#Colt’s a little impressed

[cupophrogs]

First Mission

@clownsuu @thelone-copper

[unhinged-girls-stan]

just watched The fall guy and although i rly love emily blunt and ryan gosling, my fave performance in the film is winston duke !!! the man is So Good. also Jean Claude the french dog who bites men's balls

[wttcsms]

⋆౨ৎ˚⟡˖࣪ hallmark holiday !!

ᝰ.ᐟ tis the season to sit by the fireplace and indulge in cheesy, cliche, ever-so-predictable hallmark movies where we know the main couple will always get their happily ever after. alternatively: a scenario post detailing the cliche holiday romance you and your fave would be ♡ྀི ( fem!reader & sfw )

starring keiji akaashi, atsumu miya, shoyo hinata, seishiro nagi, shoei barou, yoichi isagi, jinpachi ego, noel noa, rin itoshi, oliver aiku, kento nanami, naoya zenin, porco galliard, colt grice, levi ackerman

:¨ ·.· ¨: `· . haikyuu films coming to a theater near you ౨ৎ

⋆⁺₊❅. dedicated to you starring keiji akaashi synopsis keiji akaashi finally gets his dream promotion to the literature department — sort of. see, first he's given what the company calls a "trial run", where they're testing to see how well he'll do. if this book that he edits makes it to the bestseller's list within its first month of publication, he gets the position permanently. fail, and he doesn't just get demoted — he gets fired. this dream of his becomes a nightmare whenever he realizes the author they're assigning to him is you — famous literary critic turned author. well, almost an author. this will be your first book you're ever writing. see, you've got a bit of a reputation. your reviews of novels, whether they'e indie books available only on kindle unlimited or works considered to be modern classics, are nothing short of scathing. rarely is there ever a book that seems to impress you. and while your reviews are valid, a group of scorned writers (who are all beloved by the booktok community, which, in your opinion, invalidates everything they do by default) publicly challenge you: if their writing is so bad, why don't you publish a book and show them how it's done?

exclusive sneak peek! "so you're my editor?" you raise an eyebrow at the man sitting across from you. he's wearing a brown blazer, his hair neatly parted with gel, and he has such a mild-mannered aura about him that you want to groan in agony. of course, the only shmuck who'd be willing to touch your book (book is generous; you barely have half of a first draft) would be some dweeb who's probably been out of work for like, the last year. "yes. i'm keiji akaashi. we spoke over email." he reaches into his workbag, probably to hand you a business card that you'll end up tossing in the cafe's trashcan. "oh. from the tone of your emails, i was expecting someone..." you don't finish your sentence. "someone what?" he asks. "it's nothing." you wave your hand, as if to tell him that the comment was useless anyway. "listen, i'm sure i'm not your ideal client, but we don't have to keep meeting. i'll make your job easy by making sure you never have to edit or touch a single letter on my drafts. just let me handle this my own way, and i'm sure—" "no." you don't normally let people interrupt you, but the shift in his tone makes you pause. you stare at him curiously, only this time, you notice that keiji akaashi doesn't seem so mild-mannered right now. he continues. "i'm not sure where you got the bright idea that you would just write this book on your own, but you don't make a deal with a major publishing house just to go about the project like all the indie authors you criticize in your little column. the minute you signed that contract, you became my responsibility." akaashi looks you in the eyes as he tells you, "so from this point forward, your book is about to become our book. and i only plan on producing bestsellers." you smile at that, leaning forward and matching the intensity of his gaze. "good. because i only plan on writing a bestseller."

⋆⁺₊❅. make it to christmas starring atsumu miya synopsis break-ups can be tough. coming home for the holidays can be tougher. combine these two situations, and throw in the fact that no one can know about said break-up, and this might be the toughest situation to go through. here's the deal: you and atsumu, who've been together for the past four years, are deemed "most likely to get married". your friends, family, and even strangers on the internet all think you two are the couple that will make them believe in the power of love again. with this type of pressure, neither of you are willing to wreck the holiday spirit by announcing your break-up, and really, mama miya just got a particularly bad diagnosis. the last thing either of you want to do is break her heart some more. so, you both agree to pretend to still be together, all for the sake of "saving christmas", so to speak. but then, mama miya walks in on the two of you in the kitchen at the worst possible moment. atsumu is down on one knee, kneeling in front of you. finally, some good news this season: her baby boy is getting married to the love of his life.

exclusive sneak peak! "atsumu, this whole thing is a mess!" you whisper-shout at him, leaning down and examining the space beneath the floor kitchen cabinets in search of your missing earring. "well, you can't back out now!" he whisper-shouts back, crawling on all fours to help you look for the damn earrings osamu's new girlfriend gifted you. "what would we tell everybody?" "how about the truth?" "we will tell them the truth! right after christmas." "you idiot, your mom has her next appointment the day after christmas! the whole point i agreed to this was so that way we wouldn't crush her with a whole day of bad news!" "you're right." your back is turned to him, but even without looking, you know he's nodding his head. "we should just wait 'til the month's over then." "that's even worse!" now you finally do turn around, crossing your arms against your chest. "i really think this was a bad idea. we need to figure out how to come clean before this whole thing blows up in our faces." he sighs, knowing that you're right. you always are. it's what he loves — loved; he's not quite sure if he's still allowed to use the L-word concerning you — about you. then, he perks up, catching a glint of your missing earring. propping himself up on his good knee, he presents the ring to you earnestly. "oh!" you grin, happy that atsumu found the damn thing. now, osamu's girlfriend will be properly placated. before you can reach for it, three things happen in rapid succession. one: the kitchen door swings open. two: mama miya assesses the situation quickly, and lets out the biggest shriek of excitement heard 'round the world. three: this whole thing definitely just blew up in your faces.

⋆⁺₊❅. v for valentine starring shoyo hinata synopsis you hate valentine's day — after you found out your (former!) boyfriend of three years was cheating on you on this very special holiday, you see what the 14th is all about. commercialized "love": packaged in bright pink packaging and red hearts that get sold to unsuspecting fools. however, as a wedding planner, you still have to love love. it's just hard to whenever the wedding you're planning is set for feb. 14th... and it's to your ex-boyfriend and the girl he cheated on you with. you know it's petty and ridiculous and horribly immature, but you're plotting and scheming ways to ruin their wedding without it being tied directly back to you. the only obstacle in your way, though, is the bride-to-be's annoying cousin who immediately catches onto your plans and seems intent on putting a stop to you.

exclusive sneak peek! "what do you think you're doing?" you jump up, startled at the sudden intrusion. everyone else is supposed to be occupied, oohing and ahhing at bridezilla's reception dress reveal. "nothing." you say, in that tone of voice that makes it very, very obvious to anyone who can hear that you were definitely up to something. "really?" hinata asks. "because it looks like you're trying to convince the dog to tear up my cousin's high heels." busted. (you're too flustered and trying to come up with an excuse as to why there's peanut butter on his cousin's designer heels that you don't notice the way hinata looks like he's trying to hold back his laughter.)

:¨ ·.· ¨: `· . blue lock films coming to a theater near you ౨ৎ

⋆⁺₊❅. married by christmas starring seishiro nagi synopsis as the only daughter of the mikage business empire, not to mention having an older brother who could care less about the family business, you should be rightfully inheriting a good majority of mikage corp. on the day of your twenty-fifth birthday, you anticipate the metaphorical keys to your family's empire. instead, you receive the worst news of your life: reo's going to lead mikage corp starting on christmas day (a gift that he never asked for), and since you're still unmarried at the decrepit age of twenty-five, your grandparents are demanding you start going on blind dates with the men they've found for you. when you angrily confront your parents, wanting to know why everything will be handed to reo, who doesn't even want this responsibility, the answer is clear: they need a man to be the face of mikage. if you marry someone, even if you're the one pulling the strings from behind, you can still inherit the business by having your husband look like the one in control. your parents know that you don't want to get married, but what they don't know is that you're willing to do anything to get what you've worked so hard for. you didn't spend years abroad to study at the best business school in the world and to build connections all for it to go down the drain. but then you realize that all these men your grandparents found for you won't be willing to just sit back and let you do all the work. they want power of their own. where in the world could you possibly find someone you can trust to be married to in these conditions? and then it dawns on you: your older brother's best friend! from what you remember of him during high school, nagi wants nothing more in life than to just be able to make easy money and relax, left to his own devices. he's never taken advantage of reo, so he'll probably stay loyal to you. and a quick google search reveals that nagi's never even been in a public relationship. he's perfect.

exclusive sneak peek! "you bought me a ring?" you stare at the velvet box resting on your living room table, eyeing it like a bomb that might explode at any minute. "huh? oh yeah, why?" nagi's voice is cracking through the speaker of your phone. you're not sure where he is; you don't really know much about your husband-to-be, you realize. you should get him to email you his daily schedule. you plan on making note of that in your outlook calendar, after this call. "i didn't expect you to get me a ring." you frown. "forward me the invoice for it, and i will make sure to reimburse you. in the future, please refrain from making any purchases related to our relationship unless i clearly allow it and expect it. christmas in front of my family, and public birthday celebrations, for example, are occasions in which i'll allow gift-giving." "you're sayin' my future wife doesn't want gifts?" nagi wants to choke reo. he's the one who said you expected to be spoiled, and all the guys on his team seem to be adamant that buying gifts for your significant other is the way to go. if he knew you were going to start talking business around him, he wouldn't have gone through the hassle of finding a decent jeweler in this city. "this is a business partnership, nagi. not a romantic relationship. in business, you buy gifts only to bribe. are you trying to bribe me right now?" no, he thinks. he was only trying to make you happy.

⋆⁺₊❅. a king for christmas starring shoei barou synopsis serving as king but hated by a small, powerful group of witches, the ruler of the kingdom, shoei barou, is cursed and expelled to another world where his tyranny will not be tolerated. the only way to return back to his world is for him to learn benevolence and empathy. they certainly gave him a challenge; it'll be hard to be kind and empathetic whenever you're magically transported to the twenty-first century without a single clue as to how the world works. luckily, he ends up transported here, unconscious, on the front porch of a tired, overworked, graveyard shift ER nurse. you signed an oath to protect and save all lives, so you can't exactly kick the large man passed out by your front door, now can you?

exclusive sneak peek! "where is your horse?" barou asks you, following you around your house. him being your shadow is odd, considering how he towers over you so much, he's actually casting a shadow onto you. seriously, he's blocking the sunlight peeking through your blinds. "my horse? you think i'm a horse girl?" you whirl around to meet him, nearly bumping into his muscular chest as you do so. he makes a face, not sure what to make of your exclamation. "how will you travel into town?" "like everyone else. with a car." you hold up your key fob, and he immediately snatches it from your hands, staring at the fob curiously. "you travel using this?" he points to it, and you nod. "witch." he says. "what did you just call me?" you stare at him, stunned. "witch." he repeats, still holding onto your key fob. "to travel in a contraption so small... magic is the only reasonable explanation. you must be a witch. why didn't you tell me this sooner? we can use this��this car, and you can take me back to my kingdom at once!" he straightens his back, holding your key fob out of your reach. "witch, i demand you transport me back home." "i should've kicked you when i had the chance." you mutter, wondering how hard this stranger banged his head to forget what a car is.

⋆⁺₊❅. the perfect playbook starring yoichi isagi synopsis bastard munchen is forcing all of its players to dedicate their time during the holiday season to an approved community outreach initiative. isagi sees nothing better than to return to his hometown, and help volunteer to coach the local little league team that's 1) underfunded and 2) currently coached by the only person kind enough to volunteer: you, the fresh-out-of-college brand new, bubbly elementary school teacher. yoichi might not be the biggest believer in team work makes the dream work, but you don't make a bad teammate... not in the slightest.

exclusive sneak peek! "isagi," you frown as you stare at the whiteboard, trying to make sense of all the x's and o's and arrows he's scrawled on them. "you want to train this group of seven to nine year olds... to become strikers?" he nods, pleased that you're finally starting to see his vision. "yes, exactly!" "the recreational elementary-aged youth team... is going to undergo a simulation of what you went through as a high school boy?" "well, it'll be tweaked accordingly. with your guidance, of course! it'll be a more tame version, but i'm sure the results will be the same." when he smiles at you like that, you can't help but want to give in. "and besides, i'm proof that project blue lock is a very beneficial program. look how i turned out!" you think back to when you curiously searched him up on the internet. "top 10 isagi crash-outs on the field" was not the result you were expecting. but he's been nothing but kind and enthusiastic around you and the kids. it's not like he's some egotistical maniac who only cares about soccer, right? "okay." you nod slowly. "project baby blue lock it is, then."

⋆⁺₊❅. cease and assist starring jinpachi ego synopsis former collegiate athlete with a professional career ahead of you, your dreams of becoming the world's best women's soccer player gets crushed the minute you suffer the worst injury possible. now, you spend your time trapped in an office, working for the japan football association, waiting for the decades to pass you by so you can finally retire and die. until the head of the association pulls you to his office and lets you know that you're going to be going undercover; apparently, jinpachi ego is creating a soccer program that's supposedly going to change japanese soccer, and he wants you to report back to him and the jfa so they can anticipate everything ego plans on throwing at them. hired to project blue lock as ego's personal assistant, you spend practically the whole day with him. he's annoying, never listens to your advice, mansplains everything, and refuses to eat anything resembling a vegetable unless you force it down his throat. he's also the only person to match your passion for the sport, and the only one to call you out for not continuing to chase your dreams. the more time you spend by his side, the less and less you want to report to the jfa...

exclusive sneak peek! "sir," you grit your teeth, clutching onto the files in your hand because you know if your hands are unoccupied, you'd be sprinting across the room so you could personally choke jinpachi ego out. "i have an mba from the top business school in this country. i've played soccer since i was a child, and was one of the most decorated d1 players back in college. i know i'm just your assistant, but i can promise you, i am capable of far more than heating up your cup ramen." he doesn't even turn around his chair so he can face you; instead, he's still laser focused on the massive monitor in front of him, his eyes occasionally flickering to the other dozen screens surrounding the room. he doesn't even acknowledge your words. "are you seriously going to ignore me?" you snap, strangling the poor papers in your grasp. "are you done speaking? last time i tried to answer back, you yelled at me for not letting you finish." he still isn't looking at you, but you're certain he sees the nasty scowl that crosses your face. somehow, ego is capable of seeing everything. "forget it. you're impossible." "and you're a failure of a player." he tells you, right before you can storm out. "excuse me?" "you keep talking about how good you were at soccer, yet you never even bothered to pursue it after you got out of physical therapy. good in college doesn't mean anything when it's been so long. that's why i don't listen to you." he turns his chair, finally staring at you. "when you prove to me that you're still as good as you claim you used to be, maybe i'll take your advice. until then, get out of my office until i call you back."

⋆⁺₊❅. the only exception starring noel noa synopsis at thirty-three years old with not a single serious romantic relationship for the past decade or so, and with society basically treating any single woman in her thirties like a cow put out to pasture, you have come to terms with the fact that you'll be a spinster. it's fine. you have a successful career in a male-dominated field, you're still as beautiful as ever, and it's not like romantic love is going to fill the void. you have a supportive family and even more supportive friends; you don't need anything else. at thirty-five years old, with a successful soccer career and a body still performing at peak physical fitness, noel noa is considered to be one of the most eligible bachelors in the world. the public considers him to be at his prime, even. and yet, he seems to want nothing to do with romance. he plays his sport, he does a damn good job of it, and then he goes back to his isolated home in the french countryside to spend his days and nights entirely and utterly alone. for two people content to spend the rest of their lives without a partner, the minute you walk into his life as the new assistant coach for bastard munchen, you both slowly start to realize that maybe, you both could just try being alone together.

exclusive sneak peek! he doesn’t pay you any attention whenever you enter the locker room; after all, this isn’t the first time one of his teammates’ girlfriends walked in here unannounced. he can only hope that your heated rant and accusations of cheating don’t take a long time because practice starts in ten minutes, and noel noa is known to be particularly anal when it comes to sticking to a strict schedule. “hey!” igor says, being the only one bold enough to block you from taking another step further in the locker room. “you can’t be in here, even if you are dating or related to one of the players.”  “well, that’s certainly a respectable rule, but it doesn’t apply to me.”  “i'm the vice captain of this team.” he replies, letting his title to do the rest of the talking. right now, in this room, he’s the authority, second only to noel. noel, who's too busy stretching his legs to really concern himself with something as silly as a female intruder in the men's locker room. the altercation between you two is nothing more than white noise to him. “oh? that’s nice.” you hum, before adjusting the lanyard around your neck so that the little ID card, the one that’s used to allow people entrance into the gym during practice, is showing. it must be brand new because it shines underneath the fluorescents of the locker room. “i’m your new assistant coach.”  well, you’ve certainly got noel's attention now.

⋆⁺₊❅. all in starring rin itoshi synopsis even with worldwide fame, rin itoshi still prefers to be left alone. deemed the "prodigal recluse" by the media, no one knows what he gets up to during the offseason. the truth is, rin returns back to his hometown and spends his free time training by himself in the frozen field he used to train in during middle school. he's never been found out here, and that's how he likes it. until you, an ambitious sports journalist visiting your parents during the holidays, gets lost and stumbles upon him playing soccer by himself. you're convinced that this is fate. no one else in your field has ever gotten this close to him, especially outside an official game, and you're begging him for an exclusive interview. you're persistent and annoying, and rin finally agrees, with one catch: you have to score against him on a one-on-one soccer match. (he just doesn't anticipate how persistent and annoying you can be. when you set your mind on a goal, you're going all in.)

exclusive sneak peek! "you have to admit, it's pretty impressive i even kept up this long." you're panting, the palms of your hands digging into your knees as you hunch over, struggling to catch your breath. the icy air makes every exhale visible. rin looks like he hasn't even broken a sweat. "a child could've kept up for even longer." he says, the soccer ball resting underneath his right foot. "if you're this tired already, you might as well just head home and go enjoy your vacation with your family." the and leave me alone goes without saying. "why? intimidated by my shocking athletic abilities already?" you think you've finally got your breathing situation figured out, and you straighten up. "i'm going to get that interview, itoshi." "if you say so." he shoves his hands in his pockets, his own breath visible in the icy air. "i'm ready for our rematch." you tighten your ponytail, giving rin such a fixed, determined stare that it surprises him. you really are serious about this, aren't you? "and don't think about going easy on me." the corners of his mouth nearly turn upwards. he matches your gaze, preparing to shoot the ball. "i never will."

