#me just rambling once again

[aeternallis]

KPTS Fic Trope: Kim should grovel / Semi-deep dive commentary of the breakup scene

I've seen a number of fans complaining about this trope, so I wanted to talk about it. XD Before that though, I will admit that I myself don't fully understand this trope--or rather, I'm not really sure what this trope fully entails? Because ngl, it sometimes also feels like readers/writers don't actually mind this trope, just only up to a certain extent.

And for anyone curious, I'm firmly on the camp that KimChay should yell/fight out their problems in the most unhinged manner possible like feral beans with lots of sexual tension to muck through AND with no one else involved cuz for the majority of the show, they were off in their own little world anyway~

But I may be on the minority in that, lol So, I digress.

From what I've gathered of this trope though, I'm assuming it's basically: -Kim begging Chay to talk to him/forgive him/ give him a second chance -Kim's own brothers takes Chay's side -VegasPete is somehow in Chay's affections and gets one up over Kim? -Basically no one is on Kim's side, lol

Depending on the execution of the fic, all or some of these points may be featured in the story in order to get these two lovebirds back together.

And honestly? I think the reason why this trope is so popular but also has its share of detractors is because people are looking for the payback or shall I say, "equivalent exchange" of this scene in particular:

It's arguably their most heartbreaking moment in the series, and I will admit, for some people who've had a bad breakup or two in their lives, it may hit a little too close to home, yknow?

And see, I've brought up the opinion before and will reiterate again that what the audience understands about KimChay's circumstances IS NOT what Chay understands as the character that makes up one half of this semi-canon ship.

And based on your understanding of this (as well as your preference, ofc) lies the difference as to whether you like/hate/feel neutral about this trope.

Sure, we can say that Kim did nothing physically to hurt Chay. We can say that Kim did what he had to do in order to keep Chay safe and not draw him into the dangerous world of the mafia, that he was looking out for Chay's best interests. There's just enough of Kim acting like a simp for Chay in the show to get this point across.

But be that as it may, Chay is not the audience. He's not a mind reader, especially not towards someone like Kim who's already closed off and hard to understand to begin with. Lol

And Chay not being able to read Kim's mind or intentions is not a failing on his part as a character; on the contrary, it's what makes him more human and sympathetic to the audience. There's a difference between emotional intelligence and having confidence in another person's motivations. In which case, I think herein lies the other distinction, if you, as the audience, are either willing to give Chay too much credit, too little credit, or just enough to get the ball rolling.

I think what tends to be forgotten about Chay's character at times is that for all his bravery, boldness, and intelligence (which deserves all the praise in the world, because holy moly, if only I had half his guts, I would get a lot more shit done), Chay is also someone who deeply respects people's boundaries. He's a noble character in that way, and why I think in particular Porsche did such a wonderful job raising him.

And we've seen this a number of times, from their very first meeting. He was brave for asking Kim to be his teacher, but didn't push to persuade him otherwise when Kim couldn't say yes. He was bold in tracking where Kim lives to serenade to him, but knew when he had to back off. And even when he confessed to Kim, there was no expectation of his affections being returned, only that he had wanted to show his gratitude to Kim for letting him do his best, and hoping perhaps that the time they spent together would always remain special to Kim.

In this regard, Chay remains loyal to himself and his steadfast nature without ever pushing for more than what Kim could give. But what made the breakup scene painful I think is not just because Kim made Chay believe that he had never loved him, but also because Kim muddled Chay's understanding of the boundaries between them. I would maybe even go so far as to say that what Kim did to Chay was basically a form of gaslighting.

And in muddling that crucial understanding between them, the full scale of the implications in regards to what Chay must have felt in that moment, in my opinion, cannot be overstated:

-the abject humiliation of having believed that someone had returned your feelings, only for it to be implied otherwise by said someone, no matter what Kim's meaning was with his "I'm sorry" LOL -the doubt and lack of confidence in yourself due to misunderstanding someone, without even knowing it -the fear of having shared so much of yourself, when the other person may not even have wanted nor cared for what you had to share in the first place -the loneliness that comes after having experienced all of these emotions, particularly for Chay who was already feeling left behind by his own brother

It's not a surprise tbh, why Chay chose to pull away from not only Kim after this scene, but also from Porsche, at least on an emotional level. Negative emotions like these tend to spill over to the perception of other relationships in one's life; it's hardly ever only contained to the relationship they originated from.

