#like if I had the choice between being a main character in that show and the Midnight Realm

[sskk-manifesto]

!!!!!!!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[oldtvandcomics]

So the funny thing in I Saw the TV Glow is of course that in-universe, The Pink Opaque's ending must be weird AF. Like, we don't talk about it because it works just too well as a metaphor, but that teens' TV show absolutely did end with both main character getting buried alive and kind of left there.

Except that, of course, our world has got wildly popular TV shows with similar ending, too.

So, may I propose the mental image:

You are out here, living your life. It kind of sucks, like there is this thing that isn't quite right, but you don't know what it is, so you are kind of existing without any greater joys or passions, but what can one do. Then your old friend, whom you haven't seen in ten years, randomly shows up, looking somewhat hectic, and announce: "So, remember that old TV show, Blake's 7? Turns out, I am actually Blake. The Federation caught us and is currently mind washing us to think that all of this is real. You need to wake up, Avon."

I genuinely don't know what I would do in this situation. But the idea is so fucking funny.

[avelera]

I am literally so baffled by how so many people think the Viktor/Jayce separation in Arcane S2 was:

1. Rushed

2. Deserved, because Jayce ignored Viktor’s wishes and that’s what Viktor was reacting to

3. A choice Viktor was making, literally at all

Let’s go through these one at a time but they’re all related.

1. Yes it’s rushed. That’s because of time constraints per episode, sure, but forget that for a second. Viktor getting out of his goo cocoon and immediately leaving while still STARK NAKED is weird. It’s very weird. It’s meant to be a five alarm fire, red klaxons blaring, levels of really fucking WEIRD. The guy is LITERALLY NAKED he just walks out, barefoot, into the Undercity.

It’s weird and it’s meant to seem weird and indeed, inhuman, because that is not Viktor. Those are not Viktor’s choices. That is not who Viktor is. And the fact it is so rushed is part of the warnings, and meant to show us just how much something is very very wrong.

2. Tying into Point 1, if this was a real disagreement between Jayce and Viktor as we knew them through S1, Viktor would have stopped to get some damn trousers and shoes. I know it sounds like I’m joking but legitimately, there is no (or very little) conscious human thought going through Viktor’s head in that scene because a human being choosing to leave their partner of years over legitimate disagreements would have stopped to get fucking dressed before they left. That is not Viktor.

And to briefly launch into a defense of Jayce, he has spent literal years with Viktor doing science to address Viktor’s failing health. He knew about Viktor’s fear of dying. They’d both dedicated themselves to hextech in the hopes it would better people’s lives but the more selfish goal at the heart of that research for both of them was that it would save Viktor’s life.

Viktor only told Jayce one (1) time to destroy the hexcore and he didn’t explain why at all. Jayce didn’t know about the self experimentation. He didn’t know about Skye’s death because Viktor never told him.

Jayce spent years working on a cure for Viktor and in a moment of blind panic used their research to save his loved one’s life based on what 99% of his interactions with Viktor with one (1) outlier would have told him that this is what Viktor would have wanted, which was to live, and using their research to make sure he lives has always not only been on the table, it’s literally been the main focus of their overarching research goals minus one weird and unexplained thing Viktor said once while a zillion other things were going on in Jayce’s life.

Jayce using their research to save Viktor wasn’t a conscious defiance of Viktor’s wishes, it’s literally what 99.99% of Viktor’s wishes that Jayce knew about would have pointed towards. He was as far as he knew enacting Viktor’s wishes, the wishes Viktor had for years upon years. Without knowing about Sky, Viktor’s one request to destroy the hexcore was a weird and out of character request that had no explanation. It didn’t hold up when compared to everything else Jayce has ever known and experienced with Viktor.

3. Whew, anyway, the bigger point is that Viktor is a Hexcore puppet at this point so it doesn’t even matter if he had legitimate grievance against Jayce. He’s not leaving because of grievances, legitimate or otherwise. Viktor would never leave Jayce like that (or while STARK NAKED).

Literally in one of the last scenes we got that gave us a glimpse of Viktor’s inner life and motivations, he told Singed that Jayce would understand and stay by his side no matter his choices or transformations.

Singed is skeptical. But Viktor WAS RIGHT. Jayce didn’t even blink, didn’t hesitate at all to hug him after he was transformed so drastically. But my point is: real Viktor was actively worried about losing Jayce. Real Viktor would not take off like that.

And in one last defense of Jayce, I think the reason he just lets Viktor go there is that he has always respected Viktor’s autonomy.

Jayce notes in S1 that Viktor would often disappear without warning. He never tried to control Viktor’s movements. That’s what makes Jayce yelling at him for going to the Undercity so shocking to both of them in S1.

Jayce is also traumatized and shell shocked himself when Viktor leaves. He’s not prepared and he doesn’t argue. He doesn’t do what he probably should which is prevent Viktor from leaving (literally naked and barefoot!) because it doesn’t occur to him to control Viktor’s movements but also because he’s in shock.

But he really should because again, that’s not Viktor. That’s not Viktor making a conscious choice, that is another power and impulse puppeting what is left of Viktor, using his tenuous connections to his identity like his guilt over Sky and his/his + Sky’s overarching desire to help people in the Undercity.

It has nothing to do with Jayce. Jayce’s choices are not why Viktor is leaving. And the real Viktor would never leave Jayce under such abrupt and INHUMAN circumstances.

We are meant to be as alarmed and confused as Jayce was. It is a part of a pile of evidence that something is very wrong with Viktor and indeed, the Viktor we knew is not the one in charge of his actions right now. How much of him is even left in there is what remains to be seen, and if who he was can ever come back.

[infinitelystrangemachinex]

Jayce and the fallacy of the butterfly effect in Arcane's narrative

If Jayce's symbol is the butterfly, then my theory is that we're going into a full "butterfly effect" narrative in Act 2. Either we'll watch it happen, or we'll only see Jayce come out the other side of it changed by the experience, knowing - or more importantly, THINKING he knows - what to do to change the future. Literally, to "defend tomorrow."

tl;dr: Jayce will encounter the butterfly effect in season 2. Viktor and Mel both foreshadowed this in season 1. I think Jayce will fixate on Viktor and will believe that stopping or changing Viktor either in the past or the present - most likely the present - will mean he can save the future. I believe this will lead to an even worse tragedy and may have the same effect as a self-fulfilling prophecy. Ekko's approach to changing the future by sticking closer to the present - considering only tiny increments of time to alter more immediate future outcomes - will be the superior approach. I also think that Jayce attempting to change the future will create the conditions that push Viktor to become the Machine Herald.

One of the most common reactions even the casual viewer had to Arcane season 1 was this: "If [character] had just done this one small thing a little differently, [tragic event] wouldn't have happened!"

Arcane has been called a Greek tragedy for the main reason that because of how well built up the characters' personalities and reasonings are, there's no other way season 1 could have gone. There was no stopping the multiple tragedies that occurred, because with one event leading to another, the chain of seemingly inevitable events goes too far back to identify what one singular event caused everything, what one character made what one decision to put our characters on the terrible paths they walked.

Arcane is about to investigate this idea in its own narrative, and I think that Jayce will be the character to stumble into the flawed idea that you can change one event, or stop one character, and change the future for the better. This is because Jayce struggles with a few very interesting character flaws, one of them being that he believes himself to be the main character, and it is therefore his responsibility to intervene, be a hero, and fix things.

Viktor and Mel both foreshadow Jayce's future encounter with the butterfly effect.

Recall that Viktor said: "There is always a choice."

Jayce sees choices in black and white, believes that he has no other options but to go along with what he's persuaded and pushed into, and acts too boldly with too much power multiple times.

Recall that Mel said: "We can't change what fate has in store for us, but we don't have to face it alone."

Jayce tries to solve big problems on his own, and though he delegates to Enforcers and the like, Jayce relies on his reasoning and his alone to make important decisions if he doesn't simply become persuaded - usually through strong emotions like fear - by other characters. In addition, since Mel is specifically talking about Viktor's plight here, it's worth mentioning that while Jayce did say that he would help Viktor in acts 2 and 3 of season 1, Jayce does wind up leaving Viktor to face his fate alone. When Jayce tries to change that fate in s2 ep1, ep2 shows that only tragedy can come of this as well.

Viktor and Mel's statements here are not contradictory. Viktor makes the point that you can always make a choice. In context, he's literally referring to the classic "secret third option," because given a choice between aggression and passivity, war and surrender, Viktor chooses to defuse the bomb instead. Mel, interestingly, seems to believe that destiny is fixed in a broad sense, and she operates as a politician and diplomat and investor who navigates that line of destiny in the most optimal way possible. In reality, in context, she is referring to the fact that Viktor can't change the way he was born and so he has no way to change his fate and therefore must face it, which is true - she's only missing the information that Viktor actually does have the means to change his illness and his body. Her wisdom still applies however, because he'll have to accept the hand that fate deals him after he makes that choice. Will he face it alone, or not?

There is always a choice, there's even secret third options, because having a fate doesn't mean that you are doomed to make only one possible series of choices. What it does mean is that each choice comes with a hand that fate deals you. It is impossible to know what all of these branching choices and consequences are in advance, and it is just as impossible in hindsight - the branches are too complex and the end outcomes are all equally meaningful, just different. If Arcane season 2 is to be a tragedy, it may show us that each possible outcome is still tragic if you fall for the fallacy of the butterfly effect.

