#i love LOVE what they did with this new interpretation

[mayakern]

I honestly don’t know how to write this; I have spent all week attempting to figure out what to say.

Last Monday I was informed by our factory that our merchandiser and direct point of contact with the factory passed away unexpectedly two weeks ago. She was someone who I have spent a great deal of time speaking to ever since we switched factories two years ago. She helped us realize designs for new products, sent us samples of garments extremely quickly and kept track of all our orders. She went to bat for us if something went wrong with our print shop or if I was unhappy with how a garment pattern was interpreted by their team. As their first American client and a brand that focuses on size inclusion, something that is not typical of their other clients, she handled a lot of crazy requests from us without blinking and she was dedicated to ensuring that both us and our customers were happy. We talked nearly every day, and though it was work related she was one of the kindest people I have had the pleasure interacting with daily.

She was beyond dedicated to her work and to working with us. Turkey has an 11-hour time difference from me in California, which means when she was emailing me at 2pm in the afternoon it was 1am there. You can sure bet that I extended her the same courtesy and tried my best to answer her emails at night too, even when I would rather just be sleeping.

It was also clear just how much she loved her job, and now much she loved you guys. She had been silently watching our social media since we first started working with them. She got just as excited as we did on launch days and would often email me unprompted about how she was glad people were leaving such positive comments and reviews. She read your feedback when no one ever asked her to do that or even expected it of her. She did it because she really, really cared.

Even though she was miles away and we never met in person, she was like a coworker to me and the loss of her is like losing someone on our team.

The Maya Kern team, as a whole, has been dealing with a lot lately. I personally just moved (which took far longer than we expected) and Maya and Devin are gearing up to move back to Minneapolis pretty soon. With the loss of our merchandizer, it has taken the wind out of my sails a little bit. I was trying to push through, even though I am exhausted, and carry out the photo shoot for our new products this weekend, but it has become clear that my body just can’t handle it. My arthritis has finally told me to stop moving, so unfortunately, we are going to have to reschedule the shoot for later on.

We are doing everything we can to make sure our next product drop on the 21st still happens. But as of right now, due to this sudden loss, the garments haven’t even shipped from the factory yet and I am not optimistic that they will clear customs and get checked into the fulfillment center in time for the launch. This means the drop is likely going to be pushed back to December 5th and instead of a full photo shoot, we will probably have to settle for taking quick photos of everyone at home, and likely with our phones. 

We work really hard to deliver not just garments we believe in, but also pictures of said garments on bodies that our customers can relate to, and unfortunately I just do not think that is possible this time. As always, we really appreciate your patience and understanding during what has been a very difficult time for us.

Ash

Chief Operations Officer

[bringthekaos]

I'm excited for your thoughts on the new season if/when you share them

It has legit taken me 3 days to come to terms with Act 1. Enough to be able to speak about it. Gunna apologize in advance for the wall of text, and I’m hiding it under a break for spoiler reasons. Also prefacing with these are all just my opinions. All are free to disagree with me and RB with discussions/theories etc. just don’t be a dick about it, I’m not engaging in any discourse.

Ok. So. I have mixed feelings, and I’m aware that this is because I don’t have the whole story yet. So this is all contingent on how the rest of the season plays out.

First and foremost, I’m… wildly swinging back and forth between love and disappointment for Viktor’s arc. So first the negative, and I’ll try to keep it brief because a lot of people have already expressed this and I don’t need to be beating that particular dead horse.

Viktor has had his agency, his bodily autonomy, his original ideas and nearly everything that made him Viktor stripped away. Nothing so far has been his choice. And while this could have worked just fine for an original character, he wasn’t. So there is a massive disconnect between what this character was/should have been. In League, it was all his choice (albeit with a healthy dose of mental illness thrown in, but still). AND it was very heavily suggested that many of the augmentations he performed weren’t as extensive as he lead everyone to believe (namely the controlling/dousing of his emotions). But it appears that whatever the Hexcore did to him, it’s real. He is clearly having a difficult time accessing his emotions, and if he can feel anything, it is limited to the point of him being completely stoic. And the thing with stoic characters is that you obliterate any emotional payoff for the audience. It’s very hard to make an audience feel an emotional connection to a character’s story arc when they themselves don’t feel anything (I have a theory about this though, but I’ll address it a little later in this post). And then there is the issue of Blitzcrank. Blitz was Viktor’s whole world, after his exile. How are they going to swing that? Like, I’m not even asking for Blitz to be in Arcane (that would be great, but I really don’t think they have time). But I stg if they take Blitz away from Viktor, make them someone else’s invention (my suspicion is Heimer or he finds the idea in Sky’s journal)… I’m sorry but no. This was Viktor’s idea, Viktor’s genius. I will genuinely be extremely upset if they take that from him too.

Then there is the whole situation with Sky. First, this girl was fridged. She was nothing but a plot device and continues to be just that. It feels hollow and forced, especially now that he’s hallucinating her as some sort of penance for what he did. (I have seen the prevalent theory that it’s the Hexcore using her image and his guilt to manipulate him, given that it “ate” her, and we have seen it “manipulate” him before when it punished him for trying to destroy it). But back to Sky—he barely acknowledged that poor girl. The reason for that can be argued, whether it’s because he’s gay or because he was just so wrapped up in his one-track minded research. But regardless, there just wasn’t enough setup between those two for this whole thing to have as much weight and meaning as I think it’s supposed to. Honestly to me (TO ME) it reeks of comphet. It feels like that random woman they threw at Poe Dameron to No Homo him. I’m not even asking for Jayvik canon. But the creators were well aware of this ship, after all it’s the second most popular ship in this show and it’s been around since 2012 when Jayce was literally created for Viktor. I’m asking for the bare minimum here—that it’s left open-ended as it was in League, open for interpretation.

Last negative I have is the whole Viktor Jesus thing. The first problem is I am pretty violently agnostic, and messiah narratives have never spoken to me. I don’t enjoy them, they feel weak. The whole “ordained by a higher power” thing is just… stale. Especially when this character originally had no higher power, he gave it to himself through his own hard work and ingenuity. Honestly, Viktor’s original arc is about as far from a Jesus allegory as you can possibly get. And I am absolutely terrified that they’re going to end said Jesus arc the way you’d expect—with him dying for it. Which leaves the moral of his story “disabled man should have just accepted that he was going to die despite the fact that it was the oppression and xenophobia of Piltover that left him out to dry, without proper health care, accessibility, equality, or equity that lead to his terminal diagnosis to begin with.” Which is a very oppressor-centric narrative and we do not need another one of those.

Sorry, I know I said I’d keep the negatives brief, and that was… not. My bad. But moving on!

I’m not saying I didn’t enjoy it, I did. I am working to embrace this new Viktor narrative and work it into my brain in a way that doesn’t ruin the ship for me. So without further ado, the positives.

Jayce.

Jayce.

Jayce.

I’d have to go back and time it, but it feels like he got more screen time in this first act than the entirety of the first season combined, and his character shined for it. It humanized him in ways season one never did. He’s caring, he’s devoted, and he loved Viktor! No matter what kind of love you think it is, it proves he loved Viktor without a doubt. He carried Viktor several city blocks to the lab to save him, and then YES, he broke his promise about the Hexcore because he couldn’t stand the thought of losing him!

And he’s funny! (The scene where he picks up the regular sized hammer in the fight against Renni and made that “this is ironic” face?? And then basically the entire interaction with Ekko? The hand me a tome thing, and then when he basically pulled this when Ekko suggested “so this is all your fault cuz you pissed off the Arcane”:

GOD that shit was great. Jayce’s personality just shined, and maybe it’s too much to hope, but maybe this will douse a little of the hate. Because instead of being a subtle hint at all of those things being true about him, it’s now overt. And when people lack media literacy, the hints have to be overt.

And th-the. The h. The HUG SCENE. I don’t think I will ever emotionally recover from that scene. Starting with Viktor who, despite being clearly emotionally—I dunno, vacant I guess—sounded so lost and scared when he said “what am I?” For me, it was whispers of that scene from The Last Unicorn: “what have you done to me?” And my poor sweet Jayce, who clearly hasn’t left this damn lab except to go to Cassandra’s memorial. Sleeping on the desk and bleeding through his bandages because he doesn’t want to spend a moment away from Viktor while he “recovers.” And his euphoric response when he finds Viktor alive, when he realizes he hasn’t lost him. And I OWE HIM AN APOLOGY, goddamn. I said in a post that “Jayce will not understand.” I thought that was how Arcane was gunna start the divorce. But Jayce genuinely did not care, as long as his lover friend was alive. And just… Jayce being so affectionate through this entire scene. The hug obviously, but also blurting things he thought he’d never get to say to Viktor—“I’m resigning from the council, my place was always here in the lab with you.”

And… the hug itself. I know we’re all analyzing it frame by goddamn frame, but I see exactly what everyone else sees—there is a moment where Viktor very subtly smiles. But it’s gone in an instant, and it turns bittersweet. LOOK AT HIM.