All of these things are painful human experiences, not just something that fictional characters go through, yknow?

And this is why I think this trope is so popular with the KimChay fic writers to begin with. I imagine that those who have written reconciliation fics that feature this trope are highly sympathetic to Chay's plight due to their own lived experiences, and why, while I myself am not necessarily a fan of it, also choose not to judge it.

It's basically wanting to find that sort of satisfaction in fiction that otherwise isn't always found in reality, using said points in the trope.

Ultimately, Kim is the one who muddled that important understanding between himself and Chay. This being the case, Kim has to be the one to untangle them now, imperatively so for some writers, to the point it's at the cost of losing one's dignity (the begging part) and standing alone (his own brothers don't have his back).

[littlefankingdom]

Bruce died(?) again

Jason: Well, it's my turn.

Dick: What are you talking about?

Jason: Everytime Bruce is gone, one of you starts to act just like him, pushing everyone away, acting as only you can be right, and fighting anyone that gets in your way. Dick did it, Tim did it, even Cass kind of did it. So, this time, I will do it.

Tim: Isn't that how you act all the time?

Jason: Whoa, fuck you. You are so banned from historical drama movie nights.

[bluerosefox]

Another DPxDC idea with twins Danny and Damian.

'He knows.'

That was only message Danny received before he felt like he had dropped in freezing cold Arctic waters naked and felt if he remembered to breathe at this moment he would see his own breath, even though he had an ice core and no longer felt actual cold anymore, and for a moment the world around him faded into nothing.

No sound, no touch, not even smell.

Nothing.

Then like a supernova, everything around him exploded.

Everything was too loud, to strong, his skin felt hot and cold at the same time somehow. The feeling of dread crawled up his body.

He needed to go.

Run.

This message was his only warning. The only thing his birth mother could send him in regards of help. He knows it, he knows she can't do anything else but this. He also knows she wants to do more but in order continue to be the eyes and ears inside of the hellhole he once called home, a place he both hated and feared yet somehow still loved if only for the memories of his mother and brother, she could not do anything more.

"Hey Dan-no! Anything good in the mail today!?" Came the loud voice of Jack Fenton, his adopted dad, from the doorway. The same man who took one look at a muddy, dirty, tense, untrusting, almost fully feral little six year old Danyal al Ghul who held onto his only daughter hand when she dragged him home after finding him behind the Nasty Burger looking for food, and decided point blank that he was now a Fenton. That Danny, Daniel was his son as if he always was.

Danny could feel his lip tremble when he realized if he ran, if he booked it out of Amity now, the people he loved, the people he would happily die for, would be targeted. It wouldn't matter if he faked his death, or just left with no warning and never contacted them ever, ever again.

They would be killed for just knowing him.

For their deaths would be his punishment.

Danny could feel the rest of the mail in his hands, the ones he had went outside to get before breakfast cause his mom asked him to, fall out of them, the only one staying was the message from his birth mother. He took in a shaky uneven breath and turned around.

His face no doubt was pale, paler than it normally was, and his body trembled, and Danny had no doubt that despite all the training he had learned when he was in the League that even if he brought it out and pretended he was fine, his dad would be able to tell something was wrong.

Because his dad's happy cheerful face shifted to a concerned worried frown, a frown Danny hadn't seen in a few years, a frown that was common when Danny would wake in the middle of the night screaming, begging, or cursing in his native language or when he would be spooked enough to reach for a knife. But even with those moments the man never ever found fault in Danny, instead he would lower his voice and speak softly to Danny, waiting until he calmed down before asking if it would be okay to touch or hug him. Then he would sit with Danny for hours, keeping his normally loud and booming voice soft as he talked about random things, like family fudge recipes and how they came to be.

"Danny?" Jack asked softly as he took a small step forward, one of his hands lifted up as if asking permission to reach out.

Danny wanted nothing more than to rush into his dad's arms and hide in his large frame. Hide from the world around him but Danny knows he didn't have time, none of them did.

He took in one more breath and could feel his body stop shaking, his mind no longer chaotic, and his nerves steeling up. For the first time in a long, long time, he wasn't Daniel 'Danny' Fenton anymore.

He was Danyal al Ghul again.

"Dad. Get mom and Jazz into the GAV. Now." Danny ordered, his eyes narrowing as he clutched the message in his hand tight.

