#like. a successful adaptation of this book is going to look and feel different from a successful adaptation of a jane austen novel

[deadpanwalking]

hello, i'm watching one hundred years of solitude thanks to your posts and finding it absolutely captivating. i'm interested to know what you like most about the story if you feel like sharing!

I’ve been completely steeped in the book for well over half of my life, so I’m the worst person to ask about the narrative of the show—when I watch it, my brain slots in the missing context almost as quickly as the input makes its way up my visual pathway. So much of my enjoyment is rooted in how attentively the show replicates Márquez’s visual and sensory descriptions, and how ambitiously it goes about translating the lyrical prose through pacing and cinematography.

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 琅琊榜/Nirvana in Fire.

Nirvana in Fire is a 2015 historical series best described as either a complicated succession drama set in the premodern Chinese imperial palace, or the story of a man who didn't die a decade ago and has decided to make it everyone else's problem.

And really, I almost feel silly giving my glib little summary, because Nirvana in Fire is so well-known of a property. It's a classic for a reason, and that reason is that it's legitimately very good. This show is what happens when you adapt a solid story, get a bunch of very talented actors, and throw a huge amount of money at it. It's incredibly popular and highly acclaimed, and it earned all of the hype.

Still, while I bet there are few people adjacent to c-drama stuff who've never heard of Nirvana in Fire, I'm sure there are plenty who haven't watched it. After all, it looks like one of those slow, serious shows with a lot of ponderous talking and no joy. If that's the impression you've been given, I could imagine looking at the 54-episode commitment and saying, I don't need that in my life.

I am here to tell you you're wrong. It is a banger of a show. It's tense. It's funny. It's heartbreaking. It’s exceptionally clever. It’s jaw-droppingly stupid. It’s romantic. It’s tragic. It has smart plots and bizarre subplots. And that's not even touching the thing with the yeti.

So in case you're one of those people who's heard of Nirvana in Fire, but has put off watching it for one reason or another, I'm here with five reasons I think you should try it.

1. Epic Shit

Did you like the Lord of the Rings? More specifically, did you really like the second Peter Jackson film? Great, then you're all set for this.

I guess I could have called this Game of Thrones without the dragons, but that's not actually the vibe at all. Game of Thrones is much more sensational and salacious, with all the blood and butts and what-not. The Tolkien comparison is more apt, I think, because Nirvana in Fire is equally about as wholesome as you can get in a property where dudes are still getting stabbed all the time.

This is a show about vengeance. And yeah, justice for the fallen, sure, that's fine too. But mostly it's about a bunch of good people joining forces to make sure the bastards who did wrong pay, with their lives as necesary.

The problem, though, is that these bastards are incredibly powerful, which means that a pure brute-force approach isn't going to work. Accordingly, this quickly becomes a story about the power of smart teamwork to exact retribution on some people who can (and did!) legally get away with murder -- and our heroes are some of the people with their necks most on the line if anything goes wrong.

Don't let the Middle Earth comparison fool you into thinking this is all epic swordfights. It's not. (I mean, for one thing, as well-funded as this project is, it doesn't have Peter Jackson Money.) The vast majority of the tension in the show comes from dialogue and slow, terrible realizations. The fight scenes are almost a relief from the nail-biting intensity of intimate conversations about getting a letter from somebody's ex-wife or returning a book.

All told, the show has that incredible almost-RPG vibe of going through all the little subquests and cutscenes you find along the way to defeat the final boss. The plot carefully unravels a multi-tendriled mystery told to you by people in incredible costumes. It doesn't get much more epic than that.

(Nirvana in Fire is also a cautionary tale about how you should be very careful with who gets invited to your birthday party.)

2. A chronically ill protagonist

Okay, right in the first episode, it is established that the main character has three whole completely different names and an old nickname. I'm going to call him Mei Changsu for the duration of this rec post, but let the record show that I could just have easily gone with one of the other three.

What you learn in that same first episode is that Mei Changsu used to be a palace insider, the cocky son of a noble family, only now nearly everyone he used to know thinks he's dead. Also, he's not far off from being actually dead -- he has an unspecified terminal condition that's mostly managed, provided he stays in his little mountain hideaway with his handsome doctor bestie and doesn't return to his old stomping ground and start kicking over hornets' nests.

So guess what he's about to do.

I have to make a note of how brilliant the casting is here: Hu Ge is an action actor! He is a kickpuncher of a man! And I think it's great that you can sort of see his frustration, as well as Mei Changsu's, at having to spend the whole series wrapped in countless layers of fabric and/or lying in bed while everyone around him gets to be the badass action heroes.

Mei Changsu's not faking it, either -- he's actually dying. He expends his energy where he thinks it's necessary, and sometimes that means he has to spend the following week in bed. He's constantly frustrated with himself for what he can't do anymore. He's racing a clock, and that clock is his own failing body. If he dies, the only hope anyone here has for justice dies with him.

He gets two love interests that the show treats pretty much equally. One's a lady general who wasn't even a love interest in the book. The other's the handsome prince who was initially going to be his textual romantic partner in same book, until the author hopped genres from danmei to general historical drama. I can't even call this a love triangle, because there's no competition. He just gets a wife and a husband -- in that he gets neither, because circumstances and his own illness keep him distant from them. He lies to both of then about his condition (among other things). He wants to be with them both and knows he can't be with either. And they in turn have to learn to accept what of him they can and can't have.

(Also, Nihuang (her) and Jingyan (him) are both incredibly gorgeous, which is exactly what bisexual genius Mei Changsu deserves.)

Obviously this isn't a perfect representation of life with chronic illness, largely because Mei Changsu is an incredily wealthy man who lives in a universe with what's basically magic medicine. However, I've seen the story's treatment of him and his condition resonate with a lot of chronically ill viewers, so even with the fantasy layer on it, there's definitely something there.

3. Dave

I have already told the story of how Meng Zhi became "Dave," but long story short, he's such a Dave that I legitimately forget his character's real name. He embodies Daveness. He's The Ultimate Dave.

Dave is an excellent fighter, a loyal friend -- and a terrible liar. He's possbly the only straightforward character in the entire show. When he's asked to be duplicitous, he's comically bad at it. Dave will never do a heel turn. I was misled at first by his semi-evil facial hair, but I have seen the error of my ways. Dave is pure lawful good.

And the reason I list Dave as such a selling point is that having a Dave means you always know what's going on. This is because Dave never knows what's going on, and he has no ego about that, so he asks questions, and other characters have to explain to him what just happened, and that is how you figure out what's going on.

It's an incredibly smart move on the drama's part, because some of the (very fun) schemes are so complicated that there's no way for you, the viewer, to understand them just by watching. Without the internal monologues and omniscent narration of a book, the machinations are opaque. You need things explained -- but why would the schemers explain their schemes? Well, Dave needs some exposition, so here you go.

So if you're worried that you might be left feeling stupid by a show where so many sneaky people are hatching so many complex plans, worry not! Like the good man he is, Dave has your back.

4. A Million Amazing Antagonists

If you like bad guys, this is a show for you. This show has brilliant bad guys all the way down. It has bad guys at every turn. It has bad guys for every taste. Welcome to Big Liang's Big Bad Guy Emporium, where we guarantee you'll walk out of here with a bad guy you like, or your money back!

(And yes, this set of pictures is also to say that their costume budget was entirely well-spent.)

Without getting too far into spoilers, I will say that the basic situation underlying the whole series is this: The emperor has done a lot of bad things, and he has enlisted a bunch of people's help in hiding those bad things, so much so that many of those other people have done even more bad things the emperor didn't even know about -- and then everyone has gone to great lengths to cover those up as well. Our protagonists spend the whole series unraveling this colossal shitshow and bringing people to task for their crimes.

So really, if you're going to spend 54 episodes taking down the baddies, they've got to be baddies you love to see taken down. And these are -- in part because all of them have crystal-clear, rock-solid motivations for their actions. Nobody here is a moustache-twirling comic-book-villain baddie. They're all bad for reasons that are very understandable in their individual contexts. And not a single one of them is going to go down without a fight.

5. World's Best Mom

(Sidebar: The fact that four out of five of my reasons to watch the show are individual or groups of characters should be your strongest indicator that this is an intensely character-driven story.)

This is not a Dead Mom Show. Okay, some moms are dead, but mostly this is a Moms Are Alive And Often Cause Problems Show, which is a lot of what makes the palace drama so delicious. But there is one Good Mom who stands out above all the rest: Consort Jing.

Played with perfect grace and devastating politeness by the stunning Liu Mintao, Consort Jing is a skilled doctor and excellent baker who starts the show with a low-level status among the women of the palace. She swallows down all kinds of mistreatment because she's not in a place to oppose it -- and when she can retaliate, it must only be through soft power. She loves her jock son with all her heart, but because of both their relatively poor positions in the hierarchy, she doesn't get to see him all that much. She wants to be an asset to him, while all the time she has to fear becoming a liability.

She is also the smartest person in any room that she's in, unless she's in a room with Mei Changsu, and even then it may be a tie.

There are lots of great characters in the show that I could have highlighted here, and plenty of them are women, but Consort Jing in particular never ceases to impress me. She is trapped in a gilded cage, married to a man who [lengthy list of spoilers that are traumatic to her in particular], and held hostage by how every time she even looks like she's out of line, it puts both her and her boy in danger. She's the most vulnerable of any of our good guys. Kind of like Wang Zhi, she's got to be clever or she's dead.

Consort Jing is not part of Mei Changsu's original plan. She figures out his plan and makes herself part of it -- and entirely remotely, as she and he aren't even in the same room until episode 40 or so. She puts herself in great danger to make sure he succeeds, not because it will necessarily do her any good, but because Jingyan needs him. This woman has been captain of the Mei Changsu/Jingyan ship for like twenty years already.

Oh, and did I mention her outfits?

I love you, Consort Mom.

Are you ready to watch it yet?

Get it on Viki! Get it on YouTube! Get it on YouTube but in a different playlist! (And also maybe get it on Amazon? Not in my region, but maybe in yours.)

I will warn you that it does take off running -- I think I saw someone say it introduces nineteen characters in the first episode? I was worried that I'd be too innundated by situations and flashbacks and names to be able to follow. By the second or third episode, though, I was rolling with it. So if you feel like you're struggling at the beginning, stick with it a bit. See if you don't feel it start to click.

...Man, reading over this post has left me going, oh, but I missed that! and that! and that guy! And yeah, the truth is that there are just so many great things about the show that limiting myself to only five (and being limited to only thirty images) was tough. I'm sure that people reblogging will add their own must-see elements.

Truly, this is a show that deserves its reputation. It may not be for everyone, but if this is the kind of thing that you like, it is a shining example of that thing.

Besides, you have to love a production where everyone was clearly having just a whole lot of fun being big ol' costumed dorks.

[the-owl-tree]

Deer's Xenofiction List - The Good, the Bad, and the Furry

Compilation of my xenofiction books I've read, my opinions on them, and ones that I've yet to get to. Will be updated as I go along, if I remember. Books I have not read have an asterisk (*) in front of them. Not a complete list, I will update as I gather more titles.

Adaptations will be listed along with the source material and not as a separate entry.

While I am accepting additions to the list, please make sure your suggestion isn't already listed.

Last Updated: 24-06-2024

-New additions to the books section

-Categories and sub-categories being considered: short films, animal transformation (human to animal).

-Content Warning: Mentions of sexual assault, animal abuse, animal death, and violence. Only a handful of entries have content warnings because they were given to me prior. Please look into the works beforehand to see if you feel comfortable engaging with them, this list is not a content warning guide.

Books

Warriors by Erin Hunter - A long-running series following the drama of four groups of feral cat groups in a forest.

Rating: sucks just read the first arc and nothing else. unless you have childhood nostalgia for this series you probably won't like anything that comes after.

Seekers by Erin Hunter - another animal series from the erin hunter team. It follows a group of bears searching for a safe place to live.

Rating: It's fine. I only read the first arc. While it has a much drearier tone than Warriors at times as it deals with growing environmental impact of global warming and human interference. If you like Erin Hunter's writing style, you might like this one.

*Survivors by Erin Hunter - Look we just gotta get these out of the way, these guys have a monopoly on kid's animal books. Survivors follows a dog named Lucky (yes. really) trying to survive in an area abandoned by humans.

Rating: I read the first book and nothing else. I'm sure it's...fine, suitable for a dog-obsessed young reader but as it is, no one's really rushed to recommend it to me. I'm sure it has fans somewhere, but I can't really speak for them.

*Bravelands by Erin Hunter - uuuhhh animals? in Africa? Surviving? I guess? Sorry my bias against Hunter is showing, but at some point you start to wonder what's going on here, you can feel them trying to recreate the success of Warriors.

Rating: idk what to tell you, never read it and probably never will. If you're a person who likes lion stories, you might enjoy this, maybe? Been told the hyena rep is appalling, another sad day for hyena lovers everywhere.

