#maybe they rescue each others' projects
Explore tagged Tumblr posts
starkwlkr · 5 months ago
Text
happy life, happy wife | hugh jackman
an: “you attract what you fear” GUYS IM SO SCARED OF A 55 YEAR OLD AUSTRALIAN 😭 definitely thinking about making marvel actress!reader x hugh an actual series… i have ideas
marvel actress!reader
Tumblr media
Deadpool & Wolverine Press tour - Hot Ones
Hugh felt like he was going to die. Each wing was getting hotter and hotter, but immediately when he heard his wife’s name he forgot all about the spice.
“Hugh, your wife is part of the Avengers, how does it feel having your wife be part of such a huge franchise? Have you two talked about a potential team up with the X-men and the Avengers?” Sean asked.
“My wife . . . Oh god, I think I’m crying-”
“I can’t tell if you’re legitimately dying or completely in love with your wife.” Ryan told Hugh.
“Wait . . I am completely in love with my wife and I would legitimately die for her.” Hugh gasped as he rearranged Ryan’s words.
“Is that in the contract she made you sign when you married her? ‘I vow to die for you’. My contract said I had to give all my money to my kids and wife.” Ryan said.
“No, she’s amazing, um, if I start talking about her I think I might go on for hours,” he laughed. “Our kids do want to see their parents fighting the bad guys together. We would love to team up, maybe it could happen.” Hugh smiled.
“The entire movie would be them making out and her beating the shit out of you. I’d pay to see that.” Ryan added.
•••
Comic Con 2024
Like RDJ, your last Marvel movie had been Avengers: Endgame. After being in ten mcu films, it was time to say goodbye to your character.
But that was in 2019.
At this years comic con, you were back. The cast of Deadpool & Wolverine had taken the stage and showed their appreciation for the fans. After their panel, it was time to announce Marvel’s upcoming projects. Kevin Feige announced the Fantastic Four, Thunderbolts, Captain America 4, and finally the new Avengers movies, which everyone was extremely excited about.
After showing the title card for the upcoming Avengers film, Kevin turned to the audience.
“Something people have been asking, as of late, is who the heck is going to direct these two movies?” The audience clapped.
From the side of the stage, you were nervous. What if the fans didn’t like the idea of you directing the next two Avengers films? Your worrying caused Hugh to come to your rescue.
“Hey, they loved you as an Avenger, they will love you even more.” Hugh kissed your forehead. “If anyone says anything about this decision, they have me to deal with.”
You laughed at his words. “I really love you so much.”
“Love you too, bub.” Hugh was about to kiss you when Ryan cut in.
“I really love us too. I convinced half of the people here that we’re a throuple.” He said in the most serious tone ever.
Kevin announced you as the director. Your doubt of the fans not liking the announcement was proven wrong when you walked the stairs to the stage and stood next to Kevin. They cheered when they saw you were back.
As you said a few words, thanking Marvel, Kevin and the fans, you were being recorded by Hugh, who was being recorded by Ryan.
“That’s my wife!” Hugh cheered from backstage, holding his phone in his hand.
“She’s Marvel Jesus now, holy shit!”
•••
WIRED autocomplete interview
“Is Hugh Jackman married?”
“Yes, to me, Y/n, probably to half the population,” Ryan answered. “He’s Australia’s biggest slut.”
“All the times, I proposed.” Hugh laughed. “But yes, I am married and I love my wife very much. She’s stuck with me forever.” He lifted his hand to show off the wedding band.
“Funny, because she texted me right now. Her and Blake are in the courthouse getting married. So Deadpool three was actually made so our wives could divorce us and marry each other.”
4K notes · View notes
mochatsin · 4 months ago
Text
School Play
There’s another school play in which you act as the main lead because Simeon thought you’d be perfect for the role, there’s no need to cast anyone else (much to Asmo’s dismay). He’s seen your performances before, and you’re one of the easiest actors to work with compared to the brothers that constantly got their lines wrong during rehearsals. Simeon can get frustrated, and it seems that the brothers feel the same way, if not terrified of the angel’s sudden change in attitude as soon as he plays the director. You’re just relieved he’s not that way towards you.
Of course, who wouldn’t want to see a play written by Christopher Peugeot himself. The theme was a thrilling love story wherein the hero would have to go through a long journey to rescue the one they love, which was you. They would meet so many characters that would either support the hero or become an obstacle on his way to defeat the cruel lord that locked you up. 
You’re the main love interest, and you sat on the side watching as everyone else in the room debated and fought each other on why they should have the main lead role, why they should be the hero who would rescue you. Seeing as how the atmosphere in the room is starting to have murderous intent, Simeon finally thought of a solution that would be fair to everyone. Draw lots. 
That’s how you ended up with Solomon as your hero, and Barbatos acting as the main villain and the rest playing a support role. They either help Solomon with the journey or act as one of Barbatos’ minions to try to stop him from his advances. Everyone could only blame their luck, though to say that Solomon was happy about his part is an understatement. Meanwhile, Barbatos does adore the parts where he keeps you all to himself, however he does not enjoy the scene where he had to terrorize a town since Diavolo’s character, a commoner (which he loves to play), is one of the victims that the hero finds which eventually sets the tone of the play to move forward. It takes a lot for Barbatos not to run to his master’s side while he was acting out his death.
Solomon is always ready to rehearse his scenes with you, and when it’s about lines talking about you, Simeon is impressed at how quickly he can memorize them. But then again, if they’re all about how much he adores you then it’s not difficult to remember at all. Lucifer and the others hate playing supporting characters where they have to hear about how much Solomon loves you. It’s bad enough they had to play the role of helping him, but there are several minutes of dialogue with his character telling them how important you are to him and how he needs to find you quickly! It took several practice rehearsals for Mammon to say his lines without sounding so forced or annoyed at him when his role is to literally help Solomon through the journey. 
Levi is quite happy with his role as the costume designer because there’s no way his envy wouldn’t flare up if he had to stand there and listen to that. That would’ve flooded the stage if he lost all control, so he decides to use headphones and blast music when it’s Solomon’s scene and only take it off once it’s you.
Satan would play the role of the narrator, and while he normally enjoys the part he got, it’s quite irritating that he has to tell the love story between you two, even if it’s merely a work of fiction. His claws threatened to tear holes into the script, but he kept himself calm and collected. They decided to put a leather cover binding to avoid that happening, and Satan actually likes how his own personal script looks like a book now. 
Lucifer is questioning why Simeon would write such a piece, given how most lines are so sickening and romantic. The angel wanted to tell a tale of lovers that could overcome everything, though he omits the fact that he really did have you in mind when he was writing this. Maybe he projected a little too much of his feelings, but the play still had more elements regardless that a lot of the audience would be able to enjoy. The action, the drama, and the tension that could keep everyone at the edge of their seats. 
What Simeon did not expect is for the brother’s self control to snap. Maybe he should’ve thought about that when he wrote down that kiss scene. It’s a page he kept between you and Solomon, as he knew that rehearsals would’ve been a disaster if they knew how the story would actually end. Of course he did ask for your permission, if this is something you’re comfortable with and he would rewrite the part if he needed. You don’t mind, and you understand why this was kept private. 
So when the day of the play came, everything was going smoothly. At least according to Simeon’s high standards.
Solomon and Barbatos really do seem to play the perfect role. A good villain doesn't need to yell, it comes with the composure they bring in the story that sometimes people wonder if Barbatos is really acting. The fight scenes were also phenomenal whenever Solomon would use some sort of imagery magic to make it more realistic, sparkes and effects flying in the air as they fought until Barbatos eventually fled, claiming defeat but he will be back for you one day. 
What the brothers thought was a successful play became something they dreaded when you and Solomon continued the scene. These were lines they’ve never heard before, and it doesn’t take a genius to guess where this was heading. Satan is furiously flipping through the script trying to see where this was coming from, but this part was hidden from the Avatars on purpose. 
“Oh how I longed to hold you like this in my arms.” Solomon says as he pulls you in an embrace that lingered longer than the brothers would like while they watched from backstage. 
“Did you truly miss me that much?” You say, meant to be a half tease to the hero as you returned the hug. It’s a romantic reunion that the audience has been waiting for. 
“More than you could ever think.” Solomon sounds so convincing. He says his lines as if you two were truly apart for so long, that there’s disbelief in his voice like this was all a dream and he would wake up to find that his journey is not over, that you were still locked away. But he has you in his arms, and that’s all he needs to ground himself. “Each time I see the crescent moon, I’m reminded of the smile that graced your lips. It pains me whenever I turn to my side and realize that you’re weren’t with me.”
Solomon brushes the hair away from your face before cupping your cheek, looking at you so lovingly that you feel your heart skip a beat, almost forgetting that you’re acting out a scene. But to the sorcerer, he doesn’t need to act. “Tell me, will you grace me with those lips?” He asks, and that’s the cue for you to slowly lean forward to seal the deal. 
“HOLD IT!” 
Both if you freeze before turning back to see Mammon pointing the sword prop at Solomon. The sorcerer is confused, and perhaps a little irritated that his moment with you was ruined. It would’ve been a perfect way to end the play. “What are you doing?” Solomon asks with furrowed brows. 
“That’s my line! Get ya grimy hands off em!” Mammon growled, taking a few steps forward. 
“You’re not even supposed to be part of this narrative.” Solomon reminds the demon, warning him for ruining the scene. 
“You claim that as so,” Satan says as he appears by his brother’s side in a puff of green flames, looking quite pissed. “How dare you rewrite the ending to your liking, and then use the Narrative as your shield. You should be ashamed of yourself, filthy thief.” the demon hissed as he threw the script he fashioned into a book  across the stage. The brothers fully believed they were deceived with the script, and that Solomon had something to do with it.
The audience are now all captivated at the scene unfolding before their eyes as they watched the Narrator throw the book across. Perhaps the book told the whole scene, and that Solomon actually rewrote the ending according to his will since they assumed that script was an actual prop to keep the story going. “Was the hero actually manipulating the whole scene?” “What a crazy twist!” “Wait, so who's the real lover?” “Were they tricked to think that Solomon was the real love interest?!”. Whispers rang in the air as they were all made to believe this was still part of the play
That might be the only way for them to salvage what could’ve been a successful performance: to keep acting. Solomon reluctantly lets go of you before standing up to face the two demons. “I can’t believe you all would cause a scene, after all we’ve been through. After all they’ve been through.” Solomon says as he gestures to you, who is just as confused as the crowd. 
“Ah, so you acknowledge our efforts and yet you get to keep them for yourself?” Belphie steps in on the other side of the stage, with Beel following behind him. “Kinda greedy isn’t it? Even greedier than him.” Belphie says while pointing at Mammon. That somehow got the audience to laugh. 
“That’s pretty selfish too, and that’s coming from me!” Asmo finally chimes in, holding onto his tulle costume while he stomps into the stage. He wouldn’t let his brothers steal all the spotlight, and there was also no way he was going to let Solomon just kiss you like that on the stage. If it were him instead, you both would be the talk of the week! “Honestly dear, that’s quite a big low. Even for someone like you.” 
Simeon is just thankful that Lucifer and Levi didn’t even chime in on this monstrous mess of a show, he has their pride and anxiety (respectively) to thank for. Despite the sudden improv show, it seems that it captured the audience’s attention… just not in the way that he hoped.
Solomon is now putting you behind him with a magic spell flaring by the palm of his hand. Nothing harmful, just something that’s more flashy than anything. The other demons are closing in on you both, trying to make up lines on why you should choose them. Of course, a fight breaks out and everyone in the audience cheered for whoever they were rooting for to win while you stayed behind and watched the chaos unfold. 
It took one wrong spell after another for the boys to lay on the ground, groaning after Satan and Solomon’s stun lock spell collided into something bigger that it affected everyone in the stage except you since you stayed behind. You wondered what you could say or do to salvage this as the audience is watching intently on what happens next. 
Thankfully, Lucifer finally steps on the stage, calm and collected as ever while he tries to avoid the groaning actors. He played as one of the Barbatos’ henchmen that Solomon defeated, so seeing his reappearance was definitely a shock to the crowd. You prayed that Lucifer has a plan on getting you out of this mess without ruining the play you all worked so hard for. Luckily, Simeon told him a few lines that could salvage the play and save you from the embarrassment.
He grabs your hand and kisses the back of it, a small smirk appearing on his face before he continues. “I’m here to collect you, under my master’s orders. It seems that he was right, that none of these heroes were ever deserving of your heart.” Lucifer says while he stares at his idiotic brothers with discontent, managing to stay in character just like you hoped. “Luckily, we don’t need to rely on cheap tricks and underhanded tactics.” 
Solomon groans, rubbing his eyes profusely but his vision won’t focus yet due to the spell. “Don’t listen to them…” He says, desperately trying to reach out to you. Lucifer only lets out a low chuckle as he watches how pathetic the hero has become.
“Come with us, and we’ll be sure to prove them wrong.” His line is full of confidence with a slight mischief, and the crowd cheers as the lights go dark and the curtains drop, signaling the end of the play. 
What should’ve ended in a happy love story became some sort of twist. People now assume the hero might’ve manipulated the scene which they find amusing if the good guy of the story was not who they pictured to be, and the villains may actually have a shot of winning your heart. It’s the talk of the school, and people are praising Simeon for writing such a crazy plot twist, which he finds a little frustrating since it’s the only part he didn’t actually plan. He’s not sure if he wants to thank the brother’s recklessness or not. 
Even after Simeon explained the hidden parts that were reserved just for you and Solomon since he expected something like this could happen at the rehearsals, he never really anticipated that they would jump in the scene like that on the actual performance itself. Now he has to write another play in the future as many expressed their wish to see what happens between you and the dark lord Barbatos. 
Needless to say, many of the brothers were strung upside down by their feet after the show.
513 notes · View notes
a-substantial-trash-pile · 1 month ago
Text
mouthwashing responsibility au rambles below cut 🫡
(spoiler warning for the actual game obviously)
Tumblr media
- even though jimmy got deservedly knocked out by anya and thrown into the cryopod early on, the crash still does happen. it's a freak accident this time, like maybe a piece of space debris just happened to hurtle right into them without time to dodge. it's like the tulpar is destined to crash. but this time it's a story about a group of people finding hope and strength in each other and finding what they themselves can be capable of in a time of crisis. btw i just mean curly, anya, swansea, and daisuke. i am NOT repenting jimmy. he ain't "fixing" shit.
- i'm sorry for frying curly again even though this is supposed to be an au with a happier ending 😭 the way his loss of autonomy reflects anya's own loss of it, making him feel firsthand the suffering she went through in a way, felt too important to just remove. curly's injuries aren't as terrible as in the original timeline since swansea rescued him earlier. and by "not as terrible" i mean he only loses a leg and not all of his limbs. he will get some function in his hands eventually and anya teaches him sign language to help him communicate (she teaches the others too).
- speaking of anya, she really shows her stuff as a nurse (even in the original timeline she does, managing to keep curly alive like that). she treats curly and swansea and is much more of a pillar of strength for the crew than she herself realizes. pre-crash and post-jimmy-getting-fired, she was able to relax and open up more with everyone, building a stronger bond. when the crash happens, anya is of course terrified and hella stressed, but now she knows she has people who have her back, and it helps. she can be more confident in herself without a certain someone being there to belittle and hurt her. this time when she has to deal with something difficult, something traumatizing, she has people to support her. in this au, she is not pregnant because if she was, i don't see how keeping the baby would be a good thing for her. and i don't want her to have to deal with that situation without the proper medical supplies on top of everything else. she's been through enough.
- btw there is no shipping in this au. i personally really don't see how it could happen between anyone on the crew. if there was some sort of spark between anya and curly, it's definitely gone now and won't happen again. the most they'll be are friends (although the friendship/trust will have to be built from the ground up again after everything that's happened with jimmy). the only ship here is the tulpar.
- i know daisuke is seen as a "dumb kid" but i really don't think that's the case. we are seeing him thru jimmy's perspective mostly after all and jimmy is the definition of an unreliable narrator. i headcanon daisuke as having adhd like me who tends to lose focus on tasks easily because your brain is just going 102929 miles a minute and wandering to all sorts of places like me. he feels like someone who doesn't exactly know where they want to go in life like me. also he's definitely a hawaii kid born and raised and talks pidgin sometimes like me except i lost the pidgin :(. i'm totally not projecting my asian ass on the asian boy or anything. BUT ANYWAY i wanted to give daisuke more stuff to do and a chance to prove to himself that he can do these things, he can step up. so that's partially why i made swansea burn his hands rescuing curly. daisuke can now be filled with Determination and be swansea's hands in repairing things as he heals. it's going to be hard and it's going to be frustrating for both parties and sometimes they'll get upset at each other. but it will inevitably be a great bonding experience for the two. i cannot resist the call for more father-son moments.