His dad knew something big was going down.

And he trusted Danny enough to do so quickly.

Danny closed his eyes as his dad ran into the house, yelling for Maddie and Jazz to get into the GAV. Danny opened them when he could feel the message in his hands slowly being covered in ice and knew his eyes were now glowing green.

He didn't have a lot of time. He needed to get his family, Tucker, and Sam out of Amity.

He needed to get them someplace safe.

He needed backup. More than his family and his friends.

He needed-

Danny nearly jumped when he realized who he can call to help.

In a flash he took his phone out of his pocket and quickly dialed a number he barely liked calling but needed to do so at this moment.

He waited, it felt like ages and it was agonizing, before the person on the other line finally picked up.

"What do you want-" came a somewhat same but rougher sounding of his voice but Danny cut him off.

"Dan, he knows." was the only thing Danny needed to say because he could hear the sharp intake of breath.

"Get them here now." was the order.

"Already on it. Is Ellie and Vlad with you?"

"Yes."

"Good. We'll be there shorty. Keep them safe."

"And then what?" Came the gruff question.

"Then... Then we'll prepare and call in Father and Damian. We need all the help we can get."

".....He won't be happy... About everything. Our... your fake death you know."

".... I know. But hopefully Father and the rest of his batclan will keep him from lashing out too much, especially with civilians and innocent lives on the line."

The two, Danny and Dan fell into a silence for a moment. Danny could hear his dad trying to hurry his mom and Jazz into the GAV despite their questions

".... Explaining all of this is going to be a shit show isn't it." Came Dan's voice after a couple of minutes.

Danny winced because yeah, not only explaining his actual past as Danyal al Ghul to the Fenton's, Tucker, Sam, and to Ellie, and Vlad but also having to explain his new life to his birth father and twin brother, a brother who thought he was dead, was going to be a hell in a handbasket.

"Yeah... it will be." Came his only response as he heard the GAV starting up and the garage door opening. Dan must of heard it over the speaker phone and said "Get Sam and Tucker and get here soon. No stops. We'll fortified Vlads dumb place in the meantime."

Dan didn't wait after that and instead just disconnected the call. Danny removed his phone from his ear and quickly pull up the group chat he had with his friends, sending them a quick message to meet him now. He used the code they had set up incase the Fenton's didn't take to him being Phantom well, he never had to use it since they took the news good, well as good as one could be after finding out their invention had half killed their son and that they had been hunting his ghost side down, but since this was important he needed them to be ready now.

He frowned as the Fenton GAV pulled up towards him and knew that what happens next would be...

Stressful.

[fictionadventurer]

I have to talk about Chester Arthur. His story makes me go crazy. A mediocre president from the 1880s who's completely forgotten today has one of the best redemption stories I've ever heard and I need to make people understand just how cool his story is.

So, like, he starts out as this idealist, okay? He's the son of an abolitionist minister and becomes famous as a New York lawyer who defends the North's version of Rosa Parks whose story desegregates New York City's trolley system.

Then he starts getting pulled into politics and becomes one of the grimiest pieces of the political machine. He wants money, power, prestige, and he gets it. He becomes the right-hand man of Roscoe Conkling, the most feared political boss in the nation, a guy who will throw his weight around and do the most ruthless things imaginable to keep his friends in power and destroy his enemies.

Because Arthur's this guy's top lackey, he gets to be Controller of the Port of New York--the best-paying political appointment in the country, because that port brings in, like, 70% of the federal government's funds in tariffs. He gets a huge salary plus a percentage of all the fines they levy on lawbreakers, and because he's not afraid to make up infractions to fine people over, he is absolutely raking in the dough. Making the rough equivalent of $1.3 million a year--absolutely insane amounts of money for a government position. He's spending ridiculous sums on clothes, buying huge amounts of alcohol and cigars to share with people as part of his job recruiting supporters to the party, going out nearly every night to wine and dine people as part of his work in the political machine. He's living the high life. Even when President Hayes pulls him from his position on suspicions of fraud, he's still living a great life of wealth, power, and prestige.

Then in 1880, his beloved wife dies. While he's out of town working for a political campaign. And he can't get back in time to say goodbye before she dies. Because he's a guy who has big emotions, it absolutely tears him up inside, especially because Nell resented how much his political work kept him away from home. He has huge regrets, but he just moves in with Roscoe Conkling and keeps working for the political machine.

