He's pretty book-smart, so he'll pitch in with your projects and homework assignments. His parents don't really seem like they care what he does most of the time, so if he's given the chance, he'll crash at your place for a few before they think he's off sleepwalking or some shit.

Donnie already knows he's slipping off the rails, placebo medication or not, Frank stays to stir the pot. He's almost scared, scared to death that you'll think he's an insane lunatic and he'll scare you off. But at the same time, why be scared if it's the truth? He has evidence, the book, and his own visions. That anxiety doesn't go away when he rambles on about the six-foot-tall bunny rabbit and how that thing has led him to the method of time travel.

You're just left there dumb founded as he stares on at you with that deadpanned look. Too late to back out now. World's ending and you don't got a boyfriend. Well, you got Donnie... and Frank's there too sometimes, but either way, you're all each other's got. You don't want to be alone do you? Donnie knows he doesn't.

He trusts you more than anyone else. Yeah he's on meds, and sure he's loony, but everyone knows that already; not that they seemed to care too much anyway. He feels like he can just exist with you around. All that pent up frustration with the looming guilt of his actions festering inside can be washed out like waves on a cold shore. Of course, it's not a cure-all, but it's damn nice compared to the bone headed friends he got and the tense dinner table back at home.

He has scratch paper in his drawers that are just filled with messy sketches of you. Not sure if he'd be the type to use sketchbooks, but he is pretty organized in his own room. Donnie just finds you so easy and beautiful to draw. Art block has nothing on this boy. He hates it when his sisters barge into his room and see any unfinished piece of you lying around. They tease him so bad about it, he wishes they'd just leave him alone.

"Ooo, is this the girl you're always wasting your time with?"

"No, gimme it. It's none of your business, and get out of my room."

"Geez, fine. Not like that's the freakiest thing you got in here anyway."

Donnie wouldn't be the extreme stalking type, but if he caught a glance of you, he wouldn't be able to look away. He'd also take into account what your daily patterns are as well as your likes and dislikes. He notices your little habits like if you constantly apply too much pressure to your mechanical pencil, making your lead break. He's always have had a passive opinion on the school uniform, but you made it look good, great even. Donnie likes it even more seeing you in street wear. He takes note on your style and even thinks of taking some inspiration from it to feel closer to you.

He's sensitive in places a teenager would be in most. He's irritable and closed off much of the time, even to you if it gets bad enough. Of course, it's not your fault usually. It only makes sense to be defensive in the case of anything he may perceive as a threat, even if that means any possibility of you breaking his heart.

Donnie may be a bit shy in his advances, but what he isn't is hesitant. He's quite bold in his thoughts and feelings. While he is afraid of your judgement in particular, he doesn't mind doing many things in front of you. Your collar is crooked, so let him just fix it up real quick. Talk about something that's got him thinking? He's letting his thoughts pour out like it's happy hour. He sees no issue in doing what he wants to, so if you're feeling unsure or nervous about something, he'll be the one to do it for you. Not many questions asked unless it's got his serious attention.

Kisses are passionate and deep. (Tbh when I first watched the movie I was like, "DAMN dont eat her face- shit.") I dont know if Donnie has had previous experience or not, but he's definitely got the enthusiasm. He tries to match your rhythm if you seem to have trouble following. Not too much tongue, but best believe he's devouring your lips like it's the last 6 hours in the universe. His hands are roaming around your body, feeling the dips and curves so cautiously because Jesus, you're just rocking his fucking world. If you tell him to slow down, he will. Donnie never wants to force you to do anything you wouldn't want to.

Words of affirmation aren't really a thing for him. If he says something to you, it was probably on his mind anyway. If you say "I love you" to him, he'd be almost stunned but wouldn't have a problem reciprocating that energy. He just felt like that connection between you two was already clear enough. No need to say it so directly. Although, it's nice. He really loves and cares for you. Would take a bullet for you--- cross his heart till he dies, all that sappy shit.

If you reject him, let's just say Frank and Donnie will be speaking more often. It pushes him off the edge. Frank isn't in Donnie's head just to do evil shit, but it's not like his presence doesn't perpetuate Donnie's behavior further. He wouldn't go on a killing spree or anything excessively violent like that. He'd be hyper-focused on the time travel aspect of his situation and become more forceful in his methods. He'd demand answers to make sense of all of it. To cope with the fact you didn't want him like how he needed you. Why didn't you like him enough? What didn't he do? Actually, what did he do? His mind feels like its on the brink of breaking as he tries to rationalize all the negativity in his life. He's already done too much, his world feels like it's collapsing in on itself before the actual day could even come. You were a majority of that world, and now it's just broken.

Donnie is so distraught and confused about his adolescent experiences, he almost doesn't know what to do. The only thing to do from then on is to focus on the countdown. Time travel, and how to fix it all. Otherwise, not only would he be left alone, but you would be too. Donnie wouldn't want that for you, not ever. Even with all the pain and frustration stowed away inside his still beating heart, he would never wish to hurt you; one of the only people on Earth who didn't suck so much as everyone else did.

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myokk · 18 days ago

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fast sketch of ominis & fast intro to the ominis longfic I'm working on!! This is going to be the most self-indulgent pride and prejudice ripoff that ever existed, 100% based on the ominis of my oneshot💘

I am just OBSESSED with exploring the idea that he’s a natural legilimens & OBSESSED with the thought that he thinks too much for his own good🫶🫶🫶

Ominis Gaunt has always suspected he is cold-blooded.

