#like there’s no difference between writing it in the post and the tags???

[prettyboykatsuki]

cause we're, y'know | k. bakugou

✮ tags ; gender neutral reader, fluff, post relationship jitters, bakugou being down bad a little bit, friends to lovers. not 18+ but minors do Not follow me.

✮ wc ; 1k

✮ a/n ; a comm for @euthymiya who gave me free reign to do whatever which i used to write corny bkg fluff... thank u for commissioning me most beloved riv <3

✮ synopsis ; bringing his friend turned lover a lunchbox is normal, alright? plenty fucking normal.

Bakugou taps his fingers along the edge of the bench he's been sitting on since evening - beating to an unsteady rhythm.

He can Sero's voice in the back his hand as he squeezes the wrapped bento a little closer to his torso. The shitty, sing-song teasing lilt when you and Bakugou were less then lovers but more then friends.

And now you're lovers proper, as fucking corny as he finds it. But maybe he's not finding it corny enough because he's sitting in the lobby of your office building with a bento he made by hand. There's some chatter from strangers coming in and out of your office building - the occasional ding of elevators, the passing whistle of a janitor.

The awful, loud, no good thump of his heartbeat ricocheting against his rib cage as he goes back and forth on whether or not this shit was a good idea.

He's... fucking nervous. Which is total bullshit because he doesn't have anything to be nervous about. It's not like this is the first time you and Bakugou have ever met up to eat lunch. It was just that before, he was coming to meet you as a friend.

Some part of him is thinking, so what if he's your boyfriend? Who gives a shit, anyway?

Another part of him feels so mixed about the ordeal he sort of wants to puke.

His phone buzzes from the pocket of his pants and he grabs it - your phone and contact flashing across his screen

(sent 11:12am) coming down :]

Bakugou smiles to himself, at the stupid emoticon. He thinks about just liking your reply but before he gets the chance another text follows through.

(sent 11:12am) missed you <3

He blushes almost furiously. Partially over the text but mostly from his internal reaction. Stupid. This whole thing is so stupid. He types fast.

(sent 11:14am) hurry your ass up.

That's all he can manage to say without feeling like his chest is going to collapse in on itself. He waits another minute before he hears the elevator doors ding again - a crowd of people dispersing as the doors open. He looks for you among them.

He finds you after a minute, hand waving overhead of the sea of people. He huffs, amused at how rapidly you wave your hand, and thinks about texting you again but you're close enough that he doesn't bother.

You march towards him with a renewed vigor after you aren't lost to the sea of strangers. Bakugou snorts as you hurry your way over to him, almost seeming out of breath - like you ran to see him.

"Hey,"

"Hi!" You say, chipper as always. "You're here."

"No shit."

You laugh. He's heard it before. A hundred times, a thousand maybe. It still sounds weirdly different to him.

"Did you have anywhere in mind to eat?" You ask.

Horror dawns on him at the realization you still didn't realize what's in his hand. "I'm up for anything I think. Feeling adventurous."

Your eyes are sparkling when you ask. Bakugou freezes, blue screening momentarily before taking a breath.

He holds the boxed bento out to you sheepishly, a hand scratching the back of his neck. This is way more embarrassing then he thought it'd be.

"Fuck. Whatever. Look," He says, shaking the upset off of him with a frown. " He doesn't look up at you, doesn't even want to know what he might see. Something bright enough to fucking blind him, he's sure. "Don't say shit or I'm never making you one again."

You blink owlishly before letting your eyes flicker down again at what it's in front you. There's a beat of silence between you before Bakugou sees a grin slowly creep it's way up to your face in a way that makes his chest feel tight.

You take the wrapped bento from him, assessing the weight of it in your hand as you give it a good look. You hold it up to admire it and Bakugou feels the blush crawl further down his neck.

"Stop acting like I just handed you a diamond or some shit," Bakugou says lamely, even by his own standards. Your lips form into affectionate pout.

"You made me a bento." Your lower lip trembles all too sudden and Bakugou's eyes go wide. "I love you,"

?!

Bakugou looks at you, mouth agape. You're completely serious. Nevermind the inappropriate timing or the fact this is the first time you've expressed yourself with a word so serious. He's more concerned about the almost tears at your eyes. He pulls his sleeves over his hands to wipe them from your eyes.

"Dumbass, what are you crying about? You're still in the office, get it together."

"But I love you," You say, more whine then coherent word. Bakugou feels a headache coming on.

"Yeah I got that. Am I really such a shithead me bringing you lunch is worth sobbing over?"

"You made it for me."

"Cause I ain't no punk. Anyone can pay for you you but we're," He stops himself mid way, too embarrassed to get the rest out. "Anyways whatever. It's just lunch. I just... fuckin' realized I never made it for you. Dinner and shit is one thing but we're,"

"Dating," You finish before he can. He falls victim to more blushing.

"Yeah. Whatever. This much is pretty standard, at least." He wipes another tear off your face. It's funny. Anyone else pulled some shit like this and he'd rolls his eyes. "Stop cryin' already."

"I'm sorry."

"Don't gotta say sorry either."

"But,"

"No buts. Hurry and wipe your tears before your breaks over so you don't go all puffy eyed back in the office."

You laugh through a sniffle. "They'll think my boyfriend was being mean to me, huh?"

He snorts, voice full of playful sarcasm. "Yeah exactly. I've got a great reputation to uphold and all."

"Katsuki," You say gently. He gives you a look.

"Hm?"

You lean forward, craning up just slightly to press your lips to his. Your third kiss, now. Not that he's been counting.

"Thank you and," You pull back mischievously, brows furrowing. "Revenge."

He's in so deep. Fuck.

"You're such an idiot." He says, fighting off his own feelings.

"You love me,"

Maybe he's an idiot too.

"Yeah." He says, flicking your forehead and watching you beam. "Unfortunately."

[dovalore]

sharing literature

first panel: (left and right evbo designs by @cowboyskeletons)

second panel: rightmost evbo by conn1e_ on twt, every other (except the one holding book) by me

[cutehoons02]

SPEED OR LOVE?