*Bamboo Kingdom by (you guessed it) Erin Hunter - It follows three pandas (apparently) each in different panda kingdoms.

Rating: I couldn't tell you shit about this one to be honest. You want more bears? Here's bears!

The Bees by Laline Paull - A novel following the life of Flora, a sanitation bee in her hive who rises through the ranks of her devout society.

Rating: Unfocused at times and a rushed ending, but a gripping story nonetheless. Would recommend!

Pod by Laline Paull - Follows the life of Eira, a spinner dolphin from an "exotic tribe" who is forcibly taken into another group of dolphin's to become a member of their leaders harem.

Rating: This book relies on the mythos of "dolphin rape" with numerous, non-graphic sexual assault scenes. While interesting concepts are introduced and, at times, the plot becomes compelling; it otherwise flounders its premise with messy execution and poorly thought out ideas. Also there's an American spy dolphin named Google, make of that what you will.

*The Wildlings and its sequel The Hundred Names of Darkness by Nilanjana Roy - A book about a small band of cats lives in the labyrinthine alleys and ruins of Nizamuddin, an old neighbourhood in Delhi.

Rating: Recommended multiple times to me by different people, no warnings given.

Varjak Paw (and sequels) by S. F. Said and illustrated by Dave Mckean - A short book about Varjak, a Mesopotamian Blue Cat, and his journey to learn an ancient art from his family’s past.

Rating: Varjak Paw is unique with striking imagery and interesting ideas. However, the writing in itself is far from anything special. The book it at its best when accompanied by Mckean’s striking visuals.

*The Underneath by Kathi Appelt - An abused dog hides under the porch of a home to escape from its owner. Based on a reply I've been given, do not ask me to expand anymore on the plot of this book, I have no goddamn clue.

Rating: Described as a formative book for reading xenofiction, it’s been recommended highly! Contains heavy topics such as animal abuse, be warned.

*Fire Bringer by David Clement-Davies - A novel following a red deer named Rannoch and a prophecy that looms over him.

Rating: It seems to have a decent fanbase and it's been recommended to me a handful of times.

*Bambi, a Life in the Woods by Felix Salten - A coming-of-age novel following a roe deer named Bambi. Best known from the 1942 Disney film.

Rating: If you're a deerhead, check it out I guess!

*Raptor Red by Robert T. Bakker - Often (favorably) compared to a textbook, Raptor Red follows a female Utahraptor. Written by a paleontologist, it's meant to be a realistic look at dinosaur's social habits and their interactions with their world.

Rating: Yet to read but sounds cool as fuck. This book contains a heavy emphasis on realism and world-building, with little dialogue. It may be slow for some readers!

Black Beauty by Anna Sewell - Horse girls, certain English classes, and so on, Black Beauty is fairly well-known. Though for those unaware, Black Beauty follows the titular Black Beauty's life in Victorian days.

Rating: It's a classic! Pulls at your heart strings! Just typing this out makes me want to reread it.

Watership Down by Richard Adams - Similar to Black Beauty, I can't imagine anyone reading this list doesn't know about the tale of a group of rabbit's trying to survive a harsh world.

Rating: It's well-written with a lively world, but its treatment of its female cast reveals a deep gendered bias in the writing.

*Mrs. Frisby and the Rats of NIMH by Robert. C. O'Brien - Mostly known from the (excellent) Don Bluth adaptation, the book follows Mrs. Frisby and he encounter with a group of highly intelligent rats.

Rating: Yet to read.

*Redwall by Brian Jacques - A 22 book series following a group of anthrophormic animals who live in Redwall Abbey and their call to action to defend themselves from "vermin".

Rating: Yet to read

Guardians of Ga'Hoole by Kathryn Lasky - A 31 book series following a group of owls and their attempts to thwart evil. The first arc follows Soren and his attempts to find the owls of Ga'Hoole and beat the 'Pure Ones' while the later books act as an epilogue and prequel.

Rating: First half read and loved! Highly recommend! Handling of Kludd is...meh.

Note: It has an animated film adaptation! While not entirely faithful, it still does a great job keeping to the themes of the books, trimming the fat, and telling a complete story. It also has two video games, one on DS and one on ah other consoles? Both are fun, I like the Wii version.

*(sorta?) Wings of Fire by Tui T. Sutherland - Most people reading this will know this one! It takes place in a world of dragons with seven tribes. The first arc follows the exploits of prophecized dragonets and their attempts to end a war.

Rating: I've yet to finish it. The writing is skewed for a younger audience but is charming nonetheless.

Note: It has a graphic novel adaptation illustrated by Mike Holmes.

*Duncton Wood (First book of the Duncton Chronicles) by William Horwood - A novel the three groups of moles in Duncton Woods and the tyranny of a powerful mole named Mandrake.

Rating: Not yet read, heard good things! lots of mole sex apparently.

The Plague Dogs by Richard Adams - After escaping an animal research facility, Snitter and Rowf escape out into the wild where they must survive a hostile world.

Rating: ough. my heart. would recommend.

Note: Well-known for its animated adaptation, would recommend it as well.

*Silverwing by Kenneth Oppel - The first in the Silverwing book series, Silverwing follows a bat named Shade who loses his colony during a migration to the south.

Rating: Yet to read but I've heard good things!

Note: Currently has an animated television adaptation, go check it out!

*A Black Fox Running by Brian Carter - The story follows the tale of a dark-furred fox named Wulfgar and his human nemesis, Scoble the trapper, over the course of time.

Rating: Yet to read.

*The Books of the Named/Ratha’s Creature (First book of the Ratha’s Creature series) by Clare’s Bell - Ratha’s Creature is set in prehistoric times following the story of Ratha, a Dinaelurus nimravid(?) and her role as a female in her Clan.

Yet to read, often recommended in the Xenofiction scene.

*The Taken (Book one of the Foxcraft trilogy) by Inbali Inserles - Follows the story of Isla, a fox kit who loses her home and family and must survive in the world of “furless” while mastering Foxcraft.

Recommended by @girlashfur

*Hurry Home, Candy by Meindert DeJong and illustrations by Maurice Sendak - Described as "heavy", Hurry Home, Candy follows the life and struggles of a dog named Candy.

Recommended by @mosshugs

Felidae (the first book in a nine book series) by Akif Pirinçci - A crime novel following Francis the cat as he tries to uncover the truth behind a series of murders in his new neighborhood.

Rating: I haven't read the novel and nor do I want to, but I did watch the adaptation. It's a grisly one but apart from the violent murders and striking imagery in the film, you're not missing much by skipping it. I can't really recommend this one for a variety of reasons.

Important: I can't stop you from reading the book or watching the animated adaptation, I watched the animated adaptation, but please do not financially support the author in any way. Pirinçci is a far-right dipshit and does not deserve support.

The Animals of Farthing Wood by Colin Dann - With eight books under its belt, The Animals of Farthing Wood originally started as one book about a group of woodland animals trying to find a new home after losing their old one to human development. It was followed by six sequels and one prequel.

Rating: Haven't read the books but I love the animated adaptation of it! I recommend checking out both.

*Ragweed (First book of the Dimwood book series) by Avi - A book about the adventures of a mouse seeing the world.

Recommended by @meanling

*A Dog's Life: An Autobiography of a Stray by Ann M. Martin - Written by the same author of the Babysitter's Club series, A Dog's Life chronicles the life of a dog named Squirrel.

Recommended by @meanling

*Scary Stories for Young Foxes by Christian McKay Heidicker and illustrations by Junyi Wu - Scary Stories for Young Foxes is a book consisting of several stories all told by a mother to her kits.

Recommended anonymously

*The Sight (and its sequel The Fell) by David Clement-Davies - Set in the same universe as Fire Bringer, The Sight follows a pack of wolves cursed by a lone wolf, Morgra, whose powers foretell the destiny of one of the mother wolf's pups: Larka, a white wolf gifted with a mysterious power known as The Sight.

Not yet read.

*Last of the Curlews by Fred Bodsworth - A realistic depiction of the journey of the last of a critically endangered and soon to be extinct bird.

Not yet read.

Note: Has an animated adaptation!

*Wish Tree by Katherine Applegate - From the same author as The One and Only Ivan! While this story includes animals, it's main character is an old oak tree named Red! The perspective is really interesting. She is both the neighborhood wish tree, and a home for many animals. A family of Muslim refugees move into the neighborhood, with the kid, Samar, becoming attached to the tree.

Not yet read.

*Pax by Sara Pennypacker - A war approaches and Peter must release his pet fox when his father enlists. The story alternates between Peter as he starts a journey to find his pet, and Pax who is learning to survive in the wild.

Not yet read.

*A Wolf Called Wander by Rosanne Perry - Inspired by the wolf 0R-7 (Journey), we follow Swift. After a rival wolf pack attacks, Swift's family scatters and must find a new home, taking an 1000 mile journey across the Pacific Northwest.

Not yet read.

*The Tygrine Cat by Inbali Iserles - Alone and lost, a young cat called Mati is struggling to be accepted by a colony of street cats in the bustling marketplace at Cressida Lock. What Mati doesn’t know is that he is the last of a vital, age-old breed and that a mysterious feline assassin named Mithos is close on his trail. With his enemy nearing, can Mati learn to harness his ancient powers — before a deadly feline force destroys both him and his newfound friends and takes the spirit of every cat on earth?

Not yet read.

Fifteen Dogs by André Alexis - The ancient Greek Gods make a bet and endow fifteen dogs from a shelter with human-level intelligence.

Rating: I can't say I loved this book but nonetheless I appreciated it's prose. If you can get past outdated pack dynamics and some...questionable writing around its female characters, there's a lot to appreciate. Mind you, this is a book for adults and does not shy away from sexual material.

Comics (Webcomics included)

Beasts of Burden written by Evan Dorkin and illustrated by Benjamin Dewey and Jill Thompson - The comics follow along the adventures of the ‘Beasts of Burden’ a group of animals who investigate paranormal happenings in their neighborhood.

Rating: With gorgeous art and an interesting world, I recommend! Just be warned, it is bloody and the sory doesn't hold your hand.

Note: Beasts of Burden currently has 21 comics published in Dark Horse Comics.

What Lurks Beneath by ArualMeow - A feral colony must grapple with a food shortage while simultaneously tussling with the divide between two groups of cats.

Rating - A highly compelling read. Each character plays a role in the unravelling drama of three siblings and you will walk away loving someone.

Note: Ongoing!

I Hope So by Detective Calico - A rewrite of My Pride turned into an original story, I Hope So follows the story of three lionesses navigating both the complicated politics of the lion prides but also the harsh environment they must survive in.

Rating: Slow to update but absolutely worth it! I Hope So is a charming and interesting read. It’s yet to finish but it’s far enough that you'll be able to invest yourself in the world and characters with no trouble!

Note: Ongoing!

Tofauti Sawa by TheCynicalHound - A revenge story that follows a spotted hyena named Sahara.

Rating: Tofauti Sawa is not here to endear you to its protagonists or hold your hand. It can be a tough read but a worthwhile one nonetheless. I need to catch up but I recommend it!

Note: Ongoing!

*Golden Shrike by Doeprince - A story about twin deer and their friends and their search to retrieve three fallen stars for a bored God.

Rating: Yet to read but I've heard good things!

Note: Ongoing!

*Doe of Deadwood by Songdog - It follows a deer who has a pact with a demon that takes the form of a tree. It has some heavy themes and light gore.

Recommended by @beeloaf

Note: Complete!

Jet and Harley by Doeprince - Described as a beautiful piece on grief and moving on, Jet and Harley stars a kitty cast and gorgeous artwork.

Rating: Recommended anonymously. It's still starting but it has some strong set up and charming writing going for it, I recommend keeping an eye on it!

Note: Ongoing!

Preeny Has to Repeat 6th Grade by momodriller - A love letter to adoptables and the creativity of young artists, this charming comic utilizes designs bought from adoptables on DeviantArt! It follows the story of Preeny, a young cat with a magic brush tail and what happens when her whole world turns upside down.

Rating: Beyond adorable, charming and sweet. There's a lot of love put into this webcomic and it shows! Highly recommend.

Note: Ongoing!

Africa by Arven92 - The story of a female leopard named Africa and her quest to protect her family and loved ones while her territory comes under threat.

Rating: Gorgeously drawn and with a story that twists, Africa pulls no punches in showing you the wickedness of its antagonists but also the enduring bond of a family.

Note: Ongoing!

*Oren's Forge by Teagan Gavet - A webcomic that explores the dynamics of predator and prey and what happens when those divisions fall in the story of a pair of pine martens and their journey for sanctuary.

Rating: Not yet read

Note: Ongoing!

*Pride of Baghdad written by Brian K. Vaughan and Niko Henrichon - A graphic novel falling the fictionalized account of the real life escape of four lions from the Baghdad Zoo after an American bombing in 2003.

