#maybe not exactly a question
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cultivating-wildflowers · 2 years ago
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khairosclerosis · 5 months ago
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🃏 and it's our word,
yes, our word,
against theirs
for curtain call, the ace attorney musical zine!
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marypsue · 2 months ago
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Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.
However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.
#hear yourself. for the love of whatever you cherish.#'but they only kill bigots so ACTUALLY they're the GOOD GUYS -' your metaphor of monstrosity is entirely premised on the question of#'what if what you went around righteously killing; believing your actions to be justified;#were actually people and it was not in fact righteous or justified to just kill them'#'what if the world isn't neatly split into 'good guys' and 'bad guys'#who gets to decide who or what is 'bad'? because that's the original problem of monstrosity-as-metaphor-for-marginalisation#(if as a creator you say 'oh my intention with this was X' cool!#if instead you go with something like. well.#'well in this setting monsters are so rare it doesn't matter that they kill people and you'd have to be a homicidal sadistic psychopath >#< to hunt them; but sure I guess if you want to play a Bad Person' well I might have#but if you're going to explicitly judge me for wanting to engage with the moral question of 'how justified is this and who would do it#versus how justified are these monsters if they do have to harm or kill people to continue to exist'#then maybe I just don't want to play your game at all)#anyway I'm sick to death of poor uwu cozy vampires who are SO marginalised so I'm not Allowed to care about all the people they murder#it being fucked up is what's fun about it! do all the other shit but let me take the murders seriously!#and inb4 someone accuses me of being a bigot for saying 'actually I don't think you get a free pass to kill and eat people if you're gay'#remember when the CW's famously reactionary and conservative Supernatural tried to just gloss over the part where every time its heroes >#< killed a demon with a magic knife it also killed the person the demon was possessing#and say 'oh no it's fine we don't care about those killings; they don't matter; don't bother caring about them either'#but they were doing it to glorify exactly the kind of people that these 'monster as metaphor' stories are trying to cast as expendable?#I have other examples that are like. real dramas. but That Paranormal Show is the one that's in the same niche that I'm talking about here#it feels more insidious when it comes through a fantasy show where there are monsters involved#so you can say 'no it's not real so it doesn't matter'#but then ALL of it is equally not real. and vampires are not actually an oppressed group. because they don't exist.#you can say 'these vampires are a metaphor for an oppressed group so this fiction matters in real life'#or you can say 'don't care about the murders because they weren't actually real'#but you can't say both and then get mad at ME for treating the murders as seriously as the vampires#let me engage with your premise and don't waste my fucking time#or just set your fluff in the Sesame Street universe where vampires drink cherry Kool-Aid and help kids learn to count
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sereniv · 8 months ago
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Can someone who is NOT a zionist tell me why Jewish people have so much conspiracy and hate? when did it start and why? how and why did it spread?
Preferably someone who is jewish or really knows what theyre talking about answer
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lesbicosmos · 7 months ago
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edwin: *holds up spoon* do not breathe a word of this to anyone. not even crystal.
charles: are you threatening me with a spoon?
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invinciblevalentine · 21 days ago
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atp i would snort reeve tuesti fic like cocaine.
if anyone knows any fics that put reeve through the blender like “Son” by She_sees_in_the_dark or “Through Another’s Eyes” by CorsairOriginal—
i need to see that man under enough pressure to make a diamond crack. For my health.
