#like ok but do I have to come too?

[hanniesunshine]

I fucking hate how food obsessed society is

Like can we not have a celebration of any sort without food being the most important part??

[unluckedtj]

something bad’s about to happen to me

why i feel this way, i don’t know maybe

[shhroomer]

Oh, help me God, this hellboy got me coming back for more

reblogs super appreciated !!! close-ups under the cut !

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[rexscanonwife]

A little concept sketch of my Gravity Falls self insert! And as you can see, she's a werewolf! 0u0

She's normally in her first form when she's out and about, and when it's getting close to the full moon she looks like her second form before going full wolf! During that time period she starts getting a powerful craving for raw meat and she gets really itchy as her fur starts coming in, then the ears and tail follow! (At first glance I'm sure most of the townsfolk would just think she was a furry 😂)

In general she's very cheery, and she exhibits a lot of dog-like behavior (getting excited when the doorbell rings, noticing and perking up when she sees squirrels, shaking her whole body when she gets wet) and she has a somewhat irrational fear of rabies so she's not a very good hunter and actually tends to AVOID wild animals in the forest and stray dogs/cats. When she moves to Gravity Falls she opens a curios and oddities shop with her partner in crime, which a certain conman sees as competition, leading him and the mystery twins to go check it out 👀❓️

Taglist♡: @me-myself-and-my-fos @tiny-cloud-of-flowers @sunstar-of-the-north @dearly-beeloved @adoredbyalatus

@changeling-selfship @crushes-georg @cherry-bomb-ships @rosieaurora @rejaytionships @sunflawyer

@in-true-blue-love @tropicalgothships @little-miss-selfships @hotrodharts @cupiidzbow @frozenhi-chews @limey-self-inserts @candyheartedchy

[dailyloopdeloop]

DAY 71: shy

[shyshitter]

it’s been discussed before but hear me out. dean confesses before cas. death has already gone for his heart and cas saved him. there’s a chair between them and his hand shakes as he decides to bridge the gap. he stares at cas’s concerned yet resigned profile and realizes death is going to take his heart again. god took his bravery and death will take his love before dean can do anything about it. he’s made up his mind when cas starts talking to him but cas has already interrupted dean’s speech once and this time dean’s gripping his courage by his bloody fingernails. before he can stop himself, before he can chicken out, he interrupts cas. he apologizes profusely, for everything, for getting cas into this mess, for dragging cas down with him, for treating him like shit, for treating jack like shit. he thanks cas endlessly, for helping him, for staying as long as he has, for choosing him, for forgiving him, for saving him, for saving sam, for saving the world. he pauses, the words nearly choking up in his throat, but he sees cas open his mouth to interrupt and that can’t happen so he keeps going almost mindlessly. “I love you,” he says, eyes wide and both hands gripping cas’s shoulders as if he’s keeping cas from flying off. “I think I’ve loved you for a long time but I didn’t know what to do about it, I didn’t want you to feel bad for not reciprocating. I tried to forget about it or drown it with something else but I failed. Just like I failed now. And now we’re both gonna die. I’m sorry I’m dumping this on you now but I needed to say it, I needed it to be real and my choice, not god’s, not death’s not—” something black begins swirling in the corner of his eye and cas is crying. is he that upset by dean’s feelings? cas removes dean’s hands from his shoulders and switches them so it’s cas clinging to dean. “You weren’t supposed to say it,” cas says between sobs. dean frowns and glances behind him at the black ooze. he knows that ooze. He says cas’s name when he turns back around and cas is still crying but solidifies his face. he shoves dean to the side of the room before using his grace to open the door and grant access to death. the ooze is growing and spitting thick black tendrils around the room. cas’s eyes meet deans. they’re both crying now although dean still doesn’t know why. a black tendril grabs death and drags them through the ooze. cas starts saying something urgently that sounds like “Dean, I lo—” before he’s gone too, stolen by the ooze. dean stares at the spot where cas stood and begins to understand. cas is gone and he doesn’t know why exactly but he had something to do with it. once again, dean felt too much and destroyed the one he loved in the process. he should’ve let death take him instead.