⋆⁺₊❅. meet your match starring oliver aiku synopsis tired of cleaning up his messes and struggling to reform his playboy image, oliver aiku's publicist has to break out the business card locked away in her "in case of emergency" glass case. she's calling in the calvary — you, the celebrity world's most respected matchmaker. every celebrity couple you've set up has either dated for years (and more to come) or even got their happily ever afters by saying i do at the altar. you've got a one hundred percent success rate. you're making the perfect matches left and right. hinge who? when your publicist bestie calls you, begging to help her most troublesome client finally find love and quit playing around, you already know who she's referring to. oliver aiku. he's hellbent on ruining your perfect run, and you're hellbent on finding him the love of his life so he can finally settle down and stop causing your best friend to spend her whole paycheck on migraine medicine. in his hyper-competitive field, he's never quite met someone as obnoxiously stubborn as you — nor has he ever had as much fun playing games with anyone else. it looks like the two of you have finally met your respective match.

exclusive sneak peek! "what the hell is the matter with you?" you glare at him from across the table, but oliver doesn't seem the least bit ashamed. you're not shocked; you don't think he has the capacity for shame. "what are you talking about?" he tries to sound innocent, but it doesn't work. look at him — there's nothing innocent about the man sitting across from you. "i'm talking about you bringing another woman to the date i set up for you!" you hiss, trying to remain calm and not draw attention to the two of you. he takes a long sip of his coffee, dragging out the silence as you wait for his explanation as to why he wants to make things as difficult as possible. "i was just testing her." oliver is smiling. you want to punch him in his stupid face and see if he'll still be grinning at you. probably. he's annoying like that. "during a situation like that, you can tell if the girl's gonna be a struggle to deal with depending on her reaction." "you know what my reaction would be if you did that to me?" you lean forward, and he meets you halfway, also leaning in closer. he's still smiling. you hate his stupid smile. "oh? what would your reaction be?" "nothing. you'd never even get the chance to pull that shit on me. as if i'd ever be dumb enough to go on a date with the likes of you." you lean back in your seat, opening up your phone and furiously marking off girls from your list. the list gets smaller after every one of his failed dates. oliver sits back, too, watching the way your brows furrow as you stare at your screen, not even giving him the time of day. he never stops smiling; finds it hard not to smile when he's in your presence.

:¨ ·.· ¨: `· . jujutsu kaisen films coming to a theater near you ౨ৎ

⋆⁺₊❅. the roadtrippers starring kento nanami synopsis you're traveling solo for the first time ever after your fiancé breaks things off with you to date his 19 year old neighbor. kento nanami's a single father/investment banker trying to make it back home in time for his daughter's birthday. you're both trying to travel across the country, but when a massive snowstorm delays the same flight you two were going to take home, you decide to team up and just travel together to try to make it your respective destinations on time. from weirdos on the train, flat tires on scarily cheap rental cars, and posing as a married couple at a strict, christian-owned bed&breakfast, you go from strangers traveling cross-country together to being connected together in ways neither of you have ever connected with your previous partners before.

exclusive sneak peek! "whoa, you're doing this like it's nothing." you stare in awe as nanami rolls up the sleeves to his button-down, exposing his strong forearms as he turns the wrench, loosening the lug nuts of the flat tire of the rental car. "that's because it is nothing." he tells you, glancing up at you. you're wrapped up in his blazer, but the chill of the outside air still bites at you. "you should go back inside the car and wait for me. i'll be done in a second." "it wouldn't be fair." you explain to him. "you've been doing all the work this entire trip. braving the elements with you for a few minutes is the least i can do." "you don't have to do anything." he looks up at you, his stare bringing heat back into your body. "you don't owe me. i really don't mind helping you. if you really want to do me a favor, then go back inside the car and stay warm."

⋆⁺₊❅. snowed in starring naoya zenin synopsis you've never had great luck, but with your good attitude, you don't let life get you down. good karma finally comes your way when you win an all-expenses paid trip at a luxury ski lodge. this is where your good luck ends. apparently, the ski lodge accidentally double-booked the cabin: you're supposed to be staying there... and so is the rudest, most arrogant and condescending lawyer you've ever met. naoya zenin booked this place to get away from the city and work in peace, away from the incessant nagging of his family and employees. instead, he's met with even more inconveniences, the biggest one being you, some teacher from a small town he's never heard of and couldn't care less about. before either of you can head back to the main lodge to complain, a snowstorm comes rolling in, effectively leaving the two of you snowed in together for the time being. no cell service, no internet, and no one but each other. fantastic.

exclusive sneak peek! "where are you going?" he asks, eyeing your towel and pajamas in your hand. "to go shower?" you point to the bathroom door. after claiming he wants nothing to do with you, and then setting a ground rule that you can't speak to him unless he allows it, you figured he'd just leave you to your own devices. "unless i need permission from you to do that, too." "i checked the water tank. there's barely anything, and even less hot water." "and this is my problem because...?" "i need to shower, too. i know women have a tendency to take hour-long hot showers, but that isn't going to work here." somehow, you find it hard to believe any woman would want to be close enough to naoya to where he can track their shower-time. "fine. i'll take a lukewarm shower for fifty-five minutes then." you reach for the bathroom door handle. "will that satisfy you?" he's up in a flash, his body so close to your own. you've got nowhere to go but to back up against the closed door, trying to get some space between the two of you. "you don't want to know what'll satisfy me."

:¨ ·.· ¨: `· . attack on titan films coming to a theater near you ౨ৎ

⋆⁺₊❅. falling onto you starring porco galliard synopsis when you’re forced to return to your hometown to take care of your grandmother after her hip surgery, you’re roped into volunteering for the town’s fire department charity event. paired with the constant scowling firefighter who rescued you from a tree back when you two were kids and classmates, you’re tasked with organizing the firefighter calendar auction. between awkward photo shoots, bickering over decorations, and trying to outbid a local rival for the best auction spot, you start to see that maybe porco galliard isn't all scowls and shambles arrogance — after all, he's there to catch you every time you fall.

exclusive sneak peek! "no." "it's for charity, galliard." you toss him the santa hat, not the least bit shocked that he manages to catch it without batting an eye. "you're like, morally obligated to do this. unless you want to ruin christmas. that's fine by me, too." "i won't be ruining christmas. you're just a pervert." you gasp. "i'm not the one who came up with these positions!" "you're still going to buy the calendar." he points out. "yeah, for charity! not to actually look at it!" "you sure about that? because you seem pretty damn persistent that i should take off my shirt and let you take pictures of me in nothing but suspenders, my work pants, and this ridiculous hat." "that's the most stereotypical firefighter photoshoot for a sexy christmas calendar!" he pauses. "you callin' me sexy?"

⋆⁺₊❅. the one starring colt grice synopsis colt grice has the worst luck known to man. when it comes to pay-it-forward chains, he always gets stuck in front of a minivan for a family of nine. naturally, the only people who crash into his car are the ones with no insurance. he felt bad for a coworker during a work potluck, stomached some of their disgusting food, only to end up getting food poisoning from it. the only thing colt ever seems to have good luck with is relationships... specifically, his good luck seems to transfer over to the girl he's currently dating. see, the thing is, every time colt gets dumped, his exes always end up finding the love of their lives. all his exes are happily married or in long-term relationships, with all of them finding their soulmates right after breaking up with him. he thinks no one else in the world has luck as terrible as his, but then he meets you. after a conversation exchange during a long line, you reveal that it seems like every ex you have has found their soulmate directly after breaking up with you! which is when you two hatch a plan: in order to help each other find "the one", you both agree to date each other for a period of time and then dump each other, all in the hopes of finally meeting your soulmate.

exclusive sneak peek! "your soulmate is super lucky, by the way." "what makes you say that?" colt turns to his side so he can look at you. you're still laying on your back, gazing up at the stars above. "just... i can't imagine why anyone would want to break up with you. you're honestly the best boyfriend i've ever had." colt's heart jumps at your words. he's glad it's so dark outside; otherwise, you might see the blush creeping on his cheeks. you continue on. "i'm going to be really sad when we have to breakup." he knows it's not in the agreement, but he can't help it. he thinks, then let's not. instead, he swallows hard and makes a half-hearted joke. "don't worry. you'll meet your soulmate soon, all thanks to me." you laugh, but you don't tell him how you're really hoping that he's the one for you.

⋆⁺₊❅. girls just wanna have fun! starring levi ackerman synopsis you're the prime minister's daughter wanting to get the proper college experience during your very last year of university. he's your marginally older, no-nonsense, militant bodyguard. you're determined to check things off your college girl bucket list (skip lecture, eat questionable dining hall food, go to a frat party), and he's determined to keep you safe.

exclusive sneak peek! you’ve been meticulously planning this all week. the perfect outfit is tucked under your oversized hoodie, and you’ve even plotted out the quietest route to avoid any of the creaky floorboards in your family’s massive home. all that’s left is to slip past levi, who seems to have an annoying sixth sense for every bad decision you attempt to make. sliding your shoes on, you tiptoe toward the front door, holding your breath as you slowly twist the handle. almost there. just a few more seconds, and— “you have exactly five seconds to explain what the hell you’re doing.” the deep, authoritative voice freezes you in place. slowly, you turn to find levi standing in the shadows, his arms crossed, one eyebrow raised in disapproval. the flat line of his mouth isn't forming a frown or a scowl, but the disappointment is evident. “levi,” you start innocently, trying to cover your tracks. “i was just—” “if you're just going to lie, don't bother saying anything.” he interrupts, stepping into the light. his eyes flick to your shoes and back to your guilty expression. “where are you really going?” you sigh, crossing your arms defensively. “it’s just a party, okay? everyone’s going, and i’m not some teenager who needs her parent's permission to go out at night.” “you might not need your father's permission,” he says, his voice low and deliberate, “but you do need my protection. and if you think i'm letting you sneak off to some frat house full of drunk idiots without so much as telling me, then you’re dumber than i thought.” you glare at him, your frustration bubbling over. “you’re not my dad! i can take care of myself.” he leans against the doorframe, unflinching. “if you could take care of yourself, you wouldn’t have tried sneaking out like a common criminal." “ugh,” you groan, childishly stomping your foot. “why do you always have to ruin everything?” “why do you always have to make my job harder?” he counters, his tone sharp but his eyes softening just slightly. for a moment, the two of you just stare at each other. then levi exhales, rubbing his temples as if you’ve given him the worst headache of his life. “here’s the deal,” he finally says. “you stay home tonight, and i’ll consider letting you go to the next party — with me shadowing you the whole time.” your jaw drops. “you can’t be serious.” “correct. i never plan on letting you go to one of those idiotic parties.” he says. “now go change out of that ridiculous outfit you're wearing under your sweatshirt, and get some sleep. you've got class at eight.”

[draconic-desire]

💥 Take My Whiskey Neat 💥

Yandere Boothill x Reader

Again and again, you find a way to escape, and every time ends with you peering down the barrel of a gun.

Warnings: Yandere behaviors, forced relationship and captivity, implied kidnapping, some suggestive content but mostly sfw. Mild spoilers for his background story; I want to write him both as a super attentive and protective guy but also crazy for you???

You’ve become all too familiar with the sensation of a gun being pointed to your forehead.

“Aw, darlin’, why the long face? Took me two whole days to find ya this round! You should be proud’a yerself. I dare say our time together has taught you well,” he concludes with a wink.

Somehow, his praise feels more like a taunt.

That’s because it is. Obviously you never had a chance at escaping from him, a Galaxy Ranger with a bounty on his head worth more than your life a hundred times over. He was born and raised to hunt, to track, to kill. You’re just the unlucky target.

He leans the gun ever so slightly closer to you, mere inches before it can graze your skin, and waits for your response. Although you know he won’t pull the trigger, the sight of the 9 millimeter colt aimed directly between your eyes still sends goose flesh skittering down your arms.

You grit your teeth and pin him with a withering glare. The last thing you’ll relinquish is your pride—you’re not intimidated by him, and it is impressive that you evaded him for so long, relatively speaking. Your other escape attempts lasted mere hours.

Unfortunately, the fact that the Ranger has always traveled alone doesn’t help your chances—especially when lately, his only occupation has been you.

“What, no clap back today? No, ‘fudge you, ya son of a nice lady’ or ‘fork you, shirtbaggin’ bootlicker’? I’ve gotten so used to yer colorful language that I’m almost disappointed!” Boothill tilts the gun and juts his hips, his bullseye gaze locked on your own.

Ignoring the subtle look of longing, of hurt, within their depths is getting harder and harder. He’s superb at hiding it behind jokes and attempted curses, but you know that look. He’s clinging to you after all that’s been taken from him, seeking love after it was destroyed in flames. If only he still held onto his human emotions and didn’t rely on that neuro chip of his; then he’d know that what he’s showing you isn’t love, but obsession.

You wish you had never extended your kindness to him that fateful day, when he’d burst into your home, sparks flying and wires exposed. One of his arms was barely attached, completely torn through with bullet holes. A shootout, he’d said, and he’d caught wind of a handy ‘machine doctor’—a mechanic, you’d corrected him—in town who could fix him right up.

It had taken a full two weeks for you to get him back up and running functionally. Two weeks of evading IPC grunts knocking on your door in search of him, two weeks of tolerating (and fine, maybe even enjoying) his crude jokes, and two weeks of stories over a glass of whiskey, about your hope to one day travel among the stars and his of finding a companion to do so with.

That’s when he’d seemed the most human. Voice tinged with sorrow, yes, but lips curved into a morose smile, eyes looking up at the stars. Reminiscing about when he was still fully human, nothing but a cowboy on a seemingly insignificant planet, surrounded by his adopted parents and siblings, and even that little girl whom he never got to see grow up.

After he’d shared his story, you’d felt the sudden urge to be close to him. Without thinking, you’d brought your hand up to his cheek, wiping an invisible tear despite the fact that he lost his tear ducts long ago.

He’d sucked in a breath and gone deadly still; thinking you misjudged the situation and overstepped a boundary, you’d quickly started to jerk your hand back, only for him to lock it firmly against his face with his metal palm.

His voice, normally loud and clear through the synthesized distortion, had been quiet, low, wavering. “I—please, don’t stop. That feels…nice.”

You were sad to see him go after those two weeks. You honestly expected to never see him again—he was a Galaxy Ranger, after all, the definition of a lone wolf—but to your surprise, his visits didn’t end there. He kept returning again and again, and not just for repairs. Sometimes he’d bring you gifts or tell you stories of his hunt, and you’d cherish those moments when the galaxy felt just a bit less lonely with him.

Then the visits started to increase in their frequency—and intensity. He’d show up while you were working with a client and brazenly threaten them to leave so he could occupy your time instead, or he’d appear on your doorstep in the middle of the night with your favorite bottle of liquor, winking at the sight of your embarrassed form, still in your nightclothes. Your world suddenly seemed to revolve around the gunslinging cyborg.

You’d had to put your foot down—as much as you did enjoy his company, you wouldn’t allow him to interfere with your career. You’d worked hard to gain your skills, and even though you were barely scraping by and living in a tiny, modest home by yourself, you were still proud of what you’d achieved on your own.

His initial reaction was an uncharacteristic and frightening bout of silence, his pupils blown wide, locked onto yours. Just as quickly, his typical smirk returned as he laughed it off. “Just watch out, lil cutie, ‘cause I know you’ll be missin’ me soon.”

Apparently, soon was imminent, immediate. You were pouring yourself a drink after a long week of work when he finally kicked down your door and announced you’d be coming with him.

“I’ve been waiting a long while now to claim you, darlin’.”

“And if I refuse?”

That was the first time you witnessed his gun trained on you.

Now, Boothill drags you along everywhere, hopping from one planet or system to the next, living together as nomads. What you believed to be a serendipitous friendship, he thought was the start of your romance and life together.

It would be thrilling in any other circumstance, treading the path of The Hunt, evading the law, tracking down the IPC members who destroyed his family…except the cyborg transferred that need to protect, to save someone, onto you. You have no choice but to be his now, and he’ll be damned if he ever lets you go.

“You just want to hear me curse because you can’t,” you growl. What a stupid argument to be having with a pistol to your head. Yet you can’t help but siphon all of your anger into this dumb little game of cat and mouse, of shark and minnow, of hunter and bird.

He forgets you’re not the only one armed.

You flash him the most vulgar gesture you can make. “Go fuck yourself, Boothill.”

The cowboy throws his head back in a laugh. “Haha! There she is. Wild as a newborn colt.” He grins, flashing those shark teeth you’d groan to loathe. You’ve lost count of the number of puncture marks and scars they’ve littered across your flesh.

That’s something he can’t seem to get enough of—the feel of your warm, organic, human skin against his cold, steel shell.

“Lan shoot me with an arrow, do you ever shut the fuck up?” you grumble, looking up as if the Aeon will give you an answer.

“Think ya already know the answer to that,” he replies, lowering his weapon to sling his opposite arm around your shoulders. The gun hangs languidly from his other hand, as if he’s not the deadliest shot in the galaxy.

His breath brushes your neck as he leans in and nips at your ear. “Now, how ‘bout we take this back home, eh cutie? Two days without you has got me pretty…” His voice drops an octave. “…pent up, if ya know what I mean.”

The tooth marks along your skin flare. Oh, you know all too well.

~*~

Trying to find the solution to your imprisonment at the bottom of a bottle seems like a really clever idea, at least until the room starts spinning.

The empty glass cracks against the wooden table again as brown liquor burns down your throat. What did he call it? Rocket fuel? Damn right, and you’d lost count of the number of shots you’d taken.

Boothill’s normal smirk is contorted into a small frown. “Darlin’, I know it’s been a long couple’a days away for you, but I think we should retire the whiskey for the time being—”

“Shyut up!” you slur, jabbing a finger at the Ranger, your neck still throbbing from all the love bites and hickeys he’d given you. “Thiz is your fault.”

He reaches for the bottle, but you snatch it away and instead start to take pulls directly from it. A deep sigh reverberates behind you as you stand and begin to spin around, hands extended. “Aren’t we celebrating you catching me again? You got what you wanted, you…you mudder…fuuuu…” You sway and just barely catch yourself before you tumble—wait, no, that’s him steadying your shoulders.

“(Y/n).” You blink out of your haze momentarily; only on rare occasions does he use your name and not things like darling or cutie. His face is controlled, mouth tilted downward. “Put the bottle down. I know the feelin’ of wanting to drown in liquor, but it ain’t right.”

“I’m only like this because you took me from my life!”

He bares his teeth, and you know you hit a nerve. “That little shack you called a home? Was that really livin’? All those nights we talked, you said how you wanted grand adventure and risk! To travel and see the stars! To be with me!”

“I didn’t ask for you to put me in a moving cage,” you spit back, trying to shake out of his iron-clad grip. “But you never asked what I wanted, did you?”

“Why’s this all so hard for you to accept?” One hand moves to grab your chin, tilting your face towards his tall form. “It could be just us, ridin’ through the galaxy for all time.” His lips brush lightly against your own, and you feel a tinge of warmth run down your spine. “Just be mine.”

In your drunken stupor, your anger morphs into something else, something more carnal. He wants to be the predator? Well, even the hunted fight back sometimes.

The bottle drops from your hand, shattering against the floor, as you hook an arm around his neck and kiss him fervently, your tongue running along the edges of his pointed canines.

Before he can kiss you back, you pull away, wiping the back of your mouth with your forearm. “That’s what could have been if you hadn’t kidnapped me. If you’d asked me first.” Skipping over the remnants of the whiskey bottle, you flip him the finger over your shoulder as you walk away. “Too bad that’s all you’ll get. Fork you, Boothill.”

As soon as you leave the room, Boothill raises a metal digit to his lips, savoring the sensation of your warm mouth against his. So that’s what your willing kiss feels like. The true passion he knows is hidden deep in your soul, buried beneath the dirt like an unmarked grave. He releases a breathy laugh.

Well fork him sideways, but he wants more.

Taking his hat off, he sets it on the table and moves to pour himself a glass of sherry. He’s nearly positive he’ll find you passed out in bed if he goes to you now, and knows he shouldn’t, can’t be in the same room with you when his self control is so near to breaking. Better to let you sleep it off and tease you about the kiss in the morning.

Boothill kicks his feet up and takes a long sip. So, it turns out your drunken self may actually be harboring some attraction for him. Yeah, he can use that.

“I’ll have you someday,” he whispers, a promise to both you and himself. “Whiskey ain’t the only thing that’ll be on your lips, darlin’.”

