#males are necrophilic

[funeral]

In death the female loses the quality of being Other, and becomes an inanimate object that no longer threatens male order. Her body, once ‘a site of superlative alterity’, can now be controlled, composed, and dissected. In this state, the woman can be idealized. These ideas can be placed within the nineteenth century patriarchal cult of invalidism ... This cult glorified female suffering, illness and consequently, their deaths. Women who could be defined as either faint, frail or fading away, were set as icons of virtuous femininity. The ‘consumptive’ look consequently became an ideal of feminine beauty, which prescribed a pale, almost translucent skin, feverish eyes and an emaciated body. This sort of idealization went hand in hand with an eroticization of the dead female, the ultimate object of male fantasy ... Her total passivity enlarged her ‘erotic potential’. An almost necrophilic interest was thus taken into the bodies of lifeless females in nineteenth century Western art ... a morbid fascination that also surfaced in the Victorian iconography...

Valerie Meessen, "Post-mortems: Representations of Female Suicide by Drowning in Victorian Culture"

[yuri-for-businesswomen]

most murderers are men most serial killers are men most rapists are men most pedophiles are men most child rapists are men most war criminals are men most warlords are men most necrophiles are men most doms are men most sex buyers are men most zoosadists and zoophiles are men most sadists are men most domestic abusers are men most violent offenders are men most nationalists are men most terrorists are men most porn consumers are men most stalkers are men most peeping toms are men most exhibitionists are men etc etc

how do so many people #notallmen these issues instead of recognising that male violence has a system?

[absolutehomosexuals]

The Infamous "Durge Is a Man" Essay

I - INTRODUCTION

There's one simple question that led us to developing this theory: "would Bhaal want a female heir?"

Bhaal created Durge to be his ideal successor: the hand who would've reaped death in the world, conquering it in His name.

Every detail we get about Durge's lore is tied to this objective, the entire purpose of Bhaal's creation.

The cult is obviously shown to us as patriarchal, which is hinted at from the sole fact they worship a male deity: the argument may come off as silly at first, since one could argue Gods do not understand nor care for the concepts of gender.

It would be a valid counterpoint, if it wasn't for the fact Bhaal used to be a human, having navigated the world as a fully grown man before he eventually became a God.

If we believe he created Durge in his ideal image, it seems much more intuitive for his offspring to be male.

II - THE MATTER OF SUCCESSION

We must note that Bhaal's plans heavily rely (as we can read in Durge's "diary" tab) on reproduction ; e.g "siring lots of Bhaalspawn".

This alone isn't coded as one sex or the other but, if we think of it in terms of convenience, a female heir wouldn't be your first choice for the task: women can only gestate one child per year and conceive in very specific windows of time within their cycle, while men can potentially impregnate countless women in the same time span and not suffer any physical disadvantages during gestation.

We should also consider women tend to develop a bond with their newborn and the latter needs to rely on them for survival during the first few months of their life, while a man:

1. has no such obligations from a social point view (especially in a medieval context, where bastard children were the norm)

2. isn't strictly needed by the child for survival, biologically speaking.

I doubt Bhaal was expecting his heir to keep track of her cycle, gestate for nine months with all the drawbacks that come with it, give birth risking death and spend the following months caring for a newborn – all of this, on repeat for years if not centuries.

"But he's a God, he could potentially speed up the process!"

Technically true, but why would he go through such trouble, if he could craft his ideal child as a male and avoid complications?

The game itself seems to agree with this theory, since you get the "Bhaal's stallion" line regardless of your Durge's gender, in one of the bad endings.

We could also consider the idea that reproduction = power, "spreeding the seed", to be a typically patriarchal concept.

Bhaal himself isn't fond of the idea of raising children, as he let Durge be raised by an adoptive family – a "regular" one no less, meaning he didn't even concern himself with choosing one.

III - IN-UNIVERSE MYSOGINY

There are many aspects of the religion that seem to glorify manhood, and for its leader to be a woman (by Bhaal's choice, no less) seems inconsistent.

Let's think of the infamous blessing granted to Bhaal's favourites, the Ecstasy of Murder, which basically consists in a pseudo prostatic orgasm.

Then we consider the presence of predominantly-male sexual crimes, both coming from Durge and other important figures within the cult.

We cannot deny necrophilia, for functional reasons, is extremely uncommon amongst women: necrophilic acts are typically carried out by penetrating a dead body, as it's almost the only pleasurable act you can perform on a corpse ; Durge being a known necrophiliac pre-lobotomy could be one of the many hints the character is meant to be read as male.

Not to mention the horrendous way in which Bhaalist female characters are treated in-universe, between Sarevok sexually abusing his daughter (and this concept being treated as completely normal by the narrative, as far as we know of) and Orin being constantly belittled.

We never hear of any male cultists undergoing the same treatment, meaning abusing women is the norm amongst Bhaal's faithful – yet again, a telltale sign of a patriarchal religion.

"But Orin isn't mistreated because of her sex, she's mistreated because she's not the true heir!"

Orin is, indeed, not Bhaal's biological daughter: she's related to Him by blood, but as Durge himself says, her blood is "diluted".

