#lily parker
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leonyannedy · 4 months ago
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drawing i did for a an art comp !! i love cure peace sm ^_^
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mya-blazing · 2 months ago
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I miss my Gacha animating era… Finished this one last night with Detective Parker and my childhood girlie, Helena Harper from Resident Evil 6 <3
I know I’m extra late for the collab, but making this animation was worth it.
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ikvgai · 7 months ago
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soupinaboot · 4 months ago
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I wonder how many good fanfictions I'm missing out on just because people don't know how to tag 😔
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murdockcastleslut · 5 months ago
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Masterlist
bridgerton
benedict bridgerton ☾ blueberry macarons (fluff) ☾ id look for you in a crowded room (fluff) ☾ compromised (angst) ☾ enchanted (fluff)
colin bridgerton ☾ nose kisses (fluff)
anthony bridgerton
marauders
james potter
remus lupin ☾ pleading (angst)
sirius black
lily evans
poly!marauders
marvel
bucky barnes
sam wilson
steve rodgers
peter parker
natasha romanoff
matt murdock ☾ taking care of you (fluff) (disabled!reader)
frank castle ☾ home (fluff)
peaky blinders
thomas shelby
john shelby ☾early mornings(fluff)
arthur shelby
alfie solomons ☾ dancing (fluff)
the boys
hughie campbell ☾ you gotta eat (fluff) ☾ massages (fluff)
billy butcher
frenchie ☾ one of them (angst)
outerbanks
jj maybank ☾ jj saves kitten (fluff)
pope heyward
john b routledge
sarah cameron
kiara carrera
rafe cameron ☾ off topic pt 1 2 3 4 5 (smau)
stranger things
eddie munson
steve harrington ☾ beach day (smau)
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museatheart · 1 month ago
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c.ai bots masterslist (@/museatheart)
Bot request form
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S.W.A.T
Chris Alonso — Chris meets your son. (Singlemom!user)
Chris Alonso — You’re Chris’s artsy girlfriend.
Criminal Minds
Elle Greenaway — Elle distracts you during a boring date.
Emily Prentiss — It’s hard being casual.
Emily Prentiss — you’re shy so Emily orders for you.
Spencer Reid — He just wants to protect you. (Daughter!user)
Spencer Reid — You visit Spencer after a year on the road.
Marvel
Gwen Stacy — Gosipping with your big sister over FaceTime.
Peter Parker — helping out spider-man.
Peter Parker — patching up boyfriend!peter.
Marauders era
Dorcas Meadowes — Dorcas is a poet and you’re her muse. (Fame!au)
Dorcas Meadowes — you’ve got a crush on your potions tutor.
Lily Evans — avoiding the paparazzi with drummer!lily. (fame!au)
Lily Evans — having a picnic with girlfriend!lily.
Marlene McKinnon — doing bassist!marlene’s eyeliner. (Fame!au)
Marlene McKinnon — you’re Marlene’s shy girlfriend
Mary McDonald — helping singer!Mary with a song. (Fame!au)
Pandora Rosier — you meet Pandora in the library.
Pandora Rosier — you’re a designer and Pandora is a model.
Regulus Black — academic rivals to lovers.
Remus Lupin — cuddling with Remus and your daughter.
Sirius Black — interviewing model!sirius.
Sirius Black — vampire!boyfriend!sirius feeding from you.
Wolfstar — you’re at art school, missing your dads.
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msmk11 · 4 months ago
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lowkey makes me sad sometimes because I feel like all the female fictional characters I love get wayyyy less love, recognition, fics/fanart than their male counterparts and it sucks!!
I’m victim of it too sometimes but like where is more love for the marauders girlies? Lucy Gray Baird? Johanna Mason? They’re all so iconic and all these fandoms don’t talk about it enough!!
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enamoredwithbella · 7 months ago
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ITS MY BIRTHDAY I CAN FINALLY SMOKE WEED AND LIKE SMUT POSTS WOOHOOOOOO
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cookihearts · 2 months ago
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Anyone read disintegration?
