#like I saw that coming from a mile away
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hopelessfandomfreak · 2 years ago
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lesbians exist in ted lasso!! hooray!
I still think roy/keeley will be endgame but I also think jack is exactly what keeley needs right now. she needs someone she can pour her heart and soul to, which she’s already started to do with jack, and who can validate her. eventually I think jack will be the one to tell keeley the obvious fact that she still loves roy, or jack will be a big part of keeley accepting that for herself. either way, jack is going to be important to keeley’s arc this season.
and I mean if I were in keeley’s place I would have done the same thing, can’t say I blame her
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majunju · 1 year ago
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attention seeker
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veemark · 3 months ago
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YinWar's reactions to people complaining about the series not showing how Jack and Joke feel about each other and lacking romance because they haven't had any "sweet moments" yet:
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Bonus: Yin clapping back at people hating on him for Jack's choices last week.
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themanwhomadeamonster · 1 year ago
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me knowing arthur and aoi are doomed by the narrative and we will have to witness them transform into infested proto-frames
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nucleqr · 1 year ago
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i was never really a fan of the emperor but i am absolutely so mad at him now
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neilsracquet · 2 years ago
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nora pretending she didn’t always know that andrew and neil were going to happen when this scene literally exists
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lonestarss · 10 months ago
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💍 Tighnari for the doodle game por favor
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i hc that cyno first tried proposing at like, the single least romantic time (forest patrol in this case) and tighnari immediately shut him tf down, partly because he didn't want such a display at such a time, and partly because he wanted to be the one to propose instead.
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daisyachain · 1 year ago
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Restorative or Transformative?: Homoerotic Subtext, The Closet, and Ciphers in Pop Culture. The nature of commercial art is that it’s sometimes bad and inconsistent. Notably it’s also misogynistic. One way in which audiences try to reconcile massive plot holes or gaps in character motivation is by reading secrets or hidden information into a plot.
Commonly, male characters are interpreted as closeted gay or bisexual to reconcile the absence of women from commercial narratives with the generally stunted and poorly-written male characters that form the focus on said texts. This reading has become especially common among a non-heterosexual milieu. Rather than transforming the original text into some radically different new form, this closeted interpretation seeks to make the original text stand on its own as a story rather than a Swiss cheese of dumb writing decisions.
This interpretation only works for a specific type of pop, usually genre fiction. Any story in which tortured male leads eschew women in favour of male-male bonds (because female characters are constantly killed off, written sparsely, or written out, because the production team keeps casting their male buddies, because actors demand to keep having scenes with their bros, whatever) can become a sounder structure if you put one of them in a closet.
The gay interpretation is the natural consequence of shoddy misogynistic writing from ventures like Supernatural, Naruto, all the biggest hits. It’s also the natural consequence of more benignly misogynistic writing like The Adventures of Sherlock Holmes or The Lord of the Rings, where women aren’t necessarily rejected but are simply absent from the worlds of the protagonists. When the emotional crux of the story falls on male-male interactions, this reads as romantic because society at large priorities (definitively heterosexual) romance as the pinnacle of human connection. Two forces are in conflict, the primacy of heterosexuality (read as: romance) and the primacy of men.
Anyway. All that is to say that the typical gay or bisexual reading of male characters in pop fiction comes from a very real place. But, in some places, that’s the default interpretation. Angst, insecurity, secrets, double lives, fatigue, disappointment, restrained passion, stunted personal growth, anyone living in the closet can tell you that it impacts and defines your whole life to know that you live in a way fundamentally incompatible with The Proper Way that life is structured around down to tax law and superstore prices (which assume a heterosexual nuclear family unit). Characters in fiction also tend to have personal problems because that makes them interesting and tasty.
If you’ve grown up on stories with the specific type of misogyny that can be papered over with a closeted interpretation of the male leads, carrying this interpretation over to any male character will make sense more often than not. Even a bit of angst or insecurity? Well of course that makes sense if a character is closeted.