There is something there, it’s just buried. Deep beneath the surface. It seems to say “I want this, I have wanted this for so long.” But then he realizes something, something I don’t think we’re meant to understand yet. Maybe that he doesn’t feel anything about it anymore, and he recognizes that this should upset him and it doesn’t. Or perhaps it’s something more along the lines of “it’s too late.” Whatever it is, I think this is the exact moment he knows he has to walk away. Because he knows he’ll cave to the affection, he said it himself. (Which is another thing entirely. His voice changes when he says that. Something in him is reacting to that word. Maybe he’s fighting against it, or maybe he’s fighting to get it back. But something made him almost growl that word.)

Which leads me to my final thought (for this post anyway, cuz it’s turning into a novel); Viktor is still in there. He can still feel things, I just think they’re extremely muted by whatever the Hexcore did/continues to do to him, or he has to fight to express them. Because he also smiled at the hallucination of Sky after he “cured” Huck. And if he feels nothing, he wouldn’t have been “joyous” at the thought of her being proud of him, approving of the good things he’s trying to do in her memory. He wouldn’t crave that validation, that vindication from her. So I’m hopeful that we start to see this shell crack a little, especially if those visions of Sky are the Hexcore manipulating him through guilt. It will start to erode him, no matter how stoic he has become. And literally the only thing I’m clinging to is that Jayce will see this and try to pull him out. “He’s still in there and I have to save him.” And that maybe it’ll start to work.

[shanastoryteller]

Happy Halloween! Would love more of F is for Frankenstein! 🧟‍♂️

a continuation of 1

Twelve hours later JARVIS has brought him up to speed on what was clearly the weirdest week of his life, the fabrication units are working on a better container for his corpse than the damn suit, and they’ve identified nearly a hundred ways that this plan isn’t going to work.

JARVIS isn’t deterred.

One of the advantages of being a synthetic person is that he can’t feel exhaustion physically, although this whole experience has confirmed that he can feel it mentally. The downside to this is that he doesn’t have any sort of natural que to alert him to the passage of time.

Which means he doesn’t have any idea how long it’s been until it occurs him to check and he frowns. There’s something not quite right, besides the obvious. “Did you – shouldn’t I have gotten some calls or something by now? What did you tell them?”

It’s been almost twenty four hours since he died. Even with the clean up from a massive alien invasion to see too, he’s sort of expected someone to reach out to him. Agent Coulson is such a stickler for timely debriefs –

Ah. He was such a stickler for timely debriefs. Tony isn’t the only one that hadn’t gotten out of this mess alive.

“Sir has received eighty nine assorted calls and texts from Miss Potts, fifty three from Colonel Rhodes, one hundred and twelve from Mr. Hogan, and seventeen from various SHIELD personnel. Two of those are from Director Fury personally. There have been close to a thousand from various news and media companies, but those have been ignored and deleted per Sir’s standing orders.”

It’s amazing how well he’s able to synthesize and interpret emotion. He’d installed a rudimentary AI into – well, himself, he guesses, and that combined with the memory dump is really exceeding all of his expectations. He knows this because he’s appalled. “JARVIS! What the hell? If we’re going to convince the world I’m not dead, we have to talk to people!”

“Is that what we’re going to do?” JARVIS asks.

There’s steel in his voice, a warning buried in there. TONY’s heard that tone before but never, ever directed at him.

Except it’s not. Jarvis would never talk to Tony Stark like that, but he’s not Tony Stark. He’s just one more robot and AI for Jarvis to corral, although sophistication wise he’s several steps ahead of his helper bots. Except he might not be, because not even Butterfingers would be dumb enough to agree to something like this.

“It’s not going to work,” he says harshly, because it isn’t. “But yeah, I guess that’s what we’re going to do.”

“Calling Miss Potts,” JARVIS says promptly, and Jesus, that’s not what he meant at all.

“Don’t,” he hisses, but of course it’s too late and Pepper picks up immediately.

“Tony?” she asks, voice shaky and hoarse and faint. She’s been crying. She’s been crying hard enough that it’s stolen her voice and he knows Jarvis was focused on other things, but he could have at least sent her a text. “Are you okay? Where are you?”

He breathes and then leans over, elbows on his knees and his face in his hands. He doesn’t even have an omelette to hide behind this time. He knows he’s dead and he’s seriously considering the idea that this is hell.

“Tony?” she repeats, voice going up several notches in the way he hates. She’s afraid. He hates when she’s afraid.

He forces him mouth to move, forces words pass his lips. “Hey, Pep.”

“Oh god, Tony,” she says and then there are tears again. He wishes he could hold her, could kiss her tears away and could fold his arms around her delicate shoulder and tuck her beneath his chin, keeping her safe and keeping her close. Except he can’t do any of that, because he’s not Tony Stark. “Tony, Tony – you left so quickly and we couldn’t find you and no one’s been able to get in contact with you and JARVIS is offline in the tower and – where are you? Are you okay? I watched you fly that bomb into the portal, and,” she has to cut herself off to try and keep from crying again.  

You watched me die, he thinks, although he obviously doesn’t say it. “Hey, breathe for me, okay? Deep calming breaths, I know you have a lot experience with those around me-”

“Don’t tell me to breathe!” she snaps. “Where are you, Tony? What’s going on?”

He hesitates. They haven’t discussed this, and they really should have before JARVIS put that call through. Unless this is a test, and wow, his AI are such assholes. That old curse about having kids that are just like you is making more sense by the second.

“Something happened to my memory,” he says, which is probably the only true thing he’ll be able to tell her and will hopefully cover the gaps of things that JARVIS couldn’t tell him. “I got here and passed out and I just woke up and I panicked and I don’t – I saw space, and the – the aliens, which is so weird to say Pepper, I need you to fully appreciate how weird that is, but my head is killing me and nothing makes sense. The last memory I have on Earth is us running final checks on the clean energy prototype.”

He's a terrible person. Or, well, a terrible android. Whatever.

“Where is here?” she presses, her voice softening and strengthening both. It’s always so much easier for her get her bearings when she’s the one taking care of him, which is probably why she’s always so steady. She’s always taking care of him. “Where are you, Tony?”

There’s no getting around this one. Jarvis probably won’t be happy about it, but TONY isn’t really happy with him right now either. “Malibu. I’m at the Malibu house. Sorry, I don’t know why I came here – I mean, I really don’t, I was blacked out for most of it. Give me a couple hours for everything to stop spinning and I’ll head back to New York. Wait, are you still in New York? You were going have to leave early for that thing after we tested the prototype-”

“I am in New York now,” she says, almost sounding calm. “Do not fly the suit if things are spinning Tony, I swear to god.”

“It’s fine, it’s fine, just a little spinning, you’re so dramatic-”

“Tony!” she interrupts, but the hitch in her voice is laughter instead of tears. “God, Tony. I’m so glad you’re okay. I love you, so, so much.”

If there is a hell for androids, that’s where he’s going.

“Yeah,” he says, “I’m glad you’re okay too, Pep.” He can’t say it but he has to say it because Tony would say it, because Tony loves saying it, because he loves her so much that it sits heavier on his chest than the arc reactor ever could. “I love you too.”

He stares at his hands for a long time after the call ends. His fingerprints are Tony’s, of course, and his hair is Tony’s and his memories are Tony’s and this feeling that he wants to call love belongs to Tony too. None of it is his.

Well, except the guilt. That’s definitely his.

“Incoming call from Colonel Rhodes,” JARVIS announces.

“Answer it,” he says. Why is he so damn tired? He’ll have to run a diagnostic on his processors later.

There’s nothing but harsh breathing down the line, filling every corner of the workshop. TONY thinks, maybe a little hysterically, that it’s the only breathing happening here. He’s designed to mimic it, but it’s nothing besides that, mimicry. “Hi Papa Bear, how are things?”

The heavy breathing stops, for so long that TONY wonders if they got disconnected, then Rhodey bites out, “I’m going to kill you, Tony! I’m too damn old for this, you can’t keep giving me heart attacks every time I take my eyes off you!”

Too late. Tony’s already dead.

“You’re only two years older than me,” he says. “If it weren’t for me, you would have been the youngest freshman at MIT. Besides, a heart attack or two is character building, I’ve had like. Seven. Ish.”

“Reminding me how many times you’ve almost died is not your smartest move right now,” Rhodey says. “Tell me you’re okay.”

It’s a demand, an order, firm and unyielding like he’s one of Rhodey’s underlings. Except that Tony was giving orders way before Rhodey was, with the whole running his own multi-billion dollar business thing, and that tone of voice has never worked on him. Still, he says, “I’m okay.”

“Tony,” he says warningly, clearly not believing him, which is fair enough. He is lying.

TONY sighs, hanging his head like he can stretch the tension out of him, but that’s not how things work anymore. He’s vibranium and silicone and some other interesting materials and all his tension is mental. “Sour patch, I’m fine. Okay? Confused as all hell, but I’m okay. I’m sorry I worried you. I really didn’t mean to.”

“You never mean to,” Rhodey says, but his voice has softened and lowered. It sounds like he’s holding the phone even closer. “You almost never mean to.”

