#mean irredeemable women
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I don't think I've ever drawn swap!pomni before so here it is (ft. ragatha)
#ah yes#mean irredeemable women#i swapped ragatha with jax so she's a lot taller#so what#was way too good for me to pass up#my art#tadc#the amazing digital circus#tadc fanart#tadc ragatha#tadc pomni#buttonblossom#pomni x ragatha#ragapom#jesterdoll#ragatha x pomni#harlequilt#digital yuri#swap au#swap ragatha#swap pomni#tadc swap au
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i don’t think people get that when i say i love fictional characters that are evil women i mean it. “she’s completely irredeemable” that’s the POINT, babes!!! it adds FLAVOR!!! PIZZAZZ!!! INTRIGUE!!!!
#got a comment like that today#like ‘some of these characters are genuinely horrible irredeemable monsters that shouldn’t be admired’#THATS WHY I LOVE THEM#when i said i loved fucked up unapologetically unhinged women in fiction i didn’t mean#like#a girl who Stands Up for herself#I MEANT FUCKED UP#UNAPOLOGETICALLY UNHINGED#WOMEN IN FICTION
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you! warriors fan who claims to be against fandom misogyny!
are you normal about squirrelflight, nightcloud, or curlfeather
#it's always the demonization of female characters (esp mothers)#'oh but curlfeather did so and so meaning she is an irredeemable monster who—'#why are you so quick to call her a horrible monster#especially when you give male characters the benefit of the doubt but immediately condemn women doing the same things#holding female characters to a higher standard than their male counterparts#warrior cats#wc#warriors#harbor's posts
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I know she is a very old character, but thank you for posting about Molly Hooper, there is so much less positive/neutral/analytical content of her that you have to sift through a lot of her being just put her tag name 😭😭😭
OMG, you are so welcome!
Yeah, the way people treated this (need I remind everyone, completely fictional) woman, and indeed every woman on this show, just about, was. Ridiculous.
And I've seen people complain over the years about Molly being "passive" or "obsessed with a man" or "refusing to move on," but. I can think of several times in-canon that she stood up for herself against said man? And she did make an effort to move on. She tried dating Jim. She got engaged to Tom. Those efforts just weren't enough to fully quell her feelings for Sherlock.
Idk. I've been in that position before, where you try SO HARD to go on with your life and move on from someone, where you do everything people say to do and attempt to put your feelings somewhere else but you just...can't. It is an experience that actually happens to real people. And, yeah, the audience is allowed to take issue with the way an experience is depicted or any messages that depiction might be sending, but the complaints I've seen were literally just about the fact that this was a part of her character at all.
This show, I think, falls into the category I often see about assuming that just because there are critiques you can make about the handling of women in a show (I am STILL ready to throw down over killing off Mary and the way her relationship with John was handled before said death, as well as the fact that they never had the women interact with each other), that we should write the whole thing off as useless.
Like. The fact that Molly's character "revolves" around her feelings for Sherlock is just. Not true? Her primary function in the story is working at the morgue and providing information. Obviously she's incredibly competent. And she is consistently one of the actually nice characters in a show filled with very messy, morally grey people. That contrast is necessary to keep the show somewhat-grounded in reality, like it is trying to be. She was instrumental in Sherlock successfully faking his death, which. Again, she must be. Incredibly competent!! To do that!!! People LITERALLY just hated her for having an unrequited crush on a guy. I hate it here. Get me out.
This show was, at one point, very important to me. And I will, despite the flaws I think it has (for example, why was season 4 Like That™) go to bat for it. It's an imperfect yet, imo, ultimately entertaining show with some fun characters. It wasn't breaking any new ground, and there were some. Uh. Choices™, certainly. Just like every other TV show at the time. I know it's cool to label everything from 10 years ago as Cringe™ and dunk on this show because of an Infamous Shipper Fanbase and the so-called "conspiracy" they proliferated, and also yell at teenage girls for being loud about their celebrity crushes on the lead actor but. Guys. Please. It is not the worst thing to ever exist. Pick better battles.
#I mean. obviously I'm biased because of Irene and The OTP™ that she is part of so this show IS going to have a special place in my heart#probably forever. but I like the women! I like a lot of the mysteries! there are some moments that I think are very poignant and very funny#clever even!!!#people LOOOOOOVE to say that something is irredeemable because it's flawed and I simply cannot imagine living my life like that!#rip to this whole site but I'm different#multi t(ASK)ing#I'm not putting this in the show or character tag because I refuse to risk the general broader fandom. I was there.#that's not the show's fault though.
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Also while I am on the subject of lady spies, and as part of an ongoing attempt to sneakily entice people to listen to Friends At The Table, I would simply like to say: Crysanth Kesh
#i wanted approximately 18 seasons of that woman being irredeemably AWFUL#just the absolute fucking worst in every way!!!#i support women’s wrongs by which I mean there is a v special joy derived from characters you can unrestrictedly loathe and fear#spies#partizan#my posts
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S/o to these two being my favorite women growing up. Yes they're still my favorite yes this is still like my favorite type of character. I have been thinking about them all day they are like daughters to me


#me as a 6yo scrambling to finish my homework in time for me and my brother to tune in to teen titans#like 'WHERES RAVEN'#predictably the raven centric eps were my favorite lmao#also rip cynder. like in general sorry that happened aomslanskand#i am ESPECIALLY sorry about the dots console versions look how they massacred my girl#SO glad i never had the console version and had the ds version. vastly superior#id always play as cynder except when i needed to be spyro lol#anyway in recent years serana has joined the trend. predictably#everyone loves her for a reason ig its the character type for me#s/o to semi evil goth pawn women who some would consider irredeemable or monstrous#gotta be one of my favorite genders#also the whole shadow magic thing apsjoansks theyre why i think its so cool#waa gonna say 'also while im at it' like the emotional suppression and constant battle to stay true to themselves#but also be more 'appealing' and socially acceptable topics is something i could casually mention in a tag or two#but i mean iykyk#*dotd console version i aint retyping all that
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— out of this world (and into another) : genshin impact

premise: you could've sworn the transmigration curse didn't have an effect on you... so what exactly are you doing here?! (alternatively, you tumble straight into your favorite video game; and you're kinda fucked)
...or, a genshin manhwa otome game inspired au.
act i: scaramouche, alhaitham, wriothesley.
↳ act ii: lyney, neuvilette, kazuha, kaeya. (next)
warnings. fem!reader but can be imagined as genderless if u'd like hehe, a shit ton of manhwa tropes in one, this is a hot mess aka not proofread all that much, half clunky half decent writing
a/n: as promised via the poll heh,, while i do plan to make this an actual au, im not that sure ^^; just the tip of the iceberg here tho!!