It makes sense, really.

He always seems to be cold: frigid, long fingers that are often stiff and difficult to move; goosebumps raising the skin of his arms and the back of his neck any time he walks through the drafty halls of the dungeons; even his eyes, he has been told, are reminiscent of ice. They are apparently quite unsettling. The only time he feels comfortable in his body is when he basks in the heat of the sun.

His earliest memory is of the cold. It went like this: he was four years old: his older brother, Marvolo, had led him outside as a joke, he swore up and down that it was just a small joke, and how was he supposed to know that poor, blind Ominis would not be able to find his way back home? When his parents had finally found him, his frail mother sobbing and holding his tiny, blue, hypothermic body to her chest, Ominis remembers feeling quite perturbed at the disturbance. Couldn’t he just be left alone, in the silent soft snow?

He does not know if he has ever felt warm since.

As he strides through the dungeons, the copious amount of warming charms he casts on himself do not seem to be enough, but he keeps casting them anyways and also: wrapping his wool scarf more tightly around his neck, quickening his pace in the hopes that blood flows more easily through his limbs, wishing that he had remembered his gloves. Winter is always a terrible time of year (this winter more terrible than usual), and every breath of warm air leaves his lips reluctantly. How he wishes that he could just hold on to it a bit longer and yet the warmth leaves him precisely fifteen traitorous times a minute, the frigid air gleefully entering and burning its way down his throat in response. Maybe it’s a punishment of some sort.

His whole life has been defined by punishments and sometimes he preoccupies himself with the thought that it is the only way he can view the world. Most of the punishments are manifested in curses inherited from his family. (His parents and Marvolo insist that they are gifts, but Ominis begs to differ.)

First, his blindness: the only true punishment-curse that even his family rejects: caused by inbreeding, no doubt. He did not cry after his birth and his mother cradled his tiny body in silent arms, lovingly whispering nonsense-evil-Parseltongue to him but when he opened his eyes and she saw a brilliant celestine blue with no iris, she screamed in horror and shattered the frigid peace of the room. His parents tried everything to fix him, make him whole, throwing money at various possible solutions to no avail. Magically induced disabilities are not, apparently, curable by magic.

Ominis is not sure that he hates being blind, although he suspects everyone thinks that he should. It is as much a part of him as his fifteen-breaths-per-minute, and he thinks that vision is not all it’s cracked up to be. He is always terrified at the thought that his tenuous hold on sanity is only due to the fact that he cannot see, until he realizes he shouldn’t be terrified of hypothetical situations that cannot come to pass. He consoles himself with the thought that maybe, if he has had to give up his vision for his sanity, it is a small price to pay. Although, he also thinks sometimes that it would be nice to live a life without any morality holding him back.

He is entirely too introspective, after all.

It is precisely this introspection that is his downfall in this moment (and his cold blood). Ominis is so busy casting warming charms on himself and thinking in circles that he cannot use his wand to help him sense his environment and so he should not be surprised when he crashes into her.

And yet he is. Terribly surprised.

Maybe if he were not so caught up in his own thoughts he could have paid more attention to his surroundings. Instead, he spent too much time ruminating on his reptilian heritage and has now barreled head first into his arch-nemesis.

Rosalie Harris.

The girl who has stolen his oldest friend from him.

The girl who is currently making angry noises as she clambers to her feet and is picking up the things that he has crashed everywhere. Even if he could see, Ominis is not sure he would help her. Helping her would be akin to betraying himself, after all.

“Hey! Watch where you’re - oh, hello, Ominis.”

“Rosalie,” he says shortly, nodding his head where he thinks she might be standing and stepping to the side. He tightens his grip around his wand, feeling the texture of the wood change from rough to smooth as he runs his thumb down it. Smooth where he always seems to worry it, rough where the wood refuses to yield to the brushes of his thumb.

He surreptitiously casts the spell - he has at least done it so many times he no longer needs to say it out loud - and his surroundings light up. Or, he supposes that is the most apt description, considering he cannot actually differentiate between light and dark. He senses Rosalie’s silhouette to his left - she is standing with her arms crossed and her foot taps impatiently as she waits for him.

Waiting for what? he thinks, slightly irritated. She never seems to leave him alone and he wracks his brain trying to think of something, anything he can say to get rid of her.

Maybe if he speaks in Parseltongue, she would finally be scared away for good. He does not really want that second reminder of his family’s curse, though.

His family preferred speaking in Parseltongue with each other, believing the ability made them morally superior to everyone else and Ominis had not even realized until he had arrived at Hogwarts that no, it was not normal. When his name had been called at the Sorting, furious whispers had erupted amongst all the students, and his every step (terrified, confused, unsure - he had still been getting used to using his wand to navigate his surroundings) to the stool at the front of the Great Hall was plagued with a susurration reminiscent of snakes. Except these whispers, sneaking their way into his mind, had been unkind and overwhelming.

(He had not realized in that moment that he was also hearing their thoughts.)

Maybe now, with Rosalie standing in front of him and just annoyingly waiting for Merlin-knows-what, Ominis should use his Legilimency to find out what Rosalie wants. (He hates it, though.) It would not be difficult. (The thought makes him shiver in horror because he doesn’t want to abuse the ability.) He can feel the edges of her mind, her magic, and all he has to do is reach out - she is right there, and -

“Ominis?”