HYUNG LINE X F1 DRIVERS SERIES

*title: I’m in love an idiot

*trope: Grumpy for Sunshines

*F1 driver: Jay F1 Mercedes driver (inspo charachter: Carlos Sainz)

*synopsis: Being the daughter of the most famous engineer in the world for having won world champions like Hamilton or Vettel has advantages but a disadvantage is to hear about 24h on 24h from Jay Park. The new Mercedes star, with her gentle ways of communicating with fans and flirting with any girl in the paddock and with her look as a movie diva manages to make people do everything he says in a snap of fingers, except when he finds himself having to face the daughter of his engineer, super cynical and with a different idea than that is the real Jay during the European season of F1.

*title: Still hate me? Always..

*trope: Enemies to lovers/Social media manager

*F1 driver: Sunghoon F1 Red Bull driver (inspo charachter: Max Verstappen)

*synopsis: Sunghoon could not stand Y/n and Y/n could not stand Sunghoon. Y/n loved his work as a content creator for Red Bull because he could cheer on his favourite team and feel the adrenaline that was felt before qualifying or race and at the same time travel around the world and create fan content on various social platforms, but there was only one problem in his work and that was called Park Sunghoon "Ice prince" of the grid. Whenever Y/n tried to get some social challenge or interaction, Hoon hated it more and more because he didn’t need to have millions of followers or social interactions but just run and maybe taste for the first time the win of his first world champion in Red Bull.

*title: Kiss me, don't say no!

*trope: There's only one bed/reader is Jake's Pr

*F1 driver: Jake F1 Mclaren driver (inspo charachter: Lando Norris)

* synopsis: You thought being an F1 driver’s Pr was exhausting but you couldn’t imagine when you had to live three weekends in a row with Jake Sim, Jake represented everything that a Pr didn’t want to face in his career. Drama in his social media because Jake was born in GenZ and used social media without thinking that he was one of the most famous pilots of the moment, flirting with models or even worse fans during race weekends, duels and scenes with his teammate because the Mclaren had the unhealthy idea of putting two young promises of twenty years to command the team. Y/n would have wanted to kill him but under that cheeky face of F1 driver, Jake suffered from many insecurities and who knows thanks to his Pr things between the two could improve race after race.

*title: Romantic lover

*trope: Celebrity falss in love with fan

*F1 driver: Heeseung F1 Ferrari driver (inspo charachter: Charles Leclerc)

*synopsis: Heeseung loved the adrenaline and anxiety before having to risk everything to qualify for pole position or to win potter but those butterflies in his stomach every time he entered his fiery colored car had never heard them until a shy girl university did not win a content to spend a whole season writing the thesis on the post-pandemic boom thanks to the DTS series and various media platforms that have helped make this sport increasingly focused on young people. Y/n had always loved Heeseung from his arrival in Ferrari but would never be expected to share with him beautiful moments like his first victory at home moments as his continuous panic attacks due to an accident.

If your are interested in this story leave me your @ so that when i publish the story you will be first to trade. ♡

[twopoppies]

While I’m sad you don’t have any fic recs for us, you’re one of my favorite fic authors ever so I’m excited to hear you’ve been writing!! Feel like sharing anything about what you’ve been working on?? 😊

I’m actually nearly done. Hopefully, I just have one fire scene to write and then it goes to my lovely beta.

I wish I could tell you I already have a title and synopsis, but I’m a loser.

However, what I’m writing is a historical slow burn/fake relationship fic set between Belle Epoque Paris and Victorian London in 1880. Harry is a ballet dancer/sex worker at the Paris Opera Ballet, and Louis is a British aristocrat.

There are some twists and turns and it’s different from anything I’ve tried before. Looks like it should be around 100K. Pray for me that I can get it finished before the year is over. Lol!

You can look through my PARIS OPERA FIC tag if you want to see some of my inspiration posts.

And thank you for the huge compliment! 🩷🩷

[pinkandpurple360]

yikes at that anon lecturing you, but especially at this part

Paying attention to Stolas language in Murder Family, fucked up context aside, he don't bring up consequences if Blitz didn't accept the trade neither mentioned his power to threat him to accept it either, he offered and even asked if it's fair, someone as powerful as Stolas could control Blitz easily, yet he doesn't and it shows a lot about his character, but of fucking course you all don't care about that, Stolas is a big meanie.

what is it with Stolas fans and acting like what he says is the only thing that matters in that scene? saying 'fucked up context aside' is just trying to sweep away the entire problem people have with that scene

the context is what makes it unfair. the context is the threat to make Blitzo accept the deal - Stolas knew Blitzo was in danger and couldn't think straight and kept the call going anyway. there was a literal threat to Blitzo's life that Stolas was leveraging to get him to agree. the context is also where the control comes in - Blitzo needs access to the book therefore Stolas has control over him, because Blitzo has significant reason to agree regardless of whether he wants to or not to be able to keep being able to eat and house both himself and Loona. this isn't that hard to understand; it's no different than a power difference between a tenant and a landlord. except Stolas is worse because he's literal royalty and Blitzo is part of a species considered less than dirt

and Blitzo especially has reason to think there will be consequences for saying no because Stolas is showing him through ignoring all the signs he's in danger on that phone call that he does not care for his wellbeing - he called when Blitzo's life was in danger and he knew that full well. there's no 'yeah but'-ing to get out of that one. saying 'well Stolas could have been way more overt with his control!' is not a defense. Stolas is such a malicious abuser because he's the one person in the cast who isn't a mustache-twirling silent movie villain about it, because he'll do things like say 'sound fair?' when everything about the situation is weighted in his favor. this part is basically saying 'he could have been super obvious about how he was going to force Blitzo into sex but because he tried to pretend like he was being fair (even when he blatantly wasn't) that shows what a good person he is!'

also this:

This misconception you all have that Stolitz fans think all this needs to happen is Blitz to confess, and that Stolas has nothing more to improve is just wrong. Just plain wrong. I love both of these characters and I hate seeing an enormous mischaracterization of both.