However, while he acknowledges she's not his biological sister, he still addresses her as such in multiple sources, meaning the cult leader himself doesn't care about her actual origins.

She's constantly portrayed as someone who gets talked down to, cast aside and her beliefs are harshly criticized both by Durge and others influential members such as Sarevok.

For Larian to choose a woman to fill this role could have been accidental, but we must admit the symbolism is quite clear.

Orin interprets murder as a form of art, while her Bhaalist peers frequently accuse of her misunderstanding her own faith, considering her too immature to lead the flock.

She's the only Bhaalist female character we're shown as remarkable, and she's coincidentally used as an example of someone the cult does not respect ; she's even biologically related to Bhaal and yet, she had to seize power by force.

IV - ROMANTIC SUBTEXTS

Another interesting matter are the characters commonly paired with Durge in fanworks: Durgetash and Durgestarion are the most popular romantic pairings according to ao3, and we cannot blame the fandom for catching up on the subtext.

Durge's "admiration" (as he calls it himself) towards Gortash is viewed as controversial and arises suspicion in-universe, to the point he feels the need to apologize to his Father and repent for an implicit sin.

While it would be scandalous to fraternize with Gortash even in a platonic matter – he's practically the leader of the rival cult –, the emphasis put on justifying their interactions has been interpreted by fans as romantic subtext.

The letter in which Durge addresses the issue is titled "Letter for Forgiveness", despite Gortash only being mentioned at the beginning, while the rest of the letter focuses on different topics entirely.

Right after expressing guilt for the way he views Gortash, Durge proceeds to repeat Bhaal's plan and promises to follow it, stressing that he would have made his Father proud regardless.

The letter overall comes off as an attempt to justify being attracted to Gortash and reassuring Bhaal that it wouldn't come in the way of their plans, as it would pose an enormous threat otherwise.

Durge being attracted to Gortash – if we choose to interpret him as a man – would come with a handful of important challenges: first of all, sympathizing with the 'enemy', implying Durge could abandon the idea of betraying him or even allow Gortash to do the same to him.

Second of all, being capable of such vulnerability that would come in the way of being a sentient weapon: a killing machine isn't supposed to feel pity, let alone experience something as foolish as forbidden love.

And thirdly, for Bhaal's heir to prefer the company of men is simply a disgrace, as it would come in the way of reproduction and possibly undermine his public image.

While all of this may have not been meant as a homosexual allegory, the fact you can find the Letter for Forgiveness on Durge's corpse if you play as Tav, still comes off as "bringing a secret to the grave".

Not to mention the note at the end of the letter, written by another cultist, reading: "Ha! Orin was right about her sibling." which is clearly a jab at what we mentioned above.

When you go to confront Orin in Act III (as Durge) about the fact she has been following you around town, she replies: "The little lordling has been whispering in your ears? He always knew how to tumble and twist your mind matter, leaving you knotted in his chords."

The matter of Durge's attraction to Gortash is seen as something silly and shameful at the same time: it's an open secret cult members dare to joke about, because they find it ridiculous.

If a hypothetical female heir of Bhaal had the slightest possibility of reproducing with the Chosen of Bane, I'm pretty sure they wouldn't find it as humorous – they find it hilarious because it's taboo, a powerful demigod developing a "school crush" on a male ally.

We should also talk about some of the in-game implications about Gortash, such as being someone who possibly "slept his way to the top": managing to charm and daze a much more powerful man on purpose sounds surprisingly in-character.

What we find even more interesting are the implications that come with Durgestarion, a pairing the writers are openly fond of.

We know both characters were characterized by the same writer, the latter going out of his way to include personalized romance interactions between the two: unlike other characters, romancing Astarion as Durge gives the player access to tons of new dialogue lines and greetings, sometimes making for a completely new experience compared to romancing him with a regular Tav.

Some hints may point to Durge being the "canonical" romance for Astarion, as many fans have speculated ; while one may disagree with that sentiment, we must admit it's not far fetched.

If we consider all of Astarion's canonical past relationships (meaning, the few ones he actually deems important and genuine) were with men, and the emphasis put on Durge's "admiration" towards Gortash + the incessant pressure Bhaal puts on him to reproduce, the thought of these characters romancing each other in an alternative timeline actually sounds liberating.

Some Durge-specific lines Astarion says during his romance arc seem to be aimed at a male character, rather than sounding gender neutral: the first example that comes to mind is "Are you alright now, or is today a 'I will wed you with a delicate veil of blood blooming over your white curls' kind of day?"

Astarion sarcastically references Durge "wedding him", thus putting the player in a stereotipical "groom" role from the start, with the veil resembling the one brides typically wear during the cerimony.

If we consider all other aspects mentioned in this theory, the line reads as somewhat... male-coded.

If we want to be truly insane about this theory – and of course, we do – , we could even add a "gay allegory" element to the equation.

A vampire and the spawn of an evil deity, excluded members of society who'd usually feel a compulsion to hide, are implied to fall in love by the narrative.