And then he gets a chance to be vice president. The Republican Party has nominated James Garfield, a dark horse candidate who wants to reform the spoils system that has given Conking his power and gave Arthur his position as Port Controller. Conkling is pissed, and he controls New York, and since the party's not going to win the election without New York, they think that appointing Conkling's top lackey as vice-president will pacify him.

They're wrong--Conkling orders Arthur to refuse--but Arthur thinks this sounds like a great opportunity. The only political position he's ever held is Port Controller--a job he wasn't elected to and that he was pulled from in disgrace. Vice President is way more than he could ever have hoped for. It's a position with a lot of political pull and zero actual responsibilities. He'll get to spend four years living in up in Washington high society. It's the perfect job! Of course he accepts, and Conkling comes around when he figures out that he can use this to his advantage.

When Garfield becomes president, Arthur does everything he can to undermine him. He uses every dirty political trick he can think of to block everything that Garfield wants to do. He refuses to let the Senate elect a president pro tempore so he can stay there and influence every bill that comes through. He all but openly boasts of buying votes in the election. He's so much Conkling's lackey that he may as well be the henchman of a cartoon supervillain. On Conkling's orders, he drags one of Garfield's Cabinet members out of bed in the middle of the night--while the guy is ill--to drag him to Conkling's house so he can be forced to resign. He's just absolutely a thorn in the president's side, a henchman doing everything he can to maintain the corrupt spoils system.

Then in July 1881, when Arthur's in New York helping Conkling's campaign, the president gets shot. By a guy who shouts, "Now Arthur will be president!" just after he fires the gun. Arthur has just spent the past four months fighting the president tooth and nail. Everyone thinks he's behind the assassination. There are lynch mobs looking to take out him and Conkling. The papers are tearing him apart.

Arthur is absolutely distraught. He rushes to Washington to speak with the president and assure him of his innocence, but the doctors won't let him in the room. He gets choked up when talking to the First Lady. Reporters find him weeping in his house in Washington. Once again, death has torn his world apart and he's not getting a chance to make amends.

Arthur goes to New York while the president is getting medical treatment, and he refuses to come to Washington and take charge because he doesn't dare to give the impression that he's looking to take over. No one wants Arthur to be president and he doesn't want to be president, and the possibility that this corrupt political lackey is about to ascend to the highest office in the land is absolutely terrifying to everyone.

Then in August, when it's becoming clear that the president is unlikely to recover, he gets a letter. From a 31-year-old invalid from New York named Julia Sand. A woman from a very politically-minded family who has been following Arthur's career for years. And she writes him this astounding letter that takes him to task for his corrupt, conniving ways, and the obsession with worldly power and prestige that has brought him wealth and fame at the cost of his own soul--and she tells him that he can do better. In the midst of a nationwide press that's tearing him apart, this one woman writes to tell him that she believes he has the capacity to be a good president and a good man if he changes his ways.

And then he does. After Garfield dies, people come to Arthur's house and find servants who tell them that Arthur is in his room weeping like a child (I told you he had big emotions), but he takes the oath of office and ascends to the presidency. And he becomes a completely different man. His first speech as president mentions that one of his top priorities is reforming the spoils system so that people will be appointed based on merit rather than getting appointed as political favors with each change in the administration. Even though this system made him president. When Conkling comes to Arthur's office telling him to appoint his people to important government positions, Arthur calls his demands outrageous, throws him out, and keeps Garfield's appointees in the positions. "He's not Chet Arthur anymore," one of his former political friends laments. "He's the president."

He loses all his former political friends. He's never trusted by the other side. Yet he sticks to his guns and continues to support spoils system reform. He prosecutes a postal service corruption case that everyone thought he would drop. He's the one who signs into law the first civil service reform bill, even though presidents have been trying to do this for more than ten years, and he's the person who's gained all his power through the spoils system. He immediately takes action to enforce this bill when he could have just dropped it. He becomes a champion of this issue even though it's the last thing anyone would have expected of him.

He oversees naval reform. He oversees a renovation of the White House. He still prefers the social duties of the presidency, but he's respectable in a way that no one expected. Possibly because Julia Sand keeps sending him letters of encouragement and advice over the next two years. But also because he's dying.