- swansea my beloved. i am so sorry for burning your beautiful hands please forgive 😔🙏 i have to make my faves suffer a little. swansea's hands will heal up eventually and he'll be able to use them again, but there will be scars. i think him having to guide daisuke with doing repairs n stuff on the ship as his hands recover gives him a mission. something to distract him from completely falling into despair and alcoholism. that man is hanging on by a thread but by god he's going to help get these kids through this. they've all grown closer since jimmy was sacked and swansea feels a sort of responsibility towards protecting anya, daisuke and curly as the oldest one there. it's the dad instincts y'know? on the real hard days, sometimes swansea thinks about cracking open a bottle of mouthwash, but he holds back because he feels he needs to stay strong for the crew. however he does have to learn that he can't shoulder everything and that he can rely on others. him having no choice but to have daisuke take over his tasks is a good way for him to learn that, i think. swansea is definitely a pillar of strength in this and the rest of the crew have a lot of affection for him (and vice versa even if swansea won't admit it). can you tell i really like swansea. he is such a foil to jimmy—a guy who has fucked up a lot in his life but actually acknowledges his mistakes and is trying his hardest to be a better person. aghh swansea i love you 💛💛
- after the crash happens, the cryopod room becomes inaccessible, so nobody is able to check on the state of jimmy in there. so they don't see that the crypod he's in eventually fails from damage and he escapes. this happens a couple weeks into the crash. jimmy is still pissed about everything and still can't see how he's done anything wrong (this is because he is a delusional asshole). in fact, he feels like he's the one who's been wronged and betrayed by everyone on the crew and he wants revenge. there will be a final confrontation between jimmy and the crew. spoilers: jimmy loses. i'm just undecided on who finishes it. it would be fitting if anya shot him, but i'm not sure that's something she'd necessarily want to do. she chose to be in the medical field after all. don't get me wrong, i think she would pull the trigger if it meant protecting the others. but i'd hate to have her kill, because even if jimmy deserves it, anya is a healer and would still probably feel guilty about it. i don't want to put even more shit on her plate. so i think swansea is the one to put jimmy down in the end. with the axe of course. i think he'd feel less guilty about doing it because it's something he's wanted to do since anya first told him about jimmy. oooh what if jimmy gets his hands on the gun, but daisuke tackles him, making him drop it, and anya gets it and shoots jimmy in the shoulder or leg or something to get him off of daisuke, and then swansea comes in with the axe to finish him off. that could be fun. that way anya won't have to actually kill but she'll still get to shoot jimmy. bless.
- the crew gets rescued eventually, but it's going to be a few months because pony express is a nightmare company. i'm honestly still not sure if pony express is even the one who will rescue them or even bother to look. i'm tempted to just have another ship happen across them by some miracle and help. real tempted to make that ship The Unreliable and turn this into a Mouthwashing x The Outer Worlds crossover quite honestly since both settings share similarities (megacorporations, cryosleep, etc). but idk. it's not like i can just write a fanfic or anything since writing is harder for me and who knows how long it will be before i even draw the idea. it's just yet another self-indulgent daydream for now.
256 notes · View notes
risoria · 7 months ago
Text
so. have you seen the pictures from Rafah of the blackened, charred infants? the toddler with no head?
i would like to ask a favour of everyone seeing this post, from one human to another. don't think about the things you can't do - because as it seems, nothing is enough, and nobody can do enough - there is no use to be paralyzed by these thoughts. instead focus on the things you are already doing and the things you can do. i will start by compile a small list of personal suggestions, and please add to it from your own resources! this list is not numbered, i will just add things that i can think of off the top of my head and if it is of any help to at least one person, thats good. take care of yourself - that includes taking care of others, and this world we live in.
this is obvious but keep listening to Palestinian voices. i am mostly active on twitter so i will give some examples from there: Hind_Gaza, HossamShabat, BayanPalestine (press). MuhammadSmiry, does community work with Care for Gaza. m7mdkurd. Everyone is saying mostly the same thing - keep talking, keep protesting, keep boycotting. so do it.
keep talking. humans are social animals and it's as simple as this: the ongoing genocide is dire, urgent and catastrophic - i dont think i need to tell you that. but when people, a lot of people, share posts with each other and reiterate this fact the urgency will be felt stronger by everyone, and reach people who would otherwise maybe not see the reports of the genocide on their screens. if people instead choose to stop sharing and stop talking because it's "been so long" or it's "too difficult", the suffering will become normalized and the only thing people will see on their feeds are mundane things - food, pets, fandoms, and it will send the message that oh, it's not that important after all.... sometimes, you SHOULD feel disturbed and uncomfortable. these feelings are not evil - they will be channelled into actions to better a situation and better the world. silence is violence.
search for protests near your town, sometimes they're hard to find but once you find your local organizations for the Palestinian movement, follow them and you will usually find them! this all depends on where you live of course - but most often there will be fundraisers and events and mailing campaigns etc, and the more people joining the better. and, most importantly i would say, share these events and pictures (no faces of strangers, ofc! from protests on your facebook, twitter etc - because that way people close to you will see them and that it's completely rational and normal to attend protests, and if they've been on the fence maybe they will reach out and join you.
donate if you are able and share links to the different organizations - some examples are Care for Gaza, Sulala animal rescue, the Gazan Municipality Life for Gaza project (https://gaza-city.ensany.com/campaign/6737), the PCRF.
individual gofundmes - here is the google doc with a lot of campaigns, but im sure there are lots of them that arent yet added: https://docs.google.com/spreadsheets/d/1-DDMFyn-ttboPXrz1bB3MFk7BlzCwfugh4259Wh7U1s/htmlview
donate e-sims, which will be sent by the Esims for Gaza team to people in Gaza, to help communicate with their families etc during blackouts. it's very quick and easy and on nomad you can get a referral code which gives someone else 25% off their first purchase, and there's also often different bonus codes. on the website there's tutorials for how to buy the different esims. https://gazaesims.com/
there's some different charity shops where you can buy Palestinian products and the proceeds help Palestinian artisans and people. here are some examples, please add more if you know any: https://handmadepalestine.com/ (based in Ramallah, Palestine), https://forpalestine.dk/ (based in Denmark), https://www.shoppalestine.org/ (based in the US)
boycott!! the BDS of course have their targeted brands (https://bdsmovement.net/) but there's also for example the witness website with lists of brands and the reasons for boycotting them (https://boycott.thewitness.news/) and some different apps that do the same thing, like the "no thanks" app. yes, the list of brands is very, very long. maybe all of it isn't feasible BUT i think a good start would be to go through them and decide which ones are unnecessary either way that you're better off without (mcdonalds, starbucks etc), and then which ones are part of your usual shopping routine, make a mental note of them and pick different options - see it as an opportunity to try new things, to support local brands and smaller businesses!
go do yourself a favour and give Palestinian-Canadian artist Nemahsis' new single "stick of gum" a listen, it's super good! <3 https://youtu.be/VsqYlmf3SAg?si=EK_TZjo0Ijny8hMT
please, add more tips and resources below or just share your own pictures or art or thoughts!
431 notes · View notes
sanguineterrain · 1 year ago
Note
Hi again 😊 You suggested i could send another prompt, sooo… maybe you & Jason have been together awhile, and you’re kidnapped by (choose your villain) and Jason is worried and frantic but trying to not show it of course, and negotiating for your safety? Ends up rescuing you of course, in whichever way you prefer, and then they find comfort in each-other 💗
I haven’t had time or energy to work on my WIP lately so this is very lovely and gratifying 😂👌🏻💗
aghh that's the worst! wishing you luck on your wip!! i'm glad you like these <3 requests are open for jason, dick, and MAWS!clark kent btw!
this one is very batfam focused hehehe. ft dramatic ass jason and his surprise kidnapped fiancé lol.
jason todd x gn!reader. tw: violence, kidnapped reader, reader is pushed off a building for a moment but they're okay dw <3, batfam feels, jason being a protective bf, bruce being a GOOD DAD! c:
****
"Actually, if we're being honest, if anyone has the most trauma in this family, it's—"
Batman grunts. "Really, Spoiler, not now."
The comm line crackles as Stephanie sniffs. "Fine. Stay in denial."
"Bats."
Every bat and bird in Gotham goes still.
"Hood?" Barbara asks carefully, already tracking his comm link.
"Oracle," he says, clipped. "I'm gonna get right to it: I need a favor. Can you help? Yes or no."
"Little Wing, where have you been?" Dick asks. "We've all—"
"Shut up, Nightwing," Jason growls. "Either you help me or not. Which is it?"
"We'll help you, Hood," Bruce says, voice washing over Jason like a balm.
Jason takes a deep breath. It's okay. He'll find you. Batman always beats the bad guys.
He fiddles with his jacket zipper. Moments tick by. Dick remains crouched on a rooftop. Damian is similarly poised.
"My..." Jason swallows. "My... fiancé's been taken."
The comm explodes with noise. Jason winces and digs the bud out of his ear for several seconds.
"Fiancé?!"
"You're getting married—"
"When was this—"
"Who are—"
"Enough," Jason growls, finally shoving the bud back into his ear. "I don't have fucking time for this. Yes, I am engaged, and they've been taken. No more questions."
"Tt. You are engaged? Impossible. Batman, clearly someone has hacked the line pretending to be Hood," Damian says, folding his arms.
Jason rolls his eyes. "Believe it or not, demon bird, I found someone crazy enough to marry me."
"Little Wing, I—I'm really proud of—"
"Shut up!" Jason pinches the bridge of his nose. This was a bad idea. You're in trouble, and Jason intends to tear Gotham apart to find you, but involving his family? Has he really stooped so low...
Deep breath. His focus is you. You're the only person that matters.
"Look, I'm telling you because Oracle's tracking me anyway, and B would snoop until he figured out who I'm really looking for, so it's easier to just tell you. But make no mistake: you aren't my family, and you won't see us again after tonight."
Bruce's throat tightens. His cape flutters in the wind.
"Very well," he says after a couple beats. "Last known location?"
"I'm sending you the address now. I've retraced my steps a hundred times though, and I can't—" Jason grits his teeth. He can't tear up or break things, not again. "Fuck. I can't fucking find them, B. I... I don't know if-if maybe I'm too late—"
"You're not," Dick says automatically. "We'll find them, Little Wing. We'll bring them home."
****
Your head is on fire.
It feels like there's a thousand needles pelting your skull. Whatever you were drugged with, it's hard stuff, and it hasn't worn away yet.
You look up; you're gagged and tied to some kind of support beam. As your vision clears, you see that you're in one of the new high rise-in-progress. Only the skeleton of the building has been completed because if Bruce Wayne isn't involved, construction takes forever to complete.
Faintly, you recall Jason mentioning something about a construction company leaving half finished projects across the country and using them as havens for criminal activities.
Yeah. This is not good.
"Where the fuck is he?" The voice echoes across the concrete floor foundation.
"Mike, we sent—"
"I don't give a fuck what you did; obviously, you screwed up! He's not coming!"
You close your eyes, trying not to throw up on your gag. Your head spins when you open your eyes again.
Who's not coming? Your rescuer? Or somebody worse than your kidnappers?
You try to take a deep breath, but your chest tightens instead.
"Fine," Mike barks in the adjacent room. "If that hooded psychopath doesn't show up, we'll just dump this one. That'll send a message. Prepare the explosives."
A door swings open, and you flinch. You cower, shrinking from the figure.
"You better hope he shows," the guy growls, and cocks his gun. "Your boyfriend is the only reason you're still alive. It'll be such fun to watch him fall to his death, don't you think?"
You try not to show your swelling panic. How does he know about you and Jason? And you have to warn him. Explosives. Jason's walking straight into a trap, without backup, because you know he'll be alone. He always works alone.
Mike sneers and waves the gun around.
"Oh, yeah. I know your secrets. In bed with Gotham's biggest crime lord. You must be his favorite. I can see why."
"Mike!" someone shouts. "We got company!"
Mike's eyes blaze cruelly. "Showtime. You're coming with me."
You thrash as hard as you can because if there's one thing Jason taught you, it's to always fight back.
Mike backhands you hard enough to send you sprawling. Your hands are bound, so you can't catch yourself, and you hit your head on the concrete. Blood pools in your gums.
"Try that shit again, bitch," he snarls, and hefts you up.
He drags you up a flight of stairs. Your head throbs, and now your jaw aches. You're too dizzy to try to fight back again.
You end up on the roof, which is a miasma of beams and wooden lattices. Wind cuts through your face, and you close your eyes so they don't water.
"Hood!" Mike crows. "Wonderful of you to join us!"
"Wish I could say the same," Jason says, and your heart leaps at the sound of his voice.
You start to shout through your gag because you have to warn him. It's a trap, he'll kill you both—
Mike wraps his arm around your throat and squeezes. Air stops, and you choke on your cries.
"I'll kill you," Jason snarls, and you know he wants to say more, but he's trying to protect you. "Let them go and maybe I won't break every bone in your body."
"Oh, don't worry. You two will be reunited soon. What is it they say? Love blinds you?"
"Michael Cassidy," a new voice says, deep and deadly. "Let go of the hostage. We can talk this out."
You crack open your eyes. Is that... Batman? And Robin? And... Nightwing? What—
The arm around your throat tightens and you gasp for air as you start to choke for real. Oh God. Batman's going to die because of you.
"You involved Batman?" Mike snarls, now truly irate. You feel yourself being dragged backward, toward the edge. Your stomach rolls in warning.
"Take it easy," Batman says, palms up. "We can work this out."
"You can't play fair?" Mike shouts. "Then neither will I!"
The wood beneath your feet is gone. You're falling.
"No!"
But no sooner than you fall are you caught. Warm arms encircle your waist, and you're jerked to a stop before you can fall more than a few feet.
"I got you, baby, I got you."
Jason is connected to a grapple. At the roof edge is Batman, Nightwing, and Spoiler, all holding the grapple.
You shake your head, screaming against your gag. Bomb. Bomb!
"'S alright, 's alright, sweetheart, I won't drop you."
You scream urgently through your gag, butting your head against his helmet. Jason pulls your gag half free and you choke out the warning.
"B-bomb!"
His grip tightens. "Shit. B, get out of here! Place is rigged to blow!"
The first explosion goes off. Jason meets your gaze. He's terrified, you can tell, but he tries to mask it.
"Let go," he says.
"Wh—"
"He'll catch you," Jason promises. "I trust him."
And then he lets go.
Several more explosions go off. The building begins to crumble. Dust and heat sweep across your face and lodge in your already sore throat. You scream, in the air for a few more seconds.
Then you crash into gray body armor. A cowl, a cape.
"It's alright," Batman gruffly says. "Hold on tight."
Batman swings you both to safety on an adjacent rooftop. You watch him dive back into the flames. It isn't long before Jason swings out of the smoke, then the others. He pulls off his helmet and tosses it to the side, arms open.
You run and bury your face in Jason's neck, clinging to him. He hugs your tightly and rubs your back, saying over and over, I got you.
You sigh and slacken out of exhaustion.
"I've got you, baby," he says, though his voice is wet this time. "You're safe."
Jason checks over your wounds. You see the rage cross his face several times at every bruise and cut on you. He doesn't let go of you even after he's done. He's shaking too, perhaps more than you, as he cuts your binds and completely removes your gag.
The Bats land gracefully behind you. Jason stiffens as they do.
You kiss his jaw. His gaze returns to you.
"You saved me," you say.
"I always will," he says. "Always."
"Are either of you injured?"
Batman suddenly swishes to your side. You blink, startled.
"Nothing serious," you say. Jason grunts unhappily at that. You manage a smile. "Thank you. All of you. Thank you so much."
Jason nods stiffly. "Thanks, Bats."
Nightwing smiles, face soft with affection. "'Course, Hood. And, uh, Hood's fiancé. We're there any time you need us."
"That's right, chum," Batman says. The obvious care in his voice makes you ache.
Jason had called his family. His family with whom he has a plethora of problems. He'd called them for you.
"Jay," you say, voice thick with emotion. He seems to understand instantly.
"I'll always bring you home," he vows, cupping your face. "Whatever it takes."
He pulls you to him like he can't bear to be away from you any longer.
You squeeze his wrists. "I know. It's okay, Jay. I'm okay."
Out of the corner of your eye, you see that the Bats still have not dispersed. Spoiler looks like she's about to melt into a puddle. Nightwing is the same. Even Batman looks a little sentimental.
Robin is the only one scowling, tapping his foot impatiently.
"Hood, are you not going to introduce your fiance-we-just-learned-existed-tonight?" Robin asks, arms folded.
Jason huffs. "Not with those manners, demon brat."
You roll your eyes and extend your hand to Batman. You say your name, smiling.
"It's an honor to meet you, sir," you say.
Batman laughs, and it sounds a little fond. It's also kind of weird to hear Batman laugh. "No sir necessary. It's equally an honor to meet the person my son is marrying."
Jason makes a choked little noise. You beam.
"Well," Batman murmurs. "We'll let you two get home. We'll track down the rest of Michael's thugs—"
"Come to the wedding," Jason blurts.
Batman stills. "Me?" he asks carefully.
"Everybody," Jason says, tugging you into his side. "Uncle Clark, Aunt Diana, Selina, your ten thousand kids, everyone."
He turns to you. "I-I mean, as long as that's okay with you, baby."