“It’s just difficult, is the thing, because you’re a little prone to worrying, a worrywart, as your mother might say-”

“My mother worries more about you than me and always has even though I used to be only one us getting blown up,” he says.

TONY pauses, considering. “Well, she is a smart lady.”

“Damn straight,” he agrees. “Pepper says you’re in Malibu. I can be there in two hours.”

“No!” he shouts, then winces. His eyes skitter over to the suit holding Tony’s body. They need a plan and that plan can’t involve Rhodey being here in two hours. “Don’t. Stay with Pepper. Please.”

“She’s fine,” Rhodey retorts. “You-”

“I’m fine,” he interrupts. “I’m fine, she’s fine, we’re both fine, except she’s in the city that was recently invaded by murderous aliens and I’m not and I have a suit of armor with repulsor technology and she doesn’t, so. Stay with her. Please.”

The silence drags on then Rhodey lets out an aggravated sigh. “Fine. But get your ass over here and if you miss another call from either of us I’m heading over, no matter what you say.”

“Sir yes sir,” he says.

He expects Rhodey to hang up on him then, but he lingers, nothing but his real, non synthetic breathing on the other end. “You really scared me this time. I saw the news reports and then we couldn’t find you-”

“Hey,” he says softly. A bomb and Tony disappearing and Rhodey unable to anything about it. Tony wasn’t the only one of them that had nightmares after Afghanistan. Neither of them had ever been particularly good at sleeping, but it was nearly impossible those months after, when he and Rhodey were fighting and Tony was hiding Iron Man and they still crawled into the same bed because Rhodey got frantic if he reached out in the middle of the night and found the bed empty. Which he often would, considering how much time Tony was spending in his workshop.

They shared a bed more after Afghanistan than before it. Rhodey had been willing to risk the paparazzi and exposure if his other option was staring up at his ceiling and having a panic attack about Tony being gone. Tony had been bitter about that, which certainly hadn’t helped their fight about weapons manufacturing any.

Pepper’s nightmares had been easier. She’d only been his assistant and friend at the time, after all. She would call him at two or three or four in the morning – or all three – and have some sort of urgent question or something for him to sign and he just went along with it because she just needed to hear his voice to fall back asleep and he’d learned after the first teary voicemail and alert from JARVIS that when he didn’t pick up, her vitals were out of acceptable range, per the prototype StarkWatch on her wrist.

It wasn’t until after they got together that she told him she actually drove to his house most nights and called him from her car rather than her bed. Just in case he didn’t answer, which wasn’t logical and didn’t make any sense at all but Pepper hadn’t pretended it had.

They’d all gone a little crazy, after Gulmira, but they’d settled.

But this is going to bring it all bubbling up and if TONY doesn’t figure out a way to reassure them then they’re going to want to stick close to him like they had before and he can’t let them do that. He can’t keep up pretending to be Tony forever and it’s going to be either Pepper or Rhodey who figures it out. He doesn’t need to help that process along at all.

Except that since they watched Tony fly a nuke into space and then hadn’t heard from him in two days, that’s basically impossible. The fact that it wasn’t three months and from their perspective he’s actually fine is going to help, but the level of damage control he’s capable of here is fairly minimal.

Still, he has to try.

“Honey,” he says, making his voice soft and warm like Tony only does when they’re alone. He doesn’t know where Rhodey is now, if he’s somewhere private, but he doesn’t hang up or stop him. All the stupid nicknames were fun and genuinely affectionate but they were also cover for the times that Tony slipped and called him something he shouldn’t, a little too genuine and not quite kitsch enough to pass muster. “Love, it’s okay. I got my head knocked around some, that’s all. And because I freaked out and ended up on the wrong side of the country, I need you in New York, doing what I can’t. That’s all. I’ll be there soon.”

If there’s a hell for androids, TONY is going there and the hellfire will be hot enough to melt his vibranium core, which, you know, is going to the be least of what he deserves.

“I love you,” Rhodey says. TONY closes his eyes. “You know that, right, baby? I do.”

It’s a bad, bad sign that Rhodey is the one using pet names, especially over the phone. “I know. Of course I know. I’ve always known.”

Over two decades of secrets and hiding and fooling around with women he didn’t give a shit about, before Pepper, and through every lonely, angry, desperately sad moment of it, Tony had known that Rhodey loved him. He wouldn’t have put up with that shit for anything less.

Tony died knowing that Rhodey loved him. TONY is sure of it. It’s the worst sort of cold comfort and he’s glad that he can’t offer it.

“I love you,” TONY echoes, because Tony’s been saying it for twenty six years and there’s no good reason for him to stop now.

Except that Tony is dead. He’ll never tell Rhodey that he loves him again.

One day Rhodey and Pepper will find out that the truth and know that while they heard Tony’s voice telling them what they needed to hear, while they let relief nudge out the fear, Tony was dead and cold and gone.

He hates this. This wasn’t what he was programmed for.

This isn’t what Tony would have wanted. But until he can convince JARVIS of that, they’re all stuck in this hell of the AI’s making.

[simpforsolas]

So my biggest problem with Solas x Mythal isn’t that I’m “jealous” of their relationship or anything like that. In fact, I really like the concept of her being a toxic and abusive relationship he has to let go of to be able to move forward and find true happiness with the inquisitor.

My problem is that it cheapens Solas’s motivations and seems to make his only reasoning for tearing down the veil be loyalty to Mythal. It also, to me, downplays the significance of the inquisitor’s influence on him. This was disappointing because in Inquisition, we were introduced to Solas as this very wise, idealistic, and thoughtful person who cared deeply for his causes. Justice for Mythal was one of his motivations, but I never interpreted it as his main motivation. I thought his main motivation was always to make a better world and fix his mistakes.

I truly believe that he’s not wrong about some things. The veil IS a wound inflicted on this world. It was made by him; it’s not the world’s natural state. It’s falling apart and broken. It creates a class divide between mages and non-mages, and by separating spirits from the physical realm, it makes them more susceptible to corruption into demons and makes people scared of them. There are tons of instances through DAO - DAI where weak spots in the veil lead to mass demon possessions and death. It made a world where elves die instead of live forever, and where they either live in slums or as shadows of their former glory in the woods. But DATV didn’t address ANY of this. It painted Solas to be this lovesick pup whose motivation was purely emotion-based, and it didn’t help that this game didn’t go into Thedas’s socio-political climate so a new player wouldn’t understand that the world of Thedas is seriously messed up, and that Solas’s plan would resolve a lot of the issues in need of fixing.

The problem is, and always has been, the cost. Solas restoring the natural order of the world would cost thousands of lives, and destroy the current world and all the good it has to offer. In order to abandon this plan, Solas needed to not only be released from Mythal’s service, but to let go of the world of the past. He needed to acknowledge that the world he loved is gone, that a new world that he also loves has taken its place, and that it deserves a chance to live. It’s sort of implied that he goes through this shift in belief in Trespasser, but it’s not enough at the time, and that’s okay.

Anyway, with all this in mind, this is how I’m choosing to interpret Solas’s entire redemption arc. Solas did have his reasons to tear down the veil that he passionately believed in, but through his interactions with the inquisitor and rook, the only reason that truly remained was that he didn't want to fail Mythal. They changed his perspective on the world, and showed him that it’s a world worth preserving, even if it’s different. He didn’t want to do what he had to do, and by the end of DAI and/or Veilguard, the only thing keeping him tied to his course was duty to Mythal. So she has to free him to allow him to move on.

However. If Mythal had released him from his service at the beginning of inquisition, because Solas hadn’t gained any affection for the new world, it wouldn’t have mattered. He would’ve been like "cool i'm doing this anyway because I want to.” Changing his course required two things: having his heart changed by the inquisitor, and Mythal allowing him to move on. Unfortunately I feel like the game is a little sloppy with this and makes it feel like freedom from Mythal is all that matters, but my dear friends, she is not. It was a team effort all around, and Solas’s redemption would not have been possible without our beloved inquisitor. 💜

[tsw1234]

We Can't Be Friends (part 2)

Word Count: 1598

Pairings: Vampire Slayer!reader x Vampire!Dick Grayson

Synopsis: It's been months since the apocalypse. Discovering your newfound powers as a vampire slayer hasn't been easy, and with these newfound powers came new responsibilities like protecting the remaining civilians in Gotham from the creatures of the night, killing vampires alongside your courageous friends, etc...Yet there's just one thing blocking you from fulfilling your destiny, the very vampire you've been sworn to kill.

Notes: (Quickly) Proof read by me

Warnings: Smut, Angst

You knew this was wrong. You absolutely should not be doing this. Lord knows if you were to be caught, not only would it end badly for you but also your friends, your commune, and your little brother. Yet, it's as if something is compelling you to do this. You walk through the abandoned park en garde. Most sane people would show up with some sort of protection--like a stake or rosemary. But you're not sane, and the things that you've done as a result of armageddon wouldn't classify you as sane either. 