Not long after ascending to the presidency, he learns he's suffering from a terminal kidney disease. And he tells no one. He keeps going about his daily life, fulfilling his duties as president, and keeps his health problems hidden. Once again, death is upending his life, and this time it's his own death. He's lived a life he's ashamed of, and he doesn't have much time left to change. He enters the presidency as an example of the absolute worst of the political system, and leaves it as a respectable man.

He makes a token effort to seek re-election, but because of his health problems, he doesn't mind at all when someone else gets the nomination. He dies a couple of years after leaving office. The day before his death, he orders most of his papers burned, because he's ashamed of his old life--but among the things that are saved are the letters from Julia Sand, the woman who encouraged him to change his ways.

This is an astounding story full of so many twists and turns and dramatic moments. A man who falls from idealism into the worst kind of corruption and then claws his way back up to decency because of a series of devastating personal losses and unexpected opportunities to do more than he could have ever hoped to do. I just go crazy thinking about it and I need you all to understand just how amazing this story is.

[xxplastic-cubexx]

what kind of underwear do you think Erik and Charles wear (i'm not asking this to see them half naked) ((please believe me)) (((PLEASE)))

My Personal Belief is charles is a briefs guy while erik's a trunks guy. trunks/briefs kinda couple because i can

and idk just a lil bonus or somethin. as i do.

[the-adventures-of-dave]

Around tumblr lately I’ve seen people with the opinion that not only are free roaming cats bad (correct) but also supervised cats in catios or on leashes (????). I assume it must stem from that “ecology of fear” post from a few months ago, but to me the sudden appearance of these kinds of posts just strikes me as odd. I’ve seen multiple posts like the below one in just this week.

—

—

If your cat is contained to your yard/catio/the sidewalk, then it still allows for predator-free safe places in your neighbourhood for wildlife, and creates predictability for them too. That’s one of the reasons why hiking trails ask people to stay on the trail— so you (and your dog, horse, cat, etc) can safely enjoy nature while still giving it space. It is possible to exist outdoors in natural spaces like that while maintaining wildlife comfort. If it wasn’t possible to do that, dog-friendly or (even just hiking trails in general, since humans are predators too) simply wouldn’t exist.

The problem with free roaming cats is that they break boundaries between human area (ie. trail, back porch) and wildlife area (foliage, etc) and there is nowhere the wildlife can go to exist that is safe from predators.

Idk, this is just my opinion but I just think there can be more nuance to the outdoor/free roaming cat issue than “never let your cat step outside under any circumstance”.

[turtleblogatlast]

[ cw: sacrifice / self sacrifice / slight suicidal themes / death mention / ]

I personally think that Leo took the wrong lessons from the movie. I definitely think he grew to understand the importance of teamwork and making sure he takes others into account so as to not harm them by proxy of whatever scheme he has cooked up, however based on the ending events I’m not quite certain he fully grasped two things.

The first thing is communication. Oh, he can communicate, and he does, when he deems it necessary. When he’s setting up a plan prior to the action. But this is where the second thing comes in.

The second thing I don’t think Leo truly grasped is “it’s not about you.” It’s so unbearably easy to take that the wrong way, especially when taking the rest of the series into account.

What I believe Leo took from this message is not “it’s not just you, everyone matters and can contribute, can help and be helped” but “put the whole of everyone above yourself” which can both be a good lesson…and a fatal one.

And it is fatal, we see as much in the movie.

Even after the big hope speech, when Leo is “fighting” Krang!Raph, he takes a huge risk. Sure, it worked, and Leo managed to get through to Raph through a well deserved apology, but it could have so easily ended in his death and yet he barely even hesitates to go for it.

And then again, to the big scene at the end, where Leo sacrifices himself not only for the sake of his family, but for the whole world.

To him, that’s the message to take from this. That the lives of everyone, of the greater good, matters…more than him. That the risk to himself is worth it if others can be saved.

Leo learned that gambling with his life as the betting chip is always the best move to make in the end.

And to make matters worse…this thinking is what works.

These risks are ultimately what is needed to save the day, so why would Leo look away from it now? Clearly it’s the right move and everything worked out!

Thing is, Leo did grow from the events of the movie. He learned to take things more seriously and be more mature, he learned to value his team’s input and capabilities enough to rely on them more, and he learned to be less self-centered and realize the turmoil others were going through (especially if that turmoil is a result of his actions.)

