#little horse there too

[girlboyburger]

i heard you folks might like fluttershy? 🦋

[otiksimr]

Beauty in Simplicity

[lulu-draws-stuff]

My sort of future au designs (traced/edited their psychonauts 2 renders for this) :] they are like 13 here

[skyenish]

I drew some twst characters as my little pony characters

*Drops this and runs*

[tubbytarchia]

Somewhere in the woods, a moth tires of seeking light

[shirecorn]

Tumblr keeps popping up to sell me ad free dashboard. But what it doesn't understand is that me and the ads have a sort of symbiosis at this point.

The guys from the fake gameplay trailers for a predatory mobile app are my blorbos

[dogearedheart]

born to be a cowboy forced to be some guy in some city

[spitinsideme]

gay ponies gay ponies gya ponies gay ponies gay ponies gay ponies ga

i love my little pony friendship is magic truky the gayest show ever i used to have thr BIGGEST crush of fluttersjy in that vampore epsiode likr i actually watched the samr episode 10 tomes in a row because i was so in love like id watch ir and not talk throufhout because god .. fuck ... fuckcing hell ... didnt eben knlw 2hat i was feeling but i knew tjat i wanted to see her and now i could badically play that whole episode in my head just by mmelry with how many times i watched it because jesus .. fucking ..fuck .. god ..

best ship is raritu x fluttershy so you grt fanart for them

[poorly-drawn-mdzs]

MDZS x Warrior Cats AU (part 1): That boy can meow!

Names and a huge inspiration credits to @clintbeefwoods!

(part 2)

[cupophrogs]

First Mission

@clownsuu @thelone-copper

[girlboyburger]

it's poinkie !!

[feything-n-frothing]

Unicorn Academy headcanons (purely for fun)!

I think it would’ve been so cool if the show gave them specific disciplines + tack when they got their magical personality-based clothing/tack ! I gave her western tack - it’ll be harder to do jumps, but I think being a bit unsafe is fairly in-character.

Sophia edition:

Eyebags from frequently sneaking out at night, all rebellious style… she will refuse to sleep solely to avoid ‘wasting free time’

Likes to be comfortable, rides bareback or western - she’s not very used to English, since she learned western first on her family’s ranch

Plays the guitar. Badly <3

Kind of mean, simply in an uncaring + snappy way. She’s recovering! …she just hasn’t socialized with peers in a while, much less friends

Also realized she liked girls very early on, and is in a bit of denial about actually being bi… so now she’s a (slowly) recovering misandrist! (This is mainly based off her treatment of Rory being especially hostile early on- especially since he’s a fellow rule-breaker, making her frustration with him fascinatingly hypocritical)

Bonus for Wildstar : I think she’d be an Appaloosa (maybe a draft mix?) in horse terms, to account for more obvious star patterns.

And I think she gets along with Sofia because she’s also a bit overly independent, bold, and abrasive

They WILL learn to cooperate! It’s a group effort here.

[ssaraexposs]

They're so tiny and fluffy please 🙏 😭

[carnivalcarriondiscarded]

I'm so sorry I'm pretty sure your bard au is supposed to be serious but oh my god I couldn't help but get strong Men In Tights and Monty Python and the Holy Grail vibes

Especially bc of Barnaby I would not put it past him to make a "your mom's a hamster" reference

no no it Is very silly. how can it not be when you've got the neighbors as the characters? silly central. ALSO YOU'RE SO RIGHT VERY STRONG MP&HG VIBES I FUCKING LOVE THAT MOVIE HERE'S SOME REFERENCES

but it is also real. when it's silly its silly and when it's serious!

it's serious.

[thunderboltfire]

I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.

It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.

The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.

What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.

But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.

There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.

On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.

But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.

My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.

The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.

I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.

And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.

It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.

And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?

There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.

[the-owl-tree]

As someone who hissed as a kid (autumntism :^) thank you, I feel seen by your Twilight Sparkle

hehe!! i hc part of it is she's got bat pony in her but autistic twilight is so so good, absolutely plays a part