V - ACTING CHOICES

Finally, we come to the voice actor: while a specific actor was chosen to play the character and is regarded as the iconic Durge VA, Larian didn't concern themselves with choosing a female voice actor to include the possibility of a female Durge, which is why we can only hear his intro in Neil Roberts' voice.

VI - CONCLUSION

With all of this taken into account, a female Durge seems to be an after-thought, if not directly a fantasy or a headcanon that the game gives you the possibility to play out.

The original narrative, as we can see, best accomodates a male character.

[killjoyfem]

And remember ladies, on the subject of mortuaries: Necrophilia is a particularly male thing. In this study, 95 percent of necrophiles were found to be men. In addition, 100 percent of the cases of necrophilic homicide were perpetrated by men. (source)

[gorelesbian]

Please, tell me your top ten most disturbing books you’ve read. I honestly need recommendations.

thank you very much for asking!!! <3 some of these are so nasty that i feel the need for a disclaimer; i read disturbing horror (sometimes. can't stomach it continiously) when i get bored of everything since i know for sure it'll be stimulating and never boring. these are those books in no particular order!

the troop by nick cutter is about a troop of boy group scouts and their scoutmaster who are camping on an island when a fucked up parasite starts spreading. the body horror and animal cruelty/death in this are beyond insane, the turtle scene haunts me. i gave it 5/5 stars.

any man by amber tamblyn is one of my favourite books ever but i've never dared recommend it to anyone. it's about the male victims of a female serial rapist and genital mutilator. it's extremely harrowing and disturbing but i knew after 30 pages this would be a 5 star read for me, some of the best writing i've ever read. i gave it 5/5 stars. fun fact: amber tamblyn is also the girl who dies in the opening scene of the ring (2002)!

tampa by alissa nutting is about a woman who starts working as a teacher at a high school just to seduce and have sex with (rape) preteen boys. it's written from her perspective and it is extremely unpleasant to be inside her head. absolutely disgusting but also very well written. i gave it 4/5 stars.

earthlings by sayaka murata is about a young girl who has convinced herself that she is an alien from another planet to cope with the horrific abuse she going through. this book goes places i couldn't explain if i tried. i expected this to not be that disturbing and insane since it's quite popular but i was very wrong! i gave it 4/5 stars.

exquisite corpse by poppy z brite is about two gay necrophilic cannibalistic serial killers on the loose and their victims. it's set during the 1980s aids crisis which is very interesting. not much else to say about this one honestly! lot of nasty things happen! i gave it 3/5 stars.

tender is the flesh by agustina bazterrica is about a world in which animal meat has become unsafe for humans so we have started breeding and keeping humans for consumption. maybe not as disturbing as the other books on here but really interesting portrayal of the meat industry and how society treats minorities aka people they deem as "less human" than themselves. i gave it 4/5 stars.

gone to see the river man by kristopher triana is about a woman who has started a relationship with an imprisoned serial killer and has agreed to go on a quest for him. i was stressed as hell throughout this because she brings her mentally disabled sister with her who has no idea what's going on and i massively feared for her wellbeing. it actually wasn't disturbing at all until about 80% through and then it starts smacking you across the face. yikes! i gave it 3/5 stars.

things have gotten worse since we last spoke by eric larocca is about two women who meet online and quickly get involved in a very intense and fucked up relationship. goes pretty hard on the body horror and animal cruelty and baby cruelty. jesus christ. i gave it 4/5 stars.

to be devoured by sara tantlinger is about a woman who becomes obsessed with the thought of being a vulture and finding out what rotting flesh tastes like. she goes further and further to try and find out the vultures' secrets. now THIS is real weird girl swag. i gave it 4/5 stars.

i ran out of novels help. the most disturbing manga i've read is brutal: confessions of a homicide investigator by kei koga and ryo izawa which is about a homicide investigator who secretly punishes the criminals he encounters. this is very brutal. for example he finds a guy who raped a woman and he shoves a stake up his ass. i gave it 4/5 stars.

[justforbooks]

Donald Sutherland

Commanding and versatile actor known for his roles in MAS*H, Don’t Look Now and The Hunger Games

Donald Sutherland, who has died aged 88, brought his disturbing and unconventional presence to bear in scores of films after his breakthrough role of Hawkeye Pierce, the army surgeon in Robert Altman’s M*A*S*H (1970), one of the key American films of its period. It marked Sutherland out as an iconoclastic figure of the 60s generation, but he matured into an actor who made a speciality of portraying taciturn, self-doubting characters. This was best illustrated in his portrayal of the tormented parent of a drowned girl, seeking solace in a wintry Venice, in Nicolas Roeg’s Don’t Look Now (1973), and of the weak, nervous, concerned father of a guilt-ridden teenage boy (Timothy Hutton) in Robert Redford’s Ordinary People (1980).

Although Sutherland appeared in the statutory number of stinkers that are many a film actor’s lot, he was always watchable. His career resembled a man walking a tightrope between undemanding parts in potboilers and those in which he was able to take risks, such as the title role in Federico Fellini’s Casanova (1976).

