#man it annoys me

[inkskinned]

what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?

i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?

a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?

in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.

girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.

there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.

for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.

something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.

is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.

most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."

a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.

[melissa-titanium]

mfs who comment on the volume of ur voice make me go BONKERS. was at a restraunt one time and eveyone was like boy speak up. so i DID and everytone as like BOY QUIET DOWN. what do u want fro me i am too loud or too quiet. picky as fuck

[grinchwrapsupreme]

shawn's deep trust of lassiter keeps catching me so off-guard like when he's held captive and lassie and henry both turn up he tries to yell "carlton" not "dad" and when he sees a guy with a gun come into the restaurant he goes straight for lassie and keeps trying to get his attention instead of literally any of the other dozens of cops in the room with them and when he's telling someone to call the police he tells them to ask for lassiter, not jules, not vick, lassiter. like he spends all his time provoking lassie but the second there's danger there's literally no one else he trusts more

[narson03]

Forgive me Lord, for I have created...

Annoying Cut.

[ineed-to-sleep]

Sorry I just noticed some glasses at his clinic and lost my mind a little bit

[spielzeugkaiser]

How it started-

How it's going!! They are a family and I am!!! also draw the hug you want to see in the show but they are forgiven because them meeting in brokilon was still soooo tender my HEART-

[sforzesco]

something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.

Perseus, Daniel Ogden

Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet

[densewentz]

rookanis players: why isnt Lucanis' romance more passionate, more physical!! Why is he so subdued and quiet!! You barely even kiss!! Lucanis, fresh out of a year in a demonic torture pit, having just had one of his two remaining family members taken from him just as he's freed, almost losing Treviso to the elvhen gods which are a) apparently real and b) that he's apparently now responsible for killling and who, oh yeah, also is always literally on the brink of exhaustion because he can't sleep or his spite demon goes around causing mischief and sniffing people: rook, mi vida, please give me a break

[mybraindumpsterfire]

… they have matching phone cases… good thing im completely normal about this

[gloriousfckingpurpose]

i know they underutilized the frankenstein aspect in the movie but it really does feel like the creature was perfectly created for lisa regardless. from what we saw, he spent his whole life lonely; dead parents, isolating social life, failed romantic prospects, the whole shebang, but he never gets to do anything about it because he dies, suddenly and unstoppably. until he’s suddenly alive again and the whole world is different but there’s this girl who tended to his grave when nobody else would have given him that respect, who’s experiencing the same things he did who actually has the chance to get back at the people who didn’t care for her, one tiny bit of familiarity to him… of course he’s going to kill for her just to see her happy.

[sh5]

[hopeluna-archived]

Thinking about......Solomon who randomly gives your cheek a small lick just to see that disgusted expression of yours as you look at him while frantically wiping your cheek with your hand, and then wiping your hand on his sleeve with mumbles of "ew ew ew ew ew".

All while he has a shit-eating grin on his face, watching you question your entire relationship with him.

[mistyscenter]

People be like: "we love tsunderes!!" But when the tsundere is a woman then she's the most annoying character in the franchise

People be like: "we love mean characters!!" But when that character is a woman then she's evil, and uncomfortable, and actually we don't like her

People be like: "we love kind characters!!" But if the character is a Black man/woman then they're ignored and never talk about or deemed boring

People be like: "stop spreading hate and negative" And the hate and negative will be pointing out misogyny and racism in fandom spaces

[yuwuta]

I HAD TO HAVE THIS TALK WITH YOU, CAUSE I’D HATE TO HAVE TO ACT A FOOL — MEGUMI FUHSIGURO

cw this exists in the same rich kids/boarding school au as this piece, which are slowly forming their own universe, implied (past) drug use/underage drinking, more of megumi being your guard dog everybody cheer

Megumi scowls as yet another phone call goes to voicemail. He’s been standing outside the racetrack for fifteen minutes, watching Yuuji absolutely pummel Aoi in polo, and waiting for you. He huffs, just as Yuuji loudly celebrates another point, thumbing a text to Yuuta, asking if he’s seen you all morning. Yuuji claimed you’d left him all by himself after your shared morning class, Nobara was still in Switzerland, and Tsumiki also seemed to be ignoring his messages. 