Jayce is counseled by some of the wisest, cleverest characters with the deepest life experiences in Arcane, but he hardly ever takes that counsel to heart. If he does, he still acts on that counsel in flawed ways that have unintended consequences. This will come to a head in season 2.

Viktor and Jayce both have a butterfly following them around in season 1. The butterfly effect refers to one small seemingly insignificant event changing the course of history, and changing that event therefore changes history. Viktor bled over the railing of a Hexgate in season 1:

And Heimerdinger sees what we can only assume is Viktor's blood contaminating (?) the Hexgate in s2 ep3:

This might be the seemingly unimportant "inciting incident" that Jayce (and Heimerdinger and Ekko) settle on as something that should be avoided or erased by changing the past (if they time-travel with Ekko, for example).

I doubt that, if this is what this crew chooses to fixate on, it will be the only event that is considered as something to change. But let's take this and run with it for the sake of discussion.

As silly as it sounds, how do you stop Viktor from allowing his blood to come into contact with the arcane? Stop Viktor's involvement with the Academy entirely? Don't invent Hextech at all? But what if someone else invents Hextech besides Jayce? What if future tragedy befalls Piltover because it didn't invent Hextech?

The possibilities and what-ifs could branch on forever. But because Jayce is who he is, and because his tragedy with Viktor is still raw and recent and frightening, I think Jayce's butterfly effect experience will have to do with Viktor.

My personal prediction is that the timeskip between s2 ep3 and ep4 will be Jayce experiencing a timeline where Viktor, taken over by the Hexcore, brings about an apocalyptic event similar to what Heimerdinger experienced in his past. Either Jayce and co. can't go into the past to change the present, or Heimerdinger and/or Ekko advise strongly against it to avoid a paradox. This will lead to them re-entering the canon Arcane timeline before this apocalypse, but still after the timeskip. Jayce, believing that destroying Viktor and his cult will save the future, and believing that resurrecting Viktor was Jayce's mistake to fix, attacks him. But the consequences don't unfold the way he hopes, because trying to change fate once the cards have already been dealt has led to tragedy before.

The butterfly is a symbol of something other than just the butterfly effect - change, evolution, and rebirth. If the butterfly symbolizes the butterfly effect for Jayce, then I think it has a different meaning for Viktor - the change and rebirth meaning.

I've always found it very interesting that we see a similar-looking butterfly on Progress Day... but made of metal.

Every time Viktor's situation changes, he adapts and evolves. If Jayce attacks him, if his cult is destroyed, if the Hexcore is causing Viktor to decay, if all of these things happen at once - he'll just evolve again, and I think the Machine Herald is the next step. And the Machine Herald will be a triumph for Viktor, but Jayce will believe that he's created something even worse. The resulting feud will be a personal nightmare for both of them.

I think this still allows Viktor to use his own agency to choose to become the Machine Herald (the MH will probably be the "secret third option" that saves Viktor, or there will be a secret third option that ends the feud) while still allowing Jayce to be offended and horrified at whatever the Machine Herald represents or is trying to do in the undercity. Introducing the element of time travel allows Arcane to explore the meta concept of tragedy and fate that season 1 was built on while showing that you can't "solve" a tragedy, because there are other terrible possibilities lurking behind alternate choices. Especially if what you're trying to change is singular people or events and not systems of power.

This is why Ekko's approach with his Z-drive will be superior to Jayce's sweeping attempt at changing the future. Ekko's goal has always been societal change. He creates his own punk society in the undercity, more progressive and successful than anything Vander or Silco ever created, and a better bastion of safety, hope, and progress than what Heimerdinger founded in Piltover. Trying to change systems by going back in time is most likely futile. But taking what Ekko has already built in the Firelights, curing his tree, and fighting for the Firelights' survival bit by bit by optimizing the present with the Z-drive shows that:

It's more worth it to focus on becoming wise (Ekko's mask is an owl) and making choices you won't regret

It's best if you don't face your fate alone (act as a collective and take care of each other)

Consider every option, not just the obvious black and white choices

Maintain and fix what you've already built instead of abandoning it once things get difficult

Adapt as needed if the choices you made lead to dark consequences, and once again, stick together and take care of each other when the bad times do come

That's my Act 2 but, ultimately, my season 2 prediction based on the butterfly symbolism we've already seen. Ekko's involvement is what will give the series the at least partial happy ending that the creators have referred to. I personally don't think that the Viktor/Jayce feud will end quite so well, but maybe, they will still survive.

[temis-de-leon]

When they don't know you as well as they thought they did

Characters: Lucifer, Mammon, Leviathan, Satan, Asmodeus, Beelzebub and Belphegor (x reader, separately)

Main Masterlist

C/W: the boys are crushing on MC and it's implied MC is crushing as well, but there isn't any established relationship. Just friends feeling things for their friend, very common. Self-insert, perhaps?

A/N: this is just fluff, very silly, a little ooc maybe, but I'm not sure. I just wanted to make something fun and lighthearted after the recent news.

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No one is surprised anymore at the firmness the brothers speak with when they call you part of the family. Between the pacts and the unsolicited free therapy, it’s only fair, and only an idiot wouldn’t be able to see the affection running through the House of Lamentation.

Still, there are instances every once in a while where, although it’s difficult at the beginning, the boys have no other choice but to accept the fact that you have a completely different life back in the human world and they may not know you as good as they would like.

It starts with the small things; embarrassing conversations where their ignorance gets you to laugh like a maniac more than a couple of times. There they are, blushing in self-consciousness while you cackle uncontrollably because they believed some urban legend about a faceless suited man with freakishly long arms.

Then, slowly, but surely, it turns into more personal things about you, like your irrational, downright, phobia of lizards or the fictional characters you’re surprisingly attracted to.

(Some of those aren’t human, which makes them all feel a strong sense of hope, but you don’t need to know that).

The brothers learn about your studies, favourite subjects and what you’d like to do with your future, even if it sounds hopeless or unlikely. They also keep every bit of information about your friends and family; little comments that you let go here and there and help them understand why you are someone they love so much.

The whole situation evolves in such a way that inviting them to your birthday party in the human realm seems to be the obvious next step.

‘It’s so I can celebrate it with all my loved ones’ you say, and they really can’t deny your offer after that.

So, after a few awkward introductions and half-truths about their origin, everyone is happily talking to each other and eagerly waiting for their turn to be with you.

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Lucifer, who has had a special interest in your family for a while, finds himself chuckling in understanding when your mother complains about the occasional mess in your room. In your defence, he feels obligated to partially throw his brothers under the bus and blame them for keeping you in a constant state of disarray, but then she says something that… perplexes him.

You don’t like perfection? His eyes open wide at the revelation and your mother chuckles, misinterpreting his expression. She doesn’t know who he really is or what he represents, after all.

Just how vast is the veracity of that statement? Does it refer only to a state of mind or do you apply it to everything else?

Thankfully, he doesn’t have time to feel too anxious before he remembers the little details. When your triumphal smile shone in the dimness of his room that time he made a silly mistake in chess, ultimately granting you the win; or when the Anti-Lucifer League managed to leave his hair unkempt for an entire day, which got you to shamelessly look at him for longer than any of his younger brothers would’ve ever liked.

Not being perfect isn’t something he would ever do consciously and he had always found solace in the fact that you like him despite his mistakes. However, knowing you actually like him because of those mistakes? Perhaps letting those cracks show in his façade isn’t so bad as long as it is for you.

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Not far from him, Mammon chats with your human best friend. There’s an air of competitiveness between them, both wanting to be the ultimate best friend, but it all stays light-hearted. There’s no real threat when Mammon gets to be your first demon, you know? It’s a unique position!

But he still makes sure to assert dominance by stating he would’ve made the perfect party for you, better than the one you’re currently enjoying; with food and decorations from the Devildom and the Celestial realm included, matching outfits and, of course, keeping everything hidden so you can have the best surprise of your life. He had thrown a lot of those with Asmo’s help back home, so he knows you love them!

Or he thinks you do, at least.

Your friend sniggers harmlessly when they hear that last part, pointing at him with an infuriating smartass attitude, and immediately shatters Mammon’s reality.

What the heck do they mean, you don’t like surprise parties? He’d done a lot of those back at the Devildom and you’d never complained, appreciative as you are, even helping him do the same for other’s birthday parties!

Sure, you had always looked dumbfounded by the loud cheering and the confetti after stepping through the door, but that was part of the fun… right? You would tell him if you wanted him to stop, wouldn’t you?

He feels a pang in his heart when the idea of you being uncomfortable for his sake appears in his mind, but it doesn’t make sense. While you undeniably treat him better than anyone else in all of the realms, you still correct him when you see fit and him making you unhappy on your own birthday would be one of those occasions.

He trusts you to confide in him when things are wrong just as much as you trust him to do his best. That’s what friends are for, after all.

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And where else would Levi be if not hidden in a corner playing with his DDD?

He had tried mingling with people at the party, or at least tried hanging around them, he swears, but conversations became repetitive and boring and then he received a notification for a daily reward from one of his apps, so, of course, he had to sit down to collect it. Then minutes passed as he completed minigames to power up his cards and… you get the idea.