Except that’s hurt a normal part of fiction, and sometimes the closeted interpretation takes away from the point of a character. If a male character is on another axis of marginalization, the closeted interpretation imposed by the slash reading community downplays or trivializes the effects of that marginalization in the plot by overwriting it with another type of marginalization. Alternately, sometimes a character’s heterosexuality is a part of the story. There are some sorts of critiques or investigations of misogyny or masculinity that don’t work if the character has an ‘opt out’ of the cisheteropatriarchal perspective. Not that gay/bisexual men aren’t except from misogyny, but misogyny masculinity and heterosexuality are so tightly linked that it sort of defeats the point if you interpret that character outside of heterosexuality.
All that is to say—the closet interpretation is a quick and easy spice to apply to the weaker parts of action-adventure genre fiction to make it taste better. It draws from a large enough sample of art that it’s pretty widely applicable. Because of that, it’s part of some people’s [my] default interpretation package just because the semi-dull macho show at least gets less dull if you imagine there’s a reason for there to be no girls besides simple hatred. That then forms its own problem where the interpretation that works with your average genre work gets then blanket-applied to all genre works and obscures the places where the closet interpretation doesn’t fix the work, and actually makes it less interesting.
#kelsey rambles#I’m as guilty of it as anyone.#just thinking about Johnny Storm and like. bisexual ass character. deeply bi guy. but.#what IF he’s just heterosexual. what then. wouldn’t that almost be…more interesting#if he’s Like That and not closeted? what twisty gnarled psychological torments would a good comic have to explain him#and on the other hand. that one post I saw about how miles/hobie totally misses the point that their relationship is about solidarity#spider-punk and spider-byte’s alliance with miles are the same thing and to read it as romantic erases the important part#and on a third hand. when speaking of miles’ story. the stupid fucked Bendis running joke/subtext with Ganke#to have Miles be gay would possibly take away from the messy and interesting part of his character that is being a person with nothing#to hide. a totally honest genuine straightforward kid who is forced to start a double life by an outside actor#but at the same time it’s dumb and a cop-out to throw in that much bait and that much of a genuinely charged tense friendship#and then go ‘lol jk. nothing to see here’#the other thing is the semi joke in atsv about ‘coming out’ as spider-man#the most important thing about Miles having to hide is his relatively precarious position as a black kid. he’s not afforded the leniency#that Peter Parker would expect if he got unmasked. Miles is more cautious because he is in more danger because he’s Black#so to paint that struggle with the gay brush is to disregard the character’s raison d’être. while also#using that sort of language and structure deliberately puts a gay lens over that character and ignoring that or kicking it to the side#feels a bit cheap. to borrow the look and not the substance#way too many tags and it’s past my bedtime. thesis statement is:#miles morales is a character whose history is fraught with plenty of real gay subtext and whose character struggles are entirely divorced#from any sense of gender performance. he’s subtextually bi but that’s got so little to do with his story that it feels almost wrong to read#that into him because there is so much other interesting stuff going on with him
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orchidsangel · 1 year ago
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pregnancy trope is AWFUL like let me speak my truth. like jtv and the originals is different because the entire plot is centered around it but if i'm watching a show or reading a book and it supposedly comes out of nowhere (i've never not successfully predicted it) then it's over. i'm done. i'm out. LIKE DON'T PISS ME AWF !!!!! just sick and awful !!! especially when they're surprised like they weren't literally raw doggin every day, no birth control...you just made me angry. "i don't understand how this could happen ???" i'm literally under your bed rn.
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ratstuckinamarble · 1 year ago
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I was hanging up a Halloween garland to get a little more into the spirit of things, when I lost hold of the damn thing and it flung itself against my shelf.
The one with a vase on it. Which immediately got dragged down to the floor.
I could already hear the crash of glass... except it never came. There I am on my stepstool, looking at my scattered dried flowers, absolutely confused as to where the hell that vase went. I thought it had disappeared. Somehow. I was properly befuddled.
...It had fallen into one of my backpacks, which basically swallowed the whole thing up without looking like anything had happened. Thanks for making me think I was losing it dude. At least I didn't have to clean up any glass (⁠´⁠-⁠﹏⁠-⁠`⁠;⁠)
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photondoesstuff · 1 year ago
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I don't even play Splatoon 3 anymore and yet I'm still disappointed to hear that Shiver won the Splatfest yet again.
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akkivee · 2 years ago
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who made you get into hypmic
“i opened “i locked it” “i threw away the door” the key”
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noahstayed · 1 year ago
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One of the most frustrating things about the Irreverent trailer is that it feels like Christian propaganda. Like IT FEELS LIKE A HALMARK MOVIE level of 'feel good' junk food. Where a big time criminal finds himself and god and learns to love his fellow man in a small beach town. It is not. OH BOY IS IT NOT.