But still, he’s grown to accept the gamble of his life as a viable answer to their problems.

Personally, with how Leo has been shown to toy around with the idea of “it’s better me than them” I think this goes beyond sacrifice in the name of love or even sacrifice in the name of responsibility, and pushes over into sacrifice in the name of worth.

[edwinisms]

it’s actually so wild to me that this fairly quirky YA type show gave both of its main characters deaths that can, in one way or another, solidly be considered hate crimes. they were both flat out murdered as a result of being A) gay and effeminate or B) brown (south asian, specifically) and you could argue whether or not those kids thought of it that way in the moment or whatever but the bottom line is that they would not have been in the situations that killed them if they weren’t of their respective minorities. like legitimately that is a ballsy choice for this kind of netflix show, let alone for the two Main Characters, and i respect it big time

[poorly-drawn-mdzs]

Having the Pool Dream again, handsome?

[ashfdhfgdsfk]

s1 to s2 will pipeline

[luck-of-the-drawings]

OOH YEAH BABY ITS THE SURGERY EPISODE BABY!!! ME AND THE HOMIES NEED SOME NEW FACES FOR OUR NEW PLAN, AND WHO BETTER TO GET THE JOB DONE THAN THE TWO MOST EVIL PEOPLE WE'VE EVER HAD THE MISFORTUNE OF HAVING OUR LIVES VIOLATED BY? I MEAN IT WOULD BE FUNNY. IT WOULD BE FUNNY.

[moeblob]

Happy Birthday to Ferdinand von Aegir!

I actually made 33 emotes, affectionately known as Aegirglyphics to some, for my own personal use on discord. However, I figure why not share some of them! They're free to use for discord servers/icons/pfps or whatever. However, my only request is Do NOT use them as subscriber emotes on Twitch. You can make them free follower emotes but you are not to make them locked behind a paywall.

[farshootergotme]

"Dick was an angry kid", "Dick was full of rage when he was Robin", "Jason was the happy Robin, not Dick"

Look at me in the eyes and explain to me how this sweet, playful, mischievous, kind and thoughtful kid is an angry child.

He was not an angry child. He does not deserve to be labelled as such.

You know what Dick Grayson was, though? He was a child with feelings. A kid that experienced all kind of emotions corresponding to the situation he was in.

I'm not telling you he was never angry and that he was always a happy-go-lucky kid. But is ridiculous how there's so much insistence on this idea that he was full of rage and his only mood was anger.

"But when his parents died-" When his parents died he was, above all, so fucking heartbroken. Yes, he was angry, because it wasn't fair. He shouldn't have lost everything in one night. He shouldn't have had to watch the bodies of the two persons he most loved in the world fall and break. He was just a kid. Of course he's going to feel anger after that. But that's not the only thing he felt. He was sad, too. And in spite of that tragedy, he could smile and feel some happiness as well.

Calling him an angry child is very insensitive, in my opinion. Is that how you call a child grieving his parents and processing loss?

Dick Grayson wasn't full of rage. He was full of life. He was full of the strength to keep going, of the love his parents left him, and of the pain of loss for a while. He was full of good and became someone who'd prevent more tragedies like his from happening. And there was anger, yes, but it was never what drove him to be Robin.

[littlefankingdom]

OK, which comics people consider "good writing" for Jason as Red Hood? Because it seems as if anytime he appears is labelled "bad writing" for his character. At this point, it seems only Under The Read Hood is good, but, sorry to be the bearer of bad news, one story from 20 years ago isn't enough to determine his whole character? Can he not change and grow? Get worse perhaps? Should he be stuck behaving exactly the same forever, which is at a point in his life where he was really not well mentally? And don't answer Lost Days, that's the story about how he grew to be like he is in Under The Red Hood, that's not answering how he should behave now.

Btw, this is not an invitation to tell me how you would write Jason as Red Hood or what you want to see him do, and what you want DC to do with him. I'm asking WHAT CANON are you basing yourself on.

[daisybell-on-a-carousel]

Still very wild to me when people try to gotcha Jason with the whole "if you can kill other people for being evil why can't they kill you" when jason is like. One of the most passively suicidal characters I've ever seen. What if man

[xxplastic-cubexx]

eternally grateful that no matter the verse within cherik either one of them will always have long lushish hair the other can lovingly comb through