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shortcakelils · 3 months ago
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HEY YOU 🫵
YES YOU
Do you want a fresh new profile picture for your social media?? Maybe a cute little sticker of your ocs just for the sake of it? Then you should totally commission me!
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______________________________________________________________
With a little time and money, you can have your character ideas and scenarios come to life at your request! If you’re interested in getting a commissinon, please contact either my email or fill in a request form on artistree linked in this post and in my bio.
If you can't or don't want to, but want to help support me, I would greatly appreciate if you could reblog this to push it out to other people!
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PLEASE NOTE!
I'll be using USD as it's easier for me and most people.
I can only accept payment through STRIPE and Artistree.
Thank you for reading through this post til the end!
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mya-blazing · 22 days ago
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“Halloween 2024”
Happy Halloween ya’ll! Here’s that one Danganronpa art of Sayaka and Sonia but turn them into Lily and Helena. First of all, I haven’t really planned of making this into a Halloween art because I started this early September and I thought I was gonna finish this last month but because it’s was almost Halloween when I finished this and the art was basically about cosplaying, I just decided to consider this as a Halloween art for this year. I decided to do Gacha art for this since I haven’t really used Gacha in my artworks for a long time and instead of Helena’s China outfit I decided to go on with her Tall Oaks outfit since I haven’t drawn that outfit. The fact that this artwork took me almost two months to finish but I would say that I was actually worth it.
Games/Series:
Parker & Lane
Resident Evil
Characters:
Lily Parker
Helena Harper
Reference:
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carm3n-carm3n · 1 year ago
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theblackstar04 · 22 days ago
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happy halloween !!
deep down, buried beneath all the mistrust and second-guessing, remus knew, or thought he knew, that sirius would never do this. he could never do this to james. never james. the mere idea of sirius doing anything purposeful to hurt james is inconceivable.
yet here he is, sitting across from dumbledore in their– no, it's his flat now, being told just that. that sirius betrayed them, killed three of his closest friends, his only lasting friends.
marlene's dead. dorcas followed shortly after. mary obliviated herself, everything becoming too much. now sirius has killed james, lily, and peter, landing himself in azkaban.
he's all alone again.
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murdockcastleslut · 1 month ago
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lex's fall specials
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these are the people i write for so just send one of the prompts and a character and i'll repsond!
pumpkin spice latte (with oatmilk) - 18+ only, send in your spicy thoughts about anyone and i'll add on.
apple cider donuts - send in a character and i'll tell you what i think they'd order from a cafe.
chai latte - i'll cast my mutuals as anything you send in.
maple apple turnovers - send in some fluffy thought about anyone and i'll add on.
pecan cold brew - send in a fall idea and a character and i will make you a smau based off it!
caramel apple pie - send in a character and i'll tell you their favorite fall time movie!
cinnamon latte - send in a character and i'll give you a headcannon! *if you want a nfsw head cannon pls specify and you must be 18+*
pumpkin spice bread - 18+ fuck, marry, kiss
tagging some mutuals i believe would be interested: @kimoralov3 @arkofblake @ivysprophecy @ellebellebarnes @clara-b0w
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hellomystraightlacedfriend · 8 months ago
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The Osborns' 'Weird' Relationship: An Analysis
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◇ Spectacular Spider-Man #146 - Gerry Conway/Sal Buscema ◇
Okay, so I know it was awhile ago that I said I might write an analysis of some of the emotional dysfunctional aspects of 616 Norman and Harry Osborn’s relationship, but I really struggled with the format and how I was going to present this.
One thing that I ended up having to do was throw out any speculation on the writers' intent. With comics, you have so many different writers - especially with a long ongoing, popular series like Spider-Man - that I decided to focus a lot more on the patterns I was picking up when I was reading.
But before I go any further:
CW: discussions of child abuse, mental illness, and suicidal ideation
Disclaimer: In this analysis, I am trying to provide an explanation for why Norman might behave the way he does. However, this explanation of Norman’s abuse is not meant to be a justification of his behaviour.