#reeve tuesti#ff7#ffvii#txt#nah if anyone’s got fic recs PLEASE slide them my way#even if you’re like ehhhhh it’s not exactly what OP was thinking#because i WAS NOT JOKING ABOUT SNORTING REEVE FIC LIKE COCAINE. ITS GOTTEN TO THE POINT WHERE IM CONSIDERING SYNTHESIZING MY OWN REEVE FIC#LIKE WISH DOT COM CRACK. ALIEXPRESS CRACK. THE KIND OF CRACK THAT MAKES YOU RECONSIDER YOUR LIFE CHOICES.#fluff is great and all mad respect to our confectioners in fandom#but i think i’d actually suck dick to feed the part of my brain that needs to see Reeve pushed to his limits#comedy is great too love me some comedy. but yeah i’m fiending for reeve fics and i don’t think that’s even an exaggeration.#*deep breath* SO IF ANY REEVE TUESTI FIC WRITERS ARE OUT THERE LISTENING#IVE GOT 50 BUCKS AN ENGINEERING DEGREE AND I WORK AS A FIRST RESPONDER.#hit me UP#stg ill answer any question you have abt those topics.#idk if i’ve made it clear how desperate i am for reeve fic#I’m writing some reeve fic myself but i’m not a particularly fast writer when it comes to fiction#OH#i can also draw! the pfp is my work but that was like a rly short thing#not exactly representative of my full abilities.#so if you want to see what some of my high effort work looks like hmu i do digital and traditional.#i’m dead serious abt all of the above. i’m kind of broke so i got maybe 50 $ a month to drop on this at most.#but everything else is a free resource baby.#hi you’ve made it to the end! thanks for reading my deranged tags#i’m clinically unwell about reeve tuesti.#anyways live laugh reeve!
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puppppppppy · 8 months ago
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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honore-art · 2 months ago
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it's 6 am for me now...
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thegreatyin · 2 months ago
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come shadow, come follow me
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i've been waiting to introduce him for months. the plutonian shadow my beloved. aka my completely normal bag a legend protagonist, who is definitely not only normal but also mundane in nature. Definitely.
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worldbuilding-tomfoolery · 7 months ago
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eevee ecos
I wanted to think about "realistic" eevees and their respective ecosystems as a little thought experiment. Adaptation logic led me to some unexpected places!
I think most striking is that Flareon would probably like to live in cooler climates, so their primary habitat would probly be mountains & taigas. They would probably play a big role in fire ecology, which is so cool. (It's Firefox!)
Jolteon also surprised me. Electricity is most useful in water, so they'd probably be semiaquatic -- a freshwater dweller, like the noble electric eel! Who woulda thunk someone so opposite-looking to Vaporeon would have the closest habitat type? (obv vapon is oceans)
Some others are fairly intuitive. Leafeon gets temperate forests, can expand into subtropical & boreal if they want. Umbreon prefers caves, and can fill nocturnal niches for other habitats. Glaceon likes -- shocker -- glaciers. Tundra & polar deserts.
Espeon was the trickiest to place. There isn't really a real-world analog for Psychic type, so I focused on their physical traits instead. Espeon seems to have short fur, if any, and big ol' eyes and ears. These are good high-heat low-water adaptations, so I went with Desert & Shrubland for esp. Pokemuad-dib
Sylveon is so bright & striking I have to put them in tropical rainforests. They're like a bird of paradise. I like to think there could be lots of microvariations in color & ornaments for wild sylfs! And just imagine the potential of domesticated colors....
Interesting implication of this is that this morph would probably have the highest population among eeveelutions by far. Between the trait diversity and the sheer cover area of tropics, Sylveon may make up fully half of adult eevees!
Since tropical rainforests are considered a cradle for biodiversity, I thought it would be fitting for them to be eevees' primary birthplace. A baby can probably handle most non-extreme environments, but tropical rainforests are their main. I like to think there's an ancient supercave which hosts its own unique mini-ecosystem, where lots of eevees congregate from all over during the migration season. Here, they breed & raise their young. Once juvenile eevees are hardy enough, the adults disperse back to their home habs.
Older, un-metamorphosed eevees prefer temperate grasslands. Like rabbits :>
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strangersteddierthings · 1 year ago
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No Regrets - Part Three
This one got longer than I expected, so it's only about Spring Break. We return to the apocalypse next part.
Part One🦇 Part Two🦇Part Three🦇Part Four🦇Part Five🦇Part Six
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"-eve?"
Waking up again is disorienting. His head aches like the beginning of a migraine. There was something he was thinking about but it's fading quickly. A conversation in a boathouse...? That's not right. The boathouse was empty. The police had beat them there.
"Steve?"
No. No conversation in a boathouse. But there was a phone call. He knows he remembers that. Joyce had called last night. Her and Murray sharing a phone between them as Steve- Oh! Right. Steve told them he knew about Hopper in Russia.