"Oh, Jay. It's your family. Of course I want them to come." You lean in to whisper in his ear. "I'm proud of you."
"Little Wing, c'mere!"
Nightwing tackles Jason in a hug, then drags Robin, who protests loudly, in by his cape. Spoiler snaps a picture from the sideline.
"Now that's adorable," she says.
Batman looks at you. He removes his cowl, and you gasp quietly. He smiles, and it makes him look decades younger. You guess he hasn't smiled much since he lost Jason.
"Thank you," he says.
You tilt your head. "For what?"
"For bringing him back to us."
You duck your head. "Oh, Mr. Wayne, that wasn't me—"
"Bruce," he corrects gently. "And it was. You played a bigger part than you know. You saved him. Thank you."
1K notes · View notes
vixstarria · 1 year ago
Text
Mark me as yours
This takes place immediately after and is interlinked with 'Missionary with the lights off' but from Astarion's rather than Tav's POV - check it out if you haven't already, the fics complement each other.
Soft sassy Astarion, F!Tav, Gale, minor appearances by other origin characters, Astarion POV
Fluff, humour, banter, pining, non-explicit sexual references
A day in camp in the life of Astarion. Features brooding, sewing, doing laundry, being dramatic, engaging in improper use of archmage of Waterdeep, reading erotica, and more!
Approx. 2,000 words
AO3
You frowned at the stuffed bear you held in your hands, weighing up your desire to showcase your skills against the absurdity of the task at hand.  
The whole thing was coming apart and needed to be washed and restuffed if you were to do this properly. What was inside, anyway? Fur..? You supposed you could go hunt something furry. Or maybe save yourself the time and just give Scratch a quick partial shave, he wouldn’t mind – the mutt lying at your feet was stupid enough to like you. To prefer you over anyone else, in fact.  
You reached down to give him a fond, absentminded pet.  
And then there was the matter of not letting it burn to a crisp the moment Karlach touched it. 
“Is there a flame ward enchantment on this..? Can you reapply it?” you asked Gale, who was nearby at his usual spot by the fire, concocting something edible for the rest of your group. 
“There is and I sure can,” he replied.  
Great. You had gotten yourself into a group project with the wizard to rescue a teddy bear.  
“Don’t tell me this is what Wyll was so concerned about earlier...” Tav had finally made it out of your tent and sat down next to you, looking somewhat less disheveled than how you’d left her.  
“The bag of holding finally tore. Naturally I was the only one competent enough to fix it.” 
You gestured with your thumb towards a towering pile of assorted crap that Wyll and Lae’zel were still sifting through: Lae’zel inspecting and setting aside any weapons and armour she deemed worth keeping, and Wyll sorting through an array of scrolls and potions no one was ever going to use, or would forget were in your possession if the need for them ever did arise.  
“Darling, this is your fault, you know,” you added. “Must you pick up everything?” 
“Karlach made me do it. Also I don’t know what you’re talking about, I am prudence and sensibility personified,” she said. 
“You’re uh... You’re also bleeding,” Gale said, pointing at her neck. 
A trail of blood had started running down from the puncture wounds, which must have reopened.  
Shit. 
Before you could reason yourself out of it, your instincts kicked in and you pressed your mouth against her neck, licking the blood off. By the gods, she actually leaned into you as you did that, not away. You glimpsed a guilty, sheepish smile she threw at Gale, as you pulled away.  
“Idiot... Here, apply pressure, I’ll get the amulet,” you said. 
“I’m the idiot?! You’re the one who ran off to resolve a sewing emergency, like a good little seamstress, before sorting me out!” 
You strode over to your tent, in part to grab the amulet of Silvanus, in part to discreetly tuck away the erection that had immediately started developing as soon as you tasted her blood.  
Hells, am I 239 or 15? you thought, annoyed with yourself.  
“An amulet? I was wondering why you’d stopped visiting me in the mornings...” you heard from Shadowheart. 
“We have a system,” Tav replied.  
“Clearly,” laughed Shadowheart. 
A scene from the night sprung up in your mind as you went about your day: 
She’d fallen asleep on your shoulder, half lying on you, her nose buried in your neck.  
It was... nice. Really nice. And you didn’t think this bizarre scenario would ever happen again.  
And yet, pleasant as it was, she still felt too far. You needed to feel her closer. Perhaps you were being greedy, but after all these years, why should you get anything less than exactly what you wanted? 
Carefully, very carefully lest she stir awake and leave, you rolled over onto your side, holding her against you.
She was still asleep. Good...   
You cautiously slipped lower and lower until your head was at her chest, delicately wrapping your arms around her torso. 
Then she stirred.  
Shit. 
Without waking, she sighed, drawing you into a tight embrace, clutching you against her chest, complete with throwing a leg over your hips to pull you even closer. 
You finally relaxed, your arms wrapped around her waist. 
Perfect... 
She felt so warm... She smelled of comfort. 
You could indulge in this for the night. You would wake up before she did anyway.  
You drifted away, lulled by the beating of her heart. 
You didn’t have any nightmares that night.  
“Is your boyfriend coming?” you heard Karlach somewhere in the distance.  
You cringed at the juvenile term. Still, you were curious how she would answer.  
“He’s on laundry duty,” she responded. “Just us gals today.” 
“So your idea of doing washing is to pawn everything off to me,” said Gale. 
“Vampires and running water, remember,” you said. “Also you don’t look like you’re exerting an awfully large amount of effort yourself... Although I must admit, this is ingenious.” A little flattery wouldn’t hurt.
Gale sat at a riverbank at a deeper section of the river. Some sheets and clothing were being tossed and spun in a small bubbling whirlpool within the water, together with foaming slivers of soap. 
“Surely few archmages possess such finesse and creativity?” you continued. 
Gale sighed and motioned for you to throw your bundle in as well, expanding the whirlpool.  
“Just toss your shirt in too, it's splattered with blood,” Gale added wearily.  
Her scent lingered on it. The last thing you wanted was to wash it off.
You pulled the shirt over your head and hurled it into the whirlpool.  
“Not Tav’s creative nailwork, I presume..?” Gale asked with a wince, looking at your back.  
“Nope” was all you said, as you pulled a book out from your pocket, making yourself comfortable on the bank. To his credit, the wizard did not probe further. 
‘Mark me as yours’ 
Those words had been echoing in your mind over and over all day.  
It couldn’t have meant anything.  
A little expression of some vampire fetishism finally poking through – you shouldn’t have expected any different from her, she did offer you her blood consistently, not even asking for anything in return.  
Still, you’d felt like something inside you might burst from your desire and thrill when you heard those words.   
And then everything that followed after... 
You had actually lost yourself for a short while. Not dissociated and detached. Lost yourself. In bliss. In the scent of her skin, in the sounds of her need for you, in the sensation of her blood merging with yours and flowing through your veins. 
And now she was walking around somewhere, with telltale bitemarks on her neck for all the world to see. Scandalous... 
No, it couldn’t have meant anything.  
‘Mark me as yours’ 
Still... What a pleasant little fantasy... 
‘Yours’ 
“You’ve been smiling at that page for ten minutes straight now,” Gale’s voice snapped you out of your musings.  
“It’s my favourite page,” you retorted. 
“What’s it about?” he asked snidely after a short pause.  
“I have no idea,” you confessed, begrudgingly, snapping the book shut. If the wizard knew what was best for him, he would abstain from any further comments.  
“She’s quite fond of you,” Gale said sombrely after another pause.  
“Is this about to turn into one of those ‘You break her heart – I'll break your face’ talks?” you scoffed, rolling your eyes. 
“Oh gods no,” Gale laughed. "No, I would go straight to incineration... You just strike me as the type that needs to have the obvious spelled out for them.” 
“I am not entering this type of discourse with someone who’s presently washing my spend off my bed sheets,” you said, laying back and shutting your eyes, to bask in the sun. No answer followed. 
Not even a minute had passed when a shadow fell over you.  
Odd, you thought. There hadn’t been a single cloud in the sky. 
You opened your eyes to see a giant water bubble hovering a few meters above you. Was that... a bedsheet floating in the middle..? 
Worth it, you thought just as the undulating bubble spilt and crashed over you.  
You coughed and spat, trying to untangle yourself from the sheet, as the unleashed torrent nearly swept you off the bank. And yet, above all else, you found yourself curious. 
The water had no longer been running as part of the river, true, but given its sheer volume and the velocity at which it hit you, it should have hurt more than merely your pride.  
You made it to the edge of the bank, and cautiously dipped a finger in.
Nothing...
You proceeded to submerge your hand, then your entire forearm, to your elbow. 
Nothing.  
Of all things... Why this? Why not your reflection? Why not the blood craving? Oh well. Beggars, choosers... 
You were laughing.  
“This tadpole,” you turned and shouted at Gale, unabashedly stripping yourself of your pants, as Gale turned away, muttering something about going blind, “is the best thing that’s happened to me in centuries!” 
The best? Maybe second best? It had some tight competition, but you supposed nothing would have been possible without it, so it reigned supreme. 
You leaped into the river, diving and letting the gentle current carry you downstream for a while.  
You knew what you would be doing later that evening with her.  
“What have you got there?”  
She slid onto your lap like a cat that refused to take ‘no’ for an answer as it sought attention. You had been idling away your time by your tent, with some pulp you had picked up earlier. The rest of the group had been drinking and roasting something at the campfire.  
“Trash. Disappointingly boring trash, this time,” you answered. 
“No pulsating flesh tunnels in this one?” 
“Alas... There were not one but two mentions of ‘velvet-wrapped steel’ however, and plenty of ‘sword-sheathing’.” 
“To the hilt?” 
“Is there any other way?” 
“Wouldn’t want to sheathe it only partially, I suppose...” she mused. “Come join us. We found some half-decent wine. And you don’t have to be alone all the time, you know.” 
“Spare me, I’ve had enough of Gale’s lectures and Wyll’s tales for the day. And besides, ugh, all those chewing noises!” You made a gagging sound. 
None of them want me there. 
“Oh don’t be such a delicate princess,” she rolled her eyes. “How’s this: it’s our joint meal time. It would be rude and completely unfair to exclude anyone. You should sit down with everyone, bite down on my wrist and make a great deal of slurping.” 
“You can’t be serious.” 
Delightful. Simply delightful. 
“It will be funny!” 
“I fear you might be the only one laughing, darling.” 
That is hilarious, I can just imagine Gale squealing or getting sick. 
“Is there anyone else you’d care to make laugh?” she asked with a slight upturn of her lips. 
Not in the least. 
“I could die again knowing I have accomplished something if I ever make Lae’zel laugh. But perish the thought – I am perfectly happy right here with my literature.” 
“Well, if you don’t want to join the group, perhaps I will stay and you can...” She snatched the book from your hands and tossed it aside, leaning in and bringing her lips up to your ear. “...Release your kraken in my field of rose petals,” she purred in a sultry voice. 
“Stop,” you choked back a snicker.  
“Get tangled up in my beef curtains?” she continued with the same tone. 
“You’re disgusting.” 
“Sink your meat shaft in my cream tart!” she persevered.  
“By the gods, woman, I am never having sex with your again.” 
“Suckle the nectar from my weeping core!” 
“Alright, fine, I’ll go, anything is better than this.” You got up, pushing her off your lap. 
“Taste my forbidden, oozing fruit, Astarion!” she cried out from the ground behind you as you covered your ears and shouted “LALALALA”, making your way towards the campfire. 
You would endure the prattle of your companions.  
Then you would take her for a moonlit swim in the river.  
Then you would see if she might spend the whole night in your arms again.  
Perhaps she could sleep in your shirt and leave her scent on it again – it was foolish to sleep completely in the nude out in the wild after all, what if there were intruders? 
Everything was going according to plan, you reminded yourself.  
~~~~~
Next in series - Down by the river
Series master list
AO3
Tags: @littleenglishfangirl @something-pithy @darlingxdragon @tallymonster @tragedybunny
Also @spacebarbarianweird - you haven't asked for a tag but sounded interested
570 notes · View notes
mohntilyet · 13 days ago
Note
literally cannot remember if this is already a post you made but do u think about if illario was a companion character and lucanis wasnt (maybe still rescued from the ossuary, maybe not). would he even be a viable companion character. etc.
i think i've mentioned it in tags but god yeah i've been thinking about companion illario. through bias and visions i think he could have made a really great companion!!!! i just don’t think we had enough who lie to/betray you in veilguard and i was like illario would love to do this <3 or at least TRY to do this and find that he can’t, because the betrayal-according-to-approval mechanic would return in this concept. this assumes a lot of things that i consider to be canon, including that illario’s a genuinely good assassin (YMMV on this i think. i look upon him with rose tinted glasses) but we’re introduced to illario as the second-best option who accompanied lucanis on various mage-killing quests.
he’s recruited in minrathous and not treviso because he’s been killing venatori like a man crazed. i forget who made the post but the one about how veilguard recruitment quests feel forced because you are recruiting, when stumbling on the right people could have felt more organic and a lot less formulated. he’s been operating in minrathous as the ‘demon of vyrantium’, which he admits to rook that he’s not the original. the original was lucanis, who was captured and killed by the venatori, and in his grief, has been trying to kill the magister (zara) that killed his cousin. he’s actually very nice and fun for an assassin, but players get the feeling that the charm is practiced, and there are glimpses into the “something rotten” under the surface.
what the players also do not know is that his hatred for the venatori is definitely projecting his guilt, because even in this au, illario is the guy who originally betrayed his brother and his complexes (slash pos slash hot slash i often picture him on his knees) remain. anyways. plot breakdown under the cut because its so fucking long and please take with a grain of salt because this was workshopped on a call with fie, who ‘yes and’s everything i say, so it might not be the greatest plot ever. nor very coherent. however, this is my blog and i can say whatever i want
act one recruitment: hunting down and killing zara. there’s foreshadowing here or something where she definitely recognises him and the facial animation leans towards “betrayal”. like zara saying “you?” in a way that can be mistaken for fear, when it’s recognition and betrayal + illario killing her before she can reveal anything else. they find evidence that lucanis is still alive and you see how excited he is, but also very conflicted. illario finally returns to treviso, and you immediately see the favoritism when he informs caterina that lucanis could still be out there. caterina delights in the idea of her favorite weapon back in her possession, and illario swears to bring him back.
in between: there’s a venatori leak! the magisters send some back up to weisshaupt which makes things a lot harder for the veilguard (miniboss before ghil?), and it contributes to failing to strike at ghilanain. but who could it be? everyone is a bit wary of each other, and causes friction.
act two: the ossuary <3 inexplicably, illario has found where lucanis is. the veilguard fights their way in and out, escaping with lucanis and destroying the vial of blood. they also find out lucanis is possessed, and when they return to treviso, after the shock and relief leaves, there’s a gleam in caterina’s eyes. illario is moved up in line of succession because caterina can’t see an abomination becoming talon (canon not discussing that he’s fucking possessed pisses me off so bad btw), and she’s obviously envisioning a world where lucanis’ leash is passed onto the grandson she’d seen as lesser, but has recently proved himself better than she had previously judged. suddenly, illario has everything he’s ever wanted, but not in the way he’s wanted it. he’s never wanted to necessarily be greater than, and doesn’t want to lose him. illario is very uncomfortable about becoming a new caterina to lucanis, but can’t express himself or explain it because he’s deeply repressed and he’s trying to be happy because, isn’t this what he wants?
in between: illario’s acting super weird. a high approval illario is a lot more awkward and doesn’t seem to know what to say, which is a first for him. he’s obviously putting on a brave/pretty face on, and hesitates to say something— but finally just thanks rook for helping him get lucanis back. a low approval illario is actually much happier, smiling and laughing and delighted by the way things have gone, with rook/the player none the wiser about what’s happened. (kind of like… bull’s reaction to the chargers in the dreadnought quest being positive either way, but the repercussions come later)
if you are in a romance, a low approval illario will trigger a sex scene, a high approval illario does the dellamorte branded “lean in for a kiss but he can’t bring himself to actually follow through and leaves rook awkwardly”. the differences in reaction would ideally confuse and interest players :)
act three: hinges on approval rating. illario plotted to trade rook’s life for lucanis’. the venatori at weisshaupt was supposed to be their shot to kill them, but failed to do so, and now they’re forcing him to make good on his deal. there’s a cutscene where the party is led into a trap and a high ranking venatori magister— the one who actually experimented on lucanis (because zara is like a middle man. she wants the blood but isn’t the evil mage scientist who did all the experiments)— shows himself and reveals everything illario has done. he was the one behind lucanis’ initial ‘death’. how the venatori leak was him. illario is desperately trying to keep the venatori’s mouth shut, but the magister is tricking him with magic as he tries harder and harder to keep his cover. a fun, trippy kind of sequence where there are illusions and mindfucky magic as illario stabs at the magister and finds out he’s attacking air, and the party keeps getting attacked with magic that they can’t figure out is real or not until it hits them, in this hall of mirrors type freakshow. it splits into two different paths:
low approval: the deal to save lucanis over rook was made early on, and nothing they have done has made illario think differently. he’s scripted to be more defensive and try to stop the magister from speaking, ignoring the party and thinking only about how he can keep his secrets but failing to. he’s angry that his plans have fallen down around him, and attacks both the party and venatori, determined to keep his failures from reaching anyone else (god forbid it reach caterina). the party are forced to kill him when he turns on them, willing to work with the venatori to keep the power he has before it slips away from him again.