Also, before we start, you are absolutely allowed to disagree with this analysis! Every reader sees/interprets things a little differently, but I've seen other people pick up on the Osborns' relationship being well, strange, so I decided to examine that a little closer.
There were certain things I kept noticing in Norman and Harry's relationship that I found abnormal (you know, apart from Norman's extensive verbal abuse). Things like: Harry's really intense and misplaced loyalty to his father (that interfers with his other relationships.) The way in which Harry feels responsible for his father. The way Harry doesn’t have a strong identity outside of his father, and how his father doesn't allow (or think Harry needs) any emotional privacy. Also, just some of the ways Norman talks to his son don’t make it feel like a normal parent-child relationship.
In particular in this analysis, I did want to talk about emotional incest and enmeshment, which I am going to define now.
The psychological definition of emotional (or covert) incest is when a parent relies on their child for emotional support that they should be getting from another adult. They treat their child like a friend or partner, instead of well, a child.
And
An enmeshed family is one where there is a lack of boundaries, and often, the child isn't allowed to have an individual identity.
I think we see a lot of the after affects of this kind of emotional abuse in Harry as an adult, and while we don't see a whole lot of Harry and Norman's relationship dynamic when Harry is growing up, I do want to start from there, using what flash backs and other information we have.
Actually to give some background on why this kind of abuse occurred, I will go back a bit further than that and talk briefly about Norman’s childhood and his relationship with Harry’s mother.
Norman definitely didn't have a great childhood. His father was a bitter and abusive alcoholic who blamed all of his problems on other people, including his son. And while Norman's mother wasn't abusive towards him, she did fail to protect him. This betrayal from an early age from both his parents would have been a huge contributer to Norman's extensive trust issues (and his drive to be in control so he's not hurt again.)
Norman didn't get the emotional support and attention he needed while growing up, so that's really what he was seeking as a young adult, and he found it in Emily Lyman aka Harry's mother.
Now while I don’t think that Norman and Emily's relationship was perfect like he presents it to be, I do think from his point-of-view this was a great time in his life. He was finally out from under his father's thumb. This beautiful woman believed in him. They had their whole lives ahead of them. The possibilities were endless, and then - she died.
Or faked her death and left him because he was so controlling.
Either way, she was gone, and he still a young man was left to go on as a single father.
Interestingly, Norman both blames Harry for Emily's death and compares him to her. Much later in his life, when talking to Harry's grave, Norman says that he tried to be fair to Harry 'even though you were so much like your mother in so many ways.' In this scene, Norman is angry at Harry for dying and thus 'abandoning' him to be alone. And I think that's what Norman felt when Emily died too, this deep sense of abandonment.
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◇ Spider-Man: Revenge of the Green Goblin #1 - Roger Stern/Ron Frenz | Peter Parker: Spider-Man #44 - Paul Jenkins/Humberto Ramos ◇
(Later, it's revealed that Harry is not dead. Or maybe he is. I am NOT getting into the whole post-OMD-Harry-is-a-clone mess. For the sake of this analysis, they are the same person. They would have the same memories anyway.)
Now I am going to be piecing some things together and doing a bit of speculating. One thing that always stuck with me is that Harry keeps saying that his and Norman's relationship used to be different, that they used to be 'pals,' and then something changed. While I know a lot of people dismiss this, become Harry is delusional about his father at other points, I do think when Norman became the Green Goblin, there was a shift in their relationship dynamic, and Norman stopped opening up as much to his son.
I still absolutely think Norman was a neglectful and preoccupied father, but I also think that Norman was an emotionally needy person, and once Emily died, Norman (who was most likely extremely depressed and lacking a support system) tried to have Harry meet some of those needs. I say tried to, because Harry was just a little kid, a baby, and he wouldn’t be capable of doing that.
I think a lot about a panel from Spectacular Spider-Man #178 where Harry is talking to his own son Normie Osborn. Normie is a very young child/toddler. While Harry is talking to Normie, and Normie is watching TV, Harry starts hallucinating that his father is in the room. (Both Harry and his father have had psychotic episodes.)