Curiously, it was Sutherland’s ears that first got him noticed, in Robert Aldrich’s The Dirty Dozen (1967). During the shoot, according to Sutherland, “Clint Walker sticks up his hand and says, ‘Mr Aldrich, as a representative of the Native American people, I don’t think it’s appropriate to do this stupid scene where I have to pretend to be a general.’ Aldrich turns and points to me and says, ‘You with the big ears. You do it’ … It changed my life.” In other words, it led to M*A*S*H and stardom.

Sutherland and his M*A*S*H co-star Elliott Gould tried to get Altman fired from the film because they did not think the director knew what he was doing due to his unorthodox methods. In the early days, Sutherland was known to have confrontations with his directors. “What I was trying to do all the time was to impose my thinking,” he remarked some years later. “Now I contribute. I offer. I don’t put my foot down.”

Sutherland, who was born in Saint John, New Brunswick, Canada, was a sickly child who battled rheumatic fever, hepatitis and polio. He spent most of his teenage years in Nova Scotia where his father, Frederick, ran a local gas, electricity and bus company; his mother, Dorothy (nee McNichol), was a maths teacher. He attended Bridgewater high school, then graduated from Victoria College, part of the University of Toronto, with a double major in engineering and drama. As a result of a highly praised performance in a college production of James Thurber’s and Elliott Nugent’s The Male Animal, he dropped the idea of becoming an engineer and decided to pursue acting.

With this in mind, he left Canada for the UK in 1957 to study at Lamda (the London Academy of Music and Dramatic Art), where he was considered too tall and ungainly to get anywhere. However, he gained a year’s work as a stage actor with the Perth repertory company, and appeared in TV series such as The Saint and The Avengers. He was Fortinbras in a 1964 BBC production of Hamlet, shot at Elsinore castle and starring Christopher Plummer. He also appeared at the Criterion theatre in the West End in The Gimmick in 1962.

In 1959 he married Lois Hardwick; they divorced in 1966. Then he married the film producer Shirley Douglas, with whom he had twins, Kiefer and Rachel; they divorced in 1971. Kiefer, who grew up to become a celebrated actor, was named after the producer-writer Warren Kiefer, who put Sutherland in an Italian-made Gothic horror film, The Castle of the Living Dead (1964). Christopher Lee played a necrophile count, while Sutherland doubled as a dim-witted police sergeant and, in drag and heavy makeup, as a witch.

In an earlier era, the gawky Sutherland might not have achieved the stardom that followed the anarchic M*A*S*H, but Hollywood at the time was open for stars with unconventional looks, and Sutherland was much in demand for eccentric roles throughout the 70s.

He was impressive as a moviemaker with “director’s block” in Paul Mazursky’s messy but interesting Alex in Wonderland (1970), which contains a prescient dream sequence in which his titular character meets Fellini. In the same year, Sutherland played a Catholic priest and the object of Geneviève Bujold’s erotic gaze in Act of the Heart; he was the appropriately named Sergeant Oddball, an anachronistic hippy tank commander, in the second world war action-comedy Kelly’s Heroes; and he and Gene Wilder were two pairs of twins in 18th-century France in the broad comedy Start the Revolution Without Me.

Sutherland was at his most laconic, sometimes verging on the soporific, in the title role of Alan J Pakula’s Klute (1971), as a voyeuristic ex-policeman investigating the disappearance of a friend and getting deeply involved with a prostitute, played by Jane Fonda.

Sutherland and Fonda were teamed up again as a couple of misfits in the caper comedy Steelyard Blues (1973). It initially had a limited distribution due mainly to their participation together in the anti-Vietnam war troop show FTA (Fuck the Army), which Sutherland co-directed, co-scripted and co-produced.

Sutherland always made his political views known, although they surfaced only occasionally in his films. In among the many mainstream comedies and thrillers was Roeg’s supernatural drama Don’t Look Now, in which Sutherland and Julie Christie are superb as a couple grieving their dead daughter. Despite the dark subject matter, the film was notable for containing “one of the sexiest love scenes in film history”, according to Scott Tobias in the Guardian, the frank depiction of their love-making coming “like a desert flower poking through concrete”. The actor so admired Roeg that he named another son after him, one of his three sons with the French-Canadian actor Francine Racette, whom he married in 1972.

John Schlesinger’s rambling version of The Day of the Locust (1975) saw Sutherland as a sexually repressed character – called Homer Simpson – who tramples a woman to death in an act of uncontrolled rage. Perhaps Bernardo Bertolucci had that in mind when he cast Sutherland in 1900 (Novecento, 1976), in which he is a broadly caricatured fascist thug who shows his sadism by smashing a cat’s head against a post and bashing a young boy’s brains out. “And I turned down Deliverance and Straw Dogs because of the violence!” Sutherland recalled.

In Fellini’s Casanova, the second of his two bizarre Italian excursions in 1976, Sutherland coldly calculates seduction under his heavily made-up features. The performance, as remarkably stylised as it is, still reveals the suffering soul within the sex machine.

