#literally I would add this to the story

[lyricalchrysanthemum]

Secret pokemashe bw2 ending: cheren becoming immortal one way or another . Spends his immortality waiting for Hilbert to wake up from his ice prison to say he’s sorry (Hilbert’s already forgiven him)

[shiraoyagi]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[myokk]

[psychomusic]

oc time again! + her town & culture (heavily inspired by pre-roman italic populations)

she is suri sauthon (she/her). her story is linked to my swtor imperial agent, tar'x, but most of her life except for the one year away where she meets him, is spent in a town in the mountains of mirial.

despite mirial being cold and desert, and many cities developing underground, her town flourishes thanks to a force nexus, venerated in the form of an ancient, sacred, alive crystal. the ecosystem of that mountain depended on what "the horned crystal" was capable of giving them, but mirialans couldn't live off of that alone, so they developed trade and some rudimental technology, even if oftentimes it was bought thanks to the highly profitable trade of a plant used to make medicines that slowed down aging and had overall healing properties.

note: everything that's generated by this nexus has these healing properties BUT they have to be processed, except for those who bathed in the waters of the cavity under the crystal - the "real" nexus, but not the worshipped one. the waters were sacred but they were not thought to be miraculous, unlike the crystal, who instead was thought of as the keystone of the ecosystem: without it, everything would fall apart (and that is partially true: the cavity was the "real" nexus but thanks to the crystal, also strong in the force, the properties were spread all over the mountains). those who bathed in the cavity's waters - so, all of the town, who had a sort of baptism there - could eat the plant, make whatever food with it, and not only that plant, but everything generated by the nexus, that, again, had similar properties. this allowed people to live up to normal life-spans without advanced medicines or, much, really. to those who didn't live there, though, after the processing, had incredible effects, slowing down aging - for those who took it regularly - and making people able to live up to half a century more than the average]

originally, there were four tribes of nomads that lived thanks to horned farm animals that decided to settle down into one bigger town and other smaller settlements, to live off of transhumance. this division of the tribes stayed into the political and social organization: every person belonged to one tribe specifically, and had slightly different rituals and culture. for examples, each tribe had their own priests and healers, with different techniques and traditions. the town, tho, was guided by a group of people in the high priesthood, a position you could reach only by having earned the trust of all tribes. those high priests had many roles: they guided the people into sacred processions common to all the tribes, they managed the trading with outsiders, they did the maintenance of the temple of the summit (the one that functioned as casket to the crystal) and created a special liquid to offer the crystal that helps it grow.

this particular temple was important because 1. it was very visible, from every angle of the town, and it became an important identity symbol; 2. it stored the venerated horned crystal; 3. it had the altar where sacrifices were made for the crystals. that altar had a hole connected to the cavity, that allowed the liquids to reach the underground; 4. it had various symbols: statues representing each tribe + the high priesthood, and typical mirialan tattoos carved into the wood of the trees that served as columns for the temple, symbolizing 8 values that who dared to enter HAD to have; 5. it was on the way to an important lake (called "mother lake" because the lake the town was built around to depended on the waters of that other lake) where they traveled to in important processions; 6. it was said that a the wizard who unified the tribes made it with its magic, making the plant grow to hold the temple's roof. this wizard was, actually, a force user, obv.

BACK TO HER THOUGH: she's daughter of one of the high priests, who was in charge of managing the trades with outsiders, and lives in a house on the mountains with her mother and him. her parents are from different tribes (that's one of the things that earned him trust from the 4 tribes): when a child is born from two different tribes, they don't pick one to allign to, but they're usually linked automatically to the one with more relatives in it (in her case, the father's tribe: she had many uncles and aunts on his side while her mom only had one sister).

later, though, she got quite tied to her mother's tribe due to a mysterious illness that only her mother's tribe healer was able to cure. she spent 4 years (from 10 to 14 years old) living with the healer and learned her secrets. to better study, she wrote them down. when she returned home, she studied to become a priestess with her father. at 22 (the average age: you can't become priest before your 20s), she was supposed to take a test and become a priestess, but the healer of her mother's tribe died and the tribe asked her to take her place. she couldn't technically do that, but both tribes estimated both her and her parents and she was allowed to become both. she then decided to try to become a high priestess, and became one at 25 (a quite young age). being part of the council, she tried to convince the various tribe healers to unite their knowledges and write them down, and eventually made it. healers still remained tribe based but they now had an "upper, inter-tribe level" similar to high priesthood.