Her arms are crossed, he hears an impatient huff.

Why hasn’t she left him alone yet?

Hadn’t the Hogwarts Express already left the station, bringing all of the students home for the winter holiday? Ominis had thought he would be one of the only students left in the castle, and if he is being honest with himself, he had been looking quite forward to having the place to himself.

Ominis’s winter has just gotten infinitely worse.

Going to Gaunt Manor for the holidays is out of the question (he will not think about the nightmares that have been plaguing him ever since he received the owl demanding he go home), and Ominis does not want to be more of a burden to the Sallows. They already do enough for him over the summer, and Sebastian and Anne have convinced him to go to Hogsmeade with them at least twice over the next two weeks. Besides, with Anne’s curse progressing, Ominis does not want to be in the way.

“Why are you still here?” Ominis asks. He knows his voice comes across as cold as his blood, blunt, but he cannot help himself. Ever since Rosalie arrived - her entrance to Hogwarts also causing quite the stir - Ominis has been intensely annoyed by her presence. She is too happy. Too carefree. Too…well, everything he is not.

And, she does not seem to leave him alone.

Rosalie is always there, always hanging around Sebastian. (Taking Sebastian away.) He even showed her the Undercroft, which had almost caused a rift in their relationship. Ominis could not believe that Sebastian would be so careless, showing someone who for all intents and purposes is crashing her way into their lives, forcing them to pay attention to her. They barely even knew her, and yet Sebastian thought it was a good idea to show her such a sacred place?

(It does not help that she is intelligent, and Ominis has caught himself on more than one occasion about to ask her about her opinion on something before he catches himself.)

“I was looking for you.”

Ominis tilts his head at that and fiddles with his ring. He considers walking away, leaving -

“I mean…Sebastian said that you were also going to be here over the holidays and since everyone else just left I thought -”

“Thought what?” Internally, Ominis winces at the biting tone to his voice. It came out harsher than he intended, his voice loud and echoing through his mind, bouncing off the cold, stone walls surrounding them.

#the girl’s name and gender tbh is subject to change #I’m having a lot of fun writing this up but it was all just written up on a whim #idk when I’ll FULLY be able to commit to this #but I always have so much fun writing his POV #SO I HOPE YOU ENJOY!!! & forgive the messy sketch😆#honestly most of this is subject to be edited and/or changed #bc you are getting my writing before any editing whatsoever here😳#I just love the idea of Ominis being so full of conflicting pride and shame and lots of confusion #and the love interest to be so annoying and bratty and headstrong #basically an Elizabeth Bennet you know…she always thinks she’s right (she isn’t) and her first impressions are the law #I’m actually reading Mansfield Park now…Jane Austen please bless me as I write tonight😌🙏#hogwarts legacy #hogwarts legacy fanart #hphl #ominis gaunt fanfiction #ominis #ominis x mc #hogwarts legacy ominis #ominis gaunt #ominis gaunt fanart #also I have WAY MORE WRITTEN!!! mostly just unconnected ramblings from his pov about how he thinks about life #& snapshots of his first year at Hogwarts 🥺🥺🥺#I really am an Ominis girl…#hogwarts legacy fanfic

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peridots-pixiwolf · 9 months ago

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[Start ID. A redraw of the official icons of the ten named slugcats from Rain World, arranged in two rows: Survivor, Monk, Hunter, Nightcat, and Gourmand in the first, Artificer, Rivulet, Spearmaster, Saint and Enot/Inv in the second. Each is drawn in roughly the same pose as in the original art and fitted with speculative interpretations of their biology, and the second image is a “dead” version of this. For example, all ten have slug-like rhinophores in place of ears, cuttlefish-like colorful eyes with strangely-shaped pupils, cephalopod-like beak "teeth", expressive barbels or oral tentacles at the corners of mouths, spiny radulas, and the frilly mantle fringes of sea slugs, though otherwise their faces are squishy, simple and mammalian-shaped.

Cream-colored Survivor and yellow Monk both share triangular, bicolored spots matching their eyes (which are tan and brown, and two shades of blue, respectively), small, bumpy fringes, and relatively neutral looks on their faces. Defensive-looking Hunter is mostly a dull orange-pink, though their blobby fringe is a more violent red and their back is purple and marred with lumps. Nightcat is navy blue and flecked with dots of yellow and teal, their rolled rhinophores are a lighter blue, and their shading fractures into stars in some places. Gourmand is almost uniformly tan, their wide, very ruffly white mantle fringe bordered by a spray of white spots, and their beak sticks out from either corner of their smile. Primarily red Artificer, snarling, has yellow markings of multiple sorts, a prominent yellow dewlap and their characteristic dark scar taking out a chunk of its face. Rivulet is a darker blue than usual, with long barbels, red gills and rings, countershading, and a cheerful expression, sticking out their radula. Spearmaster is purple with orange accents, eyes and spots, a large fringe and spines down their back. Saint’s green caryophyllidia are marked by small, yellow diamonds, and their long, thin radula extends far below them. Enot is decorated with mottled red stripes, blue patches, yellow stars, and an uneven and almost cartoonish imitation of blush, though generally the same deep blue as Nightcat, a passive or almost slightly smug look on their face and their rolled rhinophores out to either side.