In 1978 he appeared in Claude Chabrol’s Blood Relatives, a made-in-Canada murder mystery with Sutherland playing a Montreal cop investigating the murder of a young woman. More commercial was The Eagle Has Landed (1976), with Sutherland, attempting an Irish accent, as an IRA member supporting the Germans during the second world war, and as a chilling Nazi in Eye of the Needle (1981). Meanwhile, he was the hero of Invasion of the Body Snatchers (1978), who resists the insidious alien menace until the film’s devastating final shot.

In 1981 Sutherland returned to the stage, as Humbert Humbert in a highly anticipated version of Vladimir Nabokov’s Lolita, adapted by Edward Albee. It turned out to be a huge flop, running only 12 performances on Broadway. Both Sutherland and Albee played the blame game. “The second act is flawed,” Sutherland said. “Albee was supposed to have rethought it, but he never did.” Albee told reporters that he had scuttled some of his best scenes because they were “too difficult” for Sutherland because “he hasn’t been on stage for 17 years”.

Continuing his film career, Sutherland played a complex and sadistic British officer in Hugh Hudson’s Revolution (1985), and in A Dry White Season (1989) he took the role of an Afrikaner schoolteacher beginning to understand the brutal realities of apartheid. In Oliver Stone’s JFK (1991), he held the screen with an extended monologue as he spilled the conspiracy beans to Kevin Costner’s district attorney hero Jim Garrison.

After having made contact with young audiences in the 70s with offbeat appearances in gross-out pictures The Kentucky Fried Movie (1977) and National Lampoon’s Animal House (1978), the latter as a pot-smoking professor, he was cast as an unconvincing bearded stranger in Buffy the Vampire Slayer (1992).

On a more adult level were Six Degrees of Separation (1993), in which he played an unfulfilled art dealer; A Time to Kill (1996), as an alcoholic, disbarred lawyer (alongside Kiefer); Without Limits (1998), as an enthusiastic athletics coach; and Space Cowboys (2000), as an elderly pilot. By this time, he was gradually moving into grey-haired character roles, one of the best being his amiable Mr Bennet in Pride and Prejudice (2005).

The Jane Austen novel was also featured in the television series Great Books (1993-2000), to which Sutherland lent his soothing voice as narrator. Other series in which he shone as quasi baddies were Commander in Chief (2005) – as the sexist Republican speaker of the house opposed to the new president (Geena Davis) – and Dirty Sexy Money (2007-09), in which he played a powerful patriarch of a wealthy family.

Sutherland continued to be active well into his 80s, his long grey hair and beard signifying sagacity, whether as a contract killer in The Mechanic, a Roman hero in The Eagle, a nutty retired poetry professor in Man on the Train (all 2011), or a quirky bounty hunter in the western Dawn Rider (2012), bringing more depth to the characters than they deserved. As President Coriolanus Snow, the autocratic ruler of the dystopian country of Panem in The Hunger Games (2012), Sutherland was discovered by a new generation; he went on to reprise the role in three further films in that franchise, beginning with The Hunger Games: Catching Fire (2013).

He played artists in two art-world thrillers by Italian directors: in Giuseppe Tornatore’s Deception, AKA The Best Offer (2013), he was a would-be painter helping to execute multimillion-dollar scams, while in Giuseppe Capotondi’s The Burnt Orange Heresy (2019) he was on the other side of the heist as a reclusive genius targeted by a wealthy and unscrupulous dealer (Mick Jagger).

Aside from James Gray’s science-fiction drama Ad Astra (also 2019), in which he co-starred with Brad Pitt, Sutherland’s best late work was all for television. In Danny Boyle’s mini-series Trust (2018), which covered the same real-life events as Ridley Scott’s All the Money in the World, he played J Paul Getty, the oil tycoon whose grandson is kidnapped; while in The Undoing (2020), he was the father of a psychologist (Nicole Kidman), reluctantly putting up bail when her husband (Hugh Grant) is arrested for murder.

For the latter role Sutherland was in the running for a Golden Globe, having already received an honorary Oscar in 2017.

He is survived by Francine and his children, Kiefer, Rachel, Rossif, Angus and Roeg, and by four grandchildren.

🔔 Donald McNichol Sutherland, actor; born 17 July 1935; died 20 June 2024

Daily inspiration. Discover more photos at Just for Books…?

[see-arcane]

I'm reading an article "Loving You All Ways: Vamps, Vampires, Necrophiles and Necrofilles in Nineteenth-Century Fiction" (it's paywalled sorry) and Jonathan Harker just got mentioned as the second category and I thought of telling you.

(it's about the ways in which sex is often metonymically displaced onto death, and death onto sex, and the Victorian sublimation of eroticism, and its preoccupation with expiration.)

(on that note, rarely talked about is that Harker is the only male or female character who resolves to walk into the hungry arms of a dead woman with his eyes (and collar) wide open and not shrouded by ignorance or a thrall. If we want to explore the intermingling of sex and death, loss of ego in madness, repulsion and desire, eros and madness, hatred and love, look at him with a particular human-vampire woman.)

