#like boy just break up with her

[grossion5z]

lowkey obsessed with bad boyfriend homestar rn

more bad boyfriend homestar doodles under the cut :3

[chirpsythismorning]

Can we talk about how Jonathan might've been able to clock Mike simply because of what happened with him and Nancy in season two?

This will be a long post, so you might want to strap in or save it for later.

In Will and Mike's case, it would obviously be much different from Jonathan and Nancy's situation, given that you know, they're gay. But we still have Jonathan arguably going through a similar experience as Will, while Mike is going through a similar experience as Nancy.

In s2, we see Nancy confront Jonathan about how she waited for him before getting back with Steve, which is a revelation to him. Then they're at Murray's and she's struggling to say she loves Steve, after a handful of moments between them that felt like she might return Jonathan’s feelings. And you can clearly see it in his eyes, listening to Murray imply that they have feelings for each other, with him looking back and forth sort of in awe of what's happening, like he's starting to question if she might actually like him back.

Will doesn't have that same affordance as Jonathan to really hope, at least not anymore. Which is why these relationships in s2 and s4 end differently for these two brothers.

Based on all the signs he was seeing that Nancy felt the same, Jonathan decided to take the plunge to admit to Nancy how he felt, and at that same moment Nancy had the courage to show how she felt. In Will and Mike's case, Will wasn't ready to take the plunge to admit to Mike how he felt, at the same moment Mike didn't have the courage to show how he felt.

What's so painfully hilarious to me about all of this though, is that Jonathan arguably starts the season in the same shoes as most of the audience, where from his perspective, it's becoming obvious to him now that Will like's Mike, but that Mike does not feel the same way.

First at Rink-O-Mania, Mike appears a little uncomfortable upon hugging Will. Then as the happy couple continues on their adventure into Rink-O-Mania, he watches Will lagging behind moping. And then unfortunately he's out of commission for the rest of the evening...

But once he's sober and back to being an attentive brother the following morning, we see him watching them at breakfast, with Mike barely sparing Will a glance, all while Will is blatantly staring, almost like he's waiting for Mike to look back, only for Mike to get up and walk away.

All of these instances gotta be SCREAMING unrequited gay love to Jonathan. He's already gotten signs for years that Will is gay, these are now just the signs that are instilling his suspicions that Will has feelings for Mike. He could have easily interpreted their relationship in the early seasons as young best friends, with Will seeming to have a crush on Mike, and with them growing up and that potentially including Will's straight friend distancing himself from him because he doesn't feel the same. It's not the most unexpected thing in the world considering.

But then there's a shift.

Suddenly he's creeping up on them talking in his room. And we know he was listening in on the conversation because he brings up Owens when he sits down. As he's eavesdropping, he's probably thinking something innocent like Aww they're making up! And like, hey! Even if Mike doesn't feel the same, which is okay and entirely expected honestly, at least he still cares about Will enough to make things right after acting so out of character. Still, I'm not gonna lie, that sounded a lot like flirting to me--

Then he's knocking on Will's door like 30 minutes or less later only to find Mike and Will back on their bullshit. Mike suddenly isn't going out of his way to ignore or put Will on the back burner. In fact, he's on his bed and they're talking, again! The door is even closed this time, which is interesting. This has gotta be a good sign in Jon's eyes. Nothing to worry about! Right? Right...?

But then suddenly this shift continues, going in a direction he probably didn't expect.

I mean, this is literally an identical jancy parallel we have here with byler on the hood of the car, with Jonathan right there to witness it. Despite him maybe only now subconsciously picking up on the similarities between Will and Mike to him and Nancy here, he's at least taking note (I mean he's even got his gay map out and everything).

It isn't until the van scene happens, that I think Jonathan starts to genuinely consider his suspicions, which is that Mike might actually like Will back.

EVERY time we get a shot of Jonathan looking back at Will and Mike in the van, followed by a shot of his POV from the rearview mirror, we're faced with Mike looking at Will while Will is looking away.

As Jonathan is hearing Will confirm his suspicions about his feelings for Mike, he's simultaneously witnessing Mike not looking at Will with disgust, but something more akin to reverence. All of those moments in the van that we witnessed, including all the ways Mike looked at Will and everything that was said, Jonathan was right there.

And what's even more insane about this scene, is that it circles back to Jonathan as a character himself.

