#literally no other character in the game talks like that

[oddyseye]

If Circe was so helpless, why didn’t she just blast him into oblivion instead of immediately changing her approach the second she realized her magic didn’t work? You’re assuming that because Odysseus has a sword, he’s automatically in control. But that’s not how power works in The Odyssey. If brute strength won the day, he wouldn’t need Athena, Hermes, or divine intervention every other chapter just to survive. You’re talking about a goddess here. Not just a sorceress, not just a mortal with some tricks up her sleeve, but an immortal daughter of Helios. She is not suddenly vulnerable just because one of her spells didn’t work.

And let’s talk about that supposed “victory” again. Because you’re missing a fundamental point: Odysseus does not dictate the terms here. He does what Hermes tells him, he follows Circe’s hospitality, and he stays with her for a year on her island. She provides, she nurtures, she instructs. She literally tells him how to continue his journey, and without her guidance, he’d be stuck. You’re right that Homer likely didn’t think about consent the way we do, but that actually reinforces my point: the fact that the gods had to ensure that Odysseus couldn’t refuse shows how little power he actually had. If this were a simple conquest story, we wouldn’t need divine meddling to get him into her bed. That’s not a conquering hero’s arc, that’s a man being absorbed into a goddess’s domain and surviving by her rules.

You can claim Odysseus “wins” because he gets to sleep with Circe, but that logic assumes Homeric heroism is about sex and domination, which, again, is the opposite of Odysseus’ character arc. If anything, the fact that he ends up under the protection of yet another powerful woman reinforces that he’s not in control. He’s not the dominator; he’s the one constantly navigating survival in worlds ruled by others. She’s not his servant. She’s not some woman he’s “tamed”. It’s her wisdom that benefits him in the long run.

And that’s the thing about your interpretation: it relies on ignoring the most obvious parts of their interaction. Circe is in love with Odysseus, and this isn’t some small detail. It’s literally stated. Hermes warns Odysseus that Circe will fall in love with him once she realizes he is invulnerable to her charms, and she does (although, whether or not that was real love is obviously up for debate, lmao). If anything, this speaks to the opposite of Odysseus being in control. If Circe’s magic is ineffective and she’s suddenly “in love” with him because of it, how exactly does this suggest that Odysseus is dominant in any way? She’s not submitting to him. She’s simply enamored, which changes the whole dynamic.

Homeric society had a very different view of sexual agency than we do today, but let’s not use that as a shield to avoid addressing the fundamental imbalance in your interpretation. Circe, as a goddess, has more power than Odysseus in the grand scheme. She chooses how to play the game with him, and her actions throughout their encounter are motivated by her own desires and strategies, not by Odysseus’ “dominance” over her. If Odysseus were truly in control, he wouldn’t need to rely on divine guidance and intervention just to get by.

Finally, as much as you want to claim Odysseus displays some masculine traits, like his physical strength (which is important, but not the only part of his identity), his overall arc is far more about survival and endurance, qualities associated with women in Greek mythology. He thrives through wit, persuasion, patience, and endurance, not brute force. Circe doesn’t fall in line with him because of some masculine power play. She does so because she falls for him, and because she’s strategic, not because she’s submitting.

So, no. Odysseus doesn’t “win” over Circe. He survives her, and he does so with divine help. And at no point is Circe “tamed” or reduced to being his submissive partner. This entire reading hinges on ignoring the most important parts of the interaction: Circe’s wisdom, her agency, and the fact that she literally falls in love with Odysseus, altering the power dynamic entirely.

Please reconsider this idea that Odysseus is the one in control here. It’s not backed by the text. Circe never submits. She adapts, and in doing so, she plays her own game, just as Odysseus does.

Odysseus is a very feminine character, now that I think about it...

Alright, let’s get something straight before anyone comes at me with a “bUt tHiS iS gEnDeR eSsEnTiAlIsM” take. I’m not saying Odysseus is literally a woman or that masculinity and femininity are these rigid, unchanging constructs. I’m talking about how the ancient Greeks perceived these traits. This is about Homeric gender coding, not modern gender politics.

Ancient Greek society had clear ideas about what was “masculine” and “feminine.” Men fought, conquered, and sought kleos (glory). Women used cunning, patience, and endurance to survive. Odysseus? He embodies the latter far more than the former. That’s the point. That’s what makes him interesting. I’m not slapping modern labels on him; I’m analyzing how he would’ve been understood in his own time.

Got it? Got it. Then let me explain.

Greek heroism is all about kleos (glory), right? You charge into battle, fight, die gloriously, and get immortalized in song. Odysseus? Not his style. His whole thing is survival. Achilles, the epitome of warrior masculinity, chooses an early death in exchange for undying fame. Odysseus chooses life, no matter what it takes. He hides, deceives, and grovels when necessary...all acts that a traditionally “heroic” warrior wouldn’t be caught dead doing.

Take the Cyclops episode: a classic strongman hero would just fight Polyphemus. Odysseus? He outsmarts him with wordplay, drugs his enemy (like a sneaky witch would), and escapes by disguising himself under sheep. You’re telling me this is masculine? If anything, it aligns him with figures like Circe and Penelope. Women who survive through wit and deception rather than brute strength.

This man’s mouth is his deadliest weapon. He doesn’t win with a spear; he wins with stories, persuasion, and trickery. The word polytropos (πολύτροπος), used to describe him in the very first line of The Odyssey, literally means “many-turned” or “twisting,” evoking the way a woman might spin or weave. The metaphor of weaving is all over his character, and weaving is, of course, the domain of women in Greek thought.

Even his lies are textile-like. He spins tales, unravels them, and reweaves them as necessary. And let’s not ignore that his narrative mirrors Penelope’s: she weaves and unweaves her shroud, delaying the suitors; he spins and unspins his identity to survive. He and Penelope are two sides of the same coin, both manipulating reality to stay in control.

If we take ancient Greek gender norms seriously, dominance in sex = masculinity, and submission = femininity. And Odysseus? The man spends years being kept by women. Calypso and Circe both hold him as a sex slave, reducing him to an object of desire rather than an active agent. That’s not exactly Achilles ravaging Briseïs, is it? He’s literally lying in bed (λέχος) while these women rule over him.

Even in Ithaca, his return isn’t some macho takeover. He sneaks in, disguises himself, and watches before making his move. Unlike Agamemnon, who storms into Mycenae post-Troy and gets murked by his wife, Odysseus waits, gathering intel like a patient, calculating woman.

He also cries...like...a lot.

Masculine heroes go out into the world to conquer (Iliadic energy). Feminine figures are more often concerned with the home. Odysseus’s entire goal? To get back to Ithaca, to his oikos, to his wife. He’s not seeking new conquests or greater glory. He wants stability, family, domesticity. He longs for the space traditionally occupied by women.

