#more general grasp of the episode

[snaileo]

Astro Boy (2003) Episode Six

Birth of Atlas

[pangzi]

can we just talk about how incredible wandee goodday is with their narrative devices though? the foreshadowing is incredible. there's symbolism everywhere. the oyeicher/yakdee juxtapositions are so good. even though their words and actions might contradict each other, everything gets spelled out for us so clearly, it's beautiful.

[mariocki]

All Passion Spent: Episode 1 (1.1, BBC, 1986)

"She's not one of those clever women, thank God. Mother has always allowed others to make decisions for her. And now that Father has gone..."

"I suppose, since I have always lived at home, that I should really bear the brunt."

"Brunt, Edith? I'm sure we shall all regard it as a privilege to look after Mother. Brunt is an entirely unsuitable expression."

"Oh dear, when you say it like that, Carrie, I'm not even sure what it means."

[itsalongwaytotipperary]

Hiatus on Ángel Understanding, struggling with Ramiro Understanding now

[viridian-snow]

Idea I would like to explore but don't have time right now:

AU where Breach joins the Hong Kong gang

[cartoonrival]

i recognize that theres contention about whether filler episodes in an anime should be taken as canon or not which is why ive taken up a very simple metric for determining if they can be used in analysis or not: if i like them then theyre canon

[solbaby7]

Killing Me Softly

pairing: cassian x reader

[ part 2 ]

warnings: swearing, violence, blood, jealous themes, angst

summary: [based off that episode in greys were Mer got beaten by that patient who didn’t remember anything when they woke up]

—

It had started out as a normal fight.

Something small and fixable.

But somewhere along the way, things had snowballed and the playful Cassian you’d always known had disappeared before your very eyes. “You have a responsibility,” His tone is firm; slightly condescending and you can feel the attitude beginning to form when his arms cross over his chest. Cassian shoulders squared out, spine straight and wings pulled taut as he stood his ground. “The answer is no.”

“Cass, you’re not even listening. I told you I had this planned a week ago,” It comes out rushed, brows furrowed as you tried to meet something else besides that hard wall behind hazel eyes. “Besides it’s the med wing, they always have volunteers coming in to help—it’s just one date.”

“This really isn’t up for discussion,” His steely exterior nearly crumbles to pieces when he sees the way you visibly deflate, fingers grazing over the pretty dress you’d spent three days searching for with Mor and Cass had to pretend to be thrilled when you came barreling through his bedroom door with it in hand. You were beaming, smile so wide he thought your cheeks would split in two. “Now, go get changed.”

Guilt bubbles in his belly at the sight of you, jaw clenched tight and eyes blinking furiously to push back the frustrated tears; you had been really excited. You say nothing when you breeze past him, making sure not to touch him or make eye contact when you disappear back where you came and Cass doesn’t even need to turn around to know the way Azriel is looking at him. “Thought you said the med-wing was fully staffed? Easy day, you said.”

“Don’t even start.”

“It was just one date, she bought a dress and everything.” Az doesn’t buckle at the remorse that begins to scrunch at hard features, hands that clench and unclench at his sides as Cass battled a war that didn’t take prisoners. “If you won’t act on your feelings for her then leave her be so she can be happy.”

“Seriously, mind your fucking business.” Cassian all but snarls, golden eyes like burning lava when regarding his brother; the words hitting much harder than and punch. “She had a job to do and she’ll be here doing it. We don’t have time for stupid dresses and dates when people are dying.”

You don’t speak when you re-emerge in something more sturdy, medical equipment neatly organized in a bag that you held loosely in one hand. A whole folder of papers had been shoved in your grasp from a brooding General, inky hair flying away from his face when the wind cut through on his speedy departure. Frustration builds but you don’t allow it to overcome you, ignoring Azriel’s inquisitive stare, arms crossed over his chest and thick leathers hugging muscular thighs. “You okay?”

You sigh, gesturing to the stack of papers while you begin down the hall. “I’m busy.”

Times flows significantly slower now that you’re aware you’re missing something of importance; you’d really been looking forward to dressing up. Taking special time on your hair and the dark kohl that Mor insisted would make your eyes pop. The bittersweet daydream of what could’ve been is interrupted by the ruffled patient, his body covered in a serious of wrappings and notes near his side table on the tonics he’d been given—heavy duty sedatives and even stronger pain alleviants. Dosages so high there was no was he should’ve been moving, eyes blinking into consciousness and slurred speech stumbling from his tongue. “Where am I?”

“Sir, it’s okay just relax. I’m only here to help.”

“I shouldn’t be here,” Your hands are gentle when they reach out for him in attempts to soothe but it only makes him more agitated, arms whipping around wildly and his volume steadily increases. “Who are you? Why am I here?”

“Sir, please. If you just calm down I can explain—you were hurt, I’m only here to help.”

Rational thought and logic make no home in the frantic patients mind, his terrifyingly sturdy grip latches onto your shoulder. You’re jostled in close, bandages and antiseptic falling from your grasp and you only have time for one sharp yelp before his hands are wrapped around your neck. It takes alarmingly little effort for him to get to his feet, slamming your form down on the cot he’d been recovering in for days. Broken noises pull from your throat, nails scratching at his arms and face and whatever skin you can get your hands on, punching and kicking and reaching for anything to help and just as a black spots line your vision you finally get a good kick in, enough to push you from his hands and your body tumbles to the floor with a thud.

Deep heaving breaths pull from you, sucking in as much oxygen as your lungs will allow and tears you didn’t even realize you’d let out are streaming down the curve of your cheeks as you struggle to gain your footing, to get out of the room but hands are back around your arms. A broken cry fills the air when your face is shoved into the wall, heavy weight pushing you over and over until blood pooled from your temple and choked noises caught in your throat.

You can’t even remember when it stopped, a darkness overtaking you but even that’s abruptly ripped away from you for what feels like just seconds later. Someone screaming, strangled, pain filled shouts when you feel a set of hands on your body, lifting you from the floor and setting you on a cool table. “She’s awake,” You hear Madja firmly speak, hands quick yet sturdy when reaching into her bag to pull out medical grade scissors. “Anyone not necessary needs to leave.”

“She’s family, we aren’t leaving her.” Azriel retorts even stronger, leaving no room for discussion and you can feel the warmth of his hands on your own when he looks down at you. “You’re going to be okay, we’re here. We’re all here.”

You can’t even form words, eyes watery and panicked when darting between both of his own and the grip you have on his fingers when the healer pressed down on your abdomen is enough to have him barking at her for pain relief. “I can’t just give her things without a full assessment.”

“Assess faster—she’s in too much pain.”

Everything goes in one ear and out the other; you keep trying to speak, to beg them to please stop poking there and prodding at that bruise and asking if it hurt there, because it hurt everywhere. Broken whines pull from your throat, chest heaving and limbs trembling so hard the table shook. “I can feel three—no four broken ribs, collarbone fracture on the right side, shoulders dislocated on the right as well.” Madja begins, voice almost void of any emotion as she drifts from a person to a woman in charge. The High Lord in standing near your head, murmuring encouraging words while soaking in the information, a grim expression shared between him and the shadowsinger. “Damage to the brain is possible with such intense trauma to her head; two males had to physically pull the patient off of her.”

“Why would he even do this?” Rhys takes the warm cloth handed to him and gently begins to drag it over your forehead, trying his best to comfort you through the agony. “She’s harmless—she wouldn’t have hurt a fly.”

“It was the first time he’d been lucid since we’d found him; he doesn’t even remember what happened.”

Half a dozen more healers filter in the room with handfuls of equipment, eyes filled with worry when regarding one of their own but they quickly shake it off and step into line to assist. Azriel snarls at Madja’s words, stomach clenching in disdain at the helpless groans you let out, head lolling from side to side, tears treading trails into your hair as the pain overwhelms you.

Madja skims a knuckle over your jaw on accident when accessing the harsh bruising at your throat and the yelp that pulls is absolutely devastating. “Grab the restraints and hold her down,” The healer commands to the others, insisting they wrap them tighter while ignoring the deep shouts of the two males guarding you like their lives depended on it. “Her jaw is broken,” A heavy sigh pulls from Madja, dark hair tightly braided behind her shoulders. “—I have to set it and it won’t be fun so help me or get out of the room so we can do our jobs.”

Rhysand’s fingers are running through your hair, Azriel’s thumb rubbing soothing circles along the back of your hands and you feel the exact moment they both go stiff, heads turning to face the towering figure that stuttered to a stop in the doorway. “I’ll hold her arms,” The shadowsinger holds your arms with a firmness you hadn’t experienced from him before, soft apologies being whispered into your ears when your heart rate surges. “Cass, hold her legs. She needs to be still.”

The General doesn’t move, eyes wide and mouth hung open when he takes in your form. The clothes that were cut from your body, the countless amounts of thick gauze and medical towels soaked with your blood pooling in piles on the floor. Warbled streaks of crimson red is a stark contrast against the white floors; the smeared print of ten fingers and two palms drag along the wall, the small side table and the around door handle—you’d just nearly gotten away. “Cassian,” Azriel snaps, the rough tone ripping him from his trance. “Hold down her legs, now.”

The shock doesn’t wear off even if he does do as he’s told, golden eyes stuck on every bruise, ears painfully attuned to every whimper, every cry and gut-wrenching scream when your jaw was forced open, the bone shifting with a deafening crunch. “Please, please, please.” You barely get the words out; speech slurred, sweat lacing your forehead, body shaking so hard from the pain you couldn’t tell what was up from down. “Please, make it stop. Please, I’ll do anything—please stop.”

“Give her something!” Rhys snapped, wiping away tears and bracing you from moving around too much.

Madja scoffs, outnumbered and overwhelmed she calls for a tonic, allowing a higher dose than normal and your relief is instant. Deep cries fade to drawn out whimpers before your whole form goes eerily limp. “This will not be an easy recovery; if you think that was bad, just wait.” Quick hands make work of setting your shoulder with a sharp jolt and another healer is wrapping it in thick bandages to keep it in place. “Why was she even in here? The form specifically stated that supervision was required for this patient—she shouldn’t have been alone.”

“She shouldn’t have been here at all,” One of the healers muttered under her breath, hands quick and careful when tucking your hair behind your ear and dabbing your face clean of the blood that had started drying. “—she had a date today. I took this shift for her so she could go. She’s been talking about it all week.”

