#later in life stories

[bluerosefox]

Always Favors You

Another Sibling Danny and Jason idea!!

"Are you Jason Peter Todd?!" demanded a deep and commanding tone from the strange glowing being in front of them.

All the Bats stiffened and tensed, no doubt gearing up for a fight against the being that somehow knew Red Hood's full name.

Jason, Red Hood, decided to put on a brave front despite no doubt cursing in his head and wondering how the heck did this thing know his full freaking name.

"Whose asking." he snarled out, his hands twitching for his gun when the huge glowing knight with purple flames coming out of his helmet and cape, who was riding on a nightmare looking horse while they all had been in the cave going over tonight's patrol.

The Knight didn't seemed bothered by his response nor did he even seem to care or flinch when Batman made his own demand on 'Why was he there and who was he' or when Damian unsheathed his sword and pointed it towards him. Instead the strange glowing Knight reached to it side and pulled out... A glowing scroll? Huh. (Also he completely unnerved everyone in the room when the Knight didn't even react when Batman had tossed a Baterang when he reached for his side)

The Knight opened the scroll and spoke clearly with purpose.

"Jason Peter Todd,

You are hereby invited as a special guest of honor to the crowning of our future King of the Infinite Realms.

Daniel Phantom, once Daniel Jackson Fenton, and once Daniel Austen Todd.

Prince of the Infinite Realms, the Keeper of Balance, The Peacekeeping Halfa, the Defeater of the Tyrant King Pariah Dark, The Great One, Youngest of the Ancients, Ancient of Space, The Bridge between Life and Death.

You, the half-brother of our King, have been given the highest of honors for your past actions and will be given housing and food in the Realms and Phantom's Keep, for the week long event. Personal servants and attendants will be at your disposal and a seamstress will be on hand to tailor make your attire for the Coronation.

Signed: Clockwork. Ancient of Time. Watcher of the Infinite Timeline. Kronos. Mentor and Adviser.

PS: I shall have Fright Knight ("Me" the Knight bluntly said for a second) leave this scroll along with a personal one for you from Daniel to read over and once you make up your mind sign the bottom of the scroll.

I do hope in time you will pick the right choice Jason Todd, we of the Infinite Realms would like to reward you for your actions. After all, if you hadn't gotten young Daniel away from your father that night all those years ago, we would never had gained our Prince nor be free from our once Tyrant King.

Ah, one more thing.

The Infinite Realms will always favor you Jason."

Jason felt like he couldn't breath as Fright Knight? Rolled up the scroll, pulled a letter from his side, and held out the two items for him to take.

[fintrafeatherfall]

these two have flirting competitions once they are close enough n comfortable enough I think. it’s like their races but instead of racing on foot it’s seeing who can get the other flustered the fastesf

[sopuu]

the besties r hangin out

[mayasdeluca]

MAYA AND CARINA STATION 19: 7x10 'One Last Time'

[heymacy]

IAN GALLAGHER + his journey with bipolar disorder

╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher

[carionto]

Nope

Alien: Hey, Human Dave. I found this in your historical records, is this one of those animated shows?

Human Dave *takes one look at the image being shown*: ...no.

A: Oh, it isn't? The style doe-

HD: No!

A: Dave?

HD *getting up from his chair and moving to the door*: Nope!

A: Where are you going?

HD *putting on a space suit* :Nuh uh!

A: Umm...

HD *ejecting himself from the station* *Over the comms*: NOPE!

A: What is happening?

Human Janice *sipping coffee with an amused grin*: Pretty sure he got triggered. Whatcha got there anyway?

A: It is just an innocuous looking image with some text, I cannot possibly understand

HJ: "Happy Tree Friends" yeeeeah.... not something you wanna watch.

A: Is animation aimed at children not meant to be viewed by mature members of your species?

HJ: Normally, it is, but this is not for kids. That happy bunny is a lie. I think Dave got exposed to that as a kid and, well, you saw how he reacted to that.

HD *over all the comms*:

NOPE!!!!

[fiona-fififi]

Call me homophobic, but I don't actually think it's great representation to stick a complex, dynamic, newly-realized bisexual character permanently with a flat, boring, underdeveloped love interest just because that was the first guy who showed interest.