I remember when people were talking about how odd it was that we never saw Jonathan with a camera in s4. After 3 seasons in a row of making his passion for photography a big part of his identity, that part of him was apparently absent entirely this time around... But was it really?

This is the same guy that said, "Sometimes, people don't really say what they're really thinking. But you capture the right moment, it says more."

Jonathan might not have had his camera in s4, but this was without a doubt one of those moments where he captured something more.

Something that I also think get's highly overlooked about this scene, especially when it comes to Jonathan looking back at them, being followed by a shot of Mike staring at Will, is that he could see both of their reactions the whole time, from beginning to end. Will nor the audience had the affordance of knowing because Will was facing the other way at the end, while we on the other-hand were blurred from even having the chance, despite Mike literally being in the frame. But not Jonathan. He even lets us see what he sees, a few times, but not at the very end, which would have been nice after they didn't let us see Mike's reaction seconds before this.

Let's just stop right there for a second though and circle back to what I consider to be the first time Jonathan really picked up on Will's feelings for Mike, which was at the end of s3, in a sequence that is a little too relevant to the van scene if you ask me, given that they are almost direct parallels.

While these parallels are pretty spot on visually, they are also near spot on narratively when it comes to the evolution each of these characters are experiencing.

For Will in the first scene, it's sadness that he's moving away from his friends in Hawkins and also feeling like he's losing Mike, after what looks like him and El making up, which makes him scared he'll distance himself again. For Jonathan, it's sympathy for his brother who appears to have some very deep feelings for his friend, feelings he can't quite grasp yet but soon enough will.

For Will in the second scene, it's heartbreak that he has to accept that Mike will never feel the same, knowing that supporting his relationship with El (encouraging it honestly) will likely turn out just as it did last time, with him losing Mike all over again, for the last time. For Jonathan it's sympathy for his brother who has now confirmed his suspicions that the feelings he has for Mike are more than just that of a friend.

Given that this parallel reinforces the same feelings Will and Jonathan had in s3 to now, why would this not also reinforce those same feelings that Mike had in s3 to now?

In the first scene, Mike was visibly distraught, with dialogue from Hopper in the background applying a little too perfectly with what he was feeling in that moment, which was scared. He’s apparently back together with El now, despite them doing just fine as friends for the last 3 months, as well as him and Will just having finally gone back to them being on good terms again. But now, it’s like he’s right back where he started at the beginning of s3, feeling obligated to be the perfect boyfriend to El, and as a result, having no choice in his eyes but to distance himself from Will. Mike then walks into his house looking like a zombie, almost emotionless stepping into his mother's embrace.

Now, I say almost emotionless because it looks like Mike was trying to hold back showing how he truly felt in this moment. He's not crying like he did in s1 when he lost Will that first time. Time has passed and things have changed (he doesn't want things to change). And he's trying his best to keep it together. But the in-focus close-ups make it clear that he is definitely not okay.

What's so impactful about these parallels is that it presents the inner struggle both of these characters are having, both queer and experiencing doubts, but in different ways and for different reasons.

Will is the one who covers it all up with lies, hiding the tears in his eyes, because boys don't cry.

Mike is the one who has never cried to them, just to his soul (RUN AWAY! TURN AWAY! RUN AWAY! TURN AWAY! RUN AWAY!!!).

If you actually try to get a gage on Mike's in-focus emotions in that first scene vs. his out-of-focus emotions in that second scene, well they're not that far off from each other.

We go from Mike smiling vibrantly at Will, to him now slowly turning away to look back down at the painting, with whatever the hell emotion this is...

It's near impossible to catch because of how out-of-focus it is, but looking a lot closer, it honestly appears like Mike is feeling something akin to sadness that he's trying to mask. For a moment it even looks like he turns his head to wince emotionally, only to correct himself.

And call me crazy, but these shots also low-key parallel each other. Mike looking down trying to keep his emotions in check and failing miserably, only to look up and meet eyes with someone whose witnessing it.

With each shot before this of Jonathan observing Mike looking at Will, with him showing all the emotions Will never got to see and everything else in between, I wonder what Jon saw this time? Probably another thing he didn't expect.

Can you just try to imagine the silence in this van, accompanied by Will's muffled sobs, and then try to imagine Mike turning to look down at the painting, only to sneak a glance, and then go right back to looking at the painting, IN SILENCE, and then try to tell me how the assumption that Mike didn’t notice Will crying makes any sense, like realistically?

