#like okay? why didn't you do something

[klaviergavinwiki]

every time i watch any content about postpartum depression/psychosis i get so mad at the husbands involved like i'm not saying it's their fault lock stock and barrel but it just seems really fucked up to me that there are so many women who have such severe personality changes and instead of being like maybe my wife is going through something they either shrug and say whatever or they get angry at her for not taking care of herself and the house like are you serious dskflskdjfsdf

[claraoswalds]

#mrs flood who are you: time lord edition

[yesloulou]

Daniel and Max interviews with Georgie Tunny for Network 10 Australia | Wednesday, 2024 Australian Grand Prix 🇦🇺

[worstloki]

there is a difference between being born to a throne, maliciously vying for a throne, stealing a throne, and having a throne thrust upon you when you are already in the midst of an identity crisis. And I fear Loki's place in the line of succession has people unable to differentiate between any of these

[charmre]

Salt in my lungs, Holding my breath Making peace with my inevitable death I guess I did alright considering Tried to be a halfway decent friend Wound up a bad comedian An honest fool with more bad habits Than you can count

[coquelicoq]

what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.

[tanasha-not-yet]

yay rudistan jubilee 🎇🎇🎇 is finally over guess who's getting his first greys now 🎇🎇🎇 at the age of 40 idk 🎇🎇🎇

[mewkwota]

Mew today's not-- I don't care, I chose to brainstorm these designs because it sounded like a fun idea. I was going for something like a "group cosplay" (and Tokyo Mew Mew) so each Mega also has an associated animal.

Volnutt is a monkey because Data (duh), Hub is a cat because it was literally given to him thanks to the anime, Geo and Omega-Xis are rabbits because the spikes on Geo's visor give me that image, then X and Rock are both dogs (albeit Rock is a puppy) because uhh... Rock has Rush and honestly for X I just thought about Sigma and his dog--

Also there's lots of doodles of Volnutt because this was absolutely his idea somehow.

[somerandomcockroach]

@keferon OKAY BUT LISTEN YEAH I would loved if it was just fun ehehehe and sassy flirting with the demon no one sees pfffht, literally summoned a demon just to flirt with, and I guess it could have been going for a long time, just little strips with their funny adventures and then plot can go to the fact that he wants to give him a body and Shockwave would agree or that they just stay the way they are and just hang out like this together (Alo I remember that you wanted to put Ratchet (I keep writing Ratched instead of Ratchet buuuh) and Drift in it as another demon and their summoner thing whghweghgwe but I like how you made two separate stories for them that happen at the same time, okay I am actually PRETTY MUCH invested in this story, I like a lot how it goes and gets tangled and how mixes up with idw ideas and other stuff a lot)

BUT NOW that you changed it that way, you made a few more things that reader might be interested a lot in, like that promise he made and you mentioning that he will regret it, how their relationship progressively develops, plus the fact that Blurr was a frivolous slob gifted with dark magic AND how the tables turn upside dow and he get consequences for what he did in the most unpredictable way for him and how he surely changes in his behaviour, getting more and more concerned about his promise and maybe truly loving someone for the first time in his life and wanting to change something. And then figuring out that that same demon actually was a person before, someone he knew, someone respectable, kind, shiny, absolut sun of a person, who died (I am still on my knees waiting to know how exactly he died...) miserably to the point that he absolutely can't stand his life as a demon and NOT EVEN being able to kill himself!!! And Blurr was a pupil in his school, he saw him, he gifted him an ability to make his magic work for him, gave the freedom to live among everyone to all who was poisoned with this dark magic. OH WAITA HGSDHAG the thing that beastformers can't walk among transformers and the fact that dark spellers also could not, and how these events happen at a close times, OKAY so dark spellers got their kind of freedom thanks to Senator Shockwave (OH MY GOD what if Orion can see Shockwave and will recognise him right away COUGH) BUT I am wondering if beastformers will get some kind of an official declaration or some kind of school to be educated in and I wonder if Deadlock/Drift (I think after leaving he will change his name from the last episode...) will volunteer to be a teacher t be something more, or he will just end up with Ratchet wandering around the world, or maybe there will be a whole damn revolution where all monoformers and beastformers leaded by Drift go against the system, and maybe these events happen at the same time as a Senator Shockwave fighting for the rights of gifted... Okay I'm getting carried a little bit ahsghag excuse me... OH I GOT carried away A LOT I wanted to get back to the point that Blurr, now figuring out the past of Shocwave, dealing with all the events, dealing with what he has done and find a way to free them, at the same time STILL having adventures and fun since I'm sure he can be a good mood lifter to moody Shockwave and even see him in a really good mood since he is... well, not just a demon made of hatred but the wonderful kind of person in his previous life... (okay being carried away but what if Orion might declare the freedom to beastformers (AJHGAJHSDJAH OH MY GOD I IMAGINED JAZZ AS A PANDA HAVING A ROMAN WITH PROWL AND PROWL NOT KNOWING ABOUT IT OKAY SORRY) after seeing what it lead to after Senator Shockwave. And maybe Ratchet will be able to get his sign back freely after revolution will be successful or he will be forever blind just to be free and safe with his husband OKAY LISTEN I think it is obvious that I really like the thing you do....