Odysseus is basically the Greek epic’s answer to the trickster woman trope. He’s wily, verbal, emotionally expressive, and constantly using the strategies of metis, not brute strength, to survive. While Homeric masculinity typically means fighting, dying, and achieving kleos, Odysseus thrives through deception, patience, and endurance. Traits that the ancient Greeks more often ascribed to women.

[thealexchen]

Why Dontnod's games feel original and inspired (and why Deck Nine's games don't)

So, I've talked at length about how Double Exposure feels much more like a corporate product than a playable piece of art entertainment [My initial thoughts on the DE trailer] [My thoughts on the early access paywall] [My thoughts on the weird marketing].

But now with the release of Lost Records, I feel like I have no choice but to confront the question: were any of Deck Nine's games truly original or inspired in any way? And honestly, I have to say no.

Objectively, I could say it's because Deck Nine literally has not produced any original IP's since their rebrand from Idol Minds in 2017. Their only narrative adventure games are all part of the LiS franchise. But even their most original game, True Colors, pretty obviously follows the first game's narrative formula (young woman with a superpower investigates a sudden disappearance/death in a small town with a dark secret, has two opposite sex love interests, learns about a twist villain, is nearly murdered, and goes through a psychological nightmare in the last episode) to a tee. But oh look, there's also a LARP!

But I believe there's more to it than that, because when I look at Dontnod's games, they are always inspired by other works. Life is Strange 1 plays very clear homage to Twin Peaks with the Pacific Northwest setting and Rachel Amber resembling Laura Palmer. Max Caulfield is named after the protagonist of The Catcher in the Rye, another novel about the fleeting innocence of childhood and superficiality of society. Life is Strange borrows tropes from Donnie Darko, Groundhog Day, The Girl With the Dragon Tattoo, Stand By Me, and even Blue is The Warmest Color for its themes and plot points. Just take a look at its "Shout-out" page on TV Tropes. And the result is... something completely original, with riveting plot twists, memorable characters, and an ending that will make you cry.

This shouldn't make sense, right? You'd think this big soup of references would turn into an indistinguishable mess of cliches, but Life is Strange managed to be a synthesis of everything the writers loved and were inspired by, to become something completely new. Why? Because nobody had tried to take Twin Peaks, Donnie Darko, and The Catcher in the Rye and turn it into a video game before! And make it gay!

The point being, Dontnod consistently makes original material because they take creative risks. This is definitely not done lightly, since they still need to be a company that generates profit, but they still prioritize making art over selling out. Their stories feel inspired because they are inspired; when writers love what they're writing about, the result is a passion project that has loving, clever nods to all the works that are woven into it.

So perhaps a way to reword that first question is to then ask, "Have Deck Nine's games ever been inspired by anything?" And unfortunately, the answer is still no. Instead, they just copy what they hope will sell well. And a bland imitation for the sake of generating profit is never going to produce anything that feels original.

This takes me back to Lost Records, which is also clearly inspired by the same works: Twin Peaks, It: Chapter One, The Craft, The Blair Witch Project, The Goonies, Stand By Me. But again, no other game studio besides Dontnod has ever looked at these works and thought, "But what if it starred teenage lesbians instead?" Or, more specifically: "How do we capture the spirit of what made these media great and incorporate that into a new story for a new audience?" And those characters have so much thought and care poured into them too: while I've been disappointed that Double Exposure Max looks airbrushed to hell and back, I love that the Bloom & Rage girls have asymmetrical faces, acne, freckles, body hair, skin discoloration, and diverse body types. Double Exposure is marketed as nostalgia bait for fans, where Max is reduced to a prettied-up, polished-up, representation of nostalgia, not even her own character anymore, in a game that otherwise has no connection to the original. Her quips are reduced to "Hey! Remember our good ol', dad-joke cracking, dorky Max Caulfield??" and her grief is shoved aside for "Hey, look at that appealing new love interest! Because we knoooow y'all love your sapphic romance, right?"

By contrast, Lost Records has only been out for 10 days, but I already feel like the girls are some of the most memorable characters I've come across in gaming for the niche they fill. Swann seems like your typical Max-like dork, except she's also a movie buff and giddy about bugs, horror, and the paranormal; and has clearly been affected by her mother's fatphobic beliefs. Autumn is a level-headed leader who always stuck to her desire to help others, and her Blackness naturally informs her desire to feel valued and not cause trouble in a small, very white, conservative town. Nora intrigues me so much for going from a fun-loving rebel punk teen to a more gender-conforming, capitalist-leaning, influencer businesswoman. And Kat feels like an evolution of Chloe's cynicism, where her scrappy charm belies an almost unsettling obsession with the occult and a deep, tragic chasm of rage at having to confront her mortality far too young. They make sense. They feel carefully written, genuine, and like real people.

But most of all, Dontnod's games have never felt like products. In fact, most of their characters have historically gone against the grain of what traditionally "marketable" characters are. The first LiS took all these aforementioned stories about straight white men and chose to remix and retell it through the eyes of a young, queer, time-traveling girl instead. Tell Me Why is the first AAA game with a trans protagonist, and Tyler is voiced by a trans actor in all the language dubs. Lost Records decided that it would tell its story through four queer teenage girls, with women writers onboard, and fucking own it. As long as Dontnod keeps making games that stick to their creative integrity, I'll keep respecting their vision in whatever they decide to create next. Also, maybe I should finally watch Twin Peaks.

Thank you for reading!

[miffysoo]

super long rant incoming for lads (if you read this i love you to pieces, if not i still love you to pieces): im not always the biggest fan of the reincarnation/past lover trope (which is ironic bc that’s literally the entire foundation of lads lore LMAO) because sometimes it feels like the LI’s are in love with the idea of us seeing as mc in the storyline is the past version of their beloved. i just can’t help but think, like are they actually in love with MC? or are they in love with some other version of her and that’s the only reason they’re drawn to her? it almost feels like they’re projecting who they THINK she is when she’s no longer the same person at all in this current timeline & lifetime.

it almost makes it feel like current mc is “the other woman” in some sense, even though that’s a bit illogical because the past version of her is literally her but so much time has passed, things change, people change, and mc is a completely different person than who she was in their past lives. bc truly, the only one who i feel like truly loves her present day for who she is, is caleb. i would argue zayne to an extent too because he technically doesn’t have any memories whatsoever of his past lives so him and MC falling in love feels like it’s happening for the first time again, it’s a blank slate.

and not to say that the boys can’t grow to love who she is without painting her as her past version, but a part of it feels ingenuine sometimes to me. bc although she shares the same face, the same body, arguably the same soul as her past self, seeing as it’s again, literally her SELF, at the core of it, she’s not actually HER anymore. she’s someone completely different. so sometimes it feels super bittersweet & the lines get blurred. i have a love hate relationship w some of the lads lore for these reasons.

