#like a relief

[lith-myathar]

disordered eating talk in the tags

[quibbs]

just had SO much fun with the fallout tv show... i love you missus okey dokey

[shroomwar]

Obsessed with the way Vicodin is such a huge piece of symbolism in House’s relationships. Like. Cuddy left him because he relapsed. She told him that he took the Vicodin to avoid pain, because pain means you care and he wasn’t willing to do that. We’ve seen throughout the show how House’s emotional pain manifests as physical, increasing whenever he feels guilt or anger or sadness or fear. Keep in mind this was while Cuddy was worried she might have cancer.

And then Wilson ACTUALLY gets cancer, and House treats him at his apartment, and he feeds him Vicodin. Because Wilson is in pain, and he’s always the one who cares so much, and it’s House’s turn to take that away. And House doesn’t take any Vicodin. He feels the pain so Wilson’s is lessened, because he CARES. They make a point to show that he is willing to care, willing to take on that burden for him.

House will do anything to stop the pain, unless it makes Wilson suffer.

[jakeperalta]

letting celebrities think they can and should "use their platform" to speak on all current events and political issues regardless of how educated they are on them was a grave mistake

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[jesncin]

Happy National Coming Out Day! It's been about half a year since our middle grade graphic novel, Lunar Boy, released! Today we want to reflect on the concept of Coming Out, and how it's fictionalized in media.

Check out Lunar Boy wherever american graphic novels are sold, or check it out at a library! All the support means a lot with getting stories like this out there.

[mycroftrh]

Bruce and Tim’s autistic asses have never made eye contact with each other in their lives

Like an interviewer comments lightly on his habit of adopting kids with black hair and blue eyes and he says, absent-mindedly, “Tim doesn’t have blue eyes,” to which the interviewer answers, with great confusion, that he most certainly does, and Bruce suddenly realizes he has never once looked at Tim’s eyes without the domino on and had just sort of assumed they were brown, statistically

[egophiliac]

Since book 7 part 5 (the part where we meet Meleanor/Maleanor 👀) is coming to EN this month, i would love to see your take on lilia’s proposal to meleanor! i mean they were like little kids right? it couldn’t have been that serious…i think the only reason she even brought it up again is because she could tell lilia still genuinely loved her…(even if he didn’t realize it himself?) but, oh well! Let’s think about silly childhood shenanigans to numb the pain! ^_^ (orz)

oh shit?! get ready for a doozy guys, it's comiiiiiing ᕕ( ᐛ )ᕗ

I chickened out of posting the whole thing (look, I get VERY carried away when it comes to these wacky kids and their Tragedy), but I do believe that it probably ended with Lilia getting embarrassed and just shoving the first thing he sees into his mouth to try and cover for it.

(we're just lucky it wasn't a frog this time)

[vaguely-concerned]

rook falling asleep on the red couch in the lighthouse dining room while lucanis is making dinner....... they were helping out by keeping him company and peeling and chopping potatoes for a while there but then the potatoes are done and the room is so safe and warm and smells like coffee and good food and lucanis is trying to explain something to spite and his voice is low and soft and good to listen to and rook's eyes only slip closed for a moment. they'll get up to save the world again or whatever in a second just. one moment. while the world is warm and kind. and then they're being shaken gently awake an hour later because it's time to eat and everyone's starting to drift hopefully dinner-wards

[jounosparticles]

SO THEYRE NOT SIBLINGS. OH THANK FUCK

[bumblebeem]

Transformers One (mostly Bumblebee) things I can't stop thinking about.

During the film's opening when Orion Pax falls into a room and onto a table full of energon, he bundles a load of it into his arms and is eating as much as he can until he drops it all and has to keep fleeing.

He's starving. The miners are being underfed as well as overworked.

Additionally, we see Bumblebee has three rations on his person when he offers one up to wake Alpha Trion. This might suggest he's keeping these rations for when he'll need them rather than being able to comfortably feed himself. For the miners it's a scarce resource they have to be careful with, and yet the transformers on the higher levels are enjoying it in abundance.

Bumblebee urging D-16 to "stay down" during Sentinel's attack.

This is an interesting line - if it was a nothing line meant to reflect compassion/empathy, he could have urged Sentinel to stop, or implored the 'bots next to him to take notice and do something. There were other ways to demonstrate "Bumblebee is kind and doesn't want his friend to get hurt."