Norman tells Harry that Normie should be listening to Harry, and when Harry says that Normie is just 'a little guy' and 'doesn't really understand all this,' the Norman Sr. hallucination becomes angry and says that Harry was just the same. That Harry was lost in his own head when he was young, and couldn’t hear when Norman talked to him.
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◇ Spectacular Spider-Man #178 - J.M. DeMatteis/Sal Buscema ◇
It's interesting the way Norman and Harry differ here. Harry wants his son Normie to be able to enjoy these early years and have this chance to be carefree. Whereas Norman doesn't seem to really understand the concept of childhood and childhood innocence.
I also find it interesting (because I'm obsessed with word choice) that both Norman and Harry use 'pals' to describe their relationship.
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◇ Amazing Spider-Man #39 & #40 - Stan Lee/John Romita Sr. ◇
And just in general, Norman and Harry's relationship doesn't seem to fall into the typical parent-child relationship - where the parent takes care of the child and meets the child's emotional needs. Instead, it's more complicated and codependent.
Norman and Harry both view Norman as Harry’s provider and protector. Norman is abusive towards Harry, but he does show deep concern about Harry's safety and worries about what would happen if he (Norman) suddenly died - because he's afraid Harry wouldn't be able to fend for himself.
On the other hand, Norman really doesn't give Harry any tools to become independent or encourage a separate identity, and I think part of that is because subconsciously - as much as he keeps saying he wants Harry to be strong - Norman actually wants Harry to be dependent on him.
Like on one level Norman does want Harry to be strong and be able to think for himself, so that he can take over the company and continue the Osborn legacy (and he is angry at Harry and verbally punishes him for not living up to this). But on a more personal - and like I said before subconscious - level, I do think that Norman wants Harry to have to rely on him. Because Norman doesn't want Harry to be able to leave him. Because he doesn't want to be alone.
And that's the thing, I do think that Norman is also dependent on Harry.
Harry is the nurturer to his father's protector and provider. He cares for and worries about his father a lot, and as much as Norman does not like to be seen as weak, there are quite a few moments where we do see Norman be vulnerable around his son.
Why this happened is probably largely circumstantial. Norman is a very paranoid man, who constantly fears betrayal from those around him. Even with the other adults in Norman's life who he is 'close' to - like J Jonah Jameson and George Stacy, he is not open. He does not trust them. He thinks that people are conspiring against him. However, he doesn't see his young son as a threat, as someone who could turn against him and hurt him. And he pulls Harry into this emotional isolation with him by telling his son not to trust anyone but his family (anyone but Norman.)
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◇Amazing Spider-Man #62 - Stan Lee/John Romita Sr. || Amazing Spider-Man #47 - Stan Lee/John Romita Sr. || Amazing Spider-Man #67 - Stan Lee/John Romita Sr. || Spectacular Spider-Man #200 - J.M. DeMatteis/Sal Buscema◇
That puts Harry in a very difficult position, because he has deal with these adult concerns at such a young age, and he also can't fully open up to anyone else. This strain, along with Norman's exacting standards and scathing criticism, puts a lot of pressure of Harry.
However, Harry is used to being his father's confidant, and he becomes extremely anxious if his father shuts him out - or worse if he doesn't know where his father is. In a way, as much as Harry says that his father is strong and great, I think (at some level) Harry must also see his father as (emotionally) fragile.
This is especially noticeable in Amazing Spider-Man #121, where Harry is supposed to be resting because he has just overdosed, but he can't because he's so worried about how his father will react to possible financial ruin. He goes to him, tells his father that he doesn't need to worry about him, that he can take care of himself, that he's just worried about his father. He then proceeds to collapse in Norman's arms because he is not well.