[inkdrinkerworld]

Fake I.D

synopsis: cowboy!james is infatuated with you and your flirting, so you take him line dancing to get him to make a love

cw: suggestive content, 18+ only, grinding, flirting, use of the word pervert, James and reader are kind of idiots in love

Your hot pink and white boots will be the death of James and he knows you know that.

He can count on one hand how many times he’s seen you out of them and the total number of times is one- every other time, it’s been those godforsaken hot pink and white boots with a thick heel that makes your legs look like something out of his teenage wet dreams.

You’re not new in town, you and James have known each other since primary school but it was in secondary school that you really plagued his every waking thought. You were pretty, and kind, but also confident and didn’t take shit from anyone. James found it wildly attractive.

You and James hadn’t been close friends, but you’d always been friendly. His friend Sirius had introduced you both at a party, and you’d been friendly since that.

The turning point in you and James’ friendship had come not too long after you’d started working at a salon.

James’ parents own the biggest horse farm in town, and you’d rescued a tiny colt that had been trapped up in some bushes while you were on a hike, and drove it to James’ family ranch in the back of your pickup with tears in your eyes because of the cuts on its legs.

James had never seen you, loud, confident you, in tears like that and his heart nearly jumped out of his chest as you hiccuped through your words to tell him about the colt. He and his dad had taken it out of your tray and everyday the colt was on the ranch, you went over to check on him.

Eventually, James was able to nurse the poor thing to perfect health and then asked you if you wanted to name it after his dad told him they’d keep it.

James wasn’t shy himself, but sometimes when you looked right into his eyes, lashes framing your eyes, it made his heart stutter.

“You really think I should?” You had asked, eyes wide with excitement but also a bit of apprehension.

“Yeah, ‘course. It’d only be right.” and as you had stroked the near blood coloured mane, the face of the horse in your other hand, the name came to you easily.

“Copper.”

You and that horse and James had been inseparable after that and James nearly lost his breath every time you went to the ranch after that- cutoff shorts, hot pink and white boots and shirts James swore made him feel like a pervert.

Now, you’re at James’ ranch, a brush in Copper’s mane as you look at James tending to his own filly- Moondancer.

“Please Jamie? It’s fun and you never stay for the dancing.”

He knows he’s fighting a losing battle. You’re doing those puppy dog eyes and you’ve got red eyeliner on to match your shirt and James feels a little overwhelmed with his attraction to you.

“I’ll be your partner all night, Jamie. Won’t leave you to be eaten up by the ladies- save that luxury just for me.”

You giggle when he sputters and his cheeks flush. “Alright, angel. What time do I meet you at the Boneyard?”

You gasp, all faux aghast. “You won’t pick me up at my house? Where’s your southern hospitality?”

James rolls his eyes, “I can do that too. Say eight?”

You pop your hip as Copper nuzzles into your hand. “Will you be all done by then? I don’t want you to cut into your chores and stuff Jamie?”

You’re so earnest, and the flirting has been put to a pause making James turn to goo.

“I’ll be all done, angel. Don’t worry.”

At seven thirty, you’re all finished with your makeup, nothing too extreme, just a smokey eye with glitter on your lids and the heavy black eyeliner you noticed James likes.

Your hair is out and ripples down your back in loose curls, your most recent haircut making them look even better than usual.

You’re not trying to impress him, but you have a plan for how tonight is going to end and you want James to finally take all your flirting as seriously as you mean it.

So you dress up and pull out all the stops that you know he likes- the hot pink boots a must, your low rise jeans, and your skirt that says, ‘save a horse.’

When James knocks, you squeal, boots clacking as you race to the door.

“Hey Jamie,” you sing-song as you pull the door open, James taking in a deep breath as his eyes rake over you.

“You look stunning.” There’s a little husk to his voice that you love.

As he gives you a once over, you do the same. He’s dressed in his most relaxed pair of jeans, a blue wash that makes his already thick thighs look ever thicker, a black t-shirt that clings to his arms and nearly makes you drool and his hat. God you love and hate his hat- you love it because he looks stunning in it; but you hate it because it hides away his pretty curls. God you love those curls.

“So do you, Jamie. I like your shirt, it makes your arms look nice.”

He smirks, a little emboldened. “Oh yeah?”

You nod, stepping out of your door, “Ready to go?”

James nods and holds his arm out to you, smiling to himself when your hand wraps around his bicep and not his forearm.

The Boneyard is packed as it usually is, most of the patrons are already more than a little drunk, but you spot some of the girls at your salon, some of James’ friends and some tourists who’re no doubt in tonight for the line dancing.

“A cherry vodka angel?” James asks, wanting a drink to dispel some of his nerves.

“Yes please, James. I’ll go see what songs they have for tonight.”

James nods, watching you walk off first before going over to the bar. Sirius is working tonight, a smirk on his face as he spots James and then spots where he’s looking.

“Finally doing something about all her flirting, Potter?” he asks and James flushes a little as Sirius passes him a beer and then makes your drink without James saying a word.

It takes him a little by surprise that Sirius knows it, but then it dawns on James that he talks about you a lot to his best friend. A lot.

“Trying, but she makes me so fucking nervous, Pads.”

Sirius laughs, patting James on the arm.

“Doesn’t sound so bad, Jamie. You’d be a fool not to be nervous about that girl. She’s trouble all over in the best way.”

James is very inclined to agree.

“Hey Siri, you being nice to James?” You take your drink gratefully and take a sip.

“I was about to ask you the same thing, trouble.” You shrug with a pretty devious smile on your face- James’ heart rate picks up. “Saw you looking at the setlist, you and Potter planning on dancing?”

You nod, smiling when you look up and find James looking at you with fondness written boldly on his face. He’s easy to read, never one to guard his feelings, James.

“Yeah, they’re finally doing Fake I.D again so I figured I’d take James’ virginity in that regard.”

James, bless him, doesn’t sputter, which he’s eternally grateful for. Sirius shares a wicked grin just like yours.

“Don’t make it too vulgar, Remus’ll run you off the dance floor.”

You put your hands up, “I make no promises.”

James is saved from any more teasing from either of you when the song starts playing.

“C’mon Jamie, it’s starting.” He lets you pull him after he downs the last of his drink.

“What if I mess it up?” He whispers as you tug him along. Your hair whips at his chest as you turn to look back at him and he can smell your vanilla shampoo and shuts his eyes for a brief moment.

“You won’t, just follow my lead. You’ll be perfect.”

It takes him a couple steps to get into the song, but seeing you smiling and giggling makes James fall deeper into the music.

The floor rumbles with everyone’s steps, but all you can think about is James behind you as you dance in a circle.

“James!” you squeal when you feel his hands hold onto your hips, James smiling wide as you lean into him a little.

As the guitar solo riff continues you know you have to stay close to James for this part. It isn’t hard because it seems like you’ve both magnetized to each other more than before. As the beat drops, you feel like time has slowed, the words filter into your ears all muffled and soft as you pull James close by his shirt, your chests pressed together. “Hey mister, won’t you sell me a fake i.d.”

You see his breath hitch more than you feel it. You’re both grinding on each other on the dance floor, and it’s way more erotic than anything else either of you could’ve been doing.

“Fuck,” you feel the whisper as James’ hand cements itself to your hip and one of yours buries in his hair.

You tip his hat onto your own head and you swear James’ chest rumbles. “Angel.”

You’re breathless as you and James dance, you feel like you’re the only people on the dance floor.

He dips you backward and you bite back a moan when one of his hands travels up your back to keep his hat on your head. As he picks you up, his fingers knot in your hair and your lips just barely meet.

“James.” You breathe his name and he groans.

“You really are trouble.” his lips meet yours, tentatively at first, and then his mouth consumes yours the moment you kiss him back.

You pull apart and smile, “Took you long enough, James.”

He shakes his head, his dimple poking out as he chases your lips. “You look so good in my hat.”

His stare turns you a little shy and you duck to hide your face in his chest; James laughs at the action.

“Come outta there, sweetheart. Can’t hide those eyes from me now.”

You groan, but look up at him. “Have you always been this smooth?”

James nods, tipping your chin up just a bit higher to kiss your lips again. “Just for you,” you beam at that. “My heart’s thumping.”

“Mine too,” You kiss his jaw, teeth scraping a second path. “Wanna get out of here?”

James slips his hand in your back pocket eliciting a keen he wants to hear more of. “Get your cute butt in my truck, angel.”

You giggle as James squeezes before releasing you, holding your hand with his hat sitting proudly on your head as you stomp your feet out of the bar to his truck. He really does love those hot pink boots.

[superprofesh]

The Five Times Colt Seavers Almost Kisses You (and the One Time He Does) — Part 2

Pairing: Colt Seavers x reader

Description: The second time Colt Seavers almost kisses you — in which he thinks he might be losing his sanity.

Rating: T

Word Count: 2.2k

Tag List: @strangedeerconnoisseur, @icantwaittoliveandlearn, @moonlightandstarshimmer

Author’s Note: As the Colt obsession rages on, I hope y'all enjoy part 2, because it certainly was sizzling when I wrote it :D This one is more from Colt's POV, and it includes some of his inner monologue (which I loved in the film). I appreciate everyone's kind words so far and would love to hear your thoughts about this chapter! Thank you all! <3

Part 1

*~*~*~*~*~*~*~*~*~*~ 

Ever since the little paint-smudging incident, Colt has been, well… off.

This never happens to him. He’s a professional, he’s been working on movie sets for years, he’s known hundreds and hundreds of coworkers. But something is different. You’re different.

As he leans against the hood of his truck after filming, one leg propped on the fender as he takes a deep breath of the midnight air, Colt can’t stop replaying the events of the day before. You painting a prop sign, you laughing at his dumb jokes, you smearing red paint across his face. The steadiness of your hands, the smile crinkling the corners of your eyes. The sunbeams luminescent in your hair. The way your hand felt for the few seconds it lingered on his cheek.

Get it together, man, his inner monologue scolds him.

Colt can’t deny that he has feelings for you. You’ve been on set together for about two months now, and he sees you practically every day. Every time he performs a stunt, you’re always there adjusting the furniture, dabbing color onto the walls, rearranging props with that magnificent touch that brings every setpiece to life. Colt is amazed by your talent in your job as a set decorator, and your skill pushes him to try harder stunts each time, to try to impress you with his own skills.

But there’s one major problem that he can’t get past — he’s just not good enough for you. Sure, Colt has all the confidence in the world when it comes to throwing himself from a moving car or flashing a dazzling smile at you across the set, but he’s destined to be an unknown stuntman for the rest of his career. Your talent and dedication promises great things for your future, and Colt has already made up his mind that he’s not going to stand in your way by coming on too strong.

He shakes his head to clear his thoughts. Even when he’s trying to be noble and keep himself from getting you distracted from your career, he’s replaying the way your eyes fluttered shut for a moment when his thumb brushed your jaw.

I’m so screwed.

Colt has just agreed with his inner monologue that he will keep his distance from you and turn all his unfulfilled feelings into protein powder when you step out of a nearby trailer, one arm over your eyes as if you’ve been crying.

All thoughts of noble detachments shatter instantly, and Colt pushes off his truck to make his way toward you. He’s relieved when you lower your arm from your face and he can tell that you weren’t crying — just so dead tired that you can barely keep your eyes open.

“Hey, Van Gogh,” he calls to you, keeping a distance of about six feet as he reverts to his usual habit of artist-nicknames. Too familiar, too familiar, abort, abort. “Too much moonshine?”

Your eyes pop open in surprise to see him standing there, but a wearied smile crosses your face nonetheless. “Too much moonlighting,” you correct him, leaning back against the art trailer with a sigh. “Gordon has been on my back all day about the props for the train station scene. I got wooden benches for a rustic vibe, but he wants metal for a grittier vibe. I painted the graffiti mural in multi-colors, but he wants it red for a sharper contrast. I spent the last week distressing the station floor so it would look lived-in, but now he wants it clean. Clean, cold, and clinical.” You bury your face in your hands, rubbing your red-rimmed eyes. “I just finished making twenty neon signs for the depot, but I don’t know if he’ll even still want them by tomorrow.”

Colt’s heart tugs seeing you so exhausted and discouraged, and he elects to ignore his previous inner monologue and take a few steps in your direction. “Sounds like Gordon is trying to direct a hospital soap opera instead of an action thriller.”

“Exactly!” You throw your hands up in frustration, letting your head loll to the side as you look at him through half-opened eyes. “I never want to see another paint roller again. Or at least not until tomorrow.”

Colt chuckles at that, taking another step closer. “It is tomorrow. It’s past midnight.” His brow furrows in concern as he watches your eyelids drift closed again. You look like you’re about to fall asleep on your feet.

“Right. I knew that,” you mumble. “I need some sleep.”

“I’d say you need a hibernation,” Colt says gently, cursing himself for the way he feels the urge to reach out and touch you. “When’s the last time you got any winks?”

Your eyes roll back in your head as you try to recall. “Uhhh… Tuesday?”

Colt shakes his head. “Come on, I’ll drive you back.”

Your eyes open at that, and you automatically shake your head, swaying a little as you do so. “No, you don’t need to do that! I’ll be fine. My hotel is just a few blocks from here.”

“Good,” Colt agrees, reaching out to put his arm around your shoulders. “Then you won’t have to pay me back for gas money.”

You sigh in mock frustration but give in when he starts leading you to his truck. He can feel you leaning on him, drawing from his strength when he knows yours is depleted. Colt has to force himself to focus on the task at hand and not get distracted by the intoxicating smell of oil paints and charcoal and wood chips emanating off your skin. He especially tries not to notice the way your head naturally falls against his shoulder while he leads you to the passenger door.

Once you’ve climbed into the seat, you immediately droop forward and rest your forehead on your knees. On an impulse, Colt pulls off his jacket — his most comfortable one: the brown one with the drawstrings — and drapes it across your shoulders. He suppresses a grin when you mumble something that sounds like “hmmk hmum” but probably was supposed to be “thank you.”

The drive to your hotel lasts all of three minutes, and he parks his truck under the portico so you’ll be closer to the door. Against the pitch black of the midnight sky, the hotel looks cozy and welcoming, street lamps bathing the sidewalk in a halo of golden light.

Colt opens the door to the passenger side, a smile crossing his lips when you turn your head from where it’s resting on your knees to peek up at him.

“Are we there yet?” you mumble, eyes fluttering between open and closed.

“Just a rest stop,” he informs you jokingly, holding out a hand to help you out of the truck. You gladly accept it, so exhausted that you can barely stand up straight. Colt feels another shimmer of worry at seeing you so worn out.

With his arm around your shoulder again, Colt walks you to the hotel door, which opens automatically to let you in. His thoughts are a jumble of worry, consternation, and elation at this situation, but he breaks out of his reverie halfway to the elevator, when you start giggling uncontrollably.

“What?” he asks, basking in the way your musical laugh wraps around him like a melody. Colt, get it together. Stop romanticizing this.

You snicker again, pressing the elevator button to your floor. “I bet the desk clerk thought I was drunk and bringing you home with me.”

Colt goes stock-still at that comment, only moving again when the elevator door opens and you enter the compartment together. Your sleep-deprived brain is so addled that you barely even register the implications of your remark, but Colt’s mind instantly starts racing with his own thoughts. Be professional, don’t make a saucy joke, just play it cool, play it cool, change the subject, change the SUBJECT—

“You should call Gordon,” he suggests, so enthralled with the feel of your head resting on his shoulder that he can barely get the sentence out. “Tell him you can’t make it tomorrow. You seriously need to get some sleep.”

You let out a dramatic sigh, one that flutters across his collarbone like an autumn breeze. He swallows and turns his head the other way, using all his willpower not to completely come undone right in front of you. You have no idea the effect you’re having on him, so sleep-deprived that you’re missing any cues that would clue you in normally.

“I have to be there tomorrow,” you insist drowsily. The elevator door dings open, and Colt leads you through the opening, his arm still tight around your shoulders as you point him in the right direction. “We’re filming the train station scene, and it has to be perfect.”

“What, at the cost of your health and sanity?” Colt quips, though he can’t deny that there’s a note of seriousness in his tone.

You shake your head stubbornly. “I’m fine. This is my job. I just have to do it.” You yawn widely, stumbling a little as you get closer to your hotel door. “I just need a few hours and I’ll be good as new.”

Colt lifts his eyebrows skeptically but doesn’t argue with you. You’re pulling your room key out of your pocket, and he’s suddenly torn between the desire to run before he violates his vow of noble detachment, and the need to confess every passionate feeling coursing through his veins right now. He knows this isn’t the right time, though, and that there may never be a right time at all.

You unlock your door with a swipe but pause before going inside, leaning your back against the doorframe so you can look at Colt squarely. “Thank you for bringing me back.” Your smile steals his breath, makes him imagine a halo of stars around your face. “I couldn’t have made it without you.”

Every muscle in his body is urging him to lean forward, to close the distance between you, to capture your lips against his so he can whisper every unconfessed feeling, every gentle passion, every overwhelming longing in this silent, dimly-lit hallway. His heart is pounding so loudly in his ears that he thinks you must be able to hear it.

“Anytime,” Colt manages, his throat so tight that can barely rasp out the word. He has to clench his hands in his pockets to keep from reaching out to you.

You reach up to shed his brown jacket and hand it back to him, but Colt stops you by holding up his hand. “Keep it,” he tells you. Shut up, shut up, shut UP— “It looks better on you anyway.”

The golden light from the street lamps outside must be playing tricks on his eyes, because he could swear that your eyes brighten at his words. Your fingers tighten around his jacket, and all he can imagine is your fingers entwined with his, your head on his shoulder again. The way it should be.

Your eyes flicker closed for a moment, and you sway against the doorway. Colt instinctively reaches out to steady you, his hand landing on your arm and holding you up for the moment it takes you to regain your balance. His skin feels like it’s on fire from this close proximity. He releases your arm so he doesn’t lose his sanity, but the touch lingers on his palm, making his heart race and his mouth go dry. His eyes flit down to glance at your lips again before he can stop them. Another moment, and he won’t have any self-control left.

You seem to feel the tension, too, lingering in the doorway when you should have said goodnight by now. He knows you’re struggling with it, and he knows it’s his responsibility as the clear-headed one to end this before it starts. His breath is rattling in his throat as he says, “Get some rest. Let me know if you need a ride over tomorrow morning.”

His voice seems to break the spell over you, and you give him a sleepy smile as you nod. “Thanks, Colt.” Your eyes linger on him for a moment more, and then you disappear behind the heavy hotel door.

Once you’re gone, Colt turns and leans heavily against the hallway wall, suddenly feeling breathless and exhausted from the intensity of what he just felt. He can’t believe he even let himself think about kissing you when you’re so dazed, but surely he wasn’t misreading those signals? Surely he felt the heat of your own gaze meeting his?

Colt sighs, trying to clear his head while he catches his breath. He can’t even entertain the idea of starting a fling with you, because his feelings have gone way too deep for a fling. He just needs to keep his distance and stop overanalyzing every moment he shares with you. He needs to get a grip on reality so he doesn’t completely ruin your friendship and burden you with any guilt. This has to stop. I’m going to stop right now, and I’m not going to think about it anymore, and I’m going to get hold of myself before it’s too late.

He hopes his inner monologue is right this time, because he knows he’s only falling harder for you.

*~*~*~*~*~*~*~*~*~*~

Part 3

[thebramblewood]

Everyone say congratulations to the new uncle! Thank you @itcrescentcrow for your lovely Veronica Aurelius, whose story inspired me to have Vlad start a vampire family of his own (for entirely unspiteful reasons, I'm sure).