high approval: everything they have done has made illario think differently and he’s spent ages regretting and trying to find a way out of the deal (see: the distress he feels right after becoming first talon, interesting codexes, etc). he’s scripted to defend rook from magic, at cost to himself, physically protecting his friends/rook from the magister and getting in the way of spells. he admits what he’s done and pleads with them to help him, despite having no reason to trust him. after the party fights the magister off together, illario begs for forgiveness, explaining himself, how regret couldn’t make up for what he’s done but he’s still tried to change things, change himself. but how could you ignore the feeling that, as with everything else in his life, that this is another lie? you get the choice to trust him and forgive him, or kill him for betraying the veilguard. i think this can hit harder if he’s romanced and you forgive him. the image of him pleading literally on his knees is about to get me to black out, followed by a rook who gets down on the ground and lowers themselves to his level just to kiss him before pulling them both up onto their feet again…. its like a ‘i fear to stain your hands with blood’ moment <3
completed companion quest: faced with compassion that he’s basically never extended to anyone, illario is inspired. he admits this guilt to lucanis, wanting to make him talon and leave everything behind, and while lucanis initially is obviously both angry and distressed, he later seeks out illario by himself, and their reconciliation happens off screen. i’d love for rook to be there so i could this but i honestly do not think its their place like can we leave the dellamortes to do this by themselves. in private its just a very “you went through hell to get me back. i think i need to give you a chance” + a slow rebuilding of the trust they had. and also lucanis has not even gotten the same outside support system as illario has taken his place and i think it’s good to note that. well. illario is about the most positive his relationships get and the only other person he would potentially have is caterina, who is also a more intense and outwardly scheming in this au. so not to be like “lucanis has no choice” but he kinda has no choice LOL. the point is: lucanis decides to protect him, and says that this betrayal is something they have to keep secret together as long as it safeguards illario, which safeguards himself. like what would the crows think of 1) illario trying to usurp power using an outside source (infighting/betrayal is okay. bringing a third party into crow business is not), 2) illario losing the idgaf war and desperately bringing lucanis back, 3) lucanis being possessed, 4) lucanis forgiving illario despite it all because they’re so codependent they can’t even bring themselves to leave the other. house dellamorte so weak that they can’t snuff out the weakness in each other? oh fucking brother. they can’t let anyone know how dire this situation is, and need to present a united front. also the terrible fact that they love each other deeply remains. mentioned in banter probably? eg:
“So… what do the Crows think?” // “The Crows don’t know.” // “…What? But your brother, and you—“ // “Are keeping it to ourselves. We’ve discussed this. House Dellamorte can’t afford to look divided, not right now.” // “So, what, he just forgave you?! You’re moving on? From trying to kill him?” // “'Forgave' is such a strong word, but maybe someday, yes. And we’re not just family, we’re Antivan Crows. You should know by now that we’re odd like this.”
“Illario. How long do you think you can keep that secret?” // “Considering only us, Lucanis and I know about it, hopefully forever. He insists that no one else has to know. Or should I be afraid that you’re going to go tell on me?” // “No! It’s just… Lucanis doesn’t, I don’t know, want vengeance?” // “Ha! He is the vengeancey one. But no. No, he’s… between the two of us, he’s always been the good one.” // “Lucky you.”
i also picture a lot of post revelations blackwall type banters and maybe something like davrin going “I have to believe you can be better, that you’ve changed. Half the Wardens are like that.” and once again i have to grieve varric because if there’s anyone that would understand lying their ass off and having mixed feelings about their brother, IT’S HIM LOOLLL. i think harding would treat him quite harshly, and neve loses a lot of respect because why would you ever even think about working with the venatori. but there’s a recognition over how he’s changed for the better. i think bellara is the surprise sympathiser, with everything she feels about cyrian. (“For a second, listening to Anaris to be with my brother again was worth it. So… yeah. I get it.” // “You weren’t foolish enough to fall for it. I did.” // “But you’re fixing it, aren’t you?” // “I’m trying.” // “Cyrian tried too. And if I can still forgive him, I can forgive you too.” // “…Thank you.” )
i also think a serious talk about being talon happens, where lucanis doesn't think he should be talon (possessed so his self worth is at an all time low. and also he's always thought illario should be talon anyway) and asks illario to keep the title. which is... weird because suddenly illario realises he doesn't necessarily want to be talon anymore. sure he can, sure he finally has caterina's approval, but he's got a new chance in life and he's not sure he wants to spend his life running an organisation that doesn't even care about him, would betray him first chance they got and remind him of the way he used to be, or see who he is the way the veilguard/lucanis has. his bitterness towards caterina also trumps his envy of lucanis, and the idea of lucanis resenting him as much as he resents caterina is something he'd like to avoid, which is another reason he's uncomfortable with being expected to tug at the leash. indecisive, illario can't quite fully commit himself to the crows, but is nervous about what leaving them would mean.
endgame: he would take lucanis’ place as a magekiller in this ofc, so he’s the guy killing ghil, and (for now….) first talon leading the crows to fight in minrathous (illario: “one of us should probably say something. remind the crows in whose name this fight is to be fought. we are emotional beings after all, and rhetoric is the fuel that feeds the fire—“ viago: “maker’s sake just give your speech”) i’ve also implied romance throughout this ask while not discussing it properly (ask me about it later. i need time to think on the whole romance arc and beats i know it exists but i refuse to give out half baked illario thoughts.) and i think the endgame post-fade prison talk would be very sweet and so intensely genuine/sincere and illario’s half struggling with being this truthful but pushes through because he wants to say “i love you” and really mean it. almost losing rook has put his priorities in order, and rook is at the top of this order, which has made him reevaluate everything else in his life and realise, "i don't think i can live without you. please don't make me". it’s fun for me that lucanis’ romance is a first in many different ways, but for illario it would be the first time experiencing actual romantic feelings for someone that he’s not faking, so you can imagine the damage its wrecking on his crow-psyche. sometime here i think there’d also be a decision where he’d ask to leave the crows and be with rook, tho i also think if given the chance to develop he could actually find something he cares more about than being first talon. genuine affection might kill him, reciprocated affection would probably be the nail in that “fuck the crows actually i just found out i like life outside of treviso” coffin.
but this is kind of leaning towards “illario only leaves the crows if you romance him” which i don’t like the sound of. he should be able to do that without a romantic relationship. i think narratively the best way to end this arc is for illario to leave the crows after having found alternatives to what he believed his life should amount to (as i think lucanis should have in veilguard), but i also don’t exactly know how to end it. i do want house dellamorte to be defunct, like an ‘illario leaves, and so does lucanis’ thing, where even lucanis gets the chance to grow out of believing “death is his calling”. i also like the idea that illario, ever the extrovert, gets real friends and is like “LUCANIS. you gotta fucking experience this” LMFAO. i’m thinking maybe the companion you spend most time with illario in the party after his act 3 quest starts to suggest things, so neve being like “you made a pretty great demon of vyrantium. consider making venatori-killing your full time job, you were good at it, despite all the traitor stuff.” or taash going “you know, you wouldn’t be the first lord of fortune to make mind numbingly stupid mistakes. drop by sometime. you and isabela can bond over it.” and they’re half joking but it makes the cogs in illario’s mind turn where he’s like “whoa. i could just. stay with the people who like me!” and where he goes is mentioned in the epilogue. a romanced illario would potentially just join the faction rook is a part of, tho a de riva would probably be unique in choosing if they want to remain a crow.
HOWEVER. i honestly don’t know if this is in character. fie and i convinced ourselves it was but i’ve had some time to really chew on it and idk if he’d want to give his ambitions up?? if someone has managed to read on this far, feel free to suggest things if you like i am always stumped because i don’t actually want to crows to stop being an assassin house, and there’s ofc no way to really make them ‘softer’ without taking away the bite that makes them interesting to play with. but extricating the dellamorte cousins from this WHILE feeling true to dragon age writing is difficult lol. just let me think. i’ll be back with some results hopefully.
side note: if illario is killed, lucanis takes his place with some difficulty (spite getting in the way, and no relationship building as he would get in canon) especially because despite his incredibly complicated feelings about his cousin trying to kill him, all of his anger is directed at rook for actually killing him. it doesn’t matter if lucanis would/could have never forgiven him, or otherwise, rook has taken that chance of hashing it out with illario from him completely, and lucanis won’t forgive them for it.
anyways the potential endings and first talons:
lucanis defaults into first talon if illario is killed as the only remaining heir, and struggles in this role alone, though the fact he is an abomination helps keep the crows in control for a while #cycles #snakethateatsitsowntail #housedellamorteissocooked
illario can remain first talon if encouraged to stay during the endgame, or if romanced by a rook de riva that also chooses to stay with the crows. depending on how the crow missions were complete, his direction with the crows either hardens/softens the organisation.
teia becomes first talon if illario decides to leave the crows, and rook has made choices that lean towards ‘softening’ the crows, eg. sparing ivenci to humiliate him, helping the crow-venatori loves run away, being kind towards jacobus, etc. the crows gain a reputation for coercion and can once in a while be found targeting, killing or exposing corrupt officials.
viago becomes first talon if illario decides to leave the crows, and rook has made choices that lean towards ‘hardening’ the crows, eg. killing ivenci to humiliate him, turning in the crow-venatori lovers, being harsh with jacobus, etc. the crows gain a reputation for efficient, quick assassinations that tip the scales towards anyone who can pay for their services.
if missions were not complete, the antivan crows’ reputation falls as they get sloppier, unable to recover from their losses and struggling to keep ahold of their power. there’s a reshuffling of talons, but the crows are in such disarray that it takes a decade for them to recover and gain back the effeciency they used to be infamous for.
ANYWAYS. sorry for that it is actually getting away from me and i don’t know how much of this is clear and how much of it is just my wishful thinking. i think there’s enough good things here to publish as an answer tho i’m aware this plot is kind of dollar store zevran LOL. maybe the best way to describe it is that i’ve accidentally combined blackwall, bull, and zevran’s arcs into this. hope this is at least a bit compelling for you anon!!!!!
103 notes · View notes
sentientcave · 6 months ago
Text
Tumblr media
Retirement Party
Chapter 6 - The Butterfly Effect
Read on AO3
<<First Chapter - < Prev Chapter - Next Chapter >
Contains: No Y/N (2nd POV but Reader is an OC), Kidnapping, Forcible relocation, Dubcon, Plus-sized Reader/OC, female Reader/OC, Everyone learns new things about each other, Manipulation, PTSD, Doll has a tragic backstory, Poorly translated Spanish, Lots of introspection
~4.2k - MDNI - Dark fic! Please mind the content warning above but honestly nothing particularly bad happens this chapter.
Tumblr media
John gives you space for the next few days, letting you settle in around the edges of his own routine. You’ve always been an early riser, and so is he, but he starts every day with a run, and you prefer a slower pace. You’ve taken to coming downstairs after you hear the front door close, and stretch on the living room floor (you wouldn’t call it yoga, but you’ve spent the last few years keeping up with the Kinsey kids, and you know how important it is to maintain flexibility), and make coffee before you go back upstairs to get dressed and ready for the day. John always showers first thing after his run, but after the second day he starts taking off his shirt before he drinks a glass of water at the sink, watching you from the corner of his eye to see if you’re looking.
And maybe sometimes you are. It would be a useless endeavour, pretending that he’s not nice to look at. He’s big, barrel-chested, with thick, muscular arms, and he’s hairy in a way that’s unbelievably attractive, and he gleams with sweat after his runs. If he didn’t look so damn smug every time he catches you looking, you’d probably gladly spend a few long minutes studying him. Something about the man makes your fingers itch to pick up a pencil.
You just orbit around each other for those first few days. He’s working on some project outside, and you putter around the house a bit and look for new jobs online. You were surprised that he didn’t confiscate your laptop to keep you from calling for a rescue, but he made no effort to stop you from using your laptop or your phone. Perhaps he’d really listened when you’d tried to set boundaries. He’s certainly given you space to adjust.
On Wednesday, you video call your Lola— It’s been routine for ages, since you always had Sundays and Wednesdays off from work— and catch up. You start the call shortly after John leaves, to give yourself some time to talk privately. It’s nice to see her familiar, wrinkled brown face, even if she’s half the world away from you.
She clocks that you’re not at home right away, and gets that sly, knowing smile when you tell her you’re staying with a friend. “¿Estás viendo a alguien?” she asks. “¿Un joven tal vez?” Are you seeing someone? A young man perhaps?
“No nada de eso. Sólo quedarme con un amigo.” No, nothing like that. Just staying with a friend. Once again, lying to make it seem like you’re not in trouble. It’s not like your Lola would be able to do anything about your situation anyway. You would just worry her.
Of course, Lola is much too observant not to see that you're hiding something-- Even if all she sees of you is a video call once a week, you're her granddaughter and she knows you. "Dalisay," she says, her tone a mocking approximation of sternness. "Eres una mujer adulta. Me gustaría saber que eres feliz, que estás saliendo con alguien agradable. No tienes que mentirme. Mientele a tu otra abuela.” You are a grown woman. I would like to know you're happy, that you’re seeing someone kind. You don't have to lie to me. Lie to your other grandmother.
You laugh. "¡Es complicado Lola! Él es—" It's complicated Lola! He's—
The door opens, and John limps back in, early. "Rolled my ankle," he explains, taking your wide-eyed look as concern. "Just need some ice."
"Muéstramelo," Lola demands, laughing. "Tiene una voz hermosa.” Show him to me. He has a handsome voice.
John turns toward you, frowning. "I'm sorry, am I interrupting something?"
"I always call Lola on Wednesdays-- John, sit down, you need to ice your ankle, what are you doing?"
He's standing on one leg, in the middle of the kitchen, fishing a mug out of the cupboard rather than getting something cold and sitting right down. "I--"
You're not sure what possesses you, but you get up, and you make him sit, and you go to make him his coffee and wrap a bag of frozen peas in a tea towel. When you turn around, he's reached across the table to pull your laptop closer, smiling at the camera when Lola claps he hands together, beaming.
"Es guapo, Dalisay. Pero no joven, ¿eh?" She says, laughing. He's handsome, Dalisay. But not young, huh?
"No," he agrees, "soy demasiado viejo para ella. Todavía soy lo suficientemente egoísta como para intentarlo de todos modos.” I'm too old for her. I'm still selfish enough to try anyway. Lola laughs at his honesty, pleased with John already.
You set down the coffee and glare at him. But you gently set the ice pack on his raised ankle. He pulls you into his lap, sitting you on his other thigh. "John!" You protest.
"Oh, relájate, apo,” Lola chides, unhelpfully reading the situation just the way John wants her to. She seems impressed by John's accented Spanish, happy to not need to translate her words to English to speak with him. She speaks English perfectly well, but she prefers Spanish, calls English clunky and ungraceful. "Yo también fui joven una vez. Me preocupaba que ella nunca encontrara a alguien.” Oh lighten up, apo. I was young once too. I was worried she would never find someone.
"No es que ella no pudiera,” John says. "Ella es tan hermosa, pero mantiene la distancia." It's not that she couldn't. She's so beautiful, but she keeps her distance.
“John, stop that,” you say, and you do mean the way he’s talking, but you also mean the hand that’s firmly gripping your hip, kneading your soft flesh. It’s not hard enough to bruise, not even enough to hurt, but it’s distracting, and makes your heart flutter. The movement is also hitching your skirt up a little higher on your thighs.
The innocent, laughing look he gives you is no help. “Sorry, love.” He kisses your shoulder, his hand sliding up to your waist instead.
You glance over at the screen, wincing when you see two of your cousins crowded into the screen with Lola, all of them stifling laughter and one of them holding a chubby baby.
“He needs to buy you a ring, cuz,” Ligaya says, waving her baby’s chubby hand at you. “Say hello Berting, that’s your auntie Dalisay and her boyfriend.” She and her sister, Ceci dissolve into giggles. The baby laughs too, although he doesn’t have any idea what’s going on around him.
“He’s too old to be anyone’s boyfriend,” you grouse.
“He looks more like husband material to me,” Ceci crows. She points a threatening finger at the webcam. “You’d better be good to her! She’s our favourite cousin.”
“Y mi nieta favorita,” Lola says, And my favourite granddaughter, cupping her hand around her mouth as if that would keep Ligaya and Ceci from hearing her. They both laugh, unoffended, Ceci batting Lola’s shoulder lightly.
“I will,” John promises. “She makes it easy. She’s much too good for the likes of me.”
“And don’t you forget it, English!” Ligaya agrees. “Are you coming to see us for Christmas this year, Lisay? There’s at least four babies you haven’t met yet.”
“I’m not sure I can afford to this year. We’ll see if I can find work—”
“¿Qué pasó? ¿Perdiste tu trabajo?” Lola asks. What happened? Did you lose your job?