so sorry for the fatass post, but the lore & past life concept in the game always makes me feel hesitant to truly immerse myself into the game (i don’t even actually play the game, everything ik and have seen are from youtube clips that people have uploaded for all the myths, memories, and the overall storyline). this isn’t to say i don’t look forward to new updates and such, i love love lads. but like whenever i indulge in fanfic, especially as a chronic reader of ‘x reader’ fics, i have to separate reader from being MC, which is why i always stray towards non!mc reader bc there’s no tangible lore and past lives/reincarnations attached to a nonmc! reader. at least not to the same extent as the og MC depending on how much the author diverges from canon and just basic background context for reader. but overall imo, non!mc reader just doesn’t carry the same heavy implications of the boys’ true feelings when it’s the actual MC vs a non!mc reader if any of that connected 😔

similarly why i also love iseki/transmigration fics as well; basically any concept where the reader is NOT the mc. bc just like in iseki fics, the boys don’t have the same attachments & feelings towards reader as they do MC. it just feels more sincere imo, idk.

i wonder if im just crazy and have too much time to think & talk to myself about this, or if other players/readers feel the same way. bc ik the whole point of an otome game is that WE are the MC. but ive just never been able to fully immerse myself like that, i see MC as a completely separate character, almost like an OC sometimes. like i just can’t connect or fully enjoy any fanfic with MC being the “reader”. i view MC and reader to be two different people if that makes sense.

and again, im completely aware that as the storyline continues, the boys have obviously shown to care and have deep affectionate feelings (love is a bit too ambiguous imo to truly label that as what they feel for mc) for current mc and its probably only going to strengthen as the story moves forth. but my mind still spirals and thinks about all the “what-ifs” and semantics of reincarnation and past lives. i wish i didn’t think this way, the game and concept of it would probably be more enjoyable all around for me, but i apparently hate myself to think too light heartedly, even for a fictional game/story 😭

truly tho, it’s never that serious, i just had to get that off my chest bc i really don’t know if any other (not sane) person felt this ardent & torn about this as i do, which is a little silly honestly but here we are LMAO 🧍‍♀️ but in the end, there’s something for everyone here in the world of fanfic & delusions! 🫶🏼🫧

[bibuwaspancaked]

some of y'all act like kaiser didn't literally study psychology to manipulate other people/his teammates to his own benefits.

in the egoist bible, it is said that his hobbies are reading psychology and philosophy and he says that his own strenght is looking down on all other "humans".

his past is meaningful to him and only him and is not an excuse to be manipulative towards others, specially ness. And I mean ness by their first time meeting, where kaiser saw ness as an opportunity to use what he learned against him to start scoring at the BM pro exam, since he wasn't getting any passes from ther other players. I am not talking about what their relationship has grown into after that.

most important, y'all are acting like isagi has any knowledge of kaiser's past like the reader does. as long as we, readers, know, there's no characters that know any of kaiser's past besides kaiser himself and ray dark. isagi manipulated kaiser's game, not his feelings (if anything, he predicted those).

also, even kaiser admits he enjoys seeing other people lose, hurt them and has a thing for faces of despair (info taken by the egoist bible), it would be no different if he was the one winning the bet between him and isagi during the BM vs PXG match, if not worse than isagi was with him.

he even compares himself to his own father, whom has physically abused and beat him countless times; how he "understands" why he used to do all of that to kaiser because, now, he is the one doing it, but in soccer.

kaiser bet everything he had with isagi, and isagi did the same. it would be the end of the other regardlessly of who would win. both of them knew it. it's not isagi's fault kaiser had unadressed feelings towards his past and isagi's soccer made him come to terms with it.

isagi only played the game kaiser accepted to play. isagi only said what kaiser told him once. if anything, kaiser was the one who taught isagi this type of ego, he tasted his own malice.

besides, kaiser was the one who told ness not to follow him anymore. to find a new player to play as a vassel to. exactly because he wanted the restrictiveness and uncertainty of other players. it wasn't on isagi's plans and much less any of his fault. it was a decision made purely from kaiser's egoist feelings. he did it out of his own will.

ness playstyle and passes weren't fit for kaiser's purpose during mid-to-end game. ness gave kaiser freedom to do whatever he wanted, but he knew he would only evolve in a different and uncomfortable environment. that's the future he wanted to his game, and ness obviously wasn't on it, in his point of view. kaiser willingly chose to, as the owner of the post said, "trust" isagi more than "the person who cared about him the most".

and even after that, in the end, ness stil believed in the new kaiser to get his pass. that pass was for the new kaiser, it just happened that kaiser didn't get any better nor new butisagi did it. and did it fast.

so there is no "isagi put kaiser against ness".

kaiser chose to push his past as a reason to keep playng with isagi while isagi only aimed for his own goal. that's what he was taught to do during the 1st and 2nd selection of blue lock, specially during the blue lock vs japan's u-20. that is what blue lock is all about, even.

on chapter 291, not only kaiser, but hiori and yukimiya, too, talk about how isagi brought their egos to it's maximum. that's relevant to bring up because it shows that kaiser is not the only one who isagi "manipulated" into accepting their past. isagi doesn't manipulate people to trust him, he makes them trust themselves to use their full potential to his own game. after all, his main goal still is to be the best striker worldwide.

and even besides all of that, I could just say kaiser was the one who started this beef against isagi and, in the end, lost it due to his own mistakes.

do not play kaiser as a victim when he could easily be the one on the throne.

michael kaiser's downfall is, certainly, the definition of how karma can be a bitch.

I mean no hate to the owner of the post;

I am not aware if the post is meant to be rage bait;

I am no psychologist, I just hope I brought up the obvious;

There is actually a lot I didn't write about, I recognize that. I am not going to since it would take me longer and would get too much for a light discussion (if it's not already);

I am open to discuss and receive any criticism, as long as it is constructive to the discussion;

This post was meant to discuss about how Isagi Yoichi is not the villain some of you want him to be just because he outsmarted your fave.