years later, the sacred horned crystal is stolen from the temple by some Hutt mercenaries looking for a profit. given the trust she has earned from all the tribes and the fact that her father is the high priest that deals with outsiders (and she's been hearing stories and advice about it since she was little), she is the one tasked with getting it back. without the growing crystal, the keystone to their ecosystem, the village would have lasted only a few years. in hrr quest, she meets imperial intelligence agent tar'x laran and, as they "solve the mystery" and fight to have it back, they get closer. they'll get married and have a daughter, Vegoia (who's the only one who actually will get to the plot of my story. this was all background)

[dukeofthomas]

"They were never really that close pre-death" "Dick was mean to Jason before warming up" etc etc are the worst Dick&Jason takes possible. Why would you even say that about them

[becauseplot]

i think it could be really fun to write a crowmonster!philza and warrior!etoiles au for the soul purpose of writing their little "sparring" matches where instead of beating each other with sticks it's just etoiles wrestling his big ol dragon-esque monster friend. etoiles clinging onto phil's back/tail feathers as phil tries to buck him off. phil holding etoiles in his beak and shaking him around like a chew toy. etoiles hooking an arm/rope around phil's throat and phil doing this great big dramatic roaring cry as he stumbles and flops onto his back and "dies", talons in the air, twitching, also crushing etoiles in the process. everyone else looking on with bewildered concern as phil seems to be gnawing etoiles' arm off and etoiles is just lying there declaring deadpan, "ohhh no he is too strong, the monster has defeated me, he is killing me, it is so slow and painful, i am dying, ggs bro, ggs." (<-he is perfectly fine, phil is only play-mauling)

other fun points:

phil tossing etoiles around in the air like he weighs literally nothing

etoiles pinning one of phil's wing-arms behind his back like its no big deal

etoiles ripping out some of phil's feathers during one of their play fights and phil freezing mid-thrash just to shoot him the flattest, most offended look to ever come from a non-human creature

phil accidentally going too far and ripping up etoiles' shoulder and phil just becoming the biggest, most whimpery apologetic mass of feathers and spikes as etoiles pats his beak and tells him it's no problem, it doesn't even hurt that bad (and phil just wails louder)

both of them nudging/bugging/poking each other when they're bored to goad the other into a play fight, with varying degrees of success

[dykedvonte]

My post about Anya is making like a little ruckus on Twitter and I think it’s crazy how many people like have a problem with it.

Like you don’t have to agree with how I characterize Anya and her actions but it’s more like, why are you focused on only one aspect of her character? Why are you removing nuance from the situation? I don’t see it as giving Curly the benefit of the doubt when it comes to doing better for Anya, but as exploring his character and hers relationship with a the very little authentic facts we get about them. In truth, there’s a lot more I wish Curly did, even if it wasn’t pragmatic but I realize the issue there.

The first psychological horror game in a while that’s real intricate in its storytelling and makes you need to really need to address the morality of intentions and its already getting torn asunder smh 😔

[extravaganstar]

A Past DM movie adaptation focused on a vampire ripped from dehli, ex child prostitute, ex sex slave and art muse, ex cult victim, theater kid, saw games connoisseur, technology enthusiasts, liar, killer (ecc.) who falls in love with a drug addict journalist in the 80s asking the vampire to turn him again and again would unironically slap so hard. Something slow and with an outstanding photography made of dark brown silhouettes and reds and greens and deep yellows.

Literally ending with the memory wiping. Half romance half noir half thriller. Focusing on the drug/dance scene of the 80s. Mania, illness, the need to evade life and having your golden ticket right there but the monster wants you to live!!! The monster is there in the drug hen with you!! In the dark rooms in your home in your bed in your first wife face!!! The devil on your shoulder!!!