If Jonathan Harker deserves nothing else, he deserves to be in the ‘I love my wife no matter how human or not she is and I will join her in whatever state she exists in 😤’ category of vampire lovers

[skullbowz]

How the creepypasta fandom feels after headcannoning half the male population as necrophiles

[desirdumb]

HELLO EVERYONE!!!! I AM JAYDEE

This is my new blogg!!

My name is Jaydee!! I also go by Halo ^-^

I am an azlian male, a faitive, and I'm gay!

I am NOT transfem!!!!!!! My gender identities are BOY and BIMBOTHING!! I also resonate with other genders related to being a bimbo boy, but these are the two I use

My pronouns are vice/viscer/viscerself , pulse/pulses/pulsates , and sh♡/h♡r

I am desirdumb, desirbimbo, desirworshipped, and I THINK I have a god complex

I am an anti contact paraphile! I have a necrophilic disorder, I'm a splanchophile, and teleiophile

I'm perma 17, and also currently bodily 17

I'm single and poly ♡ currently looking for some relationships! (Wanna build friendships first obviously!) And I'm especially looking for those who are chronosian and identify as above 18 or people willing to worship me as a partner :)

I won't go outside the body age of 16-19 though. I'm also looking for friends or platonic people who will worship me by the way!!!!

I am a PURELY SFW Bimbo blog!!!!! I'm here for the aesthetics and the sillies and the happiness! But I'm also a minor!!! NO NSFW HERE!!!!

And that's me!!!! Follow me and be my friend :P

[sewers-headmates]

Hiiiiii

Can we get a fictive of William Afton (either Blueycapsules ver [personal fav] or normal Fnaf, your choice) with your choice of transID’s and stuff :3c (we’re not good at thinking them up)

Custom Android: William Afton

developer note: we know nothing about Blueycapsules and i will withhold our opinion on it so uhhh enjoy i hope

First Name: William

Last Name: Afton

Nickname: Will, Dave

Age: 37

Gender: cis male

Pronouns: he/him

Sexuality: gay

Species: human

Source: blueycapsules

Roles: caretaker, manager, gatekeeper

cisIDs: human, brown hair, british, ADHD, autistic, father, brother, PTSD, ASPD

transIDs: transBlondeHair, transRabbit, transRabbitEars, transSharpTeeth, transPurpleEyes, transGlowingEyes

trisIDs: trisHarmful

Paraphiles: sadist, necrophile

Other Labels: ambi

Appearance:

enjoy him! i hope i did an ok enough job for not knowing anything about this comic!

-mod gavin

Order Complete! Enjoy Your Android!

[dworkinsdaughter]

I can’t help but see the simultaneous release of the Barbie movie and Oppenheimer to be an encapsulation of current gender culture. I haven’t seen either movie (and don’t plan on watching Oppenheimer) but womens culture is bright and colourful and fun and people are dressing up and having parties in real life. Daughters are going with mothers. Sisters going together. Girlfriends with girlfriends. And it’s just. Even not even taking about the content of the film which with barbie I honestly have no idea what it will be. It’s fun.

And Oppenheimer. I’ve had so many sponsored posts at me about it. How I have to see it on the big screen. So lots and lots of money behind marketing it. Shoving a movie about bombs in my face while the stuff with Russia is happening. Is it not a bit on the nose? And why do I ‘want’ to care about bombs. I don’t. I hate them. I hate war. I hate that so much money has gone into wars and death dealing bombs and obviously so much money has gone into this film and it’s promotion. It’s male necrophilic culture that capitalises on death. I hate it.

Would love to know your thoughts (women only)

[roadkillthefox]

INTRODUCTION

Hello, internet. You can call me Carrion or Roadkill. If calling me either of those makes you uncomfortable, Scavenger is fine. I use he/they/it pronouns. I am 20 years old. I am a perisex trans man who was AFAB. I am pansexual and demiromantic. I am alterhuman. My identities are as follows:

Melanistic “silver” red fox (past life, unsure on gender, but probably male)

Spotted hyena (past life, probably female)

Drake/wingless dragon (psychological)

Bearded vulture (otherlink)

Gray wolf (hearttype, along with canines in general)

Were-hellhound (both physical and psychological)

If you have questions about my nonhumanity, feel free to ask.

I first made this blog for venting purposes, mostly, so I’m still going to talk about a lot of things that impact my life. Depression, anxiety, imposter syndrome, chronic pain, PTSD, SA, SH, abusive parents, gender dysphoria, species dysphoria, etc. And I’m going to swear. A lot. This blog is for talking without a filter. I might even mention my problems with being hypersexual. This isn’t an 18+ blog, but it isn’t not one, either.

I have been diagnosed with autism, social anxiety disorder, general anxiety disorder, major depressive disorder, ADHD, CPTSD, and fibromyalgia. I am part of a median system (each part/alter will have their own intro below).

If you have a problem with any of this, please don’t harass me. Just block me and move on with your day.

I’m also going to post song lyrics that I like, reblog stuff I’m interested in, and maybe share some art that I make, now that I’ve decided to use this as my main blog.