But seriously, Isagi really said "Thanks for your hard work, greatest clown" to Kaiser??? BROOOOO you literally manipulated him into trusting you and threw him against the one person that cares about him the most this isn’t being a brat or cocky, this is straight-up being an insensitive, psychopathic son of a bitch

(Kaiser just came to terms with his past, faced his deepest emotions, and for the first time in his life actually enjoyed playing football… AND THAT IDIOT RAGE BAIT HIM??? Pls kill isagi in his sleep)

[callmrmorrow]

to make up for my last post, here’s what i think the invincible characters would do as content creators

mark grayson/invincible: comic book channel who analyzes and breaks down different in-world comics, particularly seance dog. very critical. has those really dumb cheesy thumbnails of his jaw hanging while he points at the new issue in blatant shock. is on youtube. think star wars theory but with less alt-right pipeline bs. has a somewhat decent following

nolan grayson/omniman: this motherfucker hates social media and thinks it is one of the most moronic things to come out of humanity. has a twitter account to post about his books, only follows his wife and son (maybe his publisher) but doesn’t like mark’s tweets bc they’re mostly complaining, flaming, or talking about comic books (average male teen activities)

debbie grayson: house hunters for superheroes, or maybe closer to selling sunset with the entire company? could sell you a house with two murder victims on the floor ten feet away from you. if it’s something like selling sunset, she’s definitely the most popular with the fans because she’s super humble, competent, and shockingly compassionate on the camera. has a couple superfans who are largely middle-aged men and the occasional teenage girl (she has to manually block them on nolan’s phone; i imagine he’s not insecure but maybe a bit possessive)

amber bennett: probably runs a tiktok account on social justice topics. might have a tumblr or some other online blog where she breaks down current events and shares petitions for world betterment. anything but performative, frequently starts or attends protests for various causes. insanely well-spoken, lots of posts about her work at the soup kitchen, and you just know she donates money to everyone who pops up on her feed. such a good person it almost makes you feel like you’re not doing enough (and that’s lowkey the point).

eve wilkins/atom eve: science tutoring on youtube. faceless, think like khan academy, but has voiceovers. covers simple to super advanced stuff in a very understandable format that made her super popular. its some shit like “atomswitheve,” and it’s wildly popular but she literally never talks about it #humblequeen. while she and rex were dating, she let him edit a video and came back to like six explosions superimposed over chemical formulas.

the immortal: fucking history channel but it’s all about things he’s actually experienced, but nobody fucking believes him. voiceovers a slideshow of images. incredibly boring, comments are full of people saying “source” and he replies “I was there.” but again… no one believes him. a couple college professors cite his videos for historical inaccuracy — and they are inaccurate because immortal has an ego, but his content is actually closer than other firsthand accounts because he survived most of the stuff (and remembers it well).

oliver grayson: debbie screens his online time so he doesn’t go all ultron (we all know this motherfucker has little care for human life). mostly posts skating stuff or gaming clips that aren’t particularly good. does not get much traction but mark is always in his comments hyping him up, but he’s always wrong about what tricks oliver performs; it’s become a habit for oliver to march up to mark and say “this was actually a nollie inward heelflip you MORON”

rex splode: runs his own fan account that has like 7 posts of the druski dance with himself and captions like “yes i’m rex splode, yes i’m the best guardian, yes i bagged atom eve, yes i can defeat omni man, did i mention i can defeat omni man?” relatively popular. does tiktok live reactions of WWE fights — since he’s not wearing his costume, no one knows who he is — or anything else that his viewers submit. got cancelled twice but nobody seems to care, least of all him.

shrinking rae: runs a youtube account that is like… emulating one of those “day in the life of a [insert occupation] student” videos where she just kind of pretends to be normal. also makes cooking videos, videos about cleaning her apartment, self-care tips and tricks for young women (can’t imagine she got a lot of advice from her gung-ho superhero parents), and study habits for struggling college students. she kind of pretends to be who she wants to be irl.

kate cha: lowkey a music producer, since all her clones just play different instruments or harmonize with each other. she doesn’t get a lot of chances to do it with her hero work, but releases nothing but bangers when she can. featured rex yelling at her for cheating on him as an intro for one of her songs (like that one guy on tiktok) and it blew up. has a lot of songs about death, which most think is odd (important to remember she’s died a lot).

cecil stedman: does NOT post on social media and i can’t think of a world where he would. but if he did, it’s probably just a fake bot account that reposts pro-government propaganda. “more funding for the GDA” “cecil was right” “lets double the US defense budget” he’s the kind of guy to like everything on his fyp just to throw off the algorithm.

i do have more but this post is getting too long for most people’s (including me) low attention spans. will do a part 2 with requested characters if this is well-received

[kenzan-brainrot-mp4]

talk more about the white whale/whale symbolism in general whatever thoughts you have on the whale stuff i want to hear it 👂

GRAHHHHH YEAH (This one got. Long (again lol) So be prepared (series-wide spoilers but I feel like that's a given atp))

First of all I just wanna say that I love how rgg drags the player along around the final chapter title. With how upfront the other chapter titles are in what they're referring to, you might end up wondering why they chose White Whale for the final chapter title once you see the title card (or at least I did). Of course, this could just be referring to the treasure that everyone's been looking for, but with how nonchalantly they react to the fact that the treasure isn't actually there, it doesn't seem to completely fit the bill.

But then you beat the game (and by this I mean beat the final boss) and lo and behold, there's an Actual white whale, and so you think "Oh! Duh, the chapter's called White Whale because there's a literal white whale and it pretty much just finished off the final boss!" But that still doesn't make that much sense. Why name the final chapter (arguably the most important one) after some whale that appears in the last like 15 minutes of the game? Like, take the final chapter name of (Kiryu) Gaiden, it's literally the name of the game (The Man Who Erased His Name) so it's gotta be something more significant than that, right? (But then of course take into the account that by this point the player is still convinced that nothing really in pyih is too deep/serious, so maybe it could just be something as simple as that).

Then you get to the credits, and they reveal that the "elixir"/the ambergris is found in the stomachs of whales. Damn, that's pretty crazy/cool, but once again, nobody that was actively seeking the treasure (Rodriguez, Jason/Noah, Spade Tucker, etc you know the drill) seems to hung up on the fact that they didn't find it, and they didn't even encounter the whale, so they wouldn't get that same sense that they just missed it either, again, it's not a big deal really, so why make that the final chapter title?

Of course, we all know what this builds up to: the big reveal, the fact that Majima, who we've been following along with this entire game, was looking for that elixir this entire time, was the only one to actually encounter a whale in the game, and then there's the insane line drop from Saejima.

"Kiryu Kazuma. You never could give up on that one."

Ironically, the final chapter title has nothing to do with that whale you saw earlier at all, rather it's a summary of what Majima's motivations/actions for this game, and the past. Almost every game, has meant for him. It's what Saejima spells out for us at the end of the game, but said in even fewer words.

An all-consuming obsession that only leads to your destruction. An impossibility, something that you can destroy yourself over but never achieve/obtain. This is what the white whale means, metaphorically. And it is this, exactly, that Kiryu is to Majima.

Kiryu is larger than life itself, to just about everyone. He's a legend, he's the one Majima has had his sights on since the very beginning, the legend he chases after game after game and also what he destroys himself over game after game.

(see:

Yakuza 1 -> Majima just straight up taking a full-on stab wound for Kiryu. Like, buddy, I literally saw one of my favorite characters die that way in another game, there was No guarantee you were surviving that.