Yeah me and Jonathan are confused too.

Right now, Jonathan's probably wondering why Mike was acting a little fruity and repressed during the painting reveal. And that although he may have a penchant for being able to 'capture the right moment', Mike is sticking with his story (despite all the stalling and doubt). He is 100% straight!

And so maybe this is where Jonathan tries to accept what is being presented to him as the truth, despite the contradictions in front of him. It's likely that despite the way Mike looks at Will and acts around him, in ways he would have assumed coming from Nancy in s2 would've been evidence that she felt the same, it probably doesn't apply to Mike.

Maybe Jonathan's ready to accept that it's a lot more likely Will is experiencing unrequited love as a gay kid growing up in a small town, the most predictable experience a gay kid could go through, and in contrast Mike just feels too bad to let Will down easy.

Or who knows, maybe Mike could still be a little bit gay too...

But it doesn't matter anyways. Mike seems to be adamant about this and so there's really nothing else Jonathan can he do besides tell his brother he'll be there for him no matter what. And so he does just that.

But then Mike just has to surprise him one last time.

For those that don't know, the line Mike gives here in his monologue was in part pulled from Will's monologue in the van. Most don't know this because this line didn't make the final cut for the van scene, but in the official script the writers posted, what we find is an almost a direct parallel.

Which makes the reaction shots of Will and Jonathan directly after Mike says this all the more epic.

From Will's end he was probably hearing Mike say this and just thinking 'Damn. Well, that's what you get for using your feelings to inspire Mike to profess his love to El.'

But from Jonathan's end, I don't think his outside POV of these events overlapping was nearly as naive as his brothers understanding of the events. Because why the fuck would Mike need to use Will's feelings to inspire him to profess his love to El in the first place? Is this what Mike has been struggling with? Really? Why before every moment Mike takes action in this scene, is Will's hand literally pushing him into it? Why is Mike being so dramatic about saying I love you, stuttering and rambling about her being a superhero, not saying nearly as meaningful of things as what Will said in the van?

And then it hits him.

Mike is reminding him a little too much of another Wheeler right now...

Nancy Wheeler, who was afraid of what would happen if she accepted herself for who she really was, leading her to retreat back to the safety of Steve. Because Nancy liked Steve, but she didn't love Steve.

And now here is Mike Wheeler, who has went from being incredibly distant with Will after reuniting with El, something that is very unlike the Mike he knew in previous seasons, to something more himself again after they make up, with him looking at Will with adoration after hearing his words in the van, only to turn away and look heartbroken. Mike who is now struggling to simply tell El he loves her with Will right behind him literally yelling at him to do it.

And now it's like all those little moments are starting to add up to Jonathan.

Suddenly all those signs he picked up on from Will when he was younger are now blending in with moments Will shared with Mike. It was Mike who jumped in after him and his mom's speech to Will in the shed in s2, with tears in his eyes recalling the day that they met (without being asked, let alone pushed to). And it's Mike who is now looking like he's at war with himself as he attempts to give encouragement to El, just like he did with Will in s2, but this time he needs someone to push him to do it, and that person just so happens to be Will. After just finding out about Will's feelings and also while assuming El wants him to love her that way still, Mike is stuck.

I don't think it's takes a genius to consider Jonathan is capable of realizing how fucked they all are in this situation.

As much as Mike isn't ready for a sleuth of reasons, Will isn't ready either.

This provides a huge contrast between the bylers ², because while Jonathan and Nancy went through a similar experience to Will and Mike, them being ready to accept it and act on it didn't involve nearly as many factors and risks. Will and Mike also have the added barrier that is homophobia.

Will's internalized homophobia lies in part with assuming Mike could never feel the same based on some of the words he said in their last two fights, with parts being painfully reminiscent of the things his dad and bullies used to say about him. These are also words that contradict Mike's own words and actions from the previous seasons, things that did once give Will hope. The shame and guilt that comes with falling for your best friend, who you now know will never feel the same after being foolish enough to believe it not too long ago, and who might not even want to be your friend anymore upon finding out the truth, is understandable. He can't have hope like Jonathan can. It's just not the same.

