#limited life episode 8

[luxshua]

The winners of the life series all had their own ways of winning:

1. Grian loyalty, playing into every one of Scar's schemes no matter how stupid they seemed. His win came from blood and tears, a descion made surronded by sand and cacti.

2. Scott defiance, he was never going to play the game the way it was designed. Why would he take life needlessly, no his win came from the refusal to do the watchers bidding.

3. Pearl alone, discarded by her soulmate, discarded by the one who pulled her into the nether in the first place. She won with her ties cut, she won not of her own descion but of the one who decided for her.

4. Martyn scavenger, taking time where most convient, stealing kills from right under peoples noses. His win came when even his trusted ally had his guard down, feral and desperate for just a drop more time, even if it left him frenzied and alone.

[sandwichedbread]

it’s truly impressive how pathetic etho is in limited life. he’s so washed up he’s being practically buried under this metaphorical sand. what’s equally impressive is how bdubs is still trying to defend him. these ethogirls ain’t got nothing on BdoubleO100.

[jackhues]

it's not hate... | oscar piastri

note: okay so i was bored and i got a random inspiration i hope y'all like this <3 i think this will have 3/4 parts, but they might be split up if i reach the picture limit.

pairing: oscar piastri x fem!reader, logan x best friend!reader, one sided!enemies to lovers

next

faceclaim: various, from pinterest

youruser & logansargeant

liked by y/bffsuser, oscarpiastri, yourmomsig & others

youruser: gang's back together 🤘

pinned youruser: welcome back to america @/logansargeant glad you could join us! -> user: i love how she seems sarcastic but i know babes is so happy he's back

user: logan living out his frat dreams

user: this would be logan daily if he didn't go into racing

user: wait i'm confused... who's this? -> user: y/n y/ln! from what we know, her and logan are best friends since they were born or something. she finished her undergrad, but i think she's doing law school now (?)

user: i ship -> user: ew

y/bffsuser: not pictured is the entire drink falling out -> logansargeant: it wasn't my fault! she moved her head -> youruser: yeah okay, blame the woman -> logansargeant: i blame when she's wrong. and you are. -> user: stop they're so sibling

yourmomsig: aw no one posted the pic of y/n falling off the bed during the fight -> youruser: MOM! -> logansargeant: i tried but she stole my phone -> user: well we know who the favorite child is now

y/bffsuser: @/yourprivuser no photo creds -> user: IS THAT Y/N'S PRIVATE USER???!!! I NEED TO BE ACCEPTER NOWWW this comment thread has been deleted

oscarpiastri has requested yourprivuser!

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y/bffspodcast

liked by user, user, oscarpiastri & others

y/bffspodcast: surprise episode out now! take a listen for exclusive deets on logan's love life, his best friends, and the time he almost became a dad to a baby crocodile

tagged: logansargeant

user: i'm sorry, logan did WHAT NOW?

user: A CROCODILE?? -> user: well he does live in florida

user: it's a crime that y/n and oscar haven't met before. i need the irl best and the f1 bestie to get together and spill tea on logan -> oscarpiastri: well we might have to change that this weekend -> user: OSCAR??!! PLEASE DO IT! I BEG!

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Y/BFFS PODCAST - TRANSMISSION timestamp: 4:40-8:23

y/bff: i mean, you've known y/n your whole life, right?

logan: my whole life, yup. like, i was maybe only a few hours old when i saw her for the first time. you already know this, but like we have the same birthday, december 31st 2000. and we're also born at the same time, in the same hospital, literally right across the hall from each other.

YB: same time? like seriously? how did i not know that?

LS: *laughs* i mean, same time. down to the minute, at least. it's why we call each other 'twin', we're born at the same time. and like our parent knew each other and joked that we might be born on the same day... little did they know

YB: *laughing* that's insane. oh my gosh, and you guys have just been best friends since then. i love that. i assume you're the one who's got all the younger high school stories about her. i got some college ones, but you have the real gold mine, don't you?

LS: i've got my fair share of our insane stories, yeah

YB: mind sharing one?

LS: i'm trying to think of one that's not absolutely insane... oh okay! so one time, we were in the pool, it was summer, and then y/n just stops trying to murder me with the pool noodle and goes still. i'm confused as hell, so i'm trying to see what she's doing but she tells me to shut up. she's watching the bushes around the pool, so i swim to the edge of the pool next to her, and the two of us are just watching the bushes. i have no idea what's going on, but y/n's waiting for something. and then, a baby croc starts walking out of it, and it's so small, but like it's mom was nowhere. we didn't know what to do. and y/n *laughs* y/n goes, "oh we have to adopt it". i'm like what? but she just start spiraling "oh we're his parents now. he just saw us. what if the mom died? i don't know how to feed a baby croc? but i have to learn, it's my baby croc now." finally she calms down, and we get everything sorted out, but she cried when we had to leave the baby crocodile. adopted it and all within three seconds of seeing it

YB: *laughing* i'm dead, oh my god that sounds like her though. that's so fucking funny, she made you a crocodile dad!

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Y/N ADJUSTED HER SUNGLASSES, the Miami sun nearly blinding her as she walked towards the paddock. Next to her, her racer best friend, Logan Sargeant, nearly skipped along next to her. She could feel his excitement at being able to race so close to home again, and it honestly helped lift her own spirits.

Logan smiled and waved at some cameras and fans nearby, grinning brightly and taking the time to stop and sign some stuff. Once the fans had trickled away, Logan made his way back to his best friend, throwing his arm over her shoulder.

"You okay?" he asked, turning his head away from the cameras so they couldn't read his lips.

"I'm great," she promised.

"It's not too late to change your mind," he reminded her. "We can say you were sick, or you weren't feeling well, or you just forgot, or-"

"-That I have diarrhea?" Y/N grinned a little. "You know, all of your solutions to this thing seem to involve me just running away or ignoring it."

"I mean, it's how you take on most of life," he shrugged.

"I've never felt more called out in life," she rolled her eyes. "Look, we've got a plan. I head over to the garage first, take a few pics, then say 'oh I have to go. I haven't even been to Williams' garage yet'. I've got this Logie, I promise. Besides, I don't even hate him. If I did, there would be a lot more violence threatened and swearing involved. I also would've blocked him."

Logan didn't look necessarily convinced, but he didn't argue either. He pressed a kiss to her forehead, "If you need anything, send me a 911 text. I'll be on standby the entire time, I swear."

Y/N smiled at the boy, waving goodbye as she dropped him off to the Williams garage.

"I know you'll be there," she smiled. "It's what we do. Be there for each other."

MEANWHILE, IN THE MCLAREN GARAGE, the Aussie driver was pacing back and forth, turning back to the entrance every few seconds.

"Yeah, great job at being subtle, Osc," Lando Norris, his teammate, commented sarcastically. "Who're you even waiting for?"

"Y/N," Oscar answered simply.

Normally, he'd engage in banter with his Brit teammate, but he was too nervous to give answers longer than a few words. He was finally going to see Y/N, in person. Not on the other side of a screen, not a flash of hair that ran away too quickly, not a caller ID he'd see on Logan's phone all too often. After all these years, he was finally going to be able to see her, face to face.

He had to admit, he did seem a little pathetic trying to contact her. But the DM he'd sent years ago on her public account had never gone through. And he'd left it, thinking maybe they weren't meant to know each other, simply to know of each other.

But then he'd seen her private instagram, with so few followers, he knew that she wouldn't be able to miss it. But maybe she didn't use it, or maybe it was an old account, but he had no luck on that account either.

He finally mustered the courage to ask Logan for her number and just reach out. He was surprised and a little shocked she said yeah, but he was in too deep now to change his mind.

"Oooh, who's Y/N?" Lando teased. "Is she a girlfriend?"

Oscar whipped his head towards his teammate, narrowing his eyes at him.

"Why are you a literal child?" he asked. "Y/N's a friend. Well, she's a friend of Logan's. His best friend. And everyone found out the two of us never met each other, and they went crazy saying we have to meet and whatnot. So I invited her here to take a few pictures."

Lando tilted his head, almost as if he was dissecting the truth behind Oscar's words.

"Logan? Logan Sargeant's best friend? Her name's Y/N?"

"Yes, Lando. And everyone says I'm his best friend in racing, so we have to meet or something."

"Alright, I believe you," Lando decided. "Call me when she gets here, I want to take pictures with her too."

"Sure," Oscar answered nonchalantly.

Turns out, there was no need to call him over, because a second after he'd said that, she walked in.

Oscar stared at her as she looked around the garage, her eyes drinking in just how different it was from the Williams' garage that she was used to.

Lando made a noise between a snort and a laugh, causing Oscar to glare at him.

"No, nothing," Lando nodded to himself, ignoring Oscar's silent question. He cupped his hands over his mouth, shouting across the garage, "Y/N!"

Her head whipped over to the sound of her name, her posture relaxing the slightest bit as she realized it was only Lando and Oscar and not some random person. She didn't exactly know them, never even met them, but she knew enough of them to be a little comfortable.

She smiled slightly as she reached them, "Hey. How are you guys?"

Lando looked to Oscar, who simply stared at Y/N, before decided to take the reigns. "We're good, thanks for asking. I'm Lando, my friend here is Oscar, and I assume you already know that."

"Yeah, I watch enough F1 to know that," she smiled, falling into easy conversation with the Brit.

"Well it's nice to know you didn't take an invitation from a man who's name you didn't know," Lando joked. "That's what I call important information."

"I went a step further and made sure he was known by a friend of mine," Y/N continued the banter. "My best friend." She turned to acknowledge Oscar, "Logan spoke highly of you for a long time now. It's nice to finally be able to meet you."

"Yeah, same," he nodded. "I mean, Logan's spoke a lot about you too. All the time. He still does. It's nice to meet you too."

Oscar resisted the urge to close his eyes and curse himself out.

Y/N didn't seem to mind his stuttering and stumbling. In fact, her posture seemed to straighten out a bit, and her smile turned a little bit more warm.

She was beginning to realize that no matter how bad Logan had gotten it, Oscar was human too. He was new to this, and he probably had someone defending him the way she defended Logan. Maybe she was a little harsh on him. She just didn't like how it wasn't fair.

It was why she wanted to be a lawyer. She wanted to try and make things fair for people.

But in defending Logan with her entire heart and soul... she was being unfair to Oscar. She could try and be nice. It's only for a few minutes. After that, she could go back to avoiding him.

"So, how do you wanna do the pictures?" Y/N asked. "We should get them done now, I might have to leave early if my laptop doesn't work. I have a few assignments due."