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dani-luminae · 2 years ago
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“But why is Galactic Starcruiser closing?!?!?!?!?!?!?!?!?!?!”
Wow, it’s almost like no one was willing to fork out an exorbitant amount of money to be locked in a windowless building for two days, even if it was chock-full of Star Wars minigames to play.
And compared to all the actors, Cast Members, and other employees they had to pay to keep the “experience” running? It just wasn’t efficient.
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orcelito · 2 years ago
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Guys I think the writing for fire emblem engage is somehow worse than fire emblem fates. Im a longtime fire emblem fan, I've played every recent game, and this... this is just Awful lmfao
Im still having plenty of fun & I have my handful of characters I love soooo much. But God fucking damn this writing is just some of the worst I've ever seen in a game
(Major spoilers in tags. Ran out of tags so I can't spoiler tag hfkshfj.
Final conclusion (since I ran out of tags): What Even Is This Fucking Game. Definitely my least favorite fire emblem game in many respects, but By God I'm going to finish this bitch and I'm gonna have plenty of fun as I do so. And I'm also going to make fun of every narrative choice it makes along the way bc the writing in this game is just SO fucking bad holy shit. I just need to finish this game and get on with my life already. God fuckin damn.)
#speculation nation#ive been critical of it from the start. bc it really isnt good. tho ive softened in some respects#it's plenty of fun thankfully. i enjoy the battle system a lot & the maps can be challenging in a fun way#but the moment i stop to think about Anything it all just feels so ridiculous#there have been a few moments it's surprised me. plot twists that were Almost cool.#but most of the time it's just throwing a bunch of shit out of left field at me and expecting me to be invested (im not)#so it's like. the 'plot twists' are either things i saw coming from a mile away OR things that r just so fucking insane it's not satisfying#like. the game saying 'oh man this thing you need to get to is at the bottom of this biiiig frozen lake! however will you get there?'#'how about... you trust the woman who has been an antagonist THE ENTIRE GAME UP UNTIL NOW to be telling the truth & to be helping u'#'heres a magic item she used the rest of her life to make! how sad! dont you feel bad for her? she wanted to be a mother!'#'no dont think about all the times she hit your little sister :) she feels bad about it so it's obviously ok actually :)'#'anyways take her magic item. itll get you to the bottom of the lake. how you ask? underwater breathing? PHHHSH'#'NAH your ass is going a thousand years into the past to break this thing b4 it fell into the lake OH ALSO you meet your past self#from when you were evil. good luck! :)'#im. not making any of this up. im not making ANY of this up and i really wish i was.#i was just rubbing my temples for that entire stretch of story it's so fucking stupid.#i think one of the most interesting things it did from a narrative standpoint was take away the rings 12 chapters in#so you hit rock bottom and have to crawl your way back out with the help of some unexpected allies#like. yea that's interesting. EXCEPT from a GAMEPLAY standpoint it's one of my least favorite fucking things in the game#you get used to this set of mechanics but halfway through you have to switch gears to an entirely different set of mechanics#and by the time you finally get everything back & ur army is full and whole. the game is almost over.#itd like that narrative choice SO MUCH MORE if it didnt set me back in such a major way & restrict total gameplay access to the End#every game has a slow trickle in of new characters so you dont have everyone until later in but EVEN THEN#you generally have everyone by 2/3rds way thru the game. then the last third you pick ur favs and u train them for the end#in this game. you dont get everyone until fucking chapter 23 of 26. my army is full and veyle is such a delight to have#but i only got her in CHAPTER. FUCKING. TWENTY THREE OF TWENTY SIX.#i just finished chapter 25. im nearly at the end. i love my main army but it feels like ive barely gotten to know them as a whole#bc it only finally formed TWO CHAPTERS AGO.#im just. god this game is so frustrating in a way ive NEVER experienced before. and ive played a lot of games!!!!!#like dont get me wrong im still having fun with it. i love a lot of the characters and the gameplay (now that i HAVE all of it) is So fun
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memecatwings · 2 years ago
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and yet the essence of the old self exists within the new self
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