P.S. Join the fan club if you haven't already!

Previous / Next

Caleb: [startled] Jesus Christ!

Vlad: [wryly] Guess again. I couldn’t help noticing you’ve acquired a new… houseguest. That girl is freshly turned. She has all the grace of a newborn colt. Your sister’s latest plaything, I presume?

Caleb: How many times have I told you I’m not interested in indulging your desire for gossip? Anyone with a modicum of social grace would have taken the hint by now.

Vlad: [continues, unruffled] The curious thing is I’ve seen her before, the girl, at your insipid little gathering of hedonists in the spring. Her cheeks were much rosier then, as I recall. I’m surprised Lilith offered her the dark gift so soon — or at all. Does she not expect to grow bored of this one? Or, I wonder, did something not go precisely according to plan?

Caleb: [defensively] Lilith didn’t turn her. She nearly killed her. I did it to save her life.

Vlad: [amused] Always the humanitarian, you — though it is strange you would choose to burden another with an existence you clearly detest. But I must admit I’m impressed. I wasn’t sure you had it in you. Frankly, I rather thought you’d be dead or driven to madness by now. [sighs stagily] At any rate, I wish you luck. If you’re hoping to raise her in your image, you’ll need it. I can’t imagine Lilith will surrender her easily. Alas, I must go. There are other matters-

Veronica: [snarls aggressively]

Caleb: Who are you?

Vlad: Manners, darling.

Veronica: Sorry, Uncle Vlad. My dinner almost got away from me.

Vlad: [strangely paternalistic] Isn’t she a marvel?

Caleb: Uncle Vlad?

Vlad: This is my niece, Veronica. Well, cousin several times removed, but that’s such a mouthful. I’ve been trying to introduce her for some time.

Caleb: I must have mistaken that for your usual garden variety creeping.

Vlad: We have a common ancestor in my maker, though the bloodlines diverged centuries ago and hers was thought to be quite diluted. You see, after generations of tamping down their vampiric nature, their powers had largely grown dormant. But Veronica is special. She tells me her dreams led her to me. Can you believe it? [chuckles] I haven’t dreamed since I was mortal. At any rate, I’ve taken her under my wing. I have much to teach her, and she is an eager pupil.

Caleb: Good… for you.

Lilith, looking out on them from the window: He has a WHAT?!?

[puniflash]

The Fall Guy

This movie has completely taken control over my existence, so here are the little things I love most about it, in no particular order.

The triple meaning of the title.

Colt not just being the fall guy in the sense of the stunt community, but also (almost) taking the fall for Henry's murder, and falling in love with Jody so deeply he'd basically die for her.

This is so cool, and I love the english language for it.

(Also, the little fall guy in the A? Perfection.)

The long shots.

My love for one-ers is just as big as Jody's, I guess.

The opening sequence is just so perfect.

Introducing the main characters, establishing Colt's and Jody's relationship and setting high stakes from the beginning with that stunt gone wrong.

This long shot shows you exactly what kind of movie you're gonna watch, and it's probably one of my favourite opening sequences in a movie ever.

This one is so perfect, too.

Jody trying to come up with answers for everyone, and keeping everything under control amuses me and stresses me out in equal messure.

And talking from the little personal experience I have, this sequence (and the whole movie for that matter) captures the work on set so accurately. It's truly amazing.

Long shots like this take so much time and effort to coordinate, and I just love, and appreciate it so much when movies do that. It's so impressive, and so fun to watch.

The prayer hands emoji.

Tom sending Colt nothing more than a prayer hands emoji because he just doesn't care about his well-being at all.

(I mean, he is in fact responsible for Colt's accident, so it's savage but not surprising.)

And then Colt giving that prick at his valet job the exact gesture because the guy acts like an asshole, and Colt couldn't care less about his crispy fiver.

Gold.

The script credits.

This is genius, and I love everything about it!

When you pause the movie and read everthing, you can see there are actual excerpts from the movie script, just a little modified, to fit the credits.

When I saw this for the first time it totally caught me by surprise, and now it is everything I never knew I needed.

This entire conversation.

Jody asking: "Did you fall?" is so ironic, I wanna scream.

Girl, of course he fell. FOR YOU!

And Colt is so high on whatever kind of drug they spiked his drink with, it's so endlessly funny to me.

Plus the way he just can't stop himself from telling Jody how beautiful she is over and over again, while completely ignoring her concern about his wounds.

Not to mention the extended version of this with that sponge bath discussion.

(Haven't seen the extendet cut yet but saw the scene on YouTube a milion times. I die everytime for multiple reasons.)

I could watch a whole movie of them just having a conversation like this.

Bonus:

Everytime I watch this I end up questioning my sanity, cause I feel like he spontaneously gets me pregnant with whatever it is he does here.

Every. Single. Time.

The way his eyes move from her eyes to her lips?

How Jody didn't just lose her mind, and all ability to breathe right then and there is beyond me.

Split Screen.

Another conversation that is just perfect in it's entirety.

The split screen opening exactly on the middle line of that shelf in the backround is satisfying me in a way that should put me in a mental facility.

Colt and Jody being so in sync and mirroring each other during this whole conversation, even after being apart for like 18 months is so special to me.

Colt knowing her favourite movies?

Their love for each other really is a different kind of epic.

The music matching the movie.

This is pure perfection, and I will never shut up about it.

The bottle equals the promise.

The container is turning around in an uncontrollable spin.

Also:

The Song "Dead Guy On Ice" from the original soundtrack is playing right when Colt says this to Gail on the phone.

Also, also:

"I was made for loving you" being woven into so many songs of the original soundtrack, and returning over and over throughout the whole movie in different ways.

It gives me James Bond vibes, and that just makes my heart smile.

I could go on and on about how much joy this sparks in me, everytime I watch the movie. It never fails to make me smile.

Jean Claude.

Nothing to add here, he's such a bon garçon.

Also, the fact that Colt and Jody just keep him after the happenings of the film, is probably my favourite thing ever.

(And I never knew I needed to hear Ryan Gosling speak french, but apparently it's something my body and soul desired very much.)

The post-it notes.

I am OBSESSED with this. Literally the most relatable thing about Tom Ryder. I love using post-it notes for all kinds of stuff when my brain gets overwhelmed, so this is just too real.

"FIRE MASSUSE"

"PRETEND YOU WENT TO JULLIARD"

"next role: paramedic vampire"

"is it MOMOA or MAMOA"

These are cracking me up so hard, I can't.

The cockroach story.

This seriously isn't talked about enough.

Right when I thought I couldn't fall any deeper for Colt's and Jody's relationship, they hit me with this.

Just imagine Colt on all fours, trying to usher that coakroach out of the room, while Jody just sits on the bed, telling him to get it done because she wants to start their movie night.

The domesticity this story implies is killing me in the best way possible.

You're so uncoordinated.

Another thing we just don't talk about enough is this scene right at the beginning:

This is kinda blurry but he totally bumbs her head on that cabinet behind her, and all she does is laugh it off and tell him he's uncoordinated.

And I just love the thought of Colt being this super profesh stuntman, always double-checking everything to make sure it's safe to do the stunts and roll the cameras, but going back to being so adorably clumsy the second the adrenaline rush wears off.

I will never get over this.

That's my girl.

Colt reacting like this when Gail says "That's my girl." is everything to me.

It's so cute, and you know it's exactly what he thought as well, 'cause he is so freaking proud of Jody. It's just so perfect.

"You blew yourself up!"

Tom telling Colt he's supposed to be dead 'cause he blew himself up, then proceeding to blow himself up is amazing writing, and shows how much thought went into this whole thing.

This movie is so good at foreshadowing itself, and I can't get enough of it.

Bonus:

He gets three bars on his phone, and then there are three explosions errupting.

This is satisfying my brain on another level. I can't even put it into words.

Spicy margaritas

Yet another beautiful conversation, that comes full-circle in the end.

Just casually planning a trip to the beach in the middle of the film production chaos, I love that for them.

(The way Ryan says "spicy margarita" is a beautiful thing, that haunts my dreams in the best way possible.)

In conclusion

I love this movie with all my heart, and I could talk hours and hours about how amazing it is.

There's so much more I love about it, but it's just too much to fit it all in here, so these are just the small things that make it extra special for me.

Honerable mentions go to:

- Dan Tucker, master of movie quotes, and best friend Colt Seavers could ever ask for.

- Colt Seavers' coffee side quest.

- The movie lighting a Ryan Gosling sized fire under my ass, prompting me to forget about life, and get a new obsession.

[seeingivy]

award show etiquette

actor!eren x f!reader

**part of my method acting fic, masterlist here

content: light mentions of paparazzi/stalking, SMAU!!!! hehehehe, some fun cameos (HEHEHEHE), eren being a jealous little baby, eren and y/n being so corny

an: enjoy :DDD (for some regular readers, play close attention to usernames)

previous part linked here

--

Things change in the next six months. You turn sixteen. Falco and Colt buy you a shiny acoustic guitar as a gift for you to start writing songs like you’ve always wanted. The guitar is nice, but the writing doesn’t go so well. You don’t land any new acting roles for your hiatus, but everyone else does. 

All in all, some parts of your dreams feel real, like you’re standing at the doorstep of everything that you ever wanted. But the setbacks are so debilitating sometimes it feels like you’re wasting your efforts. Plus, your dreams come with their own set of nightmares too. 

Attack on Titan truly does trend overnight - really gaining traction around the fifth episode. Whenever episodes air, almost everyone is on social media talking about it - live tweeting the scenes, commenting on how phenomenal the storyline, the acting, the costumes were, trying to guess what happens next. It was almost like a trend, becoming bigger and bigger by everyone talking about it, pointing out all the little details woven into the story, following the press junkets.

The reception of the show feels like a victory. Levi, Erwin, and Hange get praised on the daily and people fall in love with the cast fast. Despite receiving a horrendous first impression score from The Elms, they officially take away their initial criticisms and give a glowing recommendation of you after the airing of the third episode - going as far as calling you the cast member to watch out for. 

The show gets renewed for three more seasons by the eighth episode and suddenly you’re getting offers for things you have no idea about. You need a publicist, a makeup team, a personal designer, someone to control your social media presence and a manager for your next moves. Even though you're not even at that level.

It’s…taxing. You’re not really sure what you want to do next. You’re only sixteen - there’s only so much childhood left that you can cherish. But they all insist that this traction won’t come back and that you can’t fall off. There’s pressure to deliver, to keep the momentum going. 

You don’t mean to sound ungrateful. This is what you wanted, but it's far off from what you expected. Evey beyond the entire thing being stressful, it changes even the tiniest, miniscule details of your life - one’s you never even recognized as important before.

Because when you go back to school, you’re not sure what’s going on. Your usual friends treat you weirdly, people who had no idea you existed are going on about how you guys have always been great friends, no one talks to you unless it’s Attack on Titan related. And it’s not that you don’t love talking about it, because you do, but it feels weird to share and bring to your tiny little unimportant high school. 

You feel like a shiny, plastic toy, something people ogle in the hallways, but never touch or come near for posterity's sake. 

And when you leave school, there’s a flood of paparazzi waiting for you right outside, snapping pictures of you, Colt, and Falco as you wait on the block. And they follow you all the way home, taking a seat outside your house. You think it’s stalking. And surprisingly enough, the law doesn’t see it that way. 

Meaning you have to put up with the fact that they’re waiting for you every morning, following your moves like little vultures. And you’re not sure what’s so interesting about you checking your mail, but you’re advised against it, and suddenly you can’t. 

You can’t go to the park. Or the grocery store. Or even into your own backyard because in all senses of the word, they are kind of relentless. 

It feels harsh to say, but you feel like a prisoner. Like you’re watching life move on outside of you - kids biking down the pavement, Colt walking to the store, your neighbors mowing the lawn - and you never realized what a luxury mundane things like this were.

To be unknown, a face in a sea of people rather than a deer stuck in headlights, frozen where you are. Because the people you knew don’t see you the same way, and really, you’re not a stranger to anyone anymore. 

It sucks. It’s amazing. You hate it. You love it. The highs and the lows fluctuate so fast that sometimes you feel like you’re a crazy person - teetering from one place to another. Everyone loves your acting, but no one wants to sit with you at school during lunch. The paparazzi stay outside your house almost all day, everyday but you got invited to announce an award at the Savants Show. 

In some way, your feelings feel inherently wrong. Because this is some people’s dream, and it used to be yours too, but really you just want to go to the grocery store with your little brother and buy snacks. You want to talk to your friends at recess, not get asked random questions while you’re shoved into your car. 

Marco visits around the four month mark, after you confide in him that it hasn’t been the greatest. He spends a whole week with your family - teaching Falco how to play Go, Colt teaches him how to do card tricks, and the two of you spend all night talking about anything and everything. And you love him for it. Because really, you’re not the only one going through this. Sure, they were primed for this since they were little, but it’s nice to have someone who understands you by your side. 

And Eren calls you every single night, to the point where you’re both falling asleep on the phone together, his soft breathing lulling you to sleep every night. Some part of you feels guilty confiding in him, since he is on the set of a really big movie he’s filming right now, but he always assuages any guilt you have with his words.

“How was your day, Y/N?” he asks, nestled into a gray hoodie, the smallest tufts of his brown hair peeking out of the hood. 

He’s leaning against his headboard, his forearm resting against his head and his eyes shut closed. Because he’s six hours ahead of you, in Switzerland. And it’s the middle of the night. 

“Is your roommate there?” 

He laughs, his dimples appearing in the glow of the computer light. 

“He’s really mad at us about last night. He told me we need to stop giggling so late so he can get some “beauty sleep” or whatever.” 

“I don’t giggle. He must hate me.” 

“Oh, for sure. But Ry hates everyone.” 

“Rude.”

“I asked a question. How was your day, Y/N?” 

“Ah. It was okay, Eren. Same old.” 

His eyes flutter open and he leans forward, the concern washing over his eyes. And you hate when he does this, because really, it’s worse to have Eren pity you more than anything. 

“Y/N.” 

“Hm?” 

“Six days.” 

You smile, brushing down the ends of your hair. Right. Six days till you and Eren are together again. 

“Yeah. It feels like time passed by really fast.” 

“What are you talking about? It feels like an eternity since I’ve seen you. I’m not even sure what you look like anymore.” 

“Bullshit. You literally FaceTime me every single day, Eren.” 

“Still. It’ll be nice. To see you in person, to not have the Wifi lag because Coco is trying to play Roblox.” 

“He got banned the other day.” 

“For what?” 

“He censored a curse word, but still got banned because it picked it up.” 

“Rookie mistake, Falco. He can have my account if it’s that serious.” 

You both laugh, falling into a comfortable silence, as you stare at each other on the screen. The white light of the screen is doing little to illuminate Eren’s face in the dark room he’s sitting in and really, you can only make out the harsh figures on his face.

The bridge of his nose, the shape of his eyebrows, only one dimple, and his lips. And when he leans back, placing the phone on the side, as he nestles into his pillow, you put Eren to the side, typing away on your computer. When you glance over in a few minutes, he’s fast asleep, only the sounds of his breathing coming out of the phone. 

Six days.  

- 

As far as red carpets go, this has to be a memorable first. You arrive there at six o’clock, which is when the red carpet starts. Meaning the rest of the cast is already out there, getting pictures taken, doing interviews while your cab driver is Tokyo Drifting you through the streets of New York City.

The second you arrive, Mikasa’s styling team throws you into a frenzy. You’re attired into a long, flowing green dress, because the original outfit that you had picked out got lost in the airport debacle. 

Right. You would have been there on time if the universe was actually on your side for once. You were supposed to fly in on Thursday, with the rest of the Attack on Titan cast. You were all going to be staying together in a house near the awards show, so that you guys could get started on table reads this weekend before you start filming again next month. 

Except, your flight got delayed and you didn’t make it in time. And they accidentally lost your luggage in the time in between canceling your flight and scheduling you a new one. Which leaves you in your current dilemma, of walking onto the carpet an hour late. 

Somewhere in the middle of the carpet, a very antsy and anxious Eren Jaeger is doing press interviews. He’s styled in all black and a green tie, meant by his styling team to compliment the color of his eyes. He doesn’t get that entire thing, but does it anyway. 

“Do you have any news you can tell us about the next season of Attack on Titan?” 

Before Eren can respond, he feels a hand clamped over his mouth, Ymir standing behind him with a stern expression on her face. 

“Do not answer that, Eren.” grumbles Ymir, the interviewer laughing at the two of you. 

Eren rolls his eyes as he and Ymir stand side by side, the two of them answering questions from the interviewer. 

“Are you guys really friends outside of the set?” 

“No. Eren Jaeger is insufferable.” responds Ymir, Eren reaching over to smack her cheek as they both laugh. 

“Yes, we’re all really good friends. Some of us more than oth-” 

Ymir’s response is cut off by a loud sound of cheering, all of the photographers on that side of the carpet rushing to the front. And when he leans over the crowd of people to see you at the center, with all these cameras flashing at you, he can feel his heart thumping in his chest and an almost inevitable smile spreading across his face. 

It’s you. It’s really you - in real life and not on a shitty wifi phone screen but only ten feet away from him, looking like the sun. 

The entire thing is overstimulating. There’s almost a dozen camera’s flashing, all at one time. You’re trying your best to smile but all you can hear is clicking, twenty different people saying your name trying to get your attention, and your cheeks burning from keeping your smile in th3 same position as you flick your eyes around. 

Out of the corner of your eye, you can see it. The tufts of brown hair you have committed to memory. You look to your right to find Eren and Ymir smiling at you, the two of them giving you waves. And you turn back to the crowd, whisper a polite sorry, and run right into Ymir’s arms first. 

“Ymir, I missed you so much.” 

“Yeah, yeah. I’d miss me too.” 

You pull back, every unpleasant feeling in your chest accumulating for the past six months lessening at the warmth of someone so familiar, someone you love so much gleaming at you in your arms. Ymir rolls her eyes and pinches your cheek as she walks away, leaving you and Eren standing on the carpet. 

You can feel yourself smiling really big and you try your best to will it down, but the pure anticipation and adrenaline of the event, and Eren Jaeger, really standing in the flesh in front of you, stops any efforts you may have. 

“Hi Eren.” you whisper. 

“Hi Y/N.” he whispers back. 

You lean forward and lock your hands around his neck, to which he crushes you in his hold, the two of you giggling in each other's ears as you hug each other, cheeks slightly flushed. And for the rest of the carpet, you and Eren link arms, taking turns answering the interviewers questions and taking pictures together. 

“Do you guys like each other?” 

“I mean, I sure hope Eren likes me. We are best friends and all.” you respond. 

Eren reaches forward, smacking his palm against your forehead. 

“Shut up. You know I like you.” 

You and Eren feel a sudden weight on your shoulders, and in true menace form, Connie Springer is leaning against both of your frames. He leans forward into the microphone, grinning at the interviewer as he starts talking. 

“Oh, they like each other all right. They have all these little things they do on set that none of us are allowed to do with them. Like oh, you can’t eat ramen with Y/N that’s our thing. Or oh, you can’t get slushies with Eren, we’ve been doing that since we got here.” 

You lean forward and flick Connie on the forehead, as Eren rolls his eyes. 

“Are you jealous, Connie?” you ask. 

“No. I just want some of that bitch ass ramen you guys are always making.” 

Erwin and Levi walk up, the two of them pinching Connie’s cheek as he whines. 