[front-facing-pokemon]

[beanghostprincess]

How would you rank each strawhat based on morality? Of cours they are all good people, but some are certainly more and others slightly less

I mean... I don't think morality is something we can make rankings of because it varies depending on your philosophy and a good person isn't always the one following the conventional, Kantian rules of morality. But I know where you're coming from. I guess I can just base it on my own understanding of what morality is, which basically follows the whole "an action is good when the outcome affects positively the majority of people/makes somebody external to you feel good/doesn't harm anybody external" (aka selflessness and altruism) and "an action doesn't have to be necessarily good and you can still be a good person because your initial intentions were good, even if the outcome wasn't the one you expected". So, basically, this ranking is based on altruism, selflessness, and the way their actions affect others and what are their views on society/how they behave with others. I also have in mind why they do the things they do and if their positive actions are done out of selfishness or pure altruism.

1- Chopper

Isn't it obvious? His whole character is literally about helping others. He's a caretaker who looks out for everybody and the common well-being and happiness. He has a strong sense of morality that's based on other people's joy and freedom, and he fights for the rights of every human being despite their background. He doesn't care about whether you're evil or not when it comes to your life, always saving the ones who need saving. His vision of the world is pretty simple, honestly. Besides, kindness is often related to naivete and he's well-known for that too. He treats people with respect, and kindness, often mimics others to fit in, and the only times he harms people is to fight for what he thinks is right (which is pretty often related to basic human rights being violated in a medical sense). Being a doctor doesn't make you morally good, but being this type of doctor specifically definitely does. He'd pretty much sacrifice himself if it meant helping others, using himself as a tester for various antidotes. He's by far the nicest straw hat. He's both selfless and altruistic and he even has his own set of morals that involve protecting humanity's basic rights when it comes to living. Wanting to cure every illness and make a world in which nobody can die before their time is basically his whole character.

2- Brook

What sets Chopper and Brook apart from the other Straw Hats is that they are pretty active in their altruism and try to do good for people unrelated to them. His whole thing is quite literally making others laugh from happiness. He's a musician. His whole life before joining the Straw Hats was to be in a crew full of artists who lived to make others happy with music. That's the most selfless passion ever. His cheerful and jokester personality is pretty much meant to cope in a funnier way to make others laugh and save them from being worried about him. He keeps wanting others to be comfortable and together as a family, he enjoys unity from spending so much time alone but it doesn't come from a place of selfishness, because he keeps wanting others to enjoy their time together. He might need/want company, but the way he asks for it is in a very polite way and he never wants to bother other people. His whole character is literally focused on wanting to go see Laboon and make him know he's alive. He could've tried to k word himself in the years he spent alone, but he didn't because somebody else was waiting for him. He might be a pervert but he asks for consent, having in mind what women want and he doesn't push things further if they don't want to. Brook is the definition of a very jokester gentleman with knowledge for consent and a very selfless attitude towards life, valuing others' needs before his own. Although he doesn't hesitate to cut people in half, he only does this to his enemies and, y'know, pirate life. And often it's either needed or they don't even end up dead, so... The reason he fights is to always keep others safe, rather than worrying about his own life (even though he's already dead yohoho!). I think he's one of the characters, along with Chopper and Robin, that value life the most and that's what makes them so good at protecting others.