MAIN MASTERLIST | AU MASTERLIST (coming soon)
YOU — unsuspecting civilian turnt transmigrator
you've always been too attached to fictional characters for your own good.
yes, even the ones that are remarkably irredeemable (the power of a backstory is very formidable) and complex (complexity is a virtue!)
villains have always been destined to die, be cursed, or destined to curse others. it was heartbreaking, really. you've wished for a chance to rewrite their fates for them to find even a sliver of happiness, even when the fate of their plot says otherwise.
which is why when you find yourself awake into the game of your dreams, “Teyvat's Seven Stars”, like any lover of cliche novel and manhwa tropes, this is the time you think that maybe life wasn't so shitty on you.
....there's only one tiny, teensy, itty bitty problem here, actually.
you're not the protagonist. you're not even one of the protagonist's faithful friends and underlings that light protagonist's road to conquering the world and its men (and as of the 4.0 update, it's women); no, you're none of those.
you're a no name extra, and not to mention, a character involved with the game's main villain characters who are coincidentally the love interests of the game's black route!
[ unlock transmigration package: ultimate transmigrator's route ( ????? MODE ) ]
[ no ] [ yes ]
( 国崩 ) SCARAMOUCHE — the tyrant
“as of today, you will be engaged to crown prince kunikuzushi, who is her grace the shogun's rightful heir to the throne.”
when given approval to stare at your so-called soon to be husband, you expect the worst, mostly. the multitudes of character dialogue you've played through detailing his rather discourteous personality (which basically meant he was a huge asshole) don't exactly paint a pretty picture.
however...
who was this tender hearted looking scaramouche that ‘obliterated armies in the blink of an eye?’ the t in tyrant stands for tyrannical, not timid!
eyes like lighting framed by the longest eyelashes you've ever seen and an unfairly pretty face, comparable to a fair lotus. after fawning over his otherworldly countenance, a sinking realization of dread pools in your stomach.
oh, you are so screwed.
essentially tied to the indigo-haired ticking time bomb of a future tyrant due to the strong standing of your family for a period of until the main story starts, you're destined to never get crown prince scaramouche's affection, being his fiancée who scaramouche is arranged to for political means only.
not to mention, you're in an even more deadly position; of all the characters you switched souls with, it's the one that essentially dies by their own fiancé's hand because they were horrible to him! what atrocious luck!
frantic, you wrack up about three ways to survive.
plan a) win over the shogun's favor by being an appropriate partner unlike the original flavor of this body, who resorted to bullying the innocent prince and unknowingly digging their own grave or b) be a guiding friend to scaramouche as he learns the ways of the world and c) make sure you don't end up giving the protagonist a bad ending via his twisted personality.
weighing all these options, you decide to do all three in hopes to cement a life instead of a deathflag. prevention is better than the cure (aka: the protagonist) after all!
(you may also just want to spend time with your favorite character. having a time limit and a sign that says ‘i'll die in the future!’ should at least warrant you extra time to show some affection to scaramouche, at least.)
so, you do what anyone in your position would do: give affection! lots of it.
admittedly, it wasn't all flowers and rainbows. scaramouche—ahem, kunikuzushi—was very shy and reserved indeed, with his mother ei even worse off! (besides, who trains and studies all day and has to stop crying every time they were injured?! that was just too much!)
it was rather hard at first, the frigid atmosphere of the usually silent Tenshukaku Palace almost impossible to permeate. but with your amazing charm (read: deathflag radar) and social skills, you manage to let the members of the Royal family open up to you.
speaking words of praise in ei's cooking (a very difficult feat to accomplish), spending afternoons with your fiancé and teaching him ‘how to be a shoujo worthy male lead, name-version’ (very confusing to explain), and the cherry on top, driving away that vile teacher of his—the Doctor—once word got out that he'd been taking advantage of scaramouche as a political puppet king in the future. trauma enabler destroyed! look at your immeasurable powers!
(“you're not a failure.” clasping kunikuzushi's hands in yours as he reels back from you. damn that doctor.
his tears shot a wave of heartache through you. you can't bear to see your favorite in such suffering. “whatever happens in the future, i won't abandon you.
no matter what, i'll always be on your side, okay?”
kunikuzushi looks at you with something in his eyes—something like adoration. “do you promise that?”
“yeah.” you say without hesitation, the glow of the sunlight hitting your face so dazzlingly that kunikuzushi's eyes widen that his mouth hangs agape in awe. “i promise, kuni.”)
to your greatest delight, your efforts worked in your favor.
ei now spends time with her son, and though it's almost always just a tad bit awkward, you and the guuji yae miko get the two to strike up conversation, and overtime, kunikuzushi becomes more open to you.
(“[name], what kind of man is your type?”
“huh? well...” you think for a while. this was a great opportunity to say it, right? that life changing protagonist quote!
“to me, the only person i'll ever like the most is you, kunikuzushi.”
“do you really, really mean that?” and oh, he looks so cute—flustered and red from your words. worth it.
“yup! now, i made some shimi chazuke, try some—”)
(admittedly, lots of favoritism is involved.)
—and while you reap the fruits of your hard work, you spend warm, sunlit afternoons with ei at tea, even learning about other nations from scaramouche's aunt nahida and even befriended a few of his future affiliates—childe (though for some reason, kunikuzushi always pulls you away from him whenever he spots the two of you together), signora (she tolerates you, you think) and etcetera.
(“then, if i do well, can you kiss me on the cheek, [name]?”
you agree, much to his delight. scaramouche avoids the gaze of a certain pink haired fox eyeing him questionably. unbeknownst to you, he glares at the woman's scrutiny.)
unprecedented things unrelated to the plot happen too; like how your family, which basically only saw you as a political bargaining chip and an unwanted child they could get rid of easily—no longer sent you any demeaning letters demanding money once scaramouche found out....
(“they've been leeching off of you for how long?” so scary... is this was kunikuzushi is like when he's worried?)
(“...kunikuzushi, how long will you keep up that weak-hearted facade of yours? if they find out how.... dishonest you are....”
“i don't need the reminders of a foxy old hag that doesn't know her place. this is fine as it is.”)
(you don't need to know.)
but, you're nothing compared to the inevitable flow of the plot. inazuma is wracked with war, and it just so happened that you'd been unceremoniously kidnapped by a certain resistance leader's trusted general, used as a hostage bargain for approximately the majority of your life. in the worst moments in your dreary cell, there's only one thought in your mind.
....kunikuzushi's face, devastated when he tries to reach for you, before slipping away from him like sand— face morphing into an unbridled state of rage that's too natural, too familiar. when did he learn to make a face like that?
(they say the kingdom was wracked with thunderstorms all night that day.)
afterwards, fate doesn't make it kind for you.
years go by in the blink of an eye, with your capture fervently forgotten in the midst of the growing animosity of the two conflicting forces.
although you did hear that yae sent out a search party for you while at the resistance's base, the shogun's forces never reached you.
eventually, you got released secretly by sympathy of kokomi, the leader of the resistance, who felt pity for you getting caught in the crossfire. letting you go under the condition that you'd likely never meet any of the precious characters you've gotten to know and change was a heavy price to pay, but you didn't have any choice.
indeed, no matter how much you tried to divert the plot, your duty as an extra has ended, and you were even lucky to even be alive. you could only hope that your fiancé—ex-fiancé—took note of your lessons well, bidding farewell to inazuma as you hop on the boat to mondsdat.
by now, you at least hoped that scaramouche and the protagonist met, his true chance at happiness starting now that you were basically dead.
