#like he otherwise probably would

[13eyond13]

I think the moment Light's crush on L first smacked him in the manga (like when it finally rooted and started blooming in his guts) was when L was like "you're my first ever friend" whilst smirking into his teacup. And not because Light fully believed he was being sincere about being friends, but because he KNEW L was slyly teasing him and speaking to him on more than one level at once. Nothing more unexpected funny flattering and intriguing than that for him right then

[tiniest-hands-in-all-the-land]

Carry me home

[bubblingsteam]

[finemealprompt]

DP x DC Prompt #51

Damian would like it on the record that this is Todd's fault. If Todd hadn't encouraged Damian to start making fan art, he wouldn't be in this mess. Stupid Todd, Damian should've known better than to listen to him.

But here he was, blushing like mad as he nervously asked his favorite author to sign the fan art he had made for his book. He was such an idiot! Danny Fenton surely would be-

"Oh this is amazing! Do you have any prints I can buy off of you?"

Damian will swear up and down he did not faint.

[benevolenterrancy]

hi!! I think your art is *so cool* o(≧∇≦o)

do you think you could draw more moshang? either post canon or that au you did last time?? (baby mobei has my heart and all I own)

(˵ •̀ ᴗ •́ ˵ ) oh! how about return to childhood—moshang flavor?

don't question this king, shang qinghua, he knows what he's about

[firestorm09890]

Y'ALL. Y'ALL so for a long time I've believed that "the sun" in Meursault's story is Carmen, and I went to check Hell's Chicken's dialogue to see exactly how he said that he'd dealt with distortions before, and... you know what else he said?

To my knowledge, it is a phenomenon where an individual morphs into a form often unfit to be considered “human”. It has no known causes, and the appearances were all different.

Unfit to be considered human.

Meursault, who, in his book, was judged by the court to be soulless.

Meursault, who has EGO for Cyborgs who have been so mutilated they barely act like people anymore; a murderer who was experimented on until ceasing to be human; a sheep named after Do Androids Dream of Electric Sheep?, a novel about the humanity of androids and the inhumanity of humans; and now a rose that can't help its bloodsucking nature, based on Carmilla, a vampire whose story emphasized the duality between her vampiric traits and her human ones.

Meursault, who answered Heathcliff's ironic question of if he had metal for brains like this:

I'm placing my bets now, that line from Hell's Chicken is foreshadowing for Meursault's canto even more than "I have witnessed a number of [distortion] cases in the past" was

[nenoname]

thinking about stan "god i love cards and gambling" pines

[watchfuldeer]

last night i went to a really fun and informal fundraiser evening with jesse and lucy at westminster school, where they were interviewing each other. i got to ask a question which i’ve mused upon for some time about tom, shiv and greg. enjoy! full transcript under cut

Transcript

me: so i’m gonna have to look at what i wrote down.

jesse: that’s alright, you’re highly in credit since you know more about the show than us. more about john berryman.

(laughter)

lucy: tell us what we’ve done wrong so far!

me: god, no. i wouldn’t! so my question, this is a character based question, and one thing that probably got a bit subsumed in the fourth season just because everything was happening. but i’d like to know more about tom and shiv, and also greg. because my read on the situation between the three of them is that greg is a source of marital strife (laughter) that shiv never noticed, and what would it have taken for shiv to notice the depth of greg’s presence in their marriage.

jesse: uh huh.

me: and tom’s attachment to him.

jesse: uh huh. sometimes you get little bits in life or you see something and you’re like, i wish we were making the show, because i suddenly do want to hear shiv say ‘greg you’re a source of marital strife’.

(laughter)

jesse: that’s like, when you’re like, that’s gonna be in, we’re not gonna cut that.

lucy: absolutely.

jesse: (doing greg voice) wh-wh-what?!

(laughter)

lucy: yeah. well we enjoyed that, didn’t we. we had a scene in america decides, which was the only scene between shiv and greg.

jesse: oh yeah.

lucy: the election episode in the final season where she takes him into a little room and threatens him.

me: ah, but it’s jealousy over lukas, over the greg and lukas thing, and it’s like, have you forgotten your husband, who is also very attached to this limpet?

lucy: yeah. i would also say that there are marriages in which a third party is not an unuseful thing, as well. not in a forgiving way about infidelity, but i would say that there are things that tom can express with and at and on greg (laughter) as it were, to greg, that are useful because he’s both a - you know the great, the interesting thing about tom is that he’s both a courtier and a bully. he’s that rare combination of someone who you totally believe as being almost like (mimes bowing and doffing cap) ‘oh yes sorry thank you yes ma’am’ and also like, ‘i’m gonna kill you’ and that juxtaposition is what makes him so interesting.