Mike's internalized homophobia lies with assuming El wants him to love her, along with their relationship being expected and socially acceptable from everyone around him. Though unfortunately for her he feels abundantly more in love in the moments he shares with Will. Despite trying to make it work with El as hard as he could, because she's amazing and all any guy could hope for in a girlfriend, he can't ignore the fact that the feelings he has for these two people are different. The shame and guilt that comes with you, a boy, falling for your best friend, who is also a boy, and who is starting to show that he feels the same, all while you can't muster up the courage to break up with your girlfriend, nor can you muster up the courage to tell her that you love her, not when she's begging you, dying or even just simply at the end of a letter, is pretty understandable too. He can't have hope like Nancy can. It's just not the same.

Spoiler: They were not ready.

PS: I'm still not over the fact that they low-key confirmed these events elsewhere in the story...

[introspectivememories]

roger who's nickname for buggy was "junebug" cause they found him in june and his hair is the same color.... buggy who hates it at first until he's climbing into his captain's bed at night bc of a nightmare and his captain says ever so softly, "oh junebug, c'mere"..... the nickname getting adopted by everyone on the crew until nobody calls him buggy anymore..... them meeting up with thr whitebeard pirates and getting irrationally jealous when the whitebeards use the nickname bc that's their nickname and who the fuck do these people think they are getting so close to their junebug.... rouge who has never met buggy calling him junebug in her head.... roger whose last words to buggy that fateful day before loguetown was "you shine like the sun, junebug. never stop"..... buggy who waits for years after the execution for a call from one of his former crew members, hoping every time the den-den one day it'll be rayleigh or seagull or gaban or sunbell on the other side with a familiar "hey junebug", except no one ever calls and the years go by and buggy slowly learns to stop waits, and gives on being the roger's junebug and learns how to be buggy the clown, buggy the genius jester, buggy the immortal, everything and anything other than junebug

[ferronickel]

Thinking bout the time someone yelled at me because they didn't understand butches.

[avirxy]

beauty and beast au but Claire’s the one cursed because she’s the only one I can see literally pissing a sorceress off enough to get cursed. (If we’re going off the original movie Jim would probably offer them a hot meal and a room for the night, knowing him he’d make everything super accommodating)

[welcometogrouchland]

Babygirl I can concieve of stephcass dynamics you couldn't even imagine (arospec Cass not understanding why "probably bi but has a job so she doesn't have time to think about that" Steph apparently needs a man (she doesn't, it would just be nice) and doesn't want to platonically settle down with cass in their old age)

[enhanced-operatives-division]

Prism's concept art has been. Deeply on my mind. They had some killer ideas for her and ummm.....sobs in my hands. I love her?

[sacriou]

She’s a hypocrite but I love her so it’s ok. (Referring to sylv)

[the-casbah-way]

i never ever cry in front of anyone ever but there was this boy i was OBSESSED with in primary school when i was like seven years old because he was the fastest boy in the class and he had cool spiky hair and i always thought it was a crush until i came out and realised it was gender envy of some form and today my friend out of the blue told me that i look like him and we looked at his instagram together and i actually do. i look almost exactly like him. and i cried like an absolute wanker because i’ve been so miserable my whole life being perceived entirely the wrong way and i went home today and looked at myself and realised i look like the boy i always wanted to be when i was a kid. and whenever i feel bad about myself i get to remind myself that i look like him so i shouldn’t feel bad because back then i couldn’t have ever dreamed of getting to look like this. and t will only make it better and even though the idea of starting it is still so scary to me i keep having moments like this that make me realise how good it’s going to be even if some of it will suck. i always focus on all of the ways my transition has gone and will go wrong and i forget that it’s going to go right in a lot of ways too

[bumblingbabooshka]

Something about this interaction between Harry & Janeway - specifically Janeway but it's notable that Harry's the one listening because I think, say, Chakotay or B'Elanna might push back against the idolization of this 'it was different back in those days' way of thinking.

[jakowskis]

"i hated owen for all/most of s1 i only started liking him in s2" weak. i liked owen since he got choked against a wall by an angry woman and then told her he wanted to shag her immediately afterwards. and then even more when he spent ep3 trying to intimidate and murder a rapist

[softquietsteadylove]

thenamesh has rotted my brain so much that 4th of july fireworks spooking my dog obviously made me think of how thena would probably get spooked by them too — so of course i had to bring it to you as a prompt! maybe featuring our sweet jack and some comfort?

