#lots of Is and Es in here

[erraticfairymagic]

i'm gonna play a game no one tagged me in bc it sounds fun. here's a song for every letter of my url.

i'm not gonna tag anyone bc this is no longer a tag game, is it? under cut bc wow i have a long url

i won't let you down - ok go

modular man - dunka dunka

bang your box - pal

lake pontchartrain - ludo

easy thing - dom fera

electric pow wow drum - the halluci nation

destroy to enjoy - will wood & the tapeworms

i hung my head - johnny cash

naie chuppe - amsterdam klezmer band

grow back - happy fits

me & my dog - boygenius

absinthe - idkhow

golden state - joywave

inked in red - vision video

crack of doom - tiger lillies

[autobot-ratchet]

I combed through some episodes of earthspark and put together some references for Nightshade bc I'm gonna be real, there's not a lot of references out there and I am not willing to trudge through transphobia to find more through any given search engine so I just made em my damn self lmAO

[windydrawallday]

⬆️ The MAIN REASON why I watched the show ⬆️

And I personally feel like something similar happened here to what happened with TFA and TFP Ratchet? Ya know the quote "This version walked so this other version could run"? Because I respect and enjoy TFA Swindle a lot but this one forged enough charm and even surpassed it in his own way? Idk Idk pretty pretty con man bot and super entertaining to watch! Luv him to bits 💜

[xanandhix]

WE GOT KUROSHU CRUMBS???? A WHOLE LOAF OF BREAD??? IN THIS ECONOMY?????

[sorkiz]

SPOILERS AHEAD!!!!

WTF THEY TURNED MY BABE INSANE AGAIN?!?!??

@

LIKE WE DIDN'T GET INSANE STARSCREAM EARLIER IN CYBERVERSE

@

WHEN HE REALLY THOUGHT THAT HIS SCRAPLET CHILDREN WERE REINCARNATIONS OF PRIMES

WE DON'T WANT TO REMEMBER THIS THING

@

LOOK AT HIM, HE'S LIKE SEXY MASTERMIND STANDING IN THE EYE OF A GIANT

AND THEN HE DRINKS TEA LIKE A MAD HATTER WITH DEAD CHILDREN

I THINK WE SHOULD THANK HASBRO FOR NOT TURNING HIM INTO THE QUINTESSON AGAIN

@

AND YEAH I DON'T KNOW WHERE THEY GOT MY FACE FROM WHILE I WAS WATCHING THIS BUT HERE IT IS

[thephooka]

I've been dreaming of making a webcomic for nearly half of my life, and I've just started actually working on that, but... do you think it's worth it for me to start even with the decline of the scene? White noise is quite possibly my favorite piece of media, period, and it's in a format I love, so I figure you're a good person to ask the thoughts of.

(In reference to this post, I am guessing.)

ABSOLUTELY! 100%! MAKE YOUR WEBCOMIC!! Please don't let the whinging of us old heads deter you from making a project that you're passionate about.

I think it's important to ask yourself what would make it 'worth it' in your mind. What do you want out of making a webcomic? Is it that you want to experience the act of creation? Do you have a story you need to get out? Is your goal to get a book printed? To have a large audience? To improve your artistic and storytelling skills? To make a living on your artwork? To make merch? Some of these are way harder to do today, but some of these are goals that you will reach simply by making your webcomic.

If it helps at all, I had to do a lot of this kind of talk to myself when I was starting in 2011 (less because of the scene and more because I was low in self-confidence.) The only way I could get myself to start posting WN on Smackjeeves was to remind myself that I was doing this for myself only, and maybe no one would read it, and that would be ok, because if nothing else I would be making something I love and I would learn a lot doing it. 13 years later and I'd consider my goals met, even if I stopped WN before I'm truly done with it.

(Which speaking of, I feel very strongly that unfinished or abandoned webcomics are not a waste of time for either the reader OR the creator. Just because a story doesn't get an ending--or gets an ending you don't like--doesn't mean it's without worth!!)

The webcomic scene is not going to fully disappear anytime soon--it's just suffering the same corporatization that has gripped almost every art scene at some point in some way, and I think that problem has been compounded by the consolidation of the internet into a few social media platforms. But those platforms will crumble, and the corporations will bail once they can't squeeze any more money out of webcomics. The scene won't ever been the same as it was in the 2010s, but that's how time works, and that doesn't mean it won't ever get better than it is or that there's not gems to be found now. The only way it gets better is if more people make and read webcomics!

[good-beans]

this is so stupid but i always have fun imagining the milgram characters watching their own/others mvs and seeing their reactions, especially for MeMe

That’s not stupid at all, thank you so much for the ask!! It’s sooo interesting to think about! I planned on just posting this drabble, but the more I thought about it, the more I started jotting down headcanons for everyone 👀 Of course there’s the initial disbelief and shock that Milgram can really do what it claims, but once they accept that, they’d have a lot of interesting reactions…

Es gets to watch the video first, then the prisoners are free to watch their own in the privacy of the courtroom/extraction room/wherever. Other prisoners can watch them only with explicit permission from the video’s singer. No one is allowed to watch Undercover except for Es. At first they spend hours looking at those final frames of themself flinching from the camera, hoping to jog any sort of memories, but eventually they give up on it. While actually watching it, they don’t mind the murder silhouettes. While sleeping, however, it has triggered more than one nightmare.