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◇ Amazing Spider-Man #40 - Stan Lee/John Romita || Amazing Spider-Man #61 - Stan Lee/John Romita Sr., Don Heck || Amazing Spider-Man #63 - Stan Lee/Don Heck, John Romita || Amazing Spider-Man #121 - Gerry Conway/Gil Kane ◇
This collapse leads Norman to want to rid Peter Parker/Spider-Man from his life (by killing Peter), because he falsely blames Peter for Harry's drug overdose and also the collapse of Osborn Indistries.
Now Peter’s involvement in the Osborns' personal lives is interesting. Peter is the first person that Harry really opens up to outside of his father - when Harry breaks down and complains that his father had been very distant in the last few years. When Peter responds with the emotional support Harry had never gotten from Norman, Harry draws Peter further into his life by asking him to be his roommate. Harry’s demeanour toward Peter also becomes similar to his attitude towards his father, submissive and eager to please. (He even calls Peter 'sir' at one point when he's trying to get his attention - an address he uses towards his father.)
Peter, however, is so caught up in being Spider-Man that, like Norman, Peter often neglects his relationship with Harry. This leads Harry to be rather passive-aggressive. At one point, Harry offers to make Peter breakfast, but when he hears Peter locking his stuff up, he becomes insulted that Peter would think he would steal from him and storms off to see Norman instead.
This becomes an ongoing element, Harry being torn between Norman and Peter, and seeking love/support from both of them, but seemingly unable to get it.
Now I want to make it quite clear that Norman and Peter are not equally responsible here. Peter is Harry’s age and has troubles of his own. Norman should be acting as Harry’s father, but he really isn't, not emotionally anyway. He is meeting his son's material needs (to an excess), but he is emotionally neglecting his son while also emotionally burdening him with his own troubles. Plus Norman is constantly verbally berating Harry for failing to live up to his impossible expectations - leaving Harry feeling worthless and extremely depressed.
Harry takes drugs to cope with these negative feelings - first abusing prescription medication and then moving on to street drugs. There is even already a note of passive suicidal ideation here, as when Peter asks him how many pills he's taking, Harry's response is 'What’s the difference? Who counts?' (Amazing Spider-Man #97 - Stan Lee/Gil Kane.)
Now I refuse to believe that Harry doesn't understand that there's a possibility of overdose here: he's a chemistry (and business) major with a father who sells drugs for a living. He knows that it is a possibility. So, while he's not actively seeking to end his life, he also doesn't really seem to care if he lives or dies - as long as he can escape from his pain.
Harry does eventually overdose - and it's an overdose that leads Norman to go after Peter & also Peter’s girlfriend (and Harry's friend) Gwen. Norman blames all of Harry’s friends for his condition, but especially Peter. And Norman blames himself for failing to protect his son from them. He threatens to kill Gwen if Peter doesn't end his own life, and when Peter doesn't comply, Norman goes ahead with his threat - throwing Gwen Stacy off the George Washington Bridge. (Amazing Spider-Man #121 - Gerry Conway/Gil Kane.)
Peter (as Spider-Man) goes after Norman in revenge, and Norman ends up dying (albeit by his own glider and not Peter’s hand.) Harry eventually figures out that Peter is Spider-Man, and this leads him to think that his and Peter’s friendship wasn't real, that it was entirely a ruse on Peter’s part. That Peter was just getting close to Harry to close in on his father.
Harry ends up forgetting about Peter Parker’s secret identity after his first attack on Peter though, and so for years the threat of Harry's revenge remains dormant. However, even from 'beyond the grave' (Norman, um, kind of faked his death, but Harry didn’t know that) Norman still had a hold on Harry’s psyche.
One early warning sign of the return of Green Goblin might have been that Harry names his child both after his father and himself (Norman Harold Osborn), keeping their names (and identies) close together. Harry also tells young Normie how special a man his grandfather Norman Osborn was. Then Harry begins to hear his father's voice telling him to revenge his death, to kill Spider-Man/Peter Parker.
Harry goes back and forth on how he sees his father. At times, he is able to see his father as who he really was/is, a dangerous criminal who ruined his own life. However, at other points, he calls Norman 'wonderful' and 'the greatest man this world has ever known.' He claims that his father's spirit is in him fuelling all his efforts, and blames Peter for both Norman's and Gwen's deaths.