[baeshijima]

u know what would be a cool genshin fic idea? isekai/transmigrated reader, but instead of appearing within the general timeline, you come into the genshin world 500 years prior to the start of the storyline in khaenri'ah.

honestly it could be either a little before the cataclysm, giving enough time to delve into some relationship building + explore some world building with characters like dainsleif, traveller's sibling (which would probably be lumine bc i actually do like her as abyss sibling & aether as traveller), and npcs like halfdan (still crying over him to this day ;w;) and possibly the khaenri'ahn royal guards (assuming you either join them or have a good enough relationship with them), OR it could be you appear during the crisis, completely and utterly lost as to why you were brought amidst the chaos and bloodshed as you watch everything you barely knew about this nation crumble before your very eyes.

either route will still result in reader's existential crises and constant "why am i here? just to suffer?" monologues because really, who would be fine after going through that after coming from /our/ world? and not to mention you've had to endure the next 500 years wandering with no real set path because you don't know this world— this era of teyvat or of genshin. you're merely stuck, unable to die, and forced to live a life of uncertainty with no clear direction for you to go to.

despite it all, you've at least been able to see dain during this course. while your meetings pass far too quickly for your lonesome, and his solemn demeanour is something you're yet to be accustomed to after having been with him before the fall of khaenri'ah (assuming it's the route where you appear before the cataclysm), you're glad to see a familiar face every now and then. after the messy departure with the lumine who left for the abyss order, you've come to appreciate his quiet presence more and more each time.

and then you decide it might be time to settle. you soon realise it's difficult to do so when your lifespan has become far more than that of a human's — of a mortal's — and so you find yourself becoming used to staying in one place for a few years before setting off for the next. rinse and repeat. over and over. it's come to a point where you've witnessed the nations undergo various changes each time you visit. you know change is inevitable, and yet your heart stings each time you witness it; a testament to how the world is ever-changing, yet you're stuck in place as a bystander.

one thing you're grateful for, however, are the bonds you've established amid your back-and-forth over the centuries. from archons like zhongli and venti to long-life beings such as neuvillette and the adepti to regular mortals who have showed you kindness as if one of their own... you've grown to cherish those memories, often reminiscing them when the nights get too long and surroundings too quiet. it was difficult at first, and still is, but you've become used to the inevitable change and the passing of those you once knew.

and after 500 years, you find yourself face-to-face with one you haven't seen since before you appeared in this world; the protagonist of this world, and the one you eventually join in hopes of finally finding a means to an end, aether.

little side notes/extras:

from /our/ world, you would probably know the storyline from up to around current (5.0) or maybe a little after the fontaine aq conclusion. it gives a lot to work with, but you definitely won't remember a lot of the lore after so long other than some main events, especially since most of your knowledge is pretty irrelevant for the next 500 years,,,

i think it would be cool if you had an inteyvat on your person as a little homage of khaenri'ah, which may or may not invoke some opinions from certain characters (*cough* aether immediately being reminded of lumine and having an existential crisis *cough*)

post-cataclysm you would go through a, uhm, long phase of helplessness, wondering why you were even brought to this world so far back if you couldn't even make any contributions. it does eventually morph into a resolution to do what you can to help those you come across if it's within your capabilities, but the nightmares and helplessness come back every now and then as a reminder for what you can't do :D yippee :D

honestly i'm on the fence whether you would have a vision or some other type of abilities (think on the similar lines of aether/lumine's and dain's), but i think having some type of purification mechanic would be a must in your arsenal !! would definitely lead to some moments between you and characters like dain or zhongli who suffer from the erosion as you give them a slight reprieve from what rages within and corrodes them

a little self indulgent, but i'd like to think your first /proper/ meeting with zhongli happens during a lantern rite festival, wherein you're admiring the lanterns in the sky after making a wish of your own and he comes up from behind with "they're beautiful, wouldn't you say so?" and !!

also as for love interests, as much as i would love for human/mortal characters, a part of me feels like this story would be better suited for the immortal/long-life characters as love interests?? idk i feel like considering that 500 years is, well, a long time, the bonds you would have with them compared to characters like, say, alhaitham or diluc would be way too different ?? though i would definitely still add them as love interest bc i am a sucker for so many of the human characters ;w; it would also add to the angst and hurt/comfort ahahha...

anyway thank you for reading this massive brain dump of a fic bc i absolutely would put this as a long term project, and if u made it this far then i would like to say that dain solos—

[ivysos2001]

I still can’t believe marvel had Steve tell Natasha he could only really see himself with someone with ‘shared life experience’ (5 seconds after they literally kissed) and then had the two of them practically glued together for literal years (in this movie and in every other movie after it), only to not even seem to consider them as a potential couple/love story

[biblicalhorror]

Okayyyyy yeah also let's talk about Tammy. I didn't know how I felt about her for awhile because she did very much feel like the Disposable Black Girlfriend, but I'm seeing people saying she's an "abuser" or God forbid "just as bad as Kevin" and that's just. Not at all true.