“Language, Springer.” Levi mutters. 

He drops Connie’s ear and places his hand in your hair, giving you a warm smile. Erwin gives you a hearty hug before the two of them walk away, meeting Hange at the end of the carpet. 

You turn back to the interviewer, you and Eren answering final questions before walking away all together. The second you get away from her, Connie’s leaning down, crushing you in a hug and lifting you into the air. 

“I missed you yesterday.” Connie mutters, his breath tickling your ears. 

“I know, I was so sad to miss it. I really missed you guys too.”  You’re not entirely sure why - but Connie, Ymir, Eren, these comforting people after six months of hellscape are enough for the air to get tangled in your throat and the warm tears to start welling in your eyes. 

Connie swings his arm around Eren as he talks, smirking at the two of you. 

“Some of us missed you more than others.” Connie grins, poking Eren’s cheeks. 

“Oh, yeah?” you ask. 

“Eren pouted all day. Looked nearly depressed when he had to eat that measly ramen bowl by himself. Stared at pictures of you on his phone.” 

“I DIDN’T LOOK AT PICTURES OF HER ON MY PHONE.” Eren responds, now yanking Connie by the ear. 

Connie rolls his eyes as he runs off, leaving you and Eren to walk the last part of the red carpet together. 

Right before you make it into the venue, you feel a tugging on your dress, to be met with two kids who must be a few years younger than you, matching smiles on their faces. You and Eren crouch down, taking in their outfits

They’re dressed as you and Eren, from the show. With perfect green capes and a red scarf. Why are they watching your show? Seems a bit gory for their age. 

“Hi. I’m Y/N.” you say, holding out your hand. 

They both excitedly shake, stumbling over their words as they start talking. 

“Hi. I-I love you so much. You-you’re both so cool and we just-we love you so much we-” the girl starts. 

“We made-made you a gift.” the boy continues. 

Eren leans forward, holding his hand out, as he gives the two of them a warm smile. 

“You guys are too kind. Y/N and I really appreciate it, truly.” 

They place two friendship bracelets in your hands, which you and Eren immediately slide onto your hands. You and Eren take the time to give each of them a hug, making sure their parents are able to snap pictures, before you head back inside. 

When you’re inside the safe confines of the theater, you look down at the bracelets. Yours is green and Eren’s is pink. The beads in the middle of yours say “attack on eren” and the beads in the middle of Eren’s say “attack on y/n” - like your matching tag names on Twitter. 

“Hey. They accidentally switched them when they gave it to us. My bracelet says your name.” you say. 

“There’s no way they would give us the wrong ones.” 

“They could have gotten nervous. Why would I wear a bracelet with your name on it when you-” 

“I’m keeping this one.” he says, with a tone so definitive you don’t even want to respond. 

You and Eren hold your wrists out to admire them, the soft beads standing out against your fancy clothes. It’s simple. You love it. 

You reach down and tangle one of your hands with Eren’s. He squeezes three times. You squeeze back. 

And for the first time in six months, you feel at ease. 

- 

“Wait so, explain this to me one more time.” you ask, being met with eleven prepared faces staring back at you. 

“These are the Savant TV show awards. There are other ones for things like movies, music, and plays. Any show that is part of this cycle has to send names in to nominate for each award. Five are selected in each category and then a select group of people in the industry, we call them the Institute, usually vote on winners.” starts Bertholdt. 

“Okay. That makes sense. Is that how they pick triple threats too?” 

Eren’s hand is still locked in yours, hidden under the pleats of your dress. He squeezes three times at the mention of a triple threat and you get the message.

You got this.

“Well, triple threats are different. They’re kind of variable and get announced randomly. Some years you can have a lot of triple threats and some years none. But when they get picked, they announce the three pieces that made them a triple threat. Then they have to do this long and personal interview where they discuss their time in the industry - good, bad, all of it - and at whatever award show is next, they pick one of the three - singing, dancing, or acting - and perform a piece at the end of the show.” explains Annie, fidgeting with the ends of her perfectly curled hair. 

“Do we have any triple threats today?” you ask. 

“No. But besides triple threat performances, there’s also other performers and an ensemble showcase. Have you ever seen one?” asks Armin, leaning forward to pull Annie’s hands down from ruining her hair. 

“No. What’s that?” 

“Basically, each year the Savants pick a show to perform for an ensemble showcase. It’s the cast of the entire show, or just a select portion of it, and they usually perform a dance or sing a song related to the show. This year, it’s the cast of Blue Lock, the soccer show?” responds Armin.

“Yeah, I’ve heard of it.” 

“They’re performing that song Get Your Head in the Game from that movie High School Musical? They’re all going to do a bunch of soccer tricks on stage while they sing the song is what I’ve heard. People usually relate it to the show they’re in some type of way.” says Armin

Before the rest of them can explain more, the lights dim and you focus your head to the front, the show starting. You don’t really recognize the hosts or anyone in the room - which to you is a sign that you really should start paying attention - and you try to focus on what they’re saying. 

They’re cracking jokes about different people in the industry, which Eren explains to you in your ear as they talk. What the jokes mean, who they’re talking about, what shows they’re from. They even crack a joke about you and Eren. 

“The cast of Attack on Titan is here tonight.” 

The statement is met with an array of cheers in the room, and in true Connie and Reiner fashion, they’re both standing up for no reason, bowing to the crowd. That just garners them both a cascading sound of laughter from the audience, which only gets louder when Erwin yanks Connie and Reiner down by the ear. 

“Getting to watch the story unfold, all the twists and turns - it’s almost impossible not to pay attention to such a thrilling story. I’m sure we can’t say the same for our hosting skills, because our sweet leads Y/N and Eren have been whispering in each other's ears the entire time instead of listening to us.” 

The light flashes in yours and Eren’s faces, the two of you with widened expressions as you laugh at everyone staring you down. And when Eren says, sorry what did you say? with a confused tone in his voice, the entire audience laughs and then they move on. 

Somewhere around a third of the way into the show, the usher comes to the seats, whispering in your ear that it’s time for you to come backstage. 

Right. You’re supposed to be presenting an award with another actor. And you totally forgot. 

You turn to your right to look at Eren and before you can even express the panic, he’s already settling you down. Eren Jaeger, mind reader. 

“You’ll be fine. You just have to stand there and present the award. He’s really weird but he’s nice most of the time.” 

"What? I can’t do this, Eren. They’re all going to be staring at me and I don’t even-” 

Mikasa and Bertholdt’s hands are on your shoulder, squeezing twice as the usher leads you along. You turn back to look at Eren, and he gives you a warm smile as you try to focus on the task at hand. 

When you get backstage, everyone is in a frenzy. There are so many different crew members running around - microphones in their ears, sound-checking mics, making sure that the video on the screen stops playing on time. It reminds you of the chaos on set that you like to watch, except this is entirely more nerve-wracking because of the swarm of butterflies in your stomach. 

You tap on the guy closest to you, a boy that can’t be much older than you with pink hair. 

“Hi. I’m supposed to present the award next, do you have any idea who I’m supposed to be presenting with?” 

“Ah. That would be Ryomen Sukuna.” 

“Oh. I’ve never heard of him.” 

He frowns, squinting his eyes at you as you lean forward. You take a second to take him in more closely, his perfectly fitted suit with a black tie. You’re not sure why, but you swear you know him from somewhere. 

“You’ve never heard of him? Ever?” 

You shake your head as he starts laughing, the grin on his face so wide. And before you can ask what’s so funny, they’re pushing you onto stage, the bright lights shining in your face. You scan the crowd for Eren, who mouths it’s okay before you and him start. 

You clear your throat as you turn to the guy, who you now realize is the same pink-haired guy from backstage.��

“Wait. What are you doing here?” 

He laughs - and the entire audience does too - as he turns to you, a devious grin in his eyes. He holds his hand out, which you return, as he introduces himself. 

“Hi Y/N. I’m Ryomen Sukuna.” 

You feel your eyes widen as he lifts your hand, pressing a kiss to your knuckles before he continues. You can feel your mind running in circles as you clutch the envelope in your hand, zoning back in to pay attention to him. 

“You know, you and Eren spend all night giggling, talking about god knows what. Of course, this asshole never mentions me.” 

And then you remember. Pink hair, Ry. Ryomen Sukuna. He’s Eren’s roommate, from the movie he was just filming. 

“Oh, I’m so sorry. I remember now, you’re Eren’s roommate and-” 

“You’re standing here with me and you’re talking about Eren?” 

“Ah, I-” 

“You keep me up all night by calling Eren and you don’t even know my name. And then I'm trying to have a moment with you and you're talking about another guy?” 

He's doing a bit. Right. Because from what you could tell, almost everyone who presents an award does one. Maybe this is just his. 

“I'm sorry?” 

The entire audience laughs at your words and Sukuna rolls his eyes, saying something about how hard it is to impress girls these days, as he hands you a lollipop. 

“What’s this for?” 

“The people sitting in the front row, Y/N. It’s obviously for you.” he deadpans. 

“Oh, okay that’s kind of weird. Thanks!” 

The audience laughs as you unwrap the lollipop, handing the envelope to Sukuna so you can do it properly.

“It’s about that time. Ready to read the name, Y/N?” 

You nod as you take the lollipop out of your mouth, handing it to Sukuna and you focus on ripping the golden tape on the envelope. Except as you’re opening it, the entire crowd starts laughing and you’re not entirely sure why. 

“Am I that bad at opening this or something?” 

They laugh even more, which makes you turn to Sukuna for reassurance, which is when you see it. Sukuna just put your lollipop in his mouth. Like, the lollipop with your saliva all over it in his mouth. 

“Hey! I was eating that.” 

He pops it out of his mouth and holds it in between you, smirking at you. 

“Want it back, sweetheart?” 

You take it from his hands and shove it back into his mouth - which at this point, the audience is literally screaming at the two of you - as you open up the envelope. And when you read the name and hand the award over, you and Sukuna exit the stage, bickering as you get off. 

“You’re such a weirdo freak. I did want to eat that lollipop.” 

“Then eat it. There’s still some left, sweetheart,” he says, a joking tone present in his voice. 

“You’re so gross. That’s like literally sharing saliva.” 

“We can do that in other ways too if you want.” 

“Ew. Are you always like this?” 

You both laugh as you exit the stage, back into the panic behind the curtains. As people move around you and him, taking mic boxes off, you turn to him. 

“Okay, okay. Let’s start over. I’m Y/N L/N. No more sassing me because I forgot you name.” 

He gives you a glimmering smile, holding his hand out. 

“Okay, okay. Ryomen Sukuna. Call him in the middle of the night and I will do this again.” 

As you both continue talking, a group of people join him at his side, clearly his friends. Another boy with pink hair, who looks literally identical to him, a shorter boy with black spiky hair, and two girls - one with green hair and one with brown. 

They’re all yanking Sukuna by the ears, telling him that he - as always - is doing too much. 

The boy with pink hair turns to you, the look on his face apologetic. 

“He’s always like this. Menacing. We sincerely apologize.” 

You smile, holding your hand out to him as he repeats his name and the rest of them follow suit.. Itadori Yuuji. Megumi Fushiguro. Nobara Kugisaki and Maki Zenin. 

“We’re the cast of Jujutsu Kaisen.” responds Nobara, as she flicks Sukuna on the forehead. 

“Ah. I’m one of the cast members of-”

“Attack on Titan.” they all respond in unison, smiling at you. 

After a few minutes, you’re joined by a group of your own friends - Ymir, Reiner, Marco, and Eren - as well as Levi and a taller man with white hair. 

Marco and Ymir give you warm smiles and squeezes on the shoulder as they congratulate you for doing a good job, saying that the reception was really funny and that you and Sukuna are trending on Twitter. Eren's uncharacteristically silent, brooding in the corner. Before you can mention it, Sukuna beats you to it. 

“Eren. Do you need to take a shit?” says Sukuna, leaning forward to smile at him. 

“What?” Eren responds. 

“You look agitated as fuck. Like you have to take a shit.” 

Ymir and Reiner laugh, poking Eren’s cheeks and teasing him, as you move to the side, paying attention to Levi’s conversation. 

“All they do is cuss. I need to start actually punishing them or they’re going to end up cursing like sailors in a few years.” 

“Tell me about it, Satoru. Jean is actually horrible, I will genuinely wash his mouth out with soap the next time he says fuck near me.” 

Satoru. Satoru Gojo. You may not know many celebrities, but you sure know this one. 

He’s a triple threat. 

“When I got cast on a show with a bunch of kids, I didn’t realize I was going to become a father.” sighs Satoru, grinning at the group of them as he talks. 

“You’re not our father.” the group of them respond, breaking from their own conversations to shoot him down. 

Levi laughs as he looks down at you, placing a hand in your hair as you join their conversation. Satoru crouches down to your height, smiling at you as he talks. 

“Good job. That was real funny, kid.” 

“Thank you so much.” 

“Are you as rude to Levi as my kids are to me?” Satoru asks. 

“We’re not your kids.” respond Megumi and Nobara, breaking from their conversation again. 

“He does kind of remind me of my dad! He always gives good advice on set and helps me and-” 

Levi crouches down, glaring at you. 

“I’m not your dad.” 

“Yes you are.” 

“No, I’m not.” 

Marco and Reiner walk over, holding onto Levi’s arms as they respond. 

“Yes, you are.” 

You all turn your heads to Satoru, who is now pouting. 

“They cast the wrong kids in my show. Mine are so ungrateful,” he says, leaning down to pinch Megumi’s ear, which he just returns by literally smacking Satoru off. 

You all laugh as you get directed back into your seats, as it’s time to present the next award. You wave them all goodbyes as you start walking in line with Eren, who you now realize you hadn’t talked to the entire time. His jaw is locked, an implacable look in his face. You reach down and tangle your hand with his, to which he finally looks over at you. 

“Hey. Was it okay?” 

He stops in his tracks, letting Ymir, Marco, and Reiner walk forward, as you stand in the outskirts of the curtain. 

“It was good, Y/N. Really good.” he sighs. 

“So why are you upset?” 

He frowns as he looks over at you, his mouth in a straight line. 

“It’s stupid.” 

“No it’s not, Eren. Just tell me!” 

“Imannoyedhekissedyourhand” he murmurs quickly, under his breath. 

“Sorry, what was that? It’s kind of loud in here.” 

“igotjealousseeingyouguysupthere.” he murmurs again, his cheeks turning red. 

You lean completely into his space, looking straight into his green eyes. 

“Sorry, Eren. One more time, yeah?” 

“I’m annoyed he kissed your hand! It made me jealous because that should have been me and not him and he’s just doing that because I-” 

Before he can finish, you start laughing, which stops Eren in his tracks and now he’s glaring at you. 

“Quit making fun of me, Y/N.”

“I’m not! It’s just so cute, Eren. You’re so-” 

“I’m glad you find my personal torture cute, Y/N.” 

“Personal torture? Did you get more dramatic from the last time I saw you?” 

“Imagine being me. I just watched an idiot, a real life blathering idiot like Sukuna, kiss your hand before I got to do it. And I was sitting next to Connie too. That’s so annoying and now everyone is going to make fun of me and-” 

And now you get it. He’s…jealous. Of Sukuna. From what Itadori and Maki told you, Sukuna’s kind of infamous for being a cheeky little shit, going about things as he pleases. And Eren’s feeling possessive because you’re best friends. Connie being a little bitch probably didn’t help matters either. 

You’re not sure where you garner up this uncharacteristic courage or boldness from, but you hold out your left hand to Eren.

“What? Trying to rub it in my face now? You’re worse than Ymir.” 

“No, no. Sukuna kissed my right hand. But he didn’t kiss my left, so you can just do it now.” 

You watch his eyes widen and his face turn positively red as he starts blabbering, awkwardly pushing his hands through his hair and teetering on his heels.

“Huh? What? You can’t just- you’re just saying that. This is weird. You’re-you? What? I can’t like- oh my god. What the-” 

You place one of your hands on his shoulder as you look at him, trying to muster the sweetest smile you can. 

“Eren. Please?” 

The ask makes him give in and he shakily places his hand in yours, lifting your knuckles against his mouth as he places a soft kiss in between your second and third knuckle. And when you smile at him again, positively gleaming, Eren curses your existence. He hates you for making him feel like this. 

“Screw you, Y/N.” 

“What? What happened now?” 

"You. You’re annoying.” 

You roll your eyes as you and Eren walk back to your seats, hands locked together and already met with a barrage of insults from Sasha and Annie. They’re pinching Eren’s cheeks, mimicking Sukuna taking your lollipop, the rest of them all teasing him. 

But when you look over and smile at Eren, which he returns, you both focus your heads back on the show, the speakers talking. And when Eren drives away at the end of the night, you hold onto the feeling. 

Just one more month until you’re back together. All of you, for real.

--

next chapter linked here

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[ken-dom]

Okay, so how do you think Colt (or any other RG character for that matter) would respond to his person changing their appearance? (Whether it's getting a new piercing or tattoo or getting their hair cut or dyed.)

I've written about four Geese that came to mind for this one, starting with Colt! Mostly SFW with a few spicier hints here and there. I've written for;

∘₊✧ Colt, Lars, Holland, Driver

COLT

Colt comments on Jody's hair when he sees she's cut it. He seems impressed and kind of fascinated (perhaps because he just had his own hair cut too, but Jody doesn't know about that because she didn't see him grow it out in the first place). He would touch and admire whatever change you've made, and if it was something on your skin like a tattoo or piercing he would give it a little kiss too. Colt is very tactile, and will trace the physical things he likes about you with a gentle fingertip, including the new things (and grab you with two very big and strong hands to admire them a little more... in depth later).

LARS

When Lars is at Cindy's party, he's questioned about not wanting Bianca to cut her hair because 'guys like long hair.' He doesn't mind what Bianca chooses to do with it though, stating that she should have it however she wants it, and whilst on the surface that's an obvious and low bar to meet, for him it's coming from a genuine place of support and care for her. The same would go for any other changes you choose to make about your appearance. Lars would be happy as long as you are, and if you totally changed your look from head to toe, it wouldn't phase him at all, because you're still you. In fact, he would be very complimentary about it, shyly commenting on how the look suits you, too nervous to outright say that he likes it (but he does, and you can tell, because he's blushing like crazy).

HOLLAND

Holland probably wouldn't appear to notice for a while even if you told him, and he would not at all pick up on how miffed you are that he hasn't mentioned it. That is, until a very unexpected moment where he mutters something almost incomprehensible to you, as he passes out on your chest, about how he thinks your new look is sexy whilst and a hand wanders to explore it a little more before he's out like a light. The next day he will confirm that he noticed right away (he is a detective with a cool ad after all) and go into a little more depth about his thoughts on it. But be warned, most of the thoughts he shares end in needy, sloppy kisses.

DRIVER

Driver would immediately notice the changes you've made, but be more intrigued with why you've made them. He would remain quiet about it and wait for you to tell him, not sure how to broach the subject, but keep glancing at you with a raised eyebrow to let you know he has noticed and is awaiting an explanation. Eventually, when you mention that you've taken a trip to the hairdressers or tattoo studio, and especially if you follow up with something like 'I just felt like doing this for myself,' or, more dangerously, 'I thought you might like it,' he simply nods with a coy little smile before softly pushing you back and kissing you, languid yet forceful. One corner of his mouth pulls into a shy smile every time his eyes flit over your new look.