Yakuza 2 -> Majima fights off an army of yakuza for Kiryu. That man was beat to total Shit (which is Not something that happens often) and we all saw it

Yakuza 3 -> Majima re-enters the Tojo Clan for Kiryu even though he is (extremely likely) aware that it is already entering its steady decline that we see throughout the rest of the series up until its dissolution. And while he's willing to do it for Kiryu, we can't exactly say that he's happy about the situation as a whole.

Yakuza 5 -> Majima's willingness to die for Haruka, specifically stated because "She means more to Kiryu-chan than life itself." Like, of course he wouldn't just let Haruka get killed, but to choose to mention Kiryu as part of his reasoning in that moment? Christ

While I (surprisingly) can't say anything particularly self-destructive happened in (Kiryu) Gaiden and Infinite Wealth, you could argue that Majima trying to more and more directly tell Kiryu not to leave ("No need to rush outta here yet... Alright?" -> "Don't leave! Don't you dare leave, Kiryu-chan!"), knowing that it's likely pointless, knowing Kiryu, is not doing himself any favors.

Pirate Yakuza -> *gestures at the entire game*

Also his reaction to encountering that giant squid ("Sure is a helluva way to die. I think I'm into it!"). Like, okay. I don't want to try and read too much into it because it was very likely just a one off line. But I'm still gonna side-eye it.

Honestly now that I think about it, if Majima Had died fighting that giant squid (that is such a way to begin a sentence thank you rgg), you could argue that that would've been his nail in the coffin for the white whale metaphor. If he had, it would've meant that his obsession for Kiryu is what got him dragged down into the literal depths of the ocean, and even if it wouldn't be Kiryu physically dragging Majima down like the white whale to Ahab, this is a situation that is completely, entirely, fueled by Majima's obsession towards him (Majima had no real interest in the nuclear waste cleanup project, after all, Kiryu was his one motivation this entire time), and it would've drowned him.

Guess that means he got real lucky with the last part, but we all know he sure as hell isn't beating the allegations.)

All this and yet Majima seems to fail to reaching Kiryu time and time again.

Majima does not obtain the Heart of the Dragon, found in the intestines of the literal whale. He does not obtain eternal life for Kiryu. And he (arguably, though the final scene of him walking to Kiryu's hospital room could oppose this) does not resolve the indefinite limbo that has been sitting between them throughout the entire series. What he gets at the end of the game is the acknowledgement (through Saejima, everybody thank him) that he has been obsessing over this, and perhaps the realization that Kiryu was, in fact, this white whale that he would never truly reach ("Well, still just a dream in the end.") Of course this is something he already knows/has acknowledged deep down, and it's a feeling that is hinted at in some of his dialogue in scattered moments, but this is the first time he ever says it in such an outright manner.

I guess in a way, you could say that Pirate Yakuza is a story about the newfound success of all the people Majima helped and supported in achieving their dreams, and the continued failure of Majima in pursuing his own (Kiryu), and him needing to acknowledge/accept that. And the post-credits begs the question of what he decides to do with the aftermath and what he has left. (An oversimplification definitely but still. augh. Augh)

Naming the final chapter White Whale was yet another crazy move on rgg's part. Its so unassuming, seemingly straightforward yet also seemingly insignificant, but once the realization dawns on you it slaps you right in the face, just like everything else about this game does. It's yet another instance of how rgg managed to pull its big reveal so well, with all the small details, all the reframing, all pointing back to the same topic that it had spent the entire rest of the game dancing around.

Majima recounting his story of how he went to Hawaii -> Majima recounts his story to Kiryu in the exact same way at the very end

The treasure everyone's been looking for/known about + Majima, the one guy who didn't have knowledge about any of this legend stuff prior? -> Wrong, he was after the treasure from the very start (before the amnesia at least). For Kiryu

Majima originally being on course for Hawaii so he could help with the nuclear waste cleanup even though he'd be bored as hell? -> Nah. For Kiryu (Ohhhhh you know what this is reminding me of some screenshots I took from near the beginning of the game)

(I'm sure this meant nothing of course. Lol. Lmao)

Majima's dream during pirate yakuza being to fulfill Other People's dreams -> Haha. Well, I think you get the point by now

Kiryu, Kiryu, Kiryu. It all goes back to Kiryu, every single time, without fail, in an obsessive loop that Majima has been dragging himself around over for Years. He is the white whale, seemingly untouchable, the constant object of Majima's attention and devotion in so many forms, his consistent weak point, that only seems to dig at him deeper as the games go on.

Like I said before, while the white whale metaphor is undeniable, and essentially spells doom for Majima, it's not over for him yet. Because, hey, he didn't drown at sea, or die on the beach. He was saved, and he's survived enough to retell that tale and reflect on it all with Saejima in the post-credits, brief as that reflection was. I mentioned before how he really only said one line of any actual substance during that specific part of the exchange, but the significance of it says so much.

"Well, still just a dream in the end"

As much as it hurts to here Majima address the hopelessness of it all, to hear him say something like that after Saejima basically just laid out his sheer devotion and refusal to give up on his dream for everyone to see, I think the bittersweetness is. Good, actually. Captain Ahab never gave up on that pursuit on the white whale, and it destroyed him; that whale dragged him down until he finally drowned, and it feels like all Majima has been doing over Kiryu since Yakuza 3 is drowning himself in him.

Don't get me wrong, I (for now at least) do not take that line as a complete admittance of defeat, or Majima finally giving up on Kiryu, on that dream he could never let go of. (Like I've been saying, it's an acknowledgement, not exactly a declaration.) I do not think it means he is just letting go, full-stop.

But I do hope it means he can stop himself from self-destructing completely. I hope it means that he can slow down with the wild chase, (and that he and Kiryu can just. Sit down and talk like fucking normal people. Which i guess they are doing in the post-credits, supposedly) and I hope it means that he won't drown completely, especially in the case of the worst possible scenario.

[writesvani]

coming down

college student! gojo x college student reader

best friends-to-friends with benefits-to-enemies-to- enemies with benefits-to?

ITS A MESS, OKAYYY??

SUMMARY: Y/n and Gojo Satoru were once best friends, inseparable through every high and low. But after a series of mistakes—awkward confessions, unspoken feelings, and a painful betrayal - they haven’t spoken in years. Now, Y/n is forced to attend a party with her friend Yumi, who just so happens to be Gojo’s best friend’s girlfriend. As the night unfolds, Y/n and Gojo’s undeniable tension rises, their mutual hatred barely hiding the simmering attraction they can’t seem to escape. Old wounds, jealousy, and regret mix with the heat between them, and the question lingers: can they keep pretending to hate each other, or will the unspoken feelings they've both tried to bury finally tear down the walls they've built?