So when a friend of yours walked towards him, complimenting the pins and badges on his bag and the faint music coming out of his headphones, sure, the evening started going way smoother.

He talks enthusiastically, just like any other time his interests are mentioned, wildly gesturing with his hands and letting the little bubble around them be full of their eager exchange. However, a casual lament from his companion stops him right in his tracks.

It’s a shame you don’t like anime…? His first reaction is to laugh, enumerating everything you’d watched, and later commented on, with him under a blanket in the tranquillity of his room, but the utter surprise in your friend’s face leaves him speechless.

You really don’t like it? But… But he’s made you see so many things! Did you like any of them? Did you lie to his face when you said you enjoyed them? He would’ve never chosen a best friend like that; you were not like that and he refused to believe the contrary.

Also, would a liar buy merch on their own like you did? Would they watch the best episodes again or listen to the soundtrack on repeat when they had a bad day? This new revelation only makes him aware he was the one to change your perspective of the fine arts and he’s damn proud of that.

You are still getting an earful when you get back home, though.

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Satan thinks the kid is a young cousin of yours, but he really hasn’t been paying attention to anything in a long while. How could he, when the enthusiastic toddler had taken their mother’s phone just to show him the family cat’s pictures and videos?

A Mackerel tabby cat, too chubby for his own good but not enough to be actually concerning; playing with feathers, blinking slowly, bumping his head against legs and shoulders, meowing sweetly and, basically, opening his heart in half and making it roam inside his chest like a butterfly.

What a good party.

He mentions all the stray cats behind his house, obviously leaving behind the name of the House of Lamentation and the Devildom, and all the times you’ve gone with him to feed them and play. Satan even shows pictures on his DDD and stops with an adoring expression when you appear on the screen, sitting on your toes with a kitty on your knees and smiling past the camera, straight at Satan.

However, what he hears next takes the air right out of his lungs. He sits down and clutches his pearls and the kid stares at him in anxious confusion, clearly witnessing but not understanding the severity of his distress.

Who, in their right mind, doesn’t like cats?

He remembers the first few times you had accompanied him to his route, intimidated and slightly lingering behind. Initially, he had assumed it was due to the novelty of your friendship or a possible fear of Devildom fauna, but nothing against cats!

Were you afraid of them or just plain uninterested? Why keep going with him if you weren’t as fond of them as he thought you were? Wouldn’t it be because of him, would it?

A warm feeling covers him like a blanket, makes him search for you with his eyes and then immediately blush when you excitedly wave at him, point at the kid and mouth ‘Cute cat!’

Yeah. Very cute.

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On the other hand, Asmo hangs out with the people responsible for the decorations of the party and compliments them on their work. The colours are well-coordinated, there’s nothing out of place and the distribution was thought with all the guests in mind.

Although he hasn’t been able to help in that regard, he’s made sure you would be the centre of attention that evening; a complicated feature coming from him, but he had never minded sharing the main spot just as long as you were the one by his side; and everyone knows that.

You look cute and pretty and hot in your outfit, a style that both compliments and pleases you. You also worked together in your makeup for hours before getting to the party.

However, taking that much time might have been due to scrolling through social media and gossiping so much, but never mind that. Everyone agrees you look incredible and that is more than enough for him.

It isn’t until one of your friends mentions how weird it is to see you wearing makeup that he dares take his eyes away from you to stare at them in disbelief.

He would’ve never guessed that given that one of your favourite pastimes together is makeup as a whole: going shopping, watching tutorials, following trends, doing your own next to each other, doing each other’s… And, even if he wants to use it, his charming power is useless against you, so he knows you do your makeup because you want to and not because you feel forced by him.

Whether it’s something you share because you enjoy it or something you enjoy because you share it with him, he isn’t sure, but he can swear on his precious damned soul that makeup isn’t a need for you.

It’s just a bonus to your beauty.

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Sitting at one of the tables, Beel is simultaneously talking to your older sibling while gulping down an entire plate of bite-sized snacks; thankfully, whatever apprehension anyone felt at his hunger died hours ago and now the conversation flowed more naturally, mainly centred around you.

As much as he loves having you near him and his brothers in the House of Lamentation and thinking of you as another member of the family, he is very interested in knowing how your human family is, especially your siblings. It’s another way of relating to you and making him feel closer.

Plus, he gets to know stories from your childhood you may never tell him on your own; anecdotes that will stay at the table he is currently sharing with your sibling.

Unfortunately, they reach a point where, although he wants to keep asking questions about you, doing so with a mouth full of food might end up with Lucifer’s scolding of the year. Also, he really wants to make a good impression.

So your sibling begins asking the questions. Surprisingly, they start with his tattoo; dark red curling around his muscles and almost going unnoticed under the colours of dusk. Beel smiles without giving it any importance because it really doesn’t have it, but forces himself to stop gulping down food when your sibling throws a fun fact about you.

You find tattoos attractive?

He feels an instant burning on his cheeks followed by the rapid beating of his heart and a knot in his stomach, but there’s also a faint unpleasant sour taste in his mouth.

You’ve never asked him about his tattoo, barely sparing a glance at it when you worked out together or he took off his jacket.

He wonders if you don’t like it or if you think it doesn’t look good on him because all he can remember is the focused look in your eyes while looking at his and the curve of your smile growing bigger as you listen to whatever he says, even when it is entirely about food, and…

You know what? He doesn’t really mind. He is fine with things as they are.

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As both a friend of yours and a fellow younger brother, Belphie respects your sibling’s decision to spill your darkest secrets and thoroughly enjoys the air of comradery between them.

Don’t worry, he won’t let it go past actual serious matters; if you want him to know any of that, he’d rather have you telling him yourself when you’re ready and not get betrayed by your sibling. Silly and harmless pieces of information, however? Those are more than welcome.

And he already has a favourite.

You need to hug plushies to sleep? Tell him more. He doesn’t judge you for feeling the need to hug toys or pillows while sleeping. Actually, he understands.

Do you have a favourite? Is it in the human realm or is it in your room back at the House of Lamentation? While he can recall seeing that ugly zombie iguana on your bed, he’s never seen you cuddling it while sleeping and, other than that, he doesn’t remember seeing one, so he wonders if you hide it somewhere when you know he’s going to your room; but what about those times he enters uninvited?

Does that mean you left your preferred plushie in your room in the human realm? Does that mean that you don’t actually need to hug anything to sleep?

Whenever you share a bed, which is pretty frequent, Belphie can sense an invisible barrier between you that he’s dying to break. It’s nothing physical, given that only he knows how truly comfortable your lap and your chest are, but it’s obvious in the way your hands hesitate to bring him closer.

Shy and indecisive, while you don’t reject his advances, he’s still unsure what your feelings on the matter are. He’d initially thought you weren’t used to having anything so close to you while sleeping, but… now… Maybe he has to assure you that you can hug him as hard as you want.

Belphie is just as good as any plushie, after all; if not better.

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Taglist: @ilovecandys2010  @ollieoven @kingofspadesdelusion @whimsybloom

[sayuri-of-the-valley]

On how Crowley and Aziraphale felt during the kiss (but mainly Crowley here):

Ok so first, the main idea for this huge meta is that a LOT of us noticed how the music from the kiss scene is similar to the nebula one, right?

Second, a lot of us also correctly noticed the parallels between the kiss and how it was to taste food for the first time for Aziraphale: bc of his reactions, the hand on lips, the similar way MS acted both scenes, the little inhale etc. So how was it for Crowley?

Aziraphale's reaction to the kiss is practically a puzzle to solve on its own, so it's fun to analyse it, but basically, in a few words, Aziraphale kissed Crowley and he discovered he was physically starving for him, longing for him, yearning for him, for his kiss, and he had no idea. Just like with the ox. And now he needs to gorge himself in him but he can't. Great amazing heartbreaking chef's kiss someone give MS an Emmy.

But there's already so much amazing meta out there about Aziraphale x Ox ribs x The Kiss that I want to focus on Crowley here, and on the music.

So back to the music. The song in "Before the Beginning" and the song that plays during The Kiss (I Forgive You + Don't Bother) are so similar. They're not *exactly* the same, but they're totally reminiscent of each other. The viewer is immediately reminded of those chords that played in the opening scene. It's no coincidence that the fandom was talking about this fact only minutes after first watching those final fifteen minutes. This is an obvious intentional choice for storytelling reasons (David Arnold is a genius).

I have no expertise whatsoever when it comes to music, so I asked our friend @otsanda to see if that made sense and not only it does and she explained it, but she also uncovered so much more hidden meaning in all of it (musicians are amazing), so check out her meta about the music that not only serves as evidence to what I'm proposing here but it also has so much more juicy information in it 💖.

Back to the point: WHY thought? Why choose a similar song? Why intentionally COMPOSE a similar song for that moment?

Hear me out. WHAT IF, by reminding the audience of the creation of the nebula, they meant to convey to us that, for Crowley, kissing Aziraphale gave him the same feeling that creating his stars did?

THAT'S what the music is telling us. THAT'S why it makes us remember "Before the Beginning". It may sound cheesy, but Crowley may have literally seen stars when he kissed Aziraphale. He couldn't react accordingly (just like Aziraphale couldn't), bc it was an overwhelming and extremely sad moment (the music is also telling us that) for both of them. They knew it was ending . They were both having a moment of huge revelation that was fated to not come to completion. Crowley was right, it was too late.

