#Claire would..not be doing that

[avirxy]

beauty and beast au but Claire’s the one cursed because she’s the only one I can see literally pissing a sorceress off enough to get cursed. (If we’re going off the original movie Jim would probably offer them a hot meal and a room for the night, knowing him he’d make everything super accommodating)

[aimfall]

big month for disco elysium fans everywhere 🏳️‍🌈🏳️‍⚧️

[spookberry]

AU of my ocs based on this post

[084392]

ok. i think im done now.

[robindaydream]

Pyromancers

[zaiofender]

eve and the serpent 🐍 (1/5)

(5/5)

[notyourdaisybuchanan]

[tinned-beef]

five sucks ass at explaining math but he’s the only sibling that actually understands claire’s homework so she has no other choice

[ninoochat]

It's okay, it happened a long time ago. Yeah, I don't think that matters.

[iheartbookbran]

Gareth St. Clair and Hyacinth Bridgerton doing detective work on the diary of his Italian grandma only to accidentally discover in the process that his other grandma fucked her grandpa:

[deadlydelicious]

Who the fuck were Lila's family? Her backstory in season 2 was that her parents are brits, but in this timeline she just has like 3 or 4 random american aunties and uncles and it's never explained? We're just expected to accept that she has this gaggle of family who are ready to babysit her plot device children.

And why are her and Allison the only one's who get other family members? it doesn't make sense and it feels like we were so cheated out of seeing the Hargreeves sruggle to fit in with whatever nuclear family dynamic this new timeline dumped them in

[thenameisgul]

fanfic writers who don’t suddenly forget that claire is also a part of Cas’ family even if spn writers did, are doing god’s work ngl

[swan2swan]

The biggest problem with Dominion is the dichotomy of Maisie's plotline with regards to motherhood, and the way both plots revolve around it from wholly opposite perspectives while never actually clashing.

Her plot starts off simply enough: she's angsting about not being a real person, Claire's trying to protect her, and Maisie spits at her with the "You're not my mother!" line right before she's kidnapped.

This is a classic Finding Nemo setup, which Claire takes to with gusto: she calls on favors, slips into seedy markets, fights a crime boss, eludes raptors, jumps out of a plane, and crawls through a forest to get the girl she calls her daughter back. Most stories would show this as a trial: ye olde "GASP! My parents love me!" story.

But the fact that Claire has no obligation to bring Maisie back is never challenged. Soyona doesn't bother with asking or playing the role of the tempting serpent instilling doubt; the closest the movie comes to that is Franklin giving her the "I told you this would happen" speech. It's all taken for granted, which is...okay, because we have already established who Claire is, but that's not the problem.

The problem comes with the other half of the story: Maisie mopes to Wu about how she's just a close, and Wu immediately points out how no, she was conceived and carried in a human womb just like everyone else! And he calls Charlotte "your mother".

And Maisie goes "Is that my mother?"

And when she meets Ellie, Dr. Sattler is somehow fully aware of who Maisie's REAL MOTHER, the one who created her and who she looks like, is, and gushes about how great of a eugen--person she was. Every single time Maisie talks about "her mother" with the people around her, the word is referring to Charlotte Lockwood, the woman who birthed her.

Meanwhile, that Claire woman is crawling into a slimy pond to get away from a twenty-foot-tall Kreugersaurus because she wants to get Maisie away from kidnappers.

Of course, Maisie runs back to her and yells "Those are my parents!", but there's still something missing there. Claire's side of the story is all about her powering through, risking her life time and time again to track down her daughter...but there's never really a moment between them later. Maisie even posits the "So I was just an experiment to her..." plotline that has been seen before, but even that's immediately refuted.

The movie's not wrong for avoiding the cliches and the oft-used tropes of foster motherhood, but it doesn't really break any new ground, either. Obviously, people can have more than one mom, but there's something of an imbalanced focus on Charlotte as Maisie's mother in the Maisie and Jurassic Park plotline, while Claire in the Jurassic World plotline is doing all the expected Mom Stuff.

I can't wholly express what's bothering me about it, maybe I'm overthinking it, but it...doesn't quite sit right with me.

[another-clive-blog]

HOW HAVE I NEVER NOTICED THIS

LAYTON USES TU FOR FUTURE LUKE BUT SWITCHES TO VOUS THE SECOND CLIVE'S IDENTITY IS REVEALED.

Tu and vous both mean you but Tu implies closeness : in the entirety of Unwound Future, Layton only ever uses Tu with Flora, the Lukes and Claire

[thoughtfulchaos773]

I've come to a conclusion:

Antisydcarmies love to say that Sydney represents the restaurant industry, so they can't be together.

It was also argued that the reason Carmy's panic attack stopped when he thought about Sydney is because she simply reminds him of work and believes in him. So, thinking about work is what calmed him.

It's suggested twice by Camy that he admits to Richie and Claire that, even though work is gnarly and gross and not always fun and requires hardwork, at the end of the day, he loves and chooses the job over anything else.

Carmy Loves work = Carmy Loves Sydney

Now, about the gnarly and gross parts, it can be at times challenging in a partnership to love each other. Love can only be feelings at first and is led heavily by that at the beginning. The hormones are going off- and the heart is beating fast because of attraction. A teenage love.

But when love is no longer a feeling - or when the feeling can't be the only thing that holds it together. Love then becomes a choice. A choice to prioritize the relationship and choose to keep working on intimacy and growth on both sides, to choose to lead each day with love, the relationship deepens.

From what I recall, Chris Storer wanted to make a show where love can be shown to sometimes be kind but also ugly and complicated - which makes sense given his life story dealing with trauma and the complicated dynamics of family.

Anyway, despite it being gnarly and gross and 200 hours on and off. Requires his complete focus and nothing else. Carmy still chooses to love Sydney since she was the only one he got to choose to love in the first place. She was someone his family didn't choose for him. She's part of his found family.

Now, repurposing trauma makes sense. He loves his work and what he does, but there's trauma attached to it. Similarly, he wants to love someone and be loved, but there's trauma associated with loving someone and being loved. Therefore, he has to repurpose his trauma related to both work and relationships with Sydney, and make it beautiful and kind rather than just challenging. If he repurposes his trauma, he can start to heal and find joy and purpose in what and who he loves.

[quietwingsinthesky]

it ever hit you out of nowhere that castiel is living in a dead guy's body and the show just does not care. it does not care. jimmy novak might as well not exist the moment he or claire is out of sight. cas stole a guy's body and his face and his life, and we can't ever talk about it or discuss it in detail because of how fucking horrifying it is that sam and dean's best friend just walks around in a dead guy suit. there's not even a human soul in there anymore. it's just a corpse. stone-cold body snatcher indeed.