"Right, yeah," Oscar nodded. "We can- uh-"

"The lighting's nice over there," Lando pointed out. "I'll take the picture of you guys."

"You don't wanna be in it?" Y/N asked.

"No, I'm alright," Lando smiled. "Unfortunately, I'm not best friends with Logan, unlike you two. Besides, I'm pretty good with a camera."

Y/N frowned at the reminder that Lando was one of the drivers who wasn't friends with Logan. She quickly fixed her expression, but Oscar noticed (only because he'd has his eyes on her ever since she entered). He was tempted to ask her about it, but she smiled and his brain froze up.

"Alright then, let's take the picture."

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youruser

liked by oscarpiastri, logansargeant, y/bffsuser & others

youruser: miami, you were fun 🤍

tagged: logansargeant, landonorris, oscarpiastri

pinned youruser: to my haters: fuck you, i'm always proud of logan. no matter what. i chose him as my best friend and i'll choose him again every time. i'm just sad y'all have never loved someone so much to understand what it means to always be proud of them, no matter any outcome. he's my best friend, my brother, and the outcome of race isn't going to change that

pinned youruser: i heard there was a logan's besties meet up @/oscarpiastri -> oscarpiastri: oh yeah, did you end up making it? -> youruser: swipe to find out!

landonorris: same time next race 👀👀 -> youruser: wanna do my class for me?? -> landonorris: i will understand nothing. -> oscarpiastri: as if you understand anything ever -> landonorris: all grown up now, are you? -> oscarpiastri: shut up

mclaren: it was a pleasure having you stop by! next time, you should stay for longer! -> williamsracing: stop stealing her from us

williamsracing: loved having you around for the weekend!

alex_albon: wowwww, i didn't even make the cut this weekend -> youruser: all the pics i took of you were 0.5s -> alex_albon: thanks for showing some mercy

user: stop she looks so pretty

user: logan bestie meet up... but where's logan? -> user: getting attacked by a haas in his home race -> user: oof

user: TELL EM GIRL!

user: i want what she and logan have. like they'd DIE for each other

oscarpiastri: it was great to finally meet you! hopefully it's not the last time either -> user: boy please TRY to be subtle

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PART TWO

notes: i hope y'all liked this, don't forget to like + reblog! alsoo... comment on this part (not any others) if you want to be tagged, i might not respond but i'll add you to the taglist if you comment.

but my tags don't always work, so you might want to follow my writing tag 'naqia writes!' or the tag for this short series 'the bsf of my bsf! series' so they show up on your dash at some point :)

[guzhufuren]

do you have a post for wlw shows in specific? i dont mind just going through your main masterlist if not

as well, do you have any wlw shows w transfem leads? that one might be asking for too much, lol.

i don't have an asian wlw list yet, but i will make one here for you bun! i will only be including shows that pass my personal minimum standard for dramas. all shows are sorted in a recommended watching order

WLW

1. She Loves to Cook and She Loves to Eat neighbours; self-discovery; food; comfort watch

Nomoto loves to cook, but tends to make too much food and has no one to share it with. Luckily for her, turns out her neighbor Kasuga has a big enough appetite for the both of them.

No international streaming available, translated to english by Furritsubs, S1 & S2, watching instructions provided, consider supporting the translator on kofi.

2. The Loyal Pin period drama; princess/noble lady; childhood friends to lovers; forbidden romance

A love story set in 1950s Thailand, about naughty but charming Princess Anilaphat and prim but kind Lady Pin, who are close friends and have grown up together.

YouTube

3. Uranus2324 movie; sci-fi; astronaut/diver

Story of Lin, an astronaut who is about to embark in a remarkable space mission and Kath, a passionate free diver who is willing to defy the limits of time and space just to meet with her lover over and over again.

Netflix of South Asian countries (can be accessed with VPN)

4. Petrichor crime; investigation; cop/forensic doctor

Lieutenant Tul, a rookie officer and Dr Cherran, a physician from the Institute of Forensic Sciences, become reluctant partners.

iQIYI

5. 23.5 high school setting; secret admirer

Ongsa moves to a new school and meets Sun, a cute popular girl who she immediately falls for. However, she decides to approach Sun in instagram dms under the pseudonym Earth, leading Sun to believe she's talking to a guy. But Ongsa does not want to lose the opportunity to talk to Sun, so she decides to keep the fact that she is a girl a secret and continue talking as Earth.

YouTube

6. Ayaka Is In Love With Hiroko office setting; comedy; misunderstanding

Ayaka, a young office worker, is madly in love with her senior team leader, Hiroko. As Ayaka tries to make her attraction known, Hiroko consistently misreads the situation, thinking that Ayaka is a straight girl.

GagaOOLala

7. Soul Sisters period drama; wuxia; crossdressing; arranged marriage

Gu Jinyu has disguised herself as a man since childhood. While undercover, she is kidnapped by Bai Yunxi, the sweet but clumsy heiress, and forced into a marriage. The two form an unexpected partnership to save the failing stronghold, facing rival plots, enemies, and challenges.

iQIYI. *Because of chinese laws demanding censorship of queerness, the romance is censored and toned down to sapphic homoerotism for the show to be able to be broadcast. Nevertheless it's pretty obviously meant to be a romance.

8. Couple of Mirrors period drama; socialite/assassin

You Yi is a kind-hearted socialite and a successful author. Her perfect life is turned upside-down when she discovers a betrayal by the two most trusted people in her life. With no one left to turn to, she finds refuge in the friendship and support of Yan Wei, a lonely female killer disguised as the owner of a photo studio. YouTube. the show doesn’t have a happy ending, but it can be a happy ending for you if you stop watching at episode 12 timestamp 28:02. *Adapted from an explicitly queer novel, the show is undeniably and obviously queer, but nevertheless the queer romance part is censored.

9. Affair childhood friends to lovers; love triangle

A girl's life is upended by family bankruptcy. Her best friend becomes a source of comfort. They get separated, but years later they reunite, reigniting old memories and feelings amidst changed circumstances.

YouTube & iQIYI

10. Us love triangle

Dokrak crosses paths with an older dentistry student Pam during her coffee shop shift and gradually develops a crush. When her brother Kawi meets Pam, he falls for her at first sight. Kawi turns to Dokrak, asking her to play matchmaker and Dokrak agrees.

YouTube

11. The Secret of Us exes to lovers

Dr. Fahlada guards her heart due to a past love, rendering her unable to open up again. Her situation becomes complicated when she has to work with Earn, her ex girlfriend, who has come to work with her at the hospital.

Netflix & Ch3+

12. Pluto twins; blind character

Twins Ob-oom and Ai-oon are worlds apart until Ob-oom's wedding, when she tasks Ai-oon with breaking up her affair with May. A tragic turn leaves the newlywed comatose, and Ai-oon must carry out the request, only to find May is blind. And fall in love with her.

YouTube

13. Reverse 4 You superpowers

One sister foretells the future, and the other controls time. When a promised love seems doomed to tragedy, the pair sets out to change fate itself.

Netflix

14. She Makes My Heart Flutter bar setting; niece and aunt dynamic

The extroverted Gang Seol is hired by her aunt Jung at her only-women bar. Even though they are both lesbians, they seem to be worlds apart and have very different love stories.

YouTube

15. Sleep With Me radio; disabled character in a wheelchair

A science textbook writer with a sleep disorder meets a wheelchair-using radio host who runs the midnight shift. This chance encounter at the radio station quickly sparks their interest in each other.

GagaOOLala

16. GAP The Series office setting; boss/employee; class difference

Long after Sam first came to Mon's rescue when they were kids, Sam is unambiguously Mon's idol. In order to be near Sam, Mon gets a job working under her. When they finally meet again at the office, Mon is surprised by Sam’s icy exterior, so different from the image she'd had of her. Mon and Sam aren't just different in demeanour; they stand apart in class and age.

YouTube

17. Lucky My Love office setting

In the pursuit of love, Nabdao has been doing everything. She has got her fortune read. She's gone on a string of blind dates. Unfortunately, no one seems to be on the same page as her. She starts to think that perhaps her gorgeous and caring boss Pheem could be the one for her. Then Vela, her new team leader, comes into the picture and shakes things up with her observant and affectionate care.

YouTube

18. Show Me Love beauty pageants

Meena moves to Bangkok to achieve her singing dreams. She chances across Cherine who asks Meena to join her in a beauty pageant. The girls' journey for the crown begins and a romance between them sparks.

YouTube

19. My Marvellous Dream Is You magical dreams; actress/personal stylist

Dawan's father abandons their family to elope with a neighbor girl's father. Turns out this is Kimhan, who Dawan has been seeing in her strange yet lovely dreams for years. While they become friends in reality, Dawan hides her deeper feelings, as in her dreams their bond goes far beyond friendship. She never realizes that Kimhan shares the same dreams.

YouTube

20. Unlock Your Love

Rain locked up her heart after getting disappointed in her past relationship. However, things turn around when Love enters her life. They embark on a journey to “unlock their love.”

YouTube

21. Love Bully barwoman/heiress; obstacles

Irene and Night meet at the bar Night works in the night Irene returns from overseas, and hit it off instantly. However, their passionate relationship is threatened by meddling people who want to ruin it.

YouTube

Various chinese WLW mini web-dramas.

Various chinese WLW short films.

WLW as side couples:

1. Wedding Plan mlm wedding planner/groom; lavender marriage

Nuea is a professional wedding planner. Sailom happens to be the perfect man for Nuea based on his visual considerations for a man. But the universe has an unimaginable sense of humor as Sailom and his fiance Yiwa turn out to be Nuea's new clients.

Uncut 18+ on iQIYI or cut on Youtube & iQIYI (special episode), girls don't have high heat scenes here so you can just watch Youtube version for them

2. Love Sea mlm rich big city writer/countryside diver; class difference; wlw personal assistant/celebrity

Tongrak is a writer of popular romance novels. After travelling to countryside in search of inspiration, he chances to meet an irritating southern man Mahasamut. When they end up in bed together, however, Tongrak finds himself hooked. Tongrak has a secretary Mook and a popular actress best friend Vi. Vi enjoys ordering Mook around as if she was her own assistant.

Uncut 18+ on iQIYI or cut on Youtube

With smaller screentime there are wlw side couples in shows: Bad Buddy, I Feel You Linger In The Air (this one has period typical homophobia and assault though, so careful).

Bigger list of asian GL shows: link [tumblr post].

Transfeminine representation in asian QLs:

1. 23.5

Secondary couple are a pair of teachers, both of them trans women played by trans women. For now this is the only show that has a sapphic trans plotline, even though small.