It makes sense to show Crowley's feelings through the music, bc he was the one who started the kiss, and also he was wearing sunglasses in that scene, it's different from a character like Aziraphale that has all his million expressions for everyone to see at all times. And they've been doing this ever since s1 with the Queen songs that play in his car or in the background.

So my point is: the same song being used there makes me wonder if kissing Aziraphale finally gave him what he lost. His purpose. What Aziraphale was trying to give back to him by taking him back to heaven. There's no need for Heaven. Just kiss him, Aziraphale, and there he'll find the stars you want to give back to him. There you will one day see that smile on his face you saw Before The Beginning. Neil Gaiman and David Arnold I am in your walls 😭

This is what may lead us to see this happiness in Crowley again (not the action of kissing itself, of course, but what it represents to their relationship, them being together, them being an Us).

As @otsanda said: from the music we can interpret that that moment was a Revelation for them. Almost a religious experience. Crowley found his purpose again. What he'd been missing the whole season (or even his whole life since the Fall, but we've seen him especially depressed this season).

I'm not even getting into the poetry of how one can interpret the parallel to the angel's reaction to the kiss as carnal, and the demon's as religious; that would be another whole essay but let's just agree that it's incredibly beautiful. (Let me be clear that I mean here Aziraphale's reaction is carnal specifically for Crowley, and Crowley's is religious specifically for Aziraphale, not religious as in "worshipping god")

"Do you ever wonder what's the point?" Crowley asked in s2e1. The point, for him, is Aziraphale (if you've seen The Good Place you know what I mean). I hope he figured this out with that kiss, even as heartbreaking as it was. Even if it was a (temporary) separation kiss. (I hope Aziraphale figures this out with time too, that he's more than enough to make Crowley happy, that Crowley doesn't need Heaven, or stars, that Crowley needs him.)

Maybe that's why Crowley didn't leave and kept waiting outside until the very last moment.

Aziraphale and Crowley both bit the apple at the end of s2. There's no turning back from that Knowledge now.

Edit: I just have to add here this brilliant colour analysis of the nebula scene by @halemerry. And it's pointed out that during the nebula formation there's a moment when it looks like two people embracing. And the fact that a similar song is used in the actual Kiss scene I just... I have no words

[kinardsboy]

This has been sitting on my mind a lot lately but it seems extra relevant now with the way Tommy and by extension Lou has been criticized for acting “too gay” in ep 5. And while yes, I will agree Tommy acted slightly different in ep 5, it has absolutely everything to do with Lou’s incredible acting choices to play Tommy differently when he is around people he deems as “safe” which is much better explained in this amazing post here <-

All these complains are doing is just yet again exposing buddies as homophobes who are, at the end of the day. Uncomfortable with real queerness being shown infront of them. Of course we already knew this with how they react to Buck and Tommy kissing and god forbid flirting especially if it has sexual implications like the daddy kink scene.

They can’t possibly fathom their precious uwu baby Buck would be sexual with another man so they spin and twist it however they can to make it out to be, “NO! You see! Tommy started the flirting! Tommy is just an insatiable horny gay man! He only wants sex! Like most of them do!”

Which is again spewing homophobic rhetoric, who wouldve guessed thats what they immediately turn to?

I now have something probably controversial to say but oh well, im going to say it anyway.

A good many of these shippers would be deeply uncomfortable with Buddie actually becoming canon, because they would be nothing like their fanfic. They don’t want to see two men in a relationship, they want to see Eddie in a relationship with the character they project themselves onto.

There are so many examples of this but perhaps the biggest being the way Buck is made out to be the “woman” in the relationship and especially how he is made to be the “mom”

Buck and Tommy’s relationship 1st does not have any children involved so there are no gendered roles to be assigned (even though if there was.. theyd just both be a dad), they are both beefy and the same height, which is what people usually use to decide “top” and “bottom” but again since there is little physical difference between them, they cannot do this, which only adds to their uncomfortableness.

Furthermore, I would go as far to say that Buddie shippers dont actually like Buck.

A while back a shipper posted this analysis of Buddie, that essentially reduces Buck to a dog. A pet. Only to be let out of the bedroom to cook and take care of Chris, otherwise he’s meant only for Eddie’s pleasure.

Which, disgusting. But the thing that stood out most to me was how Tommy was criticized for

letting Buck be himself. For accepting and loving him flaws and all. For not trying to change anything, or “train” the bad out of him

While Eddie was the “trainer” in that scenario, that had to train the bad out of Buck in order for him to be acceptable.

And thats the funny thing isnt it? Buddie shippers have to completely warp and destroy Buck’s character to make him fit their mold of perfect partner for Eddie. They make him out to be this helpless person who can’t even tell Tommy he doesnt want to be called Evan, that needs rescuing from Tommy, that is a “mother figure” to Chris, that his “dream role” would be live in chef and maid for the diaz family..

When none of that is Buck.

Buck is a smart, independent and strong man. He has worked tirelessly on himself to know who he is and what he wants, which right now? Is with Tommy.

Bringing it back to my main point, their complaints of Tommy being more gay and Bucktommy intimacy ultimately just boil down to homophobia plain and simple, seeing real queer representation and not representation that they can specifically twist and cater to themselves through fic, headcanons or gifs, makes them uncomfortable

(could this be why so many of them ignore shows with canon m/m ships for favor of shows with fanon ones that will never actually happen? So they can make these demands for representation then shit on it as soon as they get it because its not fanfic? Its not their fetish specifically catered to them? It actually represents real life queer men who they don’t actually like?)

[raymurata]

Bellara's main choice and DAV's implicit (or accidental) stance on book burning

Okay, so. Prefacing this with -- I enjoyed the game. I'd even play it again. That being said, one of its biggest flaws is trying to deliver something so morally sanitized it shies away from giving its characters (aside from Solas) and plotlines (aside from Solas's) real nuance. And in the same breath, they end up sending messages that I doubt they intended to send.

Bellara's main decision is particularly annoying to me.

First, I find her arc to be lacking -- She starts the game grieving her brother and blaming herself for his death despite not being responsible for it, then she finds Cyrian again only to grieve him again, so she's back to the start, only this time she has had the guilt removed from her because Cyrian tells her what she needs to hear, and the blame is placed on a big bad evil. Fair, fine.

But I don't like the cinematography of that scene at all. There was plenty of time for Rook and Bellara to react between Anaris grabbing Cyrian's foot and throwing him at the wall. People in Thedas have survived way worse injuries, too, and Bellara literally has healing at her disposal. Why doesn't she even try? His death is clearly plot-driven but it doesn't take her arc forward all that much? But again, that's fine. Not too bad.

But then the choice I have to make for her is whether or not to keep the archive, why? At no point in the game (please correct me if I'm wrong and missed canon information that contradicts me. That would make me way less angry!!!) do they tell us that it was Bellara using the Archive that summoned Anaris, or that it could summon him at will. As far as my interpretation goes, the Archive is, as its name says, the equivalent to a library curated by a comically self-aggrandizing jerk. At no point do we hear it share any actually dangerous lore either, do we? No blueprints for nuclear weapons...

So why does the game choose this wording:

Now, unless the Archive has powers we are unaware of, what this is saying is basically "burn the ancient elven library (it will be safe)" or "don't burn the ancient elven library (it will be dangerous)" and, for a game that is so irritatingly set on giving you only 2024-morality-board-approved goodTM and unproblematic companions and allies... Why does it tell me that burning books is the safe option, ESPECIALLY given that these books are priceless historical artefacts from a marginalized and subjugated ethinic group who have long lost their history to genocide? Like, wut?? Even if the Archive were in fact a dangerous weapon, the game shows us through the Veil Jumpers' vault that they have trained capable scholars and developed (or are developing, with Bellara spearheading it) safe tools to study and keep these artefacts. How condescending is it to tell them that they won't be able to safekeep this one? How pointless? (and her cutest armor AND best skill are locked behind that choice? outrageous lmao.)

And what pisses me off is that they had everything set up already, they just had to deliver it differently. If they told us explicitly that the archive is Anaris' phylactery and that keeping it would mean allowing Anaris to eventually come back? THEN we'd have a real danger. NOW there is a non-fascist risk to maintaining knowledge.

Or what if the only reason Cyrian is back is because Anaris brought him back? What if Cyrian's life is therefore tied to Anaris', and you had to choose between letting Anaris live (perhaps that results in him getting imprisoned in the Archive, tampering with the information in it and destroying its historical value forever, plus Anaris might one day figure out a way out) or killing Anaris for good even knowing that Cyrian will also die again if you do (but then the Dalish get to keep the archive and all the knowledge in it, and Cyrian's sacrifice is not in vain)? Or maybe... The Archive is a spirit, isn't it? Drive home the fact that being tied to that device was a cruel thing Anaris did to it, and keeping it there is just as cruel, even if it would mean giving the elves access to information. Make the wording "free the archive" really mean something here, and the player really think that the knowledge will be lost. Then maybe have it that, if she frees it, it gives her information freely and with its own interpretation of that knowledge, and THEN it leaves (so it's not forever but there is a reward for being compassionate). And if she keeps the spirit in the device, then it is always rude and it gives her information curated by Anaris' point of view, but it is available to all upcoming generations. It'd be real nice and nuanced to pit her compassion against her drive for knowledge. If this were DAO or DA2, you wouldn't make the choice FOR HER. You'd make the choice yourself because you are the leader, and if you chose to keep the spirit, you'd garner lots of negative points with Bellara (and with Emmrich) because, let's be honest, she is written as inherently more compassionate than driven, and she'd resent you making an oppressing choice even if it is well-meaning and good for her people (just like Alistair resents you killing Isolde even if he understands it was a difficult choice).