Yes, Tammy is controlling. She doesn't seem to really like Patty for who she is, and kind of seems to want to change her into someone else instead. HOWEVER, I think we need to look at the whole character to understand WHY she's like that. I don't think she's controlling Patty for personal gain or for the sake of manipulating her. I think she's lonely and desperate for companionship, which leads to her ignoring/pushing past the obvious incompatibility in her relationship with Patty.

Here's what we know about Tammy:

1. She seems to be the only black person in the Worcester social circle. She also mentions frequently how she's surrounded entirely by white men at work.

2. She is also the only openly lgbt person in the area, other than Patty, who is still not exactly out and proud.

3. She describes her entire job as "making excuses for" and "cleaning up after" the men at her job, particularly her partner (whose name I am unfortunately forgetting, does anyone remember?), who even had her plant evidence for him on at least one occasion.

4. Despite being very competent and good at her job, the white men around her keep failing upwards (she mentions a few times that people beneath her keep getting promoted) while she remains stagnant in her career. There doesn't seem to be any explanation for this other than the fact that she is a black lesbian in an extremely white, conservative community.

Basically, Tammy seems like someone who has been taught (like many black women) that she will have to work much harder than everyone else to get ahead in any capacity. She is also likely very, very lonely. She doesn't seem to have any friends outside of work, which isn't surprising given the above. It seems like she doesn't exactly have a ton of prospects, dating-wise, other than Patty. In my opinion, it's really no wonder that she clung to Patty so desperately and immediately and tried to forcibly mold her into someone who could be compatible. She's tough, smart, organized, direct, manipulative, no-nonsense and controlling because, well, she had to be. And she ends up trying to "rein in" Patty because, in her mind, what's the other option? She ends up alone, surrounded by men who force her to cover for their antics and don't care if she lives or dies.

I'm not saying her behavior is healthy. But it comes from an entirely different place than Kevin's abuse, or Chuck's, or even Neil's. And it's also not uncommon. In real life, I know many queer women (specifically small-town lesbians) who end up in relationship dynamics just like that over and over again because they start dating someone who doesn't quite fit, and they compensate for it by trying to force a connection instead of accepting loneliness and isolation. I have a lot of sympathy for Tammy. And I wish the show had taken more care to establish the abuse she faced from her coworkers off-camera.

[kinokoshoujoart]

did not expect to find forbidden inaccessible gay autocannibalism variant of rock’s after-marriage line hidden away in the dialogue files for a wonderful life special edition for the ps2 but here we are

context:

[genosunmi]

SG 『Ghost/Villain AU』 Songfic part 1/?

Lyrics by: IU

Song: Red Queen

What if Saitama couldn't go back in time? 《read tags》

This is a birthday gift!

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part One

For Xiantober Day One: Genius… albeit stretching the prompt so it refers to MXTX and MDZS itself, but at the end of the day it’s still about WWX – so no harm done!

(Part Two | Part Three | Full version on AO3)

The narrative is a very active player in MDZS’ story. How it presents information, what it chooses to show and omit, often reflects important facets of its themes and characters – Nie Huaisang, for instance, is so good at hiding behind his mask that not even the narrative can hold him accountable; the present day’s storyline as a murder mystery and the slow reveal of information about the past both prompt the reader to think critically about the truth of events, when the importance of thinking critically is an important theme; and the dangers not thinking critically (and instead basing conclusions on rumours without much evidence) are shown by tricking unquestioning readers into the very same trap the cultivation world falls into, as the information given by the title, summary and in-universe rumours – which contradicts how we see actually Wei Wuxian act – turns out to be false.

But nowhere do I love this trait more than in its treatment of Wei Wuxian – and, more specifically, in its way of emphasising his agency. We’re not just told how much his active choices define his character, and we’re not just shown this in-universe through his personality, worldview and the events he causes. I’d argue that this aspect goes a step further, and shapes the structure of the out-of-universe narrative as well.