(even if your heart felt like breaking into a million pieces.)
....is what you thought would happen, but why is it that after three years from your supposed capture, inazuma was still at war?
“that crazy prince... he's still working to find his former fiancée... and he's razing almost every village apart looking for them!”
“—didn't the shogunate say that whoever finds her would receive almost 3 million mora?”
“the entire lot of them are lunatics, i tell you. all because of a missing person, too!”
what's more, why was it still going because of you?!
( 艾尔海森 ) AL-HAITHAM: the information guild master
to be fair, normal people don't really run into one of their favorite characters often after transmigrating.
but to be fair, again, you certainly didn't think you'd actually be in your favorite video game franchise caged in bed with essentially one of its main love interests.
eyes wide and unceremoniously looking—definitely not ogling— at the toned body that's currently enveloping you in its arms, the soft tuft of ashy gray hair caressing the crook of your neck, murmuring incoherent mumbles of—is that another language?
???????
you blink, looking down at the bare body currently embracing you. oh. oh.
you're an extra.
you're just an extra, but why are you in bed, currently being served breakfast by the most gorgeous man you've ever laid your eyes on, with a pretty view of the rainforests' canopy?
“you should lie down. if i recall, sufficient sleep is required in order for the human body to perform its basic bodily functions. although our partnership is temporary, to let you fall to harm is a situation i'd like to avoid as much as possible.”
“....what?”
“...?”
the guild master, al-haitham, is a character in Teyvat's Seven Stars that is heavily debated on whether he's technically a villain or not. in the game, he's the right hand of sumeru's leader, nahida, working as the overseer of the AKASHA, a guild that gathers information to the nation's leader. he's a pretty shady character—always working behind the scenes and very unfalteringly blunt—and a ‘villain’ for crown prince scaramouche's route, helping the protagonist escape his clutches.
he's often the subject of comedic ire, his banters with a certain broke architect always the highlight of any bonafide al-haitham fan.
“we're expected to work together by lord kusanali's decree in the duration of investigating the hivemind project the lord suspects the baron siraj is partaking in.”
right, that one scene in the game where al-haitham needed to go undercover to infiltrate a coup de etat staged by one of the factions against nahida... right... what.
you were that extra! the one that fell in love with him and pined for his affection!
(“well, i get that part, but does sleeping together really have to play a part in this...?”
al-haitham gives you a mere quirk of the lip, tilting his head. “we do have to play the part of a married couple in dire straights, do we not? this cover is more efficient.
...besides, i don't have anything to complain about. you're certainly better company than kaveh.” )
in truth, al-haitham wasn't bad company. far from it. aside from the internal giggling and fangirling (you) and the incredible stack of books (alhaitham) that you have to see more than the grey haired man on a daily basis, the two of you work out a rapport that stems from memories of the body you transmigrated in.
he's nice to be around, surprisingly considerate when he wants to be—he tells you about the books he always reads....
(who even reads ‘20 Tongues Language Memorization Guidebook: A Basic Overview of Vocabulary and Terms’ for enjoyment?
the content makes your head run in circles because of how complicated it is; but who wouldn't like to listen to an extremely attractive man overexplain to you with a calm and pretty voice?)
...is generous enough to provide meals and cook dinners that have you crying tears of gratitude because you know how awful yours compares (it was either too bland or too seasoned; al-haitham is surprisingly picky when he wants to be)
(you assigned al-haitham the title of “absolute s-tier husband material”— his capabilities are out of this world!)
by chance, you once gave al-haitham a little tidbit of information that proved to be valuable later in the investigation—courtesy of your avid game knowledge—when you two had been lost to the psychological illusion magic cast by siraj when you two finally broke in his estate.
(“whatever happens, if siraj messes with your mind, just make sure to think of me instead of anything else.” al-haitham lets his hand find yours.
“you once asked me if i trusted you, [name].”
“....” you're treated to one of al-haitham's rare smiles, one that warms you up from within. “i do. so don't let yourself get hurt.”)
however, your temporary partner had faltered for once, flinching when siraj took the form of his old grandmother who'd passed to exploit al-haitham's mind, hesitating and frozen in place while siraj inched ever closer to finding out his weakness.
and you couldn't stand it, the character you cared for—the al-haitham that always had a plan, always knew how to stay calm, had looked so unsure and hopeless.
(“wake up, al-haitham!”
with you cradling his face, al-haitham stares back at the only constant in the memories of his grief, eyes meeting yours. “you don't have to do it all alone. i'm right here, aren't i? believe in me.”)
your (fake) husband snaps back to reality, finally allowing enough time to apprehend siraj and put a stop to his malicious project.
(“thank you.” al-haitham tells you solemnly. it hits you that this may be the last time you may ever see him. “i'm grateful that you brought me back to y— to my senses.”
there's a sincerity in your voice that rings from your heart. “anytime, al-haitham.”)
you thought that was the end of it.
defeating siraj meant you two no longer had to associate with each other, but somehow, to your great surprise, al-haitham doesn't stick to the plot at all. you were sure you didn't interfere with the game, though?
for some reason, al-haitham doesn't erase himself from your life, unlike the original route's flow.
in fact, he's become... easy to run into, a constant in your otherwise mundane life. he takes you out to lambad's tavern for an occasional drink, says he's lending you his headphones when you find yourself overwhelmed by the city (you were never good with noises) and even helps you out as you vent your problems to him.
(the day after, said problem conveniently disappears. how strange....)
and most of all, allowing you to enter his personal space... leaving kaveh's jaw dropping when he accuses al-haitham of having a lover.
“you're always going who knows where with them! what else is there to figure out?”
“...we are merely friends.”
“a friend that you let into your personal library? do they know that you still keep the ‘fake’ ring in a box inside the closet?” kaveh laughs. “nice try, al-haitham.”
(after all, kaveh could never unsee the way al-haitham's eyes softened at the feeling of the head on his shoulder lean onto him, with you no doubt asleep. he even took his headphones off! kaveh has never seen him actually take them off in order to keep the person who's sleeping on his shoulder as undisturbed as possible.
in fact, kaveh doesn't think he's ever seen al-haitham be this touchy or considerate with anyone this much before.
.....and most importantly, kaveh would never forget the way al-haitham, a man who found no merit in politeness and preferred bluntness, a man who preferred solitude rather than company—deliberately getting close to someone—pressing a fleeting kiss on the crown of your head.
kaveh blinks. it seems even the throes of love can reach even the most unconquerable of peaks....)