A silence fills the room and Rhys follows the sharp stare Azriel had trained on the General who’d been stuck in place at your feet. His hands shake where they rest near your calves, gaze seemly stuck on the socks you wore, fabric torn and stained in your own blood and he can just picture how hard you’d struggled trying to escape. Cassian says nothing, not when the others seem to catch on; putting together a piece of the puzzle in his silence—the shock that settles in every pore and the guilt that radiated from his burly form.

He only watches as they collect the soiled gauze off the floor, antiseptic filling the space when they begin to scrub your handprints off the wall, sweeping up the drywall that gave way from the pure strength put into smashing your body to pieces. “Four broken ribs,” Azriel’s voice is unnervingly calm when the last of the healers filter out, the door shutting behind with a soft click. “—a fractured collarbone; she was thrown into the wall so hard her shoulder popped out of socket.” Rhys takes a step forward, a hand raised to stop the shadowsinger but he’s sharply cut off, Az’s tone getting just a bit deeper when he stalks towards Cassian like predators did their prey. “He nearly shattered her skull—she’d be dead if it weren’t for one of the other patients. They heard her scream and found me.” Inky shadows slink around Azriel’s shoulders, but it’s the hand that pushes Cassian a step away from you that finally gains his attention.

“Azriel—“ Rhysand begins to intercept but abruptly pauses when the spymaster continues, fingers pointed at the leader of the Night Courts armies.

“You made her stay today because you were jealous.”

The High Lord goes still, violet eyes sliding from one friend to the other. “What?”

“She had a date and Cass was jealous because he has feelings for her and is too afraid to say anything.” Azriel can’t seem to stop once he’s started; such pure rage burning beneath his skin at the selfishness that resulted in such unimaginable pain.

“You think any of that matters right now?” Cassian doesn’t even sound like himself; no booming voice or need to make his point, no logical facts and carefully thought out points. He can’t even stop looking at you, eyes glassy and shoulders slumped when remembering what you’d looked like just two hours earlier. “I thought I didn’t deserve her before but now—after this? I know I don’t.”

[celestialprincesse]

Since ur taking requests… could I request this please? It’s okay if you don’t want to do it :)!!

Fluff!! 141tf trying to communicate with a new addition.. cause she doesn’t speak English as a first language.

Simon trying his hardest to be less sarcastic and damp his dry humor a bit so it doesn’t come off as scary or confusing to her, or soap doing that thing where he speaks slowly to get his point over. Gaz learning slangs and her language cause he’s a sweetheart fr and price already knows her language and she’s her bestie now.

<3

𐙚⋆°.

You'd only been called in to help TF141 as backup, a less conspicuous translator intended to help gather information on a covert mission - a quick in and out. Simple enough, right?

Simple enough, if any of them had a basic understanding of any language besides English. You know enough, but it can only get you so far.

Currently, you're sat in the common area, a pair of headphones smushed in your ears as you occupy yourself with an episode of 'Friday Night Dinners' - Laswell had suggested watching what she described as 'quintessential English telly' to get a better grip on the humour you were sorely lacking in an understanding of.

In fact, you're so immersed, and actually entertained, by the sitcom, that you don't notice a gruff "brew?" coming from Simon's general direction by the kettle.

"Oh, pardon?" You question, noting the way Soap's lips curl into an amused smile at your propriety, and Simon forgetting that most of his phrases and slang wouldn't be understood outside of a Manchester pub, let alone England.

"Cup of tea." Price cuts in, seeing the way your brows furrow with confusion, and slight disappointment at feeling left out, all of them bonded by their shared language - all but you.

"She'll have a builders, one sugar, splash of milk." The captain grunts in Simon's general direction, somehow having memorised the way you take your tea, and recited it before you can even get a word out. Honestly, you don't even like English tea that much, but you'd copied the way Gaz made his tea on the first day you'd arrived here, and made a habit of it since.

"Actually, I bought some herbal." He chirps up from the corner, taking off his cap to run a hand across the tight coils of his hair before replacing the union jack accessory. "Trying to cut back on caffeine." Gaz lies, not wanting you to feel like any more of a fish out of water. He's seen the way you'd scowled upon first arriving at the barracks to find the only drinks available being in the heavily caffeinated genre.

Despite their grasp on your language being far from fluent, they're trying in the ways they know how, and that's enough for you.

𐙚⋆°.

[spookberry]

I finally got around to rewatching DP and... does he just die only in the opening song? Did I miss something? Is there no episode covering the portal accident?!

It's just the theme song.

On record the reasoning is that it's meant to be so that anyone can jump in at any point and have a general grasp on what's going on and who Danny is.

in season 2 there's an episode called Memory Blank, where Sam makes a bad wish and then basically has to redo everything that happened the first time. This episode is where we get more information on how he died that first time.

[burningcheese-merchant]

Psst, hear me out: The Beast being fucking yanderes with the ancients.

You Get It™️ I mean... Did you guys see episode 6? Burning Simp Cookie is already a yandere lol. He's been there and he refuses to leave. And Shadow Milk is honestly not that far behind, he feels some type of way towards Pure Vanilla and it would be cute if it wasn't so sad and creepy lol

Really though, I just love hero/villain ships in general (always have, since long before Cookie Run ever existed) and I get a kick out of villains acting stupid over crushes (read: obsessions), and acting stupid in general. There's just something about a villain being in love with the hero to a psychotic, comical degree, and the hero rebuffing them at every turn that's just really amusing to me lol. Like what Joker sort of has with Batman, you know?

Here are my Yandere Beasts in bare-bones terms:

Burning Spice: come on, if you've read my stuff, you know EXACTLY what Yandere Spice is like lol. If not, I'll refer you to this and this, as well as my fics on AO3. If those don't tell you what Yandere Spice is like then idk how else to help you lol

Shadow Milk: if the final boss of theater/drama kids had a crush but was also a malignant narcissist of some sort lol. Absolutely DESPERATE for Vanilla's attention at all times. If he's not actively trying to worm into Vanilla's brain and harass him in his thoughts and dreams, he's in the real world brainstorming better ways to do that lol. He does not grasp why the creepy puppet shows and gaslighting attempts aren't convincing Vanilla to fall in love with him. Will attack and torment and insult Vani in one breath and then praise and love and worship him in another, because he's a histrionic clown freak with whirlwind emotions. But above all else, he literally thinks he owns Vani and is meticulously plotting the horrible and hilarious demise of any and all he perceives as a threat to their union

Eternal Sugar: World's Laziest Stalker™️. Almost exclusively haunts Holly in her dreams (I have to assume that that's what her power will entail, as the Beast of Sloth); however, she's more "effective" in her wooing attempts due to her past experience as the Herald of Happiness. She actually goes out of her way to construct dreams and the like that have things in them that make Holly happy (or what she thinks makes Holly happy; she, as well as the others, has big tunnel vision and is very selfish and self-absorbed, and thus pays more lip service to her own wants than those of who she loves/obsesses over). Thankfully doesn't run into Holly in person often because that's work... but sometimes she DOES work up the nerve to go after her for real, and... well

Mystic Flour: Denial, denial, denial. Not just a river in Egypt the Golden Cheese Kingdom, but she'll say and act like otherwise. No, she does not like Dark Cacao. He robbed her of her volition and the chance to enact her will. He prevented her from freeing the world from pain and suffering. He is a stubborn fool who refuses to understand the truth. He... is very handsome. She does not like how handsome he is. It is distracting. She doesn't like dwelling on her memories of him and their encounters. She doesn't like how she came to harbor a single kernel of respect in her heart after he stood his ground against her; a kernel that she inadvertently nurtured and cultivated slowly but surely, until... no. No, she doesn't like Dark Cacao. She doesn't think about him all day. She doesn't want to try to lure him back to her land so she can trap him in the flour fog with her again. She doesn't miss feeling his dark eyes on her. She doesn't deeply resent his attachment to his people, and seek to transfer that attachment to her instead. No, she... damn it, he's ruined her. He's made her feel things again. He's made her succumb to selfishness and greed, to earthly desire and attachment - desire for HIM, attachment to HIM. All of her hard work and enlightenment gone to waste... She doesn't want to like Dark Cacao, she recognizes the folly in such a thing, but she's stuck - and so stuck is she that not only does she not really see a way out, she doesn't WANT one. She's become too content with her attachment to him too quickly. Now she has to agonize over her own foolishness, and try to keep denying that she doesn't care while also longing for his attention and wanting to do away with all that steals his attention away from her

Silent Salt: probably the least awful of the five, but he's still creepy and that's not a high bar to clear anyway lol. Has a better grasp on "normal" behavior than the others (like... he pays attention to what White Lily likes/wants and tries to adjust accordingly), but he's following her around everywhere and acting extremely violent and territorial over her towards anyone who he catches approaching her. He's legitimately, surprisingly sweet and gentle towards her; he brings her flowers, he listens to her when she asks/tells him something, he's more or less respectful of her personal space (he will try to be as physically close to her as possible, but actually backs off a little if she asks him to, only to try again, and so on and so forth)... but he's still a villain, he's still violent and creepy, he still gets angry when she pays attention to other people for too long and he has brought actual harm to others out of jealousy. He's the best of the worst but that really doesn't mean much of anything, he's still a psycho creep like the others

In short, they form a tight-knit coalition of absolutely fucking deranged freakazoids and they should all probably die :)

[fujoshimenacecw]

A conversation between Moto Hagio, Hideaki Anno, and Shimako Sato

In our first ever translation work we share a riveting conversation between Moto Hagio, Hideaki Anno, and Shimako Sato! Read on our wordpress or keep reading on tumblr under the readmore

For the 189th issue of the Magazine House publication Hato yo! published January 1st 2000, movie director and screenwriter Shimako Sato leads a three way conversation between herself and her acquaintances, the anime and live action movie director Hideaki Anno, and manga artist Moto Hagio. Together they discuss their respective admiration for each other’s work, Anno’s past statements on otaku, their takes on parent-child relations, how to escape puberty, and why Anno finds it scary to be around children. 

To Me, There is 5 Ways To End a Story

Hagio: I got really into Neon Genesis Evangelion after it finished airing (laughter). I had been told by an acquaintance that Eva was a work that had “fans who were looking forward to watching the series so enraged by the developments in the final episode that they broke their TVs” (laughter). I wondered what could a work that evokes such strong emotions be like? I was really interested, so I borrowed the VHS tapes from a friend of Shimako-san’s, then I started watching.