but in his marriage to shiv he has no real way, until quite late i guess in the final season, where we explore it, to hold power over her and to use that part of himself. so he’s accepted the acquiescing, he’s accepted the role of courtier in that marriage, and greg is quite a useful place where he gets to express all of that, the bully in him so that maybe it doesn’t have to come out in the marriage. which might be bad, because perhaps it should do and then the marriage would’ve ended much earlier, yknow, when shiv would just be like ‘i’m not dealing with you challenging me in any way’. so it’s not until that balcony scene i think where he really challengers her much at all. possibly the beach scene, where he sort of says that he’s considered leaving her, and how that would feel. but with aggressive challenge? it’s all directed at greg, and greg is allowed to be the place where all those feelings go.

me: but the affection - there’s also affection between them.

jesse: YEAH. and i think that’s the other thing maybe you’re alluding to is like, she… i think, some things you know you’re putting in the show because you talk about them and other things just naturally occur, and audiences and people tell you what the show is and what you put in there and you didn’t even realise, but i think we were aware of this - she’s oblivious. her obliviousness is a big part of her wealth and her upbringing and… so there’s something homoerotic going on between greg and tom.

me: i mean it’s not for me to say.

(laughter)

jesse: and does she… i think there’s two ways of reading that, either she’s oblivious, and that’s intriguing and possible. the other is that she sort of - there’s a scene in, you know that one, in the sun valley media conference in argestes, where we wrote a bit where shiv shows up unexpected and tom’s sort of flirting with someone, and it never really landed that much. i think we were like, oh this really gonna, shiv’s gonna spark up when she sees him flirting with someone. and it’s one of those things where you were like, you know what? i don’t think she gives a hoot, really, does she.

(laughter)

jesse: it’s like, she hasn’t got that, that’s not in her belly, that fear of loss.

lucy: no.

jesse: so i think that goes, that probably goes for a same-sex relationship or flirtation as much as it does for with a woman.

lucy: i think that’s true.

jesse: like she really… even if he was like - and this is not the way that tom would be like - ‘i think i’d like to sleep with greg’, i think she’d be like (mimes looking at watch) ‘when?’.

(laughter)

jesse: (as shiv) ‘not when i’m in the city, that’s weird, tom’.

(laughter)

jesse: i don’t think she’d have any fundamental objection to that.

lucy: that’s true. i think jealousy is quite a low status emotion.

jesse: yes.

lucy: and i think that she would struggle to feel it.

(jesse laughs)

lucy: even if it was present in some way, she would never be able to access it because it would put her too much at a disadvantage. so i think yeah exactly that, it would be like, ‘oh i guess you’re going to fuck that boring woman now are you, tom’ or do that, like… she has to be here (mimes one hand above another hand) so jealousy can’t really be accessed by her. so she might be irritated by greg, but in the way you would be by a mosquito.

me: to her detriment.

lucy: to her detriment, sure, ultimately yeah.

[s0fter-sin]

god the way ghost’s voice drops when he tells soap, “you’ll need to improvise to survive”

before that, everything he says is steady but when he acknowledges that soap’ll have to do something outside his skill set, something he intimately knows to be difficult, his voice wavers. he does the same when he says, “welcome to guerrilla warfare”; it’s sombre and serious in a way he doesn’t act for the rest of the mission. if you read into it enough, he almost sounds apologetic; like he knows exactly what soap’s about to go through and wishes he didn’t have to

he keeps soap going; poking at him and making jokes, giving him tips and asking about his progress. he never lets him stop and take a second to think bc he knows the moment he does is the moment it'll all hit him; the betrayal, the pain, the fear, the deaths, all of it will drown him and if that happens, soap won't make it

he needs him to be a soldier through and through and he knows this is one of the worst kinds of battlefields you could end up on

and the only times he slips is when he acknowledges that fact

it happens again when he says, "tryin' to get you here alive and in one piece". his jovial dark humour facade drops for just a moment when he has to face the potential reality of losing soap. then he tries to pick it back up again with, "one of us has to survive to tell the tale"; completely discounting himself as a survivor to try and rally soap and make him think it’s all down to him

and soap does the same thing

when he's calling out for ghost on the radio, he's tentative, testing the frequency, then when he doesn’t get a response, he grows desperate; "ghost, this is 7-1, do you copy?"