I just... So many ways it could have been an actually weighted choice, or that it could have affected your relationship with Bellara (and other companions) as Bioware RPGs were wont to do. They had a good set up, but the landing was absolutely bonkers.

[stellas-and-tonitruses]

Everything we know about Project Apple (and, by extension, Anya's past) thus far

thought i'd compile all of that now while endo's on break Just In Case the next chapter happens to start anya's backstory (i don't Think it will but endo likes surprising us LSDFKLFS)

important disclaimer that project apple and the organization in charge of anya's experiments have not been confirmed to be related! there's evidence that they have things in common, in particular employees, but that's our only real connection between the two thus far. still! worth looking into

more under the cut!

so, starting very strongly with the very first mention of anything related to the project: anya's introduction in chapter 1

despite her being a main character, we know very little about her past at the moment, and this little blurb at the beginning makes up a very big portion of what we know.

things to note here:

as an experiment, her name was "Test Subject 007". important to note that the notation differs between her and bond: she was Test Subject 007, bond was Subject 8, no zeroes in there;

she had been made thus by accident, the phrasing itself implying quite heavily that she was just a normal child before said accident (but this is the translation! i don't know japanese so i can't cross-reference with the raws to clarify if the phrasing changes anything, but the fanbook uses the word "gained" to describe her powers too);

because her mind-reading is an unintended consequence, that means the scientists were presumably not, at least initially, trying to achieve cognitive enhancements in humans, and were instead trying to achieve something else, whatever that might've been;

she escaped from the facility and then moved from institution to institution, looking for a family.

so, crucially, through this little introduction we learn that there is an organization, government-funded or otherwise, that is or was conducting human experiments for unknown purposes. we also learn that whatever family anya had prior to being involved in the experiments is more than likely unreachable, at least as far as she knows, and so she has settled for finding a new family to take care of her instead.

in terms of the facility itself, here we see they clearly drilled it into her that she can't ever reveal her secret (and the darn plush is there too -- in the anime it's even more emphasized, as you can see in the gif i made)

through her reminiscing though, we get our very first look at the scientists that were in charge of her! they're in the gif above but here they are in the manga too. it's so interesting that the anime actually shows their eyes behind the glasses though, fascinating choice.

the insistence on world peace is important, as it explains her own personal obsession with it and shows that it's not just because of twilight's own focus on preserving the peace. i also don't think twilight ever really talks about "world peace," only about "preserving the current peace between westalis and ostania" -- anya seems to be the only one talking about WORLD peace (even in the very first scene where either of them mention it in proximity to each other in ch 1, loid says "understanding the other party is the first step towards peace" and anya's interpretation is "understanding me makes world peace?") but take this with a grain of salt because i might be wrong! going through every single mention of peace in the story just to fact check this one little trivia fact is a bit much i think so i'm not doing it JSDFKLSD

but yes

remember mr hair strand and baldy, we'll see them again. not her though, ig she wasn't in charge of bond

now, fast-forwarding to chapter 19, we finally get a name and a premise for the experiments:

"but oana," you might say, "this is talking about animals only! how do we know it's the same project as anya's, which involved human experimentation?"

i don't think it is, is the thing! i think it's related to the experiments anya was a part of, which is evidenced by the same scientists being featured in project apple too, but there's more going on that we don't know about. there wouldn't be such adamancy on keeping the two separate in every official mention of them if they were just the same thing, imo!

back to the evidence, we learn that the project, conducted and funded by the previous ostanian regime (meaning donovan's related to it one way or another, since he was prime minister), was marked by franticness and desperation -- a prime place for accidents like anya's telepathy and bond's future vision.

we also learn that the project was sacked by the new administration and that the former test subjects ended up on the black market.

(this makes it very important, imo, to learn when anya escaped the facility vs. when the project was sacked. it's clearly no longer in function, but while we've heard nothing from them thus far, i'm willing to bet the shady dealings around the desmond group are NOT related to the war, as W.I.S.E. has been led to believe, but rather to reignite project apple. that is speculation however so i'm going to refrain from theorising much on why the desmond group is focused on acquiring pharmaceutical companies!!)

ok speculation tangent over, back on track

so, that's already a decent amount of info! but moving to chapter 22, when bond is finally home, and we finally see some familiar faces

behold! baldy and mr hair strand!

and 2 other guys we don't know but will see again in another bond flashback!

that's 2 out of the 3 scientists we've seen thus far from anya's own time as subject 007, confirming that there IS a connection between anya and bond's experiments, regardless of whatever the project anya was a part of might've been named.

this is also the chapter in which we learn that bond himself was subject 8 (or, if we take it from the fanbook, subject #8. still, diff notation from anya!)

in chapter 31, we learn an interesting tiny piece of trivia. we don't get any further info on it, but it IS mentioned as something that is known by W.I.S.E.:

ostania is rumoured to have done human experimentation! and W.I.S.E., and by extension loid, are aware of that.

do i know how them knowing may be important later? not really!

the next droplet of info we get is in chapter 40. we see that project apple had collaborators that are still functioning unhindered.

of course, born industries is only rumoured to have been involved with project apple, but regardless of whether or not they actually were, the rumour itself implies that the project likely pulled scientists from various other companies' R&D departments.

(this makes the desmond group's acquisition of glooman pharmaceuticals shadier, but anyway)

as a side note, twilight is emoting so much at just his wrong assumption that bond is seeking revenge against the scientists. imagine how he's going to react when he finds out about anya JKSDFKLFSD

and now aaaaall the way in chapter 58, we see the bald guy who anya also knows, the two scientists from bond's previous flashback, and one whole new guy!

and thus ends our current knowledge of it all!

the only other thing worth discussing is anya's knowledge of classical language

but plenty people have already discussed these scenes, especially recently, so here are some links: 1 | 2 | 3

the only thing i can add is that i'm fairly certain that classical language is a lot more likely to be latin than old english, because it's a very common language to learn in school (in europe at least, and ostania is based on east germany so it makes sense to me. i learned mandatory latin in school for a few good years too, even if i wasn't that good at it lol) and because one of the most common modern usages of latin are in medicine and science, it would make sense that she'd be better at it due to exposure.

a possibility is also that the scientists would think in latin to conceal their thoughts from her, and that's how she ended up learning so much. she's not fluent in latin, she's just well acquainted and that cicumstance would explain the how.

BUT THAT'S SPECULATIONNN

also i don't think "ANIA" is an acronym, nor do i think anya's been misspelling her own name out of lack of knowledge. "ania" is a polish diminutive of anna and an alternate transcription of Аня, so i think it's far more likely that anya isn't ostanian or westalian than it is that her name comes from an acronym.

now,

TL;DR!

what we know about project apple (and the "mysterious organization"):

project apple was funded and conducted by what appears to have been donovan's regime and, from what W.I.S.E. knows, aimed to create highly intelligent animals for military purposes;

W.I.S.E. is aware that ostania is at the very least rumoured to have dabbled in human experimentation;

the project is presumably no longer on-going, though it is likely there are efforts behind the scenes to revive it;

it is rumoured but not confirmed that project apple had collaborating companies that are still functioning perfectly fine;

the same scientists who were in charge of bond were also in charge of anya, signalling that there is a very significant connection between project apple and the "mysterious organization;"

based on what they were telling anya, they were/are very focused on "world peace";

their experimentation methods include but likely aren't limited to electrocution.

and what we (vaguely) know about anya that relates to this:

she is at the youngest, 4 years old, and at the oldest, 5 nearing 6. we don't know her real age, all we know is she definitely lied about being 6;

she is very fixated on specifically world peace while twilight is focused on peace between ostania and westalis. the scientists are the very first we see talking about this, so it's likely their fault;

she is unreasonably well acquainted with classical language;

she has escaped the facility at LEAST 1 year ago;

and, one tidbit from the fanbook (page 29): "Anya has been reading minds for as long as she can remember," implying that her memory of a life before the lab is muddy at best and absent at worst.

that's all we know that i know of!!

if you got this far, thank you for reading :D hope any of this was interesting or sparked any theories >:] have a good day!

[bengiyo]

Let Free the Curse of Taekwondo: We Are So Fucking Back

I am glad that we are all having a normal one in reaction to Hwang Da Seul's latest project (@chicademartinica, @dropthedemiurge, @shortpplfedup, @lurkingshan). I'm still meditating on the whole affair, but for now want to get into how Hwang Da Seul feels so compassionate to closeted men, and how I also am stuck on the removal of the cross (@my-rose-tinted-glasses).

Shan already linked back to The Knowing, and I keep thinking about how rare it is to see two boys who've already come to an understanding of themselves meeting each other, and also including a bully who knows himself. What stands out for me with Hwang Da Seul is how old the pains weighing on her characters feel each time.