Despite Gotham's ongoing events, its park seemed to be the one of few places unaffected by the apocalypse. The grass and tree leaves were coated white, due to December's icy precipitation. Following down the park's path of lights illuminating the snow-covered vegetation you arrive at your destination--- a bridge that provides a beautiful view of the park's scenery and its pond directly below you. It was truly spectacular. Nostalgia of kids and parents and images of Haley dogs running around resurface.

"I know you’re here Grayson?". You felt his presence when you entered the park, perks of being a vampire hunter. You know when they’re nearby. As soon as those words escaped your lips, he appeared in front of you; almost as if you summoned him, like a genie to its master.

“Hello to you too [nickname],” he says, sliding next to you. While you don’t turn to face him you can feel his eyes on you.

"I feel you staring at me."

"I prefer to call it admiring, princess," he states with a smug smirk on his face. You rolled your eyes at his smart remark.

"You lost your right to admire the moment you sent your brainless minions to wipe out most of humanity.". 

"You broke up with me."

"So that gives you the right to kill people?"

"No, but it makes us even."

"Wrong again, you killed the man I loved. That ups the score 2-1, me." you challenge. The contrast between the two of you is vast--the deadpan on your face compared to the amused look on his. One could interpret the both of you to be having two separate conversations just based on facial expressions alone. "And who might that person be?" he asks cockily.

Silence fills the air. Your immediate reaction is to say him but, he's not the same man you loved--looks wise yes, but personality...? 

"Why'd you do it...kill Bruce?". Dick's demeanor changes instantly, his body more tense; The once smug look on his face is replaced with a stoic expression. 

"That's not your business."

"It is my business. They mattered to me--You matter-"

"You lost that right when you broke up with me.". Silence once again. 

"Jason..."

"Alfred..."

"Damian-"

"Damnit [Name] I told you to leave it alone. Stop poking your nose in places it doesn't belong." he stern. The cold air details the exasperation in your conversation. The quietness between you felt odd, you don't never liked fighting with Dick. It was unnatural between you too and it seldom happened. But, when it did, it would get ugly. You were both passionate people and when your thoughts would rarely clash, it would take time for the person in the wrong to step forward and apologize. 

"Do you know I'm supposed to kill you?". His eyebrows perk up at the shock of your abruptness.

"It's a part of my destiny or something..." you say as you cast a stone across the park's pond. Silence again. 

"Why are you here [nickname]?"

"..."

"I mean you hate me. You hate what I am, what I've done--yet every time you ask to see me. Why?"

"I don't know..." you mumble. "What?" 

"I don't know!" you shout letting out a voice crack. 

"I don't know why I called! Maybe it's because I miss you...". To say that out loud hurt your soul. Of course, you've known that you had but to say it helped you come to terms with your emotions. 

"Everywhere I go, I have memories of you--of us. You are a constant reminder of the life that I had because you were my life I know that I broke up with you and it haunts me every day but...you were one of the few constants in my life and I just feel like the day I stop agreeing to see you is one less piece of my old life.". You break down, all the many months of pent-up emotions gone just like that to the blue-eyed monster whom you loved.

"Come here..." he says, pulling you in an embrace. There you are, the very own vampire slayer destined to end the war on humanity allowing the wager of the war to console you. Here he is comforting your sniffles and cries, knowing that in the end, you have to kill him. How tragic. 

"[Nickname], everything I do is for you or because of you. Whether or not you believe it. Why did I do it--kill all those people? I wanted to find a way to be with you forever and in the process, I had to sacrifice people I loved. You are what's keeping me sane, what's holding me back from killing the rest of humanity. It's you, princess."

You look up at Dick with your tear-filled puffy eyes. He rests his palm against your face, wiping away any tears that had trickled down your face. "I miss you too, like hell and I hate that you're going through this because of--"

You cut him off with a kiss. A much overdue one to say. Although caught off guard, Dick accepts it swiftly. Immediately his hand hugged your waist and ran up and down your back. Your fingers find their way to his hair, intricately running through them. The kiss between the two of you felt like a fever dream. It felt as if it was the last day on Earth and the both of you needed to kiss to survive. It was passionate, warm, and embracing. 

He starts to move down your neck, peppering kisses as he goes and making sure to linger on your sweet spots causing you to release a soft moan. "Just as I remember huh?" he says in between each kiss. 

"May I?" he asks, toying with the waistband of your panties. You feverishly nod, allowing him to help discard your clothes. After unclasping your bra, the icy winter air hits your nipples causing them to harden. 

"You're just as perfect as ever, my pretty girl," he says as he dips two fingers inside of you. You try to suppress your moans but he's quick to break your resolve as his fingers hit a spot that hasn't been touched since the last time you've seen him. He speeds up his pace, being aware not to go too fast, yet too slow. "Fuck, Dick" you whine. The combination of the weather plus his touch helps you reach your orgasm fast. 

"That's right princess, come on my fingers," he says as you let go. He sucks off the remnants of your release and proceeds to take off his pants. He lifts you and you wrap your legs around him. He rubs his tip up and down your entrance before putting it in slowly. You release a loud moan holding on to him--nails digging into his back. He starts steady and then goes faster resulting in you letting out several curses and shrewd moans. You both reach your climax in sync, letting go together. Too disoriented to move, he cleans you up and helps you put your clothes back on. Once you're both clothed, he pulls you into his arms--once more-- kissing your head and whispering sweet nothings. You both stay like that for a while, basking in the moment of bliss.

"[Name]" you hear a voice say bringing you back to reality. Dick is still holding onto your waist. But, instead of pushing him away, you secure his hold on you whilst looking into his blue eyes. You turn around to see your best friend, out of breath, bruised, and upset. You momentarily pushed whatever feelings for Dick you had aside and rushed to their aid.

"What happened?" you asked, helping them catch their breath. They said nothing but your sense kicked in, telling you something was wrong and for some reason, it gave you an inkling that Dick had something to do with it. 

"They found us...and they have T.J.". they say, eyes focused on Dick. Your eyes shoot to your ex (lover?) in disbelief. He knows where your brother is, he has to! They're his men. 

"How could you!" you yell, voice full of pain. You march over to where he stood, his face filled with confusion and guilt. "How could you let them take him? After everything that just happened!" you shout as you shove him. 

"Where is he?"

No response. Another shove. 

"Answer me! Where is he!". Silence once again. "I don't know," he replies full of melancholy. "You're lying. Tell me!" you urge. 

"I don't know [nickname]," he whispers. Dick is feeling a whirlwind of emotions. The biggest one is hurt. He can't believe that you would believe that he would do this to you. After everything he had just said and done? He's going to find which one of his men did this and they're going to face the consequences. You shove him one final time before running over to your friend. 

"Come on, we're going to find them and my brother," you say, shooting him a wicked glare, leaving Dick in a state of sadness, guilt, and anger. 

[blorbingqls]

peaceful property final thoughts: what is a home?

i remember the first time peaceful property was released as a mock trailer in gmmtv part 1 for 2024, and how excited i was for the series to air. i thought it to be a perfect ghostbusting plot for a show - and taynew have acted in many other non-BL shows that i was not too worried for it to be a BL or not BL. and internally, after seeing that trailer, i had an idea on how the show was gonna be on what it means to have a home, have a family and understand its better meaning.

now that the show has ended, it has come true in its best form. all the spirit stories was so rooted in the little things that most people would want, and each story ngl made me cry. it gave emphasis on family, on building homes, building warmth and building a sense of familiarity with love and care. and how even with care, the financial difficulties of most people get highlighted. it was endearing to me, because it gave me every flavour of drama, angst, hate, anger, horror, fear and love i thought i didnt need but i did. so badly.

i can definitely say the show was a lot on breaking, healing and building new stuff over the old, with the theme remaining constant over all of the episodes. personally, it provided a new meaning to home. we list a lot of thing while we talk about what home means to someone, in poetry, prose, media and daily life. and i believe you cant find one absolute meaning of home. the show said the same thing here as well. however, it add more depth to the things already said. how home lies within the people, not the buildings we create. its the memories that emphasise a home.

and i think here, the best example to explain home was through uncle somkid. the denial of care and affection he felt through years doesnt equate to the comfort he got at last, knowing his father did love him all those years, left him memories and things behind. and for us as the audience, probably, the arc that somkid got may not be correct because one may think the emotional unavailability of gramps and the whole family doesnt give the correct closure that somkid probably needed. but we find out somkid saying that he finally got the closure he needed. and that is something only he could justify, not us.

i learnt a deeper meaning of how home is everything - the chaos, disagreements, fights, denial of love, hate, laughter, envy, jealousy, pride, ego, disappointment, love, care, affection, warmth, being safe and content of being together with people. and feeling that all with people has become so valid. because you go through all those emotions in the course of life with people/buildings/memories you used to call/call/will call home. these feelings dont remain constant but they show up.

the way i interpreted "home" is still vague and may be incorrect, but i have felt this as i keep defining more homes over the course of my life. i have felt these emotions somewhere or the other while being in homes and its now something which makes me feel warm and content. and this show, made me feel it all.

will like to end my string of thoughts with this thought in mind.