[my-thoughts-and-junk]

i can't tell if i'm just not paying attention or if mouthwashing just doesn't make any sense

[lloydfrontera]

tfw when you write an entire novel with two protagonists that spent the entire plot getting closer to each other, becoming best friends and eventually both of them deciding they would rather die than allow the other to not live a long, fulfilling life, their friendship carrying most of the emotional weight of the entire plot and the emotional climax being one of them sacrificing his life so the other can live and then the other crossing literal universes to find him, a tearful smile in his face as he confesses how much he missed him. which is the scene you wanted to write and show the most because, again, this is the pay off to the slowburn you've been writing in the entire novel and what everything has been building up to since the very first chapter. and then you end the novel by having them share a smile, finally confident they'll be able to have a happy future.

but you also just gotta have one of them marry offscreen because everyone knows you can't be happy if you're not in a het marriage with kids lmao it's whatever it's okay i'm fiNE-

[skitskatdacat63]

Catie i need to know in the famous interview w ron dennis DID FERNANDO EAT AN APPLE OR A PEACH??????? This is important information and im getting conflicting data. It looks like an apple but in my head its always been a peach

Okay so I don't know how to find that interview itself but I did remember that they showed it in Nando's doc, so here:

The peach thing is a seperate thing. I understand why you'd be inclined to think it's a peach in this interview, bcs the peach thing is so iconic but this is def an apple. I like to think that this is just an extension of the peach thing. Because wasn't it that Ron Dennis hated any messy fruit eating? An apple is also messy honestly, so I like to think Fernando is particularly trying to be a bastard here as well, but a peach is perhaps too obscene to eat in a public interview SJFKVLV

[sethdomain]

Dawg i hate mouthwashinhg fandom so much now, the analysis now is just so reductive ☹️☹️☹️☹️

[booktomoviebrawl]

Ohhhh right this is why I don't read horror

[giantchasm]

"It turns out that sometimes the future actually belongs to someone else."

Happy Taransusie Tuesday, everyone! Here's...

Content that only ostensibly focuses on Taransusie and is more than anything character analysis of a third party?

How romantic! 🎉🥳

Okay, but no, seriously. Joshing aside, the other day I posted a meme about Sectonia and how she might feel about the idea of Taranza eventually moving on from her. And it was funny. We all laughed. But things can't always be goof-goof "If everyone started saying 'she sent her for you' I would start haunting literally everyone here because no I didn't." I'm a serious guy. I like exploring concepts that make me go "OUCHIE!" and so let's look at that sort of idea through a more somber lens for a moment.

...How would Sectonia feel if Taranza eventually moved on?

Now, I don't know if she's out there... somewhere in Hades or haunting his ass, but either way I think about her a lot. How she might feel in death, especially if she was returned to her right mind.

I think... Sectonia would have a lot of complicated feelings. Like, before we even get to the relationship nonsense. Let's toss all that aside for a second. I think Sectonia would be simultaneously be crushed by the state she left Taranza in and still... upset to eventually see him heal from it. She'd be glad, of course, to watch the scars she left on him fade, but all the same... seeing him make new friends— leave her behind...

That would have to hurt a little bit, wouldn't it? After all, it's not like she'd be afforded the same opportunity. She died young. Via circumstances that were hardly her fault. Of course she'd be a little bit jealous. Of course she'd be a little bit depressed. Maybe even a little bit angry. And she'd feel bad about it, but she would.

So when you factor in the idea of Taranza entering another relationship... oh my gosh, those complex feelings would only intensify. Taranza deserves to be happy. Taranza deserves to move on. She would know that rationally, but at the same time, the heart isn't always rational.

I do think ultimately she'd support him. In whatever he chose to do. Even if it hurt her a little. The least she can do is give him her blessing after everything that happened.

But that's something that applies to just about any Taranza ship. Let's talk about Susie for a moment.

I... think Susie and Sectonia are people who have some similar issues. At least in my interpretations, they're both people who have warped and maimed themselves in an endless search of perfection hoping it will grant them acceptance from others. But this hasn't granted them peace of mind, and in fact all it's done is pull them further from 'themselves.'

I don't know. I just think they'd have a lot to talk about, even in contexts that don't flagrantly disregard the Bechdel test like this one. They're both girlies who would, like, really vibe to both "Oh No!" by Marina and the Diamonds and "Body" by Mother Mother if that's a sentence that makes even a lick of sense. Their mental illnesses aren't the same, but they're like cousins. Their mental illnesses went to school together.

I think this sort of... self-recognition through the other would both make things easier and harder on Sectonia. Because on one hand, I think it would further be a reminder of all the things she'll never have no matter how badly she wants them, but I also think it would help her... have more empathy for this person she's initially inclined to see as her enemy, and maybe even help her eventually want good things for her.