Rating: Not yet read.

Content warning for graphic violence, gore, animal death, and a brief one panel depiction of sexual assault.

*I Didn't Know by Songdog - A comic about a cat exiled from her Church.

Rating: Not yet read.

Note: Ongoing

*Fox Fires by Pipilia - This ongoing Webtoon follows a Tanuki named Raate as she goes on a journey to find the missing "Fox Fires", a gate between the land of the dead and living. She encounters many friends such as birds who are messangers for elves, magic cats, and normal mean wolves.

Not yet read.

Note: Ongoing

Manga & Anime

*Silver Fang Gin and Ginga Densetsu Weed written and illustrated by Yoshihiro Takahashi - The original and the sequel respectively, the manga series follow Akita dogs, Gin and Weed. While Silver Fang focuses on Gin's search to fight the monstrous "Red Helmet", Weed follows the titular Weed and his search for his father.

Rating: I've not read this but upon getting recommended it, multiple people warned me about the misogyny in the series. Ye be warned. Additionally, the manga is (apparently) very gory!

Note: Both have anime adaptations. Weed's opening is a fucking banger go watch it at the very least.

Beastars (and Beast Complex by extension) written and illustrated by Paru Itagaki - In a world of anthromorphic animals, Beastars follows Legosi, a young wolf navigating his complicated feelings towards other species and learning more about his world.

Rating: Beastars is action-packed, fun, emotional, and dramatic! The first half is a compelling story of identity and how we interact with one another and the complex forces of society that drive our feelings, all wrapped up in a wonderous animal metaphor. As a coming-of-age story, it carries themes of desire, sexual desire, yearning, shame, and more. The second half is eeeeehhh not as strong, but I still recommend it nonetheless!

Note: Beastars currently has an anime adaptation by Studio Orange! It looks fantastic and has some really nice quality of life changes. Highly recommend.

Chi's Sweet Home written and illustrated by Konami Kanata - An adorable slice-of-life story following a cute kitten named Chi adapting to her new home.

Rating: It's just plain cute! If you're looking for something adorable to help you relax, I recommend this one. It's for a younger age demographic so don't go in expecting deep storylines or anything.

Note: Chi's Sweet Home has two adaptations: one with traditional 2D Japanese animation and two seasons and a 2016 3DCGI adaptation. I'd recommend the original adaptation but that's pure preference.

Nyankees written and illustrated by Atsushi Okada - A comedy manga that depicts street cats as brawling "yankees", drawing them as both cat and human to depict their brawls over food, territory, and ladies!

Rating: It's funny, I can't deny the humor in this one makes me chuckle. It's a little racy but otherwise, a fun, light-hearted read.

*A Cat's Tale written by Sae-Him Kwon and Hyeon-Jung Kim and illustrated by Kwon-Sam - A thrilling tale of murder and deception from the animals living on the Sae-Min's farm from the point of view of an elderly cat.

Rating: Yet to read, discovered on Anime-Planet's search system.

Monotone Blue written and illustrated by Nagabe - A story set in high school, it's a BL manga that follows Hachi the cat and Aoi the lizard.

Rating: Yet to read, but I adore the author's other works so I have high expectations!

*Neko to Ryuu written by Amara and illustrated by Sasaki Izumi- A cat raises a baby dragon as her own.

Rating: Yet to read but come on, that sounds adorable.

A Story of Seven Lives written and illustrated by Shirawaka Gin - A Story of Seven Lives follows Nanao, a former housecat turned street cat after a terrible tragedy.

Rating: It's a tearjerker and absolutely adorable. The artwork is lovely and all the cats' designs look fantastic. if you're interested in a simple drama about the relationship between cats and people, i would highly recommend it.

Note: There are human protagonists! If you want pure animal protagonists, maybe skip this one.

*The Walking Cat: A Cat's-Eye-View of the Zombie Apocalypse by Tomo Kitaoka - Zombies roam the earth and civilization as we know it is dead. When Jin—a young man trying to survive the chaos—rescues a cat from certain death, the unlikely duo sets off on a quest to find a mysterious island where Jin’s wife may be alive. Witness the zombie apocalypse through the eyes of a fearless feline whose curiosity may kill him yet.

Rating: Not yet read.

PLEASE READ: Due to its setting, this series has been given a handful of content warnings, please heed this warning before you read. Content warning for gore, death, sexual abuse, physical abuse.

Film

i'm not gonna put every disney or dreamworks film on here i'm sure a majority of us know that disney makes a lot of already popular animal films. if possible, i'd like to spotlight some films that weren't made by big studios and/or don't get a lot of attention. Further note, some of these are adaptations of children's books. I'm cheating a little here mainly because the adaptations are more well-known and probably more appealing for readers of this list than the original books. Uh, sorry.

The Brave Little Toaster directed by Jerry Rees - The film follows the adventures of sentient kitchen appliances and the search for their owner.

Rating: Aimed for a younger audience, it's an adorable viewing for all ages.

Isle of Dogs directed by Wes Anderson - In the year 2038, canine flu breaks out in a futuristic Japan and all dogs are sent to 'trash island' where they fight to survive. One day, a young Japanese boy crashes down on trash island to find his dog.

Rating: The stop-motion animation is gorgeous, the writing is fun and charming, and the visuals are amazing, however the film has rightfully garnered criticism for its stereotypical depiction of Japanese society and 'white savior' narrative around one of its human characters.

Chirin no Suzu (English Title: Ringing Bell/Chirin's Bell) directed by Masami Hata - On a farm, Chirin witnesses the death of his mother to a wolf. Distraught and filled with rage, Chirin vows to get revenge and trains to do so.

Rating: A fantastic and visually striking film, the film's cute aesthetics hide a sombre and darker story. Would recommend!

*Vuk (English Title: The Little Fox) directed by Atilla Dargay - A Hungarian animated film that follows the life of a fox and how he must use his wits to survive.

Rating: Not yet watched.

Arashi no Yoru Ni (English Title: One Stormy Night) directed by Gisaburō Sugii - On one stormy night, a sheep and a wolf take refuge from a storm in the same abandoned home and befriend each other...unaware of what species the other is until later. They strike an unusual friendship that's tested when their respective groups begin to clash.

Rating: Cute, sweet, and well-animated, One Stormy Night is well known for the romantic undertones of its two leads. I think it's adorable and highly recommend.

Note: It received another adaptation of the same source material, a 3D animated show where they made the sheep a girl. Do with that information what you will.

Leafy, A Hen into the Wild directed by Oh Sung-yoon - A farm chicken dreams of one day living a life in the wild and raising her own clutch of eggs and, after faking her death to escape, finally gets the opportunity to do so.

Rating: A gorgeous animated film with moments that will tug at your heart strings. It's got some kiddy jokes with poop and fart jokes but they're not too distracting. Would recommend!

Note: Please find a version with the ORIGINAL ending, not the censored one. It is more thematically fitting and one heck of a gut-punch.

Underdog/A Dog's Courage directed by Lee Chun-baek and Oh Sung-yoon - After being abandoned by his owners, a dog joins up with a pack of other dogs in search of 'paradise'.

Rating: Despite some poor pacing and wonky tonal problems, I think this movie is still worth checking out! The character designs are cute and it's decent entertainment if you've got some time.

Note: There's a post that says this movie is about dogs escaping to North Korea, it's not true. They escape from North Korea to South Korea.

Padak directed by Dae-Hee Lee - A dark and sometimes brutal film about a wild fish that ends up in a restaurant fish tank that overlooks the ocean. The film stays there and the audience is given a tense, nerve-wracking narrative of life and death.

Rating: A fantastic, emotional movie that uses its limited setting to its full advantage. It's brutal and unforgiving but one hundred percent worth the watch.

Khumba directed by Anthony Silverston - A film that follows a zebra with only half his stripes and his journey to gain the rest of them in hopes of being accepted by his herd.

Rating: It's fine, a little wonky but it has a lot of heart.

Earnest and Celestine directed by Stéphane Aubier, Vincent Patar and Benjamin Renner - A gorgeous 2D French animated film based on a series of children's films about a bear who takes in an orphan mouse in an anthropomorphic society that does not approve.

Rating: you're going to get cavities at how sweet this film is. Charming, funny, and visually stunning, you would be remiss if you didn't watch this wonderful film at least once.

The Land Before Time directed by Don Bluth - After tragedy strikes, young Apatosaurus must embark on a journey to find the Great Valley.

Rating: It's a classic! A bit cutesy and meanders at times, but still worth a watch.

Note: Pretty well known for the host of direct-to-DVD sequel movies it produced, a television series, and a video game.

Television (Online Productions Included)

My Pride directed by Maddi Patton - My Pride is an independent internet production that follows the tale of a disabled lion named Nothing trying to exist in her cruel society.

Rating: My Pride is clearly a work of passion, one can’t deny the creator clearly had a vision of what she wanted from this show. However, the execution is flawed and the handling of disability has been (rightfully) criticized. While the animators and voice actors have clearly put a lot of love and effort into the project, the writing falls short of what it could be.

Note: The series ends on a cliffhanger and has been discontinued. You have been warned.

My Little Pony (Generations 1-5) developed by Hasbro - If you like ponies, here you go! While G1 did have a human character, G3 to G5 are purely horsies. Each generation has a different story and main cast to follow.

Rating: Very obviously for a younger age demographic, the generations do have their own charm! G4 is popular for a reason with a sleek style, witty writing, and a lovely cast of characters.

Azurehowl and Azurehowl Reborn created by azurehowlshilach - Bet this one brings back nostalgia lol Azurehowl is set in a world where wolves have the magic of dragons! It centers around Ruuza who may be more special than she realizes.

Rating: i gotta rewatch this one to make my thoughts clear but i remember finding it charming. Azurehowl Reborn appears to be the remake/reboot of the original series.

Note: Ongoing!

Twelve by Petpyves - An original series about May and Imp, a duo who's jobs are to jump from body to body and guide them to a better end, results vary. It's a work of love and has some really strong concepts and writing, as well as doing its best to handle more mature subejcts with respect.

Rating: It's rough around the edges but nonetheless a great show to binge! I recommend it, though it's been a while since I watched it.

Note: Complete!

No Evil by Betsy Lee - In the land of myths and fables incarnate a group of spirits live their casual lives alongside humans, until a cataclysmic force thought to be dealt with shows once again in the world. A prequel series to the webcomic Brother Swan.

Rating: Not yet watched.

Note: Complete!

Burrow's End by Dimension 20 - A Dungeons & Dragons campaign following a group of stoats.

Rating: Not yet watched.

Note: Complete!

Video Games

Okami developed by Clover Studios - You play as the wolf Amaterasu on her journey to save the world from forces of darkness.

Rating: A classic for a reason. Fun to play, great story, lovely characters. Would recommend!

Stray developed by Bluetwelve Studios - In a walled city populated by robots, you play as a cat.

Rating: ending made me bawl. Gameplay is a bit clunky, the platforming is essentially hitting buttons to automatically jump to your destination instead of you jumping yourself. Otherwise, would recommend!

*Tokyo Jungle developed Crispy's! - Set in a deserted, furistic Tokyo, you can select from a wide array of animals to play as and survive.

Rating: never played but maaan do I want to.

*Spirit of the North developed by Infuse Studio- You play as an ordinary red fox whose story becomes entwined with the guardian of the Northern Lights, a female spirit fox.

Rating: Yet to play.

Untitled Goose Game developed by House House - honk

Rating: honk

*Copoka developed by Inaccurate Interactive - You play as a pigeon trying to build a nest in a totalitarian state.

Rating: Yet to play.

*Seasons After Fall developed by Swing Swing Submarine - 2D platformer where you play as a fox in a magical land.

Rating: Yet to play.

Pokemon Mystery Dungeon developed by Spike Chunsoft - A rogue-like RPG in which you take the form as a human turned Pokemon and must navigate your world. There are currently seven games to choose from, each with a unique world and story.

Rating: I love PMD, I'm putting it here because I'm biased. I love it a lot and it fits the criteria so here you go!

Cattails & *Cattails: Wildwood Story developed by Falcon Development - With the creator known for their WC fan game, Untold Tales, Cattails branched out from the bones of the fan game and became an original game of it's own! In this RPG, you play as a cat where you can hunt, fight, find love, and solve puzzles. Wildwood expands on the base mechanics, adding in farming, characters, and more!

Rating: I found the first Cattails to be cute and simple. It's not an intensive RPG, the mechanics become repetitive after a while. If you're someone who likes getting into the rhythm of a grindy rpg, you'll like this one. Not yet played Wildwood but I've heard it's great!

Rain World developed by Videocult - You play as a nomadic slugcat in a brutal world with only your wits, agility, and strength to survive. Eat, hunt, flee, and hibernate while finding out the secrets of your world.