Haruka: He thinks Weakness is very pretty – he’s amazed seeing himself on the screen and hearing his voice, knowing he’s not that good of a singer. Even before his innocent verdict, it gives him a huge surge of confidence. Once he gets to know the others better, he gives them mv permissions, then stares intently at their faces to see their reactions as they watch it. AKAA scares him a bit, seeing his own intense emotions on screen, and he only gives Muu permission to see it. When he’s alone, Haruka pauses the shots of his mother, just to stare for a while.

Yuno: Laughs at the symbolism her mind used in Umbilical. She’s never shied away from sexual words/thoughts, so it's funny the video was as tame as it was. She thinks the song is fun, and isn’t afraid to show the others and sing snippets of it around the prison. Some days it’s too emotional for her to get into it, but most of the time she tries to display a confident attitude about it. After Tear Drop, she’s satisfied with her anger and more overtly sexual images. If anything, she feels too exposed by the shots of herself looking more vulnerable/sad. 

Fuuta: He experiences a solid mix of embarrassment at the gaming theme in Bring it On and feeling a surge of pride that he looks badass in the knight’s armor. He’s worried the warden won’t take him seriously with the video game obsession, but he absolutely loves the song and thinks it portrays his toughness and ideals well. He’s less thrilled with Backdraft, everything about it unsettles and embarasses him. He’s thrown by the shot of crossing out his own silhouette – he’d had self-harming thoughts, but wasn’t quite ready to confront them so blatantly yet. Like Haruka, he can be caught pausing the arcade shot just for a moment before turning the whole thing off and storming away.

Muu: She has mixed emotions towards After Pain. She hates seeing herself look so weak and pathetic, but it gives her a lot of hope that her story will be understood. She misses her friends, and seeing them again is bittersweet. She closes her eyes at the moment of the stabbing – she’s only gotten the courage to watch it through her fingers once. She watches INMF once, then refuses to look at it again from shame/horror. Despite Haruka’s begging, she doesn’t let him watch it, either. 

Shidou: He asks Es what they saw in Throw Down. Upon finding out his family wasn’t in it, he chooses not to watch it. He believes he already knows all about his emotions and crime, so there’s no need to go through that pain again. He’s tempted to watch it when he’s confused about Es’ verdict, but still holds off. He does watch Triage when informed his family is in it. He spends hours in front of the screen by himself. Only after seeing that one does he watch Throw Down, though he’s still left confused about Es’ decisions.

Mahiru: Absolutely loves TIHTBILWY. She thinks it perfectly describes her situation, and that the song is very cute. She lets others watch it, and unlike Yuno, feels like singing it 24/7. It reminds her of her bf, and she thinks that’s very romantic. Similar to Shidou, she spends a lot of time watching I Love You just to look at her boyfriend. She shows it to everyone, just to show him off and talk about him, even if she does skip over the beginning and end each time.

Kazui: He is very similar to Shidou; he refuses to watch his videos until T2, assuming it would be too painful to watch something he already knows and wishes to avoid. Unlike Shidou, seeing Hinako is far too painful, and he regrets watching it and seeing her so happy on their wedding day. Though maybe he’s still waiting, and hasn’t seen any of the videos yet…

Amane: Magic makes her worry more than anything. She fears she’s poisoned by unnecessary vainness since so much of her video involves cute things, colors, outfits, animals, and is set up like a tv show. She’s also worried that Es and the others will really see her as a child because of how cute the whole thing is. She prevents herself from watching it too many times, but buried under all her fears, it gives her a surge of pride seeing herself so talented and pretty and the star of the show. Purge March only reaffirms her confidence in her crime – the video brings up some awful memories, but it shows her as a leader, a warrior, a hero! It brings her comfort and confidence more than anything.

Mikoto/John: The videos are distressing to both of them, and they spend all their time studying the others’ screentime. Mikoto watches in horror as John does things that line up with his spotty memories, and John panics seeing that his actions distress Mikoto more than they’ve reassured/saved him. John does end up watching his own scenes a few times – it feels incredibly good to appear in a way that Mikoto may finally notice him. He feels seen. Now, logically I think that MeMe would be the final tipping point in which Mikoto finally accepts the situation and his DID, but if I must stick to his canon denial, then I’d say he goes on a whole rant about movie magic andt the crazy things you can do with editing nowadays. He doesn’t have a good explanation on how Milgram found his home and knew so much about him, but he explains everything away as cgi or camera effects. Double manages to sway him a bit more, as he hears John speak so plainly to him. Just as the audience had some debate on who was apologizing at the end of Double, Mikoto and John wonder who is apologizing to whom. Though they both come to the conclusion it’s their own apology, they decide that if it was the others’, they’d accept it and forgive them.