“You practically raised those niños!” Ligaya protests, as if that would change the facts of the matter. “They love you!”
You grimace, and haltingly explain that Mr. Kinsey had made a pass at you, and you’d been fired so that he and his wife could work out their marital issues. Apparently you’d been just too tempting to have around, despite the fact that you had less than zero interest in your former employer. By the end of your explanation, Lola looks ready to fight, and Ligaya and Ceci both look furious too. “It’s alright,” you say, trying to convince yourself as much as you are them. “I wouldn’t have been able to leave if they didn’t fire me. And I didn’t want to be raising someone else's’ kids forever.”
Ceci wiggles her eyebrows at you. “Yeah, Lisay, you want your own babies, eh?”
“You should start painting again,” Ligaya suggested, flicking Ceci with the hand not currently supporting her son. “You could sell prints online, portrait commissions. You’re as good as your mother, and she made it into that London Gallery.”
Lola notices the way your smile strains and shoos your cousins away. “El consejo es bueno aunque graznan,” she says. “Eres demasiado buena para dejar de pintar.” The advice is good, even if they quack. You’re too good to stop painting.
You change the subject, and Lola talks some about the children, about neighbourhood gossip, catching you up on everything before you end the call. You sigh, sinking into John unconsciously. He’s so big, and so solid, you wish you could do away with that undercurrent of fear ruining the little comfort his arms would provide you otherwise.
“Why’d you stop painting?” he asks.
“It’s not the same anymore.”
“Is anything ever the same?”
You twist to look at him. His eyes are too blue, piercing though you like he’s able to read the thoughts in your head. You have to remind yourself that he can’t, that he doesn’t know you well enough even to guess. You’re getting to know him pretty well though, and you recognize this earnestness, this plea to let him in, to let him help. John is a man who needs to do something all the time, that needs to focus on a task. You wonder what it is that nips at his heels so sharply— Is is inherent, genetic, something unavoidable, written in the core of his very deepest, truest self? Or is it just that he’s running from something, and must stay in motion, driving himself ever forward to keep it from catching up?
“Have you ever lost anyone, John?”
Surprise widens his eyes for a flickering second, before he hides it behind a tight smile. “Think we’re talking about you, Doll.”
“You don’t have to answer. I think it’s just easier to understand, when you have. Painting just reminds me of my mam. It’s like trying to swim with lead shoes on. It’s so hard to keep my head above the water that it’s easier just not to swim.”
“Maybe you could try takin’ off the lead shoes,” he suggested, his arms tightening around you. Levity and reassurance, like he knows exactly what you need. “Or maybe you just shouldn’t go swimmin’ alone.”
“A lifeguard,” you say, rolling the thought around in your head. Maybe that was the problem, the empty space was too apparent when there was no one around to fill it. You’d painted the flowers on the credenza with Ripley there, and that had even been nice. You’d thought it was just a fluke, but you hadn’t really thought about why it had been different. “That’s an interesting thought.”
“Did you have everything you’d need? We can look through the boxes for your supplies.”
You shake your head. “No. Yes. I have watercolours somewhere. Just no acrylics. But I could start with watercolours.”
“Yeah? We can look now, if you like.”
“Maybe in a bit. I’ll make breakfast first.”
“I can do it,” he offers quickly. “I want to take care of you.”
As much as you aren’t quite ready to admit it, he already is. “No, I think it’s my turn. Just give me a minute. I don’t want you to get the wrong idea, but this is kind of nice.”
He hums his agreement, picking up his coffee. You think he’s doing it so he can’t kiss you, and you’re so pleased that he’s starting to get it that you almost consider kissing him instead.
But you don’t. You just let yourself enjoy the moment.
Maybe that’s enough, for now.
Tumblr media
You decide that having him sit and watch you painting would be awkward, so once you hunt down your watercolours and a sketchbook with heavy paper, you set up outside while he works. He’s constructing some kind of frame over a concrete pad, a covered porch, you think. You sit out of the way, facing the copse of trees that surround the house, and the overgrown, weedy garden. It looks like it had been set up early in the season with the best of intentions, but you suspect that it was too hard on his knees and back. He’d made the mistake of planting everything straight in the ground— You probably would have suggested planter boxes, if you’d been here in the spring. Then he could have sat on a stool— It would have helped keep the bunnies out too. The few tomatoes left on an abandoned vine have little bites nibbled out of them— Almost everything has little bites taken out of it.
It makes you smother a laugh. It’s easy to imagine John railing against nature— He’s so stubborn, there’s no way he gave up for a good long time— Cursing the rabbits and deer, leaning over the once-neat rows until his back ached. There’s a pair of rusting garden shears stuck out of the ground, evidence that he quit in a fit of pique some months ago.
He’s looking at you— He has a sense for when you let happiness slip through, like a hound picking up a rabbit’s trail in the woods. You can feel the burn of those bright blue eyes on you, the heavy weight of his attention. Does he make note of everything you smile at? You wonder how long the list is now. Puppies, the Stuart kids, Lola and your cousins, and now his poor attempts at gardening. You haven’t really let much else get past your careful, polite mask, knowing full well that stone-walling him is your best defence. He’s searching for an opening, and once he finds it, he’ll pop you open like a clam.
It seems inevitable. Still, he’ll have to work for it, if he wants you to let him in. He’s already set himself the first of his Herculean tasks, to get you painting again. It would be easier to face the Nemean lion. Your grief has sharp teeth, unblunted even after a decade, still dug deep into your heart.
“You aren’t painting,” John says in your ear. His hands settle on your shoulders, holding you in your seat when surprise would launch you a few centimetres into the air.
You turn your head to look at him, and he’s far too close. “You aren’t working.”
“Takin’ a break. You look like you’re thinkin’ hard about something. What’s on your mind, Doll?”
“Your garden. Must have been a storm of misfortunes to make you give up.”
“Few things get the better of me, but this was one of ‘em. Have to settle for buyin’ produce at the shops like everyone else.”
“It’s not really so hard.”
“You the expert in gardening?”
“No, I just used to help my gran with her garden. Picked up a thing or two about keeping green things alive.” You take a dry paintbrush and dust it over his fingertips idly.
“That the one we talked to today?” he asks.
“No, that’s Lola. Gran is the Scottish one.”
He hums, smooths out tension in your shoulders with his thumbs, catching the slightest touch of your skin at the collar of your sweater. "Didn't think you had family in the UK."
You tip your head back, looking up at him. He shifts, leaning his forearms on the back of the chair, hanging over you. "Just my Gran, she got remarried a bit before we moved to Manchester. She thought her husbands-- Well, I'll say kids, but they were full adults, older than my mam already-- She thought they were more respectable than my parents. Wouldn't categorize her as a real warm and fuzzy lady."
"You don't talk then?"
"No. Not since my parents died. We had a proper row at the funeral and she's never apologized, and I'm certainly not going to."
"Learnin' a lot about you today, Doll."
“That I’m stubborn and that I distance myself from the people that love me?” you ask, flicking the paintbrush at the tip of his nose. His whole face scrunches, and it’s kind of endearing. You’re already feeling soft about him from this morning, because Lola liked him, and because he didn’t ask if she spoke English, just launched right into Spanish that was a maybe a little rough around the edges, but good enough.
“That,” he agrees. “But I think it’s good that you hold your ground. You’re not stubborn for the sake of it, you say what needs to be said. I’d bet good money that you were in the right.”
“It doesn’t always matter who’s right and who’s wrong, John. Sometimes you have to set aside ego to make things right.”
“Tryin’ to teach an old dog new tricks?” he asks.
“If you know what’s good for you, you’ll teach yourself. Now go on, get. You’re distracting me.” You wrap your hands around one of his, and press a fleeting kiss to a spot between his thumb and his wrist before releasing him. “And be careful of your ankle. If you need to carry something heavy, let me help you.”
He laughs and withdraws, his shadow sliding over your page as he moves away. “Yes ma’am. You’re pretty cute when you’re bossy.”
“I’m always cute,” you say blithely.
You don’t look at him, so you miss the way he glances back over his shoulder, blue eyes burning. “You’re damn right about that.”
Ducking your head down to hide your smile, you pick your pencil up and look back to the garden. Something about the red-handled shears stuck in the soil speaks to you, so you lightly sketch it out on the page, humming to yourself quietly. The next things you need to hunt down are your headphones and the old mp3 player so you can listen to music while you paint.
There’s something soothing about hearing John work anyway. The whirr of his drill as he screwed framing lumber into place, or the buzz of his saw when he cuts pieces to size. He’s methodical, exacting— What makes him so good at building probably made him a poor gardener too. He can cut and fit pieces of wood together to make any shape he pleases, he can make a plan and nothing will fight back against it, beyond a warped bit of lumber here and there, but a garden grows as it will, and there’s no controlling the wind or the sun or the rain, let alone the creatures that might come looking for something tender and green.
That same struggle plays out between the two of you. He sees a map and a destination where you see a landscape. The journey, the exploration, is what matters to you, the light and shadow, the soft growing things and the hungry teeth that nip at the roots. In his mind he’s already built a house at the top of the hill, and he wants to pull you inside, lay you down, plant his seeds in a different garden, watch something new grow. It’s not simply impatience, but a need for control, for surety.
He exerts that control outwards, bending the world to the shape he likes. You’ve always turned it inwards, pulling in on yourself, turning your life into a safe little cocoon, turning deprivation and isolation into an art. Constructing masks to get you through, reliable scripts, being whomever you need to be to make things easier.
And perhaps it was easy, but it was lonely too.
Maybe they really had done you a favour. By pulling you out of your comfortable routine, they’ve forced you to face yourself, for the first time in ages, to ask yourself what it is that you want, to see who you are.
You feel like a butterfly, wings still damp and unfurling, perched in John’s hand. He could risk letting you fly away, or he could force you to stay by destroying some integral part of you. There’s no telling which path he intends to take, not yet.
You can just hope.
It might be insane— It certainly feels insane— but you really want him to be a good man. Not just out of self-preservation, although it probably weighs something in the equation, but because you want him. He’s right when he says there’s something here, something that’s been rolling around in the back of your mind since Ghost dumped you in his lap. It hasn’t even been a week, but it feels longer.
You keep half an eye on him while you put the first pale washes of colour onto paper. A few small versions first, to get a handle on light and shadow, colour values, just to remember how to mix colours the way you want to, and then start on the larger version, feeling a little more confident.
You’ve just blocked in the base colours when you notice that John’s limping again, and showing no sign of stopping his work. Sighing, you set your paintbrush down and stand. “John,” you say gently, putting yourself in the path between the saw set up and his lumber pile. “It’s time to take a break.”
“No, I’m fine, Doll. Get back to your painting.” He tries to move around you, but you side-step and block his path again. ��It’s just a sprain,” he says, exasperated. “I’ve worked through worse.”
As if that was a good reason to ignore pain. “And you never considered that maybe you shouldn’t have had to?”
He frowns down at you. The difference in your heights has to be at least a foot, but he has a funny way of tucking in his chin and hanging his head when you’re standing close like this, and looking at you straight on anyway. A soft little hand settles on his stomach, unbidden— You’re not sure that you’ve instigated contact with him before, it’s always been him reaching out for you, his big hands achingly gentle. Is anyone ever gentle with him? Is he ever gentle with himself?
“The work will still be here tomorrow,” you remind him. “You have time to rest.”
A raindrop splashes on your outstretching arm. The two of you look up in tandem, at a heavy grey cloud that’s rolled over head— It hasn’t blocked out the sun yet, and neither of you had noticed it creeping up— and then at each other. “Guess the weather agrees with you,” John says.
You both scramble apart and into action. John covers the pile of lumber and the saw with tarps, weighed down with a few odd bricks so they won’t blow away, and you quickly pack up the water colours and your paintings. You don’t get there in time to stop a few splashes of rain from hitting the page, but you get everything inside before it’s completely soaked and set it on the kitchen table for the moment.
While you’re filling the kettle and looking outside, watching the rain splash against the window, John comes in too, and looks at your work. “The rain ruined it,” he says. “I should have been paying more attention to the weather.” There’s guilt in his voice, as if it’s his fault that the rain chose to fall where and when it did.
You set the kettle to boil, and join him, studying the paintings. Each of them unrefined— The smaller ones are just work-ups anyway, but the raindrops have warped the colours, creating voids with saturated edges. You wouldn’t say they’re ruined. There’s an artistry to incident, story preserved on paper in a way that your art wouldn’t do alone.
“No, I like it better this way,” you say decisively. “It underlines the theme of futility, don’t you think? How we’re at the mercy of the weather, whether we like it or not.”
“S’pose so,” he admits grudgingly.
His mouth is set so it almost disappears under his moustache. He really does hate the reminder that he has no control over some things. You dash upstairs and grab a couple of towels and tuck them under your arm, and take John’s hand, leading him out onto the front porch.
He follows you without resistance, although there’s a funny, curious look on his face. “What’re you doing?”
You let go, and put the towels down on the bench. “What does it look like I’m doing?” The rain is coming steadily now, the sky turned darker, sun all but blotted out, and it’s cold on your skin when you step out from the shelter and into the downpour. You throw your arms out and spin, laughing.
There are many things in this life that you can’t control. Things that are fixed, unchanged and immovable, laws of nature, the whims of weather, and Captain John Price. But you have choices too. You can try to move a mountain, but you’d be better climbing over it. You can choose to struggle against the current, or let it sweep you along. You can dance in the rain rather than wish it were sunny.
And you can hold out your hand, and invite John to dance with you.
Tumblr media
Image Credits: Banner Dividers
202 notes · View notes
aklaustaleteller · 4 months ago
Text
Tumblr media
I do not give anyone the permission to translate or repost my work. Please do not plagiarize it! Apart from that, thank you, thank you, thank you so much for fishing out your precious time to read my fics -- it means a lot; I appreciate your support so much! I genuinely hope you enjoy your time here!
All the love always,
A.
Harry Styles ff blog: @0oolookitsme Fic Rec blog (for KM): @niklausmklsn creds to @saradika for the amazing graphics! <3
Last Updated: August 29, 2024
Tumblr media
We'll Meet Again, Beloved (1.8k, Angst)
Hybrid!Klaus x (soon to become the)Moon Godess!Reader
Klaus is in trouble again and his lover, who is soon to become the goddess that the wolves would get to worship, comes to his rescue, again. And it's painful to come with the knowledge that she's always leaving in the end. But at last, this'd be the last time she'd ever have to leave.
On One Condition (1.4k, Fluff)
Hybrid!Klaus x Highschooler!Reader
Klaus feels bad for messing up Y/n's exam preparation schedule, so he asks her what it is that he can do to 'earn her forgiveness'. Yet somehow, he manages to put up a condition when she asks him to help her with an art project...
Might Fancy You (1.8k, Fluff) (Part II to 'On One Condition')
Hybrid!Klaus x Highschooler!Reader
Y/n went from fearing Klaus, to studying in his studio, to then throwing Shakespeare insults at him while chasing after him to put paint on him; he'd started it. But what happens when she ignores his one warning and he has her cornered in a flash?
Should've Known (1.3k, Angst)
Human!Klaus x Vampire!Reader
When fate made them stumble across each other in an art shop, Y/n should've known that what was coming with Klaus couldn't be anything more than an affair because of her true identity. And yet when she fled town, Y/n hadn't expected the news of a grave mistake made by Klaus' own town to shatter her heart into so many pieces that she’d just let them lay.
Some Invisible String (1.9k, Angst, Fluff) (Part II to 'Should've Known')
Hybrid!Klaus x Vampire!Reader
Ever since the news of Klaus' death reached her, Y/n's heart remained shattered as she happily accepted the sole purpose of her immortal life to be mourning her love. But then a looming shadow out of the Mystic Grill catches her attention and to whom is it that some invisible string had tied to her for centuries?
Home (4.0k, Angst, Fluff)
Father Figure(hybrid)!Klaus x Adopted(werewolf)!Reader
Requested!
Klaus had just been taking a stroll through the woods when he finds himself walking towards the sounds of a beta's broken sobs. Seeing the little abandoned wolf, Klaus takes her home with him, hoping that he'd be able to become her safe place -- which he very successfully does. But what happens when Y/n's biological father returns after ages in hopes of getting her back?
Entirety of Eternity (3.3k, Angst, Smut)
Hybrid!Klaus x Hybrid!Reader
Requested!
Waiting and waiting for Klaus to return home, Y/n's grasp on reality soon slipped and she fell into a sad, sad slumber. But then Klaus finally comes back, and he doesn't know what he's done wrong -- and Y/n won't tell him. Until she does, shouting at him how the night clearly wasn't anything special to him. And now, all Klaus wants is to show her just how much she, and their relationship, truly mean to him.
Mendable Inside Your Ribs (3.2k, Angst, Fluff)
Hybrid!Klaus x Human!Reader
Requested!
Y/n, all her life, had reached for love and then felt her white-knuckled dying grip on it slip. Then suddenly, Klaus comes in her life looking like the light at the end of the tunnel – and maybe, just maybe, their monsters have more in common than they originally thought.