He needed answers, and quickly, because this is the free period that Muta and his goons also have free, and he would hate to go back on his promise to stop egging him so soon after you’d asked him so sweetly to knock it off. 

Yuuta (received 12:57pm) — She’s fine, Tsumiki and I are with her. Picnic tables outside of the building 703. — Warning, your least favorite upperclassmen are here too, but don’t make a scene. They’re annoying, but not trouble yet. 

Megumi squints, turning on his heels towards the large building opposite the racetracks. As he rounds the side that opens into a field, formally known as one the many lawns dedicated in the Gojo family’s name, and informally revered as your favorite lunchtime spot, he hears the familiar sound of Tsumiki’s laughter, and the unpleasant squawking of his least favorite upperclassmen. 

Seeing you, Yuuta, and Tsumiki sitting at the picnic bench under the blooming wisteria was business as usual; seeing Hakari and another senior infiltrating the seating arrangement was not. Megumi frowns, strolling up to the table to halt the conversation when he’s noticed by you, and sized up by the upperclassman. 

“Oh, uh—hey, I—good afternoon, Fushiguro!” the other senior has the decency to greet him, stumbling with their overly-chipper tone. Megumi eyes them and blinks. Their face is a familiar shadow to Hakari’s, but he never could recall their name, no matter how many times he had the displeasure of running into the duo.  

“It was,” Megumi drawls. He turns his head to face you again, “You’re late.” 

From this angle, you have to tilt your head up to make eye contact with him. There’s an innocence behind your eyes, genuine warning, weary concern; and still, so beautiful it makes Megumi’s thoughts venture elsewhere—only for a moment; he supposes he should be grateful for Hakari’s presence, just this once, because the interjection of his grating voice pulls Megumi back to reality. 

“Relax, Fushiguro, we were all just talking, having a good time,” Hakari whistles, a dirty grin on his lips, “Ain’t that right, Kirara?” 

Ah, Kirara. That’s their name. Megumi doesn’t have time to mull it over, or pretend to commit it to memory; the majority of his energy is focused on preventing himself from throwing a punch. Briefly, he makes eye-contact with Tsumiki, a silent warning in her eyes to not be violent; so Megumi looks to the other side of the table at Yuuta, whose hollow eyes are apologetic, but cautious. Megumi can tell they’ve both been doing their best to neutralize the conversation before he arrived, without setting off your own alarm bells. 

They’ve been patient, but he won’t be: “Get lost, Hakari.” 

“Whoah, no need to rush things. Come on, I didn’t even get a chance to invite you to our party yet,” Hakari’s grin widens, “I just figured I’d get your owner on board before I pet the puppy, yeah?” 

Tsumiki and Yuuta share a look. Megumi bares teeth to growl, rests his palms on the picnic table and leans over to deliver his message again, “Get lost.” 

“Kin, don’t be so rude!” Megumi can hear Kirara’s teeth chattering beside him, a chittering voice attempting to cut through the tension, “What—what he means is that you’re all invited, really!” 

Megumi turns his head, not to acknowledge Kirara or to back down to Hakari, but to look at you. He knows that you know that there are three options to how this ends, and given that he’s already got a strike in your book for bullying Kokichi, and that Yuuta’s route would cause significantly more drama than his, he’s hoping you’ll settle this yourself. 

He tilts his head just enough, raised eyebrows in warning and wait; and then, you give a conceding blink, a small sigh, part your lips to speak, still looking at Megumi when you say: “Hakari, Kirara, you two should grab lunch. They’re going to stop serving the hot food soon.” 

A command hidden as a suggestion. It makes the upperclassmen scowl, but still Hakari motions across the table to Kirara, and they both gather their belongings. “Whatever,” he scoffs, “You know where to find us when you want to have some real fun.” 

Hakari flashes you a wink over his shoulder before he and Kirara make their way around the building and towards the main dining hall. When they’re out of earshot, you smile, look away from Megumi, and back down to your lunch, grabbing the single, wrapped daifuku and tearing open the packaging, before looking back up to him with a smile, “Well, have a seat, Megumi. Join us.” 

Megumi scoffs, standing up straight again, “You’re supposed to be in a meeting with Gojo right now.” 