"You have to go, though. Hopper is alive and waiting. And there's a demogorgon. Demodogs, too. You have to kill them all. Any connection to the Upside Down left alive helps Vecna. It's like having a tether to here makes him stronger."
"I can't just abandon El," Joyce sounds conflicted, and Steve gets it. He does.
"You aren't. You're going to be giving her back her dad. She's got Jonathan and Will and Mike. Argyle, too, if he wants to be there. Just. Just get them on the road and back here as soon as you can. If they don't leave soon than Brenner will-"
"Brenner? What do you mean Brenner? He's dead. Right? He's supposed to be dead."
"Yeah, well, he's not. He- I don't know the full details, just. I was just given an overview because, y'know, other shit was going down. But he makes El relive a lot of traumatic shit from her past and yeah, it gets her back her powers, but she's just a kid. She's just a kid."
"Her abilities, they aren't gone?" It's Murray who asks.
"No. She's just traumatized, in a different way. It was... it was Jonathan who said this, actually, to me. I mean, he hasn't said it yet, and if everything goes the way I want, he won't need to say it ever, but that's- sorry, that's not important. He said he thinks El blocked her abilities because she lost Hopper. An internal block, you know? 'Cause she couldn't save him with them, so what was the point of having them?"
"And you think bringing Hopper back will free her of that block?" Murray asks.
Steve can't help it. He laughs. "Hell no. I think years of therapy might, but having her dad will help. There's no way it hurts, right? Also, uh, you're the parent here, Joyce, so I'll let you decide what to tell her, but the big, awful thing that Brenner made her relive? It was a massacre. At the lab, when she was there. Another guy, another number, killed a bunch of the people there. It was El who saved the remainder. She stopped him from killing anyone else by opening the first gate to the Upside Down. She tossed him in and closed it. She's not a monster. Oh, that part you have to tell her. She's not a monster."
"Steve!"
There's more to the phone call, Steve knows he knows that but there's yelling and it's distracting.
"Steve!!"
"What?" Steve snaps, both with his shout and back into himself. He's sitting at the picnic in Forest Hills. Everyone is looking at him with varying degrees of concern.
"You okay?" Robin asks, "we've been trying to get your attention for a while now."
"What? Yeah, sorry," Steve says, distracted, standing up and looking around. Eddie's trailer is right there, and Wayne's truck is parked in front. He knows Wayne. Knew Wayne? He's in charge of the gardens at home base. A real green thumb, not that you can tell by looking at the trailer now. "You think that with Fred's death, they'll stop suspecting Eddie?"
"What? We don't know that they suspect Eddie," Dustin is quick to say, "I know he didn't do it, and so do you so-"
"Yeah, I know! I do know that, but Chrissy died in his home and then he ran. Of course, he's a suspect. But he was in jail last night. So. They can't suspect him still, right?"
Nancy purses her lips, giving Steve a look he knows isn't good. "Well, it will depend on when they apprehended Eddie, which we don't even know they did. How do you know he was in jail last night?"
"Good point. I don't, not for sure. But Wayne might," Steve says as he starts walking away. He can hear everyone at the picnic table shouting for him and scrambling to follow. Steve picks up speed, dashing up the steps and pounding on the door before anyone catches up.
"Steve, what are you doing," Max hisses, because she's the fastest and therefore the closest.
"I just gotta-"
"Can I help you?" Wayne Munson greets, voice even. Steve watches as his eyes sweep the group, pausing on Nancy before coming back to Steve.
"Hopefully. Uh, I'm a friend of- well, no that's a lie. I don't want to lie to you. I'm not Eddie's friend, but I want to be, and Dustin here is, so we just wanted to know if you could tell us if Eddie's okay?" Steve says. "You already talked to Nancy yesterday, but she didn't know that we, like, knew him. Have you heard from Eddie?"
Wayne eyes him with suspicion, which is fair, "I ain't heard from him."
"Please," Steve says, because he's got to try one more time. Either Wayne doesn't know for real, or he's lying because he doesn't trust Steve. He's not sure he'll be able to tell which is which, but he has to ask again, "I swear that we just want to help Eddie. Whatever happened to Chrissy wasn't his fault, I know that. I just need. I need to know he's not- not out there, alone and scared. Please."