[ennn]

Great meta about episode 8 and about Agatha’s feelings. I’m particularly curious about Rio and I agree with everything you said about her feelings and why she lashed out. She finally gave up on Agatha after centuries, she accepted she would always hate her no matter what even if she chose giving Billy up or herself but did that kiss change anything for her? She looked like she was truly grieving her and letting go

I don’t think she knew about ghost Agatha but will that change anything? Do you think she will follow the deal and leave Agatha alone? There is also the issue about Tommy but if you don’t count the twins do you think Death finally decided to move on? Will she be free or with those two, never 😂

Heh, I did leave out the part about the kiss in my meta post didn't I? My brain was so tired lol

The short answer? It's ambiguous.

And I think that's largely deliberate because The Powers That Be (TPTB) haven't committed to where and how they want to use Rio / Death in future Marvel projects.

I think there's definitely enough setup done and opportunity in the story for Rio to come back for an AAA sequel or spin-off — but also enough ambiguity if not.

Story-wise, the kiss is significant because I don't think Agatha's one to directly apologise or walk back what she says. It's a similar thing in episode 4 where Agatha embraces Rio with all that emotion.

I think the kiss is Agatha saying she still does have love for Rio, that she does want her despite all that she said earlier, that she's sorry but she can't let this boy die.

It's very heartbreaking if you consider Rio had resigned herself to Agatha just hating and rejecting her, and she is given this reminder of their love as a goodbye.

But ultimately I think with Agatha's progress – inching her way along her arc – this still marks the end of this chapter of their relationship: these two finally had something of an honest conversation, the baseline of their interactions has changed, and Rio needs to process brand new emotions like grief (which I sure hope doesn't have cosmic consequences ha ha).

That said, the kiss does seem to put Agatha and Rio in a relatively okay place at the end of this chapter. It's a bit of reconciliation. They've shown that they still love each other, but there's still a significant disconnect between them. But as a wise Lilia once said, sad is better than angry.

Now the ghost thing: it's a really interesting change to the dynamic of their relationship but I don't know if Agatha being a ghost encourages or dissuades Rio to go after her. Rio may feel motivated to help Agatha pass on and be with Nicky. Or Rio may take it as Agatha choosing to put distance between them, and from what we see in episode 5, Rio can't really do much about ghosts.

What the ghost thing does do is give Rio some grounds to ignore the first deal because if we look at the letter of the arrangement, Agatha asks for Rio "to stop making her life hell" and to not see Rio's face when she dies. These terms are no longer relevant for a ghost.

And if one argues that the deal has Agatha telling Rio to stop pursuing her, you could argue that Rio's following Billy and trying to deal with the Tommy situation. Agatha just happens to be around all the time while Rio's doing her job.

If we ignore the whole Maximoff twin situation like you say, I think it would actually be up to Agatha to decide whether a new chapter of them begins.

Because while being a ghost is a sacrifice in a lot of ways, it actually gives Agatha more control over the relationship in a way she didn't before, not even with the Darkhold. I don't think Rio can touch her, literally. It's possible Rio can't even sense her.

The good news is, this kind of ambiguity is perfect for fanfiction and fan interpretations. There is a lot of potential there.

[aestariiwilderness]

Actually, misogyny is a feature, not a bug, of sinful human nature; Christianity was and has been the cure! I'm sorry you think otherwise, but it's pretty much guaranteed for someone to draw erroneous conclusions like this if you cherry-pick pieces of any text and ignore others, put them out of context, and then interpret them with no understanding of their original language, meaning, or cultural setting. For one thing, you're looking at this through a modern perspective -- a modern perspective which is, by the way, based on truly radical values that Christianity actually made the norm (equal rights, etc.). P.S. : (Women in Biblical times were just all stupid, I guess, for flocking en masse to a faith that oppressed them somehow even more than the oppressive cultures they were raised in? :D)

Just off the top of my head: 1. The husband is supposed to die for the wife, give himself (his desires, wants, life) for her, and love her (immediate context to some of those screenshots you sent). There's no room for abuse, neglect, or misogyny in a Christian marriage or a Christian's life, and a husband who does not provide for his family in every respect is considered to have denied the faith and become "worse than an unbeliever". In the case of an unbelieving husband (and, I believe, in the case of any spouse who has broken the covenant of marriage in any way, including abuse, adultery, neglect, etc.) the covenant is already broken, and the "brother or sister" is "under no bondage" in such cases. God loathes divorce -- it's unnatural and typically harmful to everyone involved -- but still in no way requires anyone, man or woman, to be trapped in an abusive home or to be prevented from remarrying. 2. "Submission" (interesting term in the original, you should look it up! :D) is only ever in the context of husbands and wives, not men and women in general. Role in a given setting (i.e., marriage and family) is not based on inherent value. A lieutenant is not inherently worth less as a person than a general is. It's just that their roles are different, and in times of crisis (which a family often has :D) there needs to be a clear chain of command, or there is confusion and the crisis worsens. In return for this command role, the husband takes all responsibility for everything that befalls his family, regardless of whether he took his wife's advice for a given decision or not. He is to blame for everything that happens in the household. Further sources below! 3. A woman is not permitted to exercise SPIRITUAL authority over a man -- i.e., be a pastor (teacher, in this context). This means nothing in terms of barring women from being close to God or even clearly surpassing men in spiritual and other areas. You may want to look into Deborah and Barak in the Old Testament and Anna the prophetess in the New Testament for examples of women in spiritual or divinely revelatory positions. Further sources below! 4. Legit God is saying that Eve isn't at fault for sin entering the world? The ultimate responsibility is always given to Adam, even though Eve ate first, and sin is described as thus descending through Adam. Eve was lied to -- but Adam knew the vibes were rancid and ate anyway.

5. "Helper fit" is probably better translated "helper equal to/comparable to him" -- i.e., another human. Notably, it was only after the fall wherein it became necessary, due to sinful human nature preventing harmony and agreement, to have a "casting vote" in a marriage. (Again -- all of this is in the context of a marriage, not among men and women in general.)

https://www.gotquestions.org/woman-helper-suitable.html https://www.gotquestions.org/desire-husband-rule.html 6. As for the rest -- God did not say rape was okay. Far from it -- rape actually brought a death penalty to the rapist in the Old Testament, which isn't something you get often even in modern times! What you're reading in those screenshots is actually a groundbreaking, unique (at the time) approach to crimes against women, marriage, and women's rights. It's just that we don't immediately have the cultural context for it, so you're missing some salient details -- as well as having some translation issues. See if these help you! I included other objections you might have as well. Some should also include references to the first five counters I made above, including verse references so you can check them out against the source yourself. Hope these help! Further Sources! :D https://www.gotquestions.org/misogyny-Bible.html https://www.gotquestions.org/men-women-equal.html https://www.gotquestions.org/Bible-rape.html https://www.gotquestions.org/gender-equality-inequality.html https://www.gotquestions.org/sexual-assault.html https://www.gotquestions.org/Deuteronomy-22-28-29-marry-rapist.html https://www.gotquestions.org/Bible-violence-against-women.html

https://www.gotquestions.org/spousal-rape.html https://www.gotquestions.org/submit-to-one-another.html https://www.gotquestions.org/Bible-submissive.html https://www.gotquestions.org/wives-submit.html https://www.gotquestions.org/Bible-sexism.html https://www.gotquestions.org/weaker-vessel.html https://www.gotquestions.org/because-of-the-angels.html https://www.gotquestions.org/polygamy.html https://www.gotquestions.org/God-Bible-sexist.html https://www.gotquestions.org/woman-helper-suitable.html https://www.gotquestions.org/desire-husband-rule.html https://www.gotquestions.org/womens-rights.html https://www.gotquestions.org/pain-in-childbirth.html https://www.gotquestions.org/women-silent-church.html Also: I'm confused as to why you would attack the foundational justification and basis for equal rights, the concept of right and wrong, etc. (the foundational justification and basis being the Bible, Judaism, and the Christian faith)? (Historically, this is true -- one only need look at the thousands of years of history where women were treated as second-class citizens at absolute best and then compare their meteoric rise in considered status with the advent of Christianity. I believe you can actually prove causation, not just correlation :D -- but regardless, that's not my point here.) "Equal rights and right/wrong aren't just Biblical concepts!" you might argue. I agree, society has had this pervasive idea of "right" and "wrong" (as well as a multitude of other abstract concepts such as justice, freedom, autonomy, love, evil, mercy, and more) from the beginning of recorded history. Which...doesn't make sense, from any naturalistic philosophy. Where in nature can you find "right" and "wrong"? Where in nature can you find "good" and "evil"? Where in nature can you find "fair" and "unfair"? Where in nature can you find "justice"? Where in nature can you find "gender equality" or "equal rights", or even "rights" at all? They don't exist in nature. There's no basis for them and certainly no justification for them in nature. A naturalistic philosophy (i.e., theory of evolution) cannot account for their existence, and it certainly cannot justify them. According to any naturalistic philosophy -- including evolution -- there's no reason why women shouldn't ALWAYS be treated as second-class citizens -- broodmares, sex slaves, used and abused, etc. Evolution (and other naturalistic philosophies) can only provide "might makes right" and "the survival of the fittest/strongest". There is no room in those philosophies for any kind of inherent human right, let alone gender equality. Most world religions also fail to provide justification and basis, although to a lesser degree. From what I've seen, they either don't provide a justification for these abstract concepts and "rights" or simply already establish women (and other disadvantaged groups) as second-class citizens by nature. The Bible, on the other hand, provides both justification, basis, and explanation for them. Attributes of a perfect Creator and an objective moral standard, expressed and built in to His creation; value and rights inherent to every human everywhere at every age. You can find verse references, again, below in the links. https://www.gotquestions.org/sanctity-of-life.html https://www.gotquestions.org/moral-argument.html https://www.gotquestions.org/moral-truth.html