In the second image, nine of the slugcats’ eyes are crossed out, indicating that these are death icons. They look fairly the same, with mostly expression differences. Survivor is caught in the beginning of a threat display, a karma flower sprouts from Monk’s side, Hunter is burdened with overgrowing, purple and blue rot, Nightcat’s rhinophores are pinned back, and Gourmand looks mildly disheartened. For the final row, Artificer bites its radula between small plumes of smoke, Rivulet drops their expression, Spearmaster looks very startled, Saint looks almost entirely the same besides half-open eyes and their markings greater in number, and Enot grins confusedly. End ID]

If you'll excuse the unusually lengthy ID: the arena meme introduced by @pansear-doodles at long last after a nearly year-long wip status (or, rather, finished a month ago today to honor my own first time playing it!)

Design notes and shout-outs under cut! :]

The following people are some of those who’ve inspired my designs most since I started this eight months ago (or just inspired me to get a little weirder with slugcat biology), among many others for sure, and I thank them for it–but this is simply to bring attention to artists I find cool, and in no way an obligation to interact or anything :]

> @saturncoyote , @carpsoup , @charseraph , @gallusgalluss , @bitsbug , @dopscratch , and @0hmanit (and a special mention to dddeerbo and hunterlonglegs, who’ve since deactivated)!

Survivor: Surprisingly the hardest to pin down the colors for, since nothing with its sibling's palette seemed to match up right (I did have to add in a little blue somewhere for Monk, the beginning of making it clear how much I’m simply going based off of vibes for the colors of scug innards). I consider them, Monk and Gourmand to be part of the same gene pool of slugcats, and even possibly the same colony even if the latter isn't really related, so took a bit of Gourmand's coloring and fit them in with their inspiration: Goniobranchus verrieri. They serve as a bit of an introduction to my ideas of scug traits (i find it really fun how many people have thought to add so many silly sluglike fixtures of biology completely independent of me, buuut here I’m mostly talking about species variation), and like in-game they’re pretty average! They, Monk and Hunter have a couple scars sourced from a piece of Joar's concept art that I'm failing to find, those across the bridge of the nose, under the eyes, and across the rhinophores, respectively, and my Survivor interpretation features many on the back of the neck, as a result of survived lizard bites.

Monk: Their coloring is primarily based off the fact that I associate them with blue fruits, honestly, a bit because I was compelled to establish a familiarity with Rivulet, and lastly inspired by the spots of Goniobranchus kuniei (and geminus, less important to me as one of my characters is a kuniei instead, but more fitting). Between the yellow + blue and the circular marking in the center of their face, they’re meant to bear a little resemblance to an iterator that shares similarities with the characterization I’ve given them, and similar coding of her sibling can be seen on Survivor’s markings around the eyes. As both a “default” slugcat and one whose campaign I haven’t played, though, I can’t say I have much more to point out about em.

Hunter: The whole rot thing made for a really fun time drawing them, and while the color change on their back is a result of this, it’s also an excuse to relate them to Babakina festiva, arguably my favorite sea slug (mostly for sentimental purposes). And to Spearmaster, a fellow messenger slugcat, and it serves as a gradient between Hunter’s pink and the “traditional” color of Rot seen in the DLLs. Aside from their affliction, they’d actually be the plainest in terms of design, as they don’t have any patterns or quirks of body type, just the red + purple and strange lumps + possible malnutrition. I can’t remember if NSH had created them in particular or just...caught + released or something, but it probably wouldn’t be strange for a lab-grown slugcat to be simple like that.

Gourmand: Like the two above, they’re rather plain in terms of coloring and adaptation, and like the two above, I find that fun. I decided it would be nice to avert the “all slugcats being of the same body type, and Gourmand’s out of place as the exception” thing by just...adding more fat to all of them, really. I did want to emphasize their sheer bulk even so, both fat and muscular (not like I couldn’t have still gone further with it, of course, but slugcat anatomy can be a little obfuscating sometimes, and they were intended to look rather plush considering personal size headcanons and therefore the lack of proper gravity), and the thick and flounced mantle looked like a good addition, as per their sea slug Glossodoris hikuerensis. Unlike Survivor and Monk, I didn’t attempt to hold their resemblance to any particular other character (which means a little less to balance out the “default gene pool” thing), so those are all the design notes I have for em.

Artificer: The second slugcat I’ve ever played, or finished the campaign of, my favorite for at least a long time, and the first thing I did was give them yellow accents, the shape of which have troubled me slightly (not quite like the spots or stripes of the others). They’re both a little more appealing and more explosive-looking to me, and considering how early on I played Arti, actually present in some of my older art. It does give them a little resemblance to Saint (completely intentional, two slugcats with strange relations to karma), as well as the fact that its radula is green for familiarity with one of its children (at some point it was going to have all-green markings, even!). I’m generous with their scars, partly because it was fun to overemphasize the one on their face and partly because it does seem like a reckless slugcat, on top of the dangers of its explosive abilities–I’ll probably just keep adding more forever. Mostly-red sea slugs aren’t too common, but Hexabranchus sanguineus works for sure. The ridged, yellow dewlap can expand for combustion purposes, or something along those lines. Arti’s where I began experimenting with a lot of the mildly-offkilter features seen in my interpretation of slugcats, as they’ve once again been a favorite from the start.