Said Yes To Heaven (4.6k, fluff, angst)
Hybrid!Klaus x Hybrid!Reader
Requested!
Y/n and Klaus are in love, happy and overwhelmed, especially since having welcomed their newborn baby only weeks ago. But what happens when an unwanted guest appears on their doorstep out of the blue, and suddenly Y/n isn't sure if she's just going crazy or there truly has been some infidelity?
Like A Barge At Sea (4.4k, angst, fluff) (Part II to 'Said Yes To Heaven')
Hybrid!Klaus x Hybrid!Reader
Requested! (by so many of you I couldn't have put just on ask with the post!!)
Since Klaus admitted to infidelity, the harrowing pain of losing her family, her happiness, and her love has Y/n clutched in its arms, crushing her in its tight grip for what felt like was going to be forever. But will Klaus be able to hold a certain grudge against her for long? And if he can, then should he have?
Down Bad (4.6k, angst, smut, fluff)
Lucien Castle x Original Heretic!Reader
Requested!
In the two weeks that Y/n had been gone, Klaus had turned out to be quite an unfaithful man. However, Lucien Castle has been down bad for Y/n since he first met her, in a bar drowning away her sorrows. And he'll do anything for her – even if it meant lending her a helping hand to torture a man.
Tumblr media
Fics longer than my life span (probably)
Vontade (10.2k, smut, fluff, angst)
Hybrid!Klaus x Vampire!Reader
Requested!
Y/n and Klaus had settled in the English Countryside, living in an isolated mansion that was settled under thick mist on most days. But what happens when Klaus leaves for a little, and things take a sinister turn for Y/n?
Tumblr media
Word Vomits (essentially)
Not For A Long Time (1.3k, fluff, smut)
Hybrid!Klaus x Omega!Reader (slight a/b/o dynamics)
Klaus returns back to his lover omega's cottage after a long time, and he wants nothing more than to just mark her as his, all over again. But all Y/n seems to want, is to eat her dinner and get on his nerves, ...and to absentmindedly rub herself all over him.
An Unofficial Date (1.6k, fluff)
Hybrid!Klaus x Uni Student!Reader
Klaus has had a certain starry-eyed girl on his mind, so when he walks into a museum, not at all with the hope of finding her inside, he can't help but strike up a conversation, which might've just led to Y/n agreeing to see him again.
136 notes · View notes
solargeist · 9 months ago
Note
Okok here it is 1. Cw unreality stuff i guess? Like not being able to tell if you’re hallucinating 2. I know you said they scare each other but uhh they kind of psychologically horror each other it got away from me a bit
Scar figured he was finally going crazy.
It was overdue, really, with how long he had been alone. Stranded on a hostile world, left checking over his shoulder, expecting doom around every corner, it really shouldn’t have come as a surprise that he’d started seeing things. A flicker of purple, staining his periphery as he moved about his base. It disappeared the moment he whipped around to see it, and faded from view within a few seconds every time that he noticed it, but as the stain stuck for longer and longer just in the very corner of his vision, he started to worry that this might actually be the end of him.
That was dramatic, he thought, over just a flash of purple tucked away in his blind spot, something very likely just a trick of the light. He thought, until he started monologuing to this violet cataract, started feeling the weight of eyes on his back. He’d cook more than he had planned to and leave plates out, disobeying the strict rations he had set for himself (because that was all he had to feed, himself, no one else). He had full conversations with an empty room, holding that violet smudge in the corner of his eye like a match cupped in shaking hands against a howling wind. The plates always ended up empty. He wasn’t sure who ate them. He couldn’t remember.
Time went on. Things got worse. He saw purple even when he wasn’t trying, still fading the moment he tried to pull it from his periphery, but still hiding there, by his cupboards and corners and closets, in every space that he wasn’t looking. He clung to it— sometimes it would leave for hours on end, he didn’t notice the absences before. Now they felt like bleeding out.
It was warm that day, he remembered, that he last spoke to the stain. Not directly to it, of course— moreso at it, or around it, or through it, something like that— but he found himself talking until he was hoarse nowadays and that day was no exception. “I’ve been meaning to replace these curtains,” he informed no one, stroking the sun-soaked fabric of the window between his thumb and forefinger as the shape behind him watched from the countertop. “I used to have boats on my curtains. My brother had spaceships. I was so jealous. It seemed so important then.” He let go of the curtain, letting his hand fall to the side. “I hope he’s okay. My brother. I keep hoping— I think he got off-world in time, before the transporter system broke down. They said on the radio, years ago, they’d come back for us. The scientists, not my brother.” He turned his head just slightly, catching the blurred shape in his vision as it leaned towards him. He wasn’t sure if it was genuine interest or just a bored shift. “No, the scientists said they’d get emergency transporters in place in a few months, so maybe he caught one of those, him and mom. Then again, the radios went down before the project was done, so. Not sure if they ever went through with it, if they decided we were a lost cause. I’m still here, I guess, just… waiting. For rescue, I think. Hopefully whatever it is I’m waiting for will come soon because I—“
He turned his eyed a degree too far. The shape that had grown so clear and close to him vanished like a candle blown out. He was in his kitchen. He was alone. A cupboard made bare by greedy hands and spiders, something was wrong, something was missing. He didn’t used to feel this bad about being alone, didn’t he? He had been alone before, had it really been this bad?
He figured he was finally going crazy.
Scar didn’t talk to the spot in his peripheral vision after that. He saw it and he looked away. He turned the lights out that night, all of them, hoping desperately that the darkness couldn’t trick him the way the light did. Still, his room illuminated in purple glow. He covered the mirror in the bathroom despite knowing that just behind his reflection lurked something that was not real and was not there. He closed his eyes and saw purple, purple, purple.
Tonight felt different, somehow, like fallen dew rather than ceaseless fog. Scar took a determined breath, not with less energy, but energy more focused. The air, now that he was just above the tree-line, seemed to breathe with him in powerful and controlled movements. The lights were on below him. Normally he wasn’t one to waste power, but he was facing this thing tonight if it killed him, and if it killed him, it wouldn’t really matter if he left the fridge open and the oven preheated. One more deep breath.
He found the spot in his peripheral as easily as breathing. It tried to flicker. He didn’t let it. A fraction of a degree at a time, he dragged his eye towards it, somehow forgetting its small, humanoid shape even as it lingered on in the center of his vision, form held together with spiderwebs and moth wings. Scar’s eyes burned but he didn’t dare blink. He could see them. A short, humanoid shape radiating purple and purple and purple. It was the inverse of blinding, nearly drowned out by its own afterimage, a bruise of light covering what Scar was certain was its face although he had to check a second time to make sure, the memories of what it looked like slipping past him like sand through fingers, vanishing the second he wasn’t actively thinking about it. He stared it straight in its eyes, or, where he thought its eyes should be, or, where he had already been staring and now could not remember why. He spoke, finally, for what he did not realize was the first time in a week.
“You.”
And it responded, in a voice as fragile and momentary as the wind chimes he used to keep on his porch,
“You see me?”
Or did it say, “So you can see me,” or, “I’m sorry,” or, “Was this it? Was this what you wanted? What you waited for, for so long, so very, very long?”
Or maybe it said nothing at all. Maybe he just imagined it. It had fallen through his fingers. The words were sand.
“Yes,” he answered, not remembering the question.
With a shaking hand he reached towards the bruise in his vision, palm up and terrified.
��You really shouldn’t be able to see me…” the thing muttered (but maybe didn’t), reaching forward with its own hand. Palm down, landing hesitantly on Scar’s. Their hands touched, and with the sound of glass wind chimes and an hourglass breaking in reverse, the haze shattered, reabsorbed into this newly material being like a lizard eating its own shed skin. Scar blinked. The thing, now visible and rememberable as a short, blonde man with two eyes (purple) and, in fact, an entire face typical of a person. The wings were new, though.
He looked down at their hands, still held, and dragged a thumb across the back of the man’s hand, remembering the texture; rough, but not calloused, like he maybe needed some lotion.
“How?” It asked, and this time it stuck in the world, echoing across the roof.
This time Scar didn’t answer. “Who are you?”
The man with wings hesitated. A second too long, and a new voice spoke, from no determinable source.
“Alright, sunrise, that’s enough.”
This voice shot clean through the world, a practiced arrow leaving no entry or exit wound. In fact, Scar was certain no one had spoken at all.
He looked back at the man whose hand he held. He was not there. Had he ever been there?
-🦕
OHH this was fun , i doodled bc the part abt Scar making two meals stuck out to me
Tumblr media
213 notes · View notes
anarchy-and-piglins · 9 months ago
Note
You've heard of vet techno? Now i bring you: vet techno *squared* - he's a veterinarian who was in the army. Because techno + animals is such a good concept, he'd make such an amazing veterinarian, now pair that with the hurt/comfort of having been at war lol
Make him an anarchist (you know how veterans get disillusioned with the government bc the army fucking sucks) and you'd have a really interesting interpretation of Techno's character for a modern AU.
Maybe Phil owns a store of choice across from where Techno's clinic is (a flower shop? always a banger) and he does kind of casually know Techno from having seen him around but they never actually talked. They do know each other's phone numbers, but only in a 'if my store is burning down and I'm not around, I want you to be able to contact me' way, not because they're friends.
Until Phil finds an injured stray cat and calls Techno's number because he's panicking and doesn't know what to do. It's the middle of the night (Phil finds the stray on the way back from some event that lasted until midnight) and Phil kind of expects to be blown off - Techno projects an intimidating aura while in reality, he's just a socially anxious introvert with a resting bitch face - but Techno instead tells Phil to meet him at the clinic.
It's late and Techno is wearing fluffy pink pajama pants with little pigs on them, a knitted (made it himself) cardigan thrown on over a t-shirt, mismatched socks, and has his hair up in this messy bun. And he treats the cat so gently while checking him out, making sure he's okay. Phil insists on staying because 1) he kind of instantly got attached to the cat and 2) he'd feel bad about waking Techno up in the middle of the night and then bailing. Before they know it, it's morning. They've talked a lot. Techno discovered Phil is also a veteran (sharpshooter, to be specific) who quit because of a leg injury. It does explain the cane he's seen Phil carry around.
The cat will be fine after a few days, Techno says, though it's not chipped and has no collar, so Phil will have to take him to a shelter. Techno knows a very good one nearby (he volunteers there sometimes in his free time). Techno would take the cat home himself but he already has a bunch of rescues including a big white Samoyed named Steve who plays well with all of Techno's other pets (mostly dogs, a pair of rabbits, and some assorted exotic pets like snakes and spiders) but doesn't like cats specifically. Phil says it's fine, he intends to keep the cat. As long as he can keep coming to Techno for pet care advice.
And that's how a friendship is born :D
182 notes · View notes
herstoryheaven · 4 months ago
Text
Descendants Harry Hook x Reader: Spots Of Love
Tumblr media
Request: Hi hi! Crazy idea, what if it's a Harry Hook x Reader after D3? Either like in Auradon Prep or College. And the reader can be a Radcliffe from One Hundred and One Dalmatians. Maybe she runs a pet therapy program or helps out Carlos with his Vet career or rescue shelter for abused and abandoned animals (and children) and runs into Harry? Would love to see a platonic relationship with Carlos and Jane! (If the others need to be included, I would not mind at all!)
Reader: Female
Word count: 2823
Average reading time: 10 min 15 sec
Category: Fluff 
Warnings: None
----------------------------------------------------------
----------------------------------------------------------
Disclaimer: All events portrayed in my stories are fictitious. Any resemblance to actual events is purely coincidental. Any actions or behaviours portrayed by the characters may differ from reality and cannot be connected to any actual person. This work is purely fictional and intended for entertainment purposes only.
The gentle hum of life filled the cozy, sunlit shelter nestled at the edge of Auradon University. Y/n Radcliff was focused on organizing the supplies, her hands methodically placing items in their designated spots, when a soft bark caught her attention. She turned to see her two beloved Dalmatians, Pongo and Perdita, named after her parents' first dogs, playfully nipping at each other in their designated corner. Their black and white spots blended with the patches of sunlight streaming through the window, creating a picturesque scene that filled Y/n with warmth. It was moments like these that reminded her why she loved this work so much; rescuing and caring for animals wasn’t just a job, it was her passion.
As she watched Pongo and Perdita, her thoughts drifted to the back room where Carlos and Jane were hard at work. The shelter had become more than just a project for them, it was a sanctuary, a place where they could all pour their love for animals into something meaningful. Y/n couldn’t help but smile as she heard their soft voices mingling with the occasional meow from the kittens they were tending to.
Curious about how they were doing, Y/n made her way to the back room. She found Carlos holding a small kitten gently in his hands, his face the picture of concentration as Jane prepared the syringe for the vaccination.
“Just a little pinch, sweetie.” Jane cooed to the kitten, her voice soothing and calm. She glanced up at Carlos with a smile, her eyes full of warmth. “Ready?”
Carlos nodded, his thumb brushing lightly over the kitten’s fur. “Ready.” he confirmed, his voice soft. “You’re doing great, little one. Just a second more.”
Y/n leaned against the doorway, watching the two of them work together in perfect harmony. Jane gave the shot with practiced ease, and Carlos immediately brought the kitten close, whispering reassurances as the tiny creature gave a small, startled meow. 
“There we go, all done.” Jane said, capping the syringe and giving Carlos a playful nudge. “I think you’ve got the magic touch with these little ones.”
Carlos chuckled, still cradling the kitten. “Only because I have the best partner.” he replied, his eyes sparkling as he looked at her.
Y/n couldn’t help but smile at the exchange. It was these small, tender moments between Carlos and Jane that made her heart swell with affection for them. They were so in tune with each other, their movements synchronized as if they were a single unit. The way they worked together, so naturally, so effortlessly, was something Y/n deeply admired.
She cleared her throat softly, making her presence known. “You two make quite the team.” she commented with a smile, stepping into the room.
Carlos looked up, a sheepish grin spreading across his face. “Hey, Y/n. We’re just finishing up with these kittens.”
Jane turned, her face lighting up when she saw Y/n. “Oh, Y/n! Come look at this little one, she’s so brave.” she said, holding out a tiny, gray tabby kitten that had just received her vaccination.
Y/n walked over, gently stroking the kitten’s soft fur. “She’s adorable.” she said, her voice full of affection. “And you two… you’re amazing with them. Honestly, it’s like you were made for this.”
Carlos laughed softly, his cheeks tinged with a slight blush. “Thanks, Y/n. I guess we just really love what we do.”
“Plus, it helps to have someone by your side who knows exactly what you’re thinking.” Jane added, her eyes meeting Carlos’s in a gaze that was filled with quiet understanding.
Y/n watched the way they looked at each other, the subtle exchange of warmth and love that passed between them. It was so natural, so easy, that it made her heart ache in the best possible way. She admired how far Carlos had come since his days on the Isle. He was so different from his mother, Cruella de Vil. Where Cruella had been cruel and self-absorbed, Carlos was gentle, kind, and completely devoted to the animals and his dog Dude. And Jane, sweet, supportive Jane, was the perfect match for him. They balanced each other out in a way that Y/n found beautiful.
“You two are really something special, you know that?” Y/n said softly, her gaze warm as she looked between them.
Jane blushed, her hand reaching out to squeeze Carlos’s. “We just… care about each other, I guess. And about what we’re doing here.”
Carlos nodded, his thumb rubbing small circles on the back of Jane’s hand. “Yeah. It’s easy when you’re with someone who gets it, who understands why this is so important.”
Y/n felt a pang of admiration mixed with a touch of longing. Watching them made her realize how much she craved that kind of connection with someone,someone who understood her, who shared her passions, who could make the world feel like a better place just by being in it. She was happy for Carlos and Jane, truly, but she couldn’t help but wonder when she would find that kind of love for herself.
Still, she pushed those thoughts aside and smiled brightly at them. “Well, I’m glad you guys have each other. The shelter wouldn’t be the same without you two.”
Carlos grinned, his arm slipping around your shoulder. “And it wouldn’t be the same without you, Y/n. We make a pretty great team, don’t we?”
Jane nodded, walking up to your other side, her eyes twinkling. “The best team.”
As Y/n continued her work, the familiar sound of the chime echoed through the room, catching Carlos and Jane's attention. Their faces lit up immediately, a warm smile spreading across their lips as they recognized the figure stepping inside. Y/n looked up from her spot behind the counter, curious about who had caused such a reaction in her friends. 
Y/n felt her heart swell with affection for her friends. “Yeah.” she agreed, her voice soft and full of warmth. “The best team.”
Before Y/n could ask, she saw him, the notorious pirate with the unforgettable charm, Harry Hook. His presence was undeniable, a mix of confidence and something more, something that had changed since the days on the Isle of the Lost. He still had that devilish grin, that mischievous glint in his ocean-blue eyes, but there was a new gentleness to him, a softness that Y/n hadn’t expected. Or maybe it was just the way he carefully carried a basket filled with tiny, wriggling Dalmatian puppies that made him look less like a pirate and more like a savior.