3- Jinbe

The reason why Jinbe is third is because his sense of morality varies from Brook and Chopper's more empathetic and nondiscriminatory way of protecting people. Jinbe tends to follow logic within morality instead of instant emotions and I personally value more people who extend their empathy to everyone without a second thought than genuinely thinking about it first before acting. He has his own set of morals and what he considers to be right or wrong. He thinks first before doing anything and considers the outcome of whether saving somebody is plausible or not in the situation. That doesn't make him selfish, but just a logical person. What sets the difference between the other two and him is that Jinbe won't help everyone and Chopper/Brook will not hesitate to do so. Jinbe's caring side is mostly shown to be to his loved ones and he doesn't generally extend that behavior to people outside of his circle. He literally refused to look after Luffy because he didn't know the guy, even if he was Ace's friend. He acknowledges he can't help everyone and just takes care of his people. And when he does that, he does it in the most selfless and self-sacrificing of ways! He would die for his loved ones without hesitating and his whole character arc is about Jinbe deserving a break from looking after everyone instead of enjoying his own life. They quite literally have to force him to follow what he truly wants and yet he still goes back to help his people before joining the Straw Hats. So the reason why Jinbe is third is because he's just like Chopper and Brook, except that he acknowledges the reality of the world and uses a more logical approach, being more personal when it comes to taking care of people. Also, he wants to keep peace around the world and the way he approaches people is in a very respectful manner and tries to keep conflicts at bay, which is directly looking out for common ground and pacifism. I almost forgot to mention his whole deal with the liberation of slaves, and that's obviously something that makes him an even greater person. He fights for a cause, against the unfairness of the world. He makes the world a better place.

4- Robin

I've had a hard time trying to think about whether she should go before or after Jinbe, but after some time debating it, I think this is the right place for her. Her whole character is basically all about learning how to live and love because she never had the chance to do so after so many years of suffering on her own. Her concept of helping others might be more altruistic than Jinbe's because I view her as somebody who would follow Chopper/Brook's standards and help everybody in need, instead of only keeping her protectiveness to her morality and circle. However, even if she's more altruistic and empathetic with outsiders, her view of socializing is more cynical than Jinbe's. She chooses a more abrupt way of fighting for what's right and instead of looking out for common peace and ground, she doesn't mind cracking a few necks and spines. She has fun with chaos and dark imagery, unlike Jinbe, who's a very caring man. And she is caring too! The sweetest! But Jinbe worries more about what could happen while Robin is still learning how to have fun and just vibes. She has this bit of selfishness and enjoyment for chaos and having a good time that Jinbe doesn't have because he's calmer than her. She's calm but she enjoys the fun drama, and Jinbe cares about his surroundings' well-being more. The way she treats enemies is crueler because Jinbe is polite while she doesn't care about cracking a few necks. Even if she's more empathetic towards strangers, looking out for the general peace is conventionally better for society than cracking people's necks, so, yeah. And she's a revolutionary and their views might follow a set of morals about freedom, but the way they deal with social issues is very arbitrary. Basically, she's a sweetie but she has a bit of a dark side.

5- Usopp

He's the sweetest guy of all time and normally wouldn't hurt a fly and he goes all the way to make everybody feel comfortable and have a sense of unity. However, the main difference between Usopp and the others (this is where the ranking kind of starts being more and more different in terms of complex morality) is that he's selfish out of fear and self-defense. A thing that is completely natural and proof that thinking about himself and his loved ones first doesn't make him a bad person, just careful and human. Selfishness is often seen as something bad and against the benefits of society as a whole, and it might be, but it doesn't make him a bad person (that again, I don't think we're able to judge this either). The cool thing about Usopp is that he's a growing character. He keeps learning more about himself every day and, even if he's a "coward", the bravest thing somebody can do is fight against fear. Especially when it comes to insecurities and when you're probably about to die. He isn't altruistic in the sense of risking his life for a stranger (unless he feels guilty about it or has the need to do so) but he is the kindest in the sense of embracing friendship and support. He brings domesticity and comfort to quite literally everybody he encounters. He's easy to befriend and to talk to. His whole thing about lying comes from trying to cheer up his mom about his dad leaving them, c'mon, even if he was suffering because of her illness. He fights for the ones he loves even if he's scared, and when he refuses to fight is when he doesn't know the people that much and, to be honest, fair. Nobody should be forced to sacrifice themselves for people they don't care about and I personally don't think that can talk about morality. Besides, the way he jokes around and does his little shenanigans with Luffy not really caring about the chaos around (besides when, y'know, personal safety) only makes everything I said more obvious.