Rivulet: I've obviously given other slugcats spots, deeply enjoy the bubbly-soda markings of other peoples' slugcats, and thought seal riv would be cute. Despite not too closely resembling it, they've been government-assigned Hypselodoris bennetti, for color reasons and for a couple sentimental ones. Originally, the colors of every scug were meant to match up with the custom colors I gave them at the beginning of their campaigns, (though Arti, Gourm and Spearmy are the only three who actually apply here, since I've only played through half the slugcats: I gave arti the yellow as mentioned above, gourm brown eyes and spearmy light pink spears, furthered by the outskirts pearl accompanying me and that palette all the way to moon. Tolerance training for eternity in hell cause I already knew about the maroon pearl quest). I initially gave them the colors of the bi flag for fun... but with the limited palette of this image, I was left without pink for a while and decided to see how they'd look in red. I then realized how they now wonderfully matched Moon, and besides, red's a sort of camouflage in deep water! As a side-note, the difference between their eyes and those of others always bothered me a little for anatomical purposes, and the cephalopod eyes were probably influenced by this!

Spearmaster: Inspired as much as possible by @notyourfunnyman ’s wonderful spearmy: designed in a way that helps it fit in with scavengers, at least between the long sensory tentacles, big ruff, back spines and slightly thin/distended anatomy, a form of defensive mimicry. I always had annulate rhinophores in mind, for a little diversity sure, but mostly because the shape reminds me of radio antennae and communication towers (seems fitting for the comms array and being a messenger slugcat)! I started searching for a real-life slug to give them just by looking up their rhinophore shape...and was met immediately and coincidentally with annulate-topped nudibranchs that fit them more perfectly than I could've imagined: Flabellina and surrounding clades, I think Paraflabellina ischitana works very nicely. The orange was completely unplanned, but there wasn’t a place for light pink among the other slugcats’ palettes, and importantly it likens them to both Hunter and Seven Red Suns a little more.

Saint: I am very much a non-furred slugcat enjoyer, with respect to those who aren’t, so figuring out the only visibly furred slugcat was an interesting challenge. I’ve decided that they likely have other, milder adaptations for help in the cold, mainly just more efficient fat storage, and what looks vaguely like fur is instead a bunch of tubercles (called caryophillia, for the second reminder out of three). Their inspiration doesn’t have these, however, Miamira sinuata’s numerous yellow and blue spots (not to mention...whatever’s going on with that shape) and general effect of being the only really green nudibranch I could find were probably perfect for a strange green echo. Not pictured, but their beak-teeth are tiny and flat to make a surface for grinding soft food against with the lack of a functioning radula, which is tipped with a specialized spiny “grapple-hook” for better traction/grip (not to mention the numerous little teeth running down the whole thing).

(Best part of hiding this under a readmore means edits will be seen by all reblogs, I'm mostly sure, because I completely forgot to mention! The spots on their forehead are simple eyes. Their camera eyes appear closed in-game, I like to believe their complex eyesight is rather poor anyways or otherwise reason that they aren't seeing out of those, and while this was far from her REASON for attunement with the world, it does help compensate for mainly viewing it through a canvas of simple light and dark. This, and the fact that their swapped-out "fur" is not only to commit to a lack of hairs but contributes to sensory input!)

Nightcat/Enot: I guess you could say I found the “these two are technically the same person” compelling. (E.g. similar colors, both very strange and enigmatic, and Enot/Inv/Sofanthiel’s remark during the dating sim about getting removed from Arena Mode.) I doubt they’re the only two slugcats in their body, considering humans with DID tend to have more than a few (and I find it very funny that a slugcat bearing resemblance to Nightcat appears in Gourmand’s ending. They’re allowed in the colony and Enot isn’t </3), and I have to credit @faelingdraws ’s art for being what convinced me on it! Their design inspirations come down to trying to balance a few different ideas: making the patterns and palettes of both look oddly similar (special mention to the stars, since those are fun to draw), basing them off of Felimare sechurana and juliae respectively, using blocks of color with the same placement as in Enot’s official art, and specifically making Enot look...biologically reasonable and imperfect, whilst also clearly trying to imitate human displays of emotion (what with...the eyes and blush on that one piece of official art).

Lastly, here’s just a lineup with notes on body shape and size. Most of the nicknames (existing to give a little more space, that’s all) are obvious, and while I can’t remember why I shortened Nightcat to Nox, it is in honor of my friend by the same nickname :]