Wayne stares him down and Steve refuses to look away. Wayne's eyes flick away from him to the single police cruiser still stationed nearby, then back. "Get in here."
He doesn't need told twice. Wayne retreats into the trailer and Steve follows. Immediately his eyes jump to where the gate will form. Currently it just looks like water damage on the ceiling, but Steve knows. No gate yet, but it'll be there tomorrow. Probably fully formed by the time Vecna tries to take Max.
Robin, the last one in, shuts the door behind her gently.
"I told her yesterday that Eddie didn't do this," Wayne nods his head towards Nancy but he never takes his eyes off Steve. "Didn't stop them from arresting him."
"Thank God," Steve breaths out, which is the wrong thing to say, given how quickly Wayne's face morphs to anger, so he quickly adds, "shit, I mean, that means, he was in police custody when they found another victim last night, right? That'll prove he's innocent."
Wayne doesn't respond right away. Instead, he takes his time looking at each and every one of them, lingering on Nancy before settling on Max. "You live 'cross the way, don't ya?"
Max looks surprised to be recognized. "Yeah."
"Did you see anything?"
"I saw..." she trails off, brows furrowing as she thinks. She looks from Wayne to Steve. He doesn't know what she sees on his face, but he watches as she steels herself, a decidion made, before looking back to Wayne and saying, "What I saw is whatever I'll need to have seen to help Eddie."
"You'd lie to the police for Eddie?"
Max and Wayne have a silent conversation following the question, judging by their stare down and raising and following brow lines. When Max does speak, she says, "I've lied to police for worse people."
"Huh," is all Wayne says as he settles back against the counter behind him.
"Thank you," Steve says, even as his mind starts to calculate. They'll probably keep him the full 48 hours, since there isn't evidence enough to charge him. Right? There isn't really any evidence. Except, perhaps, what Eddie might have told them. Shit. Would Eddie say anything? "Can you let me know when they release him? Whatever happened, whatever he saw, probably freaked him out. I don't want him to feel alone. I mean, we don't."
Dustin is looking at him now like he's grown a second head but Wayne. Wayne is looking at him like he's made a realization. Drawn some unknown conclusion that he must approve of because he nods. "Sure, son."
"You got pen and paper? I'll write down my number."
The silence from his friends is deafening and does not bode well for Steve. He just knows they're going to bombard him as soon as they leave the trailer.
Which is exactly what happens. They wait until they're back by their cars before starting in, though.
"Steve, what the fuck was that?" Dustin says.
"How did you know he got arrested?" Max demands.
"Steve, you are acting so strange right now," Robin says, worry painted across her face.
"Explain," is all Nancy says, crossing her arms.
Should he? Does he even know what's happening? No. Not really. He's got memories of a future that's bleak and dark and terrible and he doesn't want it to come true. Are they even memories? Did those events even happen? He doesn't know for sure. All he does know if he wants to do everything in his power to prevent it from happening though. He doesn't want to have regrets about.... about something.
"We don't win," he says. "We don't win this one. Or, we didn't? We might now. Things are different this time."
"What?" Robin asks.
Steve ignores the question, giving instead more of the information he knows, "Hopper's alive. Joyce and Murray are on their way to Russia to save him."
"WHAT?" he's not sure who asked. Maybe all of them.
"And El is- I don't know. On her way, I hope. But she won't have her powers when she gets here. Or maybe she will? If she believes she's not a monster and really is the hero."
"Steve, you are not making any sense!"
"I know!" Steve shouts and drops into a squat. "I know! I'm not the- the figure it out guy, or the plans guy, or whatever. I'm just the guy who knows things he shouldn't, and I can't tell if it's because I actually lived it, or if I was just given knowledge about it somehow. I know the Upside Down has a red storm that never ends, more democreatures that just gorgons or dogs, and that Vecna slash Henry slash One is a goddamn monster who opens a giant hell gate and causes the apocalypse."