But he doesn't look to authority or anyone else around him for help on D-16's behalf.

He instead instructs D-16 on how to behave to get the abuse to stop.

Which suggests to me this is learned behaviour, and he's giving advice based on previous experience. He's learned that taking the punishment and letting it happen gets the perpetrator to eventually stop, but resisting and fighting against them keeps it going.

That he was reassigned continually right down into sub-level 50 would tell me he's had more than his fair share of annoying a bigger 'bot enough to get himself knocked around once or twice. And very likely, nobody witnessing the abuse helped him, and/or the authority in the room was the one perpetrating the abuse anyway, so of course they weren't going to step in and help.

The only way out for him has always been to just take it :( So he assumes this will be the quickest/least painful way out for D-16, too.

Bumblebee is as much of a nerd as Orion is.

He knows about the High Guard (and is very excited to recite what he knows about them), he recognises the Primes as soon as they come across them in the cave, he watches the broadcast Orion locates inside Steve's head with interest... It's very subtly done, but I think this is the main shared trait between Orion and Bee. I wish we had seen more of Bumblebee trying to talk to Orion about this shared interest, but I get the main relationship they wanted to portray was that between Orion and D-16 (and really enjoyed that regardless!)

Bumblebee knows how to leave sub-level 50, yet he still goes back to his post, and doesn't appear to be using this escape-time to socialise with anyone else on the other floors he can access since he is so very clearly starved of social contact.

I'm not crying, okay, I'm just imagining this poor little guy sitting out of view watching the other cogless 'bots come and go, knowing he could get into more trouble and be even more isolated if he announces his presence and gets himself caught.

Also his "limited access" to the waste management area, and that thing he says about the main one in charge there preferring that he stays on task and really not liking any distractions... Ugh.

Bumblebee is purposely isolated in that room and there's apparently enough of a deterrent to keep him in it that he is forced to make imaginary friends out of trash to talk to instead.

I'm gonna go insane with grief and rage.

[passiunclepaltry]

worth mentioning now i didnt mind the direction the F&C ending went it was bittersweet which was perfect and tragic . but also there’s an almost fix-it au comic series published where simon just kisses golbetty in a gay lil ponytail and everything’s normal

edit: not whatsoever saying this was better than fionna and cake not by a landslide it was a little flimsy. but it was FUNNY ab it

[oodlyenough]

the anime flashback eps are full of gems but one of my favourites is gregory edgeworth revealing the only television his weirdo nine year old watches is the news

[nicollekidman]

there’s something about the way the scoobies allow spike to partially integrate with them in buffy’s absence but only insofar as he’s being Useful and clearly only because they understand he wouldn’t allow it to be different. he can walk amongst them because he’s strong and he made a promise but they don’t actually view him as a man (not even as human, but as someone capable of grief), and as soon as they bring back buffy, he’s gone from their minds, relegated back to the shadows and not even considered. and how that aligns with how they think of buffy….. buffy is beloved unlike spike but she’s also Useful. her strength is there again so they don’t need his, she’s buffy so she’ll take care of everything, they just have to wait. she will say thank you!

but while the scoobies are waiting for buffy to Go Back To Normal, to take up her slayer mantle and do what they need her to do….. buffy (barely conscious, barely aware of her surroundings) goes to spike. and for as much as the season dives into the Darkness in their connection. it feels very important that when she comes back, the scoobies forget about spike and Other him again, meanwhile buffy instinctively understands that spike isn’t seeing and speaking to Old Buffy(tm), he isn’t watching her every move and reaction to compare it to how she used to be, he’s just. seeing her. and understanding her. both their hands are hurt. and….. she doesn’t have to lie. she can be alone with him there.

[notbecauseofvictories]

Watching this again, it becomes incredibly clear in s3 that Nate is teaching Parker how to run her own crew. He fully anticipates that she will be his legacy, and more than anyone else---more than Sophie or Hardison, more than Eliot (though I would argue that Eliot never even slightly wanted it)---he is teaching her how to take over, think like he thinks and plan like he plans. He fumbles some of the emotional stuff, never actually tells her explicitly...but by the time you reach s3 he's clearly all-in. He's decided. Parker is going to be Nate 2.0, with different more exciting bugs than the 1.0 version.

[chronicowboy]

the shot at the end when joel and ellie are driving away through the open bedroom window, how it slowly pans further and further back into the room but it doesn't invade bill and frank's privacy of their final moments together...