then when ghost answers, he smooths out his voice; he hides the pain, the fear, and no matter what response you give to ghost asking if he’s injured, soap brushes it off (“i’m good”, “what’s the difference?”, “i’m not a medic”). soap decides it’s in ghost’s best interest to hide the extent of his injuries

he doesn’t know where ghost is, if he’s secure, if he has any weapons; he doesn’t even know if he’s in las almas until he says, “there’s a church, i’m headed to it”. for all he knows, he could’ve run in the complete opposite direction. if ghost knows he’s hurt, then his attention would be split between his own survival and soap’s

and soap, who lets himself be poked and prodded towards the church, needs to hide his own doubts. maybe he needs ghost to believe he'll make it so he himself can believe it ("what are my odds?" "don't make me bet against you", "think i'll live that long?" "probably not")

he all but begs ghost to tell him he'll get through it and if he knows just how bad off he is, maybe he'll change his mind. maybe he'll think he won't make it to the church

maybe he'll leave him alone for good

"you injured?"

"i’m good"

"let's find out how good you are"

[dizzybizz]

some doodles

[phoenixcatch7]

Okay so there's this idea for a fic I've been thinking of.

The jl are combating something that can only be touched with magic, jl dark is unresponsive (they got stuck in another dimension again), and cap - their only other magic user - is too injured.

But when they start stressing cap just slams a sheaf of papers of the table like 'pick between yourselves what powers you want, it's one each. Ig I'll sponsor you for today'.

Everyone: what?

Cap, spreading the papers to show each has a letter... Spelling out a magic word?: I'm serious. Do you want a cool new power? Consequence free? For as long as you need?

Batman:... Are you saying... You can... Give out powers?

Cap: my powers, yes. Flash, put Mercury back. That's pointless.

It'd be a great chance to have him explain his powers as a sort of reveal, including why he doesn't do it (it divides his power equally and thus severely weakens him). Also it would be very funny, I think, to see the jl in colour coded marvel suits being basically patroned by Billy. Batman has a blindingly white cowl. Flash has a cape. There's so much 'wait this chill childlike guy from some random city is actually insanely powerful' potential.

But also:

Batman, slowly pinwheeling through the air: how do I steer.

[hecksupremechips]

Akihiko becoming a cop is something that simply doesn’t happen in the coma route cuz Shinji would see that shit and be like Aki what the actual hell is wrong with you

[sunshine-zenith]

Henry is a Boyfriend Hoodie Thief your honor

[seasideoranges]

y'all i gotta be honest for a sec, the "atla wouldnt change much if aang wasnt there, in fact it might be better" and "the atla finale wouldnt change much if aang wasnt there to fight ozai" debates is the funniest thing ive seen come out of this fandom

[feroluce]

So I finally had time to sit down and play through 2.3 this week and man I have a lot of Feelings about all of it, but today it's about Gallagher and Mikhail because!

The devotion of a dog! Gallagher's dedication lasting beyond Mikhail's death and then some! The way he let himself be seen through knowing it would mean his own death because it would help to accomplish his and Mikhail's dream! The immense regret and long lasting guilt of not helping Mikhail when he needed him! THE WAY MISHA CALLS GALLAGHER "MY HOUND-"

Ahem. I'm normal I swear. Anyway.

And one of my favorite displays of this undying loyalty? This.

This is the record you unlock in 2.3 after Siobahn brings up Gallagher's death in the Dreamjolt Hostelry. Right after "to the Nameless resting in peace... and to Gallagher."

La Messe de l'athée translates to The Mass of the Atheist. It was a short story about a man who goes to church, and is surprised to see another man whom he knows is an atheist attending mass, all alone. When questioned, the atheist says that he attends for a friend. This friend had banded with him when they were both poor, and acted as a father figure to him. The atheist managed to pull himself from poverty with his help, and did everything he could to repay and take care of his friend thereafter.

The friend died of illness some years later.

The atheist is still an atheist. But he attends mass on the behalf of the religious friend that saved him, and recites the prayers he heard whispered on his deathbed. These borrowed prayers are the closest a man like him could get to being a true believer, but he always holds out hope that those beliefs might enter his head.

There is so much in there, in the story they decided on as our final memento of Gallagher, that this is what was chosen to immortalize him, and ARGH OTL

[fear-no-mort]

can we talk about how we’ve gone full circle with these two pulling eachother literally kicking and screaming to spend time together