Anno: I’m a big fan of Hagio-san’s manga, so when Shimako-san first said she could introduce us and arrange this meeting I was truly happy. The fact that you took an interest in Eva is an honor but… When I first heard “to me, there are five ways to end a story” I thought “as expected; amazing!” So after several twists and turns I finally reached a conclusion

Sato: Anno-san, when did you first encounter Hagio-san’s work?

Anno: The first one I read was They Were 11! during its serialization. In elementary school I read it at the Ear-Nose-Throat Doctor. I generally read manga at the waiting room there or at the barbers, since I didn’t really get any manga to read at home. When I read They Were 11! back then I was blown away. After that I read Hyaku Oku no Hiru to Senoku no Yoru [trans: Ten Billion Days and One Hundred Billion Nights, original story by Ryu Mitsuse]. My favorite work is Half-god [Hanshin]. The fact that such a meaningful story could be told in only 16 pages is amazing. I think Hagio-san is a genius storyteller, but her art is amazing as well. In middle school I thought that if I copied Hagio-san’s art I’d become better at drawing.

Sato: If you had also imitated her storytelling would that perhaps have changed Eva’s final episode? (laughter)

Saving the world, love and hatred

Anno: You know, I don’t have much interest in concluding a story.

Sato: Do you hate wrapping a furoshiki? [trans note: a traditional wrapping cloth]

Anno: No, it’s that I think you can do more with a furoshiki than tie it up pretty. Like break it or tear it to shreds, all kinds of things.

Sato: If we include all that, isn’t that still doing the act of wrapping?

Hagio: In your case Anno-san, I find your way of grasping the world unique.

Sato: For both Anno-san and Hagio-san, even with the differences between manga and anime you’re making a serialized work, right. When you make a long-form work, is the ending something that is already decided? Or is it something that changes?

Anno: For me it’s something like a live performance, and ends up gradually changing as I create the work.

Hagio: I’m a bit too careful, so I can’t draw if I haven’t thought of the ending. An exception is when I made Star Red. Otherworld Barbara which I made later also ended up becoming an exception 

Anno: Star Red’s ending was magnificent. I was also influenced by Star Red. Actually, I’ve written some dialogue similar to the one in Star Red’s ending 

Sato: Which of the characters do you like?

Anno: Well, the protagonist.

Sato: I like Elg. At first I thought he was a rather unreliable person, but he gradually came to play an active role. By the end he revived a dead planet through love.

Hagio: I also like characters like that!

Sato: When I watch Anno’s works like Eva I feel like you are more the kind of person who saves the world through hatred, what do you think?

Anno: I don’t know 

Hagio: That feeling of uncertainty becomes the foundation of your storytelling doesn’t it? I come to think that that feeling is something so overflowing you can’t tie it all together. 

Sato: It seems you have some differences when it comes to making a story, but I think one thing your stories have in common is perhaps parent-child relations?

Anno: That is true, Hagio-san. Your relationship with your mother appears in your work…

Hagio: When I was a child, my older sister was my mother’s favorite, I was always compared to her. It seemed my mother thought that compared to my sister I was unreliable so she always worried about me, even when I was into my thirties she’d tell me to quit making manga.

Sato: And that was during The Poe Clan’s heyday wasn’t it?

Hagio: (laughter) When I was watching Eva, something that really caught my attention was Shinji-kun worrying about whether or not he was useful to his father. Yet there was a distance between them. During that time I was very interested in, to put it into words, “broken relations.” 

Otaku Are Generally Uncool

Sato: Anno-san, in your work I think father-son relations is something that makes an appearance. Are there any real experiences behind that?

Anno: My family was normal. If I have a complex it would be that we were a poor family rather than a just normal one, and my father has only one leg. Regardless, I think stories about parents are the simplest to make, it’s easy. 

Sato: So since Eva is a parent-child story it ended up like that?

Anno: What makes it easy is that we have some preconceived assumptions about [parent-child relations], “have you argued with your parents?” and such.

Sato: What appears in your work isn’t those things, but your own internalized problems don’t you think.

Anno: That appears to be it. As for my family we truly were the archetypical lower middle class household. My father was a good person. A sensible man. When you’re under circumstances like my father was you have to live sensibly or else you’re excluded.

Sato: So in opposition to that, you became an otaku.

Anno: That might be it. Your most important model for what normalcy is is your family. But I have a younger sister and she is exceedingly normal. She doesn’t read manga, there is nothing twisted about her at all.

Sato: And by twisted you mean?

Anno: That she’s not an otaku.

Sato: Anno-san, you’ve said that you hate otaku, haven’t you.

Anno: It’s not hate. It’s just that I think otaku are uncool. To otherwise not notice that you’re uncool or purposefully suppressing that fact makes me feel disgusted.

Sato: What about The Matrix? Isn’t that a cool otaku movie?

Anno: That one is also uncool.

Hagio: Even though Keanu Reeves is cool.

Anno: Keanu is cool. Because he is not an otaku. The otaku are the Wachowskis. They can’t get out of the confinements of their otaku-ism. So for example, even if they make something cool, part of it will for certain be otaku-like Even though I say this I don’t hate it. If I truly did I’d quit being an otaku.

Sato: Hagio-san, would you say your family was normal or was it perhaps affluent?

Joh (Hagio’s manager): Hagio-san and her mother actually have a similar biorhythm. It was perhaps due to that fact that Hagio rebelled by pursuing the path of becoming a manga artist. 

Hagio: I might have been running away by drawing. But, if I had rebelled by becoming a delinquent I think it perhaps might’ve been more enriching to me as a person.

Anno: To become a creator is not something I think is a happy path to go down. In order to not be unhappy you have to work for dear life. At the very least create works as if you’re going back to zero [from the negatives].

Hagio: Is it a negative? Because you are an otaku?

Anno: Being an otaku is a huge negative. You make up for it either by relying on others or by producing creative works. With that said, I think my generation has it easier than yours, Hagio-san. This is an era where even old men read manga. My parents even now have no issues with my line of work. I appear in Asahi Shimbun, I appear on NHK, they have nothing to worry about. That is also why I will try not to ever refuse any coverage from my hometown newspapers.

Hagio: But don’t you think parents don’t truly understand? Even if I become famous, my parents will say; can’t you quit drawing manga? And just appear in the newspaper? (laughter)

Sato: But if you quit drawing manga you won’t appear in the newspaper. (laughter)

Hagio: In that context, a part of me still expects too much affirmation from my parents. Not externally but internally. Even if I appear in Asahi Shimbun I still end up thinking it’s not good enough.

Sato: The fact that you still worry so much about what your parents think at your age Hagio-san, it’s so strange.

Hagio: Yes, I think so too

Anno: Could it be that you have to become a parent to change that part of you that worries so much about what your parents think?

Sato: I don’t worry at all about what my parents think.

Anno: I also don’t care even a little bit. As far as I’m concerned, I’m bored if I get my parents’ approval. When I did Nadia: The Secret Of Blue Water for NHK I felt that feeling.

Sato: Do you have a replacement parent figure?

Anno: Well, a man without imaginary enemies is no good. For me right now, I think I want to make works that have Hayao Miyazaki beat.

Sato: Hagio-san, your worries might also be what gives birth to your works.

Hagio: That might be the case.

Sato: Anno-san, earlier, you said “you have to become a parent to change.” I personally don’t think if you don’t have children you can’t become an adult. I think that being an adult is being independent in everything you do. That’s why I think marriage or having children doesn’t change anything.

Anno: You can become a parent without being an adult. At 17 or 18 you could become a parent. To become a parent without even being an adult, that is the problem I think. 

Sato: Do you consider yourself to be an adult, Anno-san?

Anno: I guess I’m a child. 

Sato: I don’t consider my parents to be adults.

Hagio: I’m very discontent with the fact that my parents aren’t adults.

Anno: I’m not discontent.

Sato: For me realizing that my parents aren’t absolute adults was a relief during my middle school years. Until then I had played the role of an exemplary student, but when I realized that fact I stopped playing that role. 

Hagio: So you’re a child who didn’t fit into your parents’ expectations. I was also a child who didn’t fit into my parents’ expectations, but the fact that they didn’t shrug their shoulders and say “that’s fine,” filled me with anxiety. I thought that if I become an adult I’d lose that anxiety. But I want recognition from people. I continue to request affirmation. 

Sato: Anno-san, in Eva you portrayed children like this, but are you like this yourself?

Anno: The affirmation? Hmmm. That kind of thing changes with the project.

Hagio & Sato: ?

Anno: I don’t believe in the supremacy of the director of a work, but rather the work itself. What would be best for the work, I only base my judgment on the total. Although I won’t hand over the executive decisions.

Hagio: Manga is a one-man job, but with a movie there’s the director, the scriptwriter, the actors, etc. Each of them sees themselves as a leading part. Furthermore as living beings the things we do will sometimes diverge from the plan we made in our heads. The fun of living is discovering what those differences will be.

Is Eva The Rite of Passage That Will Get Us Through Puberty?

Sato: The movie Love & Pop that you directed Anno-san, the original creator Ryuu Murakami-san and yourself are both men, yet the story is about high school girls. I found that interesting.

Hagio: I thought that both of you wanted to be very similar to an archetypical girl. You said you wanted to see a part of puberty, and girlhood that you couldn’t control. After all, men aren’t just made up of boys. I believe that femininity and masculinity is something we have combined within us. Sort of androgynous.

Sato: The boys you create not having that vivid true-to-life quality to them I think is a representation of that. Anno-san, as a man, what do you think of the boys in Hagio-san’s manga? 

Anno: I think they have empathy. I think what I like the most is that all the characters are smart. Because they have such a high intelligence it feels good to read.

Hagio: Like a washing machine right at the peak of its cycle, I want to leave my characters on the verge of that kind of critical point [of merger]. To be honest, the idea that once you’re past 30 you’ve become an old lady, that sense is something we’ve left behind.

Sato: I’ve found that when men become old they lose their ability to be nihilistic in their work, is it the same as that?

Anno: In the case of men, as you age, the world view [of your fiction] rather than your characters come to reflect your nihilism. You don’t aspire to be nihilistic, you yourself are becoming nihilistic. Your world view is what gradually utilizes nihilism. Isao Takahata, for example, is a nihilistic person. Nothing is born from being nihilistic. As nihilism is Plus-Minus-Zero, eventually your heart can’t be moved.