#survivor rain world #monk rain world #hunter rain world #nightcat rain world #gourmand rain world #artificer rain world #rivulet rain world #spearmaster rain world #saint rain world #enot rain world #slugcat rain world #rain world #peridots-art #< feels like too long since that last tag's been used. i can say with certainty that the majority of the reason i haven't been just as #active here (not to mention not drawing as often since that's relevant) is just due to my life getting busier with a new school year but i #do miss putting my stuff here! and would like to reblog more on top of that.... so forgive not remembering exactly how to tag everything #(and how to write everything up there but to be fair it's not like long textposts were a staple of mine. i mostly just rambled and it was #fun hehehe.....some of those notes (parts of riv/spears mostly) were written around the beginning of the drawing itself)#OH i messed something up with the drafting and really did not mean to post it while tags were in progress! but regardless. i would've liked #to post it tomorrow to mirror how i was going to post it on JAN 29 a month ago......but it's not like i'm unhappy with this outcome :]#to sum it up really though it's been strange working on this for so long.....unfortunate to not get a chance to let it be seen and keep #experimenting with odd biology much earlier but i'm just glad it's out now cause i am proud of these!! it's been a lot of fun and slugcats #are still my go-to doodles :] if i had to end this off promptly though what's up with that secret pipeyard shelter as gourm that's not on #the maps. connected to vs_a04. doesn't appear on the miraheze or interactive maps for anyone strangely but i've only been there as gourmand #anyway! i'm sure there's a lot i could've said in the rush but goodbye dear reader anyway :]#i forgot spearmy initially. i'm so sorry

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bluerosefox · 1 year ago

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Taking a Chance

I want more TaliaxDanny stuff so how about this AU. Its mostly HEAVILY hinted though.

[Side note: Danny is in his 20s, maybe mid 20s btw, also enjoy my actual writing style, haven't done this in a while besides some small snippets I write]

Talia discovers the future plans Ra's has for her baby, her heir, her child. She is hurt and enraged because "How dare he! How dare he raise my son to be a sacrificial lamb just to extend his own life!" And the fact he had no plans to truly step down from being the Demon Head. (Basically the timeline where Ra's planned to overtake Damain's body)

-x-x-

Talia stared, her green eyes almost glowing toward the sleeping form of her son on her bed. Her eyes roamed his tiny face, the way he lightly dozed the day away unknowingly of the danger that had set in stone for him. Yes, being not just her son but the son of the Bat and the grandson of the Demon Head he was always going to be in danger but never had she really thought the danger would come from the very person who just declared him his heir. At least not in the way its been presented.

Talia had just discovered the fate her father, Ra's al Ghul, the same man that had held Damian not even a day ago and spoke of the future he could see Damian bring to the League once he was of age and would lead it, had actually planned for her son.

He planned on using her son, raising him to be the perfect heir.... to... to...

Use him as a vessel in the end.

He planned to leave his old decaying body, a body that was beginning to no longer respond to the Lazarus Pits as of late, and basically jump ship to a younger and better body...

The body of her son. The son she created and craved to have and raise. The son she made with her beloved's blood running in his veins.

Despite how enraged she is' Talia knows she can't confront her father. He would kill her... no he would torture her by hurting her baby to the point death would be a mercy if she tried. She also knows she can't go running to Bruce, she had burned the bridge to him ages ago when she refused to leave her father and his teachings and knows he would rip Damian away from her should she tell him what she did. He would, under the guise of protecting their child gain sole custody from Talia, set up next to nothing visitation rights for her to follow. He would say it would be to protect Damian from Ra's but Talia knows Bruce, knows he would use it as a half-excuse just to keep her away... but Talia wants to be in her child's life. Wants to raise him. Wants to be his mother, despite knowing next to nothing on how to be an actual normal mother, she wanted to try. She needed to try.

Running away was also out of the question, especially since Damian had been declared her father 'heir'. He would hunt them down and there was no where in this world she could hide that her father could not find them...

And-

Talia barely gives any warning when she flings the knife behind her. She waited for only a second, either to hear the ting of metal being blocked or the sound of it burying itself onto the wooden door she knew was in its pathway.

Instead she heard neither of those things and instead heard the ticking of a grandfather clock and a deep chuckle.

"As expected from the daughter of the Demon. Sharp and deadly with no hesitation in sight."

"Who are you." It was not a question but a demand. She slowly turned her head and was meet with an odd sight that even the daughter of the Demon has never seen before.

"At most.. an ally to have. At worst, merely a passing stranger with an offer."

The ticking never stopped.

Everything else outside the room though did.

-x-x-

Danny stared, his currently green eyes burning even more brightly than they normally do. Many emotions passed through them, anger, frustration, pain, sadness, regret, heartbreak, and hopelessness to name a few.

He stared at the tiny sleeping face within the healing pod in front of him and closed his eyes as memories of spending time with the one sleeping filled his mind.

"My King." A voice began, Danny's sharp pointed ears twitch for a moment and he turned his head slightly but it was all the speaker needed to know that they had his attention even if he didn't give them his full attention.

"I bring the updated reports from Chief Frostbite you requested." The young yeti ghost said, this had Danny finally turning around and looking upwards and towards the young yeti, who was smaller than Frostbite but none the less bigger than Danny. Danny held his hand out and took the stack of papers in their hands.

Once the papers were in his hands he gave a curt wave of his fingers as if to say 'go on' without actually saying the words and turned his attention to the words on the papers. The young yeti, Icewinds took the signal and began.

"Princess Danielle's core has remained the same since the last check up. No major sign of deteriorating or destabilizing... However that also means there have been no signs of improvement or healing as well..." Icewinds stopped for a moment, allowing their King to register the words being spoken "We will continue to monitor her as best as we can but... My King..."

Icewinds took a deep breath and delivered the news everyone already knew "Without a female donor to complete her Ecto-DNA, should the Princess suffers from another Fading even a minor one, I fear it might be too much for her core and with her current body form it will not be able to withstand the stress... I'm truly sorry My King."

