#like he otherwise probably would

[13eyond13]

I think the moment Light's crush on L first smacked him in the manga (like when it finally rooted and started blooming in his guts) was when L was like "you're my first ever friend" whilst smirking into his teacup. And not because Light fully believed he was being sincere about being friends, but because he KNEW L was slyly teasing him and speaking to him on more than one level at once. Nothing more unexpected funny flattering and intriguing than that for him right then

[tiniest-hands-in-all-the-land]

Carry me home

[just-null]

[modern au] pjs movie night w these idiots

[nenoname]

Stan and Soos' sorta-Dad and Sonployee relationship

We of course have Soos assigning Stan as his father figure the moment he got hired

But Stan holds that moment dear too, with Soos becoming his main source of company after the Mystery Shack, his first big success, was starting to hit rock bottom. And he made sure to keep the screwdriver that led Soos to him for a decade which unfortunately gets stolen by a certain time traveler...

(Their meeting being a paradox of Soos' family leading him to them is super sweet too!)

Playing one game of catch with their dads still was a dream for both of them, even when it was clear that it'll never happen, even when Soos knows that the Pines are his family and he shouldn't care about that biological deadbeat, even when Filbrick threw Stan away like trash.

But both of them end up finding closure with each other anyway.

Along with Stan likely teaching him how to fix golf carts (to the point that Soos is pretty skilled at it now), he also taught him boxing and tried to do something about his birthday, which is another sore spot for the both of them.

In the Sooscast, we have Stan continuing with the podcast despite learning this horrifying truth/not understanding what the hell is going on.

Noticeably, we see that Stan is a lot more lenient on Soos in comparison to Dipper, mostly because Stan doesn't project most of his issues onto him. (Not that he's immune from chores or shitty tasks but that's the burden of being a sonployee...)

And in NWHS, Stan trusts him to guard the lab with no questions asked (even if that ended up being foiled by Soos loving Mabel and Dipper too)

The comic story is Soos helping Stan regain and continue one of his childhood dreams, with the website having Stan continuing to draw on the Stan o' War.

And while unfortunately most of their father-son relationship content is at the end or after the series, Alex still said a lot about them in the commentary and interviews!

Before they met, Soos was someone who appeared to only really have his Abuelita and cousin, while Stan had.... a baby goat. And a disappearing frilly lizard.

We have Stan claiming that the reason why he never had children was because of his own dad and that money is basically his child (which just loops around back to his money obsession being his desire to get back his family)

But even still, he passes down the Shack and fez to Soos with barely any pause, the fez in particular being tied up with a lot of complex emotions. But Soos getting his own suit fitted just for him and not being pressured to wear a girdle to hide his weight kinda symbolizes to me that the role of Mr Mystery is now free from that baggage.

And whenever we'd end up getting Stan o' War stories, I'm sure the two of them are gonna get way more father-son moments

(Filbrick's impact on Stan post, Stan projecting on Dipper post)

[finemealprompt]

DP x DC Prompt #51

Damian would like it on the record that this is Todd's fault. If Todd hadn't encouraged Damian to start making fan art, he wouldn't be in this mess. Stupid Todd, Damian should've known better than to listen to him.

But here he was, blushing like mad as he nervously asked his favorite author to sign the fan art he had made for his book. He was such an idiot! Danny Fenton surely would be-

"Oh this is amazing! Do you have any prints I can buy off of you?"

Damian will swear up and down he did not faint.

[benevolenterrancy]

hi!! I think your art is *so cool* o(≧∇≦o)

do you think you could draw more moshang? either post canon or that au you did last time?? (baby mobei has my heart and all I own)

(˵ •̀ ᴗ •́ ˵ ) oh! how about return to childhood—moshang flavor?

don't question this king, shang qinghua, he knows what he's about

[purpurussy]

if any one of us were locked in a cage with Phil and someone had a gun to Dan's head and told him "you have to beat this 5'6 phannie in a fight or he dies" and Phil went full crazed chimpanzee mode NOT A SINGLE ONE OF US would be walking out of that cage let's be so serious

[sublimerences]

Sticking them into Pokémon as a design exercise… the teams are solely vibes and not based on any knowledge of proper team building or meta (of which I have no knowledge of!)

[watchfuldeer]

last night i went to a really fun and informal fundraiser evening with jesse and lucy at westminster school, where they were interviewing each other. i got to ask a question which i’ve mused upon for some time about tom, shiv and greg. enjoy! full transcript under cut

Transcript

me: so i’m gonna have to look at what i wrote down.

jesse: that’s alright, you’re highly in credit since you know more about the show than us. more about john berryman.