6- Sanji

Sanji is a very... Complex character. The duality of men, basically. When he's kind he's at his best and when he's creepy he's at his worst but then he also has this view on how much people's lives matter depending on what he personally thinks. He's very emotion/trauma-driven, so perhaps that's why it's really hard to tell whether he follows a conventional morality or his own. His whole character arc is about him realizing that he's kind, empathetic, self-sacrificing, and everything the Vinsmokes aren't. But he also has a calculative and cold side that shows up when he doesn't give a single fuck about the people he's talking to. Basically, Sanji can be both the nicest and the meanest guy in the world depending on what he thinks of you, but he'll never let you starve due to his own morals of "nobody should die of hunger". Like he might beat the shit out of you but he's making you a damn risotto before the fight. Sanji is a very kind soul and he looks out for others and always puts them first, but his morality is pretty much focused on his past experiences. He also has these preferences for women, which are not morally correct (if you view this term as equality) because, unlike the other characters, he doesn't view their lives in the same way. However, that doesn't mean he hates men, he just puts women on a pedestal. He will put others first no matter what but if he doesn't care about you he won't give a single fuck. He literally was about to leave those kids in Punk Hazard and only helped because Nami said so. When he has to help somebody he cares about, though (or anybody, really) he always ends up self-sacrificing for the greater good. But it's not really coming from a place of "this is a good thing to do" but from a "their lives are more important than mine and I like to feel needed". Even if I do think he also does this out of empathy and love, both things coexist. He tries really hard to please others. He finds joy in feeling needed but also in making others happy, so it really is a mix of trauma and genuine kindness. He's quite literally the whole "doing good things because it feels good but also because it helps people, and helping people makes me feel good" but I don't think he does it in a selfish way, because he doesn't even realize he's doing it to feel better in the first place. He just doesn't value his life the way he should. So, TL;DR: Sanji's a selfless character when it comes to the people he loves and when his morals are at hand (huge difference between the other characters, who help people without having in mind those things), but if he doesn't care, he genuinely doesn't care. His self-sacrifice might come from a place of wanting to feel needed, and that could be seen as selfish, but I don't think he actively thinks about it. He just acts. The reason why he's number 6 despite being one of the kindest characters is because he canonically has preferences and uses his own morals to decide what to do instead of valuing everyone's lives equally. Besides, his whole thing being creepy with women (even if it's just a running gag) makes him less likable. But this is post-ts Sanji's fault mostly.

7- Franky

He's a family man. He puts his family and the people he loves first. He has his priorities and follows his morals about masculinity and that's it. Great pal that cares deeply about his loved ones and would beat the shit out of somebody if that person were to hurt him/them/his ideals. The reason why he's number seven despite seemingly being so nice at first, is pretty much because of his background. The whole Franky family? Beating up Usopp? Stealing the money? He was into very dark stuff, man. Mafia type of shit. That doesn't mean he's a bad person but his morals are pretty questionable, and they basically follow the "Protect family, protect home, protect ideals, befriend cool people, beat up people I don't like". He's very... American. I mean. He is technically canonically American and it makes a lot of sense if you think about it. He befriends people quickly but he can despise them just as quick too. Once again repeating the whole "only looks out for the people he likes or for his morals/what he loves" but if he isn't interested in something he'll just... Don't do it. But, yeah, he might be pretty empathetic because he resonates with all the sad stories he hears and doesn't hesitate to save people, but as I said, it's not really an "I save people because all people deserve to be saved" and it's more of an "I like this person so I'm gonna save them" which is exactly what happened with Usopp back at Water 7/Enies Lobby. I must say he's also kind, helpful, and energetic and loves to spread fun around the ship to make people happy. Seeing the ones he loves full of joy makes him complete, and that comes only from love. But he doesn't spread that love the way the characters before him would, you know? The reason why he's here is both because of his past and his behavior toward helping others which is basically about turning them into friends right away (which, you know, is exactly what Luffy does too).