Rating: Okay. this game is HARD. Like unfair hard. Imprecise controls, brutal difficulty, and sometimes really unfair save points - this one is tough. However, it is gorgeous and it's really fun seeing all the beautiful environments the creators came up with. Enemies are also incredibly complex, reacting to each other and you in different ways. It's an acquired taste, while it wasn't for me personally, I would recommend giving it a try at the very least.

Miscellaneous

Additions that aren't necessarily xenofiction but pertain to it in some way.

Cheek by Jowl: Animals in Children's Literature by Ursula K. Le Guin -A fantastic essay that explores the role of the animal in children's literature from its role as something to reflect human society, or how it teaches children about animals. Furthermore, it explores the ways in which xenofiction can intentionally or unintentionally reinforce human bigotry through what we deem the "natural" order of the world.

Rating: Please read if you're interested in xenofiction! A fantastic essay that kicks you off thinking critically about what xenofiction has to say. The essay has a striking section on Watership Down that I highly recommend reading.

Cardinal West (YouTube) - A YouTube channel that discusses xenofiction. Videos that I recommend to start with are:

How (Not) to Write Xenofiction: A Literary Autopsy of “One for Sorrow, Two for Joy” by Clive Woodall (CW for discussions of sexual assault)

How Adapting The Fox and the Hound Changed Animation

[raven-at-the-writing-desk]

Given we have finally gotten news regarding the anime what do you think about it being an adaptation of the manga?

I have some mixed opinions since we'll be seeing the same story for the 4th time at this point (game/manga/novel/anime) but there does appear to be some differences with each especially with each unique Yuu. I do think the OBs and fight choreography is best animated over a slice of life show.

I'm not expecting any major changes from the manga if any at all but I'm happy to see it animated at all. I do hope it is successful so that the other books get animated. I feel like we are in a purgatory of early TWST with how often we go back to the earlier books in different mediums.

[Referencing this news!]

Gonna be honest with you, I’m kinda numb to getting yet another adaptation of the main story (a story that, mind you, we've already heard ad nauseum). At this point, it really does feel like a never-ending purgatory or time loop where we are forced to relive Heartslabyul over and over and over 😅 Of course, I'm still looking forward to seeing the anime and watching some of the more complicated scenes play out (fights, flashback sequences, playing magift/spelldrive, etc.). However, I think I would have preferred something new...? For example, vignettes, the event stories, etc.

The anime being an adaptation of the manga is... fine? But that means the anime may also have the same issues that I have with the manga. Those would be:

We will never really be able to fully bond with or know Yuu on a deeper level since Yuu is constantly changing between books/seasons. We won't get to see how the Yuu of Heartslabyul interacts with characters in later books, we won't get to see how the Yuu of Octavinelle handled the Heartslabyul and Savanaclaw conflicts, etc. We won't see any of them grow or change as a result of interacting with the NRC cast. This sucks particularly because if you really love a particular Yuu, you know they won’t be sticking around.

Despite the Yuus being designed as foils for the OB boys of each respective arc, no special meaningful interactions come out of it. The reader/viewer is just left to draw the parallels but there is never a moment where Yuu and the OB boy reconcile about their similarities/differences, which would actually justify the frequent changing of the POV character.

Barely any alterations are made from the game's story, since the manga isn't allowed to deviate in significant ways. No matter how different the Yuu is, they cannot ever make a decision or even have dialogue that would actually change the story in interesting ways.

General time constraints (manga arcs are 20 chapters, seasons have a limited number of episodes).

Limited showing/screen time of some characters. Because the adaptation will be of the main story, some characters that make very bad first impressions (hi, book 2 Leona… hi, Sebek without the vignettes…) will maintain those bad first impressions and won’t have a chance to redeem themselves simply because the bonus content (vignettes, event stories, etc.) aren’t adapted. Other characters won’t get as much focus simply because they aren’t the OB boys. The former would mainly be a concern for anime/manga-only fans.

Most of my disappointment comes not from reliving the same story, but that we are reliving the same story with minimal changes. I would enjoy adaptations more if they actually played around with the source material and explored new avenues! It feels like a missed opportunity, you know??

As I said earlier in this post, this is NOT meant to be overly negative; this is healthy skepticism. I'd describe myself as still excited, but not as excited as I would be if the anime were about something else set in the Twst world. Hope that makes sense 🙏

I would also caution readers to take my concerns with a grain of salt; for all we know, maybe the anime will add new scenes or fix some of the issues I pointed out. We should wait until the anime is out to judge its content and quality for ourselves.

On a positive note though 🤡 M-Maybe we will see. Shirtless L*ona animated… because… y’know… Episode of Savanaclaw technically canonized it… HAHAHAh JK… unless…? 🥺 👉👈

[presidenthades]

Can you please give your headcanons on the Alicent & Daemon marriage. It'd be NUTS. We know what Daemon does to a wife with brown hair brown eyes no matter how pretty she is 👀

Also how would TargBros™️ turn out in that family in your opinion? (Aemond would be such a daddy's girl lol) Sadly Daemon doesn't interact with his children at all on the show and Baela even said sometimes she hates him. What would Daemon do with a neurodivergent daughter (Helaena)? Would he dismiss her or would he realise she has dragon dreams?

I believe Daemon is snobby about being Valyrian, and he prefers a Valyrian wife. He also simply does not like Rhea as a person. From what little we saw of Rhea, she’s very headstrong. But so are Laena and Rhaenyra, whom Daemon does like.

The difference with Rhea is that she’s brutally upfront about not liking Daemon, and she verbally cuts him where she thinks it hurts. Meanwhile, Laena and Rhaenyra actually like Daemon, and their headstrong qualities are more akin to flirtatious sassiness than Rhea’s blatant dislike. So Daemon has a certain degree of attitude he will accept from his wife/the women in his life, but he won’t tolerate someone who’s just mean to him (which is fair, although he gives as good as he gets).

I also think Rhea being non-Valyrian AND headstrong is even worse in Daemon’s book. He could justify Laena and Rhaenyra with “they’re Valyrian ladies of the noblest birth, they deserve to be prideful.” But Rhea is of First Men blood and proud of it, without any drop of Valyrian blood. I think Daemon would like (or at least tolerate) her more if she were meeker.

That’s all setup to explain why I think Daemon/Alicent’s marriage could actually work. They wouldn’t love each other, but they could have children, share a household, and fulfill various spousal duties without killing each other.

Alicent is of First Men and Andal blood (some readers theorize the Hightowers also have Valyrian blood due to Oldtown possibly being a Valyrian outpost, but I’m going to ignore that theory in this post). That counts against her in Daemon’s book. However, Alicent as a young girl has a very different personality from Rhea (and Laena and Rhaenyra). She’s demure, courteous, and obedient. She is willing to adapt to her husband’s expectations and tastes, as we can see from how Alicent dresses in Targ colors before the Green Dress scene.

She isn’t whom Daemon would choose, but if he had to marry her, I think he would learn to be content with his marriage. He has a wife who listens to him, takes care of household stuff he isn’t interested in, and publicly presents a united front with him/his house. Although she is the daughter of his hated rival, this might eventually become a positive for him, because he can gloat about bedding Otto’s daughter on the regular. 💀

On Alicent’s side, she seems genuinely pleased when Daemon asks for her favor in S1E1. I think she shares many young ladies’ view of Daemon as a dashing (and roguish) knight. That, plus the fact he’s a Targaryen prince, makes him an excellent marriage prospect for her—on paper at least.

In private, Alicent would probably disagree with a lot of Daemon’s actions/decisions. If she tries to talk with him about it, she would have even less success than with Viserys. She may feel like Daemon looks down on her too much, whereas Viserys at least appears to consider her input (sometimes) when she offers it.

The marriage would almost certainly cause friction between Alicent and Rhaenyra, especially if Daemon continues to push boundaries with Rhaenyra. That’s probably the riskiest part about the marriage. Alicent grew up in a society where highborn women ignore their husbands’ dalliances, but it’s hard when the potential dalliance is her best friend/husband’s niece.

In general, it’s a bad idea to count on kids to save a marriage, but I think it would help Daemon/Alicent. Daemon would be thrilled with four kids—three of them sons—who look extremely Valyrian. Alicent in this AU can focus more on her immediate household and children, without also worrying about duties as queen. She also isn’t stressed about Aegon becoming king, because her children being Daemon’s are definitely behind Rhaenyra according to standard Westerosi succession norms. Also, with Daemon as the father, she isn’t worried about Daemon murking them on Rhaenyra’s behalf.

With Westeros being a deeply gendered society, Daemon would be much closer to his sons than with daughters. He’d be more hands-on than Viserys, and he would personally teach them sword-fighting and dragon riding.

Aegon greatly benefits from an attentive father, a less paranoid mother, and less uncertainty over his heir status (or lack thereof). He probably goes on a lot of Flea Bottom trips with Daemon, but Daemon, who wants his sons to reflect well on him, can make sure Aegon doesn’t go too crazy.

Aemond is probably the favorite child. As the second son of a second son, he bonds with Daemon over that. Lots of father-son bonding in the training yard. I could see Daemon telling Aemond he’ll get Dark Sister one day, but he has to earn the sword first.

Daeron probably keeps the same dynamic with Daemon as in the Handbook. Way too chipper for Daemon’s preference, but Daeron is the baby so Daemon puts up with it. Daeron is definitely not being sent to Oldtown.

It’s normal for daughters’ education to be presided over primarily by their mother, so Helaena ends up being the least close to Daemon. I think he does like having one girl, just to break up the boy litter a bit. He probably has a similar relationship with her as with Rhaena. Distant, no idea how to bond, just leaves her with his wife. Maybe throws her a bug-themed present once in a while. I don’t think Daemon would figure out the dragon dreams on his own, because it he doesn’t believe in such things/disdains them.

[publishinggoblin]

What Makes Confluence New?

Right now on Backerkit, Confluence: The Living Archive is in its final 11 days of funding. This is a Table Top Role Playing Game unlike any other, but not just for the reasons you might think.

Look, yes, it's a 6 book set with incredible art and layout and an amazing world to explore. This is all true. It's a true living world you get to dive into and experience at the table. That's great, truly!

But the thing that made Confluence different from any other project out there that I've ever heard of, is that in this industry, freelance writing for TTRPGs pays pennies on the word you turn in.

Some people were recently talking about how 10 cents per word is pretty good! You write 5000 words for a project? That's a nice $500. Other indie people were talking about paying 7 cents per word. But what they almost never offer is hourly pay, or pay for work you do outside the writing (including researching the game material you're writing for, or research for what you're writing!)

The Confluence Contract

Confluence has always meant the world to me. Truly. I tried to fund it and make it on my own multiple times in the past. When the Alleyman's Tarot was successful, I immediately wrote the contract with my lawyer for Confluence.

Everyone who worked on the project would make $25/hr for any work they do on the project. We would all feel we had equal pull and power here in that way, as it had to be collaborative.

Everyone would be paid an up-front Retainer of $10,000 if they were going to work part time, or $20,000 if they were going to work 30 or more hours a week. This was to alleviate current financial stress and give them space to explore the game with more freedom.

Everyone who worked on the project would share ownership with things they make. New cool mechanic? It lives in Confluence AND the creator can take it to their own games later. Awesome NPC? In Confluence and can be adapted anywhere else! I didn't want anyone to hold anything back. As far as I know, this has never been done before.

I did all this because, you see, I had an amazing team of people who came together to help bring this to life. People in the US, yes, but in Canada, the UK, Brazil, India, the Philippines. You can learn more and get links to them on the Pub Gob website here!

Do You Expect This to be the New Standard?

No, I don't expect all indie publishers to start doing this for TTRPGs. It's costly and not easy. But I want to stress that this is a unique situation we will likely never see again. And Confluence can only exist into the future with such an amazing team if we can step up support on the crowdfunding project!

This experiential game doesn't want to change the industry, but it changed the process behind the scenes already. If you believe in such a thing, a possibility for people to be paid fairly and have equal say and keep the rights for their works, consider believing in this project with us. Confluence needs your help to reach its funding goal, but it also needs your help to push further so the team can continue working in this amazing space to bring you even more materials in the future!

So check us out on Backerkit today!

[jesncin]

Lil' musing about Public Domain, AI theft and Transformative creativity

Old essay originally written on Cohost in February 2024. With additions.

I'm putting my thoughts here because I don't want to risk going viral for subtweeting discourse again, here we go! So with the Steamboat Willie Variant of Mickey Mouse going to public domain I've seen the usual cynical pushback over transformative art. Particularly in response to overplayed EDGY DARK WINNIE THE POOH and EDGY DARK STEAMBOAT MICKEY and YOUR CHILDHOOD THING DARK NOW that inevitably happens around this time.