TWs:

Underage use of marijuana and cigars

Underage drinking

Use of illegal substances

Anorexia and obsessive dieting

Calorie deficit

Mentions of self-destructive behavior

Smut in later chapters

Angst

Emotional manipulation and trauma

Toxic friendship dynamics

Self-esteem issues and body image

Unresolved romantic tension

Past betrayal and unrequited love

Sexual harassment (implied in some interactions)

Foul language and explicit content

Derogatory language, including use of "puss" and other insults

Toxic romantic relationships and behavior

References to manipulation and control in relationships

Most characters are morally gray, flawed, and engage in problematic behavior

Complex, imperfect characters who make questionable decisions

Characters often act in ways that challenge traditional moral boundaries and ethics. 

THESE CHARACTERS ARE NOT MEANT TO BE PERFECT AND IDOLIZED.

AN: OKAY OKAY OKAY WOW HERE SHE IS. i don’t know what the hell I’m writing - i mean i do but i don’t if that makes sense - this, this fanfic is literally gonna be my baby. it’s inspired by a lot of people i know, it’s partly inspired by my life as well - not gonna tell you which bits of it tho haha. but i’m so excited. honestly this isn’t even chapter one - i’m thinking more of it as a teaser for what’s about to come and when i tell you a lot is coming you better believe it. but this is going to be a part of me - something raw and something real and i know this won’t be an easy read - as you can see by the triggers but i truly, really hope you guys will like it as much as I enjoy writing it. because i’m obsessed. i just got sucked in by y/n and gojo’s dynamic of hatred and toxicity, they’re on my mind 24/7.

i love them.

i hate them.

i wanna be them and i’d hate it if i ended up becoming them at the same time.

this is a mess, my creative mess and i hope you’ll be here for this ride. i hope you’ll enjoy it. i hope it doesn’t gawk at your insides and hurts you the same way it hurt me, but the masochist i am i hope it does something to you. makes you feel things the way i felt them with these two. love you all and i’m open to all questions about this fic. 

PLEASE PLEASE PLEASE let me know if you liked it, your words mean a lot to me. my dm’s are always open if you wanna talk. 

As for posting, oficial part one will be up this weekend, so stay in tune if you’d like to read it. 

Take care.

Always be safe.

And for the love of God please don’t be like these two morons. 🩷

TEASER; WICKED GAMES

wc: 2,4k

date: 4th of march 2025

time: 02:22am CET, (GMT +1)

. . .

“No, I am NOT going.”

“Yes, you totally are.”

“No, I’m not Yumi, I’m dead serious.”

“Y/n, for the love of Christ, I love you but if you don’t stop bitching about it right now there will be consequences. Now get your ass up and get ready,” Yumi huffed, her hands crossed.

Your eyes narrowed and then on que you rolled them more dramatically then you intended - not your most mature moment by any means, but being forced to go to THAT party to THAT house didn’t really set you up for a good mood.

“Look Yu, I don’t care about that stupid party your ‘what’s his name agan’ boyfriend is throwing for us, truthfully I’d rather be buried alive in that creepy graveyard we smoke pot in. Alone. No pot. You get my point.”

“His name is Nanami Kento and he’s throwing US a party for OUR birthday, that WE share. It’s not like I have an option to evade it, you know. Besides, we always celebrate our birthday together. Please, please, please, let’s just go, smoke some weed, listen to some of those weird ass tunes you play when you get too baked, wait for our birthday and blow the candles and leave. Bonus points if Nanami fucks me tonight. Plus Gojo’s gonna be there and EVERYONE knows about your little crush on him,” Yumi says, as if that could even make going to this stupid function any better.

But again, she’s right.

First day of highschool and Yumi and you somehow, in the swirl of excited and acne scarred faces ended up sitting together. Two total strangers and two bundled up bags of teenage hormones benched together, you found it easy to connect with the tall, slim girl who smoked some kind of weird American cigars on your 5 minute breaks in those old, urine smelling bathroom stools your school had.

She liked cigs.

You liked pot.

She liked Arctic Monkeys or whatever type of music that ended up overplayed at houseparties by edgy tumblr girls.

You listened to Trilogy for breakfast, lunch and dinner.

She didn’t give a shit about school and skipped most of classes to drink some cheap coffee at a local, rustic place that smelled too much like nargila.

You somehow managed to get good grades, yet skipped classes with her so she didn’t feel lonely.

Oh, and you shared the same birthday. What kind of an odd accident did the universe make to pop out two crumpled up disasters on the same day, same year, two hours apart.

You weren’t so sure.

All you knew was that the girl was tottaly fucked up.

She didn’t eat or sleep.

She smoked.

Cigs and all.

Pot and all.

You slept a lot.

Ate sometimes, taking care that food matches your calorie deficit of course. Of course.

And you too, were fucked up.

But it was okay. You were fucked up together and somehow it made perfect sense.

And now you two, two mistakes of nature and probably both of your parents mistakes, are finally in college. Truly, you didn’t expect Yumi to find a boyfriend and actually stick to him - she doesn’t do all that relationship stuff. It’s too much, she told you once.

Too heavy.

You always understood. Why letting anyone go through the disappointment of getting to know you? Why let anyone try and fix something that isn’t possible to? Why let anyone know that the surface of your behavior isn’t some kind of emotional shield from reality?

That there’s nothing.

No trauma or anything really you protected yourself from, no emotional constipation, no nothing. No GREAT reason to be this way.

Just plain, old you, cruising through life on Gold Marlboro Touch and iceberg salad.

Well, at least you assume that’s what Yumi thinks, because you always felt that way.

You used to get each other.

Now, Yumi has some weirdly handsome boyfriend all first years swoon too, some dude that decided to settle down with a model looking 2nd year that every guy on campus at least once jacked off too.

And you, well you’re still there of course.

“You know what, fine. We’re going, but the shit he’s getting better be good or I’m out and BTW how is Wicked Games weird girl? Best music to get high to is literally from an artist who made it while high? Like really? AND one condition. No Gojo. No looking at him, we don’t talk about him or God forbid TO him, okay?” and like the little devil she is, Yumi actually smiles, no, she grins at your words, because she knows she got you.

You are going and somehow you know she’s going to break the Gojo rule and you already hate yourself for saying yes to her pleas.

Gojo, gojo, gojo. That foxy little smirking demon you somehow perfectly tucked in a small pocket of your heart. Nanami’s best friend.

Stupid hot and wicked smart.

One look from Gojo Satoru and every girl on campus practically already has her mouth wide open, waiting for the tip to slide in. One touch from Gojo Satoru and you guess everyone’s already cumming with their clothes on.

Truthfully, you completely understood everyone. Gojo has that walking sexual fantasy turned nonchalant icy prince vibe going for him. You would too, hinch your skirt up for him to fuck you sensless if he asked to.

Well, would’ve.

Because Gojo Satoru has bruised your ego the way no other man has ever even dared to, not like you would ever admit it. Not like you would ever admit that Gojo Satoru saying you ‘weren’t his type’, painfully clutched at your chest and heart and somehow, probably not intended, but still, hurt you.