There are two main ways this happens: one, in how the aspects of Wei Wuxian’s life that are shown and hidden directly tell us what’s important about his character (which is good writing but isn’t necessarily tied to this shaping of the narrative), which is what we’ll explore today; and two, how what’s shown and hidden reflects what Wei Wuxian himself prefers to dwell on, resulting in the narrative respecting his own thoughts and feelings on matters (which very much is tied to it). We’ll explore this at a later date.

But as for now – let’s explore my favourite aspect of MDZS.

(Here, narrative agency will be considered the ability of a character to meaningfully influence their events and the story they’re in.)

Tragedy, Circumstance, Choice

If we simply look at Wei Wuxian’s backstory in a vacuum, it seems almost typically tragic. His  parents died in circumstances beyond his control, he was left alone as a child with nobody to care for him, he was forced to grow up fending for himself on the streets, he was faced with abuse when he finally was taken in… as with all typical woobies, everything simply happened to him, and none of it was good. It’s just another example of the lack of agency being used for sympathy points, right?

…Except there’s one problem with that idea. We don’t actually see any of this.

It would’ve been easy to start the flashbacks during these times. We’re telling the story of Wei Wuxian in (largely) chronological order, and these are likely important experiences for him! But instead of starting in his street days, or evenat the moment Jiang Fengmian took him in*, we start at the lectures in the Cloud Recesses. That’s not even something mentioned in, and therefore something that’s able to disprove, the rumours at the start of the novel. So why is this the case? 

Well, there are multiple reasons – the main one being that MDZS is also Lan Wangji’s (and Wangxian’s) story, and having the flashbacks open with their first meeting is very satisfying. But I want to focus on something else.

This period doesn’t have to be shown, because what happens to Wei Wuxian, especially out of his control, isn’t what’s important about his character.

We’re not even at Lotus Pier here, where Wei Wuxian certainly has more agency than he would’ve had as a young child, but where the harm caused by Madame Yu is still completely out of his control. Here, he has agency! Though there are consequences, he is free to act, and what happens to him is a result of those actions and not of circumstance. Yes, he gets punished more than others who also take those same actions (due to classism); yes, it’s not his choice to be picked on by Lan Qiren in class (yet look how he responds, twisting the situation to his advantage and ending up tricking Lan Qiren into letting him leave, which is what he wanted to do. He is not at all helpless here!); yes, these choices have been influenced by his learned mindset from Madame Yu that punishment is arbitrary and will happen anyway, so you may as well do what you want regardless. But there is cause-and-effect here. It’s not circumstantial tragedy.

Therefore, instead of our first impression of past!Wei Wuxian being that of an unfortunate woobie, it’s of someone who has the freedom, ability and will to choose and act (and that’s after these initial tragic events have taken place). This is compounded by the fact that before we see any of his backstory, we get a similar impression of him in the present day.

If the purpose of his tragic past was to earn him sympathy points, to make us pity him due to how much he was influenced by events out of his control, this would’ve been a terrible way of going about it… and it’s this that betrays the true reason for its existence. Because now, the flashbacks instead show us how little these tragedies define who he is! From the very start, Wei Wuxian isn’t someone defined by circumstances out of his control, but rather by who he is as a person and by what choices he makes in the present day (which is both a mindset in-universe, and a nice little out-of-universe detail that lines up! Because out-of-universe, this means he’s not defined by sympathy points from a backstory, but rather by his great character writing… aka, by who he is as a person and what choices he makes). And this refusal to be defined by tragedy is a conscious choice on his part, too – but we’ll explore that more later. 

The important thing is that this idea of Wei Wuxian isn’t because of what exists in his past, it’s because of what parts of his past are shown to us (as well as what he chooses to do, with agency, in the present). 

Now, if this relationship between what’s displayed and what’s omitted was just a one-time thing, I might’ve considered it a cool detail or a nice way to establish a character, but not something the narrative is actively focusing on. But it’s a pattern that continues throughout the flashbacks. What, arguably, are the two other most important times in Wei Wuxian’s life where he doesn’t have enough agency to meaningfully influence his circumstances? His three months in the Burial Mounds (before escaping – he managed to assume some control of the circumstances but not enough to substantially reduce his suffering in his time there), and his loss and death during the First Siege. And we’re not shown either of them! We skip to when Wei Wuxian has emerged from the Burial Mounds and is torturing the Wens, or we skip to the present day – both times he has agency once more, because, again, what he’s like without it doesn’t matter enough to be shown. 