I personally haven't seen the (remaining) Stolitz shippers saying this for one simple reason: I avoid their spaces. I don't like seeing posts similar to anon's where anything Stolas does wrong is the result of a misunderstanding or just Blitzo taking it badly because he's insecure or something, or worse where the very obvious signifiers of abuse on Stolas' part are handwaved away. I know that stuff will bug me so I avoid it

but anon clearly doesn't abide by the same rules. they're so bothered by a 'mischaracterization' of their faves that they're marching into people's inboxes to write long screeds about how antis are just missing the point or whatever else.

if there's only one anon or several my advice is the same: stay out of anti spaces. you clearly can't handle it and you need to stop making it everyone else's problem. if this ramping up of pestering people is some strange attempt to shut down criticism of the next ep before it even drops, you're wasting your time. the view counts on helluva show it's turned off a lot of people and you can't debate someone back into loving something that's let them down too many times

just go enjoy the show in your own spaces and block tags/people whose takes you don't want to see. trying to police people's critiques on helluva is both a losing battle and a waste of time

“Stolas is great if you just pay attention to his sad backstory and try not to think about the bad stuff he did. And attribute all the bad stuff to Blitz being a mentally ill tsundere”

Any time I am exposed to a owlizard shipper it’s always against my will despite my best efforts, because they are absolutely everywhere. The creator of the show is one of them, the entire show was thrown out to instead be catered to them and their headcanons. They make up almost the entire fan space and in fact shippers write and animate the very show itself.

But it’s still not good enough? They still have to rant about people that aren’t on their team?

[moonlitwitchdaisy]

Xmas Stories From Moonlitwitchdaisy

❅ Concept: Hello everyone! I’m here with a concept I’m super excited about. We’re almost in December, and the Christmas spirit has already kicked in. So, this year, I’ve brought a little gift for everyone, whether you’ve been naughty or nice. I’ll be writing four different Christmas-themed one-shots. I honestly can’t think of a better combination than JJK boys + Christmas.

Before diving into the summaries of the one-shots, there are a few things I’d like to mention.

❅ First of all, the one-shots will contain mature content, so MINORS DO NOT INTERACT! It’s only for +18 audience.

❅ Taglist is open. If you'd like to be tagged in a specific one-shot, please leave a comment with its name. You can ask to be tagged in more than one or even all of them. (I just wanted to mention this since not everyone might want to be tagged in all of them ♡)

❅ I’m planning to post the stories every Sunday.

❅ I’m not entirely sure how long the stories will be, but I can promise they won’t be super short. My priority is delivering the fun and vibe of the concept described in the summaries.

Alright then, if we’re past all that, take care of yourselves until the first story drops, and don’t forget to share your thoughts in the comments! Hope you enjoy it (ˆ⌣ˆ)

Last Christmas, I Gave You My A** (Gojo Satoru)

Last year, Gojo Satoru had been a good boy. Well, he’d at least tried. And in return, you gave him the one thing he’d been wanting for a long time. Your ass. That Christmas night was unforgettable for both of you, and you’d promised him that if he could manage to be a good boy again this year, you’d gladly give him what he wanted once more. But could your boyfriend really pull it off? Would he follow to the rules and earn his “dream ass” by next Christmas, or would he mess things up like always and end up on the naughty list?

❅ word count: ? ❅ smut ❅ modern au, santa-elf roleplaying

No One Should Be Alone On Christmas (Nanami Kento)

Ever since moving to Tokyo for work a month ago, you’d been drowning in loneliness. You hadn’t fully adjusted to the people or the city yet, and worse, you were about to spend Christmas Eve and Christmas morning all alone. At least, that’s what you thought. In an attempt to forget your loneliness, you went to a bar, where you met the most handsome man you’d ever laid eyes on. Other than the fact that he, too, was spending Christmas alone and that he was devastatingly attractive, you knew absolutely nothing about him. If Christmas miracles were real, maybe you could spend this night—and the morning—in Nanami Kento’s arms.

❅ word count: ? ❅ smut, fluff ❅ modern au, one-night stand (?)

It’s The Most Wonderful Time Of The Year! Or Not? (Geto Suguru)

Since the start of November, you’d been busy preparing for Christmas. Everything had to be perfect because this year you were going to celebrate it with your boyfriend and his two daughters. While you and the girls were bursting with excitement, your boyfriend didn’t seem to share the same enthusiasm. A day before Christmas, a huge argument broke out between the two of you, and he said something that shattered your holiday spirit: “You’re not my family.” Your excitement was completely crushed, and it looked like you’d be decorating the gingerbread house alone this year. Before it was too late, Suguru needed to realize his mistake and bring back your holiday spirit. And it seemed like he’d need his daughters’ help for this operation.

❅ word count: ? ❅ smut, angst, fluff ❅ modern au, happy ending

Everyone Deserves A Suprise On Christmas (Fushiguro Toji)

Toji Fushiguro wasn’t a good man. He was an alcoholic and a gambling addict, the black sheep of his family. He thought he was beyond redemption—until he met you. For the first time in his life, this man who believed he was unlovable learned what unconditional love truly felt like. And once he realized he wanted to spend the rest of his life with you, it didn’t take him long to put a ring on your finger. For your first Christmas as husband and wife, you had a big surprise planned for him. You knew Toji hated surprises, but this one was going to change both of your lives forever. How would your husband react to the news of the newest member of your family? Maybe surprises weren’t so bad—especially if they were made on Christmas.

❅ word count: ? ❅ smut, fluff ❅ modern au, accidental pregnancy

all rights belong to the @moonlitwitchdaisy do not copy, reproduce, or translate my work.

dividers by @estrelinha-s

[nerdieforpedro]

WIP Wednesday

The last one I did may have been in September. 👀 Been a long time. Haven’t really been writing much fanfic. Stuck on different papers for school. I was tagged by @evolnoomym and she shared ideas so I will too! ❤️ @pr3ttynpiink also tagged me and looks to be cooking up some fun new fics. 🥰

I want to write something for Modern Din and Christmas to go in my series: This is the Neighborhood Din, but it will likely need a chapter between that to make sense. (Every so often I care about making sense). Also more Luke doing Jedi yoga on his lawn and Poe & Finn being boyfriends because I want it all!

I need to write a new chapter of Weddings 101 with Dieter. Kinda left on a cliffhanger and a lot happened in my mind that should be posted 🤣

There’s a little over a month until the DMAMC 2025 challenge is due, haven’t written anything. Actually forgot about it, but fear not! I’ll think of something. 👀 My character is Pero Tovar (I doomed myself by picking him 😭 like the level of difficulty). But maybe I’ll revisit a pairing I’ve done.