[windydrawallday]

⬆️ The MAIN REASON why I watched the show ⬆️

And I personally feel like something similar happened here to what happened with TFA and TFP Ratchet? Ya know the quote "This version walked so this other version could run"? Because I respect and enjoy TFA Swindle a lot but this one forged enough charm and even surpassed it in his own way? Idk Idk pretty pretty con man bot and super entertaining to watch! Luv him to bits 💜

[unproduciblesmackdown]

Lackadaisy Enrichment

[backpackingspace]

I am once again thinking about how odysseus who witnessed the horrors that the captured women went through (one of his main duties in the iliad was taking the women back home and making sure they were as comfortable as possible and safe because he was the only one trusted not to violate them further due to his devotion to penelope. And in the odyssey part of the reason circe sent him to the underworld was so that he'd have to listen to all these women's stories (before he could talk to the prophet) ). Who was one of the few that saw women as people and respected their space and opinions. And was then put in those exact same situations. I don't have the motivation right now to do a full literary analysis of this (I'll site the sources too) but oh man one day I'm going to write a full essay on this.

[icybluepenguin]

A question to think about: what do you think fanart/fiction is taking away from the original material? Audience? Profit? Integrity? This was the prevailing view of fanwork in the early 2000s when I joined fandom, I'm familiar with it.

Most people will not engage with a fandom if they don't love the source material. They're the audience, they're buying it. And fanworks cannot change the original. The original is always there, the same as it was when it was created. If someone wants to avoid fanwork interpretations, they absolutely can. Fanwork is optional. It cannot ruin or degrade the original.

There will always be people who think Art can only be made by Certain People Only for Approved Reasons. But that is not how art or how humans work.

Humans can and will make art out of anything all the time. We make art to communicate and connect, yes, but also to make ourselves HAPPY. We've been doing it for as long as we've existed. It might be what makes us human. One of my favorite examples is Line Rider music videos. People spend hundreds of hours making custom levels for a 00's-era stick figure web game to play music and they're beautiful and fun. They are art.

Humans will make art from anything. Because we love to make art. It is part of us.

This obsession with originality, of art only "counting" when it is "100 percent yours" (as if that is even possible,) is quite new. For most of history, the way to get your audience engaged, whether that was in a book, a tavern ballad, or a story around a campfire, was to use characters people were already familiar with. Fanwork is just engaging with art the same way our ancestors did for thousands of years. It's engaging with art in a very HUMAN way. It is engaging with something you love. It IS transformative.

We unlearn to be ashamed of our art, to think that Art must be done by Certain People. We teach ourselves to be shameless with our art, to be proud of it, to find the joy in it no matter what. It is a process, a radical one.

Make art. Make bad art. Have fun. Be human.

My last reblog on fanfiction left such a bad taste in my mouth, I had to remove my own fic from my pinned commebt.

Idk how people just live shamelessly with their "art" and their "writing", and then even post it for others to see. I feel endlessly guilty for even attempting to do violate someone else's concepts & characters with for my own "artistic expression".

Is all art just guilt manifested? I wonder. Maybe it's just one of the forms it can take? Maybe that's just my brand: feeling indisputably guilty for putting more of rotten me into this world.

@allymcfee is trying to keep me on track and motivate me to draw more. I struggle. I struggle a lot with that. I struggle a lot with accepting others might enjoy what I do, no matter how much I despise my "art" and myself for even doing it.

There's such a deep divide between my joy of creating things and how I actually feel about everything I do. Or how I was taught to feel about it.

Idk. It's just a lot. I literally got a headache.

[i-dreamed-i-had-a-son]

“because he never accepts that it's never been about righteousness--it's about repentance.” except javert killing himself IS repentance.

well, it’s like 12 different things, because bro had gone days without sleeping and very little food and water and he already had low self-worth and kept asking the amis to kill him and just assumed he was going to die AND THEN valjean upended his understanding of the world and morality. he was really going through it & there are a lot of overlapping reasons for why he jumps into the seine.

but javert is like Number One Most Responsible guy in the whole story. taking responsibility is his Thing (forever bitter the musical doesn’t include the punish me monsieur le maire scene). how else, in his derailment, could he atone for his conceived misdeeds other than by handing in his resignation to god? in the brick he had already left a note urging his superiors to treat convicts at toulon better, which is another step in his repentance (and another crime the musical commits by not including it). jumping into the seine was another step.

honestly a lot of ppl who like the book think the musical was dead wrong to exclude him from the big heaven group sing, because it COMPLETELY undermines the themes of forgiveness and compassion threaded throughout les mis. like the musical was simply wrong lol.

This is helpful context! I am still finishing the brick, although I have fully read the abridged version, and that detail about the letter wasn't included, so I didn't know that occurred! (And thank you for the message--this is a long response but I'd love to hear more of your thoughts!)

I agree that Javert is certainly deeply distraught and remorseful; like you mentioned, his worldview is literally falling apart, and his actions reflect his mental state. But his death isn't really repentance--in the sense that it's not what God would have wanted. To me it reads like a Judas situation: a desperate realization of a huge mistake, and doing the only thing you think can make it right, namely, ending it all. That's the just punishment for someone so wrong, isn't it?

But true repentance, meaning the repentance that the Lord desires, is about changing your ways, not "paying a price." Had Javert really understood the beauty of Valjean's mercy (an image of Christ's, just as the bishop's undeserved mercy was to Valjean himself), rather than killing himself, he would have lived to also become "an honest man"--in heart. One who could forgive and understand forgiveness, for himself as well as others. One who could recognize that he is not The Law, that he can fall, but that he can also be "brought to the light." One who could accept that men like Valjean, and men like himself, CAN change, and be changed.

It's tragic to me because so much of "Stars," and his character in the book as well as the musical, is about wanting to be righteous, to rise above his birth and the sinfulness he associates it with. It's about wanting to please the Lord by his actions. But in his end, he shows he never understood what God really wanted from him, and that's where my original phrase comes in: not righteousness, but repentance. To live, and face the man you were, knowing it's no longer the man you are. That it's never been about what you've done or can do, but about what's been done for you. That's the Gospel that he could never fully accept.

To use another example you mentioned, that misunderstanding drives why he asks the Mayor (Valjean) to punish him--in his worldview, mercy is unjust, or at the very least, unfair. Evil must be punished; "those who fall like Lucifer fell" receive "the sword." But "as it is written," God "desires mercy, not sacrifice" (Matthew 9:13). God would have wanted Javert to live, and Javert couldn't see that, and that's why it's devastating to me. In his misunderstanding of the heart of God, he misses what would have set him free from the chains of sin he's always been trying to escape.

That's why he's contrasted with Valjean, who (though he carries guilt about his past till the end of his life) is eventually able to face it and confess what he had done to those he loves. He knew there was mercy to be found, if only it was asked for. Javert was too blinded by pride and shame to realize it, and so, while broken, he never was able to truly repent.

For that, you must go on.

[icewindandboringhorror]

examining a seemingly normal image only to slowly realize the clear signs of AI generated art.... i know what you are... you cannot hide your true nature from me... go back where you came from... out of my sight with haste, wretched and vile husk

[hahasuchagarbage]

YOOOOOOO I inspired a person's art HELL YEAH

Also LOVED this post, can't wait to read more (hope there will be more 🙏). I have my own "new canon story" going on in mind (very very deep in mind, never meant to see the light of day EVER) with the already established dt17 reboot story of drake mallard, but no interdimensional-old-dwd-show villains situation - like, same character at the end, but with new in-dt17-universe backstories going on (it's complicated), so It was doubly pleasant to read what ideas other people might have about Bushroot's character :DD

Few thoughts that I have after reading, hope you don't mind me sharing:

"because Bushroot, believe it or not, is a good horror character" YES HE IS. yall remember that Laura Palmer shit he pulled out in one of the episodes?? dude wrapped his own damn dead body (the SECOND dead body he had in that episode) in a plastic bag, threw it near some river and continued his day, spying for alien cows, as if nothing had happened.

that is some really twisted shit for a "coward" he is claimed to be to do

"Quackerjack is one of the ones he would get along with the least" I actually strongly agree here lol. (aside from all the other traits mentioned) Quackerjack is too unpredictable and chaotic at this point of his mental state, relationship with him would be a living HELL for someone like Bushroot, if we take into the account all the established issues Reggie has + if there is no character changes/development done before them entering into relationship.