8- Nami

She's a bitch. In the best of ways. But she's still a bitch. I'm always the first one to say she's one of the kindest characters. Her heart is just so, so big and she treats people in need with so much love it's obvious she has motherly traits and just loves to take care of people. However, the girl is greedy. She's greedy. Selfish. A liar. A thief. A bitch. A flirt. A queen, basically. To me, she's the best of the best and she would go on top if we were talking about best characters, but here we are judging based on morality and... She's just that. A bitch. With a very warm heart that just freezes the second she gives no fucks about you. You know, she's not evil, she just uses people to her advantage because (especially back at the start. Arlong Park things) she isn't used to trusting people. She has really obvious trust issues and she pretty much only loves a few specific people in her life. She would do anything for them. And yet, even when she loves somebody, she's still a manipulative menace. Morally speaking she's fucked up because she looks only for herself and the ones she cares about, and when she needs to run to save her ass, she does it. She doesn't leave anybody behind if she knows it's gonna be THE end, but if the one who's with her is only gonna end up hurt and not dead (usually Usopp. RIP Usopp) she's running for her life. Also, she's shameless and uses the strength of the Monster Trio to her advantage and I absolutely love it. She's the brains, let the others protect her fr. She knows she can fight, she's just scared af of dying and I find her so real for that. She likes teasing people and wrapping them around her finger to get what she wants! She doesn't care about anybody except for her crew because why would she? They're pirates! And she only does it when it's either about kids (she has a huge, soft, warm spot for them) or somebody she grows fond of. So, she's a sweetheart and a very caring girl to the ones she loves (or she's the meanest too, as a sign of true tough love) but she gives in between -10 and 0 fucks about others and will steal from them, no hesitation needed. She breaks so many morality norms within society that she makes the perfect pirate. Honestly, it looks like she's the only one in the crew interested in the part of being a pirate that's about stealing and treasures. I love her so damn much...

9- Luffy

A lot of people are going to disagree with me on this one, but this is the one part of the ranking I'm 100% sure about. And it's not even hard to explain: Luffy is selfish. He's a very selfish pirate. But he's empathetic, kind, and really easy to befriend if you manage him to like you. He also sees the good in people. But he isn't altruistic. He only helps people he chooses to help because he either likes them or finds them interesting enough or perhaps he owes them one or whatever. He loves people in such a huge way that, if he likes you, he'll do anything for you. Anything. But he only helps people he considers his friends/acquaintances without wanting to be seen as the hero of the story because he's literally just helping a friend out. If he doesn't care about somebody, he will just ignore them. Or be straight-up mean to them. He has no filter and if he hates somebody, he does it explicitly and without any remorse about it. He might be extremely empathetic and sacrifice his well-being but only when it comes to the people he cares about. Otherwise, he'll just groan in pain and boredom. On the other hand, Luffy is also Chaotic Good (haha me too!), and he has his own morals. They consist of freedom and liberty. He will help to free a whole village. Or prisoners. Slaves. Even if they aren't his friends. But only because all of his ideals are about freedom and choosing how to live your own life. It just bothers him personally. And it's not even "I'm helping these people be freed because they deserve it" it's more of a "The concept of cutting somebody's wings makes me so fucking furious I'm gonna make this everybody's problem. I don't care what these people do after this adventure, but they should be able to have the freedom to choose". So, yeah, basically Luffy follows his ideals of "I do whatever the fuck I want" and "Don't hurt my friends. Don't go against freedom. Or I'll beat you up". He's very stubborn, too. Chaotic. He doesn't think about how his decisions will affect others. He's a very independent person when it comes to decision making but he's also very needy in the sense of needing people around him to feel safe because he is, after all, an extrovert who loves his friends/family to death. Luffy is selfish because he does whatever he wants, even if he's empathetic, kind, and understanding. Those concepts can coexist perfectly.