Random but working on a Baldur’s Gate 3 fic and bugging @perotovar (Erin beta read for me what I have so far), @megamindsecretlair reads the snippets I send her and @soft-persephone looks at the pics I send her and is honest 🤣🤣🤣). Everyone’s favorite moody (for many a legit reason) and murderous pale elf who’s a vampire Astarion and an OFC. Things that happened between these two: a lot of staring, mocking Gale (everyone’s favorite past time- he makes it easy but also the wizard is really nice insane like everyone else but nice), drying some hair, hugs and some tears. Lots of angst, fluff and comfort. Haven’t decided on smut yet, is likely but I’ll see how it reads.

Didn’t realize that A Safe Place for Us was up to chapter 7 on AO3 and only 5 on Tumblr 👀 My bad. I should be able to post one chapter on here before November ends. The formatting and graphics take me the longest. 🤓

I also have a secret Santa fic things I’m supposed to be working on for a discord group but I also have not started. 👀 Unsure of which direction it should go in. I’ll figure it out, eventually I think.

The first paragraph of chapter five of “A Safe Place for Us”:

Waking up to Dieter takes getting used to for Aisha. It’s not unwelcome, she’s just not used to someone clinging to her like he does. Every morning he stays at her apartment is one where he has his arm and head somewhere on her. Chest, stomach, thigh, back, ass one time because he enjoys scissoring her entrance wider and scooping his spend that drips out of her back in before pumping his fingers to stir his cum within her.

Yeah…chapter five is…a ride so to speak. 👀 Forgot we had a strong start.

I found a WIP that contains Marcus Pike angst:

His romantic relationships and come and gone just like yours but you always had each other. Though, you treated yours as ways to work off the need you felt for your friend. To distract yourself, even when you were with your other partners, you’d think of him during the throws of passion, even when having simple meals and they may chew too loudly. You loathed your behavior toward your partners and your friend, biting your lips to not utter his name while under someone else.

“Marcus…”

Is the only name you want to say but can’t.

Hmm….might be a good holiday one or something. 🤔

That’s the ideas for now. Always a lot and never finished. ✅ Would it be Nerdie if they were? 😎

Have a happy Thanksgiving, holiday, days off of work and stay safe!

NPT: @chaithetics @schnarfer @inept-the-magnificent @yopossum @djarinmuse @604to647 @secretelephanttattoo @magpiepills @maggiemayhemnj @murder-wife @sin-djarin @syd-djarin @morallyinept @westside-rot @tinytinymenace @sunshinehaze1 @soft-girl-musings @goodwithcheese @jolapeno @bluestar22x @clawdee @romanarose @beefrobeefcal @bitchesuntitled @bitchwitch1981

[azumasoroshi]

forever cursed to write insane long tag spam on reblogs of other people’s posts until i realize that i should make a separate post for the idea and putting the post into drafts and then never getting around to transfering the idea to post form

[stealingyourbones]

Never will I stop with the steadfast notion that folks in the DPXDC fandom should interact with at least some form of canon DC media.

There are comics, tv shows, radio dramas both old and new, podcasts, movies, magazines, so much shit that intentionally avoiding the media is simply preventing yourself from spawning new ideas and gaining a new appreciation for a fandom that you’re already in.

The Superman Radio Show has episodes 11 minutes long. A lot of the TV shows don’t have episodes that surpass 30 minutes and most are nearly fully clipped on the official DC YouTube channel. The amount of fan made motion comics is astounding. The amount of fanmade animations is equally as incredible.

[tagarilaghost]

I SWEAR CELEBI'S THINGY IS COMING SOON BUT I REALLY WANTED TO POST THIS ALRIGHT

yeaah... future trio got me too...

and Darkrai is there too, because of course he is.

hey look i drew a cute Drifloon :D

...ignore the rest

whatever started at Darkrai doodles ended in brainrot of future trio + darkrai and I'm blaming @scribz-ag24 for this

[necrotic-nephilim]

@profandomhopper i was going to reblog the original post this comment was left on but i felt it divorced itself from the original topic so much, you get your own post for giving me delightful permission to ramble about this. buckle in people this is long.

so, DC is a big fandom that expanses a lot of different types of content, and like anything, is subject to crossovers. the obvious ones like Marvel are for the reason of being a similar and equally popular superhero world, so it's easy to transpose the worlds onto each other and overlap the characters. both of these worlds deal with multiverses and endless, endless heroes. it makes sense and there's no real stretch to think Batman and Spider-Man could co-exist. i mean, there have been canon crossover comics. and even some more random crossovers like White Collar have pretty easy to trace origins, being an actor in WC was a popular Dick fancast back in the day so there was some bleeding over that led to a well-loved niche crossover space.

but Danny Phantom and Miraculous Ladybug are where it gets interesting. because at a surface, MLB sort of makes sense. it's a superhero world, you're following a teen girl superhero and sure the mechanics are pretty contained, but the crossover should make sense. but when you compare it to the crossover numbers of other superhero media like say My Hero Academia, Ladybug takes the *crown* with such a bizarre popularity. and of course, DP feels like it makes even less sense. sure, you *could* lump it into at the very least, superhero-adjacent media, but it's not a true hero world like MLB or DC is.

but, the thing to always understand about DC, *especially* the Batfamily (which is where the crossover content propagates the most) is this: a *very* good chunk of fans don't interact with the comics. i would venture to say even most Batfamily fans don't read the comics and actively talk about it. we've all read a very fandom big Batfam fanfic where the author's note mentions the writer has never touched a comic in their life. typically, these fans are either cobbling together their understanding from fandom content, or by frankensteining unrelated DC adaptations to understand each character. you take Bruce from Batman: TAS, you take Dick from the animated Young Justice, you take Jason from Batman: Under The Red Hood animated movie, you take Damian from the DCAMU Batman vs Robin, and you read some fandom metas to fill in the rest and well, you've got some sort of an understanding of these characters. read enough incorrect quotes, some genfic, a couple of character metas, and boom, you understand the Batfamily fandom enough to start creating your own content. and of course now. now you have Wayne Family Adventures so it's even *easier*. a pretty easy to pick up webtoon that's filling in all the gaps for you. but i've been in this fandom long enough to remember before we had WFA and even then, this was still a common, if not the most popular way, to ween yourself into the DC fandom space. you cherry-picked the canon you liked and then plunged into the depths of fanon.