Carlos and Jane exchanged excited glances before they both greeted Harry with warm smiles. “Harry!” Jane exclaimed, moving forward to greet him. “It’s so good to see you!”
Carlos grinned, his eyes widening as he noticed the basket. “And you’ve brought company, I see.”
Y/n stood back for a moment, observing the scene with a growing curiosity. She had heard plenty about Harry Hook, stories that painted him as charismatic, daring, and a bit of a rogue. Tales of his adventures on the Isle, his infamous reputation, and his unyielding loyalty to his crew. But seeing him here, in her shelter, cradling a basket of vulnerable little puppies, was something she hadn’t expected.
Her heart gave a small flutter, surprising her. She wasn’t one to easily get flustered, but something about this moment, about seeing Harry in this new light, sent a warm, unfamiliar sensation through her.
Harry’s eyes scanned the room, taking in the cozy, sunlit space filled with the sounds of animals and the warmth of friendship. When his gaze landed on Y/n, his smile faltered for a split second, surprise flickering in his eyes. But then his grin returned, softer this time, as he turned to Carlos and Jane.
“And who might this beautiful lass be?” Harry asked, his voice carrying that familiar, smooth edge that was both teasing and charming.
Jane, still grinning, nudged Y/n forward playfully. “Harry, this is Y/n Radcliff. She and Carlos run this shelter together.”
Y/n felt her cheeks warm under his gaze, a blush creeping up her neck. There was something about the way he looked at her, with that mixture of curiosity and admiration, that made her heart skip a beat. She managed a small smile, tucking a strand of hair behind her ear to steady herself. “Nice to meet you, Harry.” she said, hoping her voice sounded more confident than she felt.
Harry’s grin widened, and he stepped closer, taking her hand in his. His touch was surprisingly gentle, and when he lifted her hand to his lips, pressing a light kiss on her knuckles, her breath hitched slightly. “The pleasure is all mine,” he replied, his voice smooth and rich, carrying just the right amount of playful charm.
Y/n’s mind raced, trying to process the unexpected spark that ignited at his touch. There was a connection there, something she hadn’t anticipated but couldn’t deny. She quickly glanced at the basket he was holding, needing a distraction. Her eyes softened as she noticed the puppies wriggling and yipping quietly, their tiny bodies nestled together.
“Are those...?” she began, her voice trailing off as she looked up at Harry.
“Dalmatians.” Harry finished for her with a nod. His tone shifted, becoming more earnest. “Found this nest in an abandoned alleyway. Thought they could use a bit of love and care.”
Y/n’s heart swelled with affection, not just for the puppies, but for the man who had brought them here. There was something incredibly endearing about seeing someone like Harry, with his rough edges and pirate ways, showing such tenderness and concern for these little creatures. “You’ve come to the right place.” she said warmly, her smile genuine as she took the basket from him. 
As she placed the basket on the ground, Pongo and Perdita immediately came over to investigate, their noses twitching with curiosity. Perdita, who had never been able to have puppies of her own, was the first to nuzzle the tiny pups, her motherly instincts kicking in almost instantly. She gently nudged them with her nose, licking their tiny heads as if they were her own. Pongo followed suit, pressing close to Perdita’s side, as if to reassure her. Within moments, the two Dalmatians had laid down beside the basket, the puppies nestled between them, forming a heartwarming little family.
The scene was so touching that Y/n couldn’t help but smile. “Looks like I have twelve dogs now.” she said with a laugh, her eyes twinkling as she looked at the happy little family.
Harry chuckled, his gaze lingering on Y/n with a new intensity. There was admiration in his eyes, but also something more, something that made Y/n’s heart flutter all over again. “Well, maybe I could help out, if you ever need an extra hand.” he offered, his voice carrying a hint of hopefulness, as if he wanted any excuse to stay close to her.
Y/n felt the warmth spread through her chest, her heart fluttering once more. She met his gaze, trying to keep her voice steady despite the butterflies dancing in her stomach. “That would be great.” she said softly, her smile growing. “The shelter could always use more help.”
From that moment on, Harry became a regular visitor at the shelter. Every morning, just as the sun was rising and casting a golden glow over Auradon, Y/n would find Harry at the entrance, leaning against the doorframe with that signature grin of his. At first, he’d come by to check on the puppies or lend a hand during feeding time, but it soon became clear that his real reason for being there was Y/n. 
For a moment, they simply stood there, holding each other’s gaze, an unspoken connection forming between them. It was as if the world around them faded, leaving just the two of them, the shared warmth of their smiles, and the new beginnings that were quietly taking root. 
The two of them grew closer with each passing day, their conversations flowing as easily as the gentle breeze that rustled through the shelter's garden. They would talk about everything and nothing, Harry would captivate her with tales from the Isle, each one more outrageous and entertaining than the last, while Y/n would share stories from her childhood, recounting the adventures she had with her parents’ Dalmatians and her dreams of rescuing animals. The more they talked, the more Y/n found herself drawn to him, enchanted by his wit, his charm, and the unexpected kindness that lay beneath his roguish exterior.
Carlos and Jane couldn’t help but notice the growing connection between Y/n and Harry. During the quiet moments at the shelter, Carlos would nudge Jane with a knowing smile as they watched the two of them together. Jane, ever the romantic, would grin back, pleased to see her friend so happy.
One particularly busy afternoon, after a long day of tending to the animals and organizing the shelter, Y/n and Harry found themselves sitting on the floor of the playroom. The once-tiny Dalmatian puppies had grown into lively bundles of energy, their spots more defined and their personalities shining through. They darted around the room, chasing after toys and playfully wrestling with each other, their joyous barks filling the air. Pongo and Perdita, ever the doting parents, watched over them with a mix of pride and protectiveness.
As Y/n and Harry sat side by side, the warmth between them was noticeable. Y/n felt a sense of contentment that she hadn’t felt in a long time, simply being in Harry’s presence. The two of them laughed as a particularly feisty puppy tried to drag a plush toy twice its size across the room, and Y/n couldn’t help but notice how Harry’s eyes sparkled with amusement, a boyish charm that made her heart skip a beat.
But it wasn’t just Y/n who noticed the connection between them. Perdita, always the observant one, had been watching them closely for days. There was a knowing glint in her eyes as she looked from Y/n to Harry, as if she understood something that the two humans hadn’t fully realized yet. 
Harry and Y/n were about to leave the room to get some food for the dogs. Before Y/n could take a step towards the door, Perdita suddenly leaped up, placing her front paws on Y/n’s back with a gentle but firm nudge. At that exact moment, Pongo, as if in perfect sync with his mate, did the same to Harry. The combined force of the two dogs pushed Y/n and Harry toward each other, causing them to stumble. 
And then it happened, their lips met in a soft, unexpected kiss. For a moment, everything else faded away. The playful yips of the puppies, the warmth of the afternoon sun, the distant sounds of Auradon, it all disappeared, leaving only the two of them, caught in that brief but electrifying moment.
Y/n’s heart raced as the kiss deepened, slow and tender, each second feeling like an eternity. She could feel Harry’s warmth, the softness of his lips, the gentle way his hand found its way to her waist. And in that instant, she knew that this wasn’t just a fleeting moment, it was something more, something they had both been waiting for without even realizing it.
When they finally pulled away, Y/n’s breath was unsteady, her heart pounding in her chest. She found herself looking into Harry’s eyes, which were filled with a mixture of surprise and something deeper, something that made her heart flutter all over again. 
“Well.” Harry whispered, his voice low and slightly breathless, “I guess your dogs have better sense than we do.”
Y/n laughed softly, the sound tinged with both amusement and affection. “I think you’re right.” she replied, her voice barely above a whisper, her face still inches from his. There was a softness in her gaze as she looked at him, a warmth that mirrored what she felt inside.
Harry’s smile grew, the playful glint returning to his eyes as he leaned in again. This time, the kiss was more confident, more certain, a promise of what was to come. Y/n melted into it, her heart swelling with emotions she hadn’t expected to find but couldn’t deny.
As they kissed, Carlos and Jane peeked around the corner, having witnessed the whole thing. Jane’s eyes sparkled with happiness, and she whispered excitedly to Carlos, “I knew it! They’re perfect for each other.”
Carlos grinned, nodding in agreement. “About time, too. I was starting to think we’d have to push them together ourselves.”
When Y/n and Harry finally broke apart, the world seemed a little brighter, a little more vivid. They both knew that something had changed, that their relationship had shifted into something more meaningful. From that day on, Harry wasn’t just a friend visiting the shelter, he was Y/n’s partner, in every sense of the word.
----------------------------------------------------------
----------------------------------------------------------
Copyright: All stories contained herein are the intellectual property of the author. Unauthorized copying, reproduction, or distribution of these stories, in whole or in part, without explicit written permission from the author, is strictly prohibited and may result in legal action. Respect the creator's rights and creativity. For permissions or inquiries, please contact: [email protected].
Request Guidelines: When submitting a request, please ensure that your request does not contain any explicit sexual content or graphic depictions, and avoid any form of extreme violence or graphic descriptions of violent acts. I appreciate your understanding and cooperation in maintaining a respectful and inclusive environment for all readers. If you're unsure about your request or want to request about someone I haven't written about yet, feel free to ask me anytime.
Requested by: Anonymous
89 notes · View notes
codenamesazanka · 5 months ago
Text
thoughts on the chapter
“these differences, both internal and external, allow us to run towards other people and search for a point of intersection” kid out of 8 chapters you spoke like 5 sentences to Shigaraki. What intersection. (I know, I know - the crying child. the only thing Deku can care about.)
Aizawa and Mic visiting Shirakumo's grave
Compress reading Spinner's book with a sad smile...
Did villains just magically stop appearing? because AFO is gone? Because everyone is a bit nicer to each other? Because the rankings got expanded and now everyone wants to get the Eiyuu title?
Shoji says "This award goes to those who rose up 8 years ago." GEE SHOJI. I WONDER WHO IT WAS THAT GOT THEM TO SHOW UP IN THE FIRST PLACE.
I know he's thinking of the heteromorphs that stopped that day. But i just. can't get over the fact that it was Spinner's call to action that inspired them first to even come out.
"peacefully resolving prejudice-based incidents in the rural areas" Peacefully telling a man to put down the rake they're about to hit a heteromorph child with.
I know the intention is de-escalation or something. And that's a good thing! Ideally I don't want the man holding the rake to be smashed into the ground. I don't want the dumbasses spray painting slurs on a wall to be punched around. But the word peaceful here feels like it implies that... it would be victim's fault if they use force to resist violent discrimination. Equal responsibility on all parties and it's up to Shoji, it depends on Shoji to resolve it nonviolently. The originator of the violence doesn't enter the equation.
idk. rubs me the wrong way.
Did Shoji resolve the heteromorph riot peacefully? Not really. He fought Spinner (ah, you might say - well, Spinner was using violence! Shoji has to react to that with punching as well! Yeah. That's what I mean.) Koda had birds shoved someone off a building. What actually stopped everything was one rioter feeling doubts. It's credited to Shoji's words, but Shoji also admits that it's good they showed up and in the chapter here, he calls it an "uprising".
And they showed up because of Spinner.
Well. Maybe Shoji turned to "peaceful resolves" afterwards.
Just to clarify so that no one misunderstands me. Peaceful resolutions are good. I'm glad that's how Shoji is stopping anti-heteromorph incidents. What I dislike is the shallow framing.
"Quirk Counseling Expansion Project" EXPANSION???
Toga became the way she was because she didn't go to Quirk Counseling enough. Needed Expansion. The counselor saying she'll make Toga "nice and normal" didn't go far enough. Needed Expansion.
Again, I get that probably reform is implied in that, or the intent is probably expanding the concept/ideas/tools/methods/scope to include better methods. But wow.
All Might + Crowd of Supporter Statues is the creepiest thing I've ever seen.
Story literally breaking the ending fourth wall to give a happy ending to Deku.
I expect the volume extras to have Shigaraki to come and decay the ending and rescue the league.
It's amazing how the answer to "can someone quirkless be a hero" is a NO. Because Deku's feeling sad and lonely being quirkless and just a teacher and saving a kid from tripping and encouraging a future student. It's not enough. It's not Heroism. So he gets a support item and gets to be a Hero again
And then Shigaraki's Star Wars ghost is just there, not tied into the theme happening on page because Deku failed to saved the fucking guy, but he remembers Shigaraki. for one panel.
Just to repeat this because it's hysterical: This ending is "Can a quirkless person be a hero (and be happy and feel worthy?)" We get a gentle bittersweet but resounding NO. Until All Might comes again to help him out with a 'gift'.
"Remember that day when I used support items to inject acid into an immortal child demon on global TV? The day that you killed a man? Well, data from that day made you this support item. Use it to be a Hero."
Also being a quirkless Hero after all depends on knowing people and having lots of money.
All Might is now about 64 years old.
Shigaraki ghost...........
Something about shigaraki in his original outfit has me all choked up.
That's the appearance he chose to present as in the vestige realm before he disappeared.
The appearance he had in that flashback of him and Spinner bonding over games.
I like how Deku looks back, sees the ghost, but then turns forward and smile. Not even a smile as he's looking at shigaraki. I know this is nitpicky. jfc tho.
Tumblr media
"You already destroyed it"/"That depends on what you guys do from now on." I see that there's barely any credit to Shigaraki forcing this amount of change in this chapter. As far as I can see, Deku barely thinks about Shigaraki or even Tenko this chapter. Shigaraki's just a ghost hidden vaguely in all this.
"I'll never forget" lol. The ghost is just like an afterthought from the story to make sure Deku keeps his 'promise'
I don't think a single villain's name is mentioned here. Not a single League member's. Uravity's work towards quirk counseling is not publicly or explicitly credited to her experience with Toga (the vaguest of implication). We don't know Dabi's fate and Shouto is only known as "Endeavor's son" - which might be good? because it's Endeavor's who was the main perpetrator, but still. Spinner lead the uprising but Shoji doesn't mention that. Spinner wrote his book but there's no impact, except for making Compress smile sadly and that's it. Twice has been long forgotten. Deku thinks of Shigaraki's words at the beginning of the chapter, then sees his ghost at the end, but otherwise, nothing.
Truly they've been swept under the rug. A lid put over everything.
Whatever!!!! Shigaraki and the League - the absolute best part of bnha.
108 notes · View notes
banamine-bananime · 4 months ago
Text
meets an encouraging, patient, fatherly commanding officer that chooses tucker specifically for an assignment and takes him under his wing. he’s actually a secret operative for a sinister military project recruiting tucker as a target practice guinea pig orchestrating the next couple years of his life to be a lie.
meets an alien that tells tucker he’ll help him fulfill the quest he’s the legendary hero of. he chestbursts him and steals a getaway vehicle given upon the “end” of the quest.
meets some weird computer program programmed by the culture the prophecy came from, pretty much the only remaining source of information about this “quest” that’s upended his life. it’s actually the ai of the freelancer trying to kill him and kidnap and use his kid to end the great war… uh, with slavery of the alien species
meets one of his best friends, an acquired taste and kind of an ass, but they give each other as good as they get and they’re a team. she leaves them to make the plan to capture junior and use him to enslave his species succeed. and tucker feels like can’t even be mad about it without feeling guilty because in her mind she was sacrificing herself and junior to save humankind from a losing war for survival, and immediately after he thinks she fucking dies and takes his kid with her!! they were friends and then for a few minutes they were almost enemies because she did the worst thing for the best reasons and then that’s it!!! how do you even grieve and process that. apparently tucker opted for watching reservoir dogs instead of therapy and i can’t blame him. that’s not the sort of grief you can find a self-help book for. HELLO I’VE BEEN SCREAMING FOR YEARS. never over it they make me insane.
meet some humans on the desert dig-team, charismatic down-to-earth soldier guys. breath of fresh air after he’s been stuck for months in complicated political situations with a species that has just recently decided to perhaps not kill all humans, as a reluctant religious figurehead in diplomatic corps that i’m sure just loved his way with words and women. bet he made a lot of friends there. the dig team kills them all except him and he proceeds to spend the next months in a psychological thriller slash survival horror.
meet church again. church leaves again (and then again) and tucker’s left furiously picking up the pieces of blue team with caboose and some blond guy they rescued from the pound. we needn’t talk about that blond guy and whether tucker knows he both set up and hit the Original Church Killswitch lest tucker doesn’t know and hears us because i think he doesn’t need that extra complication in his life tbqh.
meets a charismatic mercenary with a rough exterior, but a heart of gold, right when tucker and caboose have lost all of blue team’s charismatic mercenaries and/or assholes with a rough exterior but a heart of gold. he. well. he stabs him in the back, guys. you know. i can’t get more on-the-nose than that.
meets church again. he seems like maybe he kind of gets that he was an ass and won’t go off killing himself this time. immediately after reconciling he sees the siren call of martyrdom and kills himself instantly after simulating several ways it could go very, very extremely badly for tucker, not even counting the previous evidence from how this went for some blond guy (sorry i’m committed to just calling him some blond guy in this post now for no reason except that i think it’s a mildly funny bit).
meets church someone else who’s been fucked over by project freelancer. he’s been manipulating them to get close enough to freezermurder their friends and implicate them in terrorism charges.
meets yet another young stray asshole with Issues and a heart of gold who needs some guidance, maybe someone he can be the kind of a leader he wishes he could have been to green team. she also stabs him again.
at some point we have to let tucker just start stabbing people. like a lot of people. i don’t think he’d enjoy a villain arc once he realizes that’s what’s happening but he deserves the sheer free joy and clarity of just solving problems with pure simple stabbing before he comes to that realization.