"Whoa, whoa," Dustin sooths, and when Steve looks up, Dustin's got both hands up and approaching like Steve's a wild animal. He kind of feels like one right now. "Slow down and explain."
There's a lot Steve could say. Should say. Steve is kind and soft, even in the face of the end of the world, but he's also learning that he's a little ruthless. Not heartless, but enough that he can see where they are, where they need to be, and how to get there in the easiest way possible. His eyes flick to Max. "Chrissy and Fred. They were both seeing the guidance counselor. You've seen them both there, right Max?"
"I- yeah. Yeah, I have."
"And Nancy, you've got a hunch, right? You need to go to the library to check it out?"
She narrows her eyes at him but nods.
"Okay. So, uh, let's use that as proof. You and Robin go check out your hunch, and I'll stick with Dustin and Max. Take Max to see Ms. Kelley and see if she'll tell Max anything that connects them?"
"You already know what we'll find, don't you?" Nancy asks, and Steve shrugs. "You're right. I won't believe you. Not without this proof. So, we'll go, Robin and me. And when we meet up, I expect you to tell me what we learned."
Max is completely silent the entire drive, an exact opposite of Dustin who shoots off so many questions in a row that Steve can barely remember the first by the time he's onto the next. Not that it would matter, because Dustin doesn't pause between any of his questions or comments to let Steve answer anyway.
Max launches herself from car almost as soon as Steve pulls up to the curb with a loudly groaned, "finally" before she slams the door and bounds across the street.
"Steve! Are you even listening to me!?" Dustin has finally lost steam or ran out of breath or something.
"Are you done yelling at me?" Steve retorts.
Dustin lets out a really big sigh then says, "For now. I just- Let's start with this. How do you know that Hopper's alive?"
"Joyce and Murray confirmed it when I talked to them on the phone. They're supposed to be getting El and crew heading back this way while they go to rescue him, but I don't really know how that's going."
Dustin squints at him. "I thought you could see the future now."
"No. I saw the future, so like, lived it or something. And it's like... You watch Back to the Future yet?"
"Yes."
"Okay, so like, the part where his family starts to vanish from the picture? Because he made his mom want to bang him-?"
"That is a disgusting oversimplification of the plotline, Steve."
"-it's like that. Except I want to change the events because we definitely end up in the bad timeline."
"Okay. Say I believe you. You said we don't win this time. Explain that."
Steve sighs. "Can that wait for like, everyone? Explain it all at once?"
"What made it so bad you have to alter the course of all of human existence?" Dustin demands.
"The Upside Down breaks through, man," Steve says, "Like, toxic air and no more sunlight or blue skies kinda bad. Full on, end of the world apocalypse type shit."
"Shit. We, like, lose lose," Dustin says in a small voice Steve doesn't think he's ever heard Dustin use before he huffs and falls out of view with a click and the sound of squeaking leather. Steve watches as Dustin reclines his seat back so he can stare up at the ceiling of the BMW.
"Yeah," Steve says before they fall into silence until Max sprints back, screaming for him to drive before she's even got the door closed behind her and certainly isn't wearing her seatbelt yet.
They all converge at the school, and Steve tells them what Nancy and Robin learned at the library, then Max puts together the thread that connected Chrissy and Fred, and he has to watch, again, as she accepts she's going to die. She even looks to him, as if he'll confirm that with a shake of his head or a nod.
He just blinks back at her until she looks away.
They want answers he isn't ready to give. Not until tomorrow, after Vecna tries to take Max. Given how today has gone, tomorrow shouldn't be much of a change. Nancy and Robin will still go the Pennhurst, and Steve will take Max everywhere she wants to go, but this time he'll be ready. It's not too late, so the little music store down from Melvald's will still be open. Hopefully they have Kate Bush handy. He'll make sure Lucas has a backup cassette player and-
"Wait. Lucas should be told. He should be here. Why isn't he..." Steve trails off, trying to remember why Lucas would be here. He went to party with the basketball team and- and what? There's something he's missing. Something changed. His head hurts and the white noise is back, and it hits him so suddenly he sways and stumbles backwards until he hits a wall.
"Steve!" Robin gasps his name and rushes to hold him up. Dustin is at his other side just as quick.