i'm not here to make in depth commentary on if i think this is a good or bad thing. trust me i have that commentary in my head, but that would need it's own post. i'm very split on it and my feelings are complicated. my feelings on WFA are even *more* complicated. because oftentimes, the attitude expressed by these fans who are frankensteining this version of the Batfamily/DC world they have in their head is they don't *want* to read the comics. the comics don't contain the content they're after. and to an extent, i understand that. if you're looking for light-hearted vibes of the Batfamily all getting along and having the occasional hurt/comfort moments but in the end, they hug and make up, you're right. largely, you won't find that in canon. of course there are so many comics to recommend for Batfamily interactions, but you have to get specific. you'll find them interacting in small groups, Tim and Dick bonding here, Duke and Cass bonding there, but largely, the comics don't care to balance the ridiculously large cast they've given themselves. but fandom does. it's easy to toss them all in a blender and ignore the parts you don't like. the default argument to ignoring the comics or writing something OOC is always "well the comics are OOC and inconsistent too" which, while a flawed argument that massively misunderstand how comics work as a medium, isn't an entirely incorrect one. you could serve on a silver platter to these fans, an easy and accessible way to get into comics and they wouldn't be interested. it's not what they're here for. fandom is always character-driven above all else. it's driven by character relationships and dynamics. if someone wants to consume content where Tim idolized and stalked Jason as 'his Robin' and now is trying to help him rehabilitate and they're super complicated but have this long epic forgiveness arc, why *would* they read the comics? because they're sure as shit not going to find that dynamic in the comics. it's laughably OOC and not canon at all, but that doesn't matter. what matters is the sandbox. most Batfamily fans care *far* more about the sandbox canon gives them than the actual canon itself. feel how you feel about that, this really isn't being negative toward that attitude, but it is a common attitude.

so, you have Batfamily fans playing in the sandbox and building their own narrative. common fandom headcanons are so common, you could practically write a guide on how the fanon Batfamily works with how consistent people are about it. or you could just read WFA, which is practically the new manifesto of it. even now, with this sudden spike in people talking about canon accuracy and "actually this happening in the comics", they don't actually care about the comics, just what they can cherry-pick for fodder. (even if they rob it of so much context they're just as OOC as they were before. see specifically: the recent phenomena with Tim Drake going from the woobified weakest member of the Batfam who everyone needs to save constantly and he's the smart boy but he's also the one with a sad tragic neglectful past who gets overlooked being the way Batfamily fandom played with Tim for years. but recently, people seem to be pushing this idea of a ridiculously badass Tim, Tim who *totally* has a kill count because of his actions in RR (2009) if you take them completely out of context, Tim who bested Ra's and is even more badass than Jason and he's the 17 yr old CEO of Wayne Industries being cool and flawless it becoming the new fandom zeitgeist. neither of these versions of Tim are canon, and the second fundamentally misunderstands his arc in RR (2009) but the shift has undeniably happened and it's been fascinating to watch. the same thing happened with people suddenly deciding Jason isn't the "angry violent Robin", he was a sunshine sweet boy who was perfect as Robin. neither of these are true, but the second feels more transgressive and new to fandom from cherry-picked panels.) the point is largely, Batfamily fans would rather build their own canon than play with the actual canon.

and then, you have Danny Phantom. i'm not into DP and have no interest to get into it, but what i know about it via fandom osmosis is this: DP fans sort of also don't give a fuck about canon. once again, the canon of DP is a sandbox, not a rulebook. the concepts and the characters are the draw, not the plot itself. i've seen DP posts explaining characters who are essentially OCs, but have become so dominant in the fandom via fandom osmosis. there are concepts and ideas about how Danny's powers work and potential concepts with his ghost nature that either aren't in canon or only happened once in canon and fans decided to expand on that and doesn't care about it's own in-universe logic. i've seen a lot of DP fans also express they haven't seen the show and they don't have plans to see the show. because the show is just some children's cartoon with some inconsistencies and a simple plot, as you'd expect from CN. the show isn't the point. no one cares about it's plot, they care about it's characters. they care about pushing the concept of half ghost boy to a logical extreme and seeing what you can get out of that. can you make it weird and fucked up. how much can you highlight on his trauma and body horror. what identity crisis can you give him and how can you build his interactions with other characters in his world around that and also make those characters fun and unique on their own. sure, the skeleton of canon is there, but the meat lies all in the fanon.

Miraculous Ladybug also exists in this similar vein. the characters, the concepts, those hold intrigue. and not even mentioning the fact the original concept for this show was supposed to be aimed to an older audience, so you can see the bones of something a bit more mature and nuanced under this typical, villain of the week magical girl transformation show. the show itself is a bit shallow and that's not a *bad* thing, it's just the medium it exists within being aimed towards children. but the concepts of a teen girl who's basically a sort of chosen one, a boy who doesn't know his father is the big bad of the show, and their weird identity porn love... square thing. those dynamics are *so* complicated and such a fun sandbox to play in with character-driven fandom.

so, at the core, you have three fandoms that care more about the culturally accepted fanon than the canon, with a good chunk of people often not even consuming the original canon content. and well, DC is an *easy* world to transpose just about anything onto. a boy who's half ghost and fighting supernatural threats? that makes sense, DC has ghost heroes like Deadman already. a girl who has this magical item that gives her animal themed superpowers? i mean that's practically the same thing as Vixen's Totem so that one makes sense too. they fit in pretty easy, no needing to change the world to accommodate them. and of course, if you're a fan of *one* fandom where you don't care for the canon content and only like the fandom sandbox, chances are, you'll get drawn in pretty easily to another fandom with similar mechanics. if you can teach yourself the DP fandom rules/concepts, you can teach yourself the Batfamily fandom rules/concepts. and well, since there's so much crossover in fandom members, why not write the fanfiction? crossover fics will always exist, but with such a shared member base, you have a really big boom.