(laughter)

lucy: tell us what we’ve done wrong so far!

me: god, no. i wouldn’t! so my question, this is a character based question, and one thing that probably got a bit subsumed in the fourth season just because everything was happening. but i’d like to know more about tom and shiv, and also greg. because my read on the situation between the three of them is that greg is a source of marital strife (laughter) that shiv never noticed, and what would it have taken for shiv to notice the depth of greg’s presence in their marriage.

jesse: uh huh.

me: and tom’s attachment to him.

jesse: uh huh. sometimes you get little bits in life or you see something and you’re like, i wish we were making the show, because i suddenly do want to hear shiv say ‘greg you’re a source of marital strife’.

(laughter)

jesse: that’s like, when you’re like, that’s gonna be in, we’re not gonna cut that.

lucy: absolutely.

jesse: (doing greg voice) wh-wh-what?!

(laughter)

lucy: yeah. well we enjoyed that, didn’t we. we had a scene in america decides, which was the only scene between shiv and greg.

jesse: oh yeah.

lucy: the election episode in the final season where she takes him into a little room and threatens him.

me: ah, but it’s jealousy over lukas, over the greg and lukas thing, and it’s like, have you forgotten your husband, who is also very attached to this limpet?

lucy: yeah. i would also say that there are marriages in which a third party is not an unuseful thing, as well. not in a forgiving way about infidelity, but i would say that there are things that tom can express with and at and on greg (laughter) as it were, to greg, that are useful because he’s both a - you know the great, the interesting thing about tom is that he’s both a courtier and a bully. he’s that rare combination of someone who you totally believe as being almost like (mimes bowing and doffing cap) ‘oh yes sorry thank you yes ma’am’ and also like, ‘i’m gonna kill you’ and that juxtaposition is what makes him so interesting.

but in his marriage to shiv he has no real way, until quite late i guess in the final season, where we explore it, to hold power over her and to use that part of himself. so he’s accepted the acquiescing, he’s accepted the role of courtier in that marriage, and greg is quite a useful place where he gets to express all of that, the bully in him so that maybe it doesn’t have to come out in the marriage. which might be bad, because perhaps it should do and then the marriage would’ve ended much earlier, yknow, when shiv would just be like ‘i’m not dealing with you challenging me in any way’. so it’s not until that balcony scene i think where he really challengers her much at all. possibly the beach scene, where he sort of says that he’s considered leaving her, and how that would feel. but with aggressive challenge? it’s all directed at greg, and greg is allowed to be the place where all those feelings go.

me: but the affection - there’s also affection between them.

jesse: YEAH. and i think that’s the other thing maybe you’re alluding to is like, she… i think, some things you know you’re putting in the show because you talk about them and other things just naturally occur, and audiences and people tell you what the show is and what you put in there and you didn’t even realise, but i think we were aware of this - she’s oblivious. her obliviousness is a big part of her wealth and her upbringing and… so there’s something homoerotic going on between greg and tom.

me: i mean it’s not for me to say.

(laughter)

jesse: and does she… i think there’s two ways of reading that, either she’s oblivious, and that’s intriguing and possible. the other is that she sort of - there’s a scene in, you know that one, in the sun valley media conference in argestes, where we wrote a bit where shiv shows up unexpected and tom’s sort of flirting with someone, and it never really landed that much. i think we were like, oh this really gonna, shiv’s gonna spark up when she sees him flirting with someone. and it’s one of those things where you were like, you know what? i don’t think she gives a hoot, really, does she.

(laughter)

jesse: it’s like, she hasn’t got that, that’s not in her belly, that fear of loss.

lucy: no.

jesse: so i think that goes, that probably goes for a same-sex relationship or flirtation as much as it does for with a woman.

lucy: i think that’s true.

jesse: like she really… even if he was like - and this is not the way that tom would be like - ‘i think i’d like to sleep with greg’, i think she’d be like (mimes looking at watch) ‘when?’.

(laughter)

jesse: (as shiv) ‘not when i’m in the city, that’s weird, tom’.

(laughter)

jesse: i don’t think she’d have any fundamental objection to that.

lucy: that’s true. i think jealousy is quite a low status emotion.

jesse: yes.

lucy: and i think that she would struggle to feel it.

(jesse laughs)

lucy: even if it was present in some way, she would never be able to access it because it would put her too much at a disadvantage. so i think yeah exactly that, it would be like, ‘oh i guess you’re going to fuck that boring woman now are you, tom’ or do that, like… she has to be here (mimes one hand above another hand) so jealousy can’t really be accessed by her. so she might be irritated by greg, but in the way you would be by a mosquito.

me: to her detriment.

lucy: to her detriment, sure, ultimately yeah.