( 莱欧斯利 ) WRIOTHESLEY — the monster duke of the north
“—i need you to gather information on duke wriothesley. serve him undercover as one of the prisoners of the fortress.”
the duke of meropide—a man swamped with terrible rumors. they say he was exiled from the nation due to murdering his entire family. they say he possessed a face worthy of the title of a beast— grotesque, littered in scars. they say that any who end up in his estate, the iron prison of the north, meropide, never saw the light of day again.
(“only criminals of the worst kind are fated to be sentenced there. nobody returns, so we've stopped questioning it...” )
so to say you're not fearing for your life that bad right now is a massive understatement.
“now, mind telling me how you were able to sneak into the most impenetrable prison in all the land, miss prisoner?”
how did it end up like this?
so you wake up and find yourself in jail. lovely.
seriously, of all the places you can transmigrate into, why did it have to be fontaine?! Teyvat's Seven Stars chapter 4's main starting point, the nation of justice is littered with dark themes and high difficulty capture targets.
.... such is the case with the man in front of you. unlike what the rumors of him say, duke wriothesley paints a rugged yet dashing picture of a nobleman, even if he was —if you recall— one of the hardest capture targets to conquer in the game.
a villain character who you played once during one game route, acting as the driving force during one of the love events of one of the protagonist's other love interest, lyney. duke wriothesley almost assassinates lyney's younger brother, freminent, leading lyney to rally up a certain group to bring the nobleman down.... a typical side character villain, who's existence was added as late as 3 patches away from lyney's.
(even inazuma would be better than this! at least the tyrant route could be avoided, and let's not mention the easy sumeru route as well...)
“well, miss prisoner, cat got your tongue?”
in summary: fortunately for you, the body you transmigrated is in the position to spy on the current affairs of the fortress of meropide, with courtesy and with permission of one of Fontaine's leaders, neuvillette. unfortunately for you, it seems our dear monsieur wasn't able to inform wriothesley beforehand, leading to the current situation.
aka, you're pressed dangerously close to wriothesley's chest, with a knife at his throat and his hands pinning you against the wall, noses almost touching. you're not sure if this is even the kind of tension that two people who are trying to kill each other are supposed to have...
(“i'm an ally!” you sputter out. wriothesley raises an eyebrow at you. “monsieur neuvillette sent me.”
“how am i supposed to trust you after i saw you slinking around here, knife at my throat?” he replies, eyes narrowing. “i know that i'm labelled as a beast, but i don't really know what came over that pretty little head of yours when trying to sneak into my chambers.”
what does he take you for?! “...are you accusing me of something indecent?!”
“just saying — i've met lots of prisoners with your excuse, my lady.”
“i'm prepared to use this knife, you know.”
“hah.” wriothesley grins. “how aggressive. more aggressive than most. do you want me that bad?”
“stop twisting my words!”)
in any case, you hate wriothesley. you know he's one of the characters in Teyvat's Seven Stars and is a villain for one of the easy love interest routes in the game, but his personality is... a real piece of work.
you'd rather the protective and kind kazuha, or even the charming and elusive lyney! why did it have to be him?
not only did he not believe you, he even told you to prove your authenticity! you're just glad that his assistant sigewinne had been there to vouch for you — you're not sure if you'd even be on your two feet right now if she didn't.
so now you're stuck constantly on your feet, running to and fro — helping the dark-haired man record new prisoners, establishing trading routes to the main city of Fontaine, and treating other prisoners of the fortress with sigewinne.
your biggest surprise by far, though, is just how... different the duke is from the rumors. his scars were merely battle scars of honor (to which sigewinne rolls her eyes, “your grace, please stop trying to look cool”) he got from various succession fights, not scars to show how he was cursed to turn into a beast. he has a love for tea, but always seems to have a cup of your favorite blend with him when you feel tired after a long day of working (laboring) for him and the estate.
(“your daily report of new convicts, your grace.”
“-this is the tea you like, your grace. i've prepared it in advance.”
“you're very adamant on proving yourself. aren't you sick of such tasks by now, miss prisoner?”
“no.” wriothesley's expression screams 'why not?' on it. “ it's because of my own misjudgement of you.”
“...elaborate.”
“i may have had unnecessary prejudices on your conduct thus far. but you're... not like what the rumors paint you out to be.” you say sincerely. “you're more amazing and incredible than anyone else. i truly do admire you.”
wriothesley's expression; you couldn't decipher it. “i see.”)
he's battered, but caring. sigewinne makes you watch (in horror) as she doodles cartoonish looking characters on his face when he's asleep — wriothesley never fusses, only an exasperated sigh to his assistant. he's harsh with his tasks and duties, but is the first to rush you into sigewinne's infirmary to tend to you after you pass out from overwork.
(“don't worry, [name]. the duke may not look it, but he's very gentle!” sigewinne giggles. humoring the little girl who was the first to show you actual decency in this place, you try to nod. sigewinne doesn't seem convinced.
“i'm serious! after all, compared to other people who've snuck into the fortress, you're the first he's treated this way.” she says cheerily.
“what does that mean?” you can't help but scoff at that. “so he just works someone to the bone from the get go?” you shudder. damn production zone...
sigewinne blinks. “ oh no, not like that. it's just that he's never been so lenient before. in fact, when you fainted, he even gave me the order to prioritize treating you over anything else.”)
well, this wasn't exactly what you thought you would be doing when you transmigrated into your favorite game, but you suppose you can take it.
besides, you'd miss a certain duke otherwise. life truly is full of strange twists....
a/n: thank you for making it this far! if anyone asks why wriothesley's was short, listen, this was completely impulsive and i was out of inspiration LOL, but i do hope you enjoy! look forward to new parts though hehe :3
@ ICEUNHIE: do not repost translate or plagiarize my works.
#teyvat's seven stars ☆#mhie's spirals#genshin x you#genshin impact imagines#genshin impact x reader#genshin x reader#scaramouche x you#scaramouche x reader#scaramouche x y/n#al haitham x you#alhaitham x reader#al haitham x reader#alhaitham x female reader#al haitham x y/n#wriothesley x you#wriothesley x reader#wriothesley x y/n#scaramouche genshin impact#alhaitham genshin#wriothesley genshin
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i can’t stop thinking abt a bingge who just. doesn’t enjoy sex.
he slept with qin wanyue at the IAC because she was dying and he was afraid and wanted to be kind, and he didn’t know how to say no. and he kept just…not knowing how to say no. everyone always had one dying wish or a deadly poison or some sort of urgent need. and lbh wanted to be good. he was desperate for any sign that he wasn’t irredeemable, that there was something about him that anyone could ever want. and these women kept throwing themselves at him in moments of desperation. and he wanted to be good.