Kotoko: She’s very pleased with Harrow, and is unashamed to show it to the others. Though she’d been able to watch a few of the previous prisoners’ videos, it still shakes her a bit when she realizes that Milgram really does have the tech to look deep inside her. She watches it just a few times – not obsessing over it, but not afraid either. Deep Cover, however, is a once-and-done sort of deal. She claims she’s not letting the others watch it because “they couldn’t handle such harsh but true criticisms about themselves,” but she doesn’t end up watching it anymore herself, either.

[linalilia]

hello milgrammers. have some more memes from me

[es-quest]

"ES!" Kotoko yells at you, and you jump in surprise as-

Something rams itself into the wall in front of you but instead of a loud crack as presumed bones hit hard strone. It's body compresses, making a wet squelching sound as it does as the flesh expands. You can't bring yourself to move as it dislodges itself, it raises it head and too long neck and turns to look at you.

[good-beanswrites]

By the way, about LCSyS, how are you dealing with the whole 'Es plurality' situation? Because it is a central part of their character that gets brought up on multiple voice dramas and seems really difficult to remove. Also, it is implied that some of our judgements may be our if character for Es because they seem pretty uncertain about it. For example, some people including myself suspect that if Es wasn't controlled by the audience they would have voted Mahiru innocent because they appear somewhat fond of her and would probably have not jumped to stalker based on no evidence (kinda bullshit people thought that anyway but whatever). This was asked by someone who is insane about Es and thinks about them constantly, BTW.

Ah, well I appreciate an Es expert (Espert?) weighing in on it!! :D

Because that element is very central to both them and the plot, even if it hasn’t been fully explored yet. Like you said, there are a lot of events that rely on these “other” voices, some actions and decisions that they themself seem unsure of! Not to mention their own dialogue using a plural first person pronoun! I’m already trying to distance the au from the audience interaction element, so I’ve definitely kept my eye on the plural Es theory >:3 

Since we have little to work with, I’ve tried to keep them pretty vague in the fic so far. They don’t appear in a lot of it because of plot reasons (everything is the same as canon to them, most of the time). And even in their pov chapter I try to steer thoughts and emotions directly to the prison. I only mention their identity near the end to make everyone say “Hmmmm we don't know who you are and neither do you!” Now, I'm prepared for three main options for endings: 1. There is a non-system, in-universe explanation for the voices. 2. The voices are directly confirmed as the audience. 3. Yamanka states that he hates me, personally, and doesn’t explain anything about Es. If it’s the first one, I’ll see how well it works into my fic and go from there! (If it’s overly supernatural/involves Es disappearing/dying, I might make some tweaks lmao. I’m committed to accuracy but this is a fix-it, at the end of the day.) For the second two, I plan on leaning into plural Es, with research and input from others to make the writing accurate 👍I’m hoping to go back revise earlier sections to drop more hints and make things consistent. I also want to write an epilogue once we get more context on the ending as a whole! Though, I guess they've already confirmed some feeling of plurality... maybe I add some lines in that last chapter now...

[xadeone]

Para los que hablamos español en el fandom, quería compartir lo que está haciendo Becker Fox en su canal de YouTube.

Son doblajes hechos por un grupo de fans de algunos shorts y capítulos. Hace poco sacó este diálogo original.

Están muy buenos, denle una chance. Lo que me he reído es impresionante xD

Enlgish version of the text under the cut

For anyone spanish speaking in the fandom, I wanted to share Becker Fox's channel.

He and a group of VA's are doing fanmade dubs of shorts and episodes and recently they made that original linked video.

If you know spanish, give them a chance! They might have a more crude or "rude" latinoamerican humour, in some of the jokes but it's worth a shot. (And there are swears).

[blinkbats]

I really dont know how im ever gonna feel like a real person and im really really tired of trying so hard and never getting anywhere

[emilyartstudio-s]

Are you in any other fandoms? Not asking you to draw all the fandoms you're in or anything! Just wanna know if you have any personality other than "heeheehoohoo southpark" ?

i don't have a personality

[ardenrosegarden]

Amnesia: The Bunker, anti-militarism, and nationalism as a blight

Frictional Games, Amnesia: The Bunker Herman Lebovics, True France, The Wars Over Cultural Identity, 1900-1945 Leo Tolstoy tr. Constantine Popoff, What I Believe Fredy Perlman, The Continuing Appeal of Nationalism IAmTheSnuggler, Amnesia: The Bunker - War is Hell Mark Levitch, The visual culture of modern war: Photography, posters, and soldiers' art in World War I France Frédéric Mégret and Raphael Vagliano “We Will Not Go to the Trenches!” the “fusillés pour l’exemple,” Military Disobedience, and Soldiers’ Right to Life

[dormiloncito]

"i care about all my new vegas companions equally," i lie as i was about to go insane because i couldn't find boone anywhere

[pikhachu]

no listo ya me cansé de solo hablar ingles aquí estoy arta de ver tanto inglés en qsmpblr y nada de español francés o portugués, es un servidor multilingüe con fans de todo el mundo si quieren entender lo que digo y no hablan español por dios sólo usen el traductor 😭

no sé si voy a postear arte con leyendas en español pq tumblr ya es suficientemente malo para artistas pero por lo menos cosas asi de texto voy a tratar