[heygerald]

Falling Without A Harness - Chapter 2

AU where Tom Ryder is still an asshole, just not a psychotic one. When Colt Seavers' sister, Parker, finds the professional asshole in a vulnerable moment, she decides to sideline the attitude to help. Is an asshole still an asshole if no one is around?

read the story here: prev / next

The movie was finished, and, apparently, a whole lot of people were happy and drunk over that little fact. The wrap party was currently being hosted by Gail—producer extraordinaire—and it was quite literally the nicest house that Parker had ever seen in person. White leather couches that cost more than her car dotted the living room floor, decorated with Williams Sonoma pillows, and a Versace rug that spelled the brand name out in big, bold letters. Art hung on every available space, while odd statues were placed at random throughout the living room. There was even a pair of perfectly groomed Afghan Hounds doing tricks near the conversation pit.

The opulence of it all was counteracted by half-drunken executives milling around the pool, very drunk equipment techies playing a game involving dice, a quarter, and a banana in the kitchen, and one particular Colt Seavers miserably attempting a handstand on the back patio.

"It's harder than it looks, you know," he told the crowd of onlookers as he teetered left and right. Venti swatted his shoe when it knocked into the back of her head, while Jody tried to act impressed with some half-hearted clapping. "I did this once—two hours. Could barely talk afterwards."

"Two hours?" she echoed; half doubt, half amusement. "That sounds almost impossible."

"Heh, well, nothing is impossible if you believe hard enough. You're the only one who gets to decide what you will be remembered for."

"Is that written on a poster somewhere?"

"Uh, not exactly—"

Colt's peacocking was cut short when an unfortunately timed sneezed caused the stuntman to lose his balance. He swung his legs wildly in an overcorrection that ended up knocking a full glass of Chardonnay right onto Parker's lap.

She responded in true sisterly fashion: by promptly shoving him as hard as she could on the hip with the toe of her shoe. And though his literal job was to know how to take a fall, the entire patio got to watch as he went ass over face into a nearby potted plant.

Alcohol, a nice sunny evening, good music, and better food made the fiasco a spectacle, and everyone keeled forward at the waist in laughter. Jody, bless her, did her best to muffle her giggles behind her hat while Colt awkwardly floundered on the ground. Parker didn't have such restrictions.

"It was a Taylor Swift quote, actually," she told the camerawoman. It wasn't as funny when she noticed the damage to her pants, and with a sigh she attempted to blot the wet spot with Venti's crumpled napkin. "These are brand new jeans, you ass."

Colt popped back onto his feet with a flushed face. A pair of executives raised their eyebrows at him curiously, and in response he offered his typical awkward smile and wave combo. "What did I tell you about being cool?" he hissed at his sister.

"You're the one attempting cheap Cirque-de-Solei acts on Gail's back deck," she tutted.

"You're not even supposed to be here," he whined while plopping himself down beside Jody. She pretended to sympathize by offering a pat on the back. "How are you even here? You didn't even work on the movie!"

Parker shrugged. "Dan brought me as his plus-one."

"His—? I didn't even get a plus-one!"

"Maybe because you do stupid stuff like a handstand in the middle of a crowded party," she sniped. Colt didn't rise to the bait, however, and instead slumped onto Jody's lap with a long-suffering sigh.

"S'not fair," he muttered into her leg, words half smothered by the denim. "This is my first big party, and you just happen to be invited as well. Oh, the misery."

Parker blew a raspberry.

Colt batted his eyes at Jody and she conceded with an easygoing smile. "I didn't get a plus-one either, babe. But you know what? If I did, I would haven't wanted to bring anyone but you," she cooed while tapping him on the nose.

And—god, it actually worked.

Colt's entire face broke out into a starry-eyed smile.

Parker, still wet and now grossed out, decided that was as fine a time as any to excuse herself. "Well that's officially disgusting. I'm going to try to find a hair dryer and see if I can't dry this before it stains or I throw up."

"There's a loo by the kitchen," Jody pointed.

Colt popped up out of her lap, his tantrum already forgotten about. "Oh, hey! Will you get me another beer? Something cold, domestic maybe. A bud light if they have it. If not, I'm cool with whatever is on tap."

She blinked at her brother. Once, twice, three times.

"Yeah," she shook her head at him. "And I'm the embarrassing one."

"What'd I say?"

Both women promptly ignored that as she asked if Jody wanted something, but the camerawoman was still working on her very much un-spilled glass of wine and therefore didn't need anything. Venti made a general request for some snacks, which Dan quickly seconded.

Parker gave them a thumbs-up before heading inside. The mansion was no less shocking the second time she traipsed through it, but it was certainly more daunting to brave without her date, brother, or Jody and with a giant wine stain near her crotch.

No one seemed to notice her discomfort, however. There were plenty other things to occupy their attention. Between the caterers walking around with trays of fancy finger foods and freshly made mojitos there wasn't any reason to take note of the unfamiliar face in the crowd. She wound her way past whatever game was happening on the kitchen island towards where Jody had said the bathroom was. Unfortunately, the free food and alcohol did seem to have a penance; the line was seven women long.

"Wine?" a waiter offered on a silver tray.

"No thanks, I'm still wearing my last glass off," she joked with a dry smile. The kid followed her line of sight to the large wet spot on her pants and went bright pink.

Still, it couldn't have been the worst thing she had seen before, and with a modicum of professionalism that impressed Parker, she pulled forward a second tray with a variety of fun colored drinks. The one closest smelled of coconut and had a cute umbrella sticking out of it.

"Piña colada?" she asked.

"...yup."

Parker grabbed a glass and didn't hesitate to take a large gulp. And—damn.

Thank you Gail Meyer.

The waitress then leaned closer, glancing pointedly at the bathroom and then Parker's jeans, before saying, "there's two more bathrooms upstairs that are open for guests."

Channeling Jody, Parker grinned. "Brills," she chirped.

She felt a little bad that she didn't have any money to tip the kid, but before she could try to work something out, the redhead was already drifting off through the crowd to offer the other guests her variety of drinks.

"Brills indeed," she said again, even more pleased.

Following suit, she wound through the crowds of people until she reached a large staircase. From there, the crowds seemed to thin out considerably.

A few people sat in conversation at the foyer at the top; a beautiful blonde woman that was the lead actress in the film was chatting with some friends. She was utterly gorgeous, with pearly skin and silken hair, and without even looking where she was going Parker covered her pants with her hand and darted to the hallway on her right.

The first door revealed a linen room with a washer/dryer set that she half considered smuggling out when she left later that night. The second a yoga studio. The third was locked.

The fourth door was tucked all the way on the end of the hallway, hidden between a glass statue of a pelican and a snake plant that was taller than her. It wasn't locked—in fact, whoever had previously been inside had left the door ajar.

Parker stuck her head inside, and was ecstatic to realize it was a bathroom.

A nice one, she thought while stepping inside.

There was a marble counter with a large white sink, a mirror with LED lights, a beautiful tile floor, a clawfoot tub next to a large window that overlooked the back yard, edited photos of Gail on every wall, plants hanging from the ceiling, candles propped across floating shelves, a stunning white rug of questionable descent, and—

Tom Ryder. Hunched over a toilet. Puking.

"Shit."

The sound of her voice echoed in the nearly silent bathroom. Tom jerked upwards, all red flushed cheeks and hazy eyes, and though it took him a moment to realize just who had walked in on him, he didn't manage so much as a glare before he was retching into the toilet bowl.

"Uh, fuck, um—do you—I can totally come back. Sorry. Sorry!" she said, panicked, backtracking towards the door before she not so smoothly slipped on said rug. Parker hit the ground with a squeak, and her piña colada only added to the wet spot on her pants. "Fuck!"

The hurling stopped for a moment as he took in a large, calming breath. And the sudden awkwardness of it all had her freezing in place on the ground, staring.

Always fucking staring when it came to Tom Ryder. Never able to look away.

The white button down he had arrived wearing was discarded haphazardly near the rug. His ripped jeans were bunched on the calves, shoes nowhere to be found, while sweat-dampened tufts of hair were plastered to his forehead.

He looked... well, awful.

Which was a far cry from the first time she had ever seen him on the set, and the three or four times after that in which the pair had equally unfortunate run-ins with one another. Every single one had been filled with witty barbs and well-placed insults. Mostly on her part. Tom seemed to prefer the approach of generally being an asshole in everything he said, did, and thought. It came natural to him, really, and just like their introduction it always ended with Colt playing referee to keep the two from drawing blood.

Well. Colt was nowhere to be seen, and Tom was already down.

Suffice to say Parker certainly had the upper hand if they were going to fight.

But—well, fuck. The dude was lying on the bathroom floor at his producer's house during a party that was practically being thrown in his honor.

Alone. Sick. And looking a little too close to death for comfort.

"Ah, fuck," Parker seconded under her breath. She set aside the cup to shake ice cubes and an orange slice off her shirt. Of course the towels were all white. Wincing, she started to pat dry her, well, everything with a side-eye in his direction. "Are you... okay?"

He scowled. Sorta. It was hard to tell when his face was half hidden in a porcelain bowl. "What the fuck do you think?"

"I don't know. That's kind of the purpose of asking."

"Fine."

"You sure don't look fine."

He glanced at her, eyes darting over the wet spot on her pants to the newly wet spot on her shirt. Somehow, he wasn't too sick to roll his eyes as he pressed his forehead against the cold porcelain. "You're supposed to drink it, not wear it."

"Says the guys vomiting his drinks right back—"

The mention of the word vomit had his face turning a shade of green, and not a moment later Tom pitched forward to throw up once more.

Parker winced. She didn't have a strong stomach, and the sound alone was already threatening her own health. "...er, sorry."

"Can you go bother someone else?"

The vomiting subsided. Parker looked at her pretty pineapple glass with a despondent sigh before she filled it up with cold tap water. He didn't accept it when she offered it, however, and with a defeated sigh she set it onto the sink counter.

"I'm trying to be nice, asshole."

"Hm. Since when are you nice?"

"Well I'm pretty sure if you choke on your own vomit and die, I'll be liable as the last person to see you alive. So," she fluttered her hands at him, unsure of what to do or where to touch, and eventually Parker settled for planting her hands firmly on her hips. "Just—chill out for a moment, okay. I'm going to call Colt and have him find Gail."

"No, no, don't—don't tell Gail."

"Are you kidding? I think you might actually die, dude."

"Just don't," he snapped in a tone that left little room for argument. Of course, it was plenty easy for her sidestep the argument considering he was down for the count on the bathroom floor, but after a moment of a silent stare down, his shoulders deflated with a sigh. "I... she's going to flip. Alright? I'm fine."

"Fine?"

Tom attempted a shrug. "Bad reaction to shrimp."

Parker heard alarm bells ringing. When she spotted a nickel sized baggie on the counter those bells turned into sirens. She pinched it between two fingers while arching a brow at him pointedly. "I know giant shrimp are a thing, but I didn't know microscopic shrimp had started to gain traction."

His lack of a retort was more concerning than the vomiting.

"I think I should get you some help."

"It's not—" he started before stopping when he took too deep a breath. Something darkened in his features; mouth flattening, downcast eyes, furrowed brows. Was that guilt she saw? Or shame? "Just... relax. I took some Xanax and it... well, you know, fucked with the alcohol."

Parker couldn't withhold a snort. "Xanax? Seriously. Are you secretly an unhappy soccer mom or something?"

Whatever look had been curling his eyebrows vanished in seconds, replaced full force by a glare. "Fuck off, alright. I take them sometimes for anxiety."

"What in the hell do you have to be anxious about?" she asked.

There was a long pause. Music thrummed from outside, laughter, chatter, and shouting echoing happily in the summer evening air. The bathroom itself was cold.

Even colder when he said, "you know you can be a real asshole sometimes too."

And—yeah.

That single sentence fucked with Parker. Because upon closer introspection she realized that, shit, he was right. The guy was on the ground, throwing up, in a vulnerable state surrounded by some very powerful people that could easily ruin his career if they found him and here she was kicking him when he was down. Literally.

Pot, meet kettle. You two have a lot more in common than you think.

Disgruntled at being called out—by Tom fucking Ryder of all people—it was Parker's turn to flush red in shame. She tucked the pill baggie into the pocket of her jeans so someone else wouldn't stumble upon it and his piss poor excuse, before sticking her head out into the hallway. Whatever was going on in the landing seemed to be keeping everyone occupied, and the noise wafting from downstairs made it clear that the party would continue with or without her.

Satisfied, she firmly pulled the door shut. Paused. Then locked it for good measure.

The bathroom was surprisingly empty despite all of the decorations. Thanks Kim, now even Gail is part of the minimalist movement. The mirror cabinet was completely empty over then some Q-tips and an extra bar of soap, and there was no space under the sink for storage. Tutting, Parker pulled the hand towel free and stuck it under the tap.

Then, she lowered herself to his level. Physically.

Tom seemed surprised that she hadn't left. Even more so when Parker offered the cup for a second time.

"What?" he asked, a bit dumbly. Fair though, given the circumstances.

"You should drink some water."

"Can't you just piss off?"

She sighed through her nose and gently shoved the cup into his hand. "Drink some fucking water, Tom."

They stared at each other for a long moment before he accepted the cup. He shifted so that his back was now pressed into the shower so he could drink without choking. Parker took advantage to close the toilet lid, flush it, turn on the overhead fan, and crack open a nearby window.

Immediately, it felt easier to breathe.

Tom took two, small sips before setting aside the cup. Patronizing, even when he wasn't trying to be.

"Do you want me to go find one of your friends?" she asked; almost entirely because she couldn't stand not talking.

He shot her a deadpan look. "No."

"O-kay. How about some food?"

He grimaced.

"Right," she clicked her tongue. "Some soda? Ginger-ale might help with the nausea. I don't think you should take any ibuprofen right now or else I would offer some."

"What are you doing?"

"What?"

He gestured vaguely to her, to the room they were in, and then to himself. She could tell by the way that his face paled even that small use of energy was taxing, and Parker shoved the glass of water back into his palm.

"I'm just trying to help."

He harrumphed, but chanced another sip of water. "Why?"

"Because you were... right," she muttered through clenched teeth. He blinked at her through hazy eyes, and she tried not to notice the sweat dripping down his bare chest. "I was, well... being an asshole. And you need help. So."

He still said nothing. Parker tried not to feel super awkward.

After a moment of indecisive staring Tom took another sip of water before letting his head hit the wall with a soft thud. "Is this some sort of trick?"

"How on Earth is me hanging out in a bathroom with you a trick?" she scoffed.

"I don't know," he shrugged, sipped the water, and took a long, hard swallow that made her wonder if he was biting back another round of bile. Subtly, Parker propped the toilet lid open again. "Blackmail, or whatever."

What a fucking asshole, she thought.

"Just because everyone else is dying to get a picture of Tom Ryder doesn't mean that I am," she said. Her attitude did little to convince him of her good intentions if the wary look he shot her was anything to go by. Rolling her eyes, she plucked her phone from her back pocket, waved it dramatically around in the air, before turning it off. When the screen was good and black she half-heartedly tossed it aside. "Happy?"

He grumbled.

Parker huffed. Don't be an asshole, she had to remind herself while clambering to her feet. The hand towel was properly wet and cold by now. She switched off the tap and took a moment to wring out as much water as she could. Then she promptly slapped the wet towel onto his forehead with a thwap.

"What is—?"

"Just shut up and leave it be, okay? The cold water should help with the flush. Once your skin starts returning to a normal temperature, the nausea should be more manageable. I don't know anything about downers, but... it's the best I can do without getting help or using my phone," she said; adding a pointed glared at the mention of her discarded device.

He grumbled a bit louder, but didn't remove the towel. In fact, she watched his eyes flutter contentedly as he smoothed it out along his hairline. "Are you a doctor now or something?"

"On the side. I'm at A-list parties all the time. You're hardly the first celebrity I've found on a bathroom floor with an empty pill baggie."

"...seriously?"

"No. Not seriously, Tom. That was a joke."

He blinked at her. "Oh," he said awkwardly. Then, added, "wasn't that funny."

It was her turn to bang her head onto the cabinet behind her. "Well, sorry for trying to lighten the mood. I'm still a little worried I'm going to get sued or something for this."

"For spilling on Gail's mink rug?"

"That's mink?!" she shrieked, jerking around to give the rug a better glance over. No wonder it was fabulously soft. "Who the fuck keeps a mink rug in the bathroom? Shit! Do you think she'll charge me to clean it? I can barely afford eggs!"

There was a noise half between a grumble and cough, and when she glanced towards Tom he was sporting a crooked smile under the towel. "That was a joke."

"O—oh," she said. Parker glanced at the rug once more. "Well, it wasn't that funny."

"You don't know how to clean mink fur?"

With the panic subsiding from her suddenly too-tight chest, Parker returned to her seat on the ground, and glared. "I guess I skipped over that chapter in my cleaning manual."

"Is that where you learned the thing about wet rags?" he asked, subtly fixing said wet rag with a sigh. His shoulders relaxed as he settled against the shower glass, and in turn Parker tried to relax as well.

"No. I read that in an old textbook once. A physiology manual from, like, the 1930s. So, I actually have no idea if it's outdated information or not. Guess we'll find out, huh?"

"Why the hell are you reading a physics manual?"

"Physiology."

"Is there a difference?"

"Yes. Like... a lot," she deadpanned. He responded with a blank, empty, no lights-on-behind-the-curtains look. Parker pinched the bridge of her nose before decidedly moving on. "I read a lot."

"Don't you work?"

"Says the guy who reads bad scripts for a living," she retorted. His cheeks had been slowly returning to their normal color, but quickly blushed an irritable red as he scowled at her.

"My movie scripts are not bad," he shot back with just as much heat. "They're million dollar enterprises, that make quite a lot of people rich and famous. Like people here, at this party. What have you ever done?"

"Not have my face plastered on a billboard."

"Exactly."

"Yeah, and thank god for that."

"There's not a chance in hell you would ever."

"Good!"

It took them both a moment to realize that they weren't actually agreeing on anything. Parker thought having her face plastered on a billboard was a horrific nightmare that she would not be able to endure, while Tom clearly took pride in his advertisements spread all over the Hollywood acres. Somehow, though, in their attempt to insult the other, they had missed the mark entirely.

The pair shared mutual glares.

Stopped short when he turned green in the face, pitched forward, and vomited a third and final time.

"Oh, shit," she said, hands waving around and not knowing what to do other than to snatch the wet washcloth from where it had fallen into his lap. Awkwardly, Parker patted him on the back. Once, twice. "Um... better out than in, right?"

"Did you read that in a book too?" his voice echoed hoarsely from the toilet bowl.

And, well, it was such a ridiculous question to be asked while he was hurling into a toilet worth more than her car, that Parker didn't have a response other than to huff.

Which turned into a giggle. Then an actual laugh.

In an even more surprising turn of events, Tom laughed too. "S'not funny."

"No, no, actually," she corrected him to gently lay the cold towel across the back of his neck. "I think that's the funniest thing you've ever said, Ryder."

Some time passed as he focused on taking deep breaths before the nausea passed for good. As he returned to his former position against the wall, hand towel now dripping a trail down his chest, Parker flushed the toilet a second time, and folded her legs into a pretzel so she could lean an elbow on her knee. "I read a lot for work. Out of boredom, mostly," she admitted.

"Bad scripts?" he echoed her earlier sentiments.

"Bad biographies, mostly," she corrected him. He gave her an odd look, to which she shrugged. "I work at a bookstore. Er—own—a bookstore, I mean. I just read whatever I happen to find that day."

Parker wondered if Tom Ryder had ever stepped foot in a bookstore before or if he got too distracted by his reflection in the window outside.