Thena squinted as yet another firework went off. Terrible, incessant things, she thought. They were loud and made a mess. But ever since their conception - for which they had all been present - humans loved them.

They had declined to attend the show at its source, mostly out of consideration for the Eternals and their heightened senses. Thena, especially, although she did offer to attend for Jack's sake.

In years past, Phastos and Ben had taken Jack to all of the typical Fourth of July festivities, as Americans wishing to take part in the celebrations. They went to the parade, they attended things in the city or had backyard activities at their home for the neighbours. They had also declined that, this year.

It was determined to be too much, the possibility of strange kids running around and screaming with water guns and sparklers. Phastos and Gil did cook on the grill just for them. They had all attempted to lure Jack outside with the promise of baseball and soccer and football. But all day, Jack was busy inside making a fort.

By this time it was taking up most of the living room, constructed with couch cushions and the futon from Phastos' home office and plenty of pillows and blankets. It was somewhat hard to navigate, but Jack was adamant that it not be disturbed all weekend. Thena had defended his magnum opus.

Another one went off, and even Ben and Phastos admired the twinkle of it, each with a beer in hand. Ben looked around their chairs all lined up on their back deck to see the display at a distance. "Jack?"

Phastos shook his head. "He's still working on that fort."

"He's missing the show," Ben frowned.

Gil leaned forward in his own chair, mindful of Thena in his lap. "We told him it was starting, but he said it was almost ready."

"Ready for what?"

None of them knew. Phastos was especially put out that his son was seemingly over the childhood wonder and joy of the fireworks show. "This is how it starts. Next, he's gonna be in his room all day and night and we'll never see him except-"

"Habibi," Ben chided his husband, reaching over and rubbing his hand. "We have discussed this."

"Yeah," Phastos sighed heavily, though, taking another swig of light beer. "Just wait, he's eleven now, but he'll be thirteen before we even know it."

Thena pressed her ear more firmly against Gil's chest as another one burst in the air. She blinked rapidly at the red colour of this one. She was doing respectably well, though. She had the odd moment of swearing she could smell gunpowder and smoke, but she could still correct herself. They weren't witnessing the slaughter of Tenochtitlan, they were visiting their brother's family in America.

Gilgamesh ran his hand over her hair, whispering soft nothings to her to help her weather the storm. "You sure you wanna do this? Jack isn't even here."

As with most other things, she had agreed for Jack's sake. She was still overly conscious of potentially ruining any fun for him because of the gentility with which she needed to navigate human life. Of course she would deny it, but it did melt her heart completely every time he showed concern for her state of mind.

She gripped the lapel of Gil's shirt, but nodded with her head under his chin. "I'm sure he'll join us. If I go inside, he'll just offer to keep me company."

Gil chuckled, kissing her temple. She was right, and he knew she was.

Phastos looked at his watch, "well, if he doesn't get out here he might miss the end of it."

Thena lifted her head from Gil's chest. "It is odd for him to be so reclusive. I'll find him."

Gil let his hand trail down her back as she lifted herself from his embrace. "If he doesn't wanna come out, you two can have fun in there."

She smiled at him, letting their hands drag apart reluctantly.

"Sure, if she goes he'll come right out. If I do it, it's 'Dad, I'm busy!'."

Thena ignored her brother's lamenting over his child's growing independence. She slid the patio door closed behind her. "Jack?"

"In here!"

She walked into the living room, finding the lamps were on, illuminating the truly impressive sprawl of the fort. She tilted her head before bending at the waist. "Jack?"

"Aunt Thena, in here," he whispered, a hand sticking out just to wave.

She crouched down, bending her knees in her skirt so she could crawl into the small tunnel leading to his domain. "Are you sure?"

"Yeah, it's finally ready!"

What was finally ready? Thena crawled on her hands and knees over the carpet and into the fort's main body. Never before - and never again - would she have to crawl like this. It was unbecoming of a warrior. But this was for her nephew.

"What do you think?"

It was actually quite remarkable. The far 'wall' actually was connected to the large window of the living room, offering a glimpse outside that looked in the direction of the city's epicentre. The rest of the fort was cushioned by thick blankets and using the plush structures of couches and chairs and automans.

"This is rather well done, Jack," she praised with a smile. He truly was a remarkable human--nothing short of brilliant, the son of the Fabricator Eternal.

"Here," he said gently, sitting himself on a pillow set up by the window. There was one beside him, which he patted for her. "The view is perfect."