But to group all transformative art as derivative, soul-less, profit-driven, lazy and "reliant on past successes" is frankly just...really silly? I saw a notable concept artist making this over-simplified talking point, and I find it odd that someone can look at the most visible (by being formulaic, provocative and made by rich people) examples of public domain adaptations and just generalize all art ever inspired by a thing as uninventive and compare artists who do that to being "ai-like". It feels like the false dichotomy constantly set between "real books" and fanfiction.

We've seen marginalized people reclaim cosmic horror from Lovecraftian fiction. I've seen queer people reckon with and reclaim the queer history of Peter Pan. There's something special about taking a familiar thing and informing it with a perspective that wasn't present in its original iteration. It takes a whole other part of your creative brain muscles to adapt and reimagine something that already exists. And it can be just as creatively fulfilling as making original stuff.

While it's important to recognize and remember the origin of archetypes in stories or movements in art, I think there's sometimes a misplaced reverence put towards the original version of something. Whenever I talk about how Asian writers like Gene Yang and Sarah Kuhn have more thoroughly integrated Superman's immigrant themes in their re-imaginings of his mythos than their white peers have, I get hit with the constant "hey remember Superman's creators were the sons of Jewish immigrants (who made racist jokes about Chinese people)" and "hey remember, Gene Yang and Gurihiru's Superman Smashes the Klan was based on a radio show arc made by WHITE people first (who made the story about a binary of Good white people vs Bad white people, along with centering how white people feel about racism)".

Especially if it's a means of centering white creatives, people love to dismiss the transformative contributions of marginalized people, but especially that of people of color. It took until 2016 for the World Fantasy Award to change their statuette to not be based after the face of renown racist H.P Lovecraft, after all.

Last year I gave myself the goal to do something "unnecessarily ambitious" with no plan of pitching/printing/selling it. Just "art for art's sake", something really not-algorithm-friendly. And yeah, that ended up being a fully rendered, 40-page martian manhunter fan comic. I did it for no other reason than being a huge fan of a severely unpopular character and feeling like there was a new story I really wanted to tell about the character that would never happen in canon with how little there's been written about him. I don't think it's fair to call writing 40 pages of a new origin story, drawing fully colored pages with unique re-designs, reading hours of martian manhunter comics to tie different aspects of his lore into coherent worldbuilding, putting that comic up for free for the few other Green Justice League Guy fans to read, as lazy, profit-driven, and soul-less.

There's tons of artists who do stuff like this all the time. It just comes off as being very out of touch to view true creativity as only existing one way. That transformative media must inherently be "less". One time a white guy pitched to me some ideas he had for Superman if he ever had a chance to write him, and I said "that sounds cool, you should write a fanfic about it" and another white guy (who felt the need to come to the first one's defense), viewed what I said as an insult. There's something about doing fanart because you enjoy it and don't need to profit out of everything you make that's seen as lesser than having the seal of canonicity from a company.

My motto with making needlessly ambitious fancomics is "You don't need to work for DC Comics to make DC comics". Because canonicity has nothing to do with what makes art special.

To bring this back to edgy Mickey Mouse spin offs, even if you do just want to make cliche mascot-horrified stuff because you enjoy it, then by all means go ahead! I always go back to this video Sagan Hawkes did about petscop-inspired video series. There's a running theme about grappling with the concept of Originality in Art in relation to youtube horror projects (the thesis comes around at 2:04:10), and some valuable words are shared in the collected interviews with web series creatives (2:18:47) in the end. SeireaSong (creator behind Diminish) talks about how misguided conversations surrounding "originality" can be (2:29:43). It's so worth it to watch when you have the time.

Anyway happy 2024! Be good to each other.

[itscherrylipsforme]

The missing piece: Oliver Quick x fem!reader

Part 2 here

Summary: A few months after Saltburn becomes completely his, Oliver still feels like something is missing. Without being able to put a finger on it he decides to pay a visit to Oxford, where all started, trying to find the answer between his old memories. Fate believes that a pretty and sweet student he meets in a bookstore is the piece of the puzzle he needs right now. After all everyone wants to be showered with love, don’t they?

Warnings: Post Saltburn fic, a little bit dark (it’s Oliver, what you expected?), age gap (he is around 15-17 years older), slightly innocent kin? (nothing sexual)

Words: Around 1700

Author's rambles: Okay, I feel in love with him the movie and I am kind of embarrassed about it (It’s not my fault hat the actor has pretty eyes and a gorgeous accent, fine?) For your own good, don’t aspire to have a boyfriend as toxic as him in real life. Also this is my fic on Tumblr, please be nice

Masterlist Characters I write for

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There is a psychological phenomenon that claims that after achieving something we have been longing for some time instead of the sense of satisfaction we were expecting we feel incomplete, hopeless and already looking forward to our next success. After having the Saltburn's keys just for himself, Oliver experienced that piercing emotion for the first time in his life. If he was painfully unaware of it or simply decided to ignore it remains as an open question until today. The only thing that was certain for him at that time is that he needed some action, a new goal, maybe some entertainment, and specially he needed answers. That’s why he decided to go back to the place it all started nearly sixteen years ago

Oxford hadn’t changed a lot since he graduated, as he had the chance to notice it. Different names, different faces, different decades… But still the same social scheme it was back them. Groups of rich daddy’s and mommy’s children swarming around the campus, pubs where you had to drink to be accepted, and poor little nobodies who had to adapt or die in the process

He rented a large flat not so far away from the university, and in the café just below it he rediscovered a hobby he had always had, but which have been almost forgotten on those last months on the mansion. Looking at the students, being able to read through their facades while accompanied by a cup of coffee, became his new pastime. But people always talk and after some weeks spending the afternoon in the café terrace just lost in his thoughts he realized the odd glances the staff shot towards him, so he decided to hide his true interest behind a less complex and unique one. The next day he went to the closest bookstore to buy any novel that would help him with his purpose, after all, people just ask fewer questions when you are reading on your own. That was when he found you sitting on a couch, legs crossed with a book between your small and soft hands

Pretty, beautiful, gorgeous even. Young, probably still studying at Oxford. On the shy aspect, lovely and smart as he guessed correctly. Sweet smile. Bright eyes. Oh, and some soft curves he was able to peep while he seemed to be looking at the shelves by your side. Wait, was that a blush, what he saw on your cheeks? Another scholarship student as he was back then. The fact that your clothes weren’t from big and expensive brands and that you spent your afternoons in the bookshop without really buying anything was the clue he needed to be sure about it. God, you were adorable, perfect, just what he needed right now and he decided to start working on it

Time had shown him that patience and a good plan could take you far away, this is the reason why, although he was eager to come to you and straight-forward mesmerize you with his tricks, he waited. He spent the next five weeks going to the library more or less daily hoping to see you, and luckily (since he was used to building his own luck) your schedules always matched. He always sat on an armchair to read next to yours, close but not enough to be suspicious. Just after he had made sure you have not so subtly looked at him a few times, he decided to make the move

“The Secret History” a deep silky voice said from behind your seat. His face slightly near to your face which made the words linger in the air for some honey-like seconds “You have a good taste”

“Thanks… Thank you” you manged to say in sweet and shy whisper

“First time you read it?” he asked and a shake of your head was the response he got

“No, I have already read it a couple of times in pdf. But I have never owned the physical book”

“We can have that keep happening, can’t we?” he grinned, and you couldn’t remember if he was the first man who had smiled and looked at you in that way “May I have a look at it?” his large and firm hands came to hold the cover as he stood up and went straight to the cashier “Follow me, darling” the nickname rolled in his tongue, sweet as candy, and before you thought about it, you did as he said. You were obedient, good thing, he thought to himself. He pulled the money out of his wallet in merely seconds, paid for it and hand it back to you

“Thanks, but I can’t accept it” you said slightly embarrassed

“Of course, you can! It truly is an amazing novel, you deserve it” he smirked. His words have had just the reaction he had expected from you, cheeks covered with a tiny hint of pink “I have always found myself relating to Henry Winter, I just need my Camila now”

You were taken back, was that an attempt to flirt? Because if it was, he had your attention. While you tried to make any sense out of your thought, he spoke again

“I am usually on a café nearby, if you are interested you could come sometime” Another smirk, and at that moment you knew that this man was going to be the death to you. Things like this only happened to the main characters in romance movies

“I don’t even know your name”

“ You can call me Oliver, darling”

“I am y/n”

“Beautiful, beautiful y/n, it was a pleasure to meet you. Hope we see each other again”

And you did. Between coffees, books, conversations and more, he had you wrapped around his finger by the time your classes ended. Oliver was sweet, devoted, intelligent… all you could ever ask for in a man. He was straight out of your dreams, and damn he felt you were straight out of his. Innocent, easy to make blush, could keep with his ramblings and most important, you were eager to love, and he was eager to be loved

Yesterday it had been your graduation, when you left the ceremony in that beautiful dress he had insisted on buying you and wrapped your arms around him, he felt like his plan has almost completely succeeded. Almost, you wanted a fairy tale romance, and he was going to give you one. Keeping things slowly and delicate. But when he woke up and felt you laying on his chest sleeping peacefully, he couldn’t help but want to make you his. That had been the only night you had spent in his apartment in your months together. He had sworn to himself that he wouldn't rush, so he didn't. At least he was glad you were coming with him to Saltburn for a few weeks in the summer and you could bet he wouldn’t let you leave the mansion again if he could. After all, you were all that he wanted. His missing piece

Part 2 here

[dollopheadsandclotpoles]

Aight let's hear the thoughts on the difference between wicked the film and play lol 🙈 I saw the tags and I'm intrigued

Ok so disclaimer, it has been a long time since I watched the play or any of the bootlegs so I might be forgetting some details, but I did used to watch the bootlegs all the time and saw the play when I was in the US, and Wicked was even my foray into writing fanfiction so it's always had a very special place in my heart.

I will say to start that I really loved the movie and thought it was incredibly fun. I love that they adapted it in a way that embraced the spectacle potential of the stage play, and while there are obviously going to be some things I prefer from the stage play (as a long time fan of it), I still think it was an incredibly well done adaptation.

The one biggest difference though, I felt, was in the portrayal of Elphaba. Initially I couldn't really put my finger on what felt off about it aside from the fact that they had her crying a lot more than I remember. But after discussing the movie with some friends who had never seen the play, one girl said that she felt Elphaba's turn-around into risking it all for the Animals felt too sudden. That was kinda when it struck me — she wasn't as angry as she was in the original.

In the play, Elphaba is incredibly angry by the injustice of being treated like she's an outsider just for the way she looks, and when she sees the Animals being treated the same way, she feels an immediate kinship with them. The Elphaba of the play is angry yet resigned (her 'I'm Not That Girl' is more of a resigned 'this was bound to happen' vs. the sad realisation moment the movie made it out to be). She's sarcastic, she's loud. She first greets Fiyero by shouting at him and whacking him on the head with a book. She is hurt and sad also (of course) but it is buried so deep that it is only Glinda that actually sees it, making the Ozdust dance moment the impactful moment that it is.

I then came across a discussion on Reddit where someone was saying a similar thing — that Elphaba wasn't as angry as she was in the play. But someone else responded with the fact that 'it would have been hard to watch a 3 hour movie of someone being so angry.' Another commenter bemoaned the fact that they mellowed both the main characters down because they didn't want 'two unlikeable female leads.' And that kinda got me thinking about how they likely 'softened' her to make her more 'likeable' and that kinda felt off to me... because that kinda goes against the point? The female rage is a point of the story that struck a chord with me. It is a story that allows it's lead to be angry, JUSTIFIES it. There are angry men who have led countless movies and shows and who are celebrated and fawned over and embraced, but having an angry young woman in a lead role is risky? I never found Elphaba unlikeable and clearly neither did most of the other people who saw the play (would it be the success it was if they did?) but now that it's reaching a wider audience were they afraid making her too 'angry' would make fewer people root for her? I do think classifying Elphaba as an 'angry' character is a disservice to the nuanced nature of the character, but I did feel like the movie highlighted the sad/hurt aspects of her character more than they did the side that is angry at injustice, but still strangely idealistic and resigned, still believing till the very end that there is an easy solution and the Wizard can just 'fix' everything that's wrong. And so while I do love the adaptation, I feel a bit cheated that they gave us a version of Elphaba with some of her more sharpened edges sanded off, so to speak. I also think the reason her 'turn around' felt too abrupt was because we don't get to see her anger. If you don't see how angry she feels at the world, you don't understand how close to the surface this outburst was, just waiting to bubble out of her. You don't get to see why it was so easy to paint her as a 'Wicked Witch' for a moment of passion when she's been treated like crap her whole life and had to hide behind his anger in order to survive. You don't truly understand why she was willing to risk it all for the Animals because you don't understand how this is her moment of finally deciding to let her rage free and USE it to make the stand she's been wanting to make her whole life.

I still feel it was a brilliant adaptation, I just felt like I missed that aspect of it a lot and it made her character feel a little less nuanced to me. But I could be forgetting certain details, or remembering wrong, or just be plain off — happy to listen to opposing viewpoints.