[s0fter-sin]

god the way ghost’s voice drops when he tells soap, “you’ll need to improvise to survive”

before that, everything he says is steady but when he acknowledges that soap’ll have to do something outside his skill set, something he intimately knows to be difficult, his voice wavers. he does the same when he says, “welcome to guerrilla warfare”; it’s sombre and serious in a way he doesn’t act for the rest of the mission. if you read into it enough, he almost sounds apologetic; like he knows exactly what soap’s about to go through and wishes he didn’t have to

he keeps soap going; poking at him and making jokes, giving him tips and asking about his progress. he never lets him stop and take a second to think bc he knows the moment he does is the moment it'll all hit him; the betrayal, the pain, the fear, the deaths, all of it will drown him and if that happens, soap won't make it

he needs him to be a soldier through and through and he knows this is one of the worst kinds of battlefields you could end up on

and the only times he slips is when he acknowledges that fact

it happens again when he says, "tryin' to get you here alive and in one piece". his jovial dark humour facade drops for just a moment when he has to face the potential reality of losing soap. then he tries to pick it back up again with, "one of us has to survive to tell the tale"; completely discounting himself as a survivor to try and rally soap and make him think it’s all down to him

and soap does the same thing

when he's calling out for ghost on the radio, he's tentative, testing the frequency, then when he doesn’t get a response, he grows desperate; "ghost, this is 7-1, do you copy?"

then when ghost answers, he smooths out his voice; he hides the pain, the fear, and no matter what response you give to ghost asking if he’s injured, soap brushes it off (“i’m good”, “what’s the difference?”, “i’m not a medic”). soap decides it’s in ghost’s best interest to hide the extent of his injuries

he doesn’t know where ghost is, if he’s secure, if he has any weapons; he doesn’t even know if he’s in las almas until he says, “there’s a church, i’m headed to it”. for all he knows, he could’ve run in the complete opposite direction. if ghost knows he’s hurt, then his attention would be split between his own survival and soap’s

and soap, who lets himself be poked and prodded towards the church, needs to hide his own doubts. maybe he needs ghost to believe he'll make it so he himself can believe it ("what are my odds?" "don't make me bet against you", "think i'll live that long?" "probably not")

he all but begs ghost to tell him he'll get through it and if he knows just how bad off he is, maybe he'll change his mind. maybe he'll think he won't make it to the church

maybe he'll leave him alone for good

"you injured?"

"i’m good"

"let's find out how good you are"

[nenoname]

thinking about stan "god i love cards and gambling" pines

[dizzybizz]

some doodles

[shanastoryteller]

do you like castiel?

no

[mockiery]

Once Upon A Time 3x05 "Good Form" my beloved, I know the text and shots and scene transitions directly parallel Hook saving David's life to Killian's loss of his brother, and Killian's pained expressions of seeing David succumb more and more to the same poison Liam did. Killian's insistence David tell his family, give them the chance to say goodbye that Killian didnt have with his brother. Of Killian himself sayinf David reminded him of Liam, his canonical hero. I know the ep's dialogue speaks of Killian's want to be seen as a man of honor, to be that man of honor.

And I know Killian would absolutely have been a deflective ass with the "I didn't do it for you" to David about saving his life, bantering teasingly that he did it for Emma like David has accused all of his actions to get to and be at Neverland as - just a selfish attempt to have Emma.

And I know Killian's half-joking flirtation with Emma later with "Is that all your father's life is worth to you?" is in character bc for his entire presence on the show previously he has used compliments of himself and flirtatious remarks as deflection, jokes, and to be actively antagonistic/inflammatory/annoying/playful.

I know all of this. I know this is all perfectly in character and the nonspoken motives informed by the flashbacks to his past and his performance are deeply in character. But christ alive I wish that a tiny little line would've been added in somewhere that made it clear that his motivations in this ep and the Neverland arc as a whole weren't just about Emma bc it feels like the writers partially forgot this in 3a, despite the strength of this episode and all its parallels. They say characters' feelings out loud or allude to them more directly in dialogue all the time like pleeeeeeease, you could've made it a lil more obvious it's not solely bc of Emma like. i just wish it wasn't easily misread if u didn't read into it deeper with Killian's characterization, beyond his contradicting words

[vaguely-concerned]

entertaining the mental image of my hawke listening to varric rambling on about solas during the earlier parts of the search for him, and eventually breaking him off with mock-alarm and dismay to go 'wait, wait... varric, are you trying to say, is this your way of telling me -- am I the other woman?' and then varric has to threaten to drown his best friend in his beer if he doesn't shut up right now (but actually honestly grins for the first time in a week)

[sysig]

Growing closer than expected (Patreon)