Dohee has suffered the abuse of his father, abandonment of his mother, and dissolution of his closest friendship, and he's just pushing through to leave all of this. His pain is obvious and lived in. He doesn't have to sit around moping exclusively about how he feels, because it's ever present. Like anyone else living with chronic pain, you just have to do stuff while hurting a lot of the time.

Juyeong is so fascinating to me because his exuberance and passion makes it almost impossible to hide who he is, and I will always be a sucker for the characters who love so loudly that you can't turn it off. I also keep thinking about how he has been communicating his attraction through his eyes so often, and how he's made desire known through all of his careful flirting.

The building romance between them hits for me most because they're paying attention to each other. Dohee made food that he realized Juyeong would like, is careful about hurting him in their sparring matches, and went for the ice cream that Juyeong said he wanted. Juyeong heard Dohee say he wanted to see snow, and so he made snow for him!

Now, back to that cross. Rose's post and one @benkaben posted have been rattling around in my head for hours. We know that Juyeong's mom is a pastor, and that he's being sent here as essentially conversion therapy (as Shan already pointed out). It's not just that he takes the cross off before confessing, which clearly shows that he's setting everything associated with that aside. It's that he's also confessing through a wall. It's such a small detail in how you can set aside the weight of responsibility and guilt associated with your queerness, but you don't lose the cultural touchstones: for some Christians (I was raised Catholic) you confess your signs through a mild layer of anonymity by putting some sort of wall or separation between you and the priest. There's something so subversive about having Juyeong set down his cross but still confess his feelings like a Christian.

I am also curious where Hyeonho will feature in the rest of this story. It's clear that he and Dohee felt something between each other at some point, and that Hyeonho ran from it. He doesn't want Dohee to get hurt too badly, and he's observing the growing relationship between Dohee and Juyeong. I'm so happy this character exists, because it gives us three characters struggling with the pressures on them to be a certain way. If we had to have a character who will make ugly choices around that, it helps for it not to be part of the main pair, and it also shows that these boys have not been the only queers around that they knew of.

Finally, let me just thank Hwang Da Seul for not being precious about the kissing. I like that their first proper kiss was their second kiss, and I like that it was awkward. I loved them false starting multiple times, trying to make sure they weren't observed too closely (considering their history), and I like that they built back to it. I know that kissing early means we're in for much pain, but it's so nice to have a show not dance around the kissing, or have it be especially mild. I like when two boys like each other and go for it.

I'm so happy that Hwang Da Seul is back. Every time I watch her shows I feel like I'm talking to someone who understands what the inside of the closet looks and feels like. I always feel seen by her in a way that feels gentle. She lets me remember how scary and ugly all of that was without it being a triggering or jarring experience. Peak drama season is upon us, because we're also about to get Love in the Big City in just three days. See you all on the other side.

[luciferanalyzestar]

Live reaction to Mastermind, ughhhhh.

Spoilers of course.

Gross.

I like this design; she's cute. Shout out to the character designers.

Satan's design is like whatever. Those imp-like horns on the top of his head looks silly. Just more fucking red on top of red. Loveart23's Satan design for her re imagined is peaked.

This shit is fucking gross, please STOP!

This design is bad too and Ozzie's outfit is hideous.

Bee's outfit here is 100% better than her main one.

See Mammon, no one wants you because you are fat and that's gross!!!! >:(((((

Notice that Mammon is the only sin that is overweight and the only one confirmed to be on the asexual spectrum. Levi's design is horrible. Those colors do not go together.

This line would be amazing if Loona wasn't a whole ass adult. This is so melodramatic I am giggling. "I love you guys." Yeah, you threaten to sexual assault them both to Mooxie and stalked them back in season 1. These characters are not "found family". This is the quality of this show now, just ass.

I skipped the song; I'm not listening to that shit. I'm tired of hearing Stolas singing about Blitz, This is a small smile on my face, you know why just look like my username.

YES SATAN!! This shit got me laughing, why he is crying over Stolass?? Fuck him, he is a fetishizer.

This is the FIRST time Stella and Via have interacted....we are at the end of season two. Look guy, she's being EVIL!!!!! and doesn't care about her daughter at all. *eye roll*

What does Stolas even do?? We never seen him do his royal duties, just fucking around with IMP or he is in his mansion.

You want to fuck your sister.

GET IT!! HE EATS A LOT!!!! MAMMON IS FAT!!!!! ISN'T THAT GROSSS!!!!!???????

I WANT TO PUNCH A HOLE IN MY WALL. Viv will never beat the fatphobia allegations. Let fat character exists without doing shit like this.

I notice that all or most of rail thin characters are rarely seen eating food but Mammon and Adam who are fat eat food on the regular.

I'm sending the fandom there too. My new favorite minor character! Thank you, janitor imp. You're a real one for this.

She better not assault Blitz every again.

Why is Blitz bathing him??? This is giving me bad vibes like why????

DROWN!!! Please do us a favor and DROWN!!!

Rating: 2/10

I don't care about Blitz, Stolas, and their relationship. It is boring and bland like dry moldy toast. It being the main "appeal" to Helluva is an awful choice, no one can tell me otherwise. This is why the views have been dropping since the released of Full Moon. The shippers are this show's life support and if they ever become unhappy, this show is tank.

This episode barely kept my attention unlike the previous one. I even paused it to eat some Hawaiian Rolls, and I had more fun eating bread than watching this episode.

The only thing that kept me interested was the small mentions of Lucifer. If did not have a hyper fixation on him, I would probably not finish the episode.

The crew hyping up Vassago by putting him in that pride parade print and other merch is funny because he does nothing. He has no personality out of being Spanish. If something is hyped by Viv or anyone else, it's going to be lame.

We know season three will have more focus on Ars Goetia so he will probably be Stolas' future Latin lover or even worse, a love triangle between him, Stolas, and Blitz. Vassago and Stolas should get together, they both have "ass" in their names.

Viv said this episode is one of her favorites and is self-indulgent. Self-indulgent where??? This is just your standard season two epsiode of Helluva. I thought it was going to be more of a musical episode.

Anyway, this episode is bad in my opinion.

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[teamcavota]

50 milo murphy's law facts

5 not so fun and 45 fun!

Not so fun to start!

The only Milo Murphy's Law official merchandise is a notebook released in Japan for the MML X PNF crossover.

Disney actually apologized to Dan (and I assume Swampy) for the treatment of Milo Murphy's Law. Dan has expressed frustration at the MMLs treatment before, citing the Hiatus between s1 and s2 and the fact it did not air on the main Disney Channel.

Doof appears in more episodes than Cavendish and Dakota in s2 (this is the real reason we needed a s3). Also, while PNF/Doof stuff was planned from the start, Disney did push for more PNF.

When season 2 was airing, new episodes would randomly be released in other countries.

Milo was cut from CATU due to a feeling from Disney that audiences would not recognize his cameo.

ok LAME ones out of the way

On the first drawing of Milo there are three names beside it: Milo, Mikey, and...Monty. As you probably know the Mikey one got pretty far and is the name used in the pitch bible (and was referenced with "I am Mikey!".) The reason Mikey was changed to Milo was not a creative choice, but because there was a popular YouTuber named "Mikey Murphy."

Speaking of, Milo was also just going to be another character apart of a different pitch, but Dan kept thinking he should go into his own show. He went to Swampy and asked him what he thought of Milo (at the time Mikey) and the idea of a show about Murphys Law. it took them about an hour to come up with the concept pitch.

You can find several of MML song dubbings on YouTube and other platforms. Most notably the Japanese version (マイロ・マーフィーの法則) highly worth checking out. Fun fact in a fun fact, Doof and Dakota also share the same voice actor in this dubbing.

In re-airings of some of the first MML episodes, second versions were made that included Cavendish and Dakota in the background.

Yes, Melissa was originally going to feel the lasting effects of the pistachion uprising by remaining looking like one instead of Bradley having his arm turned into a vine. This would have been a source of conflict for her in season 2, but in the end they felt it was too much of a change. As far as Bradley's plant arm it was originally only going to come out sometimes before it was changed to being a constant thing. He does have feeling in this arm.

The Island of Lost Dakota's was going to include a scene with merman Dakota's ("merkotas"). There was also going to be "mutation" Dakotas, such as ones with multiple heads.

There exists a live action version of the Milo Murphy's Law theme song. well, sorta, watch it

Before Milo came out Dwampy made the song "we're gonna do it again."

MML was originally set to debut in early 2017.

Weird Al did not originally come to mind for Milo. One of the idea voices they had was Noah Z Jones (Fish Hooks). They auditioned hundreds of people for Milo, but many had issues such as sounding too nervous in their lines. It wasn't until Alex Hirsch (Gravity Falls) posted a photo with Weird Al that Dwampy realized he'd be perfect for the role.

Sara is based on a friend of Dwampy.

In tune with the popular headcanon/fan theory, it's possible they did actually consider making Cavendish a descendant of Milo. When Cavendish was going to agree he also liked Milo, he was going to say he was his descendant. *this may have also just been a joke line

Milo and Cavendish are meant to mirror eachother in the fact Milo deals with Murphy's Law and Cavendish is the "author of his own misery" in regards to things going wrong.