wouldn’t it be too cruel to say no to this woman when he said yes to that one, just because he didn’t particularly want to? wouldn’t that be too arbitrary and selfish? what makes one worthy of his ‘yes’ and another unworthy? lbh had no framework to evaluate that sort of thing, no sense that this was something he could just Not Want. he wanted to be wanted, and here these women were, wanting and wanting and wanting him. why would he turn down the only thing he really desired, just because it didn’t come to him in a way he liked?
and then he picked up xin mo, and all notions of desire fled him. he’d never wanted to sleep with any of those women, but now he needed to. it was either dual cultivate with whoever asked or be consumed by xin mo. what option did he have? he was often on the verge of qi deviation; much of his ‘wife collecting’ could probably be attributed to medical necessity. and what was he supposed to do afterward? disrespect those women by sleeping with them and then discarding them? of course he’d add them to his harem. what other dignity could he offer afterward?
he never really wanted any of it. he never enjoyed it particularly. it was nice, maybe, with ning yingying because she cared for him in a way he could trust. she cared for him in her own clumsy way before his name meant anything, and when she looked after him it always felt safe. he got along with liu mingyan well, trusted her wisdom and forthrightness—and she was never overly affectionate or insincere when they cultivated together. he believed, at the very least, that she respected him as an equal.
but all the other wives… they were there because they wanted something from him, or their families did; or they were there because luo binghe wanted to be good, and a good man would not lay with someone and then refuse to take responsibility by marrying her. he had the means to provide for them. and a bountiful garden suited his station, didn’t it? never mind that he’d never really had an interest in gardening; if flowers leapt into his hands, it was his duty to plant them where they could continue to grow. that was what a good man would do.
#it is 330 am and i have a fever#so im sorry if this doesn’t make sense#i know im rambling#im fr just laying in my bed crying like what if he never wanted any ofit#what if he’s as much a victim of the plot as everyone else#pidw is a terribly cruel world#im made myself sad#luo binghe#luo bingge#bingge#lbh#svsss#scum villain#scum villian self saving system#scum villain’s self saving system#scumbag system#scum villain headcanon#svsss au
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'i have trauma from men so i should be able to [insert cruel thing here]' is low key hilarious to me
i was trafficked as a child. a lot of the people who hurt me were men.
does this mean all men are evil? no. it means that more white rich cis men have the privilege required to get away with abusing children. because there were a significant amount of women who also hurt me
somehow, miraculously, me having trauma caused by men has not led me to hate every single man ever and decide that every single man on the planet is evil and irredeemable. if i can be literally trafficked by men and still not decide that i should be allowed to be as cruel and rude as i want then i think it is genuinely a skill issue when others decide they should be able to be as mean to men as they want
like. random individual men are not the problem. and irrationally hating every man ever is not going to solve anything
you're stronger than any US marine or radfem, anon
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The "male loneliness epidemic" is very much real, at least for men with undiagnosed autism.
You're constantly isolated and ostracized. Even when you're not being actively bullied, you're still alone and have no idea how to fix that. You ask for advice and not only does nothing work, but their advice shows that they're not even close to understanding you at all. They tell you to "talk to people", which is about as helpful as telling someone who struggles in math to "write numbers". They tell you to "be yourself" despite never giving you a chance to figure out what that even means and despite punishing you anytime you were even close to being yourself. When you're constantly lonely and missing out, people are nonchalant about it. But when you take a guess at how to interact with people and you end up bothering them, people who were nonchalant before do everything they can to get you to stop. They don't care about helping you figure out how to interact with people the right way. They only care about stopping you from being an inconvenience to others. They'd prefer if you just made yourself invisible. You then stumble upon the manosphere, including pickup artists. You finally feel like someone understands you, because they acknowledge how difficult socializing is and how much cruelty you've suffered. So you trust them. They teach you to channel your anger toward women and blame them for your struggles. They teach you how to manipulate women instead of how to understand women. You attempt to follow their tricks to the best of your ability. You end up being sexist toward women, which turns them off even more. Now, even those who would have liked you before see you as dangerous, and those who always saw you as a creep now have a good reason to. But you still have no idea what you're doing wrong. And even if you realize that what you're doing isn't working, you won't know what to do instead.
If you're a man and you're absolutely positive that you're the victim of a loneliness epidemic, consider the possibility that you have undiagnosed autism or some other disability that limits social skills or contributes to ostracization. But please don't join the manosphere. It may be tempting because they can easily seem to be the only people who understand you, but being a man is not what's causing your loneliness. Men as a whole are not your allies, and women as a whole are not your enemies. And if you once trusted the manosphere, even if you acted like a total douchebag because of it, you can still decide now to stop. You're not an irredeemable monster just because you fell for propaganda when you were vulnerable.
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This new media/bookish trend of writing vaguely soppy "morally grey" villains with tragic backstories + sanitizing evil and making it safe enough for the soft gay uwu crowd by adding that "this guy is mean, racist and aids a fascist govt but AT LEAST he SUPPORTS LGBTQ!" means that nobody can properly enjoy well written evil and unhinged villains in media anymore, without some 20 year old on Twitter writing essays about how liking these characters means you're a Nazi sympathizer, child abuse apologist etc.
A lot of viewers can only digest and champion the "misunderstood tragic villains" who deserve "redemption arcs"- Azula, Jinx, s8 Dany, s4 Villanelle, the Darkling etc. On the other hand, deliciously and gruesomely irredeemable villains in darker, more mature media become "one-dimensional" or "mid" because they are unpalatable to fandom culture.
There is a weird pressure upon creators to make all characters likeable, unproblematic and "relatable" by the same hammy tropes: tragedies (dead partner, daddy issues), armchair progressive politics (Fire Nation is Evil but it has Women Soldiers in the Military, Feminist Icons!), or "I hate everyone but you" style dark romance (Daemyra and Alarkling). I am sorry but if the only villain you can appreciate is an "unproblematic", misunderstood one, you are NOT ready for media consumption outside of mainstream YA fantasy and children's literature.
This is the reason why tame liberal progressive books like The Priory of the Orange Tree and The Jasmine Throne gets shelved as "morally grey sapphics" while She Who Became the Sun and Baru Cormorant are called problematic and get negative reviews. This is the reason why CSM fans cry and sob about Makima being a villain and doing villainous things ("Omg how dare she not ask for consent??" She is a literal devil from hell, a war criminal and an allegory of govt. authority abuse of power. Sorry she isn't a feminist.)
You're free to filter the tags, but that's on you and nobody else. They are painted as villains. They are not misrepresentation. It's not on creators to make you feel comfortable about their evil characters. "A truly cool villain must be willing to murder but respect their wife and not be racist"– ok go back to reading AO3!!!! Personally I need more Makima Chainsaw Man and Lee Woo-jin Oldboy and Dorothy Daniels A Certain Hunger and Tywin Lannister ASOIAF and Logan Roy Succession!!!! Make villains nasty and unlikeable and unpalatable and bigoted and evil and gut-wrenchingly unpleasant again!!!