The room fell silent, the only real sounds being the monitors in the room and sound of rustling papers in Danny's hands, who was staring blankly at the words written on them but not really taking them in.

After a moment, Icewinds shifting uncomfortably for a second, Danny spoke his voice raw but strong and firm "I understand. Please inform Frostbite I am... grateful for his, yours, and everyone's continued support and everything everyone's has done to help her... If you do not mind Icewinds, I would... Like to be alone for a while and think... For a moment."

"O-Of course My King." And with that Icewinds left the room, Danny barely taking not of the door closing and his enhanced hearing picking up the hushed soft words being spoken to the Knights that stood outside the room of Danny's request of being left alone for a while.

Once the talking outside the room faded, Danny tilted his body and head back on the chair he had been sitting in for the last few days and allowed the papers he had his hands to fall out and onto the floor. Danny took in a shaky breath and closed his burning eyes as he tried to keep his core emotions in control, knowing if he lost control the Realms would echo him and would panic or worry his people.

And he couldn't deal with that. Not now.

"Clockwork, whatever timeline you are trying to set in motion, I hope it pans out soon." Danny rasped out as he tried his best to keep himself from falling apart. Losing Danielle, losing the girl that was his clone, his mirror, but also was like a sister... daughter sometimes would break him, harshly and deeply.

He knew his advisor and resident Timekeeper had something in the works, the way the aging spirit had looked at him before he left was telling when the news of Danielle's suffering from another Fading attack and Frostbite having to perform a Core Transform nearly last second, which in turn turned her into a baby from how close she was to fully Fading, had been delivered to Danny and the others.

But despite knowing Clockwork had a plan, Danny knew that smile he had before he had left. It had been Clockwork's 'Have hope, but even I am unsure.' smile, a rare one the Timekeeper would wear when even he didn't know which way the pendulum of chance would swing first.

So he did the only thing he could do for now, and that was to remain in the room with Danielle, keep her stabilized as best as he could with his own ectoplasim flowing, and wait to see if whatever Clockwork had planned would work out.

Waiting, even with all he's done in his life from becoming a Halfa, to defending his home and haunt, from fighting off insane Fruitloops to dismantling government bigots until there was nothing left of them, all the way to fighting a tyrannicidal Ghost King to the point Danny had won the crown by Trail by Combat thus taking up the mantle of Ghost King of the Infinite Realms since his seventeenth birthday and bringing the Infinite Realms into a new age of healing the broken crumbling lands and ruling over all justly but firmly, waiting was all he could do for Danielle.

And the waiting. The stress. Was agonizing.

Because what they needed was...

Was a miracle if Danny was to be honest. They needed a female, a donor in all sense of the words, to complete Danielle's incomplete Ecto-DNA, because of course that damned Fruitloop tried skipping steps in creating a clone of Danny and it was no wonder he had failed so many times with only Danielle the most stable of them all and given the fact she still wasn't was damning, but they couldn't just have any female donate their DNA to her.

No the DNA needed the donor to at least be limenal, thus turning the DNA into Ecto-DNA because Danielle was created to be a halfa... The only problem was that the person in question needed to be Jazz level of limenal Ecto-DNA as well.

Meaning that despite both Sam and Val offering their Ecto-DNA from the years of being exposed to the Realms and Ectoplasim theirs wasn't enough to work with Danielle's. Jazz's Ecto-DNA was off the table seeing as she was his sister and mixing it with Danielle's would just lead to problems.

No they needed someone who was born near or in ectoplasm, breathed it, ate or at least filtered it, grew with it for years like Jazz and Danny did, basically the person in question just needed one odd day of dying and returning to life at the same time to becoming a halfa levels of limenal. Only those high levels could complete and combined with Danielle's.

Which given the fact only Jazz had those levels, finding someone near those levels was like looking for needle in space, because forget the haystack.

"....You've returned." Was the only words Danny said when his ears caught the sound of a ticking clock suddenly in the room, his anxiety raising as both dread and a tiny slimmer of hope both slowly climb up in his emotions, knowing whatever answer Clockwork would give him would outweigh the other.

"On time, as always My King." His cryptic Timekeeper responded "I bring... a chance."

Those words were enough to snap Danny out of his chair, he quickly looked towards where Clockwork's voice had been coming from and floated. His eyes burning with determination for a moment before he caught sight of movement behind Clockwork.

Behind the ever changing being stood a breathtaking woman. Tall and proud from the way she held herself, she looked a few years older than him but Danny could sense she was far older her soul not really matching her body. She was lovely to look at no doubt but deadly, very deadly and that was something else Danny could sense after all he was the Ghost King.

And she wasn't alone for in her arms was a baby, roughly the same age that Danielle had been de-aged to as well.

Danny blinked at them when he noticed something.

She...

She was limenal.

Very limenal. Even more limenal than Jazz.

In fact both of them were.

"I would like you to meet Lady Talia al Ghul and her son Damian, My King." Clockwork said as he gave a tiny bow towards the woman who stepped forward, a frown on her face she took in Danny's features and her eyes darting towards Danielle's healing pod for a moment, Danny could see she was tensed and a little weary from no doubt everything so far.

".... Welcome Lady Talia to the Infinite Realms. I am King Phantom." Danny greeted, his many years of training with other royalties coming forward as second nature now, he wasn't some normal teen from the middle of the Mid-West after all. "Has Clockwork told you the reasoning as to why you have been... chosen?"