“I already had Yuuta do my bidding this morning, because he was so sweet to wake up before noon,” you reply, taking the desert out of the plastic, flashing Yuuta a brief smile before looking up to him again, “So I told him lunch was on me, and we ran into Tsumiki on our way. It’s so nice out, isn’t it? Come on, sit with us, enjoy the weather. Yuuta was telling us about the new coup he bought.”

Tsumiki chimes in about her lunch, looking over at Yuuta’s half-eaten tray and wishing she’d got beef instead of chicken. He offers her what’s left of his plate, and she politely declines, before Yuuta insists, pushing his food across the table to her, and you pitch in, putting the remainder of your sauce next to her. The three of you seem to easily pick up where your conversation was presumably before Hakari and Kirara crashed your lunch. 

Megumi’s scowl deepens. He knows that you know that he wants to know why Hakari and Kirara were here in the first place, he knows that you know that their party invitation was just a scheme to get you into trouble and get a rise out of him, he knows that you know he’s going to kick their asses six ways to Sunday unless you tell him not you. 

“Megumi,” you cut through his thoughts, words noticeably heavier, “Sit.” 

He rolls his tongue in his cheek, and you squint a bit, tilting your head to motion to the empty space beside you on the bench. You only spare him a sharp glance, before giving your attention back to Tsumiki, clapping happily as she shows you something she bought on her phone. 

With a huff, Megumi rounds the table, sets his bag down on the soft grass and swings his legs over the bench and next to you. Tsumiki turns her phone to Yuuta, and your attention is back to Megumi, breaking your daifuku in half and offering a piece to him. He puts an elbow on the table, leans his cheek into his palm, a defiant expression on his face you pay no mind to—you scrunch your nose with a deceptive smile, bringing the mochi to his lips, and opening your mouth mockingly for him to follow. He blinks at you, slowly; once, twice, a third time before his head dips every so slightly, mouth a jar, letting you place the dessert between his teeth. Only after he has it in his mouth do you begin to eat your half, sparing a hand to raise your arm and pat the top of his head, “See? That wasn’t so hard, was it?” 

Megumi tilts his head further into his palm. “You didn’t answer my calls.” 

“When you called, I was eating lunch. It’s rude to take calls when you have company,” you defend yourself. 

“Yuuta answered my texts.”

“Yuuta is scared of you,” you chirp, “And unlike you, he cares to not have write-ups on his transcript. He keeps his physical encounters off-campus.” 

“I am not scared of Megumi,” Yuuta scoffs, leaning over to poke at your forehead, “I’m scared of Tsumiki. And I did not want to be scolded for getting blood on her new Chanel skirt.” 

Between the two of them, Yuuta was certainly the more reformed one; it only took one incident of Tsumiki pulling at his ear and scolding him about using his words instead of his fists for him to actually listen to her. Megumi couldn’t blame him, Tsumiki was hellish when she was truly angry, and he feared Tsumiki as much as the next person, but he also knew how she had a soft spot for her younger brother; a mercy that Yuuta, Yuuji, and Nobara were not privy to when their violent streaks got the best of them. 

Besides, when Tsumiki couldn’t get to him, you were there to tug on his leash and reign him in. 

“Wimp,” Tsumiki coughs, “And simp,” she taunts her brother, “We ought to pick new bodyguards in our next life.”

You laugh softly at her teasing, but still, you rest your elbow on the table to mirror Megumi’s position, “You’re right. I call dibs on Yuuji.” 

Your joke makes the others laugh, and Megumi rolls his eyes as you all chuckle. Still, he shifts to lean his head against your shoulder, sly as he knocks his head against your neck and reminds you of a simple fact: “That’s too bad. You’re stuck with me, in this life and the next.”

[ghost-proofbaby]

can y’all imagine sending one of those things where a girl texts her man about having a bad day or wanting coffee or something and he replies by sending her an insane amount of money (like $100+) to eddie, and just being like “why don’t you ever do this for me? 😐” as a joke

and then the man just sends you one (1) fucking dollar.

and when you’re like “REALLY??? A DOLLAR???” he just goes “I DONT KNOW WHAT YOU WANT FROM ME IM BROKE”

it would become an inside joke, him randomly sending you the smallest amounts of money possible and just going “buy yourself something nice 😏” or “don’t spend this all at once baby” to be a little shit

god i love eddie munson

[wtfforged]