[o-uncle-newt]

We don't talk enough about the Petherbridge/Walter adaptations of the Wimsey/Vane novels.

(Well, we probably talk EXACTLY enough about Gaudy Night, which is really pretty bad, but besides for that...)

(Sorry, just a warning, Richard Morant as Bunter is fine but I won't have much to say about him here. I just really like this picture.)

The casting is basically perfect, especially Harriet Walter as Harriet Vane. I no longer see the book character in any other way- the only notable difference is that in the book she's noted as having a deep voice, but Walter's has a distinctive enough tone that I think it works regardless. She is just so, so, so good- captures the character beautifully, sells everything she does whether mundane or ridiculous (probably the best/most realistic reaction of someone finding a body I have EVER seen in Have His Carcase), makes the most of every limited minute she's on screen in Strong Poison and leaves her mark every minute that she isn't... and she looks AMAZING doing all of it. Just perfect, could not imagine better casting.

Edward Petherbridge I don't hold up to that level of perfection- I think that, try as he might, he's not really able to capture Wimsey's dynamism (possibly because he's a bit too old for the role) and is a bit overly caricatured in many of his mannerisms. But overall he does a pretty good job, in addition to looking quite a lot like how I'd imagined Wimsey- but in particular, I think he does a really lovely job of selling a lot of the emotion that he has to convey in some scenes that feel like they SHOULDN'T be adaptable from the book- specifically the scenes of him and Harriet. Him proposing to Harriet, him being disappointed when she (completely reasonably) turns him down... those shouldn't work on screen with real humans rather than in Sayers's calculated prose, but it DOES work and in no small part because he's great at selling Wimsey's feelings as being genuine even when his actions seem over the top. And, of course, Harriet Walter sells her end of the scenes right back. All in all, I think I have mixed feelings about Petherbridge as Lord Peter Wimsey the detective, but I'm a fan of him as Peter, the man who has feelings for Harriet.

Overall, though, both are, I think, very successful in capturing these characters- the fact that they take these people who even in the book can sometimes push the boundaries of likeability (which to be clear, is part of what I love about reading them) and make them eminently watchable is a great achievement. And also, in addition to their really looking like their characters individually, they're very well matched as a pair in the way that one pictures them from the book. They're even of very similar height and build, which we know is canonically true from Gaudy Night, and thus at least a somewhat relevant element of their dynamic.

Now, the adaptations are very uneven, and that's even without talking about Gaudy Night because, while it has about as good a rendition of the punting scene as I think we were ever going to get, most of the rest of it is crap and massively expands on what I think are serious problems to Peter and Harriet's relationship that the series as a whole had (not to mention cutting the character of St George, which is a travesty). None of the adaptations are perfect, and mess with aspects of their relationship in negative ways- for example, the ending of Strong Poison is exactly backward in a really awful way. I'll get back to this.

But when the show gets the two of them right, it gets them RIGHT, even when it's adapting Sayers's text/creating new dialogue. There are scenes in this one that I love almost as much as the canon text, like this one:

I don't think any of this is in the book, and there are things that happen here that I don't think Sayers would have ever written. But at the same time, a combination of the dialogue and the actors makes it COMPLETELY believable as these two people, and it captures a moment that is just really key for Peter as he faces his limitations and his feelings- something that in the book is conveyed through a lot of internal narrative on Peter's part that would be impossible to adapt as is, but that in the world of the show needed to happen in a much more visual and narrative way. Not all of the dialogue that this series chooses to fill in those gaps works, but even when it doesn't the actors do their best to sell the heck out of it, and when the dialogue DOES work it is seriously brilliant.

Probably my favorite of the adaptations is Have His Carcase, and scenes like this one are a big part of the reason why:

They change the location, but otherwise it's EXTRAORDINARILY faithful to the equivalent scene in the book, and honestly it shouldn't have worked with real people doing it and yet it does. It's just acted perfectly, given just enough arch and silly humor (particularly with the spinning door) that we don't attempt to take it too seriously, while also conveying the relevant emotions so well. The actors in the scene through only their faces and ways of speaking convey subtext that Sayers, in the book, conveyed a lot later on as actual text in the characters' thoughts, and there's something pretty great about that.

Other Have His Carcase scenes are less good (the dance scene is mediocre at best, I think), but if there's another Have His Carcase scene that I think illustrates how great Walter and Petherbridge are at selling the human sides of their characters, it's That Argument- seen here:

The Argument is a pale imitation of that in the book- the one in the book is, in fact, probably unadaptable as is- but it is still just so good because the actors are so good at selling it. Walter is just brilliant in the role and utterly inhabits it while also imbuing it with her own spin, and makes us feel Harriet's pain- and Petherbridge, through some relatively subtle facial expressions and reactions, is able just as well to make US understand what all of this means to him and how he feels. It's actually really remarkable that, just like how Sayers writes a relationship dynamic that only feels like it works because she's the one who wrote it that very specific way, this scene feels like it only works because these two actors play it in this specific way. Could two other actors do it? Very possibly, but it would feel super different and I wonder if it would feel this authentic. (I do want to note though that this scene made me really wish that we'd seen a Frasier-era David Hyde Pierce in the role of a younger and spryer, but equally posh, witty, and vulnerable, Wimsey. It just gave me vibes of something that he'd do beautifully.)

Now, as I said above, this doesn't get EVERYTHING right. In fact, quite a lot of their relationship ends up going pretty wrong- as I think a major mistake is their throughline which emphasizes Peter's continued pursuit of Harriet as not just reiterating his interest to make it clear that he hasn't changed his mind, but actively taking advantage of moments and situations in a romantic sense, taking a much more specific role in engaging with her physically, commenting on her appearance, saying how difficult it is for him to NOT pursue her more, etc. It makes the whole thing feel a lot more cat-and-mouse rather than a budding relationship of equals, and one where Peter acknowledges the whole time that they HAVE to be equals for a) Harriet to feel comfortable with him and b) them to be good together. In fact, however good the Argument above is, it's kind of undercut by this very pattern- he makes the book's point about him treating his feelings like something out of a comic opera, but he also at that point in the story has had a few much more oppressively serious scenes with her that clearly make her uncomfortable- nothing like anything in a comic opera. It's like the show misses the point a little.

I think the place where this really starts is at the end of Strong Poison. (I could see an argument to be made that it starts earlier, in a few smaller nuances of their jailhouse scenes, but I like those enough that I choose not to read into them too much lol.) After what I think is a great addition to the final jailhouse scene (one that I loved so much I repurposed it for a fic)- "it's supposed to be about love, isn't it" and some excellent reactions from Petherbridge- Harriet goes to court, her charges are dismissed, and unlike in the book, when it's Wimsey who leaves first (which Eiluned and Sylvia point out is a sign of his decency in not waiting for Harriet to thank him), here Wimsey is the one who watches as Harriet rejects him and walks away from him- the beginning of the chase. But nothing about their relationship is meant to be a chase! It's so frustrating to watch as that proceeds to be a continuing issue to a limited degree in Have His Carcase (where it's at least balanced by enough good moments that it doesn't matter so much) and to a MASSIVE, genuinely uncomfortable degree in Gaudy Night.

The only praise I will give it is that while the punt scene in the book is unfilmable, I think this adaptation did its best here and it's pretty good.

I'm not going to spend much time talking about Gaudy Night otherwise, because I'd need all day for it and also I'd probably need to rewatch it to make sure I get the details right and I have zero interest in doing that, but the way that it has Wimsey imposing himself and his feelings/hopes on Harriet to a really ridiculous degree, in a way that he never, ever does in the book, is just so so discomfiting and makes me feel terrible for Harriet. She doesn't deserve that. If I recall correctly, in that scene at the dance at the beginning, she's so happy just being with him and then he's all "oh so this means you want to marry me" and she just droops. He's so aggressive!

And that's what makes the worst part so bad, because not only does this miniseries not depict Wimsey's apology as the book does- one of the best scenes in a book full of brilliant scenes- it would actually be weird if it did, because this show doesn't imply that there's ANYTHING for Wimsey to be apologizing for! In fact, unlike in the books where we see Wimsey growing and deconstructing the parts of himself that had been demanding of Harriet, in the series we only see him get more demanding- until finally he wins. It's honestly infuriating and I hate it- the actors do their best to sell it (and apparently they were given bad enough material that they actually had to rewrite some of it themselves, though I have mixed feelings about the results) but it is just massively disappointing. Basically the whole emotional journey between the two of them is not just neutered but twisted.

For all of my criticisms of the adaptations' all around approach to their relationship, I do have to reiterate- Walter and Petherbridge do a wonderful, wonderful job. (Especially Walter.) When they're given good material to work with, and even often when they aren't, they are able to sell it so well- and particularly in the case of Walter, I genuinely can't think of the character as anyone but her rendition now. She IS Harriet Vane for me. And, for all the flaws that the series has, that's something pretty dang special.

Anyway, for anyone who read through this whole thing and hasn't seen these adaptations, I DO recommend Strong Poison and Have His Carcase- but not Gaudy Night unless you're either really curious or a glutton for punishment. The first two, though, have very good supporting casts, are quite faithful plot wise (sometimes to a fault- another flaw is that they are really devoted to conveying the whole mystery with all its clues sometimes to the point of dragginess, but will drop sideplots like, for example, Parker and Mary- which is totally reasonable, but still vaguely disappointing as those sideplots tend to add some levity/characterization), and just generally are an overall good time. (Some standout characters for me are Miss Climpson in Strong Poison and Mrs Lefranc in Have His Carcase.) And, of course, the best part is seeing the little snippets of Peter and Harriet that come through- less so their journey, vs in the book where that's central, but so many scenes where we just see the two of them together as they are in that moment and it's so satisfying.

[charmwasjess]

If Lucasfilm hires you to develop a project what do you pitch?

(Happy Thanksgiving btw 🦃)

Forgive me o’ Geode, friend and sender of fun asks, but the pitch would be me asking to use the restroom and then sneaking out through an open window.

I know! I know! What a boring answer! That sounds so cynical and unfun! Jess LOVES Star Wars content!! So why is she crying?!

Problem is, I think I would want to pitch The Acolyte. 

Of course, I disagree with Leslye Headland’s take on the Jedi Order completely. But I can’t say I didn’t have fun with that show, or that I wouldn’t have tried to do the exact same thing she did with some meaningful differences: get a Jedi-centric story away from the Skywalker Saga, explore weird places, make it dark and edgy and sexy, diverse leads, LGTBQIA+ characters treated like real characters, big tasty lightsaber fights. And it would get cancelled just like The Acolyte did, as none of the things I wanted to fix about the show were the reasons for its failure. 

I don’t think it’s just Star Wars, by the way. It is ROUGH out there for creative people working on projects, big or small. The industry is changing in ways that are still being realized as stories change to franchises which change to corporate properties managing streaming conglomerates. I imagine it will get a great deal worse before it gets better as companies start to cheap out on AI. I’ve talked to Netflix producers, friends who write for Marvel projects, and closer to home, my partner just realized the creative dream of a lifetime: the book he’s worked on for seven years got published by THE publisher in his scene. It’s a success! His fans are fantastic! The reviews are great! He’s sold so many copies so quickly that he would qualify for NYT bestsellers criteria if they listed his genre. His experience with the process was like pulling fucking teeth. He was unsupported with the book on every level by his publishers, fought for every good decision, and the whole process was exhausting and demoralizing.  

I can’t imagine how quickly the dream turns into a nightmare for someone taking on a Lucasfilm project, getting the chance to tell a story they’re deeply passionate about, and then it fails utterly for reasons entirely outside of their control.  

Anyway, without invoking Apollo’s red ball, I do want to talk about a Dooku: Jedi Lost adaptation for a second. Because of course, imagining well done cinematic scenes of certain favorite moments in that book - the Tirra ‘taka or Sifo-Dyas’s sandstorm while Dooku’s blue blade is just cutting down foes left and right - make my nips so hard they just break off and go flying around the room, smashing up the furniture. It’s impossible not to dream “well, what if they just did it really well?” 

But here’s where I think it falls apart. Regardless of how you view the platonic or romantic nature of Sifo-Dyas and Dooku's relationship, a good half the book is two male characters having intimate, affirming conversations about their feelings. Can you imagine a Star Wars property where the male leads look at each other and say lines like “you’re here. With me.” or the whole “I’m in.” “I”m in” exchange as their ship literally falls burning from the sky? Disney would probably turn it into a lightsaber fight, and yeah, I’d reblog the shit out of those gifs, but I think it would erase something core that I love in the narrative that is perfectly captured in the medium it’s in right now. Something tender and understated and rare.

....And even if they captured that aspect perfectly, part of the “fandom” that hadn’t seen a Star Wars film since May 2005 would bleat “woke” and complain that their wife left them because someone (me) ruined Count Dooku.