10- Zoro

I don't think I need to explain this much, honestly? He's very introverted and doesn't let people in easily, so he just doesn't care about people who aren't in his circle. He fights for his loved ones to death and holds the people he loves close to his heart, to the point of doing anything for them. But... But his morals are basically shit outside of that. He used to kill pirates for bounties without any hesitation. He still pretty much murders the people they fight against without any remorse. And, y'know, they're pirates so I'm not judging here. He's selfish in the sense of being a very protective person with his things and his personal space, and he can come off as rude to outsiders because, well, he is genuinely rude to them because he genuinely doesn't care about them. Unless he befriends somebody, strangers to him are just strangers and he couldn't give less of a fuck about them and their tragedies UNLESS they're going through something that goes against his own/or a nakama's morals. I personally think he's a sweetheart, but if we're following moral codes about the well-being of society as a whole and how much positive impact somebody does? He's, like, the last one to choose from the crew. He cares about Kuina, his swords, Luffy, and his Nakama. Perhaps he befriends somebody along the way but it always feels more like just respect and not really a friendship. Not saying Zoro is a bad person for his introverted personality and cynical behavior, I just think he's very intimate with his circle and will only do what he thinks necessary instead of focusing on selflessness and altruism as a society. He's pretty strict about the pirate code and he follows those rules solemnly, so he does have a type of morality, but he doesn't focus on society's well-being. He doesn't mind causing chaos if he gets what he wants. He's just chilling. Passing by. I honestly think Nami/Zoro is a great friendship because they're both little shameless bitches. TL;DR: Zoro loves crew only. Fuck other people. Might respect acquaintances. Strong pirate/swordsman moral code. But he isn't an altruistic/society/people person.

[greenerteacups]

Hi GT,

Forgive me if this is a stupid question, but I absolutely love the recs you've given (you've introduced me to tomione, and I love it!) and I was wondering if it's possible to give you some recs in return? There are some books and fics that definitely have dramione / got vibes, and I was wondering if I could share them with you!

So glad you've enjoyed them! Feel free to rec me anything you want. I've read most of the classic recs in terms of fic and adjacent content (Cruel Prince et al), but I'll try anything that's well-written. My tastes run towards weird and/or audaciously creative stuff, and I can forgive a lot of weaknesses in plot on the grounds of (1) ambition or (2) character work. My turnoffs are instalove, protagonists who can't fail, and most Y/A (I'm not a hater, I swear, I just need characters who can say "fuck" when their leg gets chopped off.)

I'm also a fan of weird and fucked-up dynamics.(Wuthering Heights was my favorite book for a while, and as a teenager I wrote an AU in which the book ends on a long sex scene where Heathcliff fucks Cathy's ghost and then immediately gets murdered by Catherine 2.) Obviously, I am very normal.

[montanamp3]

[emerging from andrea long chu's females covered in blood] Oh my god I need to write

[marcsnuffy]

I don't think that differently about Kaiser now

[lucy-ghoul]

why are you, as an adult in 2024, still hung up on reylo. why are you still mocking the shippers. why do you believe yourself to be superior only because you dislike a stupid ship from a fucking space fairytale. girl (gnc) get a grip

[colorfuldream]

Okay so I've seen it a few times now and there are people who genuinely believe the Squid Sisters have the least content out of every group. I mean, I get forgetting Deep Cuts but the Squid Sisters do have as much as Off The Hook. Sure, OTH is starting to look like favorites now but the SS aren't left behind. Here's an itemized list:

They're in every main story mode. They have three whole games about them. The concept of story mode revolves around them. Just because they aren't proactive in them doesn't make it not count. Their quips and banter are what made us care and learn about them. It did flesh them out. They don't have to actively help to be main characters and receive development. The only game you could argue that is Splatoon 3 but it has a writing problem in general. It did close their story, subtle but interesting and well-written (for what Splatoon is), across the three games.

A short story. They're the only ones who have that. That has insane development, providing a lot of details about them. Like, that's a MAJOR thing that's lore-dumping so many things.

They're in almost every concert. They're in all but two concerts. They're canon too. This gives them a lot of presence in the franchise.

Lots of illustrations. Makes sense. Of course they are with how long they've been around. Still an important sign that they're a major part of the franchise (obviously, the main story is about them). It's always nice to see them in different situations anyways. They also get some lore out of them, fleshes them out and whatever. Which brings me to my next point.

Different outfits. It's not only giving us a sense of how they dress, but it's telling a story. Said it before but, for example, we know Marie likes dressing up for Story Mode and be a mentor of some sort. If you pull that string, you can get that she's someone who puts on a façade depending on the occasion and likes teaching/guiding people, her idea of mature and cool is a traditional outfit from her hometown.

Special Fest variants. Yes, they all do. However, the thing that differentiates them is that this is outside their game and, even though they were mostly reskins, they did get fully new outfits and hairstyles which neither other groups did.

Technically, they got a DLC. Even if it's the old hub and basically promo for Side Order.

They're in Smash Bros. That's not nothing. They're not spirits, they're full-on assist trophies. They better be in it honestly, but it's still something they have over the other two groups. It solidifies their status in the franchise.