Hagio: A world that doesn’t change, isn’t that comfortable? 

Sato: Even though in order to grow you have to fight. By asking like this, Anno-san, did you not experience puberty?

Anno: That might be it.

Hagio: I thought you were right in the middle of puberty.

Anno: I thought I’m losing it, but it might be puberty. Generally speaking, otaku don’t go through puberty.

Hagio: I thought otaku went through a prolonged chronic puberty.

Anno: It’s not what society ordinarily calls puberty.

Hagio: A never ending puberty, in this age, could it perhaps be because there are no more rites of passage? 

Anno: Sure enough, you have to bungee jump. (laughter)

Hagio: A ritual to let your childhood die and then replay it, such a thing doesn’t exist now. Taking entrance exams may be the closest to [a rite of passage].

Sato: Don’t you feel like lately that around age 30 is when the coming of age ceremony actually happens?

Hagio: For that part, that’s when the stories takes on that role I think.

Sato: As a ritual?

Hagio: It’s not a ritual, but perhaps more intuitive? A trial run on a mock life. By that definition, I noticed Eva is just like that. I had an acquaintance who is a teacher from the Kyoto Steiner school. They saw the Eva movie in theaters. At that time they found the reactions of the people watching to be more interesting than the story. They had thought, isn’t it like we’ve all come to see the rite of passage which we all failed? I thought so as well “that’s right, that is interesting.” The rite of passage to become an adult after entering puberty, be it Gundam or Eva those stories put people in a position where they are observing the world, observing themselves, experiencing war and such.

Sato: Anno-san, were you considering all this…

Anno: I didn’t make it like that. But when I was making the movie I was thinking of this a little. 

Hagio: When I watched Eva it ended up overlapping with the book Childhood [by Jan Myrdal]. It’s a book about a mother who can’t love her child. She thinks “I have to take care of this child”, but even so she can’t love him. I wonder what happens to children raised like this. Children learn from their parents. In truth there will be consequences for the parent, but the question on my mind was children who can’t find their place with the parent, where can they find their place instead? Although I thought you were such a person when you were making Eva, Anno-san. (laughter) 

Sato: Speaking of, the other day you were on a TV show teaching grade schoolers about anime, Anno-san. What do you think of children?

Anno: I was scared of being in contact with children. I don’t understand the appropriate distance to take. I believe even the most casual thing an adult says mustn’t traumatize them, I end up becoming oversensitive. In grade school during still drawing class, I’d draw roof tiles and other detailed things, but humans moved around and I found it annoying, so I never drew people. Because of that my teacher said “this isn’t a child’s drawing,” which deeply hurt me. In the end, from that experience I think it was a part of the reason why I decided on working with drawing. Even though I opposed standardized education, I really felt the difficulty of dealing with not having a basic manual.

By the way, how much longer until Zankoku na Kami ga Shihai Suru [trans: A Cruel God Reigns] ends? I made a mistake. I wanted to read it all at once, right, so I refrained from buying it but… when volume 6 came out I ended up buying all of them. 

Hagio: Oh yes, right. July next year I think. 

Anno: Understood. Then the final collected volume will be out in the fall of next year. Hmm well that means I can enjoy it for another year. Understood. 

Sato: Isn’t that great.

------------------------------

Translated by mod Juli, with assistance from two financially compensated native speakers.

A scan of the full interview raws has now been added to the wordpress version!

[stevie-petey]

episode four: will the wise

“What do you want, Hargrove?” Steve asks, situating himself so that more of his body is in between you and Billy.  He sucks his teeth and then lets out a cold chuckle. “Nothin’, just didn’t know that this little sweetheart had it in her.” “Don’t call her that–” “I mean, her boyfriend runs off with your girlfriend?” Billy chuckles again. “I’m surprised Y/N Henderson ran into your arms, Harrington.”

summary: jonathan is gone for one day and suddenly all hell breaks loose, your hesitant friendship with steve is already rocky (thanks billy) but steve is hot when he's angry tbh, you become a couple's counselor to lucas and max (sorry dustin), and you're now officially the world's worst cat owner ever. and babysitter. but what else is new ?

Rating: general, swearing

Warnings: use of y/n, fem!reader, mentions of blood and scars and knives

Words: 5.7k

Before you swing in: hello ! happy friday, heres chapter 4 :) before i say more, i wanted to inform yall that i started doing blurbs for come home if youre interested in seeing more lil scenes between everyone. they can be found here x. anyways, i absolutely cannot believe we're already halfway through the season (im skipping episode seven obviously, since its just an entire el ep). this chapter we see a liiiil more of readers dynamics with the kids, so im super happy about that. next chapter we finally get steve, dustin, and reader so !!! hella excited about that. for now, pls enjoy &lt;3

-

Mike and Lucas split up and go outside while you, Dustin, and Max start running through the halls, shouting Will’s name. 

“Will!” You’re more pleading rather than shouting. It’s happening again. It’s fucking happening again. Your mind is running a million miles a second, you feel the cold hand of fear twist around your throat. The last time you felt fear like this was when you showed up at Jonathan’s house and collapsed in his arms right after finding out Will had gone missing. 

And now he’s gone again, but Jonathan isn’t here this time to keep you steady. 

Dustin cups both hands over his mouth. “Will!”

You all turn a corner but Will isn’t there. Nothing. 

“Dustin!” Joyce rounds the corner, alarmed. “What’s going on? Where’s Will?”

The woman is moreso asking you than the kids, but you can only shake your head at her helplessly. “I don’t know, Mrs. Byers.”

Joyce holds your gaze and you feel so ashamed of yourself. You’ve let her down again. She’s always been so trusting of you with her children, and here you are, once again a fucking wreck trying to find the son you’ve lost. 

Down the hall, a door flings open. “The field!”

The four of you turn and find Lucas standing there, panting and out of breath. He motions for you all to follow and in a heartbeat you begin to run outside after him. 

There, you find Mike in the field with Will standing next to him, and for a second you feel relief wash over you. He’s okay, he’s safe and isn’t in another dimension. But as you get closer, you notice the stiffness in Will and the way Mike is shaking his shoulder. 

Something isn’t right. 

“I just found him like this!” Mike is shouting. “I think he’s having another episode!”

This would make two in two days. 

When you reach Will, you finally grasp how dire the situation is. He looks horrible, his eyes have rolled into the back of his head and are spasming. His body shakes, his fingers twitch by his side and the veins in his neck strain. 

Joyce quickly grabs him and starts shaking his shoulders, pleading with him. “Will, sweetie, wake up! It’s mom!”

You cover a hand over your mouth as you watch, horrified. Dustin and Lucas stand next to you, each clutching your shirt in fear. Their fear grounds you, making you focus back on them and pull them closer to you. You try to give them as much reassurance as you possibly can, but you know it’s useless. All you guys can do is wait for the episode to end. 

Max stands across from you, watching the situation unfold with her own uncertainty. She doesn't understand what any of this means. Why this is happening to Will, and why you’re close to tears as Joyce pleads with her son to come back to her. 

The fear on her face is why you agree to Mike to not let Max into the party. They’re all so fucking young. Too young for any of this. 

“Will, can you hear me?” Joyce pats Will’s face and you pull the boys even closer to you. Mike refuses to leave Will’s side. 

“He’ll be okay,” you whisper to the kids, but you’re selfishly trying to comfort yourself. 

Tears form in Mike’s eyes and you just want it all to stop. Will isn’t waking up and Dustin is shaking against you and Joyce’s pleas have become more like begs and it’s all too much. 

Then, Will’s eyes snap open and he takes a sharp breath that hurts your own chest to hear. 

You release the breath you’d been holding. The worst of it is over.

Will looks around shyly, as if he already knows it’s happened again. Joyce exhales and kisses his cheek and wraps him in her arms. Mike and the others look around, uncertain but relieved, while Max stands off to the side. 

You wish you could explain it all to her, but it wouldn’t be right.

Slowly, once Will has recovered, you and the kids walk with Joyce back to their car. Dustin’s hand hasn’t left yours and you secretly wouldn’t let him go anyways if he tried. 

“Have the episodes always been like this?” You ask your brother, now remembering that he had to witness that alone on Halloween night. 

“Yeah,” Dustin responds, his voice small. 

You squeeze his hand and follow after Joyce. In your head, you’re creating a list of all the baked goods you can make with the ingredients you know you have in your kitchen. They all deserve some oatmeal raisin cookies after this.

When you get to the car, you break away from the kids and step in front of Will. He’s pale, paler than he’s been in a while, and it’s only now that you see the bags underneath his eyes. He’s gotten worse, how could you have missed that?

You should’ve seen the signs sooner. 

“Did I scare you?” Will asks, and you immediately grab his hand. 

“No, never. You just… gave me a reminder that I love you. Go get some rest, little bee.” You kiss his cheek goodbye and he quietly gets in the car. 

Joyce is behind you, and once Will is safely in the car you turn to face the woman. “Call me if anything else happens, please?”

She nods at you, already understanding why you need the reassurance. There’s a warmth in her eyes, even if every other part of her seems exhausted. “I will.”

“I know I’m not a scientist, or–or a licensed therapist but I just–”

“Sweetie, I understand. Apart from Hopper, you’ve done more research and reading than anyone else. If Will gets worse, I’ll call.”

You smile at the woman appreciatively. “Thank you.”

She squeezes your shoulders and then gets in the car, driving off. You stand there for a moment, needing a second to compose yourself, before turning around to join the kids standing on the school’s steps. 

They seem to have all forgotten about Dart, but you sure as hell haven’t. Dustin fiddles with his walkie and won’t meet your eye, which only reminds you of how weird he had been acting in the bathroom earlier when he conveniently couldn't find Dart.

The two of you are definitely having a code blue tonight. 

“Dustin, you’re my ride to work.”

“What?”

“Jonathan can’t take me, so I have to ride on your pegs.”

“Who’s Jonathan?” Max asks. 

You give the girl a thumbs up. “Love the enthusiasm to understand everything, unfortunately I need to get to work and lecture my little brother.” 

“Good luck, Dustin.” Mike snickers. 

Your brother waves him off. “Yeah, yeah.”

You say goodbye to the kids, giving a stern warning that if they find any signs of Dart to tell you immediately. “I’m looking at you, Wheeler.”