YouTube

2. 3 Will Be Free polyamorous trio; on the run; mafia

After an unexpected event that involves sex work and mafia gangs, three individuals find themselves on-the-run together as they attempt to escape death. Important secondary character is a trans woman played by a trans female actress. Has a trans storyline in the show (the girl gets male romantic partners). Trigger warning for transphobia. YouTube

3. Secret Crush On You “nerd”/popular guy; queer friend group; university setting

A nerdy young man Toh fell in love with a popular third-year senior. Because his dream is so far from reach, observing is the only thing he could do. Toh has a queer friend group, one of them is a transfeminine/3rd gender/kathoey character Daisy. Can be a bit jarring for a western person at first, but her story is very lovely if you give this girl a chance (also gets male romantic partner).

YouTube

Noticeable small appearances of trans female characters: The Sign (the actress Yoshi was the 2019 winner of Thailand's biggest trans beauty pageant, YouTube), Not Me (YouTube), You're My Sky (Viki), KinnPorsche (iQIYI).

Sadly we aren't at a point where Thailand makes shows with trans people as leads yet, even though I so badly wish it was already a thing. But trans women and kathoey generally have supporting roles in BL and GL shows very often, so you can see them a lot in stuff! It's the transmascs who never ever appear here!

Queer shows directed by trans women and transfem people:

Anucha Boonyawatana is a trans woman and the director of Not Me, mlm show about anarchist freedom fighters (YouTube).

Golf Tanwarin is a nonbinary director and the first openly transgender person to have been elected as a member of parliament in Thailand. They were the one who submitted the thai marriage equality bill to parliament, which since then has been approved in 2024 and came in legal force 2 weeks ago. Their directing works: Love Bully (wlw, listed above), The Eclipse (mlm show about repressed boys in a corrupted school system, YouTube), Wandee Goodday (mlm boxer/doctor romcom, Viki).

Just in case, adding shows where I personally enjoyed headcanoning characters as transgirls or enby transfems sometimes:

1. Meet You At The Blossom

Romantic interest is wearing female clothes and makeup for disguise in the first episodes, and despite not passing well no one questions that this is a woman. The character is happily called "wife" by the lead character until the end of the show.

YouTube & GagaOOLala & Viki & iQIYI

2. The Sign

Main character used to be a female snake princess in his past reincarnation. Sometimes played by a female actress, sometimes by a male actor, but always referred to as a princess and wearing period thai female clothes. It's also possible to headcanon the character as a transmasc here though, it's really neat.

YouTube

Many of all these shows are free on YouTube, in other cases I recommend paying for subscriptions to show appreciation and support of content in order to get more of it in the future, but if you can't or don't want to, you can watch online on KissKH or get files from MkvDrama!

Blogs you can follow to get updates and posts specifically about asian GLs: @girlsloveupdates @glgifs

[lgbtpopcult]

Ranking the Top 10 GL Series of 2024

10. My marvelous Dream is You

A highly expected gl from Idol Factory that fell short of our expectations not for lack of chemistry from its love team (they in fact had some of the best chemistry in the industry) but because of the bad writing. The writing simply didn't allow the story to flourish. The couple spent most of the series apart, and we don't mean simply not in a relationship. They hardly spend any time together at all, and when they did, there were no romantic moments happening most of the time. What saved the series was its couple that sold the rare moments they had together really well. No surprise that they're dating in real life.

9. Apple My Love

Short and sweet, this story was a fun little romcom that fulfilled its purpose well. The couple needed to prove themselves as a love team, and they did. Happy to know they got a new series out of it.

8. Petrichor

For the people who had heard of Englot but had only seen them as a love team on Show Me Love, their popularity remained a mystery until this series. This police drama/romance has been good enough to prove they may not be the team with the best chemistry out there, but they're definitely not completely deprived of it like Show Me Love made us think. The series itself is interesting if you like your romance in small doses amidst the action.

7. Blank The Series

Here comes the controversy. One of the most successful and also controversial series of the year. We have to acknowledge that unlike what some fans would like us to believe the problem was not in the age difference per say but in the fact that one of them was 21 and initially very immature for her age. However, she was not underage, she was not unintelligent, and she had agency. She was the one who persistently pursued the relationship. The story was exciting and passionate. Also, mommy issues sell.

6. 23.5

A series that gave milklove, a much beloved love team, its chance to shine. It was a sweet high school romance that was enjoyable for most people and had some great highs. Its jealousy episode was one of the best around, and both of the admins here in lgbtpopcult are willing to die on that heel. It did, however, have the limitations of an innocent high school romance. A lot of time was dedicated to side characters and the couple could not be shown in a more mature relationship. Still, a good time!

5. Mate the Series

It is endlessly entertaining to watch Gen and Aoey interact. The perfect ice queen, rich girl that wanted to only be with the perfect man (somehow nobody was ever the perfect man) trying to resist her innocent, tempting friend. They are funny and sweet and passionate at the same time. The series does a good job of focusing on their relationship with little interest in anything else

4. The Loyal Pin

This production, supported by the Thai ministry of culture, definitely deserves its spot at number 4. At 16 episodes and with great production value, it is a journey through time that not only shows us the love story between two women but also the food, dance, and customs of the country of Thailand. The love story itself did a good job of remaining entertaining by inserting some jealousy and lots of obstacles in the course of the couple.

3. Affair the Series

A fierce debate broke out amongst us about whether this series would occupy the third or the second place in this list. You see half of it, the second half, was so incredibly good. The push and pull of a couple with exploding chemistry while they lived together. The obsession Wan had with Pleng. The amazing love scenes. But the first part of the series dragged it down. The chemistry was there from the beginning but they spend too much time in the past when the leads were young, and one of them was pushing the other to be with a guy just to avoid her feelings. That part wasn't bad, It had its moments, but it was at times frustrating and too long. A great series nonetheless.

2. Pluto

This series has it all. A love team with great chemistry, an interesting plot, good acting, and quality writing. It did not only show us an exciting romance but addressed issues of disability and even teased a throuple (through a side couple don't worry the mains are as crazy in love as gl couples should be). Insert some surprising twists and turns and it's a go!

1. The Secret of Us

The number 1 spot could go to no other series. It wasn't even a debate. Lingorm, the love team comprised of Ling and Orm, was tasked with proving a gl can go toe to toe with straight romance series on a major Thai network. They knocked it out the park! The Secret of Us was super successful. Throughout its run, it remained in the top 10 of Netflix in Thailand and the other Asian countries it was available in. It frequently occupied the number 1 spot, and its numbers on the network's own streaming app surpassed those of its straight counterparts. There was a reason for all of that. The story was a very popular romance trope (angry ex vs. regretful ex) done right, the chemistry of the love team was enticing and both main characters were infinitely charming. We all fell in love.

[madlori]

Ok my fam, I think we all need a lil Come to Jesus moment. So let's talk about it.

"I'm disappointed Tommy wasn't in 8x02 and 8x03." That's ok! We'd all like to see him, and see our boys together. Going by precedent, we can probably expect to see him in 6-8 episodes this season (it could be more - Taylor had 13 episodes in season 5 - but we shouldn't count on it) and we've already burned one. I'd prefer not to have half of them during the opening disaster when SO MUCH ELSE is going on. I'd rather him appear in episodes when he's got a storyline with Buck, or even on his own, and especially at the midseason break or the end of the season when Relationship Events are more likely to happen.

"But the 217 engine!" I know. But as we sometimes like to say to other fans - we kind of baited ourselves with that. It was suggestive, sure. But the fact that production has MADE a 217 engine is also suggestive that we may see it again later, and they just put it in the hangar scene because they already had it and they had to fill up that hangar with as many vehicles as possible.

"An airplane disaster without using the pilot??" As others have pointed out, Tommy's not a jet pilot. And don't let anybody make you think you were nuts for thinking it was possible. It was definitely a reasonable theory, with supporting evidence, that he might be involved, but in the end, the big opening disaster is always going to be about our mains. As it should be. And honestly? It was great.

"But the whole point of bringing him back was to integrate him with the 118 more!" I'm sure that's still a goal they have, but it's probably easier said than done. Not just from a writing standpoint, but a contractual one, in that there's a limit to how often they can use him, so they have to pick and choose where.

"It's like they don't care about this relationship as much as we do." You're right. NOBODY will care about it as much as we do. They care about the main characters, about the show's actual premise (i.e. first responders encountering wild situations, secondarily the characters' personal lives). There is no universe in which ANY relationship in the show will be prioritized as much as we, the fandom, would like it to be. That's just life in the big city. But they do care, oh boy, they do. Enough to use BT scenes in off-season promo. Enough to write Tommy into a scene in the opening episode where, frankly, he didn't NEED to be. Also, consider this - to shoot that scene, Lou was probably on set a grand total of one day, MAYBE two. And they made sure to include him in the jokey "bee pickup lines" reel. You know what other relationship we haven't seen much? Buddie. They have not appeared together outside of work (and honestly, barely AT work either) except in the birthday party scene, and hey, did you notice that they do not interact at ALL in that scene? Buck spends that entire scene interacting only with Tommy. And that's a friendship featuring two mains that we know they value. That's not indicative of anything except the sheer scarcity of screentime.

"They should be promoting the queer relationship!" Should they? They've never really done that before, with the several pre-existing queer relationships. I have always sort of appreciated that they have not hung a neon sign on Buck and Tommy saying LOOK AT OUR NEW QUEER PAIRING. It's never gotten the Very Special Episode treatment - Buck never had gay panic, or much coming-out drama - and I like that. I like treating it no differently than other romantic pairings on the show. And they did actually promote it quite a bit when it happened. Now it would just feel kinda performative to me.

"Will he be in [whatever episode]?" Imma gently suggest we not do this every week. He'll be there or he won't. There'll be some we know he's in (I think 8x06 is a lock), some we won't know and will be pleasantly surprised, or unpleasantly surprised. I'd say odds for 8x04 are...20%, rising to at least 50% with 8x05 and 100% for 8x06.

And if you ever feel sad about it - go look at a still of Buck from any episode so far this season, and say to yourself, "This man is having heaps of amazing sex with his hot pilot boyfriend on the regular. Canonically."

I know a lot of us have encountered some pretty irritating gloating from people who hate this relationship (in a frankly weirdly obsessive way) about him being not there. Just remember - that's all they have to gloat about. The only "victory" they can claim is the absence of a character? Lame. And it's not even a victory, it's just the cost of doing business when your ship involves a recurring character. Sit back and enjoy your canon relationship between two men who've actually kissed on screen and ignore it. We can be generous about it.