[thekatebridgerton]

A little venting post about the changes made to the show.

Sometimes I miss the era where book adaptations were true to their source material. Lord of the rings, Harry Potter, pride and prejudice, Twilight, The Hunger Games. Books with adaptations that literally had the power to change whole generations. Create such a cultural impact that we'll still be defining facets of our personalities by their influence for years to come.

And I think that those books had so much success as adaptations because the people who made them understood that watching the movie had to be an interactive experience between a person and their book. Not just their screen. People would finish watching the movie, go home, read the book and feel connected to a story where they knew the ending. So giddy and excited to know something they thought other movie goers didn't know. This made the experience exciting! It made it interactive enough to cause an impact.

I recently watched Lord of the Rings (yes the whole 24 hrs of it) and I realized how much I miss that excitement. That same warm blanket of knowing the ending that I experienced when I watched The Ballad of Songbirds and Snakes.

Bridgerton showrunners are so obsessed with delivering something with a 'plot twist' or 'different from the books' that they completely miss the point of how big franchises managed to make their adaptations impactful. So focused on curating the source material to make it more 'original' and new. So focused on driving up buzzfeed articles that read ' 100 ways Bridgerton season 2 was different from the books' that they alienate the interactive experience that exists in a viewer who enjoys reading.

Call me a book purist or maybe I felt sad today because I saw yet another article titled ' 10 reasons why Eloise storyline shouldn't follow the books' but it sucks to have creators spit on the books you love. It sucks to watch an adaptation that looks like fanfiction because it's all the media is currently offering. And you just wanted to see Kate bite Anthony's ankle and laugh. But you have to put up with all the changes of season 2 because complaining is met with an ' oh we wanted to do something different from the book, we wanted to surprise viewers'

Excuse me showrunners, I liked that book, what's wrong with liking that book? What was so offensive about it you had to turn it into something so far away from the source material the Author herself had to come out and say ' the books are the books and the show is the show' basically drawing a line between her creation and the show she authorized to adapt said work.

Netflix If the books I loved were so bad you felt they needed to be changed so much for an adaptation, then why adapt them at all? Why not find some kind nice very much in need of their big break author who has written a story that looks like the narrative you've got in mind.

As a reader I loved all the storylines as they stood. To me it would have been a giddy and exiting experience to be able to follow the show along with the source material. And I'm so sick and tired of show viewers and basically all the sensationalist media like buzzfeed and screenrant implying and outright saying that there is something wrong... with people like me. Who simply liked the books as they were. Because that's how they treat us, and that's what they think and it makes me sad.

And as I wait for season 3 I I sit and wait to see how many ' 100 ways the show is better than Romancing Mr Bridgerton because of how much the showrunners decided to change ' articles start poping up on my feed as soon as it's released. Because it will happen and as a reader you feel so powerless and confused, because all the media kees saying is that you're not allowed to feel angry, because even getting an adaptation is supposed to be a good thing, so don't start being a Debbie downer about the changes made for the screen. The book you loved was outdated anyway, the book you loved was boring anyway, the book you loved needed more excitement anyway.... And the message you keep getting is that The things you loved needed to stop looking like the things you loved, to be worthy of the masses attention

So what does that say about you?

Tomorrow, maybe I'll be back to being my usual positive self. Tomorrow I'll look at the bright side and feel ever so grateful that Julia Quinn's work is on screen. But for today, just for today. I needed to get that off my chest.

[sassy-bi-latina]

Dream final thoughts

I'm calm now. I actually think I won't say as much as originally planned cause I am no longer in the heat of the moment. But I still want to write about this show. Mostly cause I remember I wanted to do the same with GAP and then I didn't. My thoughts will be a mess so I'm sorry beforehand. I don't know where they'll lead throughout the post. SO LET'S FIND OUT TOGETHER.

I'll start by saying, I have read 5 books of Chaoplanoy (GAP, Blank, Dream, Us and Mate). Against my better wishes. I do this because my brain gets anxious by not knowing what happens. So reading the books helps me because it gives me a better idea where it'll go. It sometimes gives more insight to the characters like in Dream or The Secret of Us (which isn't a Chaoplanoy book but serves as an example). It also helps me see the adaptation in a different way and sometimes it helps me appreciate it more, for example, in Blank, which the book felt like Nueng was a bit predatory but the adaptation imo was so good, it just felt like a love story with two people with an age gap and nothing else which the book failed to deliver.

Okay, that being said, I said against my better wishes because if you know me and you talk to me, you will know I do NOT like Chaoplanoy's writing whatsoever. At first I thought it might be issues with translations but as I read more stories, I started to perceive patterns in her writing style that I didn't like.

Onto her adaptations, IDF gave us the biggest GL in recent times, they weren't the first to propose doing one, they just were the fastest so I think they got lucky. And I won't take credit away from the actresses nor the team behind GAP, but I genuinely feel like whomever had taken the first step would have been a success. IDF just so happens to be the first.

I will say, IDF released an initial pilot trailer that looked promising and while the editing and some of the acting choices didn't convince me as much, I was very sold with the plot points. And I think some of the things that distance themselves from the original book were a bit more interesting, like the focus on Song's relationship and the focus on the second lead couple which was scratched till the point they were just crumbs what we were getting. At the end, they decided to change some things at the beginning and then on the second part decided to be more loyal to the book. Which for me didn't work as much. Don't get me wrong, I did like GAP, I just think they did a disservice trying to initially take a different route to the book just to do a U turn and go back to it, because it didn't feel consistent.

And why am I saying all this about GAP when in theory it's my thoughts about Dream?

GREAT QUESTION MY FRIENDS.

And it's simply because while IDF "failed" in GAP by maintaining too loyal to the book they have the opposite issue with Dream, in which they lead astray so much and just didn't arrive to the heart of the people as well as it could have.

Dream, from the 5 books I've read has been the best one. Not only did I not actively dislike it, I genuinely enjoyed it and I genuinely think that had the show been more like the book more people would have.

For starters, a thing I've seen people complain about a lot is the lack of backstory of Kimwan. We're just thrust into their angst and they expect us just to feel for them without previously giving us anything to make us feel for them. That doesn't happen in the book. It starts with them as teenagers. We are told about the dreams, we are told how they met, we're actually told how they didn't get along at first. We get to see their school life. We see how they genuinely met (Mali was a loyal friend to Wan, a bit too loyal, and locked Kim in cause she didn't like how she treated Wan, which wasn't bad just Mali didn't like it). We ACTUALLY get to see Pam and how Wan and her had a rivalry going even them (just because Wan couldn't take someone being as pretty and equally admired as her).

We spend a couple of chapters just getting to know them, their bond just not between them two, but also with their friends. Did you know Kim got better at drawing because of Wan? The drawing she gave her during Valentine's? She practiced until late at night, because she has ALREADY given her a drawing that wasn't very good but she promised the next one was gonna be better, also because she knew Wan was gonna pick her next partner based on gifts.

Wan didn't end up confessing for the same reason as the show with the difference that the mothers WERE together, which was something I didn't like, and I did prefer they just kissed. But it made sense in the book that Wan never confessed, the mothers were together and she knew that would have broken Kim if she found out AFTER they got together.

Imo, in the show Wan could have confessed earlier cause they never actually got together but I guess she lost her bravery.

After we spent knowing them and loving them in highschool for a couple of chapters, which I think was at least 1/3 of the book we have a time jump where their story as adults starts.

The other thing is, we spent so much time with Marwin? Props for Heng, more work supposes that there's more pay for him but not so much for us. Marwin overstayed his welcome.

In the book, he was there but it didn't feel overwhelming. For starters, we know him at the same time Wan does. He is already established as Kim's boyfriend. Wan isn't thrilled but tries because it's Kim's choice. Kim never goes to work with him either. We also hear about the beach, but it's in passing, I think this, contrary to the highschool moments could have served better as a flashback. And tbh, in the show, contrary to the book, Kim seems more interested in Marwin, in the show he's just there. While in the book they have a genuine connection. You aren't necessarily rooting for him but it's understandable why Kim feels comfortable with him, which is exactly why Wan tries.

Another important thing that I think is lacking a bit in the show is that they kind of undersold Kim. Kim is as loyal to Wan as Wan is to Kim. I think one of the moments that reflects that best is in the scene where they're alone with Marwin's parents, in which, yeah they talked bullshit about Kim and Wan jumped them like in the show but then they started attacking Wan and that is Kim's limit. Matter of fact, Wan is surprised how Kim acts, so reassure and not taking anyone's bullshit and she says it herself, she doesn't care what anyone says about her but she will never let anyone talk shit about Wan.

Also, not only are they very loyal to one another, but they are best friends. Wan is actually with Kim when she receives the news about her mother having cancer, unlike the show, she's in late stages and I had hope they would change her dying but they didn't 😔, cause I'm the book she doesn't even receive treatment cause it felt hopeless. And I think stuff like that showcases their bond. I found it odd that you are going through that struggle and your first instinct isn't to tell your best friend even if they were fighting at the time, especially considering their bond.

Next up is the matter of the actual letter and the confessing their feelings. Yay for Samorn and her nosiness for saving her friends. But I actually did prefer how it happened in the books. Samorn, actually keeps telling Wan that she better act soon but she better not do anything on the wedding day, which is understandable. My girl is smart, she knew the consequences.

Wan doesn't throw the letter, or well, she does, on the shooting she's having that same day but our boy Pat picks it up and attempts to read it aloud and Wan is like "Hey that's mine" to which Pat responds with "Not anymore, you threw it". Wan ends up snatching it back and out of her OWN will reads it. By having Samorn taking a pic and telling Wan to read it, it feels like they took away a bit of Wan's autonomy. It just made me feel a bit weird about the whole scene.

I WILL say, the little moment between the four girls and the camping scene afterwards? Impeccable. Wouldn't touch it for nothing in the world. Marvellous. Gorgeous. Lives rent free in my mind. Thank you very much.

And last but definitely not least, the decline of Marwin. I think they shouldn't have cramped it all in the last episode. I think they should have taken 1 episode and a half of a slow decline, cause that's what happened, at first what Marwin started doing wasn't perceived much by Wan, she thought it was weird that both the fathers decided to retire early but nothing much until she realized it was Marwin. Which, btw, another moment in which Kim's loyalty is shown, she met Marwin behind Wan's back because she couldn't take Wan hurting, cause she wasn't getting much jobs done. But Wan interfered, which shows Wan's maturity imo, since she was like "Don't do that on your own. Every hardship we talk about it and we see how we deal with it TOGETHER" which I think is very sweet. Anyway, they did attempt to apologize together like in the show, and his villain monologue also happened but in the show it fell flat. I think it was better established how he became the very thing he didn't want to be. You knew beforehand his dreams and aspirations and how what he did he did it out of love (regarding his businesses) and not money.

I WILL SAY, I don't necessarily think the show is horrible. The actresses are amazing and have great chemistry. I really liked the secondary couple, although I wish we would have seen more of them. I did like they DIDN'T make the fathers soulmates like in the book. I adore the bond between the four girls. I like the inclusion of Pam and Dokrak. I liked Pat and him being such a nice guy. I also think Jessie was a fun addition.

I ALSO think, that with some different editing, rearranging some scenes the show would have been better.

I also think IDF needs to learn that people like angst but different shows and stories require different formulas because angst for the sake of angst isn't fun.

If you're here, thank you for reading this long ass post.

As a treat, some fun facts

- If you've seen Blank, you know that one radio show Anueng likes, well, in the book of Blank, Wan actually calls the station and explains her story with Kim.

- The singer of the MV is Pleng from the Affair book, series coming out this month, on the 30th.

- The other MV actress in the book is a reporter that had a scandal, if I'm not mistaken a sex tape of her with another woman was leak. I think I read somewhere that she also has a book 🤔. But I don't recall her name.

ANYWAY, with that. I leave. I probably didn't say a lot of the stuff I initially wanted but that's mostly because I'm calm now.

One final thing, IDF you shall pay for your crimes. And please give me fluffy Faymay. I DESERVE it 🥺.

PS. I do not want to be tagged as one of those persons that is like "Oh the book is better" and sounds bitchy about literally any adaptation. Far from it. Matter of fact, ask my friends, they'll tell you how much I dislike that IDF has me defending Chaoplanoy's books 😔.

An addition that I forgot and it's very much necessary: I wish they would have, at ANY point, made Kim tell Wan that they IN FACT slept together at the beach, she just gaslighted her cause she got scared? THAT WAS NOT A GODDAMN DREAM AND THAT'S THE HILL I'LL DIE ON!!!

[w00dw1tch]

Tips for Visualization

@neverpathia responded to my posts asking for questions months ago, so we're gonna start there. I'm so sorry it took me this long!