Mike groans and you leave him to wallow as you hop on Dustin’s bike pegs 

“She always this bossy?” Max mumbles to Lucas.

He shrugs. “Yeah, but she’s also always right, so.”

You blow a kiss towards the boy, and he blushes. Once Dustin is ready, the two of you head towards town. 

The bike ride is quick, one of the small perks of living in a small town. The entire ride, you and Dustin are quiet. You both know that you have many choice words to say, but Dustin still looks shaken up from Will’s episode and you’re not doing too well, either. 

When Bookstrordinary’s sign greets you, you tap Dustin’s shoulder to alert him to stop. You can walk the rest of the way, you don’t want him out too late in the dark. 

“You’re lucky I can’t call off tonight, otherwise I’d kill you right now.”

“You’re such a great big sister, Y/N.”

“Thanks, I try.”

You hop off the bike and sigh. “When I get home tonight, you and I are talking.”

Dustin looks down, but takes a deep breath and salutes you halfheartedly. You laugh a bit, salute back, and then tell him to bike home safely. 

– 

After a very long and anxious shift, you ask your coworker for a ride home.

Alex almost drops his keys and looks around, as if you could be talking to anyone else in the empty store. “M–me?” 

“Yes, Alex. I need a ride home.”

“Where’s Jonathan? I won’t like, die if I drive you, right?”

You roll your eyes. “No, he’d only kill you if you didn’t drive me home since it’s late.”

Alex exhales, relieved. “Okay, yeah. I can take you home, then.”

By the time you get home, it’s later than you anticipated. Alex was kind enough to drive you, but had you known he was a new driver who went ten below the speed limit, you would’ve just walked. 

You walk inside and all the lights are off. Your mom is on the couch with Mews, softly snoring while some program plays on the TV. She tends to do that now, fall asleep on the couch rather than her bed. Too many memories, she explained once to you. 

Quietly you take your shoes off and grab some leftovers in the fridge. Dustin’s door is closed and his own light is off, which you sigh at. 

“Shit.”

He could be tricking you into thinking he’s asleep, but you could just be overthinking it. Dustin has been having more nightmares recently, you’d feel horrible if you knocked on his door and woke him up from his much needed sleep. He’s been through enough today. 

You eat your dinner, alone at the table, and you wonder how exactly you’ve wound up here again. Monster on the loose, Will in danger, Jonathan off with Nancy. 

Seems like you can never have a normal November ever again. 

After you’re done eating, you tiredly head to your room and collapse on your bed. Except, instead of landing on your soft pillows, you land on a hard body instead.

“Oomph–” A voice groans underneath you. 

You fling yourself off, finding Jonathan laying there. “Jonathan Byers, what the fuck are you doing in my bed?”

He rubs his eyes. “Said we’d call tonight.”

You stare at him. “That doesn’t at all answer my question.”

“We said we’d call tonight, but then Nancy and I realized our calls could be traced here, too. To your house, but I promised to keep you updated, so… Here I am.”

“And napping in my bed was just something you had to do?”

Jonathan yawns. “Yup.”

You flick his forehead. “Scoot over.” 

He makes room for you on the bed so that you lay side by side. Technically he’s not supposed to sleep in your bed, but your mom never said anything about naps or cuddling. You nuzzle against Jonathan’s chest, allowing the fear and anger from today leak out of your bones as you rest them. He’s always had that effect on you.

Here, in Jonathan’s arms, you feel the safest.

“What did I miss today?” You ask once you’re settled in. 

Jonathan thinks for a moment. “Well, Nance and I got the tape recorder and then drove to her house. She called Barb’s parents, told them she had to confess something about Barb and to meet her tomorrow at Forrest Hills Park in the morning.”

“She’s a genius.”

“She is,” Jonathan lazily responds. He’s drawing small circles against your hand, which is splayed against his chest. His sweater, one you bought him for his birthday, is soft against you. Jonathan seems happy right now, or at least content, and you almost don’t want to ruin the moment. 

It’s so rare to have him like this these days. The old Jonathan, shy and quiet and bashful. 

But he has to know about Will and Dart. It’s only right that he knows. 

“Something happened today, at the middle school.”

There must be something in your voice, because the second the words leave your mouth, Jonathan sits up to look at you. “What happened?”

“My brother found a baby monster from the Upside Down, named him Dart, hid it from me, and now he’s lost.” Jonathan stares at you and you can only sigh. “Will also had another episode. His second one in two days.”

“Fuck…”

“Yeah. Got to the middle school and suddenly I was chasing around some lizard looking thing from the Upside Down. Pretty typical day, honestly.”

“I wish I could’ve been there, I’m sorry. I can help you look for Dart tomorrow–”

“It’s okay,” you reassure Jonathan. “If anything, this all just proves that you and Nancy are onto something. I mean, it’s been a year and we’re still dealing with so many fucking problems due to their carelessness. How the fuck does a creature from the Upside Down just happen to survive and find its way to my brother? I mean, what if someone else had found it?”

You shake your head. “Something’s going on. You and Nancy need to keep going. Expose those evil fuckers.”

Jonathan frowns. “But what about you? What if the baby monster has a bigger, angrier mom and you get hurt?”

You hadn’t thought about that, honestly. “Huh, that’s a great question.”

“Bug–”

“I’ll be fine, bee. Those assholes at Hawkin’s Lab need to pay.”

Jonathan throws his head back, closes his eyes, and sighs. He knows he can’t argue with you about this, you already willingly took over the role of babysitter, but he still doesn’t like it. Sometimes your selflessness makes him want to scream.

“I hate that you’re always right.”

“I personally love it.” You respond, and Jonathan laughs. He uses his whole chest, it’s breathy and deep and full of warmth, and you smile and kiss his cheek as he laughs. 

No other conversation follows, you and Jonathan are content with just laying there in silence. It’s been a while since you guys were this close. Limbs tangled with limbs, the warmth from the body heat almost too much to stand, yet just enough to love. 

He stays for a while, but eventually he kisses your forehead and tells you he has to go. “Early morning, but I promise I’ll be back the next day.”

“I’m holding you to that.”

Jonathan laughs again and untangles himself from you. He presses another kiss to your forehead, playfully tucks your blanket underneath your chin like a child, and then wishes you a goodnight as he leaves through your window.

– 

For some goddamn reason, you miss your four fucking alarms this morning and oversleep. By almost an entire hour. You’ve never, ever slept through your alarms this horribly before, and you’re blaming the Hawkin’s Lab people for it. 

Now, you know the real reason is because you’ve spent every night for the last three weeks obsessively researching post-traumatic stress disorder, but blaming Hawkin’s Lab makes you feel better. 

You get ready as fast as you can, and of course this happens the one morning Jonathan can’t drive you to school and you have to bike. Your mom and Dustin have already left, which. Fuck. You still have to talk to Dustin about Dart. 

Not off to a great start this morning. 

It takes a burnt piece of toast for breakfast, cramped calves, and a lot of prayers, but you manage to make it to school only minutes before the first bell rings. When you arrive, you have just enough time to notice that both Steve’s car and Bllly’s car are parked in the lot. 

Great. You have to deal with them both alone today. 

As you’re walking inside, you hear a few people whispering about Jonathan and Nancy. Seems like word has spread that they skipped fourth period together yesterday and still haven’t returned yet.

Awesome. Steve will definitely be in a great mood today once he hears about that.

He can’t seem to catch a damn break. 

And neither can you, because you quickly realize how weird it is being at school without Jonathan and Nancy. It’s lonely, and Steve still seems to be hiding from you. 

No, not hiding, you remind yourself. He’s still hurt, he asked for space and the least you can do is give it to him. You told him where to find you.

And find you Steve does. 

You’re in the lunchroom, staring sadly at your pathetic lunch consisting of a handful of granola bars, resolving yourself to a lonely lunch without your friends, when Steve’s body slides into the seat next to you. You look up, surprised, and he raises his eyebrows at you. 

“We need to talk.”

“Okay… About what? I forgot what topic we’re on. Are we still on the whole friends conversation?”

Steve isn’t in the mood for this. “Where did Jonathan and Nancy go?”

Fuck. 

You look around the lunchroom, scared that the wrong people could be listening in. “I… Okay, I know we just had a whole conversation about being honest and I begged to be your friend again but… I can’t tell you.”

Steve takes several seconds to respond. You know he’s doing everything he can to not completely snap at you. “You… can’t tell me where my girlfriend ran off to?”

“No…” 

“You recognize how fucking stupid that sounds, right?”

You swallow. “I do.”

Steve pinches the bridge of his nose. He’s so beyond pissed off right now. Yesterday you were in his car, reassuring him that he’s a good guy and charming and pretending to be his friend again. Now, you won’t tell him where the fuck his girlfriend has gone. 

Steve isn’t an idiot. He knows there’s more to why you ditched him this summer, something you refuse to tell him, and he respected that. He did. He hadn’t wanted to push you too far, but it’s pretty damn ironic that you’re trying to get back into his life while still fucking lying to him. 

You see the obvious frustration on Steve’s face, and you wince. You take another look around, deciding to risk it. This isn’t fair to him, he deserves to know because from an outside perspective, you’d also be incredibly pissed off if your girlfriend just up and left with the guy she has weird feelings for. 

“Listen,” you lean in close, whispering, “Jonathan and Nancy went off to get evidence about who really killed Barb.”

Steve whips his head back. “What–”

“Shh!” You reach behind his head and shove him back down so that you can whisper again. “That’s all I can tell you. There’s… There’s people who could be listening, bad people who could hurt us and–”

“Well, what do we have here?” A voice interrupts.

The hair on the back of your neck stands up. 

It’s Billy.

You and Steve break apart, but he places a hand on the back of your seat in a protective manner. You lean in closer to him, trying to make yourself smaller as if Billy doesn’t already have his eyes on you anyways. 

“What do you want, Hargrove?” Steve asks, situating himself so that more of his body is in between you and Billy. 

He sucks his teeth and then lets out a cold chuckle. “Nothin’, just didn’t know that this little sweetheart had it in her.”

“Don’t call her that–”

“I mean, her boyfriend runs off with your girlfriend?” Billy chuckles again. “I’m surprised Y/N Henderson ran into your arms, Harrington.”

Billy learned your name. 

You don’t want to know how. 

“I mean,” Billy shrugs. “It’s a genius plan. Scorned lovers pissing off their exes. But from what I’ve heard, the school’s sweetheart wouldn’t even hurt a fly.”