"I don't think I've ever been to a bookstore," he said, almost as if he could hear her. The reason why remained inconclusive. "But I thought the idea was to sell books, not read them."

"Generally, yeah," she conceded with a sigh. It wasn't so funny now and she frowned at the thought of her dilapidated store with shoddy lighting and a half-functional air conditioner. "It's not exactly... well, successful. Not like your movies, anyway. I can't throw giant wrap parties for my employees because, well, I don't have any. I don't get a lot of customers so I read."

"Movies are better than books," he said.

He must have caught the irritated curl of her mouth because he made an amendment to his statement before she could argue.

"I mean," he added in the raw sort of voice one got from throwing up five times in an hour, "they make more money. It's all anyone cares about in LA."

"Yeah, well, maybe I should get a billboard."

Tom snorted. "You wish."

Parker wanted to glare, but... it was a little on the nose. The idea of shelling out money to plaster her face—or even her bookstore's name—on highway billboards went against what she believed in. She liked the idea of having a small, hole in the wall shop where lonely wanderers like herself could take solace in. That's what the shop had been in the decades before she bought it. Then again, her old boss had been all too eager to hand it off to her, and how bill days she suspected he knew that it was a dying market without a hope or a dream.

Only—LA was supposably the land of dreams... right?

"You ever read sci-fi?" he asked.

Thrown by the question, Parker had to shake the static out of her brain before it fully comprehended. "Uh, sure. Loads. There's tons of source material from the 70's and 80's that is pretty fun. They're all considered kind of hokey nowadays though so they don't sell that well."

Tom shifted the towel back to his forehead with a thoughtful tut.

He didn't seem so sickly pale anymore, and his breathing had evened out. Even his chest had dried up a bit.

How didn't he die of lack of service if he was never wearing a shirt when she saw him?

"There's this role that I want to go for, a big sci-fi thing. Gail said that I'm not right for it, though."

"Not right for it?" she echoed, scrunching her nose. "Seriously?"

He gave a half-hearted shrug. "Too pretty, she said. Which—duh—that's a given," he added. Parker responded with an over the top eyeroll, but she refrained from faking a gag. She was a little too worried that they weren't out of the woods yet, and that the sound (fake or not) would provoke Tom to start hurling again. "But it's a smart role. Intense. A great script. I think I'd be perfect for it."

"Can't you audition anyway?"

"I don't know, I—she—Gail tends to know what roles I'm good for, you know. She doesn't think I can pull off a smart, sci-fi type."

Parker snorted. "Why not? All Chris Pine has going for him is blonde hair and blue eyes and he got three movies out of Star Trek. Pretty sure you got that covered. You know, box dye notwithstanding."

Tom shot her a cross look. "I would never use box dye on my hair."

"Even better," she waved a hand at him flippantly. "Audition then."

Something weird happened then. Something so out of character and bizarre that by the next day Parker would convince herself it hadn't really happened; that it was provoked by the bathroom fumes of Febreze and vomit.

But Tom Ryder, A-lister, looked... unsure.

"Yeah, I... I don't know. She's probably right."

Sounded it, too.

Parker didn't even know how to react to that. The guy had been a grade A tool since the moment she met him, and in the several run-ins they had since, he hadn't disproven the label. He basically worshipped himself. Once, she had even caught him admiring a paparazzi photo taken of him wearing low riding swim trunks in a cheap magazine.

Seriously!

The guy loved himself, talked about himself, and never let people forget who he was! What could ever provoke a moment of self-depreciation like this?

Oh, duh. Drugs.

"Jesus, how much Xanax did you take? You don't even sound like yourself."

The question pulled him from whatever pensive moment he had been having, and Tom's response was to promptly chuck the wet towel at Parker. It landed atop her head with a smack.

She plucked it off with a grimace. Wet pants, wet shirt, now wet hair. She would have to go home after this to save herself the sheer embarrassment of being an utter disaster at her first mansion party. And by the time she glanced back over at him he was back to his normal mode of self-importance as he started to run a hand through his damp hair, singular moment of weakness already forgotten.

"Is my hair okay?"

Parker sighed.

It was nice while it lasted, she thought.

"Yeah, Ryder," she deadpanned while ambling onto her feet. She fixed her own hair in the mirror while he finished the last of his water. He actually looked close to normal—because, of fucking course he looks fine after coming down from a bad drug cocktail—and she avoided the mink rug entirely to pick his shirt up off the ground. "Your hair looks fine, Chris Pine. Your shirt is probably all wrinkled though."

"Fuck. That's Dolce & Gabbana."

"I thought it was linen," she snarked.

There was some groaning and whining as he teetered onto his own feet, and while Parker was half afraid that he might just keel over and die on her, he seemed more scandalized by the fact that she was touching his designer clothes.

Snatching the shirt out of her hands, Tom huffed, "do you even know what linen is? I thought all you knew how to wear is that polyester crap you seem to like so much."

Wow. What a fucking asshole.

It was her turn to take a deep, calming breath as he ambled towards the mirror. He didn't seem sick anymore, his breathing was normal, shoulders relaxed, and he was able to stand on his own. Somehow, even his skin had bounced back with a lively, bright sheen.

Fuck, even his back was beautiful. How did—?

A wrinkled Dolce & Gabbana shirt was slung over his back, effectively cutting off her gazing. Parker ran a hand through her hair a second time. When she glanced in the mirror, however, she found Tom smirking at her.

"Staring ain't free you know. The pap pay a lot for this," he said.

For fuck's sake! she thought as her mouth curled sourly.

Shaking herself of both her stupor and kind hearted feelings, Parker snatched her phone off of the ground. She didn't miss the way that he was ogling her back side in the mirror, and she flushed a bright shade of pink without meaning to. That only incensed his smirk further.

"Yeah, um, Tom? I did lie," she admitted, pausing in the doorway to bat her eyelashes at him as dramatically as she could. She wasn't an actress, but she was pretty sure the point got across when she cooed, "your hair looks awful."

She watched his jaw slacken in the mirror with a sharp smile, before Parker swung the bathroom door open, and made her way back to the party.

.............

And the love/hate continues.

[searchingforserendipity25]

Diplomatic Concerns. (russingon, on ao3).

When they did at last come together, it did not feel like an inevitability to Maedhros. Far easier it was to believe - to contrive - ways in which they might betray themselves, and allow their understanding to betray their people.

This, they both agreed, could not be permitted. Maedhros would have loved Fingon less, if he had been willing to brave the storm of opposition and defiance their open courtship would cause.

His people had cause, just cause to stand against it; and Maedhros had his own brothers and vassals to rule over, in less official fashion, without the benefit of official authority to put them in place if it prove needed.

They pledged their troth under the stars, a wordless promise with no bitter oath to mar it; and thereafter took the greatest care and discretion that none guessed at it.

-

It was some effort, Maedhros admitted, if only in their very secretive correspondence, written on hidden wink in the back of their official missives.

His mouth ached, his arms felt emptier - poetry, he found, spoke to him beyond the pleasure of precise meter and rhyme.

It was absurd; it was dangerous. Always he kept Fingon swept from his mind, lest some of his heart bleed through enough to be perceived; and always it was work, to keep Fingon out of the forefront of his thinking.

And it was mortifying, too. To be infatuated, to have a joy to hide, to know himself cherished and desired - he could not have bourne it to be known, not easily.

It was only some consolation to know Fingon found his pining ardor very pleasing, being that he was at too great a distance to do much with that. As a matter of fact, it made it all the more torturous.

This lasted all through the first fortnight of the autumn summit.

Maglor looked at him indulgently. “How many horses can Fingon possibly need? Nay, not at all. You must give him the best foal, and rear it by your hand, and drape it in Fingon’s raiment and colours, and teach it the signals he favours. Quality, not merely quantity! Do you hear me wasting breath on too many love songs? There must be a measure, by which things are made precious.” 

“You were song-wed by proxy fashion to an ascetic zither-master you knew from correspondence only, and met thrice every ten yéni,” Maedhros told him. 

Maglor shrugged. “Once every ten yéni was enough. It made the anticipation all the sweeter.” 

Maedhros raised all three colts to perfect training. If some of his braids were chewed away, and much of the fur of his best coats, then at least Fingon was suitably impressed.

-

None guesses at our affections, Maedhros amended on his next letter, besides Maglor, and his silence is our boon. Fingon was swift to tease him for that - and in truth he had barely bothered to hide it from Maglor.

There was little use; therefore he worried little. All the rest of his brothers held their own domains, were occupied with their duties - if it became pressing, he could always invent a new task to distract their tracks.

He had forgotten Caranthir. Caranthir never needed to be given new directions; if anything, he excelled at taking attentive initiative, especially on matters of international commerce.

“I,” Maedhros said. “Have never offered any thing, to lord or vassal, besides gifts of friendship, and diplomacy, and cunning morsels of what might attained with a better trade arrangement.” 

“Explain to me how Fingon’s newest gem-crown counts as a diplomatic expense,” Caranthir demanded.

-

Besides Caranthir and Maglor, none noticed. 

The next time they met - a well-prepared hunting retreat, and the anticipation did have a certain strain of pleasure in it - it was only some time after the first enthusiastic greetings that they found time and patience to speak at lenght about their dealings, those small or great matters they had not trusted even to set to hidden writing.

 "Did you -”

"I told none. Besides those who know."

“Are you entirely certain. Amras and Amrod keep sending me cured meats? Excellent sausages for my table, and lovely truffles. For some reason; they did not last year.”

"They are not poisoned," Maedhros assured automatically. Then hesitated. "They do like to experiment with spices and certain powders, however."

"I noticed," Fingon said, mouth curved. It was a lovely smile, better for being not amused; Maedhros suffered the rather stupid instinct to kiss his cheek. "Around the time the sugared mushrooms caused an apparition of a great mammoth grazing upon my father's head as we sat in public Council. It appeared purple to my eyes, the mammoth; also my father."

Maedhros had suffered great torments of the flesh and spirit; the image made him wince with genuine feeling. Fingolfin kept a very eclectic conjunction of lords near him, Sindar and Noldor and Avari, all of them clever, cunning, far-seeing people with an unhappy habit of keeping a wide awareness to every stray thought that they might fish out slyly round them on a wide range of space. It made Maedhros feel unusually warmly towards his straightforward, stone-silent dwarves and the fierce, scarred, closed minds that came to serve Himring. 

"You need to string them up from a high tower," Maedhros concluded. "You shall have their apologies in a season."

"Need is a strong word," said Fingon. But his mouth was twitching, more genuinely.

Through the place where their spirits pressed together he passed on the faint, kaleidoscopic memories of that afternoon - Maedhros had stifle his own crinkling eyes. It was impossible not to admit Fingolfin did look rather fetching in tints of purple; and the mammoth was very realistic.

"If you want them to redeem themselves, have them send more next year. I would rather have enjoyed them in privacy. Lalwen thought it was very amusing. Eventually; she stole the rest of the bounty, and left me none at all, which was very like her and rather a disappointment. If your brothers are found wandering the wilds naked and intoxicated, you shall find no way to prove it was her work."

"They will enjoy it too much." Maedhros thought of when the twins's nonsense had been joyful, once. And involved less paperwork. The worst of it was that they likely thought it a good gift.The twins had ever liked Fingon well enough, as much as they liked anyone outside their enclosing understanding.

Fingon turned around, with that sweeping grace that made him deadly. In a moment he had rolled them over. His hands dug into the loam around Maedhros's head; his legs tangled in him, pressing down, delicious.

There you are, he thought, directly at Maedhros. No distance at all, and his laughing mind dizzying like a windfall, a sweeping rush. You stay away too often, Russandol, even here.

"Let them," he said, voice low and warm, close enough Maedhros could feel it thrum in his own throat. He was so very warm. Maedhros's whole body felt alive under him, as if he were fresh from a battle; as if it could feel alive and joyful with no violence. "I mean to enjoy myself with a clear mind. I mean to recall you perfectly while we are apart."

-

Maedhros, rather wisely, he thought, kept any commissioned tokens away from familiar forges.

It was a marvel, the inspiration which which Curufin could contrive as an insult. In this he truly was Fëanor's heir.

I will not have any of our Father's house be known for offering substandard works, he wrote, a stiff note of parchment atop a casket.

Inside the casket was a treasure - elf-made emeralds, and rubies, fine gleaming garnets that caught the golden light from the candles and would assuredly shine beauteously strung around golden ribbons, and on the chained earrings Fingon favoured.

 Keep those Dwarven pieces away from Fingolfin and his ilk, lest he rethink our work agreements. Have you lost your sense, along with your shame? Findekáno's not the least suited to Belegost's blue-steel and sapphires, they wash him out terribly, I do not know how Fingolfin can be so tasteless in his heraldry as not to consider it.

-

Maedhros recalled a time when his brother at least pretended to attend to elvish mores, those small contrivances of decent conduct. Such as pretending at ignorance. Pretending at ignorance had been a good habit, one Huan's master remembered these days merely when it was convenient for him.

Celegorm only looked at him in a flat vulpine fashion, nostrils flaring. Worse than a smirk, worse than mischief. Maedhros had seen it turned on others often enough; he could not say he enjoyed the very unpleasant awareness with which it remind everyone of all the passionate embraces they may or may not have indulged in the wild, where a little bird might carry gossip, or a finicky squirrel pass on mockery.

It also made him rethink the wisdom of wearing Fingon's undershirt under his tunic.

"Not a word," he ordered.

Celegorm only whistled in wolf-like fashion and darted away from his swing.

The next time Fingon dared him for a swim after a lengthy ride up the hills of Barad Eithel, Maedhros quite ruined the romance of it all by insisting on raising a tarp-and-leather tent beforehand.

-

Huan had the good grace to wait until they passed each other on an empty corridor before stopping to block his path.

Oromë's hunting hound looked at him with those terribly knowing dark eyes and let out a soft snorting sound. It was not a very approving woof; a little mournful, perhaps. Maedhros did not speak Hound.

"Do not you start also," Maedhros said. His tone held little effort, as it ever did in these cases.

He had to fight the instinct to cross his arms. He refused to be easily biddable or intimidated. As a matter of principle; he had few of those, and it tended to be better to keep to those he did maintain.

Woof-woof, said Huan.

"We are all Doomed regardless," argued Maedhros.

A sniff, rather pointed. A little charming, perhaps - none of his brothers had offered, so far.

"It is very generous of you to offer," Maedhros said. "No biting will be necessary. I would rather Fingon whole as he may."

Huan licked his bad arm. Shifting ears, which, in all honesty, were insulting. 

"I am not letting myself be carried off as a mate to establish a new collective dynamic as pertaining previous intra-community competitions," Maedhros said, rather stiffly. "No, not though I was stolen from the Enemy for that purpose."

Maedhros did not speak Hound, as such; but Huan and him understood each other a little. If anyone was going to look at him with the knowledge that Maedhros would have let himself be carried off as a prize, and possibly did not dislike the notion, he would rather it was him.

"I will bring you some of that good hind meat from Dor-Lómin," he conceded, eager to bribe him away.

Huan's dog-grin finally widened. Maedhros, relieved to be free from evaluation, scratched his chin until his wagging tail was thumping the carpet. Some relatives, he thought, were harder to please than others.

-

"We have failed at every avenue," Maedhros concluded, as displeased as he could stand to be just then. "Let this be not a sign of our joined efforts to come!"

Fingon was rather less moved at their failure than Maedhros would have expected. Possibly that was the effort of the long ride to the fortress, and their - reunion. Maedhros did not want him alarmed and on his feet, as such; but he did eye his complacence a little.

"Brothers are not Balrogs. It could be worse," Fingon said, very confidently.

Maedhros lifted his head from Fingon's chest. His own eyes were growing half-lidded; his muscles too felt weary, suffused still with satisfaction. Himring's walls, warm within like a living body, rumbled faintly with the noise of their gaseous pipes. He was warm, and sated, and all in all quite in accord with the form of the world, at least for the foreseeable candle-mark.

It was only that he had not trusted messengers to pass on the news; and he had felt an urgency to share the state of affairs with Fingon for months. They had determined to be fully discreet.

"How?"

"Turgon and Aredhel might return," Fingon said promptly. His voice showed he had considered the matter at great length, and was very amused by the way Maedhros went still against him. "And be less generous with their blindness than the rest of my - our kin."

"They might not have noticed. Your father has not."

Fingon lifted himself on his elbow, and looked at him, a little pityingly.

"Beloved," he said. "Whom do you think invented the art of invisible writing?"

[cowboygunfighter5]

The gunfight was intense. My leather pants squeaked and my spurs jingled as I ran over to the tree to get a better angle. I raised my revolvers and aimed, meanwhile I could see my opponent doing the same. Bang there was gunsmoke coming out of his two .45 colts he missed. I aimed carefully and fired. Bang! Bang! my bullets slammed into his torso and he moaned loudly as he collapsed... My spurs jingled as I silently walked over to the dead gunfighter. I still had my two Colts in my gloved hands. Ready to shoot. The dead cowboy lay on his side, a little crouched. Both of his two revolvers lay beside him. There was still gunsmoke coming out of the barrel. He was an impressive sight. Nice pointy high-heeled cowboy boots with large spurs. leather chaps in thick leather. Black leather gloves and studded cowboy cuffs. A nice carved gunbelt with two holsters. All bullet loops were filled with deadly .45 bullets....

See more stories and cowboy gunfights on my youtube channel.

[miraculouslbcnreactions]

Some people got the impression from the Agreste family's backstory in season 5 that Gabriel lost some of his morals trying to win the approval of Emilie's parents, does that make much sense to you?

Sure. The backstory was incredibly vague, but it certainly made Emilie's parents look less than stellar. The implication that Amilie was happily married off to a monster is... uncomfortable, but I'm also not sure if that's what happened or if Amilie chose Colt on her own because he'd make her parents happy. Either way, it want a love match or a happy marriage.

The fact that Gabriel and Emilie had to go to those same parents for help with fertility treatments could easily lead to a setup where Gabriel had to become more "respectable" for them to be willing to help. However, it's just as easy to assume that Emilie's parents changed nothing about Gabriel and his corruption came from searching for the miraculous or just generally losing his path in life in pursuit of wealth or [insert other option here].

There's a whole world of options because the pointless vague backstory adds almost nothing of value to the show. It doesn't answer any of the questions we've been wanting to have answered and does very little to limit what you can do with the backstory while staying mostly canon loyal. Like did anyone actually care about Felix's childhood? Or Emilie and Amelie's childhood? Wouldn't it be so much more satisfying to finally learn about Adrien's childhood??? I've been waiting for five seasons for them to explain why Adrien was locked up and instead we get this nonsense? I am displeased.

I also wanted to know how Gabriel learned of the two missing miraculous AND how the heck he knew where to find them because it only makes sense if Fu spilled the beans! (The only person who knew that the miraculous were lost was Fu and they were lost far from the temple, so how the frick did Gabriel and Co find them or even know to go looking? The history buff inside me has so many questions about this part of the plot so, if the writers must give us backstory that doesn't actually move the story forward, then my vote is for them to give us the interesting backstory! Please? I am wildly curious how they're going to try and justify this! I know it doesn't actually matter, but at the same time it's such a massive plot hole!)

[hometoursandotherstuff]

Okay, I need this 2007 equestrian estate in Colts Neck, New Jersey. It’s about an hour from where I live, now, and it has 7bd. 8.5ba. $24.9M.

Look at the elegant entrance to the living room. 