"The view?"

But Jack was right. It was possible to see the more distant fireworks that were being displayed over the city harbour. They were more distant, therefore not as bright against the dark sky. And within the house, they were much quieter.

"Is this what you've been doing?" she asked as she watched the tiny but still beautiful display within the window.

He nodded, also watching, captivated. "Baba said there were two fireworks shows, this one just started."

She gave her young nephew a look, attempting to appear stern with his utterly adorable face. "Did you construct this just for me?"

"Well," he cast a sheepish glance to his sock feet, wiggling his toes and twisting his lips.

"Jack," she frowned. "You mustn't worry about me so much. You should be enjoying the fireworks with your fathers as intended."

He looked at her with big, pleading eyes, shrugging his shoulders. "But I can't have fun if I know you're scared."

She sighed. Such a sweet boy, with such a big, human heart. She put her hand on his head gently, not quite patting his head and not quite ruffling his hair. "It is not your place to quell my fears. And discomfort is not a fear."

He scooched a little closer to her pillow. "Can I tell you a secret?"

She nodded, leaning down for him to whisper to her, even within the protection of the fort. He moved her hair out of his way, his little hand feeling barely bigger than her ear.

"The fireworks are too loud for me, too. But I never wanted to say 'cause Dad and Baba like watching them."

She watched him sit back on his own pillow again. The thought crossed her mind if he was lying in order to spare her feelings, or her pride. But Jack wasn't a very good liar (she had seen him try to lie about reading comic books after bed time). "Is that so?"

He turned his attention back to the window. "We always go, ever since I was little. But it gets cold, and they're cool and all, but they kinda look the same except for the start and the end. And they're really loud if you're too close."

Thena looked away from the lights display to her brother's son. His maturity and knowledge of himself never ceased to impress her. She truly thought human children were less intelligent than this. Although it was possible Jack was an exception among human offspring. "And here I was, out there so that you wouldn't feel the need to stay inside with me."

He looked at her, illuminated by the far off show. "I like being inside with you."

She put her hand on his shoulder, allowing him to lean against her arm. "I like being inside with you too, Jack."

The boy went quiet, perhaps bashful of the quiet affection passing between them. But he made himself comfortable against her, as affectionately as a boy his age could allow.

She held back a laugh as she heard a small yawn escape him. "It has grown late."

"That's okay," he excused, although he was leaning more heavily on her by the second.

It was indeed late. The summer made the sun set so late that the fireworks couldn't start until rather close to Jack's bed time anyway. Thena moved her arm, allowing Jack to fold himself against her more comfortably. This was also something she never imagined herself doing as the Warrior Eternal. But as the boy's 'Aunt Thena', she would be quite capable of anything.

She continued watching the display, checking every few minutes if Jack's eyes were still open. Perhaps partway through the display, he was completely asleep. She ran her hand over his forehead, resolving not to move and disturb his sleep, no matter the cost.

[dootznbootz]

With how I'm planning my fics, since Menelaus and Agamemnon spend some years at Tyndarius' palace, I kind of have them all be childhood friends in a way before Agamemnon and Menelaus take back their kingdom (Aga is around 19, Menelaus 15 when they leave. 5-6 years later they get married.) With how their marriages work out when talking about "Old times", Odysseus is the "odd one out" as he was the only one who didn't grow up alongside them. The poor guy is left out.

Odysseus: "Wait, why is everyone laughing? What does that mean? I don't get it." Penelope: "Well you see-" Goes on about a silly story but the inside joke is dumb. "...You probably would've had to have been there to get it" Odysseus:

[fruitlicense]

I’m an episode and a half into Smallville and a) statistically Lana Lang can’t be the only girl in town that people want to date, what the hell and b) everyone is acting like this is so high-stakes but it’s literally high school couples. they all need to calm down. Clark is actually one of the chiller people but he’s so sad about it? like it’s okay honey, you’ll meet more hot people after you get your journalism degree

[muttmoxley]

fnaf is fucking crazy on one hand its fucking five nights at freddys theres animatronic furries possessed by ghost children its fucking stupid as shit but on the other hand i will start fucking cryong if i think about elizabeth for too long

[burgeredagent]

:O uuummmmmm karkat!! for the drawing reqs (also maybe my oc page?? like them together? only if u want to lol)

shhh....*finger to your lips* you need never ask