“Jonathan and I aren’t together.” You finally find your voice. 

This only seems to entice Billy. He takes a step forward and leans against your table. “So, you’re single then?” 

Steve’s hand tightens around your seat and you feel his body tense. Billy seems to notice this, too, and shakes his head. 

“I know I promised I’d leave you some, Harrington. But this one?” He leans in closer to you, his breath minty and cold as it ghosts against your face. “She’s cute. I think I’ll keep this one.”

A chair goes flying across the room as Steve stands up. He has his fist raised and you’ve never seen his eyes so cold before. He hates what Billy is implying about you, as if he has some claim over you, as if you aren’t a human fucking being. 

You’re so much more than that.

“Don’t talk about her that way.” Steve growls out, his face inches away from Billy’s.

Billy seems to come to life, having finally cracked Steve Harrington, and within a second he has his own fists raised. You’re aware of everyone’s eyes on you in the lunchroom and vaguely you remember Steve confessing to you how much of a hardass his father is on him about school. He can’t get into any more trouble, especially not because of you. 

You shove yourself between Steve and Billy, despite how much your body screams at you to run away for being so close to the other boy. You ignore him, and force Steve to look at you. “Not here. Please.”

Steve looks between you and Billy, sees the pleading in your eyes. He sighs and reluctantly backs down. 

“Seems like the sweetheart has you whipped, Harrington.” Billy remarks, a pleased smile on his face. “Makes me want her even more–Shit!”

Milk drips down Billy’s entire shirt. 

“Oops,” you say, without any ounce of sincerity. You set the empty carton down and give the boy a aren’t I such a clutz? look. “God, silly me! I can’t hurt a fly, but it seems I also can’t hold a milk carton properly.”

Steve stifles a laugh next to you, and around the room a few others are brave enough to laugh as well. You smile innocently at Billy, who looks five seconds away from flipping the table. “Sorry about that.”

Billy, knowing he’s being watched, forces a smile himself. “You’ll pay for that.”

“Oh, I’m sure the shirt was only worth $5 anyways.”

This time Steve lets his laughs out and it calms you, steadies the shakiness you feel as you stand off against Billy. You hope you’re hiding how fucking terrified you are right now. 

You wait for a response, but Billy only storms out of the lunchroom. It’s quiet for a few moments, but slowly the usual buzz in the room returns and everyone goes back to their conversations. You stand there, your heart still in your throat, and Steve’s hand brings you back. 

“Hey, sit.” He tugs you back down and you’re too numb to fight back. “That was awesome, but are you okay?”

“Honestly? No.” 

He thinks for a moment. “Alright, well. I’m still mad at you, so… Would it be shitty if I left?”

Despite everything, you find yourself laughing. “No, Steve. I understand.”

He lingers. “Are you sure? I mean, I can stay…”

“No,” you squeeze his hand. “We can talk more about this later. Alone, without possible psychotic spies around. Go.”

Steve bites his lip, but he’s still angry at you and he has so many things he wants to ask but you’re pale and still shaking from Billy. If he demands more from you, Steve knows it wouldn’t end well for either of you. You both need your space right now, that’s one thing he’s come to learn about you and relate to himself. 

Sighing, he stands up and, to try and make up for being the asshole who leaves a vulnerable girl alone, Steve ruffles your hair. “Stay out of trouble, will ya?”

“No promises.” You smile up at him, though you know it looks as tired as it feels.

He hesitates again, pauses for a few seconds, but eventually he leaves. And then you’re left alone again. 

– 

As soon as school lets out, you march straight over to the middle school, knowing the kids are bound to be there. Dustin, specifically. He’s managed to slip through your fingers three times now. 

Holy shit, you’re really losing your touch.

The second you find the little asshole you’re going to demand a code blue, doesn’t matter where you’ll be, and then interrogate him about Dart and figure out whatever the hell else he’s hiding from you. Then, you’ll make him clean Mews’ litter box for a whole month. 

You’re so lost in your revenge planning thoughts, you almost walk right past Lucas and Max arguing in the parking lot. 

“What is wrong with me? What’s wrong with you?” Max flies past you, her shoulder knocking against yours. You steady her and notice she’s talking to a very nervous looking Lucas. 

Oh dear. 

“I don’t understand!” He calls after her.

“Hey, what’s going on?” You try to intervene, but Max rips herself out of your grasp and gets in Lucas’ face. 

“No!” She’s shouting now. “I don’t understand! You guys act like you want me to be your friend but–but then you treat me like garbage?”

Huh. She’d get along great with you and Steve. 

Lucas looks over at you, helpless. “That’s not true!”

“Don’t look at me, buddy.” You tell him. 

“Yes, it is! You go and hide in the AV Club, keeping secrets like we’re in second grade or something…” Max’s words catch in her throat, giving you a glimpse of the hurt girl underneath her indifferent exterior. “You know, I thought you guys wanted me in your party.”

You step close to her. “Max, I know it might not make any sense but–”

“Don’t tell me you’re in the party but I’m not.”

Now it’s your turn to look towards Lucas for help. 

He sighs. “Look, we want you in our party, but it’s…”

“But what?” Max looks between you and Lucas, obviously becoming more and more hurt the longer this conversation goes on. 

“There… there are just things.”

“Things, yeah.” You unhelpfully echo, but Lucas glares at you. “Sorry.”

He tries again. “There are things we can’t tell you, alright? For your own safety.”

“Lucas,” you warn, scared he’ll say too much, but Max just gets angrier. 

“My own safety?”

“Yes!” 

“Because I’m a girl?”

Well, that’s certainly one way to look at it.

Lucas scoffs. “What? No!”

You step in between the kids. “Alright, no. That’s not it at all and this conversation will just keep going in circles.”

Max ignores you. “Did you keep secrets from El?”

You and Lucas share a look, and then, at the same time, ask, “How do you know about El?”

“Did you?” She presses, but she’s looking more at you now than Lucas. She’s expecting you to take her side, to tell the boys to be nice to her and let her into the party, but the scar on your upper arm burns and your ankle faintly throbs. Those wounds will never fully go away; you’ll carry them with you your entire life.

You know how shitty it feels to be left out, but you also know how shitty the nightmares are as well. Max can never be brought into the Upside Down. Not when she has the chance to live a happy and normal life, free from any danger and turmoil. 

“That was different,” you tell Max, trying to be as gentle as possible. “I really, really wish I could explain, but I can’t. It’s for your own good. If I could’ve prevented the party from going through what they have, I would’ve. But I couldn’t, and it haunts me every day.”

Max stares at you, and you admire how much spunk she has in her. You can see her thinking about what you’ve said, analyzing your words for any lies or deception, and you know she’s spent years doing this on her own. Your heart breaks for her.

Billy’s anger flashes in your mind. Max is an intelligent girl, but you know he’s the reason why.

When she can’t find any lies in your words, she just sighs and shakes her head. “You know what? Forget it. Okay? I don’t want to be in your stupid party anyway. I’m out. Have a nice life.”

Lucas stands there for a moment, processing what’s just happened. “Max!”

“You still stink, by the way.” She calls back, and you step back a bit from Lucas. 

“Not to make this worse, but she’s right.”

Lucas glares at you but then sniffs his jacket, cringing with repulsion. “Oh, shit!” 

He throws his hands up in the air and starts walking back towards the school. You don’t follow for a second, instead you watch as Max skates down towards the parking lot, where Billy is waiting. He has his arms spread against his car, and he seems to have noticed you long before you noticed him. 

Billy’s eyes pierce yours and you shudder. There’s a hatred in his eyes that you’ve never seen before, unlike anything else. Again, your heart breaks for Max. You can’t imagine having an older brother like him.

You force yourself to turn around and join Lucas up ahead. Gross, sleazy men are the least of your concerns right now. 

But then Lucas turns and makes eye contact with Billy before you can warn him not to. “Why is that guy glaring at us?”

You shove Lucas to keep walking. You don’t at all like the disdain in Billy’s eyes. “I poured milk all over his shirt today. Keep moving.”

The boy trips over a rock. “You what?”

“Long story, can we please just go inside and find Dustin? I need to talk to him.”

Lucas sighs, knowing that what he’s about to say will only anger you more. “I can’t find Dustin either. We were supposed to meet by our lockers after school to keep looking for Dart.”

You stop walking. “And he didn’t show?”

“Nope.”

“I’m going to kill him.” You know exactly where your brother is: at home hiding Dart and trying to figure out what to do with him. 

Lucas senses you know something. “Y/N, what did he do?”

“Nothing!” You cover for Dustin quickly, because he’s your idiotic brother whose problems are also somehow yours. You’ll always have his back, but you also hate lying to Lucas. “He just probably had to head home immediately. Our mom has guests over.”

“Guests?”

“Yeah! Totally unexpected, I know, but you know how our mom is.” You start speed walking towards the bike rack. You need to head home. Now. 

Lucas doesn’t believe you. “Y/N–” 

“I’m sorry about Max, by the way!” You call as you run towards your bike. “Talk to her! Obviously don’t mention the… Stuff, but just know if it doesn’t work then it’s for the best! We have to keep her safe!” You’re rambling as you unlock your bike and hop on. 

Lucas is not far behind you. “Are you seriously giving me girl advice as you’re running away from me to go cover for Dustin?”

“Yes. Bye, Lucas!” 

He lets out a frustrated groan and calls after you, but you kick up your kickstand and immediately pedal away, leaving him in the dust. You feel bad, you do. Lucas is one of your favorites to interact with, he’s always been the most rational, but right now you have to go make sure your brother doesn’t burn down this entire town.

You’ll bake Lucas brownies later. 

– 

“Dustin Henderson, you’re so dead!” You slam the front door, sweaty and out of breath from your frantic bike ride.

“Y/N! What’s going on?” Your mother clutches her chest, obviously frightened by your sudden entrance. 

You quickly walk towards Dustin’s closed door. “Everything’s fine, just sibling stuff.”

“Oh, well have you seen Mews?”

The door is locked. Of course the fucker locked the door. You start pounding on it. “Dustin, let me in before I radio all your friends.” Then, you call to your mother in the living room. “And no, I haven’t seen Mews, mom.”

You hear her sigh and mutter to herself where Mews could be, and you figure you’ll help her look after your idiot of a brother lets you into the room. 