The decor is a little stuffy, but I like the coffered ceiling and the fireplace. 

I like the family room better- nice wood ceiling and rosy walls. Plus, it opens to a conservatory.

Pass thru an alcove filled w/liquor bottles, to the barroom. 

The conservatory is that beautiful tower that can be seen outside.

Huge formal dining room with a cool ceiling. 

Look at the size of the kitchen. I like that windowed cabinet above the island and table.

Look at this smaller dining room- love the height of the fireplace and the built-ins.

The resplendent grand staircase.

The hall leading to the bedrooms has lovely wainscoating.

Huge bedroom w/fireplace. The only thing I don’t like is the ceiling. I know it’s not, but it does look like cheap suspended ceiling.

I like this bd. w/the marble floor and canopy bed.

Look at this shower with a marble bench.

Lovely guest room has a terrace.

The baths are beautiful in this home.

Wow, is this pool room classy.

Beautiful home theater.

Look 

Home gym. I’m always impressed by white equipment.

Wow, that fountain is the size of one you’d see at a public building.

Stunning gardens.

Picture perfect pool.

And, here’s where the horses live.

Nice, huh?

https://www.priceypads.com/160-horse-farm-with-25000-sq-ft-main-house-in-colts-neck-new-jersey-2/

[thecurioustale]

I Watched Videos of Star Trek Films that Don't Exist, and They're Surreal AF

If I were ever going to make a Star Trek film, I know what the premise would be. I've thought about it a lot over the years. I have the whole beginning of it completely storyboarded and blocked out in my mind. This opening sequence is a set piece with mystery, action, and adventure, and really it's an entire, self-contained story unto itself.

I'm going to talk about all of that, and show you a video that is screwing with my mind, and more besides, under the fold!

CAPTION: J.M. Colt stands with her hands behind her back in the Roddenberry Archive video "765874."

The Inspirational, Infatuational J.M. Colt

My Star Trek film would feature the original Star Trek character of J.M. Colt in the starring role.

(Tangent: If you're not a hardcore Trekkie, you may have never heard of Colt. She only appeared in the original Star Trek pilot "The Cage" (the one featuring Captain Pike), and was basically the most peripheral member of the Enterprise crew to still get her name in the credits. She was the captain's new yeoman (a secretarial personal assistant), the previous one having recently been killed on a landing mission. Pike was feeling guilt over his last yeoman's death, and for protective patriarchal reasons he didn't like it that his new yeoman was female. Meanwhile, Colt herself was head-over-heels crushing on Pike, which led to some deep awkwardness between the two of them. Although Colt had very little to do in the story, she was one of the officers to get kidnapped by the Talosians and held prisoner alongside Pike, in the Talosians' misguided hope that Pike would pick one of his female shipmates to mate with and create a self-sustaining line of humans for the Talosians' zoo. This is all a bit chauvinistic and patronizing of course, but the dynamics between them are a natural enough thing in human behavior, and in any case—and more importantly—Colt behaved with professionalism and bravery throughout the entire episode, including choosing to stand her ground in the face of death when Number One set the phaser to overload to deprive the Talosians of human zoo animals.)

We never saw Colt again after "The Cage," except in a few beta-canonical comics and novels. In the original Star Trek series she was replaced by Yeoman Janice Rand, who gave off very different vibes. Colt is also not present as a character in the present-day Star Trek: Strange New Worlds show (notwithstanding the easter egg of an unrelated alien extra named "Colt" on the background of the Enterprise bridge in one scene of Season 2 of Star Trek: Discovery) , so most Star Trek fans today don't even know Colt exists.

But she certainly made an impression on me! Some of it was actor Laurel Goodwin's beauty, I guess. Other than her being skinny and not especially tall, Colt is basically my ideal of a beautiful partner, and she was one of many visual influences on my creation of Silence Terlais.

But it's not just beauty: There is something tantalizing about a character whom we are introduced to, and whom come to like, but never get to truly "know" because they aren't developed very far, or aren't the center of attention, or the media they're in ends. I feel this way about Tasha Yar from Star Trek: The Next Generation as well. She died in the first season, so there's a huge "What if?" hanging over her. That's what Colt is for me: "What if?"

Because Colt had so little time with us and was then cast away and forgotten, my imagination is free to run wild about who she might have become and what she might have achieved. And maybe it's for the best this way. I don't like how they treated Yeoman Rand in the series, and I'm sure they would have done much the same to Colt. And for all that disrespect she wouldn't have gotten much screentime anyway. So, if anything, maybe it's better that Colt only ever appeared once and was left an immaculate mystery ever after, unsullied by '60s misogyny and 2010s cynicism alike.

More so than beauty, then, this tantalizing sense of mysterious incompleteness is the biggest reason why I actually based not one but two characters in The Curious Tale off of J.M. Colt: There's Jayem Colt (not so subtle, eh?), who keeps the red hair but is much older (about 55 – 60 in our years) and is the captain of one of Silence's sandships. This Colt later goes on to join the Handsel Band as one of its leaders. And then there is Ravel Vraske, who has brown hair but otherwise looks reminiscent of the original Colt and is about the same age as her. Ravel is one of the last survivors of deceased Guard of Galavar Zirin Aloryane's doomed-before-the-story-begins project to bring the Galance Ideal to Relance and therein sway the nations of the world to join Gala without using force or violence. Ravel proves indispensable in the Handsel Band and over time becomes its best "swayer."

But the original J.M. Colt remained a tantalizing figure for me too, all through the years. I like to imagine that she built a great career in Starfleet and rose to become the captain of her own starship one day.

Star Trek: J '79

It's no secret that I think Star Trek: The Motion Picture is the greatest Star Trek film ever made by an order of magnitude, and one of the best science fiction films of all time.

At the end of that film, as you may recall, the lost NASA probe Voyager 6—elevated by an alien machine civilization into this massive, conscious entity—has returned to Earth to complete its centuries-old mission of learning all that is learnable and returning that information to its "creator."

In the film, we never actually learn whether this happens. Decker inputs the final command personally, and he and Probe-Ilia physically join with "Vejur" (or "V'Ger" if you like) and transcend the Universe. Presumably, Vejur would have transmitted its information before it went, since that was its purpose after all, but we're never told either way. (And while some fans speculate that it didn't happen, due to Vejur destroying its own antenna lead and fixing on Decker as the one to deliver its report to, neither of these speculations necessarily precludes the possibility that Vejur still transmitted its report.)

I like to imagine that it did happen, that Earth was inundated with hundreds of years worth of learning from a Galaxy-spanning scientific demigod of its own creation, and that this was a major reason as to why and how the Federation became so much more advanced and prosperous over the next hundred years by the time Star Trek: The Next Generation came around. I like to imagine that it would have taken the Federation's best minds many decades to delve into all the information that Vejur sent, all its secrets and mysteries (still not fully comprehending everything), and I expect that the ensuing discoveries would have caused great upheaval and transformation as the Federation assimilated all that knowledge. And I like to imagine that Vejur's treasure trove of information led to a great many starship expeditions to investigate curious things that Vejur documented across the Galaxy.

My Star Trek film concept would take this premise and run with it. The movie I envision making mostly draws from the aesthetic and tonal palette of Star Trek: The Motion Picture (hence the working title of "J '79"), right down to those groovy Starfleet uniforms and those luscious '70s décor styles. And it would keep the film's sense of wonder and optimism, humanism and discovery, mystery and exploration—which has often been lacking in Star Trek media. But my movie would also draw somewhat from the underappreciated horror vibes from Star Trek II: The Wrath of Khan, which is probably the scariest and most gruesome of the thirteen Star Trek films to date, even though most people remember it as an action film.

But, basically, I would pitch my Star Trek film as a direct sequel to Star Trek: The Motion Picture—except with a different ship and crew.

The Opening Set Piece of Star Trek J '79

In the darkness of space, a Constitution Class Refit starship appears without any fanfare. It's not the Enterprise; it's another ship; but it looks just like the Enterprise we know from the original movies.

There is no star nearby. In the distance there is a modestly glowing, magenta nebula which provides a pale, wan light that just barely describes the contours of a rogue planet that's dark purple, black, and brown. There's no captain's log, no speaking of any kind.

We cut to the planet's surface, as a sizable landing party beams down in the foreboding style of the middle TOS Star Trek films. The planet is silent, all except for the tiniest rustle of a breeze. The atmosphere is completely minimal and unbreathable, but neither is it noxious, so instead of wearing full-helmet suits the landing party only has nasal breathers—plus jackets since it's very cold.

There is no life. But there are spectacular, ancient ruins, in stone so black and glassy that it's like looking into the void. Domes and pyramids and viaducts, all standing or lying in ruin amid countless years of sand and rock.

The landing party members perform their initial scans and report to the Captain, who sends them off in various directions to explore different points of interest. He remains behind to check out some smaller ruins in the immediate vicinity, and one of the other officers stays with him—a redheaded female officer whose name you can probably guess. He asks her advice, and what she gives him is sound and wise, but also rather limited, as a good advisor arguably should be: not packaging instructions so as to be the de facto leader themselves, but identifying relevant information and leaving it to the actual leader to make the decisions.

Vejur had learned of a magnificent, vast civilization, unspeakably ancient and now long gone, but remembered by a number of present-day civilizations through their monumental ruins. A bit like the Iconians or the Tkon Empire, for example, if you know your Star Trek lore—but not actually either of those civilizations. Older than both! None survives today who knows what these ancients called themselves, so they are referred to only by the descriptions left in text and tablature: the Feathered Builders. (A bit Chozolike, if you will, but also clearly not the Chozo.)

This starship, it turns out—I've toyed with calling it the Constitution but have never settled on a name that completely satisfied me—has been on a mission for nine months trying to track down one of the Feathered Builders' major planets. The most important planets were all "lost" countless ages ago, making it difficult to gather information about the Feathered Builders' civilization or learn the secrets of their technology. The Federation had never even heard of the "Feathered Builders" until Vejur came along and did its thing, but once they did learn they put Starfleet on the case, and the Constitution has managed to finally track down one of the lost capital planets.

This all comes out in expository dialogue as the Captain and Colt explore some of the ruins.

As the investigation ensues, we begin to see the Captain making some questionable leadership decisions. Colt advises him where she can, but he's in command and he has the final say.

I'm going to spare you some spoilers (I'll explain why later), and instead I'll just say that, eventually, the landing party is able to activate an ancient device in the ruins that causes a massive tumult and brings to life an image of one of these Feathered Builders, somewhat similar to the Tkon guardian portal from the TNG episode "The Last Outpost." This custodial being speaks with the Captain, explaining that the Feathered Builders evolved and department from three-dimensional space-time. But the Captain doesn't acquit himself to the custodian's liking and the conversation gradually deteriorates until reaching the breaking point, where the Feathered Builder custodian decides not to provide the Starfleet officers with the information they are seeking. Instead, it commences to sweep up all of the ruins on the planet, violently spiriting them away to some other plane of existence so that the humans can never do anything with them.

At the last moment, Colt intervenes and takes over, trying to salvage the situation by revealing to the custodian and to us in the audience that she is the real captain of the Constitution and that this had been a field training exercise for the person we had thought was the Captain, who turns out to actually be her first officer. Colt pleads with the custodian to reconsider its decision, but the custodian is unmoved and soon every trace of artifice on the planet is completely gone, leaving the landing party alone with nothing but sand and rock: another dead end in nine long months full of them. Though at least they didn't lose their skins!

And from there the opening set piece moves forward into the movie proper, with Colt back on the ship explaining to her first officer that she plans not to recommend him for promotion, etc., and setting the main events of the movie into motion. It turns out that Colt is actually one of Starfleet's training captains, known for taking marginal command candidates under her wing and discerning which ones can be forged into captains and which ones just aren't fit for it despite being close. And this poor fellow is one of the ones who isn't quite there. He's not a villain, not evil, not stupid. He's just not quite good enough. We're always told that it's hard to be a starship captain and that very few people can pull it off, but we're rarely actually shown this reality in Star Trek. I thought this would make for a powerful thematic statement befitting of the opening scene of my movie, given the overall story of said movie.

Making Do with Reality

Of course, they're never going to approach me to direct Star Trek. And I succeeded a long time ago in divorcing my creative ambitions for science fiction out of Star Trek and putting them into my own science fiction series, Galaxy Federal.

So what I've done, in dribs and drabs over the past few years, is adapt my Star Trek movie concept for use in a future Galaxy Federal novel. Not the "Inaugural Novel" that I've been actively working on, but another novel that is very much on the way-back burner. And that's why I didn't want to share some of the spoilers with you, just in case that book ever actually does get written.

Cherry Ilyapa is a good replacement for Captain J.M. Colt. I had already, independently written Cherry as a "training captain" in the aforementioned sense: The Admiralty frequently sends her marginal first officers and entrusts Cherry to develop a nonbinding but influential assessment as to whether these officers should be entrusted with their own command or not. In fact, I think that's where I originally got the idea for the Star Trek movie to open with a fake-out that somebody else is the Captain instead of Colt.

It's quite gratifying how much of this set piece adapts with no difficulty at all into the Galaxy Federal world. The only things I really miss from Star Trek are the transporters, which Galaxy Federal doesn't have, and of course Colt herself. Though, I must say, Cherry is an excellent substitute for Colt if a substitute must be had. Also, and no spoilers, but the good thing about my plans for the Galaxy Federal franchise is that different novels aren't necessarily going to be published in chronological order. My Star Trek movie idea book can be set either before or after the events of the Galaxy Federal Inaugural Novel, as needed.

In many ways, the Galaxy Federal world is a better fit for my story idea than the Star Trek world is. That probably shouldn't come as a surprise; it's only natural that "the kind of story I would want to tell" would fit more easily into "a fictional world that I created myself." Star Trek has some tropes and tonalities that don't really agree with me, whereas Galaxy Federal has things exactly the way I want them. I'm not really into the pulpy, action-oriented side of Star Trek. I'm not very impressed by Star Trek's usual lack of visual ambition (The Motion Picture being a major exception). And I don't like how incestuous the Star Trek universe has become, with a small number of fan-popular characters (e.g. Data), polities (e.g. the Borg), places (e.g. the Mirror Universe), organizations (e.g. Section 31), and events (e.g. the Battle of Wolf 359) becoming entangled more and more messily and gracelessly with subsequent canonical (and fanonical) productions as the years roll on. In Galaxy Federal I can have my preference of never doing this, and instead let new stories spread out into their own space freely rather than make constant callbacks and plot tie-ins to previous canon. A little callback is necessary for franchise coherence and desirable for aesthetic or narrative purposes, but Star Trek has gone way overboard ever since Star Trek: Voyager.

Anyway! My Star Trek movie / Galaxy Federal book would be another grand epic adventure in the vein of the Inaugural Novel, as opposed to some of the lower-spec concepts I have for other Galaxy Federal novels, and it's nice to have something big like that on the horizon, even if I'm not actively working on it.

The Roddenberry Archive and the Memory Wall

The whole reason I am writing this post in the first place is that yesterday I saw an amazing video.

Two years ago, I read an article that threw my brain for a major loop: I saw behind-the-scenes photos of J.M. Colt on the set of "The Cage," in uniform and all that...except that these photos were from the 2020s.

This really screwed with my grip on reality, in both a good and a bad way. "The Cage" was produced in the 1960s. What was this sorcery? Well, upon closer inspection here's what had happened:

For many years now, an organization called The Roddenberry Archive has existed to collect and preserve relics of the lifetime of work of Gene Roddenberry. The Archive is a project of some of the biggest creative names in Star Trek, including Michael and Denise Okuda, Doug Drexler, and others. You can read more about them on their About page.

As a part of their preservation efforts, they have sought to bring Roddenberry's work to life in various ways, including in the form of audiovisual "experiences" that, essentially, are like movie trailers that recreate the vibes of prior incarnations of Star Trek. That's what led, for example, to the recreation of J.M. Colt standing on the 1960s bridge of the Enterprise in the 2020s. They were recreating that environment, and they had just so happened to pick the character of Colt—of all people!—to use as their filming model. Partly this was because one of the people closely involved with bringing the project together is the actor and producer Mahé Thaissa, who bears a passable resemblance to J.M. Colt, especially with a wig and the uniform. It was convincing enough that I genuinely read her as Laurel Goodwin's J.M. Colt!

Recently, they've been at it again with an initiative called 765874. And again they are using Colt as their central character, now with added Spock. Yesterday, YouTube showed me this:

This is mind-blowing! That thumbnail you see above isn't from Star Trek: The Motion Picture. It's modern work; it's what the Roddenberry Archive is trying to do.

The video scans like a wordless movie trailer. It's very surreal, with the only live characters being Colt and Spock, interspersed with a variety of alien landscapes and a bunch of images connecting various events from Star Trek's history. Even the title of the experience, "765874 - Memory Wall" is deep lore. The Wall of Memories was a sequence planned for Star Trek: The Motion Picture that was cut in development and replaced with the famous "Spock Walk" scene (where Spock rides a thruster suit into the heart of Vejur and witnesses a visual record of Vejur's entire journey). It's a fitting title!

These little trailers—these "experiences"—are wonderful. Like I said before, they are extremely surreal to me. I cannot overstate this. They mess with my brain powerfully, in both good ways and bad. This kind of experience is magical for me. They're a little bit like eating faerie crack I guess, lol. The videos are unsettling, compelling, and thoroughly engrossing. And I prize this, because this experience is very hard to come by for me. Not much can make me question my grip on reality, let alone in an area that I'm passionate about like Star Trek (I don't even dare to hazard a guess as to how many hard disk sectors of my brain are dedicated to Star Trek lore).

These Roddenberry Archive experiences depict past Star Trek media that never existed and will never exist, with incredibly lifelike representations. And they feature as their starring character, of all the characters they could have possibly picked, the profoundly obscure character of J.M. Colt, who I just so happen to have a lifelong fixation with. But this Colt never speaks in these experiences, and never appears on screen in any given shot for more than a moment, and we never really know what she's doing. And all the individual shots are so short that you can never fully get your grip on them...sort of as if you can't look directly at them. It's all a mystery!

You can perhaps see why this is so incredibly trippy for me. My brain parses this stuff as real pieces of past Star Trek media that I somehow missed, giving them the quality of dreams. Yes, that's it. These things are like dreams to me! Except they're real. Except not quite.

It's kind of a delight that, after all these years, J.M. Colt is just randomly appearing in the real world in glimpses of period-accurate Star Trek productions, just like I had always imagined. Giving Star Trek: The Motion Picture new life in this way, when the actual franchise completely ignores it, and making J.M. Colt the face of that...just wow! It's a little slice of "What if?" brought to life in the best way! And, albeit obliquely, if I squint hard enough it's almost like I can see my own Star Trek movie concept brought to life.

I wish the people doing this work would talk to the suits and buy a license to make an actual Star Trek movie or a Netflix miniseries or something!

There are several more of these audiovisual experiences, including a very recent video celebrating the 30th anniversary of Star Trek: Generations (which was just a couple days ago) by showing Spock visiting Kirk's grave. You can find them on the Roddenberry Archive website or in this YouTube playlist. (There's a wonderful interview with William Shatner in the playlist that I also watched yesterday, where he talked about some things that I'd never heard him talk about before, and I've seen a lot of Shat interviews.) And here's a wonderful feature article on the website of their technical partners, OTOY, with a lot more information about the project.

But, in closing...what a strange treat! What a surreal delight. And what a cool opportunity to share my own Star Trek movie idea (or at least a small piece of it) for the first time.