[yuwuta]

yuuta exhibits such previously abandoned, recently adopted dog behavior. incredibly anxious all the time, even though nobody’s out to get him or leave him behind. waits for you to return home or from school or from work excitedly, just to see you when you walk through the door. follows you around senselessly, hovering in your space just for the sake of companionship. initiates affection in prodding ways—starts off next to you, then a hand on your thigh, then deems it safe to lay all the way down, then slowly pushes his head into your lap. gets up whenever you need to get up, and resumes his position as soon as you’re ready. brings you gifts as a sign that he’s thinking of you, and maybe because he likes the affection it brings out in you, maybe because he likes the gentle affirming touches of a hand in his hair or a pinch to his cheek. rests his head on your stomach or his chin on your shoulder when he’s sleepy, stays there, immobile, and will not move unless absolutely necessary. sometimes he gets surprised when he hears you calling for him, there’s a moment of disbelief as he thinks “me? really? you need me?” but it’s very quickly overshadowed by this compulsive need to show up, to please, to do anything for you, which is why he always answers when you call. he doesn’t realize that he has puppygod eyes, especially when he’s excited or confused, but he does and it’s incredible endearing. very reluctant to share your space or attention after a while, considers that to be sacred and he won’t risk being let go or lost again, so as a safety precaution, he keeps himself right by you, waits for you always. 

[sleepinglionhearts]

@vinosscum introduced me to the first Mistborn book,

[kagoutiss]

as if it was never there at all.

[ar-mage-ddon]

keykid dump

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[triglycercule]

instead of nightmare approaching horror to recruit him for the gang i think it would be cooler if he talked to undyne about it. because she would not hesitate TWICE to ship horror off to fuck knows where in the multiverse

like booo booo boring horror would never cooperate and agree to join nightmare without him doing some extra work that he cant be bothered 2 do bc its doesn't benefit him enough 4 the effort put in. AND THAT METHOD DOESN'T EVEN GIVE HIM MORE NEGATIVITY!!!!! nonono the king deserves a show :3 so he goes to undyne who's the craziest of everyone in horrortale and yk yk does some stupid mind manipulation. maybe in exchange for horror he makes up some bullshit lie about how he could save alphys (is she even alive atp) or the rest of the underground and provide them food (like the same deal that nightmare WOULD offer horror) and undynes like 70x more fucked up than horror so of course she's accept in a heartbeat. shes the queen!!!! shes supposed to provide for her subjects (even tho shes kinda. erm. making them all suffer)!!!! and all it would take was a sacrifice of the guy she lowkey doesn't like??? undyne has more reason to accept a deal like that from nm than horror ever would. and it wouldnt be the first time she sacrificed horror anyways lol

idk she sends royal guards out to snatch up horror in the middle of the day (nightmare told her to make it dramatic and tense :3) (all of snowdin would probably follow in concern because OMG WHERE IS SANS GOING????) and then yeah. just like that horrors gone! nightmare probably didn't even give him a chance to say bye to paps. undyne never ends up getting the food nightmare promised because hes a bitchass like that (and papyrus probably ends up taking up the full leader role of food provider for snowdin (if undyne even lets snowdin stay out of her control) good luck for him!)

if horror had a nickel for everytime he got forced to be a sacrifice he'd have 2 nickels. which is actually 2 too much in his eye HES PISSED!!!!!! rightfully so become man ☹️ taken away from his world without even a choice or a reason (to his knowledge) or anything to benefit him??? and now hes STUCK in this disney movie castle with two freaks who look like him (what the FUCK) and then the most annoying THING he's ever had the misfortune of getting kidnapped by. he is in misery. it sucks. he IS infact bitter. if he ever came back to horrortale (which he literally would never get to without dying or losing his stolen eye) he would 500% commit anarchy and finally get rid of undynes annoying ass ‼️‼️

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[callixton]

i think the thing to understand abt martha jones is that even after she leaves she is five seconds away from dropping everything and traveling with the doctor at any given time. bc that itch to blow everything up and damn her personal duty to hell in search of a higher call never leaves her. but martha is smart. and rational. and has spent a long fucking time needing to keep herself safe. (bc he comes when she calls but never before.) and so she has gotten very good at keeping herself on the right side of those five seconds. but i do think if ten was a different person (if he could acknowledge how much he needed her instead of just how much he liked her) (if he didn’t feel this righteous martyrdom when it comes to being left alone) (if he cared enough about her to beg. if he cared enough about himself.) i think that her answer no would come crumbling down pretty quickly is all.

[spearxwind]

do you guys fucking remember when music artists actually made or commissioned people to make song/album art for them instead of resorting to ugly ass AI slop?

i swear, it's always the artists with more money too. bring me the horizon keeps using AI art even though they basically shit money. incredibly popular artists that can very well pay artists using AI images to reduce costs. actually fucking sucks so bad. it just makes your song stand out way less