It's kind of a complex scenario. More serpentine than I could possibly portray in a single comic or Tumblr post. Eventually, I'd like to write a fic from a deceased Sectonia's perspective exploring these sorts of ideas. But for now, I'll leave you with one last preposterous observation:

Perhaps this, too, is yuri. 🤖🐝

[whiteredrose13]

AAAAAA, OKAY-- @persephone-s-moon I could not find their updated refs for the life of me, so, woe, busted old concept art be upon ye. (Excuse the wonky proportions, these were done on my phone.)

Shortest rundown I can manage:

Did someone order a tragic throuple with time-travel/reincarnation shenanigans and a side of hurt/comfort/fluff?

Candavata Bhatia: Elven queen, from the kingdom of Sona, and the baddest bitch to ever live. In order to prove herself worthy of holding the crown over her sisters, she needed to channel one of the gods. So, not only did she channel one, she called upon Bijalee, the embodiment of lightning and storms--and the most difficult one to channel due to her wild and hazardous nature. She has been the only person to do so, aside from the First Queen. This earned her the titles of Storm Bringer and Lightning Tamer. She and Qamar are married and have been best friends since childhood. Can you tell I love her?

(Side note: Editing this on my laptop and holy ashy tone, Batman. Hoping it's just my screen because my girl does NOT look like this, I promise--)

Qamar Abn awaa: Werejackal prince, devout cleric of Layl, goddess of the night and medicine, and the definition of the "I'm a healer, but--" meme. He managed to show both great power and promise from an early age when, during a political visit to the Sona royal court, he used his knowledge of anatomy to turn one of Candavata's would-be assassins inside out. This is where he and Candi's marriage was arranged. He is of a generally very sunny disposition, which often makes people underestimate him, as they assume he's useless in serious situations--but, when shit hits the fan, he's the one you want to be next to. (I started designing him when I did not understand how to map out locs or braids. Qamar, my prince, I am so sorry, I swear I will do right by you and fix whatever monstrosity I gave you.)

Vincenzo Virago: Vampire duke. The intersection of an emotionally constipated killing machine and massive nerd failure. He's head over heels for both Candi and Qamar, but he doesn't feel like he can tell them, due to the fact that he views himself as unlovable, both wanting and growing jealous of them. (He is completely oblivious to the fact that they are also in love with him.) He's terrified of turning into his father, but it seems like everything he does only turns him further down that path. He's a warlord. He's a wet cat. He needs therapy.

It's a stable, constant dynamic. You never see one without the other. Where Qamar goes, Candi is right beside him, and Vince is right behind them. Whenever something goes wrong, usually they're at the center of it, all having different roles in the trouble. Candi, the planner, Qamar, the keen lookout, and Vince, the instigator. He keeps the two of them grounded, on their toes, and they do what they can to keep him away from his father. Even after they graduate and take their places in their respective castes, they stay in touch.

The story itself begins at the worst part of their relationship.

At this point, Candavata and Qamar have been married and are tending to their responsibilities as king and queen of their joined empire. Though they try to stay in touch with Vincenzo, it's difficult--and Vince doesn't make it easy, either. Over the years, he becomes withdrawn. He stops answering their letters, he refuses to see them when they come in person, every time. After a while, they stop trying. Not because they don't love him, they do, but there's only so much you can do when a person doesn't want (or doesn't think they deserve) help.

Vincenzo, after years of sitting with the jealousy and battling his father's horrendous treatment, broke. He didn't just spiral, he nose-dived, doubling down on every bit of gossip and rumor, until he's changed and warped into something even he can't recognize. He shuts out Candi and Qamar. Maybe he doesn't want to taint them, maybe he thinks this is how it was meant to go, maybe he can't stand their gentle hands or the pitying look in their eyes. Maybe he just wants the excuse. Whatever it is, Vincenzo becomes a monster, with blood on his hands.

In the end, Candi and Qamar had to be the ones to put him down.

Which is where we get into the time/reincarnation fuckery.

Because, when the pain fades and Vincenzo opens his eyes, expecting to see whatever eternal damnation looks like, he sees his university bedroom. Littered with textbooks and letters from Candi and Qamar, and his graduation robes hanging on the back of the door.

He's got a second chance to go back and unfuck everything, but only time will tell if he'll succeed or end up exactly where he was before.

Something, something, breaking cycles and being open with your loved ones, allowing yourself to be loved by others and yourself, and sometimes men are at their best covered in blood and a little bit pathetic.

(Oh, and, you want a really fun fact? Vince isn't the only one who remembers the original timeline.)