This is a safe space for everyone. Systems of all origins, those with personality disorders, those who use pet or age regression (just be aware that I do swear quite a bit). This is also a safe place for paraphilias that are not harmful (so all except those that involve children, animals, and the dead). Any hate or harassment towards myself or anyone in my comment sections will not be tolerated and will result in you being blocked immediately.

One of my interests is vulture culture, or the collection of parts of animals (bones, antlers, feathers, etc), and I made a side blog for that specifically. You can find it at @scavengerlyfe

DNI (fuck off, get help, etc.): racists, sexists, homophobes, transphobes, acephobes, anyone who hates intersex people for any reason, ableists, zionists and supporters, pedophiles and supporters, zoophiles and supporters, necrophiles and supporters, anti endo, TERFs, people (dumbasses) who think that those with NPD and/or ASPD and/or any other personality disorder are inherently abusive (this falls under ableism, but I had to say it again), etc.

Note: I don’t care if you’re a religious person. Just don’t try to convince me that being myself is inherently wrong. I worship nature itself; don’t try to tell me I should believe what you believe. Same goes for political beliefs. I don’t care, just don’t harass me about it

PART/ALTER INTRODUCTIONS (We call ourselves the Fractured Mirror Collective, by the way. Unanimously agreed on it). Everyone in this system is an adult, but please don’t flirt with any of us, even jokingly (unless you know us irl)

Ilerei

Gender: female, uses she/her, but doesn’t mind being called they/them once in a while

Species: unsure, some kind of unique creature

Origin: host made an imaginary friend as a kid. That imaginary friend became real and basically the host’s sibling and voice of reason

General traits: caring, protective of the host, tries to keep everyone else in check

Moth

Gender: genderless, uses it/its

Species: winged demon-like being, possibly undead

Origin: unclear, literally just showed up out of nowhere, took control of the body and freaked out about the lack of wings and claws. That was 8/12/24, so Moth is very new here

General traits: angry most of the time, obsessed with wings and flying. Enjoys collecting feathers. Tends to say violent things

Haunt

Gender: unclear, but uses any pronouns

Species: Wenditcher (Hollywood’s bastardized version of the w*endigo)

Origin: not sure, possibly trauma-based

General traits: Quiet, mostly apathetic, hungry all the time. Enjoys collecting bones. Less angry than Moth, but talks a lot about how edible most living things are

[badshipshitblog]

How do you think a necrophilic Bro would be?

i already think bro (and dirks in general) is a necrophile! eroticizing his death, likes the idea of his body still being useful/sexually important after death, kind of like the Ultimate Submission to both life & whoever's fucking your corpse. i think he would also be into the idea of fucking corpses himself, wrt having total control over someone's body. in many ways, corpses are like puppets. plus he's into gore

bro's definitely has fantasies abt fucking dave's corpse, but those are also tied up in semi wanting dave to die so that he can be the Alpha Male Protagonist. if dave died pre-game, i think bro would definitely fuck him. in general i think a dirk w access to a dave corpse would fuck it. and often vice versa

i don't think bro's a practicing necrophile in canon, if that's what you mean. he's a busy guy. but were he, i could see him breaking into morgues to see what's going on and playing w a body if it caught his eye. he would bring cal. i don't think bro has sex w/o cal there

in a darker au it would be fun for bro to be serial killing blond teens that he fucks & disposes of in the crawlspace while dave's home

[bayfuzzball7050]

🙃

SORRY I THOUGHT YOU WERE SOMEONE ELSE

So uhh did ya know that dolphins are necrophiles?? There is record of them trying to procreate with corpses of seals, whales, big fishes, and sharks and even humans

Plus their mating ritual is killing the females pod and forcing her to procreate with 3 males or more

[thenameofthedevil]

introductions

long post, will be updated

(Wasnt made but his faceclaim is on there and lazy we are)

Name: Ash

Age: 17

Pronouns: He/They (Non-binary)

Sexuality: Pansexual

Species: Human

Role: Co-Host

Source: N/A

Status: Single

Sign offs: -🐨 , -Ash, -Ashes🐨

Name: Awassi or Stolas

Age: N/A

gender: N/A

Pronouns: he/they/it

Sexuality: pansexual aegosexual

species: mythological creature

roles: faitive + persecutor

Cisids: cisgr00med, cisr8ped (more, were lazy)

transids: transharmed (more)

Status: Single

Sign offs: -🐑 , -Awassi

warnings: N/A

kinks/paras/fetishes: N/A

Name: Cooper / Coop

Age: 40

Gender: Cisgender male

Pronouns: he/him

Sexuality: Bisexual

Species: Human

Roles: Caregiver / Fictive

Source: Trap

Status: very much seeing a wonderful person. [host]

Sign off: -Coop , -Butcher, -Coop_thebutcher🔪 , -🥩⛓️ , -🔪🥩

Warnings: hes a warning on every level

Kink/Fetish/Para: Pedophile, Sadist

Name: Damon, handsome (jk)

Age: 178 (looks around 25)