it's why the characters you see DP interact with in DC are *always* characters who are far more driven by fanon than canon. Danny and John Constantine is a *massive* concept. for people who don't read Hellblazer comics. my poor partner, @divine-dominion has lamented to me pretty often about finding DP content in the Hellblazer tag that is essentially turning Constantine into an OC. because whatever version of Constantine is being written about isn't one bit comics accurate, and really, isn't trying to be. and the same thing happens with Shazam. you watch Young Justice and understand him well enough, you get drawn in by the character concept that you just run with it. people put their favorite blorbos in the same place because hey, wouldn't ghost boy be pretty cool in a city like *Gotham*. how would Batman even react to him. and then, the shipping. because ages for the Batfamily can be easily hand-waved and moved around based on where you plop Danny into the timeline, you have your pick of the litter with him, and same with Ladybug. of course there are the most popular ships but largely, the world is your oyster.

i don't think this is the worst thing in the world for either fandom. it's not hard to filter out the crossover tags and scroll past content i don't like. and sure, i see the appeal of making your blorbos from two different places meet. i've got my drafts *full* of DC/MHA crossover ideas because well, i like them both and think that would be cool. i think my only gripe with it is when DP or MLB crossover content seeps it's way into the wrong tags. using the above example, if you're writing about Danny and Constantine but there's zero content of the actual Hellblazer comics, i don't think you need the Hellblazer tag, just the Constantine character tag. tbh i wish this extended onto Ao3 and people utilized fandom tags better. if you're writing Batfamily fanfiction that is very clearly and obviously WFA driven in characterization and concepts, i would far prefer those fics be tagged with the WFA fandom tag rather than the Batman (comics) fandom tag. because well, you're not writing about the Batman comics. and there's nothing wrong with that, but it helps if you don't confuse yourself for content striving to interact with canon more. (this especially extends to Young Justice, by the way. if you're writing for the Young Justice tv show please, please stop using the Young Justice (comics) fandom tag. i'm at my wit's end- /lh)

the whole thing is fascinating. i've got zero interest in entering DP or MLB as fandoms because that's not my speed, but witnessing it as an outsider is my favorite pastime. i see a *lot* of posts going around the DC x DP space that are helping explain to people who's who, what's what, and understanding the canon/fanon of both of these properties so others can better enter the space. which is not something you'd need in a fandom driven only by it's canon content, but it is sweet watching others try to help newbies enter the space. it's a very inviting fandom space, i think, whether you lament it's existence or not. they're just sitting in their corner with their blorbos, and i gotta respect that. the posts explaining the Batfamily to DP fans are always fun for me to read, even if i disagree with some of the characterizations in them because it helps shine a light on what the fans of this crossover regard as "important" enough about each fandom to be worth including those sorts of primers. very fascinating stuff.

[sacchiri]

Hellsing 2002 calendar illustration.

Ein wunderliche und erschröckliche Hystori von einem großen Wüttrich genant Dracole wayda Der do so ganz unkristenliche marrter hat angelegt die mensche, als mit spissen als auch die leut zu Tod geslyffen

A wondrous and frightening story about a great berserk called Dracula the voivode who inflicted such unchristian tortures such as with stakes and also dragged people to death

[crookedfivefingers]

3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ

link to the post I accidentally wound up prattling endlessly about in the tags 💀

[fogwitchoftheevermore]

(context for watcher/listener!sausage can be found in the “videos” tag on my blog if you want it, but this ficlet can be read without said context)

- - -

“Y’know, of all the Hermits I was expecting to be pulling me into a dark corner tonight, I did not expect you to be first, Grian! I love the initiative!”

“I’m going to pretend I didn’t hear that,” Grian says in a voice near a hiss. He’s got Sausage by the wrist, leading him into a small area of the upper floor of the tavern in Sanctaury that does look like it was built for the exact purpose Sausage is implying. Grian decides to ignore that as well.

“What are you doing here?” Grian’s straight to the point. He always has to be, with these Things, if he doesn’t want to get trapped in a loop of slant rhyming pleasantries.

“What do you mean?” Sausage asks, shaking his wrist out of Grian’s tight grip and leaning comfortably against the wall. “This is where I live. It’s my home. If anything, I should be asking you mysterious strangers what you’re doing here, but I’m sure you’ve heard that question enough for one day.”

“You know exactly what I mean.” Grian crosses his arms and tries his best not to look petulant, but he sure feels like it. “I thought They’d given up on trying to snatch me back, so why would They send you of all people? What’s your game?”

Sausage laughs, honest to god laughs, like he can’t believe Grian’s even asking him such a question. Grian thinks it’s a reasonable question, in this scenario, but what he thinks and what’s reasonable rarely seems to matter with these things.

“They didn’t send me,” Sausage looks him up and down in that way that makes Grian have to physically stop himself from curling inwards. This is why he never talks to Them. “Nobody sends me anywhere, they don’t tell me what to do and I like it that way! I just do my own thing. Isn’t that what you’re doing?”

“No you’re not! You’re not- you can’t be! That’s not how this works!” Grian begins to notice that he’s no longer whisper-shouting and starting to just-normal-shout and takes a deep breath, trying not to draw the attention of his friends enjoying themselves on the floor below. And, realistically, in the other dark corners Sausage seems to have built into this place.

“That’s exactly how this works. You didn’t think you were the only person who’d left, did you?”

Grian opens his mouth, closes it, and thinks. In hindsight… yeah, he had kind of assumed he’d been the only person who’d left. Not for lack of trying, probably- but They’d tried for so long to get him back, kept him closely surveilled even when They’d accepted he was gone- surely some people had caved to that pressure eventually. When there was no sign They’d ever let up, ever let you go… he could understand eventually letting it overtake you.

“Did- did you leave, too?” Grian doesn’t remember the last time he saw Sausage’s face. He didn’t know him back then, of course. He probably would’ve connected the man with the person Pearl so often spoke about sooner. But he knows it’s been a long time, maybe even longer than the last time Grian had gone There. He doesn’t think Sausage had been There, that day. This might explain why.

“Eh, not quite?”

“What-“ Grian flails, both mentally and with his arms a bit. “What do you mean not quite?”

“Exactly what I said! I was never- it’s complicated, y’know?”

“Explain. Now.”