So let's not talk ourselves off the deep end, shall we? I'd like to keep being a reasonable fandom.

[kidcosky]

It's strange to think that Kaito is the only one in this story who shouldn't have anything to do with any of this. He's not like the other Gosho Boys, who always wanted to be a detective or also, he doesn't have a relative who works for the police. A normal boy with a normal life, who thought his father had died in an accident and tried to move on from it, but ends up discovering that he lived a lie for 8 years, that his father was an internationally wanted thief and was murdered when he refused to look for a precious stone.

So Kaito enters this world of police and criminal organizations just to find out who killed his father, prevent someone bad from finding Pandora and take revenge by helping the police capture the criminals. But even if he treats it like it's nothing, he's slowly breaking down, it's exhausting and progress is almost minimal. I'm looking forward to film 27 precisely because Kaito won't be as positive as always, he's reaching his limit...

Kaito knows that Pandora might actually just be a legend but he keeps searching for why his father 'died' because of this. He devises complex plans, constantly risks his life and handles everything alone. Shinichi got support, he has Heiji, Agasa, Haibara, his own parents and everyone who knows his secret identity but Kaito has no one but Jii, not even his mother helps him (even though she knows more things than him) quite the opposite, she rarely shows genuine support, barely talks to him and is always distant and beyond that (it seems) in the last episode of Magic Kaito 1412, it was she who disguised herself using Toichi's image to shake Kaito, no matter what kind of intention did she have... That was cruel.

He's already gotten too involved to give up and pretend that nothing happened, that he doesn't know any of this, it's complicated and Jii can't stop him from putting himself at risk. Kaito doesn't like stealing, he says that sometimes but he's someone who is very stubborn and unaware of the danger, when he gets it into his head that he has to solve all this, he won't stop until he succeeds.

And even though a lot of people hate him, he never lowers his head or stops helping, he helps the police, prevents people from dying and always tries to put a smile on someone's face regardless of who they are. It's ironic to think that this pervert is such a pure-hearted person, that he feels guilty for not being able to save someone who had tried to kill him moments before...

[themothwhisperer]

Yellowjackets cannot be analyzed and evaluated based on familiar standards. Based on a “normal” life. 99% of people will live a relatively regular life. Therefore we genuinely cannot understand what these characters are going through. Our understanding is limited. It’s simply not realistic to judge them with the societal settings we were raised into from day one to now.

It’s normal to think they are bad people. It’s normal to have mixed or even negative opinions and feelings about them. It’s kind of the point. They’re confronting us with what humans can become in extreme scenarios. If anything, I think it’s fascinating beyond mesures.

Embrace being upset or mad at them.

Embrace questioning the actions of even your favourite character.

We’re trying to imagine what it must be like, but they are not making it easy for us to navigate alongside them.

Also, let’s not forget about a very important aspect of their reality: they are teenagers. It’s a mess even when you haven’t crashed in the middle of an enormous and ruthless forest. A normal teenager is worried about things we, as adults, look back on and perceive as minor or even ridiculous. First relationships, friendships and what to wear and the look to pick for a party or the grades at school or results on the field… One day that was the kind of problems they had and the next day they were dealing with very tangible and adult issues. Some of them did have tougher lives already, but the shift was still drastic for every single one of them. They were literal babies. This is a terrible scenario for any human being. It has to be much worse when you’re just a child. They were forced to grow up extremely fast, not even having the tools and preparation required for it all. It’s brutal. They were already exposed to blood, severed limbs and dead bodies in the following minutes after that plane hit the ground.

And yes, I know some of them are doing so much better than the others. They’re holding on to the absolute best parts of themselves and unlike the others, they are not so corrupted by the horrors they have to do and witness. Nat and Van are prime examples of maintained sanity and humanity. They are strong and deeply good people. It’s true. And it definitely is remarkable and admirable. But with that being said, the trauma is made of many layers for some of them. Of course they’re all profoundly affected and changed, but some of them had it worse. And on top of that, everyone is fundamentally distinctive. Everyone reacts uniquely. Everyone’s got their own weaknesses and strengths and past experiences to carry around. And in a place like this, the smallest details can make a world of difference.

That’s why Shauna is so extreme, for instance. Do we really think she was destined to be a bad person like Melissa was insinuating in episode 8? She was already a troublemaker, right? Having sex with her best friend’s boyfriend like that. But I personally think it’s much more complicated than that. She’s a teenager. She’s flawed, but she also doesn’t know anything. A teenager is a work in progress. She doesn’t have any landmark to guide her. Well at least not anymore. I feel like the possible explanation really comes from her very severe grieving process amplified by a great deal of loneliness. The two sort of emerge from the same roots also.

Shauna bites now, but she always was the dog amongst them. Her canine form simply mutating, adapting. Initially following Jackie’s lead like a lost puppy. Not feeling much, even with the thrill of fucking someone she shouldn’t. But that was okay, it was enough. She had a muzzle, a structure to hold her down, keep her steady. And she also had plenty of time to cope and learn how to do things properly. She was just a kid. But said kid ended up very far away from home, with the guilt of her best friend dying and the unimaginable pain of her baby dying right after. She took a knife to tear skin off. She fed the group and with every sliced piece of meat, she lost parts of herself too.

We can only wonder what’s left. One thing is absolutely certain however… Weakness is not an option. Since Jackie died, she is alone. Of course, Tai and some others truly wanted to help her out, but ultimately, she had no allies that could compare to what Jackie and her had. Van and Taissa have each other (and just think about how it can make the experience much easier when true love and care still exists for you), Lottie has a dedicated “following”, Gen and Melissa were always close, Akilah and her cute little creatures... But Shauna? She’s all by herself. With every passing day, her humanity is shattered.

And then fear comes. Her trauma is so massive that it sort of invades, or rather infects everyone else. People are scared of her now. Of what such an hopeless young woman could do. What she could potentially be capable of committing. That comes with even more distance, but also a newfound power. Fear is a great tool to dominate. At this point, Shauna will take any satisfaction she can find. So this is it and she cannot fail.

That’s also where Melissa becomes interesting. Danger is attractive. Broken things call to be fixed. Plus, this could be it for them, maybe they’ll never leave this place after all. Better make the best out of the situation. Shauna probably sees an opportunity above all else, sure, but there was most likely always a bit of her pre-crash self in this “relationship” too. The typical excitement and hope that can accompany first love. That’s maybe why she gets so aggressive and abusive in episode 9. She cannot accept rejection. It’s the little girl in her that’s hurt. Not only she is experiencing her queerness for the first time, she is also losing all the control she once held on Melissa. She was leading the lost puppy, just like Jackie once was doing with her. And suddenly Melissa is done with her. She had her fill and she is disappointed in what Shauna ultimately is. So she bites back. And harder at that. Is it okay? No. But Shauna cannot accept failure anymore. If things don’t work out her way, she will be violent and cruel. This power is the only way she can keep moving forward.

[nerdyenby]

Limited Life statistics

Kills

Most kills (total)

Grian and Martyn: 18

Scott: 17

Joel and Scar: 14

Most kills in a single episode

Grian: 10 (ep 7)

Scott: 9 (ep 7)

Martyn: 8 (ep 8)

Least kills (total)

Tango: 2

Bdubs, Bigb, and Jimmy: 3

Skizz: 4

Deaths

Most deaths (total)

Scott: 17

Impulse and Joel: 16

Grian: 14

Most deaths in a single episode

Scott: 10 (ep 8)

Impulse: 8 (ep 8)

Joel and Pearl: 7 (ep 7/8)

Least deaths (total)

Bigb: 8

Bdubs and Skizz: 10

Pearl and Tango: 11

K/D ratios

Martyn: 1.38 (18/13)

Grian: 1.29 (18/14)

Scar: 1.08 (14/13)

Scott 1.00 (17/17)

Etho: 0.92 (11/12)

Joel: 0.88 (14/16)

Impulse: 0.75 (12/16)

Cleo: 0.50 (6/12)

Pearl: 0.45 (5/11)

Skizz: 0.40 (4/10)

Bigb: 0.38 (3/8)

Bdubs: 0.30 (3/10)

Jimmy: 0.25 (3/12)

Tango: 0.18 (2/11)

[lxgentlefolkcomic]

First page || Previous page || Next page

Start reading Episode 1

Dialogue transcripts:

Panel 1

Godfrey: And do not tell Irene, but I am certainly going to commission you for a portrait of her.

Basil: I’d be glad to! As soon as I have completed Sir Murgatroyd’s, I am at your service.

Panel 2

Godfrey: Please, take your time. No matter when, it is a thrill to show your gift to the one you love!

Basil: Indeed, it is…

Panel 3

Irene: …Well, Mr. Gray, we shall keep that in mind. We do owe Mr. Hallward, as well as yourself, credit for giving us the first clue. Above all, we trust Lord Godalming having referred you.

Panel 4

Dorian: Ah, indeed, good old Basil…Anyway. I am glad Lord Godalming has put my little joke behind him. He’s a bit of a humorless sort, sometimes.

Panel 5

Mina: Oh, rest assured, Arthur is quite mirthful.

Panel 6

Mina: He does, however, have his limits when it comes to love.

Mina (white text): We, however, shall suffer no mockery of Love.

Panel 7

Background text (left side): “How long will you like me? Till I have my first wrinkle, I suppose.” “I love her, and I must make her love me.” “I have had the arms of Rosalind around me, and kissed Juliet on the mouth.”

Background text (right side): “I would give my soul for that!” “To-night she is Imogen, and to-morrow night she will be Juliet.” “When is she Sibyl Vane?” “Never.” “You have spoiled the romance of my life. How little you can know of love, if you say it mars your art! Without your art, you are nothing.”

Background text (white): Mockery of Love (x3)

Panel 8

Mina: …Is everything quite alright, Mr. Gray?

Panel 9

Dorian: Oh! Yes—I was just saying—We would be delighted to keep in touch with such…ahem…intriguing company. But for now I am afraid we must bid you adieu, erm, if you’ll excuse me…

Panel 10

Basil: Dorian! Are we leaving already?

[isjasz]

Hi just ignore this if you want to or if you don't know or something idk sorry but I'm really interested in getting into all of the mcyt stuff that you're into but I have no idea where to start,, any tips or guides that you know of for someone interested in getting into that stuff 😭

HELLO HOW ARE U HERE IF U DONT KNOW MCYT OH MY GODS thats WILD /POS

Ty for sending this ask dw im really happy to help and introduce more ppl to these series!!