"I'm ok," Steve says with eyes closed. He can't explain it, but he's changed something. He knows he has. Lucas is with them tomorrow, he remembers that, and there's this feeling that he should be here now. That he should have shown up at the school, but the reason eludes him. Slips from his grasp like he's trying to hold water. "It's- there was something that was supposed to happen. Something that made Lucas find us here at the school. I remember that. I- I almost hit him with a lamp. But he's not here. He didn't- something's changed. Whatever happened before didn't happen again."
"What, like, you changed the past?" Dustin asks.
The laugh Steve lets out is manic, even to his own ears. "I don't know! I can't remember! It's there, the why, but I can't reach it. It's faded, man, like the picture. It's faded."
"Okay, I think it's time we get some rest," Nancy says. "Dustin, you'll radio Lucas tonight and fill him in. Tell him Steve or I will pick him up tomorrow morning to join us. Let's go everyone, before someone does show up."
Nancy takes Dustin and Max, and Robin sticks with Steve. She doesn't even question his detour to the music store, just helps him find the Kate Bush tape. Doesn't even raise an eyebrow when he buys two cassette players, five blank tapes, and a tape recorder.
"Who is the mix tape for?" Robin asks him only once they're at Steve's house and settled in for the night in front of the fancy stereo in Steve's living room. Robin's called her parents already and told them she was staying with a friend, and they had leftovers for dinner from.
"Just in case. Now, shh," Steve says, and once Robin has properly quieted, he pressed record on the tape recorder and play on the stereo. He's already found the track he wants, so it's just a matter of waiting the song out, pausing the tape recorder quickly, then rewinding the tape. He goes too far back, so his finger just hovers over the record button until Running Up That Hill comes back on, and he repeats the process. Over and over again, until the hour long tape is filled with nothing but one song.
Robin watches him do it in complete silence. She doesn't move or shuffle until after he's paused the recording, stilling again once he hits record. He knows she doesn't understand why, but also that she doesn't need to understand. He knows that she knows he'll explain as soon as he's able.
He's just afraid to say too much right now. He can remember tomorrow; the Pennhurst plan, how it is supposed to go based on what remembers Nancy and Robin saying. Max will bully him into driving her around, and they'll end up at Billy's grave. He'll be ready this time, he already knows the answers they're seeking but he doesn't want to risk too much.
He has a plan. And it'll work. It has too.
Because he can't remember what happens after. Patrick dies, and there's... water? A lake? But why is Patrick at a lake in the dark? He isn't, is the thing. It's like there are two memories overlapping in Steve's mind and he doesn't know which is real. Or if either of them are.
There's a memory of... of Eddie? Eddie talking about Patrick floating but there's also a memory of hearing it on the news, Patrick found dead in his room, murdered the same way as Chrissy and Fred with no sign of forced entry in his house. Both memories feel real, but Steve doesn't know, can't tell, which is.
Robin and he falls sleep wrapped around each other that night.