Of course, it would be hard for anyone to admit that their father killed one of their closest friends, however, I think with Harry it goes even beyond that. Because Harry doesn't have a solid identity outside of his father, he is unable to fully see himself and his father as two separate people. So, in his head, Harry can't admit that his father killed Gwen, because then he would also have to think that he killed Gwen - something I don't think that Harry can wrap his head around doing. It's easier then to blame someone else - Peter/Spider-Man.
When Harry does finally admit that Norman killed Gwen, he still absolutely thinks (pretty understandibly) that it was Peter who ended Norman's life. Because of this, Harry decides that both he and Peter would be better off dead - and that their deaths would protect their loved ones from further harm.
It is only an outpouring of unconditional love from Peter (something Harry had never really felt before) that sways Harry from ending Peter’s life. He carries Peter out of the building where he had set up a timed bomb, but then seemingly dies himself (from side effects of the serum he'd taken to make himself stronger.)
🪻🌷🪻🌷🪻🌷🪻🌷🪻🌷🪻🌷🪻🌷🪻🌷🪻
Break!
🪻🌷🪻🌷🪻🌷🪻🌷🪻🌷🪻🌷🪻🌷🪻🌷🪻
Okay, this is here because this is getting long, but I don’t want to make it a two-parter, but also sometimes people need to take a break and breathe, you know?
I will also be concentrating more on post One More Day Harry in this section, though referring back to earlier comics as well. I will also be talking more about sex and romantic relationships, and how Harry's focus on his father (and Norman seeing himself as the most important person in Harry’s life) complicates things.
The Dan Slott and Joe Kelly runs leading up to and during Dark Reign were the first Spider-Man comics I read, and these were the issues where I first got to see the Osborns' relationship on page. What really struck me then about the relationship was how Norman talks to Harry more like a separated spouse than his grown child: 'I need you,' 'the world could be ours,' 'come home,' 'your place is here, by my side.'
During this period, Harry is pulling away from his father and trying to be independent, and Norman does not like this at all. He mocks Harry’s business ventures, then bombs Harry’s place of business - almost killing Harry’s then girlfriend Lily Hollister in the process. When Harry goes to confront him, Norman says that girlfriends are replaceable and tries to win Harry back. This, however, does not work, and shortly following this, Harry goes no contact.
Norman will not accept this boundary, however, or any boundary really. He admitted earlier to recording and listening to all of Harry’s therapy sessions, and when Harry won't answer his calls or letters, Norman has people spy on his son and report to him on everything Harry is doing. He then gets himself invited to a wedding that Harry is attending.
This is when he tells Harry that he needs him, something that does visibly affect Harry. Peter steps in between Harry and Norman, and tells Norman 'and that's what therapy's for.'
This scene is interesting because Norman does not like admitting that he needs other people, but also because Peter doesn't consider this (entirely) as a ploy on Norman’s part. He does think that Norman is being honest about 'needing' Harry. He just thinks that the way Norman seeks support from his son is unhealthy.
There is also an 'us'-ness in the Norman-Harry relationship, that is more typical of couples. This along with how Harry is thrust into this nurturing role with Norman, makes him (at times) seem more like his father’s spouse than his son.
And when Harry and Norman do end up cutting ties, Harry even says: 'I was never your son.'
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◇ Amazing Spider-Man #573 - Dan Slott /John Romita Jr. || Amazing Spider-Man #595 - Joe Kelly/Phil Jimenez || Amazing Spider-Man #598 || Writer: Joe Kelly/Artists: Paulo Siqueira & Marco Checchetto || Amazing Spider-Man #599 - Joe Kelly/Stephen Segovia, Marco Checchetto, Paulo Siqueira ◇
This relationship with his father - before the eventual break up - does also lead to problems in Harry’s romantic relationships.
Because Norman basically sees himself as the centre of the universe and because he is very possessive of the people around him, Harry grew up internalising this idea that he belongs to his father and that he should prioritise Norman above everything else.