“Well, uh,” Sausage seems to flounder for the first time since this conversation started, which Grian is choosing to take as a victory. “Look, I wasn’t- they didn’t pick me. For this, or for anything, ever. Sometimes things just happen and you get yourself into a place you shouldn’t have and then… they can’t get rid of me, I can’t get rid of them, it is what it is.”

Grian stares at him for a long moment. Really stares at him, in the same way Sausage had looked him over earlier, in the same way that makes you feel like you’re under a microscope. Judging by the sudden nerves in his eyes, Grian can assume he feels it too. Grian remembers his face. That had been the first thing he’d noticed, when the Hermits had arrived. It had been a long time since they’d seen each other, but Grian knew his face. And now that Grian was studying him, really trying to remember… he’s not sure he quite likes what memories he’s dredging up.

“What are you?”

“Grian!” Sausage’s voice drips with mock offense as he puts his hand up to partially cover his mouth. “We only just met, do you think that’s polite?”

“Answer the question,” Grian sighs. How Pearl deals with this man on the regular, he doesn’t know.

“Well, if you insist.” Sausage sighs, somehow even more exaggerated than his previous movements. “It’s just… if you’ll believe it, it’s somehow even harder to answer the first question.”

“It shouldn’t be,” Grian says. “They’re two very different People, you know.”

“But they’re the same species, when it all comes down to it. Like, you might be very different than a chicken, but you’re both birds in the long run.”

Grian pauses, fanning his wings out a bit behind him as he considers. “I don’t think that metaphor’s quite landing the way you want it to.”

“No, me neither. Anyways, let me continue.

When they don’t pick you, things go a little differently! You don’t get sorted onto one side or the other since, well, you’re not really supposed to be there? So I’m… whatever I want to be, really. I think I’m feeling like more of a Listener, today, but we’ll see how the mood shifts.”

Grian flinches at the Name, on instinct. He doesn’t know how to feel about that, so he files it away to be dealt with at a later date. As for the rest of what Sausage said-

“What?”

“You heard me.” Sausage shrugs. He’s so nonchalant, Grian thinks he might strangle him, if not for the worry that that’s exactly what he wants out of this, somehow.

“Did I? Did I hear you?” Grian wants to pace, but that requires leaving the security of the corner, so he forces his feet to root themselves to the floor. “I thought- I thought you had to- if you wanted to change sides, I thought you had to-“

Grian closes one eye and takes his thumb to it, twisting the finger into his eyelid. The gesture seems to get the point across.

“Well, that’s the funny thing about this, actually.” From the way he’s been talking, Grian assumed Sausage thought this whole thing was funny. He restrains himself from saying that out loud if only so Sausage will finish his explanation.

Sausage reaches up to his left eye, pulls his eye lid back a bit, and unceremoniously pops out his prosthetic eye.

“All these processes and rituals actually have a lot of loopholes.”

Grian doesn’t know what face he’s making, but it’s enough to make Sausage giggle while he pops the eye back in. Because of course he does. Because this how his day is going, apparently. Walk through a weird portal in his basement and wake up in a world filled with his friends who don’t recognize him and also a guy he only ever saw There, who he was never supposed to see again. Sure. Of course he’s laughing about it. Grian thinks if he was a slightly different person, he’d be laughing too. It is, undeniably, absurd.

“Well, I think we’re done here then!” Grian would probably object if he weren’t so shocked about the loopholes. As it is, he just stands there a bit stupidly.

Sausage turns away to return to the party before turn around again for just a moment, reaching over, and ruffling Grian’s hair. That shocks him enough to shake him out of his stupor and swat Sausage’s hand away, though not before his hair is suitably messed up.

“What was that for?!”

Sausage smiles as he reaches up to rough up his own hair as well. “I assumed you didn’t want your friends asking questions about why you were dragging me into a dark corner, you know?” Sausage even goes far enough to pull his shirt a bit out of where it’s tucked into his pants, because of course he does. Grian tries not to cringe, but Sausage is right about this one thing. It is the easiest way to dodge any questions about where he’d gone off to- at the expense of the many knowing looks and teasing remarks he’ll be getting from the other Hermits instead.

“Have a good night, Grian!” Sausage calls over his shoulder as he turns to leave for real this time. “And remember, drinks are on me for all you guests tonight! You look like you need it.”

[wolfgirlfloof]

Something I appreciate about Hortus de Escapismo is how it portrays the Laterans and non-Laterans, especially in contrast to each other. Guide Ahead already gave us the angel ethnostate vs multi-racial heretics, which made for a pretty effective if blatant commentary on Laterano. And while it might seem Hortus is kind of repeating the same formula, I think it's got something subtler going on with interesting implications.

On one side we have the abbey's inhabitants: sankta, sarkaz and all other races--hell, even a seaborn for a moment. Are there cracks here and there? Of course, that's a whole plot point. But it can't be denied there is genuine camaraderie and self-sacrifice going on between these people who are simply trying to survive together (which is what makes those cracks all the more volatile).

Contrast this with the Laterans, who are dysfunctional as hell. Lemuen, Oren, Richele, and Spuria; I can't say I fully parsed everything happening between them on a moment-to-moment basis, but it was overall apparent that none of these people trust each other. Even though they're friends and classmates and colleagues, even though they're working for the good of the same state, even though they're sankta who can literally read each other's minds. There's just this constant mess of cahoots and conspiracy and treachery and bitter friction, and it takes the threat of an Innsmouth-Jonestown crossover event to get them to finally work together.

I thought it was a nice way to show more of Laterano's flaws. It's one of their core themes that they aren't as great as they say they are, but you'd think they would, at the least, have blessed harmony thanks to their literal hivemind. But evidently that isn't true either. And again, these are agents at the highest levels of the government. If they're this dysfunctional, what does that say for Laterano as a whole?

Which leads me into thinking about what the future of Laterano might have in store. I've seen some folks point out how these events have these greatly compelling premises that don't actually resolve any of the issues they bring up. Laterano only remains Laterano. And this is true! But I think it's intentional, setting up a slow burn of a regional conflict. The Lateran state is holding together, the status quo remains unchanged, the Law is content. But for how much longer? Guiding Ahead introduced us to the divide in Laterano on a broad level, the state vs heretics. Hortus de Escapismo shows the cracks within the state, narrowing in on individuals who nominally should be on the same side but aren't. The next logical narrative step would be seeing the state finally cracking apart from whatever looming danger the Law sainted Federico to deal with.