He honestly would put it past Clockwork to be cryptic about the reasoning, but he hoped he hadn't because Danny really didn't want to explain the importance of it all and why they needed to hurry. And judging by the roll of his eyes Clockwork knew what Danny had been meaning as well.

"Yes King Phantom" Talia spoke, her voice rich and silky that sent a tiny shiver up Danny's spine from the sound "You need my DNA to help heal your clone. Should it be successful however it will change her from being merely a clone to instead into becoming yours and mine daughter."

"Correct." Was Danny's response, short and to the point. He needed her answer now if they wanted to save even a fragment of Danielle's core.

The room fell silent again, each them of taking a moment to think.

But eventually Talia spoke. Her voice steady and strong.

"I will offer my aid to you and yours... But only if you swear to both me and my son that we will be given sanctuary from my father and any who dares harm us for the blood that runs in our veins."

Danny only had one answer to that as his eyes caught hers.

Because despite being the Ghost King Phantom nowadays. He had once been Danny Phantom whose core started as a protector spirit and could sense the honestly of needing safety in her words.

"Yes."

-x-x-

Clockwork watched and smiled at the two adults in the room as they continued to stare at each other.

He knew he had been cutting it close, waiting for Talia to be at the ends of ropes and needing a chance to finally leave her deadly and abusive father without the toxic strings attached her ex would tie around her under the guise of safety for their son.

Turning his attention away from the two as they began to speak terms, Clockwork cast his gaze towards an window in the room and stared out of it, smile still on his face as glimpses of the rare future he saw slowly rose up more frequently.

Danny and Talia slowly and surely working together to raise not just Danielle, or rather Ellie as they renamed her since she was no longer a clone of Danny, but also Damian together. Passing them off as twins to those outside the Realms or Amity Park.

Talia learning to release the toxic love she had towards Bruce Wayne, and understand if someone truly loved you for you, they would demand sudden change from the only way of life one knows. That since she was no longer the thumb of her father she could finally be free to be herself.

Danny learning that despite being crowned so early in his life, that the weight of the crown didn't need to be carried alone. Sure he had his friends and family but Danny needed someone, someone who understood the weight of the feeling of needing to wear it head held high. And who better to help teach that than the woman who had to carry the name Daughter of the Demon Head herself.

The two growing closer and closer. Until fondness changed and shifted into more. As they raised the two infants with laughter and joy and love.

Ellie getting a kiss from Talia on the forehead when she had a nightmare and seeked her mother out for comfort. Toddler Damian riding Cujo around the castle as he copied Fright Knight after watching him ride off, Danny floating right by him making sure he didn't fall off. Ellie learning how to fight not just from her mother but from her idol Pandora. Damian learning to identify the stars and their names from the man he saw, and later wished was, his father. Ellie and Damian building pillow forts in the library and reading all manners of stories to each other. Danny and Talia holding their tiny hands as they took them to their first day of school within Amity Park their joyful laughter bringing soft smiles on their parents faces.

Danny holding a crying Talia as she explained the things she had been taught and forced to learn by the orders of her father in the dead of night. Doing his best to calm her down as he had been taught by Jazz ages ago.

Talia standing tall and firm when the Observants tried to undermined a order, no a law Danny had set in motion that had upset the eyeballs badly. How she gathered evidence of their attempts to go against it and how they were nothing but traitors towards their King and couldn't weasel themselves out of it this time.

Clockwork smiled warmly when he caught sight of one more glimpse of this future timeline.

Talia dressed beautifully, a crown made of stars and black jewels on her head. Her son dancing with her as firm as he could but his little tongue peeking out of his mouth as he concentrated on his steps and was dressed like a tiny prince complete with a tiny crown of stars on his head as well, Talia's face held a tiny smile of love watching him try his hardest to dance correctly with her. Joyful squeals of laughter rang out as King Phantom twirled with Ellie, who was dressed like a true princess, in his arms.

Around them in the ballroom the citizens of Realms laughed, joyfully danced, sang, ate, or merely watched. For the first time in many, many years the Realms felt... Complete. Whole. Happy.

A true wonderful afterlife that all could enjoy.

Yes.

He knew waiting the last second was a long shot, for a chance that almost wasn't, but the future he saw was well worth it.

A good future. A balanced one. A happy afterlife one.

Now, all he had to do was wait for the seeds of this future to bloom.

#danny phantom #danny fenton #dp x dc #blue rambles #crossover #writing ideas #random idea #danny phantom dc #dpxdc #dcxdp #royal errors #taliaxdanny #Talia runs off with baby Damian #gets an offer from CW #you give your DNA to my King for his clone turned daughter #and you get freedom and safety from your insane father #and no strings attached like your ex #Danny and Talia kinda co-parent #mostly at first its Talia trying to be a mother to her 'daughter'#Danny didn't wanna overstep boundaries with Damian but does adore the grumpy baby #eventually their kinda co-parenting does turn into real co-parenting #Danny and Talia do grow close #and eventually give dating a shot #turns out very very well #Future Damian wishes Danny actually was his bio-dad when he learns his bio-dad is Batman #like cool and all but come on his step-dad is freaking King of the Infinite Realms #Bruce learns about Damian when his class takes a trip to Gotham #And Ellie gets kidnapped oh boy

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