-
@i-less-than-three-you @nburkhardt @afewproblems @skepsiss @apomaro-mellow @eddie-munsons-lunchbox @sirsnacksalot @livelifeliketheresnotomorrow @sageclipse @schnukiputz @mbloggotdeletedsothisismybackup @lumoschildextra @juleswashere3 @yet-still-more-banched @cinnamon-mushroomabomination @yearningagain @starlight-archer @chaosgremlinmunson @aol19 @goodolefashionedloverboi @gutterflower77 @moomkin77 @wonderland-girl143-blog @krazyperson @sevenmerrymagpies
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diino8081 · 2 months ago
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swap au or something
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ekko -> viktor
viktor -> jinx
jinx -> ekko
i read this fic and got inspired. it doesn't follow the canon to it but it inspired me (do check it out though it's really cool)
if you got any au questions then throw em at me (i've only watched arcane once tho so i might not have answers)
(more in the tags)
#diinoposting#yippee diino art#random au ideas#arcane swap au#arcane#ekko arcane#jinx arcane#viktor arcane#forgot to add#viktor gets 2 hexclaws for braid equivalent#they also are what he uses the stolen hextech to power#as like equivalent also to jinx's guns and weapons#it's cool#ekko here still becomes machine herald in place of vik#it's less religiony but he is still saviour in the eyes of the healed#jinx at first still quite likes bombs but switched to more defensive weapons after creating the firelights#definitely will still create time travel too#jayvik probably won't happen in this au except for maybe really later. they kinda fought at the start and it was pretty irreversable#viktor hates jayce and piltover with a passion because viktor created a bomb and was gonna use it on enforcers but jayce thinks now that al#-zaunites are chaotic and violent. he doesn't want to work with someone who's making bombs that will kill their beloved police force#this is like really far back tho. a couple years or so after viktor's boat scene. so it's not exactly fully rational thought yet#since they got small child brains (in terms of development and core values. they're still both super smart)#then since hears their argument and viktor accidentally sets off the bomb. jayce retreats and takes their main notebook back to piltover.#singed i mean. typo#meanwhile vik gets adopted by silco who promises that jayce and the rest of piltover will see his potential someday (likely violently tbfr)#the bomb and the boat are currently his best work and silco sees use in all of it. the bombs are well. bombs. but the boat has really well#-made mechanisms which can be used for other stuff#i think im gonna stop rambling in the tags now lol#any questions feel free to ask cause this idea has definitely split off from it's source inspiration#ok thanks gang
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camellcat · 3 months ago
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stray thought but why didn’t they just let giles die in spiral? like... other than make buffy miserable what does he even do in the later seasons? I feel like it would've been better to just let him go out on a good note than waste away as a character
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idkhowtoname · 3 months ago
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oooo I'm being cringeeee
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I hope you guys like my beast because I love it (maybe too much)
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darcyolsson · 3 months ago
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slowly feeling like i am becoming a person again instead of whatever i was in the past few months even though i genuinely for a minute there didnt believe this was ever possible so its really weird to be on the other side of it. and also weird that i now just have these people in my life who i know disappeared on me when i needed their support the most and now i have to figure out what to do with that
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angeart · 4 months ago
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Boatem Circus.... Thoughts cycling through my head about your Wonderful au. These thoughts might not make sense but. You're cool!
I think what breaks me the most (at this moment) /pos is that Scar, when he built up the circus with his own two hands, after coming from wherever he had come from, had to teach himself how to bring salvation to others. How to show others safety and warmth and show them that things would be okay. He had to teach himself first how to take care of others. And then after elegy he realizes that everything he taught himself can be like- applied to him, too, because he's not alone anymore and the others are gonna show him and teach him and save him and it's so 🥹 love. Found family. Yummy.
(Also while I'm here 👉👈, am I allowed to ask who the very first person to join Scar's circus was or is that like spoilers-?) hope you have a lovely night and day
boatem circus!! 💕
you are so very right about scar. he didn't have other people show him kindness, but he still decided to extend it to others. he had to learn, and by doing so, he wasn't even aware he's teaching the others too!
and gosh when they turn it around on him 🥺 my heart.
found family!!! i love boatem circus crew found family so so so much.
you are allowed to ask! it's not a secret or a spoiler or anything! it just genuinely wasn't something i had figured out, but your question prompted me to go bug stiff and i think we got it now :3c ...
the order in which people joined the circus*:
scar > impulse > gem > jimmy > ren > pearl > cleo & doc (separately but at around the same time) > mumbo > joel > grian > [events of elegy] > skizz > tango > ???
... so. impulse. our beloved impulse was first.
he was running away from some people and he hid at where scar was building stuff. and scar came across him, with his typical "well hello there :J"
and impulse was scared! and he could've lashed out with fire in his fear. but— he didn't. (he is a teddy bear and genuinely doesn't want to hurt anyone, ever.) (there might be a backstory buried there that makes elegy so much worse :3c just saying)
he wasn't used to people regarding him without fear. he wasn't used to being just... accepted. or to be allowed to stay anywhere. he actually fully expected that's what the rest of his life will be: endless wandering, being chased off, forever running away. and yet.
and yet.
scar offers him a place to stay. so easily. as if it didn't cost him anything.
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