It's important to note that some people can't visualize at all. It's called aphantasia, and it's the inability to form mental images. So if you've tried and tried but aren't seeing anything in your imagination, don't be discouraged. It's completely normal and in no way impacts your ability to do successful spell work. People with aphantasia usually benefit from describing the process to themselves out loud.

And that brings me to my biggest tip: Say it aloud.

I've always had trouble focusing. I would sit and try to force images in my head, but I couldn't hold onto them. Talking myself through energy and spell work has been a game changer. I've found it helps you hold onto the energy you're working with too.

Let distractions pass.

These are technically meditation techniques but I use them in visualization all the time. They help keep you focused and strengthen that skill.

The Park Bench: I got this from a youtuber years ago but can't for the life of my find them now. I've adapted it slightly.

You're sitting on a bench working on the task at hand. In front of you is a path where people and sometimes animals are passing. These are thoughts and distractions unrelated to the task. As they pass, don't force yourself to ignore them. Doing so will cause those thoughts to nag at you. Acknowledge them and allow them to pass by.

TVs on Conveyor Belts: This technique is from HearthWitch on YouTube. I'm going to link the video here, I truly cannot recommend her channel enough.

It's a similar premise to the park bench, except its TVs on conveyor belts. There are hundreds of them, stretching as far back as you can see. I like to imagine there's a screen in front of me that shows the task at hand. Now TVs are going to be passing in the background, and sometimes a big one will even jump in front of your main screen. It's okay that it happens. What's important is that you don't jam the conveyor belt. Acknowledge and let those screens pass you by. This isn't always easy, but with practice it's very helpful.

Lighting and Ambiance

Matt Auryn talks about the connection between dim lighting and the activation of our third eye or the pineal gland in our brain in his book Psychic Witch. Practicing meditation or visualization in dim lighting often has better results and is especially helpful for me. I like candle light but anything works and a flickering candle can be more distracting then helpful.

A light incense can be very calming as well as some meditation music. Typically people go with light instrumental music for minimal distraction. But I do know a few people who find hard metal more helpful. Music in general can help set the mood and drown out other sounds in a busy place.

Practice!

Visualization is a skill. You will have days where you're great at it, and days where it feels way harder. There will be lots of learning curves but I promise the more you practice, the easier it gets.

My favorite practice exercise is The Disk Method. I learned this from HearthWitch too, though I know she got it from somewhere else. I'm going to add the transcription as I have it in my own book of shadows, but please show this Youtuber some love. My practice wouldn't be where it is without her content.

The Disk - Master one stage before moving onto the next one. Practice all the steps first with your eyes closed, then with them open.

There’s a flat red disk floating in front of you. It has a matte coating and is roughly the size of a hockey puck. Once you can see the disk, try touching it to make it spin or just imagining it spinning. Rotate it in all different directions, see how it looks from different angles and how the light plays off it.

The disk becomes a sphere. It's now a red ball with the same matte finish. Notice how the light reflects off it differently now. Spin it around. Squish it if you want.

The ball becomes very, very shiny. How does the light play off it now? Things in the room might be reflected on its surface. What can you see?

Now, it’s a shiny red apple. It has a stem, and a tiny leaf. Notice all of the imperfections on the apple. You can see the discolorations, dimples, maybe a spot or two. See the edging of the leaf and the wood on the stem. Spin it and see how the apple moves, how the imperfections change, and the leaf flutters. If you want, you can pluck the leaf or twist off the stem.

The apple breaks into slices. Now, you can see the inside, the white, the core, and the seeds. Pick up or draw a piece towards you. View it from all angles. You see the apple and if it was really there. You can put it back together, rearrange it, fix it, and watch it fall apart again.

It’s now apple juice inside a glass. Move the glass around and see how the juice moves inside it. Draw it close and smell it, take a sip, taste it, and feel the sensation just like you were drinking a real glass of apple juice.

Now you can do this kind of practice with more than just apples. In Kelden's book The Crooked Path, he describes a great candle visualization. It's all about taking an object or experience and going through the sensations of it. Visualization in witchcraft is more than just seeing. Describe what you can see, feel, smell, etc.

Wow this was a long one. It's pretty late here so hopefully this is all coherent. Please share any techniques or tips I missed!

[rebeccalouisaferguson]

‘It was so hard to pretend not to know how to swim’

Stars Rebecca Ferguson, Steve Zahn, Common and Tim Robbins on the second season of Apple TV+’s Silo, shooting water sequences and leadership

It’s unique to join a show after it’s already been established, and I thought it was an exceptional show

It’s hard for Rebecca Ferguson not to have a deep connection with nature. She grew up in Stockholm and then moved to the south of Sweden to a remote fishing village, where she got to explore drastic changes in environments and fully embrace her love for the ocean.

So you can imagine why the 41-year-old Golden Globe-nominated Swedish actress — also a trained scuba diver — initially struggled to shoot the underwater sequences as the gruff mechanical engineer Juliette Nichols in season two of Silo, who is awkward in that element, afraid of water and can’t swim until she is forced to confront her fears.

“I was born in Stockholm and we have lots of lakes and an archipelago,” says Ferguson, who is also an executive producer on the series. “I’ve always loved the sensation of swimming and had that feeling that if I could have any superpower — mine was always flying — and I think swimming is similar. The movement is so unregulated, it’s so different from walking. I love the way it feels when you go underneath and you can’t hear anyone.

“It was so hard to pretend not to know how to swim,” says Ferguson, who also stars in three of the Mission: Impossible films: Rogue Nation, Fallout, and Dead Reckoning Part One.

“There’s a natural move, how your hands touch the water and how you paddle, how you move your feet. To be able to look clumsy, it feels silly and it’s also very hard to get into your head how you would move. To get into that mindset, I thought of animals and dogs and what we did when we were young.”

The 10-episode Apple TV+ post-apocalyptic science fiction series, created by Canadian television screenwriter Graham Yost, 65, and adapted from Hugh Howey’s popular New York Times bestselling book Silo trilogy, including Wool, Shift and Dust, is about a dystopian society where 10,000 people are living underground in mysterious circumstances.

The inhabitants of the silo do not know why they are there or who built the place in which they live and work. But they will face fatal consequences if they try to leave and find out.

In season one, Juliette (Ferguson) seeks answers about a loved one’s murder, and defies the authoritarian leadership of the silo. She was framed by the mayor Bernard Holland, played by Academy Award and Golden Globe-winning American actor Tim Robbins, 66, star of Mystic River, and Robert Sims, played by Academy Award, Emmy and Grammywinning American rapper and actor Common, 52, who stars in Selma and John Wick: Chapter 2, for violating the cardinal rule: If you say you want to go outside to “clean,” there’s no taking it back.

But when she survives and discovers a man named Solo in a deserted silo 17, played by series newcomer Emmy and Screen Actors Guild Award-nominated American actor Steve Zahn, 56, who appears to be the structure’s only survivor, a rebellion breaks out and Juliette realises she must find a way back to her home.

It’s led by Juliette’s former colleagues from the mechanical sector, Knox, played by American actor Shane McRae, 47, who stars in Gossip Girl, and Shirley Campbell, played by British actress Remmie Milner, 35, who stars in A Christmas Carol, and organised by the reclusive engineering genius Martha Walker, played by Olivier Award-winning British actress Harriet Walter, 74, who stars in Killing Eve, Succession and Downton Abbey.

“What I love the most about Juliette [Ferguson], is that she doesn’t feel like a superhero. She’s just tough. She’s just going to keep going until she can’t go anymore, and she’s going to solve that problem even if it kills her. We see more of her humanity in this season, and that’s fun to write,” says Yost.

For Zahn, who also stars in The White Lotus and joined the cast of Silo in the second season, the beauty of relationships and trust was something he also experienced off-screen too.

“It’s unique to join a show after it’s already been established, and I thought it was an exceptional show. I was excited to be a part of it but very nervous about it too because Solo is a broad character. You want to be good, believable and interesting,” says Zahn.

“But for some reason, I think due to the writing and Rebecca [Ferguson], it was easier than I thought. People were cool, it was a great environment to work in, and that’s why the head of the snake is always really important, and that was Graham Yost and Rebecca Ferguson.

“Now if those guys don’t show up, and they don’t know their stuff, or they’re angry, testy or whatever, that’s what you get from the show. But Graham [Yost] is good at creating a cool family of really awesome human beings.”

Season two of Silo comes to Apple TV+ on, November 15

[kolbisneat]

MONTHLY MEDIA: March 2024

……….FILM……….

Dune: Part Two (2024) Every piece of technology felt and looked so tangible. The baby worm too! Love the tactile nature of this whole production and I hope studios take note that CG can't be the only tool in your belt. So much bigger than I imagined and just enjoyed the whole thing.

Forgetting Sarah Marshall (2008) Ages surprisingly well and a script that lets the main quartet be both funny and layered.

……….TELEVISION……….

Columbo (1.01 to 1.03) Hey I'm starting Columbo! Love that each episode is feature-length and Columbo appears fully formed right out of the gate. The sets and costumes are all so glamorous and L.A. Very excited to keep going.

Succession (2.05 to 3.04) The Kendall play at the end of season 2 felt very much like the Kendall play at the end of season 1 and while I'm still a huge fan of this series, I just hope it's not the same going into season 3 and 4.

Delicious in Dungeon (Episode 1.09 to 1.13) Great adaptation that isn't just a straight recreation of the artwork in the manga. The more kinetic/frantic moments in the animation are a nice departure and while they don't pop up in each episode, now that I'm 13 eps deep I can appreciate how they're sprinkled throughout.

Love is Blind (Episode 6.02 to 6.13) It still amazes me that anyone goes on reality tv.

……….YOUTUBE……….

Twilight | ContraPoints by ContraPoints Yes I did watch a nearly 3-hour essay on Twilight, sexual expression, and all that comes with that. And you should too. VIDEO

Instagram fatigue and the rise of 'Resentment Reels' by Taylor Lorenz While I haven't noticed this specific phenomenon, I have noticed Instagram declining as an app (both as a user trying to see anything other than ads, and a creator trying to get my work seen in between those ads). It's a bummer. VIDEO

Saltburn: The Tumblr-ification of Cinema by Broey Deschanel Every since I saw Saltburn, I've been thinking about what wasn't quite sitting right with me. This unlocked a lot of what I couldn't describe and most of it stems from the writer/director's upper class upbringing. Saltburn isn't a "take down the rich" movie, it's a horror story from the perspective of a wealthy family. VIDEO

Why Is It So Hard To Cross The Street? (& What You Can Do To Help) by Strong Towns Accidents where drivers hit a pedestrian are going up in my area so this really hit home. And for those feeling like there's nothing you can do at ground level, consider taking their course (not a paid sponsorship I'm just in real support of community-lead initiatives). VIDEO

……….READING……….

Elric of Melniboné by Michael Moorcock (Complete) After picking up the last book in this series (which I've yet to read) I figured I'd start at the beginning. Love the fast pace pulpy action and I can see how this influenced the creation of D&D.

The Man in the Brown Suit by Agatha Christie (Complete) This one would lose me for stretches but the final quarter of the book is stronger. A lot less cozy and a lot more action than I was expecting but skimming other reviews it sounds like this was written during her more...adventure-focused era. Three books deep and I have to give Christie credit that each has been a completely different experience.

Adventures of a Japanese Business Man by Jose Domingo (Complete) Always love going back to this nearly wordless epic that follows the titular Japanese business man. I love the complexity of the earliest panels and wish that could carry throughout more of the book, but it's always such a treat to discover just where each new panel will go.

Delicious in Dungeon Volume 5 by Ryoko Kui (Complete) Enjoying rereading this with shorter breaks between volumes as I certainly missed/forgot details on my first read. It's here that the story and tone shifts from light romp to a more dramatic and dangerous affair but it never loses its spot-on humour. Love those dryad pumpkins.

Ultimate Spider-Man HC Volume 11 by Brian Michael Bendis, Stuart Immonen, David Lafuente, and more (Complete) Going from some of my other comics back to this, I'm struck by just how wordy it can get. Now knowing where the story goes, it was a great idea to prime readers to the idea of Peter Parker dying even if it's not from this event.

……….AUDIO……….

Blank Check with Griffin & David (Podcast) Late to the game on this but really enjoying burning through their back catalog. Obviously started with their episode on Speed Racer as it's a near perfect film that you should watch right now.

……….GAMING……….

Oz: A Fantasy Role-Playing Setting (Andrews McMeel Publishing) The Tuesday group just killed a mayor! So the aftermath of that is going to play out over the next couple of sessions. And the Mof1 crew is investigating the aftermath of their own district-wide catastrophe and it's all looking rather suspicious!

Spot It (Blue Orange Games) I can't recommend this game enough. It's so easy to learn, rounds last maybe 5 minutes, it plays well with small or large groups of any age, and all it requires is pattern recognition and quick reflexes. Every time I've played this someone says they're going to buy a copy for themselves.

And that's it. See you in April!