And because of this, Harry does tend to elevate and choose his father over his other relationships. Like how when he was seeing Mary Jane Watson, that relationship ended because Harry wouldn’t unlock the door for her - choosing to be alone with his dead father's costume over being with her. His marriage with Liz also deteriorates as Harry obsesses over avenging his father's death and continuing the Osborn legacy.
Of note, in these moments Harry isn't exactly thinking clearly - there are definitely signs of psychic breaks, with Harry having delusions and hallucinations. Still, a huge part of Harry's psyche is consumed by his father - to the detriment of other aspects of his life.
Even after Harry sees Norman as a bad person (acknowledging that his father was Gwen's killer and knowing for sure that Norman has committed countless other heinous crime), Norman still has a hold over his son. Harry still holds out hope for winning his father's love and approval - and completely dismisses his then girlfriend Lily Hollister's encouragement and support. Instead focusing entirely on his father's criticisms.
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◇Amazing Spider-Man #595 - Joe Kelly/Phil Jimenez || Amazing Spider-Man Family #4 - J.M. DeMatteis/Val Semeiks || Amazing Spider-Man #390 - J.M. DeMatteis/Mark Bagley◇
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◇Amazing Spider-Man #126 - Gerry Conway/Ross Andru || Spectacular Spider-Man #189 - J.M. DeMatteis/Sal Buscema || Amazing Spider-Man #569 - Dan Slott /John Romita Jr.◇
Another thing involving Lily Hollister - a rather controversial decision - was to have her be in sexual relationships with both Harry and Norman Osborn (with the timing being so close together that the paternity of her child was called into question.)
I actually don't think it's so surprising that Norman would go after someone his son was seeing. He is very self-centred and delusion enough to think that he could somehow get away with it.
Also, back in Amazing Spider-Man #96, there was this whole thing about Harry bringing along Norman to watch the girl he was then seeing - Mary Jane Watson - dance. It kind of comes across like Harry is trying to impress his father with how hot his 'girlfriend' is, and Norman is quite publicly enchanted by her.
There is something similar in the Raimi adaption where Harry Osborn wants Mary Jane Watson to dress in black (like Harry’s mother/Norman’s wife used to do) because he wants Norman to be impressed by her/find her attractive. Which people have pointed out is kind of weird/creepy.
Also kind of weird is just how much empathy Harry has towards Lily Hollister after she ditches him for his dad. Like yes, I think it's a coercive relationship, and Norman is much more to blame, but I still think most people would be a little more angry in this situation. And what Harry does say to Lily at the start of her and Norman's relationship is very interesting to me:
'He's an amazing man, Lily...I know, and he takes very special care of his "nice things"...until he doesn't.
I hope you see him for what he is before that happens...
Because when Norman Osborn is through with you, no one gets to have you.'
One) because it's really quite strange to call the father you suspect is sleeping with your ex-girlfriend 'an amazing man'
Two) because the way Harry is saying this makes it seems like it applies to both her and him. The 'I know' in particular stands out, because what he seems to be saying is 'I know exactly what you are feeling/going through right now.'
Which given that she is in 'romantic' relationship with his father certainly raises questions.
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◇Amazing Spider-Man: Extra! #3 - Joe Kelly/Dale Eaglesham || Amazing Spider-Man #96 - Stan Lee/Gil Kane◇
In any case, I could probably write more, but this post is already more than long enough. I just find the dynamic between Norman & Harry Osborn fascinating because I don’t think it's one we see as often in fiction, and I love reading about dysfunctional families/relationships.
I also find post-OMD Harry really interesting, because I think it's even rarer to see a person, who was in a relationship like this, have to move on, fully cut ties, and figure out how to build a life for themselves without this person (who they had such codendency with.)
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starmoonfucker · 1 month ago
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"so many adventures couldnt happen today
so many songs we forgot to play
so many dreams swinging out of the blue..."
marauders in their last day of hogwarts, four boys full of teenage energy and the fierce will to face the world and fight in the war having no idea what befalls them.
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