Who the hell was he to say you are not his type? Yes okay, you’ll give it to him, he’s hot. Really, really hot.

But so are you.

You got that I’m a great student and everybody loves me, while secretly - well not so secretly to anyone but teachers - get high and fuck some emotionally unavailable men (ah, your favorite trope of them) on weekend thing going for you just fine. You got that preeeeetty, as guys say it at least, puppy eyes and eyelashes combo that makes anyone in your presence eat from your palm.

So, why the hell would he say you weren’t his type.

For fucks sake, that guy fucks anything that has two legs and vagina between them.

To make the thing even more humiliating he declared it at some party you weren’t attending, thank God for that, because you think you would probably die from discomfort if you actually heard those ridiculous words fall from his pretty pink lips.

Yumi, your second in command of course, called you immediately to tell you the news of campus sex god not finding you attractive enough.

To make the things even worse, you are pretty sure everyone knows you’d totally give it to Satoru - once, before ‘you’re not his type fiasco’ drunk as hell in a stale club bathroom, you murmured it to a random girl that smelled too little like vanilla and too much of puke. Of course, of fucking course, the gossip of you wanting to fuck Gojo Satoru run through campus like wild fire, before you could put it away.

So yeah, to say the least, going to your own birthday party is weird. Humiliating. Utterly annoying. Horrible idea. But, something inside of you grows hot and you know the thing has to be interesting. A little drama never hurt, right?

Right?

Nanami’s house isn’t what you expected. You don’t know what you expected, but definitely not this. Yumi said he didn’t live on campus, that he lives with his parents or something like that /lame boo throwing tomatoes/ because what 20 something man lives with his parents?

But you didn’t expect his house to be so posh and proper and so, well, expensive. Because, what the fuck, Nanami is rich. He could for sure buy you from the dark web in exchange for this mahogany table you’re pouring tequila shots on.

Or maybe in exchange for simply that huge icy couch spreading through his living room.

Or probably for his kitchen.

What. the. fuck.

But there, on that couch is something that piques on your interest.

Scrolling through his phone, his legs thrown in something you can call a lazy man spread, dark, tall and very hot - might you add, man is sitting. Something dark and exciting runs through your veins, thinking of taking him into Nanami’s parents’ bedroom and riding him until he can’t take it anymore.

“Geto Suguru. He has a girlfriend, so don’t even try,” Yumi whispers into your ear and pulls at your elbow, that you just in that second use to poke her rib. He looks at you. A small half smile - half smirk decorates his face as his shadowy eyes loom over your figure.

Ha.

There he is.

Good boy.

He wants it.

Wants you.

“Well, I don’t see her here, do I,” you whisper back to her and gracefully, leg before leg, walk up to stand next to him.

He’s still sitting and you don’t even have to look at his face to know he’s already looking at you. Slowly, your eyes trail down, taking in the material of his white polo shirt clinging to muscles of his stomach, before finally settling on his lips.

At first, he’s just quiet.

Then, he fumbles with the left pocket of his jeans and you’re ninety-nine percent sure he isn’t that hot anymore, because what is this weirdo doing?

But,

but,

but then he surprises you. From his pocket, Geto pulls up a white tissue. It’s crumpled up, yet you know what’s in it. Because, you see small specks of green poking through whiteness and you can swear your mouth waters from the sight. There, in the left pocket of Geto Suguru’s jeans, hidden into some old tissue you’re praying he didn’t blow his nose in, is weed.

A loooot of weed.

Good God gracious.

“5 grams. Homemade,” he speaks to you for the first time and you’re sure you’re smoking this man’s pot and then sucking him senseless later.

“Heard you smoke, thought you’d want to,” Geto gently murmurs as his arm efortessly grazes your hip bone from his sitting position.

Some would say it’s a coincidence.

You know nothing is a coincidence when it comes to men like him.

You want it even more now.

“Yo, Suguru, I’ve been looking at you all around the house man, why the fuck you sitting in the living room like some NPC, looser,”

“Satoru, you’re stepping on my last nerve again. Let me chill for a bit. I wanna mentally prepare before rolling for all of you incompetent losers,”

“There, there my boy. I just missed my best friend sooo much I just had to see why you left the billiard room you know, right? I just love spending time with you bestie,”

“You know, licking my ass won’t make me give you some of this before I try it myself. Plus, I have company as you can see,” Geto hisses, his annoyance streaming through Nanami’s living room.

You don’t have to turn around to see who’s standing behind you, his breath tickling your ear as he talks to Geto. You could feel him just by his scent. Just by his presence. Just by the energy that pulses through any room he ever steps in.

Let alone by his annoyingly attractive horrible voice.

“I can see that, still don’t approve of you blowing off your homies for some cheap puss,” Gojo mockingly says and finally, finally you decide to acknowledge the elephant called Gojo Satoru in the room.

Because what the fuck?

What. The. Actual. Fuck.

Saying you aren’t his type is one thing - sure it’s a bit humiliating, okay, but calling you cheap? Who the fuck does this dude think he is? What gives him a right to insult you, straight to your face - well more to your back, but still - horrible.

There’s a chuckle vibrating through the room. You don’t stop yourself in time. You hear your voice, but it isn’t yours anymore.

Because how dare he, after everything, call you cheap.

After everything just to hurt you.

Again.

And again.

You tell yourself it doesn’t bother you, yet the mocking words leave past your lips before you can stop them.

As if you could have ever stopped anything with him.

After all, Gojo Satoru always specialised in pushing your buttons just the way he wanted to, needed to. Always molded you to be exactly what he wants.

Before he didn't do it on purpose, it was a force of nature between you two.

Now he knew.

So why give a shit about what you're gonna say now?

“Cheap, but could make your dick hard by one high school kiss in your mom’s closet. Could make you whimper out my name in your favorite teacher’s classroom. Could make you cum down your uniform just by biting your lip. We’re a little past being cheap, don’t you think Sato?”

Because before all of this, before not his type catastrophe and your drunken confessions there was you.

And there was Gojo.

And you have been best friends since birth.

And there was THE senior year in highschool.

And you made the terrible, stupid, earth stopping mistake of sleeping together. Multiple times.

And there was a mistake even more horrible than all of these combined.

Falling in love.

And letting each other down.

[weirdero]

I’ve seen a lot of people online saying that Piper is either going to be Quinn 2.0 from Season 1 or Olivia 2.0, and honestly, I get it. I understand where those assumptions are coming from and it wouldn’t be the worst thing in the world especially if she ended up as another Quinn. She seems like a nice girl stuck in a fucked up family. But my god that would just be so boringgggg. We’re only on Season 3 it’s way too early for the show to start recycling character archetypes. I also think with the added dynamic of her brothers she’ll be her own evil freaky bitch yk. Anyways the siblings got me fucked up.