Another thing they considered was the possibility of Dakota and Cavendish being in a romantic relationship, but they ultimately decided they wanted them to have them represent a strong male friendship.

The Milo Murphys Law crew did keep up a fanart and concept art wall. Here, here, and here are some photos.

There was a baby Cavenpus cut from final productions.

There are no official ages for Dakota and Cavendish. Dan has said he believes Cavendish to be older, while Joshua Pruett has said he believes Dakota to be the older one and by a bit of a margin.

Pistachios came to be a thing in the show because a son of some of Dan's neighbors had been allergic to specifically pistachios. They needed an idea for the larger plot and somehow those two came together. (Swampy also notes it's a funny word).

Several of the scripts for MML storyboarders included just the words, "and Murphy's Law happened."

Dan has made at least one Vinnie Dakota dedicated Tiktok similar to his Doof ones.

The Doof and Dakota lines were recorded together, back and forth.

Melissa was going to have a hamster nemesis named Ham. In the Pitch Bible the name wasn't included, but it's explained it was a pet class hamster that would always escape and end up on her things.

The secret handshake Milo and Zack do in scream-a-tourium was intended to be longer.

The studio executive for MML originally thought The Island of Lost Dakota's was a joke idea until he read the script.

There was a MML kids menu at Disneyland circa 2016.

Dakota and Cavendish were originally not in the shows ideas, nor was any B-plot, but being used to it in PNF the writers room felt they "needed something to cut away to"

Joshua Pruett pitched for the MML x PNF crossover for where when Milo opened his backpack to pull out the thing he needed to save the world it'd be...Phineas and Ferb.

Dakota is the reason parking tickets exist, as he can be a bit careless about leaving time vehicles all over the place. Dakota is proud of this.

Melissa's likeness and name is based on Dan's daughter Meli, as to sorta "balance out" Isabella also being based on his other daughter.

They considered a twist where Bob Block would be an alien wearing a face mask.

"Cavendish Farms" is an episode that never came to be pitched by Pruett where in order to track Cavendish Dakota would try to duplicate Cavendish, though none of them would quite be Cavendish. One of the Cavendishs would have a heart to heart with Dakota, while Doof would ultimately call out Dakota for what he's doing and tell Dakota "you already know what he would do." dwampy rejected this idea because this was a bad idea, to which pruett felt that is exactly why Dakota would have tried it. if renewed, pruett would have tried to convince them more on it.

Chop Away at My Heart was originally called "Jump Jump Jump" and was made for another project by one of Dan's friends. After Dan have asked to transform it into something else for Milo, Joshua Pruett suggested a "Lumberjack themed boyband" in the script.

unfortunate split for character block limit

Dakotas voice was inspired by Elvis Costello. It's also the harder voice for Dan in comparison to Doof.

Mark Hamill originally auditioned to play a teacher on the show, but Dwampy liked his audition so much they decided he'd better fit Mr. Block.

In the MML pitch bible it is stated, "Mikey has a destiny to fulfill, something vital to the future of the planet." The goal of Cavendish and Dakota would be to make sure he stays on the right path.

There IS a full version of We're Going to the Zoo, which was played by Dan in this interview at 3:00:30. Several MML songs have had full versions leaked, implying this is probably the case for some other songs too.

Like several other characters, Sara in the MML pitch bible was different from her show counterpart, being "a hipster like Thora Butch in Ghost World."

The song "A World Without Milo" is based on the song "Happy Together" by "The Turtles"

Almost every character, including creatures or minor one-offs had a name in the script. An example is "Pia," the name of the poodle Diogee falls in love with.

In regards to when Dakota talks about cutting through the Mesozoic in First Impressions and the fact it is illogical, Dan says this is likely just Dakota being Dakota (aka, it was a mistake), and not every such line should be taken serious.

In a deleted "Snow Way Out" line it was confirmed that the raccoon in Going the Extra Milo and Fungus Among Us is recurring raccoon.

Brick and Savannah were going to have a role in the crossover.

Story ideas from the MML pitch bible that never came to include a beach episode, a Friday the 13 episode, and an episode where Cavendish and Dakota try convincing Milo to take a self defense class leading to conflict with a hidden ninja gang.

For unspecified characters (probably multiple different sets) Pruett wrote in hugs that were cut by (mostly) Dan. In response, he says he "put 4 in so at least 1 stays."

S3 would have likely included: A third Block (yes, still voiced by Mark Hamill and a Block "family meeting"), Milo creating the universe, Dakota and Cavendish getting the promotion they wanted but being unsatisfied, Elliot cleverly being connected to the overarching plot, AU exploration (akin to pnf) including an episode where Dr Zone is real, and a conclusion to the Prof Time arc. The overarching plot would have been the "biggest yet."

credits to: danvillecheese for suggestions + encouragement, cheetochild989 for facts the fact about going to the zoo and a world without milo, the 2nd dimension on YouTube, my hamsterward friends, and of course all the talented people who worked on MML :3

[cripplecharacters]

hi there, i really appreciate this blog! i was wondering if you had any advice when it comes to writing characters who use mobility aids (manual wheelchair and cane) and things that are like, pet peeves or cringey to see written? other than the big ones like “wheelchair bound” or having people just grab their chair or otherwise be disrespectful. i’m thinking more “little things that make it seem like the author is clueless” lol. thank you!

Hi!

You can check out our main #mobility aids or #wheelchairs or #canes tags for the general info! If you have a more specific question, feel free to send another ask:-)

I will talk about my own cane pet peeves because oh boy:

The most glaring, obvious, author-is-so-clueless-it-hurts thing I have somehow seen multiple times is when the writer/artist doesn't understand the difference between a mobility cane and a white cane. Usually in the form of giving their blind character the same kind of stick I use for my mobility issues. Of course, a person could need both for different disabilities! That very much happens. However, it's absolutely never the case in this kind of scenario. This one is an example of a lack of basic research so bad that it circles back to being kinda funny.

The writer not knowing which side the cane would go on for the character. Obviously, in real life, there's a whole lot of hyper-specific scenarios why someone could use it the ""wrong"" way and why it would work for them specifically, some users can also use either hand for the cane; it all depends on why they use it. The problem that I have is when the writer doesn't have a single clue about any of it and just gives their character with a bad knee and nothing else the cane on the same side. Again, shows lack of basic research.

As a certified knob cane hater, I can't just not talk about them here. They're so bad. So non-functional. Don't serve their function as a mobility device because they literally aren't one! That's a fashion accessory. Unless your character has a wrist of steel and doesn't mind that the aid meant to help with stability does the exact opposite, I guess.

I know a bunch of people will disagree with me, but I think the whole sword cane thing sucks. Sorry. The only time I don't roll my eyes on this one is when the writer is also a cane user. I always felt like it checked out two tropes that I hate, the "abled character pretends to be disabled and is actually dangerous" and the "abled writer thinks mobility aids are boring and has to stick a gun in them to justify their existence".

The cane that somehow makes the user non-disabled. Sounds contradictory, I know. I mean the kind of scenario where the character is Weak and Frail™ but then they get the cane and are suddenly just fighting, running, jumping, doing god knows what. Like, did they author forget what the cane is used for? Obviously it will depend on the character's disability how much the cane mitigates symptoms, but this writing choice always feels bizarre to me. My cane is here so that I'm not in as much pain or to help my gait disorder, it certainly doesn't turn me into an abled man who just happens to have a stick in hand.

All these tired old person or similar jokes/comparisons are probably not that funny. We get it, older people use canes. It's not even cringy or whatever, it's just so unbelievably boring it's hard to react to it with anything else than an eye roll anymore.

Apologies for the extremely late reply! I hope it helps :-)

mod Sasza

[temis-de-leon]

Gn!MC with chronic joint pain

Characters: Mammon, Leviathan, Asmodeus, Beelzebub and Belphegor (x reader, separately, could be read as romantic or platonic)

Main Masterlist

Anon request: Could I request the brothers with a gn!MC with chronic joint pain? Sure, medicine makes it feel better when they take it, but it never 100% goes away and the meds aren't without side effects. On a good day, they can function relatively normally even if they do certain things at a slower pace. However, on a bad day, they can hardly get out of bed or do basic tasks (brush their teeth, lift a coffee cup, use a hand towel, etc) without difficulty, and require a fair amount of support when flare ups happen

A/N: I'm pretty sure Google thinks I'm the one with chronic pain

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Mammon

Although he’s the one who spends time with you the most, it took an embarrassingly long time to notice how significant your winces and fatigue were. After all, his initial belief was that humans were naturally weak.

He thought he understood why you stayed too long in bed from time to time or why your brows would frown when you grabbed your backpack if it was especially heavy some days.

You’d say you couldn’t help it whenever he teased and of course, you talked with frustration each of those times, so he learnt to ignore it; just like you tried to do.

Then came the day when he crushed you in the hallway while running away from Lucifer. The only thing he could do before both of you fell to the ground was twist your body so he could act as a cushion, but even that wasn’t enough.

You started to complain before he had the chance to ask for payment for his ‘sacrifice’, but it wasn’t just words or berating; Lucifer was already doing plenty of that.

It was a mix of gasps and moans of pain that stopped both brothers in their tracks.