Many songs, including remixes. Obviously, but they're also on the Splatfest list which never happened before outside of special events. They started it in Splatoon 2's Final Fest and started it in Splatoon 3's regular Fests. They're trend setters! Which leads me to...

Boss Fight. Final Boss, even. Callie started it. Literally. She fought us. The fact that she was The Final Boss™ puts her above the others. They wish they were her.

Solos. They did it first. They've also got not one but two mash-ups of their solos so it gotta count. I would argue that theirs are special too as they're meant to be solo pieces while the Anarchy Poisons are always put together be it on the soundtrack or the concerts. They were made to, and it's lovely, as Deep Cut's continuing the trend OTH's set: a united group that values each other and their work over fame. Their music is made to be together. Anarchy Rainbow and its Poisons is just that, something that's all of them, always. They were also fused in every live version, and the in-game live version, unlike Tide Goes Out and Bomb Rush Blush. These were forcefully mashed up as each sang over the other, desperately trying to drown out their will and win this fight. It's only now, years later, that they get an unexpected mash-up, joyful and harmonious —which in a way is a part of their story, them reclaiming this song as they bring their solos together. The Squid Sisters are working for themselves, they now do whatever they want with their careers and what they sing, how they sing, when they sing is up to them and only them.

They're the end credits of every game. Special mention to Splatoon 3 that just sacrifices its own idol group for them. Unlike Splatoon 2, Deep Cut was involved in Story Mode and for all the 10 minutes they spent in it, the end credits should have been theirs as they sure as hell didn't get a DLC. Their equivalent was a last minute addition at that, unceremoniously added later on without much spotlight. Jeez, they could have had a second collab song instead or something!

They've got the final battle song for every game. Makes sense because it's their story and their games, it's the culmination of their work every single time. Unlike the credits, they at least shared the spotlight with Deep Cut... Hey, if Marie's their boss, doesn't that make her a part of their group or vice-versa? She better be, she's the one handling their paperwork after all (poor woman, it's a mess too and they're not spending wisely. Shouldn't have been talking about becoming a manager, Marie, you're getting roped up in too much silliness and Callie won't help).

Participation in 2 Final Fests. By that, I mean actually having a team and representing it. Otherwise, they're involved in every Final Fest.

Merch. I mean why wouldn't they have some?? But it had to be added. Special note for the concert CD and special edition. I guess I'd put there the interview bit Marie conducted in Splatoon 3's soundtrack bonuses. That's another bit of trivia/insight on her work. The Nintendo Magazine interviews also count as they're relevant to their characters.

Their song is a major part of their world and franchise. Calamari Inkantation has a special place in the lore and the franchise. It's THE song but also THEIR song.

4 amiibos. They might not give their outfits (which I kinda like because I'm not fond of how they did it for the others) but they give out gear related to their story, the game, and that we should have gotten. At least they're fixing that flaw I guess.

Storyline during the Splatfests. Not sure if it should be added but it did culminate into long lasting conflict between the two of them and started their storyline. Since it's missing in Splatoon 3, I think it should be noted. It fleshes them out and makes them feel a bit more alive, like they're affected by the results.

Most of these could apply to Off The Hook too. My point is that the Squid Sisters haven't been neglected, not from Nintendo's point of view. They're more than included, arguably the stars of Splatoon 1 and 3. The thing is that Off The Hook is the fan favorite right now so most of our attention is on them, not the others. The Squid Sisters have also been so ingrained in the franchise that we're used to it. We readily accepted they would be the stars of Splatoon 3 because they took over most of Splatoon 2 until Octo Expansion. We assumed the other two groups would get DLCs, or that Deep Cut would be involved in OTH's like in the Main Story, only to realize that Nintendo didn't give a damn and gave the spotlight to OTH alone in an attempt to replicate what Splatoon 2 did. Obviously, once we got over Side Order, we kinda realized this was unfair and that there was favoritism. It didn't help that OTH was featured in regular battles and that Splatoon 2 and 3 handled Splatfests differently, with special events and work done to the idols. We've come a long way since the first game, which itself had changed plenty during its time, so it feels unfair that the Squid Sisters didn't benefit from what the others got or for as long. That doesn't mean they didn't get a lot and weren't the favorites for a long time.