PS: HOUSEKEEPING→ There is a human being and abuse survivor behind this blog. Please be mature adults and do not bring up your specific traumas, triggers and personal information to misdirect a conversation about fictional villains and guilt trip everyone by strawman arguments. This is about FICTIONAL VILLAINS. NOT invalidating your personal trigger.
#mimirants#anti intellectualism#fandom#books#shows#movies#film#makima#csm#chainsaw man#villains#anti darkling#anti daemyra#(just to be safe)#succession#logan roy#tywin lannister#asoiaf#squid game#arcane#attack on titan#swbts#baru cormorant#discourse
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ok fine cis men aren't the bad gender it's all men and we're all exactly like that anon who admitted to having abused women even if we don't know it. are you fucking happy now? is this the solidarity you want us to feel with cis men, that we're all just as mich rapists and murderers of women as they are? you have some fucking nerve to be throwing vague jabs while calling an admitted abuser "brave"
Normally I don't platform asks like these, but I'm moved by the genuineness of your emotional reaction here. I think you're hurting, and you've been hurt, and that the belief that abuse and violence are located within one gendered group (to which you don't belong) has felt like a way of organizing your world that has helped you make sense of things, and given you guidelines for how to act and whom to trust that have helped keep you safe. I think a lot of assault survivors feel that way when they're not cis men and their attackers were cis men.
As someone who has experienced a ton of sexual predation at the hands of cis women, cis men, and even other trans people, I don't feel the same way. There is no "bad gender" I can chalk up my abuse to. I find there are no easy means of categorizing entire people as abuser or as victim either -- I have known so, so many people who have occupied both roles depending upon the power they wielded and the social context of the moment. Hell, one cis lesbian that I knew who was infamous in her community for raping trans men would always tell her victims that her acts were those of "trauma recovery," of her "reclaiming" her power after men had stolen it away.
Even she, I don't think, is irredeemable or ontologically evil.
I'm an abolitionist. That's a core value through which a lot of my political action and beliefs flow. If you're not on board with the project of abolitionism, you'll find much to object to here, and most of your objections are things I will refuse to entertain, because I do not believe human beings are disposable no matter what they do, and I don't believe that anyone should have the authority to deem another human being as disposable.
An abolitionist politics is incompatible with the idea that some people or some groups are inherently bad. It's incompatible with the belief that abuse and violence comes from evil. It's a worldview that holds that people do harm because of social structures and networks of power that must be destroyed -- systems like the patriarchy, cissexism, anti-Blackness, ableism, capitalism, and more. And I think one of the ways that we conquer such oppressive systems is by raising the consciousness of all the people trapped under it -- so that we can topple it together. I want trans men and cis men alike to realize they have some skin in the game.
You don't have to associate with the men you don't want to associate with. If, because of repeated abuses at the hands of men, you can't ever trust them, well, those are your feelings, that's your life, that is your business. But when your personal feelings of safety are used as a justification for developing and promoting a worldview with transphobic, transmisogynistic implications, I'm gonna talk shit about that on my stupid little blog. And I'm gonna continue conducting my life in the way I feel I should.
And for me, that means forging common ground between trans men and cis men, and pushing both groups to take women's concerns seriously (especially trans women's concerns) and to stop centering themselves in feminist dialogue. There's a place for both trans men and cis men in the gender revolution, but we gotta do a lot of work on ourselves to stop getting in the way. It's work I'm emotionally equipped to do and find rewarding, and it's fine if you don't. There are lots of other people who need support that you can focus your energies on -- other survivors of abuse and assault that you perhaps find it easier to relate to. That's important work too, and I wish you well in doing it. Just make sure you're not excluding trans women in that work or I'll continue to be annoying about it on my stupid little blog.
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Everyone remember, according to Viv, you can kill people, be a cannibal, sexually coerece people, victim-blame, sexually harass people, etc., etc., and as long as you're a man, you can do these things and still be perfectly redeemable
BUT if you're a women these do not apply to you, if you're mean, you're irredeemable.
#helluva boss critical#anti helluva boss#helluva boss criticism#helluva boss critique#helluva boss salt#hazbin hotel critique#hazbin hotel criticism#anti hazbin hotel#anti vivziepop
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how can lily be a good person if she married a bully?
I'm going to break this down because it does legitimately seem to be an issue for so many people. I received quite a few asks about this a few days ago so I'm just going to address it generally here. Apologies for the length of this, I tried to cover everything I could think of. Let's get two things out of the way first:
Firstly, if you truly believe James was an abuser, and you're seriously asking how a woman could ever marry an abusive man, this is indicative of a fundamental lack of understanding about how abuse works. This is victim-blaming rhetoric. Abusers are predatory, manipulative, and often extremely charming, and they have a specific methodology for ensnaring their victims. I highly recommend Lundy Bancroft's book Why Does He Do That for further reading on how abuse works. The reality is that women marry abusive men all the time, and it doesn't make them bad people. If you believe otherwise we simply have nothing to talk about here.
Second, the question of whether or not James ACTUALLY changed his behaviour is irrelevant here, so I'm not going to directly address it either way. The main thing is that Lily BELIEVED that he had changed, whether or not he actually did, and we know this from Harry's conversation with Remus and Sirius. We also know she wasn't aware of the full extent of the bullying, as she didn't know the details about the prank.
For the purposes of this I'm going to adopt the perspective that James never changed, had 0 character development, and was secretly a terrible person the whole time. To be clear this isn't what I believe-- but I think it's helpful to start from a similar place.
Onto the main points:
An overly forgiving nature can be a flaw, but it doesn't make someone a bad person.
Nor does it make them selfish. Even if I concede that James was irredeemably evil as a person, the fact that Lily believed him to be better than he was, even if she was wrong, makes her at worst naive, not selfish. In fact, I'd argue that it's a sign of empathising with someone too much, which is sort of the opposite of selfishness. We know that Lily had an overly-forgiving nature, because she demonstrates that with Severus when she's willing to overlook his associations with the worst people of all time. And as we know from the fact that her friends were openly critical of it, and that she suffered as a result of it, her friendship with Sev was hardly 'convenient' for her. That she forgave him and overlooked his behaviour, and defended him, despite the fact that it was actively inconvenient for her, indicates empathy (and probably too much of it) not selfishness. Being overly forgiving is an established character trait of Lily's, as she tells us she "made excuses for [Sev] for years." Making excuses for someone you love is a flaw, but not one necessarily rooted in selfishness. Again, it was actively inconvenient for Lily to make excuses for Sev. It's also a very human flaw, not one that makes her a bad person-- especially when you consider that Lily's capacity for forgiveness had its limits, as she demonstrated with Snape.
To forgive is an act of compassion... it's not done because people deserve it, it's done because they need it.
anyway with that buffy quote out of the way, lets move on
Lily owes Snape nothing.