79 notes · View notes
charlotteharlatan · 7 months ago
Text
A list (non-exhaustive) of why the 1941 flashback scenes are haunting both me and The Narrative, Part 1:
1. Both S1 and S2 have scenes that take place that night - THAT CERTAIN NIGHT - in 1941. It is specifically revisited in S2, which leads the audience to believe that night was of particular importance, both to Crowley and Aziraphale’s relationship and to the overall plot of the show.
2. In the same vein of things that are referenced more than once, the song “A Nightingale Sang in Berkeley Square” was first released in 1940, and it’s entirely plausible that they both heard it for the first time in 1941 while in each other’s company.
All evidence points to the song being personally significant to Aziraphale and Crowley. We know it as Their Song, and they seem to think of it that way as well - otherwise Crowley’s “no nightingales” comment in the last 15 minutes of S2ep6 would not have struck Aziraphale so hard; we can see by his expression that the words affect him. With that statement, Crowley seems to be referencing not only the song itself, but possibly also a specific memory they share that involves that song.
Tumblr media
At first, one might assume he means the occasion at the Ritz at the end of S1, because that song is indeed playing in that scene. However, I think that scene itself is also partially a reference back to 1941, which I’ll get to in a later item.
3. When examined closely, many scenes and plot elements from the rest of the show may be nodding to 1941. When Crowley and Aziraphale discuss ways that humans fall in love in the pub scene in S2ep2, Crowley references being caught under an awning in the rain, a very transparent callback to Eden when they huddled under Aziraphale’s wing.
Tumblr media
So, Crowley’s contribution harkens back to Eden, but what does Aziraphale mention? What is called to his mind when he thinks of falling in love? Cotillion balls. Music and dancing. Things he’s read about in Jane Austen novels, the moments therein where the protagonists realize they’re in love. On its surface, Aziraphale’s idea of falling in love seems more like an abstraction than something the angel has experienced himself. Except: perhaps he has. Perhaps, just like with almost everything Aziraphale says and does, we should be looking at it much deeper than surface level.
Tumblr media
Maybe he’s projecting just like Crowley is, just in a less straightforward, more opaque sort of way, which you have to admit would be very in-character of him. Maybe he’s thinking of a moment we have not directly seen yet, a moment that has only been gestured to. In other words, “a joke the paleontologists haven’t seen yet,” the paleontologists in this case being, well, us. We know Aziraphale is actually capable of sleight of hand in the right circumstances, so maybe him talking about a ball is only a feint, a flamboyantly waving hand as a distraction to keep our attention away from what the other hand is doing. Maybe he is also recalling a specific memory of himself and Crowley, one that involved music and dancing, and the realization that the feeling between them was love.
Tumblr media
So with all that in mind, what moment from the show do we have great reason to believe was Aziraphale’s realization of his own feelings, and to an extent, Crowley’s as well? Yup, you’ve got it: 1941 again. The aftermath of Crowley rescuing him at the church and saving his books. The face that launched a ship. (Sorry.)
Tumblr media
4. Backtracking slightly to the topic of music and dancing and The Ball, let’s talk about this: just like Crowley “did a rainstorm” to try to get Nina and Crowley to fall for each other the same way he fell for Aziraphale, The Ball may have been Aziraphale’s effort to recreate the occasion on which he realized he’d fallen for Crowley. Perhaps it was intended to be a “do-over” of past events where they almost connected, with the aim of finally reaching each other this time. We’re all aware by now that while Aziraphale did fully intend to get Maggie and Nina together, he also threw a ball specifically to dance with Crowley.
Tumblr media
It does initially seem odd that he thinks Crowley will respond well to such a big, ostentatious party, but perhaps Aziraphale has tried the subtle route before to little avail. Like when, you may well ask?
5. Well, for one: their rendezvous in 2008, right after the Antichrist arrives on Earth, in S1ep1. Crowley has been unsuccessful in convincing Aziraphale to help him avert the apocalypse, but the angel has fewer qualms about a lunch date at the Ritz.
After the Ritz, they go back to the bookshop, with Aziraphale telling Crowley he still has some Chateauneuf du Pape left “for special occasions,” which is an interesting comment - the reason why this is a special occasion to Aziraphale is never named, as Crowley glosses over it in favor of pointing out that nobody will be having any wine anymore if Heaven wins the upcoming war. Aziraphale reiterates his refusal to engage with that topic, and ushers Crowley into the shop.
All this leaves the vague impression that Aziraphale has his own agenda for the evening (because all appearances of passivity aside, the angel almost always has his own agenda). And Crowley, not noticing this or perhaps choosing to not notice it, is throwing a spanner in the works of said agenda by continuing to bring up the apocalypse. And so, stuck at this stalemate, they drink the ‘special occasion’ wine in the shop, and listen to music, and get very drunk. It’s a small detail, but we know the music is coming from the gramophone because it’s the same record Aziraphale was listening to when Crowley called him the night prior.
So, wine and music. Why are these elements significant? It isn’t named, but in S2ep4 when Aziraphale and Crowley have returned to the bookshop after the magic show, the bottle of wine they share in the back room is the same kind, Chateauneuf du Pape.
Tumblr media
And while there is noticeably no music playing when the two of them are sitting in the quiet, private, candlelit back room of the shop, the gramophone can be seen over Aziraphale’s shoulder in many parts of the scene, looming over their conversation like a musical Chekhov’s gun.
Tumblr media
And here’s the real kicker: the gramophone, as it happens, is normally positioned facing the opposite direction. In bookshop scenes from the rest of S2, even earlier on in that very same episode, we see it facing the usual way, in the direction of Aziraphale’s desk.
Tumblr media
This means that it was intentionally turned so that the “mouth” of the gramophone would be visible in this scene, and turned towards Aziraphale and Crowley. You may well ask: “the background of this scene is dark and out of focus, how can you tell for sure which way the gramophone is facing?” If you look closely, you can see the gramophone’s crank is on the right side, visible in some shots past the lip of the wine bottle. If the gramophone were facing in its usual direction, the crank would be on the left and invisible in these shots.
Tumblr media
And, to add another layer to it, we know how important cranks are as a symbolic object in this series, how much power these objects can hold in the hands of the correct wielder. Crowley turns a crank to prime the engine of the universe - in other words, to begin the music of the spheres; and much later, he uses the Bentley’s crank when he restarts time on the Tadfield airbase. What if the gramophone’s crank was used in a similar way in 1941, to temporally create a little universe of their own, either metaphorically or literally?
Great care was taken in planning every aspect, every little detail of this show; almost nothing is a coincidence; staging scenes especially is done with the utmost degree of care. All of this to say, we as the audience seem to be meant to relate the scenes from 1941, 2008, and 2023 narratively, even though they take place decades apart. Throughout the years, Aziraphale may be trying - subtly at first, but then less so - to recreate the events of 1941.
Okay, that’s items 1 through 5. I definitely have more but I hit the limit for gifs and images for posting via the mobile app, so I’m going to have to post the rest in at least two more parts. Because I still have ghosts in my head and I must write about it. Hauntings are easier to handle if there’s someone in the house with you who sees the ghosts too.
Link to part 2
76 notes · View notes
fyonahmacnally · 20 hours ago
Text
Their eyes meet across the tower. They’re surrounded by the ragtag family they’ve built over the years, but their eyes are firmly fixed on each other. They weren’t exactly on speaking terms when Kara was sent to the Phantom Zone. Working together, sure, but friends again? Not even close. Most days, Lena felt like she was mostly tolerated. 
There are so many words left unsaid, so many things unresolved. Now that Kara’s back, Lena isn’t sure what to say or do. She’s served her purpose, she brought the hero back. Her presence here is no longer needed and likely no longer wanted. Kara needs to spend time with her family, get to know her father again. 
Lena should go. She doesn’t belong here. Did she ever? She should definitely go.
Veridian eyes are the first to look away. Seeing the disappointment that is probably swimming in ocean blue isn’t something she can handle at the moment. She waits until the others swarm the superhero before she quietly gathers her things and makes her exit. Getting Kara back is what she promised Alex and she’s fulfilled it. It’s time for her to figure out what her future looks like. She’s on her own, starting over again. 
But first, she needs to grieve. Lena’s lost everything. Again. Kara’s betrayal broke her in a way nothing or no one ever has. She’s lost the only person that ever actually believed in her. Yet again, she is mourning someone that is still alive. First Lex, then Andrea, and now Kara. Sure, she played a role in the rift with Kara, but any time she lets her guard down, someone rips her heart out. 
As she enters the cab, she thanks her past self for removing all of her things from Kara’s apartment before the rescue mission. Getting a hotel room was a good idea. At least she doesn’t have to see the inside of the apartment again, doesn’t have to face those otherworldly blue eyes in the only place that ever felt like home. 
She can grieve in peace. Eventually she will find her own place again. At this point, she’s not even sure she’s staying in National City. What’s the point? There’s nothing here for her anymore. She’s got more money than she will ever spend, maybe she’ll head to Ireland. Back to the place her mother’s memories live. 
The beep of the door unlocking startles her from her thoughts. The lifeless, sterile room matches the way her soul currently feels. Empty and achingly lonely. Now she needs to find something to numb the ache in her chest. Her legs automatically take her to the dining table in her suite. Her past self made sure to stock up on her preferred poison, Macallan double cask single malt scotch – a tried and true method of numbing what ails her.
Her current emotional state causes her to bypass the tumbler in favor of drinking directly from the bottle. Not that it matters, there’s no one to care anyway. She opens the bottle and makes her way onto the balcony. Kara won’t be flying around anytime soon, it will be at least a few hours before she has her powers back fully so she feels safe sitting outside. 
Besides, as soon as she is a few drinks in, she’ll activate the lead shield she created. Then her favorite Kryptonian won’t be able to hear her heartbeat. It’ll be better for both of them. Kara deserves better than she will ever be and she’s pretty sure the hero doesn’t want anything to do with Lena anymore. She releases a humorless laugh before taking a swig from the bottle. Swallowing and feeling the burn promptly turns into body wracking sobs. 
She ends up sitting on the balcony for longer than anticipated. Between sobs, she manages to drink about half of the bottle of scotch. Pushing herself up from the chair, she stumbles her way inside to activate the shield. At least now she can drown her sorrow without the risk of the woman she loves more than life finding her in such a chaotic, sad state.
The next two days pass in a blur. She manages to eat just enough to sustain her mostly liquid diet. A pretty steady drunkenness propels her into a numbness that prevents the stark emptiness from being front and center. Unfortunately, it does nothing to quell the loneliness and grief. Every inch of her body is engulfed with loss. No matter how much she tries, the love she feels for Kara remains threaded into every fiber of her being. So she drinks more.
When the third day rolls around, her luck runs out. She knew it wouldn’t be long before Kara figured out where she was. It’s not hard when her suite is the only one in the city with a lead shield. As she anticipated, around noon on the third day a tentative knock sounds on her door. First she ignores it, just like she has her phone. All of them have tried to call and text. Unfortunately, she can’t ignore the now insistent knock on her door. Still, she tries.
A tired voice penetrates the threshold between them. “Lena, please open the door. Please.” Kara’s weary words drift into the silence around her. “I’m not going to leave until I see you. I need to, Lena. Please.”  
The last word cracks with emotion and breaks what little resolve the youngest Luthor has. She staggers to the door, engaging the sing bar lock to crack the door enough for Kara to see her. “T-There. Nowsh’you see’shmme.” Lena slurs, leaning against the door to hold herself up. 
The hero’s shoulders slump and the already welling tears cascade down her face. A shaky whisper of “Lena” escapes her lips before she reaches her hand out as if to touch the porcelain skin peeking around the barely open door. “Please let me in. I’ll sit out here in the hallway until you do. I’m not going away, Lena.”
The sound that escapes her throat is something between a groan and a resigned laugh. She is weak to the woman standing in the hallway, always has been. Closing the door and disengaging the swing lock, she reopens it before staggering back to her third bottle of scotch. With the bottle in hand, she plops herself onto the couch without looking at the hero.
Kara just stands at the edge of the room watching the raven haired genius swallow the last dregs of what appears to be her final bottle of scotch. She’s never seen the woman in such a state. In the five years of their friendship, she’s seen Lena tipsy and even drunk, but never like this. Her usually stoic facade is nowhere in sight. Kara has never seen her this disheveled and out of sorts. Immediately, her stomach drops and she feels some sense of responsibility for it. 
Their friendship wasn’t anywhere near mended before her unplanned trip to the Phantom Zone. It was a tentative truce at best. Her time with the phantoms was riddled with “what ifs” and “should haves” related to her relationship with Lena. Seeing the state of her best friend (ex-best friend?) now makes her want to vomit. The fact she felt the need to run from the tower after their shared moment of eye contact twists the proverbial knife in her heart. 
Kara’s selfish behavior and lies ruined everything they built. After Lena told her countless times she’d been betrayed and lied to by the people she loved most, Kara continued to keep her secret. How is she ever going to get back into her good graces? 
Here she is standing at the edge of the room while the woman she loves drinks herself into oblivion. Standing and staring, saying nothing. In truth, she has no idea what to say. How do you tell the person that means the most to you that you didn’t mean to break their heart when deep down you knew it would happen? She has no words. She’s paralyzed by the possibility of losing Lena for good. So, she watches as the most beautiful woman she’s ever seen fades into unconsciousness. 
Saying nothing. 
Lena wakes up at noon the following day, head throbbing and stomach roiling. She’s confused because she distinctly remembers being on the couch, but she’s in bed with the curtains drawn. Her eyes squint at the glass of water and ibuprofen sitting on the bedside table. That’s when she realizes what she thought was a dream must have been real. Kara was here. A sigh escapes her lungs and she rolls over to push herself up. Sitting on the side of the bed, she gingerly grabs the glass of water and pills to swallow them down. Of course Kara would take care of her. 
Forcing herself to sit still for a minute, she listens for any sign of the blonde in the suite. When she doesn’t hear anything, she grabs a change of clothes and heads to the bathroom. Thankfully, the cool shower tempers the hangover a bit. As she opens the door to the bathroom, she is greeted by Kara sitting at the table surrounded by food. The sight stops her in her tracks. She didn’t expect the Kryptonian to still be here, much less sitting at the table waiting with food. 
They make brief eye contact before Lena moves again. Neither of them say anything, the silence filling the space with their internal shame. Each harboring guilt and blame for the current situation. She makes it a point to sit at the opposite end of the table from Kara, knowing she can’t share close quarters with her without shattering. Not right now, maybe not ever. The meal is spent in a deafening quietude that makes them both squirm, but neither is willing to speak.
Or maybe they just don’t know what to say. Is it too late to salvage what they had? Can they wash away the mistakes and talk about how they feel? The doubt swims across the air between them like sharks circling an injured seal. How can they possibly rebuild their relationship on such damaged ground? They’re both frozen in place, paralyzed with fear and indecision. 
Lena finishes what little she manages to eat, grabs her sunglasses, a bottle of water, and steps out onto the balcony. She spent three days trying to wash away her mistakes, erase her pain, and all she did was make herself feel worse. Now she can feel every pulse of heartache, every ounce of remorse and guilt. She’s no closer to knowing what to do than she was before. There’s a part of her that wishes she wouldn’t have survived the phantoms. Maybe that would have been easier than whatever this is.
Her whole body stiffens when she hears the balcony door open and close. The presence of the hero appears in her periphery. Close enough to see, but far enough away they don’t run the risk of an accidental touch. Kara is close enough to pull her into a hug, but she won’t. She can’t. 
They both stand there, saying nothing. 
Lena chances a glance to her right and immediately regrets her decision. There is a deep, profound sadness in the blue eyes that meet hers. Glittering tears flow down unusually pale cheeks and it further guts her. They’ve both spent so much time bottling up their feelings to save themselves from pain only to cut their own throats with the knife of their lies. 
Here they are, two women who spent most of their lives trying to please others by hiding behind walls and facades. Now they're broken and damaged standing in front of each other afraid to speak. They need to talk, to tell each other how they feel, expel their pain, but they stand there and say nothing. Lost in the stare of regret.
Neither of them are sure which one of them moves, but they drift together, inches apart. Stormy blue eyes are focused on churning sea green. There is a question asked in their intense gaze, each seeking permission to pull the other close. With silent permission granted, they bridge the divide and wrap their arms around the other. It’s a step, toward what, who knows, but it’s a step.
Lena stands there. 
Kara stands there.
For now, that’s all they need. Arms wrapped around their world.
To simply say nothing.
53 notes · View notes