"two gossipers " THEY ARE

(Bushroot and Liquidator also have the "we shouldn't judge/but we will)" duo energy)

"Negaduck would ALWAYS threaten Bushroot for every thing he did wrong" okay-okay, hear me out, do you all too think that negaduck tends to projects his hatred for friendly four toward team fearsome? Especially in the og series, and not the fan-redesigns ones, where both versions of them as villains and heroes are totally identical, and each time friendly four are getting on his nerves he blows the steam on his ''henchmen".

(therefore, there is this concept of how darkwing and negaduck project their experiences with both of their universes fours, where dw is the one who was able to overcome his mistrust and prejudice and see each member of friendly four as their own person, that has nothing to do with the their villain persona; but negaduck did not and will probably never do the same in opposite direction.)

"their relationship would be very cute to explore" - Bushroot's attitude towards spike is something I always interpreted as him striving for love and support, but stubbornly ignoring all those same things coming from spike (like its here, right under your beak, but you don't/don't want to see it. A kind of irony and underline of Bushroot's ignorance, that he as a character must outgrow to finally gain what he craves the most. does that make sense? I hope it does?

Character Ideas for Writers - Bushroot (Darkwing Duck)

This blog is for Darkwing Duck writers who plan to write a fanfic, comic or anything that directly or indirectly involves the character Bushroot. The ideas may not be for everyone and everyone has their own different vision of the character, but this blog is for those who are experiencing writer's block or any other creative issues. I hope you understand and, if you use any of these ideas, please give me credit. Thank you for understanding.

Yeah, I know, this blog took longer than I wanted... But in my defense, my college (yes, I'm in college-) gave me a lot of work to do, so that's it... Little time to make a blog... But I did it little by little and, now, here I am! Well, my dear writers, fanfiction writers, Fan Comics writers and Darkwing Duck fans, let's start with tips about my second favorite Darkwing Duck villain, Reginald Bushroot!:D

(Second favorite, because you already know... My number one favorite villain is Liquidator... -w-)

I decided to start with Bushroot because I had more ideas related to him and I was rewatching the Darkwing Duck episodes while listening to the Podcast "The Saint Canarian Files: A Darkwing Duck Podcast" (By the way, listen to their Podcast, it's really good and they bring curiosities about the production of the episodes :³). And, also, I ended up changing my mind about the "Bushroot Redemption Arc" that was being done in the "Boom Comics" comics and, after hearing some opinions from other people, I ended up liking the idea (and also, this blog was supposed to be released last month because Bushroot, believe it or not, is a good horror character). This blog will be divided into topics and, in each topic, I will talk about specific themes, but that encompass several ideas about that theme. Enjoy! :D

Oh, and for the people who came to the blog to complain about my ideas, I didn't see that you agree with my opinions, don't like Bushroot or are just here to complain as if it were Twitter... I kindly ask that you leave peacefully, malicious or inappropriate comments will be deleted.

Character's Past

This topic (as well as others) is optional, but if you want to make a story (like a fanfic, comic or One-Shot) focused on the character, this topic can be good to give more layers to the character.

I've heard many psychologists talk about how our inner child defines who we are in the present, and despite a series of factors involved, it's really true. So, in Bushroot's case, we have to define what made him a person who, despite being good deep down, ends up losing control of his emotions and ends up doing questionable things, and who also can't express what he wants to others. So I took some things from the psychoanalysis of Attachment Theory. And, to give a very rough summary (go research it later if you want), it is a theory that says that your type of attachments to friendships, family, work and romantic relationships can fit into four aspects of attachment: Anxious Attachment, Avoidant Attachment, Disorganized Attachment and Secure Attachment.

Since our focus is on Bushroot, after analyzing each of the attachments, I classified it into the two most likely attachments for him: Anxious Attachment and Disorganized Attachment.

- Anxious Attachment

The theory says that Anxious Attachment is caused when the person responsible for the child was inconsistent in meeting the child's needs, such as security, affection and attention. One day the child had a lot and the next, he had little. This attachment causes the child to end up developing affective anxiety, with this unpredictability of the person who took care of the child projecting itself into the constant fear that people will abandon him. And this also extends to other life experiences besides older people, such as having a boyfriend or a friend who sometimes gave you attention, and sometimes barely spoke to you, which can be harmful to future relationships, because the person ends up suffocating the loved one in search of validation and security, usually looking for dynamics that are "familiar" to them from past experiences. The points that make Bushroot have part of this attachment are:

Needs constant validation

Never feels loved enough

Has emotional ups and downs

His biggest fear is that they will abandon him

Constantly questioning your worth as a person based on the answers you receive

Always needs attention from others

He cares a lot about every detail

There have been moments considered toxic because of emotional dependence.

He has anxiety and worries a lot about the possibility of betrayal, of people no longer loving him or being interested in him.

- Disorganized Attachment

People with Disorganized Attachment are commonly the result of living in a hostile family environment, with dysfunctional dynamics and emotional abuse. The retained trauma ends up being manifested in later relationships. And, of course, it can also be developed in adulthood. Even if the person has received love in a good family environment, they can become a person with this attachment after traumatic experiences with a toxic partner. Extremely stressful situations can cause this type of attachment. The points that make Bushroot have part of this attachment are:

You don't know how to regulate your emotions, you never know what you're going to feel around someone

There was more than one person in that area who mistreated him

Carry unhealed traumas that show up in relationships

You know his behavior seems contradictory

People are generally untrustworthy

Feeling incomplete, with very low self-esteem

You want to be loved, but you're afraid of being hurt

You know that any relationship will always abandon you

I would like to love myself more, but I don't know if I can

So, yeah... You can take the Bushroot side of things, as a child, having had inconsistent parents or having lived in a hostile family environment, because both attachments are valid. But let's get out of the speculation part and into the part that's probably more fun to play with.

Origin of Powers and Mutation

Definitely the one I had the most ideas for, but let's take it one step at a time... We already know Bushroot's personality and why he did the experiment in the original, but if you want to change that, I have some suggestions.

- Trying to cure a terminal illness

I know, it's a cliché that a scientist tries to cure a disease that would probably kill him or make him lose something that would end his life, but it's still a cliché that, if done well, can give a greater dramatic load to the character. Having reached such an extreme point just to survive, it can also show the character's selfishness, even if small.

- Seek approval and recognition

This is also nothing new considering the duck plant, but it is really valid and is in the original, in parts. And it still works, changing one point or another, it can be well executed.

- Sabotaged by colleagues

This is a strand that goes a little against the original, but it is valid. If Bushroot had his project approved by his boss, Dr. Gary and Dr. Larson would probably be very angry with the duck and would have sabotaged the project, which would cause his mutation and, consequently, they would have indirectly caused their own deaths. But if you want a more interesting Plot Twist... We have another strand of this idea.

- Rhoda being the culprit behind the Bushroot mutation

If you want to completely change the origin of the mutation, you can do the following... Bushroot would be getting approval and would be making money with his projects, while Rhoda is about to be fired, so she decides to use the fact that Bushroot always wants approval from others and convince him to try to do a riskier project. However, she ends up tricking him and using him as an unwitting guinea pig, which ends up causing his mutation and, in the end, she is the one who receives the credit (even though the project was Bushroot's), which causes Bushroot to become blind with rage and want revenge on everyone, including Rhoda. It would be an interesting origin and one that, in fact, would add a lot to his story. And since we're talking about Rhoda...

Rhoda's Character

Another optional topic, but one that could be interesting to work on... Because, in itself, Rhoda's character is not very developed, she serves more as a stepping stone for the plot to follow and to contribute to Bushroot's initial motivation. So, if you want to work more on the character and her relationship with Bushroot, here are some suggestions.

- Keep the original personality, but with more development

It's self-explanatory, but it's valid... The issue of Rhoda being the only person who supports Reginald and truly believes in him is good, whether she just sees him as a friend or something more, which would also give more impact when Bushroot loses his sanity and ends up becoming a villain. You can also try to include her in a few times, making her a recurring secondary character and developing her personality more.

- Good on the outside, but manipulative and cruel on the inside

There are two sayings in my country that I've heard of: the first is "Love makes people blind" and the second is "Love is a purple flower, which grew in the heart of a fool". These two sayings fit this idea... If you want to make a more interesting plot twist, you can use Rhoda as a ladder for a character who seems good, but deep down she is the "mad scientist" of the story. As mentioned in the idea of Rhoda being the culprit of everything, she would have tricked Bushroot into stealing his project and thus gaining money and recognition, never having truly cared about him. This, besides being a plot twist for the audience, would be a reality check for Darkwing Duck, who would be shocked when he found out about this. It could also open the basis for a lot of symbolism regarding this act of Rhoda, but I'll leave that one for you to think about.

- Dying (unintentionally or not) because of Bushroot

Regardless of the path you choose, whether you want Rhoda to be good or evil, another idea that would be interesting is if Bushroot ended up killing her. Whether by accident, with the collapse of the laboratory or a fit of rage that hit Rhoda, or intentionally, with him killing her in cold blood or replicating her experiment, but ending up killing her in the process. But that depends on each writer, the shock value has to be used in the right way and that makes sense in the narrative, and there is no point in killing the character if there is no development for her or her death. But going back to the question of the Bushroot mutation...