Now, I'm gonna address the thing that made me write this in the first place:

They do have a story and development. Just because it wasn't in your face doesn't mean it didn't happen.

Up until Splatoon 3, the story wasn't as obvious as it could be when it came to the idols. Marina's background is clear-cut, because you cannot be too subtle about it, but apart from some big lines, it wasn't directly stated, nor was her development in Octo Expansion (it's heavily linked to Agent 8 and the Octavian but the fact that she comes to be comfortable in what species she is and overcomes her fear of being found out and rejected should count as a story). She's fascinating and it's important to the world.

But that doesn't leave the Squid Sisters flat and boring. They had an arc! Them slowly resenting each other because of their time as Splatcast anchors, because they were always pit against each other, because of the way being an idol works, is a story in itself. It was bad enough to get Callie to free Octavio, who's a terrible, dangerous person as far as she knew then, and go to the Octarians, poor, underground enemies. The Hypno-Shades are more like heavily suggesting you to obey, we know that Callie had some sort of free will to put glitter, of all things, into their ink. She also was fully conscious of her actions when freeing Octavio, and we know this guy isn't a mastermind and world class manipulator. Marie wasn't doing much better, working a lot and being stressed. Fame drove them apart and broke Callie down to the point of going to people who wanted hers dead. She freed a war criminal. Once Marie saved her, mostly from her own despair, they decided to do their own thing. They didn't need fame or their careers. Family was more important. Tidal Rush was their solos crashing against each other, not listening and trying to sing over the opponent, until Marie blasted on a song that meant the world to them. The hymn of sea kind. The song that they won that fateful contest with when they were young, the reason why their dream came true. The song that they sang when safinf their dear grandpa, powerful enough to make Octolings give up everything and try to join the surface. A beautiful memory. Something that was theirs. And so they sang. Together. "I remember everything!" The innocent days they practiced for the contest, the terrifying ride to Inkopolis, the nervousness of their first Splatcast. But they were together. She wasn't alone. Marie had always been on her side. Neither of them wanted this. If it had been up to them, nobody would have compared them to each other. They wouldn't have been choices for their last Splatfest. It's a certain kind of cruel to ask which of the two teenage girls was the better one. Callie wasn't angry at Marie, she was angry at the system. She felt awkward, self-conscious, worthless because of her status as a celebrity, because she as a person didn't matter. Her comfort? Who cares. Take the photos, sing the songs, be careful to be perfect. She was overworked, isolated, and the only person she could count on was put in the same position and told she was a competitor.

Fresh Start is the two of them reconnecting away from show business. Going back to their roots. They stop being idols afterwards, they don't sing much anymore. They get their own careers. Callie slowly finds the strength to be in the spotlight after so long and goes back to acting, unlike Marie this seems to be more of her thing. Marie keeps on with her podcast, now using it to hype Callie up. Splatoon 3 even shows us that Callie is some sort of spokesperson, announcing that an Inkopolis stage will undergo reconstruction. She's rebuilding her career on her own and making it her own. The Squid Sisters, while some of the most people in the world, weren't recognized in the Splatlands. Sure, Shiver and Frye probably didn't give a damn about Inkopolis musicians but Big Man is a fan, he's even showed them their music, and he still didn't recognize them. They're known for their music, their names possibly for themselves. Splatoon 3 is the only game not to give them a story, even its details don't imply much. But the previous two games did.

It's a story of two girls who got famous too soon, too suddenly, and got eaten by showbusiness. It's two young women taking their power back and breaking free from the idol life. It's a family that managed to heal from the damage fame caused over the years.

I dunno but I think it's beautiful and I'm a sucker for stories that criticize being an idol and family coming together. The Squid Sisters' entire thing was being idols, that's their entire concept, especially identical ones which is dehumanizing enough. It's fitting and not something you'd expect out of Splatoon of all places but it's the kind of franchise that gets surprisingly deep and dark in its smallest details.

No, they're not neglected or underdeveloped. Their story is there, just not as flashy as you'd expect. Their presence is something we're so used to that we don't clock it anymore, moreso when the other group gets attention too. Splatoon 3 didn't handle the writing well, as fun and silly as it gets, and it shows in a lot of ways. It's easy to go "so what was the point of the Squid Sisters being there?" when the story didn't bother doing anything with them for once but they weren't the only one neglected nor did they not get content in other ways!