Again you pound against the door. “Dustin, I swear to god–”

The door swings open and a hand grabs your shirt and flings you inside, before promptly slamming the door behind you. Once you’re inside, Dustin turns to you, worried. “We have a problem.”

“Damn right we have a problem, where the hell have you been–” There, behind Dustin, is his turtle’s tank, completely shattered. Bile rises to your throat. “Please tell me Yurtle suddenly got super strong.”

Dustin walks over to the tank and holds up what looks like slimy plastic. “So, I kept Dart.”

“Dustin–”

“And he grew. A lot. This is his old skin.” He throws it back down. Then, backing away from you a bit, he admits, “I also can’t find him.”

It takes everything within you not to strangle the kid right then and there. You start pacing the room, mumbling to yourself, “I’m a good sister, I’m a good sister, I’m a good sister.”

“Y/N, I’m sorry, alright? I just, I got excited and Dart likes me and–”

A loud growl cuts your brother off. In a heartbeat, he’s back by your side, clutching your shirt in fear. Instinctively, you pull him behind you and reach for your switchblade that you always keep in your pocket now. After everything that’s happened, you find comfort in having the weapon always close to you. 

Slowly, you and Dustin start walking towards where the growl came from. Your hand never leaves his back, ready to push him out the door in case anything happens. There’s horrible grunting noises coming from the corner of his room. As you walk closer, you see a trail of dark red scattered across the carpet and his chair.

It’s blood. 

The realization makes your breath hitch. 

The grunting gets louder as you approach the chair, and then, slowly, you peek behind it. There, you’re met with a gruesome sight.

Dart is eating Mews.

He's bigger than he was yesterday. Way bigger. Dangerously bigger.

You scream, unable to help it, and Dustin quickly covers your mouth so that you don’t alert your mother. The sound seems to alert Dart, however, and he raises his head from Mews’ stomach, covered in blood, and lets out a horrific screech. 

Its mouth opens the same way the monster’s did at Jonathan’s last year, the same monster that had almost killed you and your friends. The sight paralyzes you in fear as the memories come crashing back from that night. The scar on your arm burns again. Your ankle twings in pain, and you feel sick. 

Your cat is dead. 

And Dustin has been hiding a fucking baby demogorgon in your home. 

-

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[raguonmynieceandnephew]

"It's so unfair to the Rat Grinders that they are killed instantly and the Bad Kids get to roll death saves." SHUT UUUUUUUUUUUUP

THIS IS LONG, AND HONESTLY FOR MYSELF, SO YEAH READ IF YOU WANT

I swear to god, this discourse is going to fucking be the end of me. Idk what kind of mind boggling spell Brennan Lee Mulligan wove into the fabric of the universe that spread through the data center of Dropout in order to absolutely hijack y'all's brains when it comes to Cocklord Assgape and her ragtag of character foils but whatever it was has made you Rat Grinder stans INSUFFERABLE in this site.

The levels of treating fictional characters as if they were real people have reached a level I honestly have never anticipated, to the point of y'all actually being mad AT THE CAST for "mistreating" them and ACTUALLY QUESTION BRENNAN'S CAPACITY TO DM. Do you not get how fucking insane that is?

We can't make fun of Copperkettle, one of the most pathetic, petty and incompetent villains in D20 history anymore (even though she is masterfully written and developed to generate this reaction from us) anymore because it's bullying apparently. I saw an account flip the fuck out because someone compared her rivalry with Kristen to Drake and Kendrick's beef. KIPPERLILY IS NOT A REAL GIRL. SHE IS A MAKE BELIEVE CHARACTER IN AN IMPROV SHOW SPAWNED FROM THE BRAIN OF A 36 YEAR OLD MAN

And then what truly pissed me off the MOST about this whole hell is the fact that, being chronically online avid consumers of this goddamn show, I would think you would have but a grasp of the main cast of characters' characterization.

Why the uproar about Riz saying they should chop Oisin's head off? The same Riz who tortured that pixie from Freshman year by shooting off their finger one by one? The same Riz who murked a disarmed and unconscious Coach Daybreak without battin an eye? The same Riz who ATE THE CORPSE OF KALVAXUS?

And the whole Fabian vs Ivy debacle MY GOD, THE GIRL WAS RACIST TO HIS GIRLFRIEND AND USED HER LAST BREATH TO CALL MAZEY "OBJECTIVELY UGLY". And the funniest thing is that is not even the most unhinged shit he has ever said.

And finally, Death Save Gate: THE RAT GRINDERS ARE NOT PLAYER CHARACTERS. THEY ARE NPCS! THE RULES FOR EACH WORK DIFFERENTLY, ESPECIALLY THEM BEING BOSS ENCOUNTERS. Imagine having to still hit Ivy or Oisin 2 more times to kill them when there is 14 foot tall Porter throwing legendary actions left and right, with Jace, and other 3 spell casters + Mary Ann and KLCK up and running. It's called balancing the fucking game. Also, game masters are entitled to break, mold and make up any rules they want if they find necessary in order to service themselves and their players. IF YOU PLAY WITH ALL THESE RULES AS THEY COME, GOOD FOR YOU AND YOUR TABLE. THIS IS NOT YOUR TABLE.

Not only is Brennan DMing for his CLOSEST FRIENDS EVER, he is also shooting and producing an ENTIRE TV SHOW. So yeah, i think he knows wtf he is doing.

"But the Ratgrinders had no real development": True. But it wasn't for lack of trying from the players. Everytime they tried to know more, the dice didn't let them, so they decided to focus on the mystery. It simply do be like that sometimes.

"But they are just kids!": And so were Penelope, Dayne, Ragh, Zayn, the Bloodrush Players, Aelwyn and Biz. Why wasn't it a problem then? Because most of them were evil to some extent and were about to bring the fucking apocalypse to the world? Yeah, sounds familiar right? And the ones who were manipulated or had any sort of redemption worked their way into earning it, right? Yeah.

In conclusion, I fucking love the Rat Grinders, I truly do, and not unlike 90% of this website, i'm still holding on to hope that they have any sort of development and redemption in the last episode, because I agree, they ARE children and they WERE manipulated by Porter and Jace, but like, can we also agree that they are fucking assholes and had it fucking coming? Also, the BKs are children too y'know. SO STOP BEING FUCKING ANNOYING.

[zeroslashsix]

Following my Gambit post, I love love love the way Rogue's powers are handled in X-Men Evolution. Like Gambit, Rogue tends to have a certain set of 'roles' when she's in a show/movie: she's focused on inner torment about her powers, on being a Spicy Southern Belle, or her romantic connections. Which is to say, her stories are usually about emotions and relationships, which is fine, I love those parts of her as much the rest. But if she's not fighting, her powers are only really viewed through a lens of how she feels about them, and how they impact her ability to connect with others.

And here's X-Men Evolution, fully leaning into the fact that Rogue’s power is one of the most dangerous in the entire show. I love the s3 ep "Self-Possessed" so much because it takes the brakes off her, and really commits to the idea that stacking powers is catastrophic when you consider she can wield multiple omega-level powersets at the same time. Her main limitation is that she doesn't want other personalities in her head, she limits her power usage because she just doesn't like it, and yeah, totally fair, but Rogue could absolutely wake up one day, go through the mansion and decide to be an omega squared. X-Men Evolution is about teenagers who are still figuring out their abilities, even at the end of the series when they're a year (two years?) older. By the finale, they have more control and training, but they are absolutely still growing into adulthood and have not reached full potential.

Which is why I think "Self-Possessed" is such a fascinating look at Rogue's powers. Every iteration of Rogue imposes a time limit on her absorption, meaning that any powers she absorbs will only stay with her for a short time. But in that episode, when she's succumbing to all those personalities in her head, her time limit stops existing. She can access powers for months, maybe even years after the initial absorption. Mystique's powers couldn't have given Rogue that ability; the only way Rogue could do such a thing is if that potential already exists inside of her. This implies that when she absorbs a power, that power stays inside her as long as the personality does, and her "time limit" is just a matter of control, or lack thereof.

This seems to be backed up by the s3 finale, where Mesmero and Mystique mind control Rogue to gather powers, and Rogue proceeds to SWEEP the X-Men, Brotherhood, Acolytes, and Magneto in less than 24 hours. By the end of it, she seems fully capable of using any and all their powers at will, ignoring any sort of time limit. Mesmero can mind control others, but he can't enhance them. He cannot give someone powers they don't already possess. The only reason Rogue could do all that is because she was already capable of it, and the fact Mesmero could mind control this out of her seems to imply that Rogue's limitations are entirely self-imposed, mostly mental/emotional, or maybe a lack of experience. (Similar to the season four finale where Rogue seems to use Leech’s power better than he does, probably just because he’s a little kid and she’s an adolescent so has a better grasp on powers in general)

Like, no wonder Mystique and Destiny wanted her powers. No wonder Magneto was so thrilled to have her in the ranks in the first season. No wonder so many people in the world want to use her; she is the all-mutant, the living multi tool that can gather multitudes of power in one place and then combine them. The only reason she isn't considered omega-level is pure technicality; in terms of destruction she could actually lay down, Rogue is absolutely as dangerous as plenty of omegas. The requirements for an omega are 1) infinite power, and 2) limitless power. Rogue has the first one; she can stack an infinite number of powers. But she lacks the second; all her powers must come from the outside, and she cannot generate them herself. But if she has access to multiple omega powersets like she does in Self-Possessed, that technicality kind of stops mattering once the punches actually start flying.

Which all leads into Rogue's main emotional journey through X-Men Evolution, which is perhaps my favorite she's ever had: being used. That's why she was adopted. That's why she was raised being unable to touch, being lied to by both her moms. That's why she was taken into the Brotherhood, and it's why Mystique will never leave her alone. Extra fascinating because after the reveal in season one that Mystique is Kurt's mother, Mystique leaves Kurt completely alone for the rest of the series, while simultaneously stalking and manipulating Rogue. Why the difference? Because Kurt is not a useful tool. Not compared to Rogue. And I think Rogue sees that difference, which makes for such a juicy dynamic when Kurt is so interested in actually loving Mystique, for insisting that Rogue should forgive their mother and 'let hatred go,' because he genuinely thinks that anyone can be saved with enough love. Whereas Rogue, who has seen Mystique's 'love' up close for her whole life, is desperately trying to get away from that, with good reason.