I'm sure people will disagree, but, objectively, she just doesn't. They are not friends at this point. He has demonstrated consistently that he doesn't have enough consideration for her to stop rubbing shoulders with people who literally want to murder her, including a boy who attacked her housemate. So why is Lily expected to take into account his feelings and his history with James? Which leads right into:
It's a massive double-standard for Lily to be blamed for marrying James when Snape isn't afforded the same for associating with Death Eaters.
I mean, think what you want, but to me being a mass murderer intent on exterminating an entire subset of the population (talking about Voldemort and other DEs here, not Snape) is like, maybe, a tiny bit worse than being a bully in school. But what do I know. Snape willingly joined up with such people, knowing perfectly well what they wanted to do to Lily, the woman he loved, and everyone like her. If Lily's choice in husband makes her a selfish person, then by your own logic Snape is completely irredeemable and you should probably delete your blog about how misunderstood and babygirl he is.
Sometimes people marry or befriend terrible people.
Similar to the first point, lack of judgement is a flaw but not one that directly indicates selfishness. Again, remember, Lily believed James to have changed. She believed, whether or not she was wrong, that redemption is possible. It's extremely common for women to date and marry terrible men, unfortunately, and to be blinded to their flaws. There are many possible reasons for this. I guess you can argue that the desire to be loved is inherently selfish, but that still wouldn't make Lily notably selfish at all, rather just a normal human. Plenty of people have had the experience of dating someone who is terrible or being friends with someone who is terrible at some point in their lives, and it doesn't automatically make them terrible themselves. People make mistakes and have poor judgment occasionally. Her actions in SWM suggest she would not have tolerated nor validated any cruelty from James towards others, had she been aware of it. Anyway, once again if you're holding Lily responsible for James's actions you need to also hold Snape responsible for the actions of his buddies. If it's selfish for Lily to associate with a bully (who she believed to have reformed) it's straight up devoid of any humanity whatsoever for Snape to KNOWINGLY associate with people like Mulciber, Voldemort, and Bellatrix. I don't actually believe this btw, I'm just following the logic through.
Furthermore, it's completely unfair to blame Lily for, in particular, the past actions of her husband.
As we clearly see in SWM, she did NOT tolerate his behaviour during the years before they started dating. James's behaviour is simply not Lily's responsibility, and neither is Snape's. It's not her job to fix them nor pay for their mistakes, nor should she have to investigate and tally up all their past wrongdoings when making her own choices. If James was actively being a menace and Lily was just watching going 'teehee' I'd understand this more, but again, she was NOT aware. Based on her behaviour in SWM, this would be out of character for Lily.
Someone having a moral stance you personally disagree with doesn't automatically make them a bad person.
If your moral stance is that James's past actions are completely unforgivable, and you could not personally date someone who did what he did, no matter how he evolved as a person, that's perfectly fine. As I've established, Lily was not aware of any continuing wrongdoing, nor would she have validated or supported it had she been aware. Lily's belief was that the person she was currently dating was a good person. She believed in redemption and second chances. If you personally do not believe in redemption or second chances, I'd question why you even like Snape, but ultimately that's your prerogative. However, believing otherwise doesn't make Lily a bad person nor selfish, even if you personally disagree or think she was wrong. People are allowed to be mistaken.
Snape was probably less relevant to their lives than you think.
Like to be quite honest, they were fighting a war and priorities had shifted, as they often do in adulthood. Lily ended her friendship with Sev, and after Hogwarts James and Lily almost certainly had no association with him whatsoever. Is Lily expected to continually self-flagellate over Snape for the rest of her life? Is she expected to take him into account in every decision she makes, forever? Believe it or not James and Lily existed separately to Snape, rather than as extensions of his character. They moved on. Snape didn't, that's what makes him beautiful-- and yes there's a reason why Snape couldn't move on, but, again, that is not Lily's responsibility. It seems reasonable to me that, particularly given the extreme nature of her circumstances, Lily would take into account first and foremost the actions she observed from James in the present, rather than what he did in the past. See above re: Lily owes Snape nothing.
Being selfless, kind, or a good person doesn't make one perfect.
When I say Lily was selfless, I do NOT mean that she was flawless. If this is your takeaway I worry for you. Also, enough about the Virgin Mary lol. Anyway, humans are complex, and selfless people are capable of selfishness on occasion. Everyone is. A certain amount of selfishness is not only normal, it can be a good thing and necessary for protecting yourself. When Lily ended her friendship with Sev, it was something she was doing for herself, so in the most technical sense (and it's still a huge stretch) it can be viewed as selfish. Nobody is or should be 100% selfless all the time. So even were I to concede that she was selfish in marrying James (which I don't) it doesn't preclude her being a selfless person in general.
Being selfless, kind, or a good person doesn't make a female character 'unrealistic.'
What even is this argument, honestly. Like do you just not believe in the existence of good women irl? Suspicious. I would gently suggest that if you find it unrealistic (or boring) for a woman to be a good person, that's maybe something you should take a closer look at. If your automatic assumption about a woman is that she must have married a man for his money, I would also interrogate that belief.
idk she was a teenage girl, pls develop some empathy
once you come down from your podium in the unholy tribunal, it might be worth considering female characters (and women in general) as human, and not just avatars who simply react to the emotional turmoil of men. At absolute worst you could assume that she was tricked by James (which I still disagree with, but it's a slightly more generous reading) or was blind and naive. All of which are more understandable than, for some reason, assuming she was a conniving bitch who wanted to hurt Snape and selfishly marry into wealth. Ultimately her decision to marry James probably had nothing to do with Snape at all. She was 21 when she died. Bad judgment is common at that age, and it's not necessarily a product of selfishness at all. Look, I'd understand this whole thing more if everyone was in their 30s. But is it not the teenage girl experience of all time to date an asshole? Do you have no empathy for that situation? Like I said, I'm arguing this based on the idea that James was completely irredeemable; would an abuser not abuse his girlfriend too? Would someone who is evil and cruel in all respects not also display cruelty to his wife? Can you not summon up an ounce of empathy for a 17 year old who might have thought, as many young girls do, 'I can fix him?'
To conclude, I think that the idea that Lily marrying a bully makes her a bad person is just rooted in lack of empathy for her as a character. Despite spending hours dissecting every last thought process a man might have had, there's no attempt at all to try and understand Lily's motives, rather they're considered exclusively from the perspective of Snape's emotions. This is unfair.
I don't doubt that it hurt Snape's feelings for Lily to date and marry James. But Snape's feelings are no longer her concern. She owes him nothing. Sev called his best friend a slur publicly and joined an organisation that wanted to murder her, with no respect for her feelings at all. They are no longer friends, and he has no right whatsoever to expect her to consider his own emotional needs anymore, and her choices no longer have anything to do with him. Nor should they have.
Whether or not you think it was a mistake for Lily to marry James, that's Lily's problem. Not Snape's. If you truly believe James was a monster, logically it's Lily you should be feeling sorry for. The fact that there's no empathy for her to be found, and that people revert so quickly to the Top 100 Misogyny Classic of 'she must be a gold digger' speaks for itself.