UM AIGHT SO I'd say my main main fandom is the Life Series! From season 1 to the latest season there's 3rd Life, Last Life, Double Life, Limited Life, Secret Life, Real Life (april fools special), and Wild Life that just ended tdy. It is a improv death game series packed with shenanigans, alliances, betrayals, and ofc fun, with different minecraft gimmicks every season <3 Up to u if u want to watch from the first season (there are several movies from different povs, I'd say Grian's is a good starting point) or watch some from the latest series Wild Life to get a feel for it :D (lizzie's episodes are relatively short if you prefer that!)

And then after that go watch animatics oh my god theyre so good, also consume fanart, and fyi the tag we use on tumblr for life series are #trafficblr and #traffic smp o7

AND THEN if u end up liking some of the content creators (ccs), a lot of them are also on Hermitcraft which is kinda my secondary fandom ish :D! A lot of fun shenanigans and amazing building happen there. The current season is season 10, and I'd say you dont really need to watch previous seasons to understand the current one 🫡 (same for life series, tho ofc a lot of people make references back to previous series) (but also I recommend watching hermitcraft season 8 if u have time its SO GOOD)

AND YEAH I THINK THATS ABT IT i hope that clears things up a little :D feel free to lmk what u decide to watch and what u think about them if u do! I'd love to hear about it🫶💥

[mangofanarts]

Sources:

My Heart Is The Ocean by Alexandra Vasiliu / Limited Life - episode 7: The Family Goes To WAR! by GoodTimeswithScar / TIME THAT IS OWED - Minecraft Limited Life #4 by Inthelittlewood / My Heart Is The Ocean by Alexandra Vasiliu / TIME THAT IS OWED - Minecraft Limited Life #4 by Inthelittlewood / I KIDNAPPED SOMEONE FOR THE BAD BOYS!! | Limited Life | #4 by Solidarity / My Heart Is The Ocean by Alexandra Vasiliu / SLAY THEM WITH YOUR WORDS - Minecraft Limited Life #5 by Inthelittlewood / TIME’S UP! - Limited Life Episode 08 by ImpulseSV / Quote from Catherynne M. Valente, in Deathless / The Biggest Betrayal… - Limited Life - Ep.8 by Dangthatsalotname / The tragic way of saying quote

[mysteryanimator]

Breaking down Castlevania Nocturne Season 01 - Episode 04 "Bedroom scene" (almost) shot by shot!

Previous shot analyses: S02E08 - The Devil is Easy to Cheat / S01E06 - Gulity Men to be Judged / S01 E08 -Breakup

(Word count 6.3k I am so sorry HAHAHA)

I was heavily considering not going through episode 04 mostly due to being in the public eye but I like talking about shows I enjoy, regardless if my writing is shitty or not. By the way, the title says almost go through this shot by shot only because there's a 30-image limit. This scene is LONG so I can't catch everything but I can catch most.

By the way, before we start, a massive huge thank you to the Nocturne people, i don't think they'd read this, but if they do, all the scenes are really well crafted and interweave soooo nicely to their next point of interaction. I would love to know everyone who worked on this section, but if not I do hope they hear my utmost thanks and applause from all the way from Australia.

(Actually, just everyone who worked on Nocturne take a standing ovation from me lol, the show actually changed my life lmao, but I digress)

To introduce people who may be reading my analyses for the first time:

I implore you to rewatch Nocturne after reading this and make your own thoughts because while this is an analysis, it also comes through my own lens. These are just my thoughts and by no means end-all-be-all!

These are just observations based on my special interest and study in the field of in media production and analysis (i haven't been in that field for a while but I'm trying to get back into the swing of things HAHAHA)! Despite all of that, this is for fun, which is why I will be writing a lot more casually, so please don't take this too seriously! This not only helps me out as a student to become aware of how stories are put together and, in turn, how to apply them and make my own, but it also allows me to impart that excitement to you! Shot choices matter, especially when you have only 8 episodes, a deadline, a budget, asset restrictions, and so on. It all has to count. Everything matters.

Passionate creatives care and there is more than "the curtain is blue just because." The times when things slip under the radar and are put there just because are mostly due to executive meddling, budget restrictions, and deadlines.

With that said, this is actually a lot more thicker than previous breakdowns, WHOOPS. So please feel free to read this in chunks, and I will warn you that my grammar is not the best so you might have to bear with me here! As a warning, I will be using the words like sex, genitalia, etc. I only mention the actual acts of sex when presented as a joke.

--

Why am I putting in this last close shot of Tera? It is important because the whole scene beforehand has us mentally prepared for a fight or something a lot more action-like. The walls behind Tera and Olrox's room are REALLY similar, therefore once we see this inn room, we make a split-second assumption we're jumping forward in time with the protagonist. A picture says a thousand words.

Right up until the Olrox and Mizrak scene, our protagonist and antagonists both have very distinct places of associations and visuals, which often give the audience clues about their roles. They're established immediately from episode 01 and don't divert that line, that is until inn room. You can argue the line waivers in the courtyard, but the distinction is made REALLY clear in this episode.

The main cast, aka our protagonists, their places of association are usually amongst nature and people. If they're inside buildings, it is small cramped space, very much lived in and not completely upkept BUT it is what makes them very human. Our antagonists are associated with grand buildings and detailed windows that almost touch the ceiling. Gold trimmings. Vibrant rich colours that could only be afforded by the rich. If not the massive chateau, we have larger-than-life catholic churches, with stone walls higher than the eye can see. Our antagonists are congregations and establishments. Our protagonists are individuals.

I'd love to put some examples but I've used up my image slots, which means I'm making you rewatch (jokingly you don't have to) Nocturne from ep1-ep4 making you really conscious of the backgrounds

We as an audience have already slotted Olrox with with high-class, even though we as an audience know there's more to him. Olrox is designed with visual cues of the antagonists. His clothes literally could be wallpaper for the chateau. Not only that, the way he stands and holds himself very much leans into some of the stereotypes and tropes of the upper class that are often shoved into the media we consume. Then Mizrak, we do not see Mizrak anywhere besides the church, just strictly following the commands of the Abbott. We as an audience already have preconceived notions about religion, especially catholicism in the real world. Also, we have an established view of how Castlevania goes about religious characters from the previous series. Mizrak appears to have no other purpose but to be one of the main antagonist's guards.

This is a subversion.

Subtly this is going to tell us there is so much more with Mizrak and Olrox, and how their values align more with the protagonists rather than the villains and antagonists of the show. However, since they already began as oppositions to Richter and co, they need to earn the trust of the audience first so then they become more likable whenever they do have to earn the trust of Richter and co. This is our first building block. A step towards trust towards us and a step towards trust between Mizrak and Olrox.

(The location of their private conversations is REALLY important because they also tell us a lot about the characters, but I'll save it for the ep 3 breakdown when I get to it)

The sequencing and length of these shots are really important for the first half of the bedroom scene because we have exposition to get through. The scene has to be set out very strong from the start BUT, it also has to ease us in because this is a drastic shift, not only visually with naked characters but also a shift on the audience's expectation of already established characters. This is why we need this window first. We need to ease into this bedroom scene, or else we're going to be way too distracted by what is about to be shown.

Going forward SOME of these will be gifs to help illustrate my point. After all this is an animation! This is really important to show you in motion.

This pan down, oh my god this pan down. Camera pans help to reveal new information off-camera or to showcase a shift in tone/perspective. Suffice it to say THAT IS A LOT OF INFORMATION and a new shift in tone. This long shot is here to help establish our setting more clearly, what characters we're following, and what is happening. What are we establishing here? Mizrak and Olrox had sex in an inn room, that's all this shot is. It doesn't have to be anything fancy, other than the fact Olrox is censoring his own and Mizrak's crotch but that's it. As simple as it is, it is extremely effective. Yet it's so pulled back and obscured by the flower we can't be completely certain which is why we need the midshot of them that follows after, which helps to continually ease us into the scene. It tells us so much with so little. Show, don't tell is not only a powerful tool in visual arts. It leaves the audience to their imagination and I'm pretty sure a lot of us can fill in the gaps (I see you writers, I've seen everything on AO3).

This a midshot of Mizrak blankly staring up at the ceiling. Then they both turn to each other before Mizrak leaves and Olrox watches. In silence.

It's simple.

It's straightforward.

It makes you throw your arms up and go "what the fuck is happening???" It works. We're easing into this scene which is what we need. We're distracted by our own shock. So we've gone from our establishing the bed to establishing in our faces that, yes, it is indeed Olrox and Mizrak and they are both naked. That yes, they had sex and that Mizrak decided to stay for the night. Reasons? No clue and it's not important plot-wise, we just need to wrap our heads around that it is THESE TWO. It needs to be simple.

The lack of dialogue gives us room to breathe and to think. This is why this shot feels and holds on for what feels like a long time, in silence.

It might've changed but last I recall on average, shots will hold for 2-3 seconds. This is due to preventing the audience loose interest because the unchanging visual stimuli (and let's be frank attention spans are shortening, therefore media will change to reflect that). HOWEVER, a shot length heavily depends on the context of the scene and what you're trying to specifically say with a single shot, therefore making it super short OR super long. This one shot is six seconds. It allows for the dramatics to be amped up and it allows us to get through our shock for a bit longer since we're only TWO SHOTS into this scene, and right after this we're jumping straight into exposition and their deeply intricate dynamic. This is out six seconds to scream our heads off in shock and laugh in disbelief before we get hit with Mizrak's existential crisis.

The silence and the simplicity of it all also strengthen their mysterious characterization that has been established in episodes 01-03. We never see how they got here OR the act itself. However, what is really telling of these characters is their lack of body language and facial expressions. From episodes 01-03, Mizrak and Olrox have been seen to be very reserved characters until their fight in the courtyard. Their last scene together was fighting, in a courtyard. Now we're seeing them, post-sex, with neutral expressions and body language? The lack of any answers, the lack of anything dynamic happening from this shot and the last shot makes the audience absolutely learn for an answer. We're now invested in this side plot. What got these two men to be in this vulnerable state? How do we get the answer? We sit, we wait, we watch that vulnerability get earned. Mutual vulnerability that is.