Her brothers are themselves. Saxon is the most outrageous out of three I don't think he's ever been proper humbled in his life and has a very very very disgusting black and white outlook on the world.

He's like those men who believe life revolves around sex and sex is just a game. The type of man that excuses his abhorrent terrible behavior on his “natural human instinct”.

Lochlan is definitely chiller, but still a freak in. He seems to crave attention from both of his siblings in a very odd way. He enjoys Saxon’s “life advice” and gossip. I think he’s very aware of his brother’s unhinged nature and recognizes that it’s ridiculous but I genuinely don’t believe he sees it as anything more than that. He’s the kind of guy that just brushes Saxon’s behavior off because “he’s just a silly guy,” YK?

And with Piper, I think he definitely knows she’s the more normal one compared to Saxon. Even though we haven’t seen them interact much yet I think they’re able to have more honest conversations with each other. He tells her that he attempted to pray and even though he didn’t really feel any sort of divine intervention or anything he still chooses to share this with Piper.

He also gives off gossipy vibes. When Saxon tells him he thinks piper has never had sex before he decided to tell piper about it but not in a concerning “our brother is a freak” way but in a playful way, kinda like it’s just some casual chitchat, rather than something deeply weird. Like I mentioned earlier he also excuses his brother behavior by down playing it and explaining the original context of the statement as a “compliment”????

And after piper is clearly disturbed and uncomfortable with this conversation he decides to double down and ask her if she had had sex before.

This gossipy nature comes out during their lunch scene with that whole Kate and Victoria interaction. I already talked about how I interpreted both Kate’s and Victorias feelings in this scene and why the both specifically acted that way in this post but the way Lochlan acts is also very telling of who he is he's the only person at that table to question his mothers odd behavior telling her straight up was was kinda rude. But just like with Saxon I don't he actually cares or takes an issue with how his mom handled that interaction he's not actively trying to call her out but more curious than anything. Get kinda messy with it. YK? Anyways like I said he doesn’t actually care about how she acted based off how he reacts to her prostitution joke laughing along with Saxon and his father. Actually scratch that he looks at Saxon first to check if HES LAUGHING. also he was 100% ready to watch his brother jack off. Weirdo!

Then there’s piper. Like fucking pipe. She does seem to be the most sane out of all of them in the instances that I brought up she’s like literally the only person with an appropriate response. but I still can't properly pin point her. I want to believe she's sane and normal I really do and hell she might be and I might just be too fucking suspicious but there is just something about her. When lochlan tells her about saxsons comment about her sex life her first reaction to me seems defensive. Not even a "why would he say that" type of reaction which she settles for later but a "he doesn't know what I do".

And again, I might be reading into things, but it just feels so specific. I’ve been watching this season with my friends one of them specifically loves Piper’s character and another thinks she’s just a performative white girl Olivia 2.0 But neither of them think she’s a freak.

In defense of my friend who thinks she’s just another privileged white girl she did point out another moment during the family’s lunch conversation

She tells her dad that she didn’t choose this hotel and that it’s not her vibe and its like “Disneyland for rich bohemians from Malibu and their Lululemon leggings”

Then later she’s seen in yoga in what honestly I wouldn’t be surprised if they were Lululemon leggings.

Anyway, it’s almost 8pm where I am now and I need this new episode to drop now.

[prokopetz]

Monster-in-a-glowing-tube-of-mad-science-goo type video game boss with a "hyper-evolution" gimmick that's just an absolute vertical wall in the game's difficulty curve, but if you trigger its busting-out-of-the-tube cutscene and leave, when you come back later you'll find that with nothing to fight it's evolved an obsessive interest in baking instead. There's a minigame.

[ninesugars]

hello to all 5 people that still care about fates. guess who’s replaying conquest

[irlmaeda]

i think you misunderstood the original post? i dont think everyone who hates stat is misogynistic or everyone who likes stat is misogynistic. its that more often than not the reasons people have for liking one over the other are deeply flawed and misogynistic.

like. the argument that stat is repetitive. so is every other npc on the elevator, including lampert? each npc has one "bit" that theyre doing. the original post was me pointing out the similarities between the two because i was annoyed at how people talk abt stat.

i want to flip your point abt lampert's backstory though: i, as an active player of regretevator, didn't know abt lampert's tragic backstory until i looked through the wiki and dev social media posts. stat's tragic backstory literally happens in front of you on her floor where you beat up and destroy her only friend, and she's visibly distraught over it?

i think the women in regretevator are held to a far higher standard than the men and it pisses me off. that's the whole point. every character is repetitive, every character isnt properly expanded on in the game itself, those are problems with regretevator and not just stat.

i don't know why you felt the need to come yelling into my mentions about a character you've admitted you don't even like. i purposefully didn't put the og post in the maintags because the regretevator fandom is full of shit like this. i was complaining about the misogyny in the fandom by using a specific example.

people who like lampert when a woman is added to the elevator who acts just like him: WHAT A CRAZY BITCH LOL!!!! SHE'S SUCH A HATER AND A JERK

(dialogue comparisons included to drive my point home)

[ai-the-broccoli]

enemies to lovers / but you'll never own my heart

@luzon-dove happy birthday, Quinn!! As a present, I decided to draw a piece fanart of your "blood in the walls of the yagami house" AU fic series, since I found it very well-written and full of super interesting ideas and concepts. I hope you like it!

[slymanner]

Look all I'm saying is if that a shadow game can work THAT well and be so well designed story wise and gameplay wise

HE can work

[katabay]

ANDREY STAMATIN

Keep a close eye on Peter. You'd become desperate and turn into a villain without him.

I spend a lot of time thinking about daniil and peter, but something just clicked into place for me with andrey. so!

I am. currently untangling this thread of thoughts about the stamatin twins and daniil and this kind of. triangle that's happening. a three fold bullet for sure, the kind of recognition-awareness-understanding where three people become one, but to step back from that. when daniil and andrey talk, there's a specific shape of peter that stands in his conversational absence. so: triangle formation. it's opposite-adjacent-complementary to daniil and peter's conversations. it all goes back to that first conversation you have with andrey. it's giving knife. love it!

bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost

[buttercupshands]

just some LoV sitting in the long lost bar in Ultra Impact in clothes that they didn't wear yet

[mabaris]

no youre completely right - im a gay (trans)man and i legit wanna see so much more about the women bc There Is So Little. I wanna make a lesbian oc who gets bent in half by taash. im very normal.

i’m just tired man!!!! it feels so obvious how disproportionate it is when you’ve got. a cast of characters that we know almost equally little about. and a few of them explode in popularity and it’s like spongebob sticking his hand out the curtain. literally all a character needs to do numbers is to be a light-skinned man