Some sort of schism, perhaps; that seems like the sort of existential threat that would directly threaten the Law's directive of preserving the Sankta. Law's awareness of it would also imply it's an internal threat, something festering in the hearts and minds of Sankta and thus one It's able to sense (at least that's what makes sense to me. We don't actually know how the Law works, so it could very well just have random magic prophetic abilities). And especially with the constant background pressure of trying to legitimize their Summit of Nations, what better way to drive that issue to the forefront by throwing Laterano into utter political chaos?

[firestorm09890]

FUCK what I said about the majority of significant changes to dialogue in Re:CoM being to adjust Axel's characterization, the most egregious change is actually this

(GBA CoM)

(Re:CoM)

if I had to guess, the reason for this change was because in GBA CoM, The Superior was a spooky, unknown being at the head of this Organization we had very little knowledge on, and for Vexen, the guy who runs his mouth constantly about how much better he is than the others, to be terrified of him, he must be some pretty scary dude. But then after kh2 we know him, it's Xemnas, he's very dramatic, he likes to talk to the moon, and the effect of your mind filling in the gaps about what "The Superior" must be like is gone. So it wasn't really necessary anymore, right?

(rest under cut because it's long)

Except... the way they changed it is so weird. In the GBA version, what's happening is pretty clear:

Marluxia tells Vexen that his project is a failure

Vexen demonstrates that he does not give a shit about Marluxia's opinion

he does care very much about The Superior's opinion, though, and Marluxia uses this to blackmail him into eliminating Sora- an action which is nonsensical, as the entire point of what they're doing needs Sora alive, making it clear to everyone in the room that he is deliberately sending Vexen to die

and then after that, when Vexen shows up to fight Sora, he goes "if you want to fight me for real you've gotta do it in the memories from the other side of your heart lol bye" and Sora goes "huh? other side?" and then it cuts to a scene on the top floor:

and then this gets more into subtext but here, Vexen has realized he's totally fucked and his only hope is to mess directly with Marluxia's plans (well, they were the Organization's plans, but it's pretty obvious by now Marluxia's abusing his power for his own purposes) by giving Sora more information than he should know. This does get the traitor gang worried enough to send Axel to go kill him (as opposed to just letting Sora take care of him, which was presumably the original plan)- he very specifically cuts Vexen off to keep him from saying too much (this is retained between the original and the remake)

Anyway, what happens in Re:CoM sort of follows the same order of events, but everything is changed slightly in a way that just makes things more confusing.

Marluxia tells Vexen his project is a failure and Vexen demonstrates that he doesn't give a shit about Marluxia's opinion, as before

Marluxia threatens Vexen with a weapon, rather than threatening to tell the Superior

this, notably, does not seem to faze Vexen very much. he continues to run his mouth while having the scythe pointed at him.

Xemnas is still leveraged- Marluxia points out it was the Superior who entrusted him with the castle

...even though reasonably Vexen would already be aware of this, and has still demonstrated that he has zero respect for Marluxia despite it

the lines about betraying the Organization being a capital crime are retained, probably because it's super relevant later, but then that line of thinking is abandoned in favor of Marluxia and Larxene just taunting Vexen instead

The part where Marluxia says "do it. you won't" could be seen as a sort of threat... if not for Axel's line: "You give a challenge like that to Vexen and he'll seriously want to eliminate Sora." It frames it all as though Vexen went to fight Sora out of some sort of pride.

And look, Vexen may have a temper and a superiority complex, but he's not stupid. They're obviously baiting him. Plus, what happened to him seeing himself as above the others and countering things he doesn't like with "well actually I'm higher ranked than you and also you're an idiot"? Is he that insecure in his fighting capabilities? I could deal with characterization changes doing him dirty if it didn't also make no sense in the context of the plot.

So now we have Vexen going to try to kill Sora, something that really makes no sense to do, out of pride. What was the purpose of sending Sora to Twilight Town? Also pride, over the fact that he managed to get that information? Giving the writing the benefit of the doubt, I could say that these nonsensical actions can be explained as evidence that Nobodies can have hearts and people with hearts do strange and rash things, but that just feels like a reach, which is bad because what they had in GBA CoM worked perfectly fine and made sense without any reaching for the "idk emotions make you do strange things" explanation.

It continues. After Vexen gives Sora the Twilight Town card in Re:CoM and Sora wonders about what the "other side" means, this is that version of the conversation the top floor members have:

...what? "If Sora disappears, that would mess up the Organization's plans"? what are you worried about? the only reason Sora would disappear is if Vexen killed him. there's no way they think Vexen being in Twilight Town would give him an advantage, right? they know he's a pathetic fighter. "Vexen has clearly committed a treasonous act against the Organization" HOW? HOW IS IT CLEAR? they don't express any worry about Sora learning too much, up until Axel says "I came to stop you from talking too much" when killing Vexen- and that being there makes it seem like they were worried about Sora learning to much, but if that's the case, why would they replace the perfectly serviceable lines in the above scene? it's just... baffling that they would want to lean into the narrative that Vexen going to kill Sora (which he'd been goaded into doing) is the problem here, because it just makes so little sense compared to what it was originally.

once again giving them the benefit of the doubt: Marluxia's real plan was to take over the Organization, and he saw an easy way to pick off one of the members, so he took it. the motive for stopping Vexen doesn't actually matter.

buuuuut it's the same as with Vexen earlier. Marluxia may be too self-absorbed and power-hungry to notice Axel is scheming against him, but he, too, is an intelligent man. he's plotted for a while, getting into Xemnas's good graces in order to be put in charge of the Castle. this is incredibly sloppy for him. I guess it could be said that getting so close to his goal would make him sloppy, but again, if they'd just left things the way they were in GBA CoM, I wouldn't even have to be saying this

in conclusion: GBA Chain of Memories' intra-Organization strife subplot is so tightly woven with calculated moves on all sides that Re:CoM changing certain things without taking into consideration the consequences makes certain parts of the plot fall flat and become far more confusing than in the original story