The only reason why the eldest didn’t obliterate the younger demon on the spot was because the guilt was already eating him alive.

He helps you with no asking needed, carrying your backpack to and from school, helping you put on your coat or making you breakfast, although it’ll most likely be burnt.

He’ll stop if it makes you feel useless or incapacitated on days when you are mostly okay, but if you’re barely able to lift your head off the pillow, you can bet all your money he’s laying right next to you ready to make you some company, even in silence.

It will take him some time, but, eventually, you will have his undying support.

Levi

Being as distracted as he is, with his eyes glued to a screen most of the day, wasn’t an excuse for him to ignore all the pill bottles in your bathroom cabinet or the way you sometimes couldn’t keep up with him when he was excited and walking too fast.

He feels like a horrible friend when you tell him. He should’ve known!

You will have to explain the whole situation to him in the comfort of his room, moments after he requests your presence for the testing of an arcade shooting game that will, for sure, make your arms sore for the next few days.

Although you assure him you can still play, just not for excruciatingly long periods and on lower difficulty, he still feels like he failed you in some way.

Sharing his interests with you will never be enjoyable as long as it has the possibility of causing you pain.

Fortunately, he knows countless games where long-range movements are not required and you can have fun anyway: visual and choice-based novels, turn-based RPGs, social simulation games…

He especially likes the choice-based ones. From your views on morality to romance and friendship, each important interaction with the characters or the lore helps him know you more and more as the game progresses.

It doesn’t stop there, though.

He will also try, not so subtly, to find games, shows, comics and manga where you can relate to the main character in one way or another.

It could be seen as pity, but that isn’t his intention at all. You should enjoy the media you interact with! Either heroes or villains or something in between, you should have someone you can understand on the screen or paper.

Asmo

Since observing you and everything related to you is an enjoyable pastime of his, it doesn’t take him long before he figures out your medication schedule. At first his beauty-driven mind thinks your pills are vitamin supplements, but then he notices the headaches, the stomach issues and the exhaustion; no doubt side effects.

It is on one of your worst days when he knocks on your door asking to spend the evening together. The only thing you can do to greet him is throw a weak peace sign from beneath the blankets and that’s when he pouts and frowns in worry.

He hopes you trust him enough to talk about it in case you want to keep it a secret and, if not, why would he treat it like a taboo subject?

He may be the only one who straight-up asks with absolute normality.

Changes are not noticeable at first seeing that he already liked being around you and dotting on you before knowing anything, but rest assured he will be there if you ever need him.

On days when you feel like you can’t take care of yourself, the only thing you have to do is send him a message.

Whatever you need, he will do.

From drawing a bath so you don’t have to stand up while holding the shower head to applying dry shampoo on your hair so you don’t get out of bed at all. He will also do your skincare routine and even your makeup if you're up to it; brush your teeth and your hair and organize your room while mindlessly chatting with you.

His favourite shared activity is painting your nails since you don’t have to move at all and you still enjoy each other’s company.

The rest of the brothers need to remind him from time to time that you aren’t a doll for him to dress, but he won’t ever do something that makes you uncomfortable in any way.

Beel

He doesn’t really notice until it comes up naturally in conversation.

You’re both in the kitchen, getting a snack to hold on until everyone is ready for dinner, and he starts talking about a new workout plan he is following in the gym. A famous bodybuilder posted it on his Devilgram account and he was too curious not to give it a shot.

Although he can do it on his own, he likes to spend time with you, so he innocently asks if you want to go with him someday and try it, even if it’s a watered-down beginner version.

It’s not like you can’t go to the gym, but the number of exercises you feel like you can do is limited and you need to be mindful while doing all of them. Hell, even at home you need to be careful with some of your movements, doing simple chores like making your bed or washing the dishes.

You remind him how you cook too, usually doing one-pot meals and trying to use your body as little as possible; there are human influencers (highly recommend) that show specific tricks to make cooking easier for people like you, after all.

Luckily, he understands immediately, but that doesn’t mean he’s going to give up.

Unbeknownst to you, he researches specialized exercises and routines, as well as food, made to alleviate pain and strengthen your weakest points.

It isn’t a definitive solution, and certainly not the best, but it’s the thought that counts and he’s genuinely trying to make your life more comfortable and pleasant; not so draining.

He won’t push if you decline his offers and options (he’ll never force you to do anything, even if it benefits you), but will be extremely happy if you accept.

Belphie

He never asks, but you never have to tell him either, he just knows.

Your pain reflects in the way you move and live your day-to-day life, slower than the rest of them and always taking precautions, medicating yourself periodically even if sometimes that isn’t enough.

All of them have dinner in your room when you’re feeling way worse than usual and each time his memories can’t help but go back to that fateful evening in the attic.

He willingly and excitedly caused you abysmal pain back then, but he doesn’t want to imagine how underestimated his measurements are.

You suffered, yes, but all of that happened in the past.

Asking you what exactly hurts and what makes it worse won’t help his guilt at all.

Now that he can help you, he won’t do anything but.

Being who he is and liking what he likes, he has a trustworthy list of mattresses and pillows that he doesn’t hesitate to share with you.

He knows better than anybody else what a well-rested body can do to the mind and, although it may not help much, he insists you try at least once.

Going shopping for something like this and doing it with him is a double-edged sword; while he couldn’t be a better critic, there’s also the possibility of him falling asleep on one of the mattresses on display.

And you know perfectly well you aren’t going to be the one dragging him back home, so inviting Beel as well is always the best choice; especially since you can hang out after shopping knowing that you will have your purchase delivered.

If you still feel like you aren’t getting any rest, he will use a little bit of his magic to make you fall asleep more easily without waking up in discomfort.

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[novlr]

Do you have any tips of how to write a villain that is a bad person, but is also likeable?

There are several options for writing villains that build the foundation for a reader’s perception of just how evil they really are. The villain is often a story’s antagonist but can also be the story’s main character. But they are not always a pure evil character. So how do we create a villain that our readers will like? 

Sympathy

The strongest way to bridge the gap between your villain and the reader is by appealing to sympathy. A tragic backstory goes a long way in setting the stage for a character’s fall to villainy. Many people can identify with the fear—or knowledge—of how much one bad thing can persuade someone to do bad things. No matter how strong a person appears, there’s an extreme situation that can push anyone to make a bad choice. 

The two common avenues you can pursue within the sympathy track are the impossible situation and desperation. To embody the ‘impossible situation’, your villain’s motivations need to stem from something where the bad choice was the only real choice. In a fantasy world, your villain may be a dark wizard that was an average person before they were abducted by a larger evil force, and forced to become evil or die. They may be indoctrinated into the wrong cause now—thus becoming the villain. In a modern setting, your villain may have grown up in an environment that promoted crime or violence as the only way to live. 

Desperation is a good motivator when the villain needs to gain (or re-gain) something, and there’s a “bad” option that will get the desired results faster. Perhaps your villain had to make a terrible choice to keep their livelihood or significant other, and covering up that choice continues to make their actions antagonistic. More specifically, desperation shows up in a pivotal time of need: where someone could take the high road, but we understand the appeal of the so-called low road. 

So how do we keep the sympathy real?

Your reader needs to see how they, or a loved one, could stoop to the villain’s level. This may be the most difficult part of creating this character because you can’t appeal to every individual member of your audience here. 

I suggest starting with research on whistleblowers (people who report illegal or unethical business practices that are undeniably in the ‘right’ but are certainly the ‘villain’ to the company) and thinking about the perspectives of the business’s employees. Many of them didn’t know about the wrong their company was doing, so now they’re angry with the whistleblower for taking away their jobs or ruining their professional reputations. Then, think about the people who were aware of the acts and were eager to keep profits high at the risk of getting caught. 

Do you need a redemption arc?

Nope. People go too far sometimes, and there’s no saving them. For some people, redemption may only come in their total and utter defeat, whether they’re imprisoned, killed, or otherwise incapacitated. 

If you are considering a redemption arc, you need to stick to the character’s established principles: it was all for nothing if their villainous actions are washed away by regret or the hero’s need to defeat them. We sympathize with conviction — you have to let your villain keep theirs to maintain character integrity.

A villain can realize their actions were wrong (murder often isn’t a good answer!), but they need to still believe in their actions, even if they wouldn’t do it again. A likable villain does the wrong things for the right reason. Stripping them of that reason strips their character of meaning. Who are they, in the end, if they were a monster for no reason at all? 

Perceived injustice and your villain

I want to talk about using perspectives and hidden information to play on the sympathy of your readers. If the circumstance that led to the villain’s actions was a lie from the start, the audience gets to experience the grief of being a monster for no reason at all. They could spend the entire story hating the villain along with the character’s telling the story and have it come crashing down in the denouement.

The burden of realizing their actions were all for nothing, or that they wouldn’t have done it if they’d known the truth, is a powerful emotional appeal. We don’t necessarily need to like the villain from chapter one; we can like them in the epilogue, where they have to deal with the consequences of their actions. 

In the end, the villain is just a character

A villain has just as much opportunity to be likable as the hero does, though it’s trickier to get there in a tale of good versus evil. Anyone short of truly evil can be likable, and I’m sure someone out there still has a soft spot for the truly evil and irredeemable.

People do bad things for good reasons every day. You just get to figure out how to balance those with redeemable qualities or convictions.