Furthermore, I’d argue this does actually contrast the other tragic events we see in Wei Wuxian’s later life. Things do go horribly wrong, but it’s either due to choices he knows the consequences of (see: rescuing the Wen Remnants in the first place), or instances where he still has some ability to act in the situation and influence it within the limitations. If he’d had no ability to influence circumstances at Qiongqi path, he would have died in the ambush; if he’d been unable to do that at Nightless City, he would’ve died then, too (of course Lan Wangji helped him escape as well). The attention drawn to him losing control of his actions in both instances is very interesting, but intentional or not, it’s still his actions influencing the plot. And that influence happens to be detrimental. The very ability to act and influence, at a base level,  is not taken away (though, of course, that doesn’t make these events any less tragic).

So, so far, the narrative seems to be telling us that the ability to act and choose is key to Wei Wuxian’s character. And it’s doing it through omitting his moments without agency in favour of instead showing us his moments with it. 

Let’s see if this is echoed in the text itself before we go further – because even with this pattern, nothing would end up mattering if Wei Wuxian’s agency wasn’t actually that important to the story itself. But thankfully it is, and that first impression we get of Wei Wuxian in the Cloud Recesses turns out to very much be accurate! Though there are defining circumstances out of his control that occur, such as the massacre of Lotus Pier, the majority of the important events of his life are due to his own choices. He didn’t happen to be forced to cease traditional cultivation and solely use guidao, didn’t happen to lose his Golden Core in a fight with Wen Zhuliu or due to some force in the Burial Mounds, it was his own choice to give it and his spiritual powers away. He didn’t tragically happen to get targeted by the cultivation world, it was a result of him acting on his morals and protecting the Wen remnants (a choice which he was fully aware of the implications of). He isn’t a protagonist to whom things simply occur, and that activeness and agency is my favourite thing about him. 

That’s not to say that the times Wei Wuxian doesn’t have agency, or feels like he doesn’t have any, don’t exist at all, either – but they are rare enough to have attention directly drawn to them in his internal narration:

Or else what could he do? He could do nothing. He was powerless. Lotus Pier had been destroyed, both Jiang FengMian and Madam Yu were gone, and Jiang Cheng had disappeared as well. He was the only one left, alone, with not even a sword in his hands. He didn’t know anything, he couldn’t do anything! For the first time, he discovered how little his power was. In front of something as large as the QishanWen Sect, it was the same as a mantis trying to stop a chariot. - Chapter 59, EXR translation

(And even in this circumstance, note that he still does force himself to act – to carry on searching for Jiang Cheng, to place his faith in Wen Ning – and does accomplish his goal (albeit with the help of others)! So even in dire situations, he isn’t simply passive. This is actually also the case with his time in the Burial Mounds, almost certainly the First Siege, and even his days on the streets as well (Chapter 20: he did actively fight with dogs to get food despite their danger and his growing fear of them, rather than just waiting and hoping to somehow receive some more). He can’t influence or immediately influence his circumstances, but that doesn’t stop him from trying.)

Overall, although they do influence him, Wei Wuxian is very much who he is in spite of his circumstances, not because of them. We’re shown the importance of his agency both in-universe by the major impacts his choices have on himself and the plot, as well as by narrative presentation – important periods where he lacks the ability to meaningfully influence anything are often mentioned but not directly shown, which suggests that such moments and circumstances aren’t as important to understanding Wei Wuxian’s character as moments where he does have this agency are. And I’d argue this works very well. Depending on the version of the story you consume, you may end up having different interpretations as to how much circumstances were at play nearer the end of his life – but nobody comes out of MDZS thinking about Wei Wuxian, the poor bearer of yet another generically tragic backstory.

(Part Two | Part Three | Full version on AO3)

—

*We are shown this moment in more detail in Chapter 23… but even then, it’s through the framing of Wei Wuxian remembering Jiang Yanli’s narration, not through a flashback proper or even him remembering the experience itself!

[morninkim]

that one movie sinbad did about the genie

[front-facing-pokemon]

[kagoutiss]

oot zelda doodle i liked :’-)))