This gets into personal opinion here so feel free to skip, but I really really enjoy how we get absolutely no answer or visuals, which might be a strange take for someone who does of fan-anims and fanart of them coughcough. We as an audience can get through literally two images and understand they had sex. We don't need to be spoon-fed. Media is in my personal opinion is more fun to engage in where we get just enough to know what going on, but we can fill in the blanks ourselves. We can read between the lines. This is adult animation. This is not to say I'm opposed to an explicit scene with them later down the line, I just think this is a very good way to establish the dynamic they are going to have. It has me way more emotionally invested in these characters which I believe is far more important because it tells me we're in it for the long haul and we're going to see a relationship actually develop in real time, both their high points and pitfalls. Also, I personally feel this whole scene is building towards something we have yet to see. I do not believe this is the last time we will see them put in a situation like this due to the whole emotional weight of them being naked, but that's theory territory LOL. I'm so happy to be proven wrong though.

This long shot is slightly tilted up to help to censor genitalia but it is again a REALLY SHOCKING SHOT. I personally don't know any recent Western animated media that has done this, especially of a male couple. Even if there are some animated examples, this is not a very common thing, especially to this extreme.

Now we're actually getting into the meat of their actual discussions, knowledge, if you will.

By the way, the question Olrox is presenting, is already information everyone knows. Actually, a better word is presumed. We saw the abbot in episode 02. Olrox explicitly states it in episode 03, asking "Why is your abbot forging Night Creatures for the Vampire Messiah?" There's technically no reason to say this BUT for this scene, it works because we're still distracted visually. We still need to ease into this, much like how Olrox needs to ease himself into this conversation before getting what he wants truly. Mizrak's opinion.

This midshot of Mizrak's back is so much important then you think.

I can be wrong, but I feel like you're supposed to be half-distracted or get whiplash by Mizrak's back. Frankly, we're supposed to get major whiplash from these two characters naked for a moment. These characters are usually completely covered from the neck down. This also makes the conversation they're having to be put under a way different lens. If they were clothed for this entire scene, the emotional weight would almost be non-existent.

Nakedness/lack of clothes is vulnerability, especially for a knight. Especially for a guarded vampire. I will be talking A LOT about vulnerability, so I hope I don't wear out the word too much.

You can perceive this shot in two ways and I think both work in this scenario. It can showcase even when naked and vulnerable, his unwillingness to open up, unable to fully face his own truths, the truths Olrox lays out for him. Yet, you're also having your back to a vampire, a perceived threat, which is a very vulnerable position to be in. You can't see your opponent.

It shows Mizrak trusts Olrox physically, but not emotionally. Not yet. We're going to watch Olrox earn it and for Mizrak to reciprocate it back throughout the series. Also just in general, sex requires vulnerability, choice AND trust, therefore even the implication of sex, those meanings get slapped down onto these characters. It means that they have the means to trust, be vulnerable, and have a choice with each other physically, but emotionally, they're building up to that.

This medium shot will be the ONLY SHOT we get of Mizrak in his boxers. This is plainly in part of the fact he's hurriedly getting dressed BUT we need to see his hesitation, him slightly lowering his clothes, him actually listening to Olrox.

Olrox is right.

Though Olrox isn't here to converse about other people to Mizrak. He wants his opinion.

Close-up shot of Olrox!

Close-ups are used to make the facial expression of a character the main focus. It gives us clarity on the character's thoughts and feelings on a particular subject, even when lying it can already tell us a lot about a character in the moment. The character themselves are the sole focus of the shot, nothing else. The same goes for objects. This also means when you do the opposite and obscure the face...

(drum roll to the next shot)

This is a great close-up shot to cut to because this has Mizrak fully turn AWAY from Olrox, put on his armor, and paired with the line "I don't know what you're talking about." We're getting visual and audio confirmation that Mizrak does not want to acknowledge his own thoughts, in turn, he will not face Olrox and the audience.

He is actively putting his guard back up as soon as Olrox prods for his opinions. From episodes 01-04, all we have seen him do is be at the church and stand alongside Emmanuel, that's it. He is not a leader, a pillar of the community like the Abbot, he is a follower. A guard dog ( like Drolta Tzentes, though she has way more personal agency than Mizrak). He never voices his own opinion, his own thoughts. To do that would need you have the strength to be

VULNERABLE!

By this point in time, he's not fleshed to the same degree as most of the other characters. Richter gets the episode 01 prologue with Olrox being his main point of trauma. Tera gets her speaker backstory fleshed out along with establishing Drolta and Ezerbet's longstanding history. Annette and Edouard get a really well-established (btw beautifully done too oh my god) flashback as Annette recounts the past. While Maria has no flashbacks, her character gets to have her individual values and attitudes fleshed out due to her screen time and her connections to Richter and Tera.

Mizrak though?

Not much is known about him besides the church. We put this label on him simply due to what the show has given us, but through Olrox we're getting information out of him because clearly Olrox has seen there's more than meets the eye. Especially when Mizrak drops the line "when the world abandons you." Olrox's investment is also now our investment in discovering who Mizrak is.

Mizrak however, does not want to get personal feelings in the way of duty, a common trope in media for knights, soldiers, and religious people. So he shuts him out.

Multiple.

Times.

This shot pans up, moving Olrox from lying down, which is more casual to more structured sitting pose. Specific movement is IMPORTANT to capture, so instead of just cutting to another shot, you move the camera with it. There's a tone shift. We need to see him go from lounging to making a very direct statement. Mizrak is ignoring his question so Olrox has to be more blunt with his statement because he needs him to listen- so the camera and the his body language have to clearly state "I'm not joking or fucking around anymore, just listen."

What he says is absolute truth though, this is exactly what happens in episode 08. "They're revolutionaries, Father. We're here to crush them."

The stark difference here is crazy in this medium shot.

Mizrak. His head is purposely cut off, he's practically clothed, with his chain mail on. He's standing up and his posing is quite stiff with his hands almost balled into fists. You also might be thinking, why is his chest and boxers the only things we see???? It makes him appear so much more clothed up and, therefore a lot more guarded. Cutting off the face means we don't get to see his emotions, he's trying to ignore personal feelings on whether it's right or not.

Olrox on the other hand, is full body, we see his face, naked, and despite his very direct statement in the last shot, he still somewhat casually sitting. Olrox is STILL trying to get Mizrak to be vulnerable and trying to get HIS opinion.

Funnily enough, I've talked about this close up shot before in BOTH episode 06 and episode 08's breakdowns. However, I've never actually discussed this initial way Olrox approaches him.

Olrox again, prods at Mizrak and this time Mizrak does have to sit with that thought. "Do you think he's right?" "Are you sure this path is right?" He's asking if what Mizrak is doing is good. If the horrors committed are justifiable. Both the way their expressions tell us that Mizrak does not think it is, and Olrox KNOWS. This close-up is INTIMATE. We're getting deep into personal matters (well try)

Side profiles not only give an air of drama to a scene, but it usually means there's more to the bigger picture since we're not seeing a person's full face. We're deliberately only seeing one side of the picture.

This is a split-second shot and I've discussed it briefly in another breakdown, but now I can get to discuss it more in-depth now as it's own shot!

This is a top-down shot, putting these characters in a place of vulnerability and weakness. Olrox is put even lower than Mizrak in this shot, he's far smaller and takes up less space in this shot, therefore giving him less presence and less power. Episode 03 had established Olrox was the man (or should I say vampire) in control of the situation, hell, the shot just before this one had Olrox wrapping around Mizrak, again trying to get under his skin. Yet now he's suddenly placed the lowest in the power dynamic.

Not only this, the camera is packed in so tightly and close, it's practically suffocating. We have no visual room to breathe, almost like we're suffocated with the evil that prevails in the world and suffocated with the weight of the question "Are you sure this path is right?". Olrox's eyes are the only aspect we see of his face and Mizrak's eyes are the main focus of this shot.

And they both look horrifically sad. An emotion we have not seen either of these characters make.

This shot does not last long but it shifts the rest of the section completely, even when the moment of concern is gone. It lingers with us when dismissed because it does not match any other scene we've had thus far or what we have known of the characters.

This one specific close-up is very important because it comes back to us in episode 08 and episode 06.

It's the holding from behind and the very concerned look from behind. Mizrak only ends up mirroring ONE of the behaviors. It's the concerned look from behind in episode 06 (timestamp is 19:25). They're put at the same heights, both talking about the evils of the world. Tin foil hat here, Mizrak may end up doing the other behavior, holding from behind, in another season.

The weight of this shot is so heavy that it is treated so differently amongst all of the other shots in this entire interaction. It also holds on for much longer. It holds for 5 seconds. This is important. There are little character moments from Olrox, like how Olrox looks up at him and he holds onto Mizrak as long as he can before has has to let go and watch him walk away. Duty, before desire.

A moment that Olrox has to go through once again for episode 08.

In response to a line. "So we use our heads." Olrox jokingly goes "Or lose them."

This long shot is not only tilted up but it's on the slightest of angles as if to showcase how we're shifting the mood and tone of the scene. We are losing the gentleness and sincerity of the moment, back to the very conveniently placed knee to censor Olrox. We have Mizrak pulling up his pants. Whatever vulnerability they had, it's gone.

I don't think either of them wants to sit in the thought of their existential crisis because not only Mizrak is clearly going through one but Olrox is too. While I'm sure they were sitting with their own thoughts for a long while before meeting each other, it's only forced to be on the forefront and confronted after meeting each other.

So the "lose our heads" line ends up coming back around to where someone actually ends up losing their head in the same episode.

While first, it is very comical because I've seen so many people make the joke of "Olrox gave Mizrak head" (which doesn't help because Olrox smirks at him after passing him the head), it also solidifies Olrox's truths to Mizrak. People will lose their heads under Ezerbet, and there is evidence not even hours after their discussion. Despite the humor, Olrox is deeply concerned.

Olrox is always right. Whenever he makes a statement, he has always been right and has always been proven right. The only thing he hasn't been right about is episode 08 when he says "If you go back, she'll kill you." However, in terms of technicality, Mizrak hasn't gone back to Ezerbet/Sekmet. This will be addressed in season 02 most likely and even then I think Olrox will be proven wrong. Maybe? We shall see LOL.

Which while we're at it:

He eyes Mizrak the ENTIRE time during this very small interaction, and while he eyes him, we get a close-up of the book somewhat revealed before hiding it under his coat- silently communicating to him. This will eventually lead to episode 06. All interactions lead to effecting the next time they meet. I just really like this detail, though that might be a corn plate moment I'm not sure HAHAHA

Ok lets jump back to the bed scene!

So this follows up the "So we use our heads." "Or lose them."

This is said insincerely, so Mizrak jabs back at him with the same insincereity and less seriousness of this scene. Coupled with the fact we have a panning shot of Mizrak pulling his pants up, aka, pulling up his guard. Important note again- his back is STILL FACING HIM. Even with the chainmail fully covering him.