Pronouns: he/they (cis)

sexuality: bisexual

species: vampire

role: fictive

Source: TVD

cisids: cisblackhair, cisvampire, cisparaphile, cisBPD, cisproblematic, cisstalker, cisNPD, cisObsessive

transids: transharmed, transdepression, transgodcomplex, transpersecutor, transharmful, transbully, permaloved, transfp

status: single (with a sexual friendship on the side)

tells for fronting: smiles a lot, big ego, selfish, flirts a lot,

Sign off: -D , -🦇 , -Damon🦇

Warnings: none

kink/fetish/para: open to anything

<face redacted>

name: Dylan

Age: 18

gender: male

pronouns: he/him

sexuality: bisexual (women>>>>>>>>>>)

Species: human

role: persecutor and <redacted>

source: <redacted>

Cisids: <redacted>, ciswhite, cisjewish, cischristian, cisharmful, cisparaphile, cistoxic, cisdepression, cisED, cisparanoia, cisanxiety, cisbullied, cisSH (probs more)

transids: transharmed, transowned, transdarkerscars, transbipolar, transcontrolled, permavictim

Status: Taken x2 [Jeff (outsys) and <REDACTED> (insys)]

Tells for fronting: usually calm unless with val, might be rude and manipulative

sign off: -Dyl , -💣⛓️

Warnings: messed up dude w messed up morals

Name: Elijah Mikaelson. Age: 1050years old. Gender: Cisgender Man. Pronouns: He/Him

Sexuality: Bisexual, Ambiamorous, Cannuzic attraction

Species: Original Vampire

Role: Emotional protector

Source: The originals and The Vampire Diaries

CisIds: cisvampire, cisimmortal, cispowerful, cisharmful, cisstalker, cisemotionless(mainly), cisfictive, cisanxiety, cis(former)witch

TransIds: PermaManipuLove, TransDPD, Fictatorship, transloved (yandere way)

Status: Throuple with my brother and our boyfriend and sexual friendship (insys) maybe liking someone else (outsys)

Sign off: -Lijah , -E , -EM , -Elijah , 🥀🩸, -Elijah🩸

kink/fetish/para: many

Name~ Valentino, <redacted> , Val, Ty, Tino

Age~ Chrono 19, transage 43

Gender~ Male

Pronouns~ He/She

Sexuality~ PanGay Polyamorous

Species~ dont you wish to know

role~ Malicitator + Persecutor

Status~ Taken<3 (My baby girl cece)

Sign off~ -E , -Val

Warnings: shitty being with shitty morals

kink/fetish/para: DDLG, Faucest, pedophile, necrophile, sadist, blood, knives, guns, death, abuse, more

<redacted pic>

name: Jeffrey

Age: 38

pronouns: he/him

Sexuality: gay

Status: single

sign offs: -Lio , -Jeff, -🥩

Name: victor, mr zsasz, zsasz

age: 25-30

gender: cis

pronouns: he/him

Sexuality: pan polyam

Species: human

role: protector and fictive

source: gotham

cisids: cisassassin, cisharmful, cisharmed, cisBald, cisBPD, ciskiller, cisscars

Transids: transdarkerscars, transNPD, transowned, transloved, transcannibal, transcannibalized, transpopular, transbullied, transbully

status: Single

sign off: -Vic

Name^ Klaus Mikaelson

Age^ 1035 years old

Gender^ Cisgender

Pronouns^ He/It

Sexuality^ Pansexual Polyamorous

Species^ Hybrid (vampire+werewolf)

Role^ persecutor, malicitator, caregiver, host

Source^ TO and TVD

cisIds^ cisvampire, cishybrid, ciswerewolf, cisharmful, cisblonde, cisimmortal, cisfictive, cisbrowneyes, cisobsessed, cisBPD, cisAbandonmentissues

TransIDS^ rottingmeatscentic, transforcedpetdog, permarude, permacollar (maybe more?)

Status^ Taken [ my amazing brother Elijah and my wonderful partner Princess/Lulu❤️]

Sign off: -Kl , -Klaus , -Klaus🐺 , -Nik , -🐺

Kink/fetish/para: so many god

<Redacted pic>

name: [REDACTED]

age: 30-34

gender: demiboy

pronouns: he/they

sexuality: achillean

species: human

status: Taken [dylan]

sign off: -J , -[red

[sewers-headmates]

PATRICK BATEMAN ALTER..... AS FUCKED UP AS POSSIBLE....

one sick fucked up man coming up

Name: Patrick Bateman

Age: 27

Gender: male

Pronouns: he/him

Sexuality: very very VERY closeted gay man, to the point where the concept of being gay makes him sick (he still stares at men all the time though)

Species: human, transGod

Source: american psycho (movie & novel)

Roles: gatekeeper, aggressive protector

cisIDs: brown hair, antisocial, asocial, anger issues, intrusive thoughts, delusions, NPD, no emotion

transIDs: transHarmful, permaDelusional, transBPD, transASPD, panCluster-B, transSmart, transMurderer, transSerialKiller, transNormal, transEmotions

Paraphiles: sadist, necrophile, MAP, consang

Other Labels: he’s a sadistic awful man who supprisngly helps the body out a lot with self care and keeping worse people away + other persecutors at bay

Appearance:

i hope you enjoy this awful vile man

-mod max