#also sorry this took a while haha ive been working on it bit by bit for a few days#lily evans#pro lily evans#anyway let it never be said i have no defence against this ridiculous argument lol.#meta#lily
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maybe one day i will be over bridgerton season three and my hatred for penelope but that day is not today
i understand that the books are different and that book polin and penelope are not what their show counterparts are but i need book polin and penelope fans to take a step back and examine the absolute psychological horror of what show polin is.
genuinely there is something so insidious about a girl who meets a guy, believes it's love at first sight, and then befriends his sister. in fact, her ONLY friend is his sister. she spends years pining, sitting and staring out of her window so often that everyone in her life knows this is a common occurrence for her. a habit. she loves him, she wants to be with him, she wants to be a part of his family, and that family treats her well, they treat her with kindness.
and she tears them down. secretly. she uses her friendship with the daughter, her closeness to them, to prop herself up. to write vitriolic things about them, to cast shame on them, to bring their reputation into question time and time again. there is something so irredeemably manipulative about a girl who takes the secrets of those who trusts her and reveals them publicly when it best suits her--when she does not want the boy she loves to marry a girl who has been kind to her, a girl who considers her a friend, who has shared her anxieties and heartbreak. it does not matter that this girl would be a good wife, or that the boy truly cares for her, because this girl is not her. and she could've told the boy herself, but that boy is kindhearted and sensitive and good and he might still marry this other girl. and that is what is truly unacceptable, that is what can't be allowed to happen. so she destroys it, thoroughly. it does not matter who is caught in the blast.
it did not matter how this embarrassment would effect the family she claimed to love as her own, the family she wanted to be a part of. it did not matter that it would ruin marina, the only other person to consider penelope a friend. it led to marina nearly dying, it led penelope's own family being shamed and shunned. it did not matter, because to penelope, the only thing that mattered was that colin remained unmarried so that he may one day love her the way she loves him.
it did not ever matter that colin already loved her as a friend, because to penelope that was not a love worth having. not from colin, or marina, or eloise.
she does not care who she hurts. again and again. with daphne, with anthony and the sharma sisters, with her own best friend. eloise confides in penelope things that not only could destroy her reputation and that of her family, but things that could get her in trouble with the queen--views that are dangerous. and despite what she says, she does it to save herself first and foremost, to keep eloise from discovering her secret.
and when she thinks that the boy she loves will never return her interest, when he returns from his time away different from the boy she has spent years obsessing over from afar, she writes about it once more. to make herself feel better, to make him feel bad. for not loving her, for daring to try and change, for daring to be something he is not--something different from the boy she supposedly loves.
penelope actions as whistledown have shown her to be a callous, selfish, manipulative person. she understands that being whistledown means having power, admits it, and she has constantly used that power to destroy other women--regardless of how kind they were to her (marina), how much they trusted her (eloise), or if she even knew them at all (kate and edwina, the queen and her infant grandchild). she is a vicious and mean person on paper, with no loyalties to anyone but herself. her actions as whistledown are undefendable and cruel. and she is whistledown, they are one and the same.
i cannot see how anyone can look at the two and see anything to romanticize. she knows eloise would not want her in bridgerton house, rightfully so, but she goes to be close to colin, and then she invades his privacy by reading his journals. she continuously lies and crosses boundaries, but her eyes well with tears immediately after and so all is miraculously forgiven--nevermind that she will go home to write something cruel by candlelight later.
even their first kiss feels like a manipulation. a coersion. she begs, cries, pleads, claims she could die never having been kissed and she knows colin is a soft, sensitive boy. he was going to marry marina after a short courtship, convinced of love, he might've went ahead married her if he'd found out about the pregnancy privately because he is a good and kind man. so of course he will kiss her.
and then he proposes, and before they can go about it properly, before he can rethink it or back out--she publishes it in whistledown. so that the whole ton knows that she has finally won. she has succeeded in becoming a bridgerton. and she continues to lie to them all. she continues to lie to colin. she smiles and plays the role of the innocent girl next door, when she has been their primary antagonist force behind the curtains for years now.
even her declaration of love is said to distract, to protect herself, when he has discovered her secret, her true identity, and she can no longer hide. she shouts it at him, like it is meant to make everything okay, to make all of the bad things she's done go away.
and in a well written story, with well written characters, it would not. it would be seen for what it is. desperate. manipulative. but this season of bridgerton is a let down in many ways, and all of them are rooted in how the narrative has catered to washing away how horrible of a person penelope has been, instead of acknowledging it and moving forward with a true redemption arc.
so instead, we get to watch a gossiping mean girl who has spent years stalking and preying on one family in particular, manipulating her way into her happy ending with said family. and everyone just has to be gaslit into believing this is okay when it's not.
#anti penelope featherington#eloise bridgerton#colin bridgerton#colin x penelope#anti polin#polin#bridgerton
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"trans men implying that they're too superior to/different from other females to be women implies that other women are too stupid to reject their gender inferiority and in fact welcome subjugation" many posts like this and while I think "stupid" is a strong word...... i mean if you can acknowledge the idea that femininity is a construct designed to dehumanize objectify destroy our humanity signify that we see oursleves as Lesser objects to be looked at and eager to cater to others expectations then i would in fact recommend taking it a step further, admitting that Woman is just as much a bullshit idea, that woman doesn't = adult human female but instead woman = male fantasy, and that we are being locked out of humanity by agreeing to the social contract that being female is Being Woman. I know it's just language games at this point and will gain zero human rights in and of itself to do so I also think that females are physically and mentally crippling themselves by voluntarily associating with the language and concepts allotted to us by virtue of our sex when you could just usurp all concepts of manhood as rightfully ours and label men as impostors, stolen valor, just doing it for attention, etc, not in a transgender way but in a psychological warfare scenario, "womanhood" is cognitohazard slop, I don't think the concept can be saved or rehabilitated nor neutralized, or god forbid "reclaimed", we've gone too far, get rid of it, usurp the mental weapon that is the concept of "being a man", again, not in a tranny way, it's just true, trannyism is fake and retarded, and at the end of the day if males still want to be masculine so badly after that then they can go read their sole alotted representative text, Stone Butch Blues. and females can go ahead and realize that every book about men is actually, truthfully, about a female, yes, even the history books, like at this point I think we should just start lying straight up since we kind of need to hurry up and get somewhere with all this shit, we dont have all day, and murder is still illegal. All accomplished males were actually female and all accomplished women were obviously Extra Female. Thats the bar. If were not gonna do Equality Of The Sexes then I'm just gonna have to start doing my own thing, god it's like no one else is even trying, newsflash ladies, um, It's Not Working Try Something Else ? You're a man, so start acting like it. Trans ideology has cemented it's place in culture, there's no going back, femininity and womanhood is irredeemable cancer, patriarchy still exists, and radfems are running around in circles getting nowhere--- Here's How Females Can Still Win.
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