Also, I just really enjoy the animation here, like the way his arm goes from in front of him and straight, and then goes to being pulled back and bent, but that's a side tangent.

Low-angle tilted down shot. It ends up placing Olrox in a lower position of power than Mizrak in this current interaction, coupled with the fact that Mizrak towers over Olrox when he's standing up.

Despite us not seeing much of Mizrak besides his chest- he's fully clothed with his tunic FACING Olrox. While Olrox is STILL naked. Mizrak is shielding himself behind the cross. His faith. Olrox still is trying to delve into Mizrak's vulnerabilities and Mizrak won't give in.

Props to everyone who worked on this shot he just looked really pretty here.

This shot is tilted up and a close-up, an opposite shot to the previous one. It feels daunting, coupled with that line especially. Unlike a tilted-down shots, which make a character appear more vulnerable and weak, a tilted-up shot can make a character feel more in control of the scene. It makes him appear unwavering and solid in his stance Also, this is so specific but we haven't had any solely focused Mizrak shots for a hot moment now. The last time we had it was when he had his back turned to Olrox- now he has all his clothes on and is fully turned towards Olrox. Say it with me !! Mizrak's guard is up !! He's shielding his vulnerability !!

He feels way more emotionally safer to face him guarded up and a lot of his language has very very subtly shifted from when he had clothes on versus off.

Also thank you to everyone who worked on this shot, Olrox is very pretty here too.

Instead of having a tilted-down shot to do a verse version of Mizrak, it's pretty much straight forward close-up shot, which means the equal power dynamic in this conversation has returned. Simply because Olrox begins to prod at Mizrak again with the line "Who pays for it? Will you?"

Oop naked Olrox. However, despite Olrox's ass being very clearly on display, he's not the main focus since his face isn't shown. He's only here to showcase the visual contrast of him being naked to a fully clothed Mizrak. Even his dagger is strapped to his thigh, which only means there's even more layers to his protective bubble he surrounds himself in.

This close-up is important because it's a declaration of how much Mizrak doesn't care in the slightest. His facial performance, aka what we're focused on, doesn't look like he's lying or secretly worried either, he's genuinely disinterested. He just wants to get dressed and leave because Olrox keeps prodding at HIM for his opinions. As disinterested as he is for whatever Olrox has to say, he's disinterested in shedding his opinion.

This midshot is so casual. He is very non-nonchalantly leaning back with a smile and jokes about demons. The camera moves with Olrox. Camera pans normally mean revealing new information visually, as if something is off camera, similar to the bed reveal at the beginning of this whole scene. What Olrox is doing is revealing new information. Also, he is on the very right of the screen then slowly gets pushed a little more towards the center, but still on the right. Having a character placed on the very cusp of a stage makes the visual balance feel really off, therefore as an audience, we feel really off-balance. So couple that with Olrox's humourous attitude with an information dump...

This so interesting because it sprinkles in that Olrox knows a lot about the forge master ability, hell itself, and a lot more we don't get privy to. He knows way more then he lets on.

This ONE LINE gets three different shots. The very casual, humorous sentiment gets interrupted visually with extreme close-ups of Mizrak who is clearly peeved and tense about this. The quick succession of jumping to different images makes us tense up. This is due to the timing suddenly speeding up AND where the camera is placed is so drastically different.

He's reacting to the conversation unlike how he has before.

Now Mizrak's hands are fully covered, the last part of his skin, the last part that Olrox used in an attempt for vulnerability. Mizrak's guard is now unwavering, covered head to toe. He's gone from reserved and quiet to angrily guarding again.

Lol you thought I was done talking about divides and boxes, you are WRONG.

Mizrak is boxing himself into all his preconceived notions of religion. This is the only time he's been aligned inside of the door frame. Mizrak is done with this conversation and he doesn't want to hear anything else.

Also, funnily enough- Olrox takes up the amount of space in this shot as to Mizrak and the door. Compositional it does make it feel more filled up rather than empty, showcasing Olrox is listening, peeved, but he is listening. It also might hark onto the Olrox God connections that are being subtly slid to us, though this feels like a slight stretch. There's a stronger Olrox God parallel I talk about later, so pocket that thought!

I have to skip some of the shots because of the image limitation, but thought this one needed to be addressed!

Not only does this wide shot make us feel really pulled away and disconnected from whatever private conversation they were having. It also makes us feel like after this interaction, whatever same understanding they had, is gone (well not completely gone, it has to be rebuilt again). Mizrak's unrelenting faith in one God is causing a rift, a divide if you will between the both of them. They feel so separated, so distant from each other because Mizrak is still really stubborn.

Then after all is said and done. After Mizrak has the final say. He leaves and Olrox watches. Like episode 08. Again.

Olrox is pushed into a box, which funnyily enough, Olrox tends to be seen in a lot of boxed-up framing to the right of the screen. You can see a visual collection of it here. Whenever he's from the left of the screen boxed up, it's usually turned towards himself like an inner reflection.

Ok, I have to skip some more shots to get to here.

"One God. And you think he can protect you?"

This is major foreshadowing but the one God, that Olrox scoffs about is himself. This close-up solely focuses on how he looks down and watches Mizrak from above. Much like how God is described in scripture.

Psalm 53:2 NIV: God looks down from heaven on all mankind to see if there are any who understand, any who seek God.

Psalm 102:19 NIV: The Lord looked down from his sanctuary on high, from heaven he viewed the earth,

Olrox looking at Mizrak from above as a protector happens numerous times in episode 08.

There are also a ton of bible verses about living under the shadow of God, it's considered a positive thing because God's shadow covers the entire body, therefore a person is fully protected.

Psalms 91:1-2 NIV: Whoever dwells in the shelter of the Most High will rest in the shadow of the Almighty. 2 I will say of the Lord, “He is my refuge and my fortress, my God, in whom I trust.”

Psalm 36:7 ESV: How precious is your steadfast love, O God! The children of mankind take refuge in the shadow of your wings.

(i do realize now all my examples are psalms i hope that's ok to prove a point LOLOL)

Olrox is the sole protector of Mizrak to the point where he even drags him away for his own safety. The shot choice when he says it is a close-up shot of his face and his eye is slightly glowing, making him appear way more supernatural, almost god-like in a way.

It hasn't been confirmed (or denied for that matter) if Olrox's creature form is the Quetzalcoatl (an Aztec deity), but the god parallels are very apparent from the get-go, and a lot of the fandom (aka the audience) who are invested in Castlevania have placed this label onto him not only for the reasons mentioned above BUT also due to his association to Mizrak, who is a man who fights for God. However, this aspect doesn't get fleshed out like their vulnerability because Olrox only goes into this protector role at the very end of the season. After all, that is when he has a change of heart, much like Mizrak. This means this will not be the last time we will see Olrox in this role even after the break-up.

To wrap this up, vulnerability as showcased in episode 04 does appear in episodes 03, 06, and 08! I personally believe though that episode 04 however really hammers you on the head with it because you're able to play around with someone's literal nakedness as a visual metaphor. This episode is supposed to make you really conscious of them and the decisions they decide to make going forward. It is the bridging point between episode 03 and episode 06. It's a stab in the heart when you watch episode 08.

Vulnerability and the ability to open up is a massive thing between these characters and it's only going to get more raw and more human as the series goes on. We see it happen when Olrox is the one to open up first. One thing I noticed from both Castlevania and Castlevania: Nocturne is that love can be the most damning thing or it can save you. The choice, however, is up to you. However, to love is choosing to be vulnerable. By the way, love isn't just romantic it can be very much platonic and familial as seen with practically all the characters, both current and past... Olrox and Mizrak though are just really complicated and messy. Aren't all characters though? Isn't that what makes them human, even if they've lost it centuries ago? HAHAHASBDHADSB

(ok so the paragraphs below is my personal opinion but i think they're a good ending note/side tangent)

If we ever actually get an explicit scene it's going to make a specific commentary on how these characters have developed from season 1 to whatever season they have sex in, especially how they go about sequencing, pacing, and shot choices, especially with Netflix censoring and rating requirements. Limited things you can show, and limited things you're allowed to even imply, so everything has to make sense to what they want to portray AND say. Even simplicity requires a lot of thought. They can do some really cool stuff with it in which vulnerability, both physical and emotional, gets explored between Olrox and Mizrak. Sex is actually a very interesting way to explore a dynamic, I feel it's really underutilized, though it's mostly in part to a societal downpour view on it. With Mizrak and Olrox, two very withdrawn characters, you could say something really interesting about them as individuals and as a pair that you might not be able to do when clothed. The commentary may be as simple or as profound as the creatives behind this want it to be.

A counterpoint though is that you can very easily make a non-explicit scene feel really explicit and sensual without sex or kissing. While yes, we want confirmation through that means, don't get me wrong I love when queer love is straight-up told to us, there's something about telling a story of intimacy between characters that will often engage us first into a story. Phrases like "This is gayer than gay sex" are coined due to the emotional connection a character has, leaving a far more profound impact on an audience. Things like non-explicitly romantic touches like hands, the way the character looks at a person, communication, etc etc, are ways countless media have explored intimacy. Which Mizrak and Olrox already have. Why not build upon a solid foundation?

Whatever the pathway is, it will fit inside the themes of Nocturne and its aspects of revolution, freedom, and choice which is crazy to think "Olrox and Mizrak intimate scene??? meaning-" YES, it can (like sexual freedom, though I don't think it would be explored, it's just cool to think about). All of their scenes serve to strengthen those show's themes since they're a side plot. But I digress! I'm excited to see how they further Mizrak and Olrox's dynamic in a visual manner!

Okay, with that all said, I'm done with episode 04! One more episode to go! This was all for fun and to be silly about a show I really enjoy, but I hope this gets you to rewatch Nocturne! Apply this to other scenes! Enjoy the craft of animation!!

[lolli-popples]

Life Series Crossword

I got bored and made a Life Series crossword. I think it's pretty easy, but I'll post the answers if enough people enjoy it.

Across:

2. Who is the only person who's been the boogeyman and not killed anyone?

4. Who has taken Scar out of the Life Series the most times?

5. Which Limited Life player is responsible for the boogeyman kill on Jimmy that should have taken out of the series, but didn't, as it only took off 1 hour instead of 2?

7. Who is the only victor to win their series without killing the second-place player?

12. Which 3rd Life player lost all their lives in one session?

14. Which official Limited Life player was the only one not to upload episodes while the series was live?

16. Who has placed 9th in the Life Series 3 times in a row?

Down:

Which of the Clockers was the last to die?