One of the reasons I wish we’d had more seasons, or at least more episodes in the last season, is how seamlessly Rogue’s feelings about her powers flowed into her feelings around being used, her feelings around family, and being dehumanized to the point of mind-wipe by her own mother. Yes she’s sad about the no-touching thing, but that’s nothing compared to being seen as a literal object in the eyes of others, because her powers are utterly perfect—for someone else to use. Which flows into questions of bodily autonomy, of who her powers “belong to” vs. who they “should belong to.” Especially considering that Rogue is only at full power when she loses control/is under someone else’s control, which could lead someone to conclude, “Well of course Rogue should be under someone’s control, preferably mine. She’s so powerful when someone else is controlling her, and so weak when she controls herself. It’s honestly such a waste for Rogue to be her own person when she could be so much more. She needs to be used to reach her full potential.”

In a perfect world, we’d have way more X-Men Evo than we got. More seasons, more episodes, more time to explore whatever the hell Rogue had going on. And if I was allowed to pick, I would have loved to see Rogue with a character arc of self-ownership. In particular, it would be so cool to see her powers develop to the point she can have a “Self-Possessed” crisis and control it, fully aware of herself and all the powers she holds. I’d love to see her use those powers for her own benefit, on purpose, independent of both her mother and the X-Men. I’d love to see a self-serving Rogue in the XMenEvo. Not necessarily evil (though it would be a fascinating villain arc) but a Rogue who chooses selfishness as an act of rebellion. Who can use all those powers simultaneously, consciously, and disobediently. Vengeance, maybe? Or something that heightens humans’ fear of mutants? I’d love to see Rogue become inconvenient to the X-Men, at the very least, either physically or philosophically. Certainly nothing so dire as the Phoenix saga, but something that uses her powers to their fullest extent. (Damn could you imagine Rogue as the Horseman of Death if this went in the opposite direction. How fucking overpowered would Death!Rogue be, how the hell would the X-Men deal with that)

Anyways. Fanfiction is the folklore of the now or whatever. And XMenEvo was already a crazy high school AU anyway.

[sepublic]

            King really has a whole thing about being seen as a toy, a pet, for people to own and play with without his permission. An object to look nice and pretty and not much else, without any wants or needs of his own.

         So it feels very poetic that he constantly surrounds himself with toys and plushes to command over; King’s whole Tyrant schtick isn’t just a fantasy for him, it’s a way for him to reclaim lost autonomy by exercising his own control. It’s as if King FEELS like a toy, so he commands other toys because he’s essentially one of them. And it reflects on his juvenile nature, not being taken seriously, the revelation that it’s only ever been pretend, etc.

         That makes King’s relationship with Francois very sweet, as a toy from the human world he finds, no thanks to Luz helping him. Luz is someone whose physical cuddling and affections King DOES appreciate, because by the end of the day, Luz respects King as a person and his boundaries. King wants affection actually, but he wants it on his own terms, and there’s a lot of moments where he ‘commands’ Luz and she happily obliges, defends him, etc. Luz is very thoughtful of King’s feelings, and The Intruder is a major episode in which Luz learns to be more mindful of King in general; This of course wins the approval of his father the Titan, who decides to show Luz the light glyph for her kindness.

         But anyhow, King loves Francois and treats him kindly, often as a partner and even equal. So with all I’ve said about King’s toy motif, that transitions perfectly into his dynamic with the Collector. There’s the fact that in their initial interactions, the Collector glomps onto a clearly uncomfortable King, like a child with a pet he doesn’t quite understand is a living creature (and in King’s case, not just a pet either but a person). Dana’s own art encapsulates their relationship by portraying King as a terrified plush that the Collector loves;

         The Collector is also juvenile and loves to play pretend, and treats people like toys, which is exemplified by them transforming victims into literal toys, who are dressed up to look even prettier. But for all their issues with boundaries, the Collector seems to genuinely love and value their toys, kind of like King with Francois.

         This contrasts them with Belos, whom they believe breaks his toys out of fun; That speaks to their different desires, hence the Collector insisting they want to make friends out of others, whereas Belos finds it more simple and satisfying to just destroy his enemies. So the Collector regards his toys as, well, toys; But with a sort of loving respect that a kid who takes good care of their toys and makes sure they’re taken care of does. A projection of feelings and personality… Over the actual feelings and personality that DO exist, but alas.

         But that’s where the Collector’s relationship with King develops, because over the course of two months, they begin to respect and listen to King more, value him as a friend, etc. The Collector is more mindful of King’s boundaries, doesn’t immediately glomp onto him, actually bothers to respond to King’s criticisms. When King says the Owl Beast isn’t ready, they listen, and it’s implied the Collector has known about King visiting Eda and Lilith behind their back, but simply allowed it because friends keeping secrets is totally normal, right? And anyhow, King has been so nice, and they love King so much, they don’t want to call him out and ruin things; He can have this.

         Which leads to Francois, whom King relates to; The toy that the Collector WANTS to cuddle with. But King sets the boundaries that it’s for him (and Luz) only, and the Collector actually listens. He doesn’t touch Francois behind King’s back, and aside from a moment where he has to take it from Belos’ grasp to defend Francois, puts it right back where it belongs. He can’t have Francois, but the Collector can settle for having him BE there, so close and yet so far.

         King is Francois; He’s a beloved toy to the Collector that he loves and appreciates, treats more special than the rest, and practically as a person, a lot of the time. But he’s willing to respect Francois’ boundaries and not play with him when he doesn’t want, just as he does with King, and his visits to his mother and aunt. The Collector obviously has a lot to learn when we check up on them two months later, and King understandably still IS frustrated, hence why he calls out the Collector after the nightmare illusions at the beginning of the series finale…

         But King can tell, as a former, unruly child himself, who was only a non-issue because he lacked the power the Collector wields; The Collector is a kid like him. Who’s also learning. Who ultimately means well. And they’ve proven to be rather receptive over these two months; Not quite there, but if you put in the effort to teach and work with them, King is certain it’ll pay off as it did with him.

         The Collector was a tyrant like King, and like King, a lot of this comes after being helpless because of others as well; The Collector was put into the care of the manipulative Archivists, and later trapped by the Titan. The only way to contact them was with a disc, an object, and their word was exploited by Bill so he could lead the Titan Trappers and finish the genocide of the Archivists. If the Grimwalkers were toys to Belos, so was the Collector, for him to hide away from everyone else, as his own, like a twisted Francois. And when he’s done with the Collector, he drops him into the pit with the rest of the discarded toys he loves to break.

         So like King, the Collector being a tyrant isn’t just the result of kids being kids, it’s also a response to their lack of agency. And tbh, kids in general lack agency, hence why they can be quite unruly troublemakers and rebels, so it makes sense that the Collector also overcompensates, like King does! But both of them learn to be more mindful of boundaries, that their own pain doesn’t justify them doing the same to others, either.

         The Collector notes that King isn’t the only person allowed to touch Francois; There’s also Luz. Luz, the kindly older sister who always listened to King and was attentive to his needs, respected him, and was often desired for physical affection. The Collector wants to BE Luz since King admires her so much, hence emulating her while playing Owl House; And Luz also recognizes their similarities, with the forgiveness she gives the Collector, being a form of forgiveness towards herself for being an ‘unruly’ child.

         And the Collector also grows, has their loss of innocence, but nevertheless matures, as Luz did. They learn about death, just as Luz learned about death when she lost her father; And the Collector technically loses the Titan that night, who was arguably a turbulent father figure who failed them, too, and laments this fact to Luz. The Collector IS Luz, and like Luz in The Intruder, who gains the approval of the Titan with a light glyph, just as the Titan apologizes for the Collector and lends his power to protect them and others…

         The Collector mends their friendship with King and makes it real. They respect and listen to him completely now. And so they get to finally be Luz, not just in their relationship with her, but also in their relationship with King, being allowed to love Francois, even being given him for company by King. Just as Luz is allowed to be King’s friend, and he follows her regularly, even sacrificing himself for her at the end of Season 2.

        King and the Collector are toys who want toys to reverse that dynamic; But in the end, nobody can be a toy. And so they grow up and get to play with actual friends, and be friends to others.

[the-starry-seas]

since I have a lot of Star Wars mutuals now: if you like Mandalorians, then you're gonna love Killjoys

(or if you like multifacted badasses who are queer, female, or characters of colour? antiheroes? found family? messy complicated relationships? ordinary people being drawn into stopping the galaxy from being destroyed? character-focused sci-fi in general?)

main characters are a trio of bounty hunters running from their pasts, who have a rather vague grasp of 'strictly obeying the law' and 'the greater good', and a very strong grasp of 'I love these people so much I would die for them'

honestly this is less a "these characters set out to save the galaxy" story and more a "these characters set out to save their loved ones which means ending a threat to the galaxy" story

two main characters put each other above everything else and explicitly state they are not romantic, meaning that a queerplatonic relationship is central to characters and plot

the entire overarching plot hinges on the depth of the love that the characters feel for each other, and how far they're willing to go to protect the people they care about

female characters are nuanced, messy, three-dimensional people. they're addicts, bounty hunters, warlords, scientists, and doctors. they're traumatised, cunning, sarcastic, intelligent, protective, and driven. no sexy lamps here!

characters of colour are intelligent and badass, aren't undercut to make white characters look better, and have character arcs that make sense and give them more depth

queer characters are written as full-fledged characters instead of stereotypes and are central to the plot, like my beloved gender-non-conforming warlord and bartender Pree

characters with trauma and PTSD are portrayed in a realistic way, and even when that means they cause problems or can't step up to help their team, they aren't belittled by other characters as weak, lesser, or crazy

apparently-stereotypical asshole characters have emotional depth and character arcs. they're smart, capable, and ruthless, but also care about the people around them and are troubled by the tough calls they have to make

there are real, long-lasting interpersonal consequences of various' characters shitty behaviour. when a shitty parent joins the good guys' team and tries to make amends, their family isn't pressured to forgive or forget what they did.

even characters who only show up in one or two episodes are well-written and memorable, and save the day instead of being there to make the main cast look smarter, stronger, or cooler

I need to give a bullet point to my beloved canon lesbian ship in which two antihero rulers decide to be weird and obsessed with each other, kill a bunch of people along the way, and generally enjoy making each other worse

as the cherry on top, there are fifty episodes across five seasons! the show says everything it wants to and comes to a conclusion with all the loose ends wrapped up! much different from today's wasteland of 'one six-episode season and then cancelled on a cliffhanger'.