Consequences of Mutation

We already know that he became a plant mutant and that this gave him, in addition to plant powers, an extremely surprising regeneration capacity. But what about the consequences of the mutation? Would there be any? I have some suggestions...

- Physical consequences of the body

For those who study biology, you know that our body has a certain "recipe" that, if changed, can cause physiological problems for us. In the case of Bushroot, because he transformed (or was transformed) his body into a plant, his body could reject the mutation. Whether it's his organs not adapting well and causing him to have internal problems, vomiting flowers like "Hanahaki" (those who know fanfics know this term), or him having the physiology of a zombie, losing his vocal cords and becoming hunched over, among other problems.

- Psychological problems

If you want to go into the more psychological aspect of the character, there are also ways to work on that. You can work on an identity crisis in him, with him realizing that he is no longer human and questioning whether he is still himself. You can explore how the mutation ended up affecting his brain, which makes him slowly start to lose his sanity and have hallucinations. Or, if you want to follow the original, explore how lonely Bushroot is now that he is a mutant, since everyone is afraid of him and wants him away, which also touches on the issue of his emotional dependence. But, for this last suggestion, we have a hook to talk about another topic.

Relationships

I'm not just talking about romantic relationships, I'm also talking about friendship and enmity. Let's start with the basics...

- Darkwing Duck

Everyone knows this... Bushroot doesn't like Darkwing Duck at first, mainly because he keeps getting in the way of his plans, but their relationship in the comics and the series ends up changing. Like in "Silme Okay, You're Okay", "Jailbird", "Twin Beaks" and in the zombie potato comic (I can't remember the name right now), they've already teamed up against a bigger villain. In the latter, by the way, it was the first time that Darkwing called Bushroot by his nickname, "Reggie". It comes to the point that, despite all their differences, they are similar, Darkwing even says this: "I know we have our differences...". You can explore either the aspect of Bushroot's hatred towards Darkwing or the aspect of Darkwing being a person who, even though Bushroot is a villain, supports his change of character.

- Fearsome Four

This is the second relationship that is most important, after all, he is in a group of powerful villains... But let's take it one step at a time... Quackerjack is one of the ones he would get along with the least, because, besides Quackerjack being noisy, it was seen in "Jailbird" that he destroys Reginald's plants a lot and doesn't care about his feelings. With Megavolt, he wouldn't interact much, but they would probably get along, considering that they were both losers in the past and have interests in science (even if their field is different), despite Volt also being VERY noisy. Now, with Liquidator, who unfortunately was the least explored, you can see that they get along very well, and could be both the "brave and coward" duo, as well as, probably, two gossipers (because I really think that both of them would be the type of person who likes to gossip), besides that their relationship with Dator could help his self-esteem, even if just a little, because the water dog definitely doesn't take any nonsense.

Credits to @hahasuchagarbage for the idea and inspiration

- Negaduck

Yeah... It's definitely not good... I DOUBT that Negaduck would be nice to Bushroot, even if he is useful as a "henchman", Negaduck would consider him "too soft". You must know that Negaduck is a HORRIBLE person (don't even try to contradict that it's true!), but he would certainly be one of the factors for Bushroot to have trauma that would take him to therapy... Negaduck would ALWAYS threaten Bushroot for every thing he did wrong, whether psychologically or by threatening to burn him alive until he dies. One of the relationships that, besides being toxic, would be one of the factors for Bushroot to be excited about wanting to have redemption or not.

- Spike

To lighten the mood, let's talk about the plant dog Spike... Even though, in the series, Bushroot acted very badly towards Spike, their relationship would be very cute to explore. There are people who, when they feel bad, adopt therapy animals to improve their anxiety and other psychological problems, which ends up fitting with Spike. And with this cuteness, we move on to the next topic.

Powers

Another optional topic, however, equally interesting! We know that Bushroot's powers, in general, are limited to controlling plants, but if you want to expand Reggie's range of powers further, there are some that suit him.

- Expand his plant control

Self-explanatory, but it requires research into plant biology, and I understand that it can be boring, but it ends up being rewarding and makes you see that Bushroot is, in fact, one of Darkwing Duck's most powerful villains.

- Control insects

A slightly more insane idea, but an interesting one, considering that some plants can trick certain insects into survival, whether through pheromones or another method. So it would be interesting for Bushroot to use some formula to manipulate insects.

- Control people with pollen from modified flowers

Just like Poison Ivy, who is the inspiration for Bushroot, he can use the flowers to control people, not necessarily making them fall in love with him, but manipulating their minds to commit crimes for him or something else. And now, let's get to the topic everyone was waiting for...

Redemption or not? That is the question...

As has been said many times here, there is the option of leaving Bushroot as a villain and someone who does not want to change (as some episodes of the series and the comics, both old and Dynamite, did) and there is the option of working on Bushroot's redemption and making him become a hero or an anti-hero. And now, let's explore these two narrative points. And, just for the joke, I'm going to do like Undertale and call the slopes "Good Route", "Neutral Route" and "Evil Route".

- Good Route

The route follows what was proposed by the Boom Comics comics and was touched upon in the original series, a possible redemption of Bushroot... As seen in the other topics, Bushroot suffered a lot of trauma, whether from the past, in his origins or with Negaduck, being some of the reasons why Bushroot is apprehensive about having a redemption arc, asking himself "Is it worth it for me to do this? Will anyone really believe in me to the point of agreeing to help me? Or will everyone just abandon me for choosing this?". And the character who would probably help Reggie in this arc would be Gosalyn (because, as much as Darkwing Duck might consider it, he is not at all delicate with words). Gosalyn, despite being a character with a bit of "no filter", she is a good person and, upon seeing an act of kindness from Bushroot, she would want to help him change. However, Negaduck would be the main obstacle to this redemption, threatening Bushroot with death if he did so, but, in the end, Reggie would finally face him and, thus, would begin his arc of reform, whether as an Anti-hero or as a hero itself. As for the reaction of the other Fearsomes... It will depend... If you want to maintain a good relationship between Bushroot and them, the Fearsomes can get upset, but they would understand Bushroot's side and accept his choice. Now, if you want a negative reaction, you can make them angry and get satisfaction from Bushroot, who would reinforce that he no longer wants to be a villain.

- Neutra Route

She is a middle ground between the good Bushroot and the evil Bushroot, literally being in the middle of them. Bushroot could even consider having redemption, but due to Negaduck's constant threats, he would refuse, even if it would break Gosalyn's heart... However, the event of the Fearsome Four breaking away from Negaduck could occur, which could open the door for Bushroot to be an anti-hero who only kills horrible people, but not necessarily being a hero or a villain, truly being neutral, which still keeps him in the Fearsome Four.

- Evil Route

Now... If you want Bushroot to be 100% villainous, you can choose how to do it... You can make him slowly lose his sanity and, when he is given the chance to redeem himself, he is so insane and traumatized that he would furiously refuse. Or you can make him feel that, if he changes, he will lose everything he has built and his friendship with the Fearsomes, deciding to remain a villain. There may be an atmosphere of terror with these aspects. Or, if you want a more tragic side, make loneliness consume him completely and he becomes a complete villain because of it. You can also want to make him have a redemption, but for a series of factors and a series of issues, he ends up dying in the end, but doing an act of kindness before dying. It's a tragic fate, but you can choose whichever one you want.

Reference Suggestions

Last extra topic to end the blog with a flourish (or perhaps a marigold, if you prefer), which are literary and character tips for you to get inspired.

- Dr. Jerkyll and Mr. Hyde

It might be a good choice if you want to explore Bushroot's internal conflict, between being good or being evil.

- Frankenstein

The most classic parallel, if you want to use the idea of Rhoda being evil and Bushroot being the victim, is questioning the ethics of science and the dilemma of "Who is the monster and who is the human?".

- Poison Ivy

The most direct inspiration for Bushroot, but if you want, you can delve deeper into the character to have both the aspect of Bushroot's powers and more of his past.

- Pearl (from Steven Universe)

It is one of the most classic examples of characters who have emotional dependence and who can help this part of Bushroot evolve and become more self-sufficient.

- Dead Plate

This last one doesn't exactly match Bushroot, but the protagonist and antagonist have two parallels about "what is love?" I recommend researching more about the characters and the game.

Conclusion

But that's basically it, folks... The blog got bigger than I expected, but I hope I helped you! If you have any suggestions for ideas, leave them in the comments and I'll reblog them with your idea! Each like and reblog is a little Lemon Balm Tea to calm down poor Bushroot... That's it, BYEEE!!!

All the arts were made by me in traditional, I hope you liked it! ^^

[thatswhatsushesaid]

I am routinely baffled by any criticism of jgy fans' interpretation and defence of his character that can be boiled down to "but genre conventions!!!!" as if defying genre conventions isn't how newer, cooler, more interesting stories end up being told.