3. Who, of Jimmy's allies, has placed the highest while allying with him?

6. Who was the first player to die intentionally?

8. Which Southlander was the only one not to make a tower-base?

9. Who is the only player to have the same score in every series?

10. Which red name did Bdubs kill in Last Life in order to get a life from Etho?

11. Who had the most kills in Last Life?

13. Who has the highest overall score other than the 4 victors?

15. Which player has held the most lives at one time?

Oh, also all of the answers are player IGN's (without any numbers)

[arimiadev]

recommendations of visual novels on sale for the steam winter sale 2024

steam's winter sale just started and will run for the next two weeks, so if you're looking for a new visual novel to try (or want to get into them), here's a lot that I've played that are on sale on steam.

umineko when they cry

the ushiromiya family returns to the family head's home on an isolated island for their annual conference with the intention of settling how his vast amount of wealth is divided. instead, though, a letter is left from someone claiming to be a "witch". with the ushiromiyas dropping dead left and right, the mystery behind everything remains to be solved by you, the reader.

I can't make a recommendation list without mentioning umineko. it's life changing. it might even trans your gender. it's hard to describe umineko, but just know that it's absolutely deserving of the "cult classic" tag.

notes:

kinetic/linear - no choices

VERY long, 120+ hours (over all 8 episodes)

divided into two games on steam - Questions Arcs is the first 4 episodes and Answers Arcs is the last 4 episodes (8 episodes in total, play Questions Arcs first)

created by Ryukishi07, creator of Higurashi

fantasy vs mystery

ace attorney

follow phoenix wright as he embarks on his career as a lawyer to help people. meet a variety of clients and prove their innocence by collecting evidence, interviewing witnesses, and exposing lies in court.

ace attorney is a classic mystery visual novels, being a blend of point-and-click elements via investigations and visual novel storytelling. the steam port is a massive collection, combining the first 3 games (the original phoenix wright trilogy) as 1 game.

notes:

investigative gameplay segments, a good chunk of the story is point-and-click parts

pretty long for the whole trilogy- each game is around 20 hours long and the steam edition is 3 games

modern mystery with supernatural elements

ai: the somnium files

play as detective kaname date as he hunts down a serial killer using a cutting-edge technology which allows him to "psync" with a person, diving into the memories of others to solve crimes in a limited amount of time with the help of his AI assistant/eyeball Aiba.

aitsf is a lot. it's probably the raunchiest non-eroge game I've ever played and despite my low tolerance for dirty jokes I found most of it to be laughable and a fun experience, though I did play this with friends. if it's a miss for you, it's gonna miss you by a wide margin, but if it's a hit for you, you're going to be recommending it nonstop. either way you'll want to hit kaname date with a car.

notes:

long, around 25-35 hours

this game heavily relies on going back to prior choices via their branching menu to try other options in order to get the full story (and true ending). there are several endings to this game but you're meant to play through them all, not just one or two.

a lot of gameplay and interactive segments

sci-fi mystery

english voice acting

witch on the holy night

aoko aozaki is a highschooler who has to balance her class president, perfect grades life with her secret afterschool life of being a mage—a secret she has to keep at the risk of death. keeping this balance already isn’t easy but one day she gets a wrench thrown into it with the introduction of a transfer student, soujuurou shizuki, a country boy so out of touch that he’s never seen electricity before.

I love witch on the holy night so, so much. it's one of the most beautifully directed visual novels ever made with so much love and care put into each frame. the cast is wonderful (touko my beloved) and it's a must-read for anyone who likes modern-ish fantasy.

notes:

kinetic / linear - no choices

long, around 25-30 hours

originally written by kinoko nasu, one of the co-founders of type-moon and creators of fate/stay night. has some relation to tsukihime and garden of sinners but you don't need any knowledge of those going in

modern-ish (1980s) fantasy with lots of talking about magic

ghostpia

a snowy town filled with "ghosts" is where the young woman sayako finds herself trapped, feeling like she doesn't belong and wants to leave this town where no one dies.

it's hard to describe ghostpia. it's a surreal-ish story about "ghosts" where every character is quirkier than the last but every part is made with so much heart behind it. you never really know where the story is going, but unfortunately only 1 season is currently out on steam.

notes:

medium length, around 10 hours

very innovative and unique use of visuals and paneling

surreal-ish (sometimes violent) fantasy

please be happy

as a shapeshifting fox called a "gumiho", miho has traveled the world in search for a traveler who showed her kindness many years ago. afraid of sticking around in one place for too long, miho has never stayed anywhere for more than a few nights- but all of that changes when she arrives in wellington, new zealand and meets the barista/writer aspen and the vampire archivist juliet.

okay I did work on this one but hear me out. please be happy was a labor of love for our team that took over 3 years to make and is a slice of life story about love, trust, and what it means to be human. and you get to play as a gay fox girl voiced by dottovu.

notes:

medium to long, about 20 hours

2 romanceable ladies, aspen and juliet, and a plethora of side characters to meet via a map system

modern slice-of-life fantasy

english voice acting

WE KNOW THE DEVIL

find yourself back at summer camp with all the queer religious horror of it.

WE KNOW THE DEVIL is a short, atmospheric and slightly surreal story about 3 teens at a religious summer camp waiting for the devil. if you want something that feels familiar and otherworldly at the same time, this is right up your alley.

notes:

very short, about 2 hours

3 endings and 1 true ending

isolation, psychological horror

fate/stay night

seven mages known as masters summon heroic and fictional characters from the pantheon of history to fight it out over the ultimate magical item - the holy grail.

fate/stay night is one of the most well-known visual novel properties out there and it's finally not only available in english officially but on steam! this remaster is a treat and done with a lot of care put into it, it's a great way to get into the fateverse if you've never tried it before.

notes:

pretty long, 70+ hours

3 routes / heroines to be with with lots of bad endings

modern fantasy, battle royale

mamiya

the end of the world is near. what will you do in the final months? and who is this "MAMIYA" who proclaims their love for you?

MAMIYA is a dark mystery visual novel about a group of guys who meet during the funeral for a friend, a stranger, a passerby, and become entangled in the web of an entity known as "MAMIYA". the presentation and style feels fresh.

notes:

check out the content warnings before reading

medium length, but is segmented into a lot of chapters that make it easy to pick back up

dark modern mystery with supernatural elements

a date with death

the grim reaper contacts you saying he wants your soul. naturally, you respond...with flirting??

a date with death is a free game but it does have paid DLC so I'm including it here because I want to. it's a comfy chatsim romance visual novel about, well, courting the grim reaper.

notes:

short, around 8 hours for the base game

customizable protag

1 male love interest

cute modern supernatural romance

twofold

Olive has 1 last chance to graduate college - pass a filler class. when their situation comes to light, 2 club presidents agree to help them but end up dragging them in the middle of their feud...

I also worked on this one. the writing and art is truly charming and heartfelt. it's a story about romance but also relationships in general - friendships, platonic relationships, familial bonds, etc. this visual novel took several years to be completed and the final result is one made with a lot of love.

notes:

medium, around 15-20+ hours for both routes

nonbinary protagonist, 2 female love interests

modern slice-of-life, college setting

english voice acting

slay the princess

you're tasked with a simple goal - slay the princess, or else she'll destroy the world.

talk about taking a simple premise and running with it. slay the princess is a mind-bending psychological horror about love and repeating things a lot of times. after all, all you have to do is slay the princess, right?

notes:

short to medium, around 10 hours for a full run

lots and lots and lots of branching paths

psychological horror, does contain gore

english voice acting

canvas menagerie

Niko is a trans man and lifelong actor who's been down on his luck until he gets the lead role in a major TV show. there, he starts to fall for his annoying celebrity costar.

well I wrote and drew and programmed this one by myself so I can't really give an indepth recommendation for it but I think it came out pretty nice. it's a comfy gay romance about actors.

notes:

medium length, around 10-12 hours

boys love romance

modern slice-of-life, adult cast

------------

note that all of the indie visual novels listed are also available on itchio as DRM-free versions. there's a ton of VNs on sale over there right now as well.

[ennn]

Why did we get a post-death scene with Alice and not Lilia or Mrs Hart Sharon?

Thanks to @diving-llama for the ask

I think having that scene with Alice and Death makes a lot sense for episode 8 because it touches on the same overarching theme about death during the earth trial and after, which we see with Agatha and Nicky:

Sometimes people—boys, newborn babies, brave and kind people with so much to live for—just die.

It's not because they weren't loved enough, or that they, or the people they leave behind, deserved it. Bad things happen because things happen all the time ("120 bodies empty out every minute"). The universe doesn't care. People care. And it's people who decide whether the things that happen are good or bad.

And sometimes people with superpowers and big feelings fuck up the universe but that's another issue to get into.

Unlike Alice, Lilia because of all that happens in episode 7, has accepted her death ("I will fall"). She has the benefit of seeing it coming a bit in advance compared to most other people, but it's still her choice to stay and sacrifice herself to stop the Salem Seven. It's fate but also her agency at the same time.

Beyond that, I think part of Lilia's story in episode 7 is about her coming to terms with her past and how her power cannot save everyone from death. Lilia's gift and curse is knowledge: oftentimes she has to simply watch and make the best of what precious time remains—and in her case, use her time to save her coven.

It is important, I think, that Lilia has her brief conversations with her mentor, who reminds her of what she's really searching for: purpose, identity, community, meaning.

In the end, Lilia's story feels complete because she makes her choice knowing her end, seeing her power and her value. For Alice, whose death comes as a shock, it makes sense to give her story a bit of closure. Death reminds her (and the viewer) that there can be meaning to be had, if you want to look for it: "You're a protection witch, you died protecting someone."

Life and death and loss and pain, things happen. Things will happen. Whether they're good or bad things is up for people to decide.

From a Doylist perspective, we know the show has limited time and budget so it makes sense to prioritise scenes that have the most significance to the main story and character(s). As a more secondary character, it's unsurprising Sharon Davis doesn't get a post-death scene.

I think Lilia's story and Alice's scene help to show the two broad responses to death, of readiness and reluctance, and Sharon's could have fallen under either. We don't know enough about Sharon, to know whether she would have accepted her fate or not.

It's also interesting to consider that they did to an extent (i.e. as much as budget allowed) show the idea of how Death appears differently to different people. Because the Death that Alice meets is different from other versions: Lilia sees her full skeletal form in episode 3, and we see a much kinder and softer Death guiding Nicky when we dies.