#kryptonite factor

[skjam]

Comic Book Review: Adventure Comics #499

Comic Book Review: Adventure Comics #499 edited by Carl Gafford & Nicola Cuti I managed to find another issue of the digest-sized Adventure Comics from 1983. Let’s take a look at the treasures inside! Cover by Gil Kane “Plastic Man” (no chapter title) written by Len Wein, art by Joe Staton and Bob Smith features the obvious character. Plastic Man was Eel O’Brien, a petty criminal, before he…

[queenofbaws]

like wringing blood from a stone is a super serious fic about familial trauma and grey morality and coming to terms with your upbringing, i say to myself, blocking out yet another scene where a bunch of 40-60 yos talk about dressing up like bigfoot for profit

[headlesshorsemanxiii]

I suspect comic-book Madelyne Pryor (because I got into X-Men too late to know who Jean Grey was, until I started reading X-Factor) was the catalyst for my enduring love of redheads.

Also, how cool would it be to get an adaptation of The Inferno Saga?

X-MEN 97' - 1.03 | Fire Made Flesh Madelyne Pryor

[threewaysdivided]

compared to the other hero's in YJ how do you think Phantom stands up power wise. like Future Danny ripped the world apart and i know in some fanfiction that it is used as an indicator that he is high up there, but i'm interested in your thoughts.

This is an interesting question nonnie!

I generally agree with the idea that Phantom is in the upper-tier of crossover superhero powers, but I do have more specific thoughts so let’s break it down:

Danny’s power level

Just looking at the variety and strength of ghost-powers that Phantom displays in his show, I would put him in the higher rankings of most heroes when it comes to raw ability.  I alluded to this in my main DP x YJ Deathly Weapons fanfic, but to me Phantom shows signs of a pretty common power-scaling differential that happens when a solo-protagonist hero gets transplanted into an ensemble setting.  Within his own setting, Phantom had to be (or become) powerful enough to solve most problems/ fights all by himself – and some of those ghosts he ended up facing towards the end of his canon were impressively strong.  By comparison ensemble heroes are generally less-powerful because working as a collective means they don’t have the same need for aggressive self-sufficiency and also so that no one character upstages or outmodes the rest of the group from a writing perspective.

There’s also the nature of ghost powers.  Phantom needed to develop the raw strength to fill the role of solo combat heavy-hitter, but his base powers are versatile to the point of unsettling.  He has to physically fight against other ghosts because they have (and to some extent are immune to) the same abilities as him, but in a fight against other species he could potentially avoid, manipulate or exhaust an opponent with strategic use of invisibility/ intangibility/ overshadowing.

The back of Dinah’s neck prickled.  With flight to mask footsteps and intangibility rendering them undetectable by touch…  Nonthreatening as Phantom generally appeared, she was starting to understand why his kind had developed such an unsettling reputation.  The idea that a ghost could be present at any time - eavesdropping, spying, interfering - without any of them being the wiser was… disquieting to say the least. - Deathly Weapons, Chapter 17: Assessment

On top of that, he seems to be in a similar boat to Superman when it comes to physical weaknesses – he doesn’t have that many, and they’re often quite specific or hard-to-find.   The most easily-exploitable one is that Danny can run out of power, be slowly starved of ectoplasm or be knocked unconscious; all of which would forcibly revert him back to his weaker human state.  After that, he’s vulnerable to certain magics and ghostly-artefacts, which are more likely to be accessible to various DC/ Marvel heroes (although they might not know exactly which spells/items will be most effective or why).  Beyond those two, most of his weaknesses need to be specifically known about and actively sought out – anti-ecto-technology is obtainable but not mainstream, blood blossoms naturally repel/hurt ghosts but they seem to be rare in nature (or even extinct in the modern day) and then assuming you acknowledge Phantom Planet there’s ectoranium which is basically ghost-Kryptonite in rarity (and possibly even the same mineral in DP x DC settings depending on the crossover).  Much like with Superman, the most reliable ways to take down Phantom require actively knowing what he is and having prepared accordingly.

Based on those metrics, I want to place Phantom in the same power-band as Superman or the Martian Manhunter.  I’d consider their powers to be equivalent incomparibles – it’s hard to stack their abilities side-by-side and say one is objectively better than the others.  A no-holds-barred, knock-down drag-out fight between those three could get very nasty but it would be hard to confidently call a winner without knowing more about the external factors around them.

That said, I think the thing holding Danny back from being fully at that level is his experience: or rather his lack thereof.   Danny hasn’t had much formal training (except maybe some basic self-defence instruction from Maddie/Jack) and he doesn’t have a proper mentor either.  His personal experience mostly fits the narrow niche of direct open combat with other ghosts, mostly throughout Amity Park and surrounds (although occasionally in the Ghost Zone or further from town). 

Phantom has enough raw power and innate talent as a strategic lateral-thinker to get by, but I think that hyperspecialisation and lack of guidance would leave him with a lot of blind-spots.  His hand-to-hand is self-taught and probably missing a lot of best-practice basic techniques.  He’s also never had an experienced third party to observe him in the field and offer suggestions on alternative approaches to using his powers/ keep him from developing bad habits.  This is something Danny actually comments on in canon; he can take a long time to identify solutions (even obvious ones) that deviate too far from his default throw hands approach to fighting.  His powers could be more effectively deployed as a precision-instrument but a lack of coaching means he tends to falls back on using them as a blunt hammer because that was the pattern that came naturally when he was first starting out, and no-one was around to keep that habit from ingraining.

The place where you can see this lack of experience hurting him the most is in his lack of soft-skills.  Phantom didn’t have anyone to advise him on de-escalation, damage control, comforting civilians, interacting with authorities etc.  Add in the naturally-frightening nature of many ghosts and it was easy for him to fall into a public perception of being “the town menace”.  Danny is pretty decent at rallying both humans and ghosts (even erstwhile enemies) to his side in crisis situations but no-one has taught him how manage public relations outside of that.  He says it himself: he needs a PR agent.

On the other hand, Phantom’s heroics have inadvertently earned him a decent amount of potential political pull in the Ghost Zone.  He has enough positive rapport that some regular rogues will take his side or even actively seek him out for help in the right circumstances, and other more antagonistic ones have at least developed a degree of grudging respect.  There are several powerful ghosts that either have direct debts of gratitude to him/his team (Princess Dorothea, Pandora) or who hold him in high esteem for re-sealing Pariah Dark (The Far Frozen).  It’s possible that defeating Pariah might even have granted him a potential candidature/claim to an official position, and judging by the way the Observants and Clockwork pay attention to him, it seems that Phantom’s slow accumulation of power/influence isn’t going completely unnoticed.  However, again, Danny doesn’t have the awareness, experience or training needed to leverage that effectively – heck, he’s not even doing it on purpose.

With all that taken into account, I think Phantom would rank very highly in terms of overall potential, but at his current level he’d be in the lower ranks of the A-tier.  He could become a much more powerful figure with the right guidance but in his canonical state he’s underutilising or outright overlooking a lot of his most effective tools.

TUE Future/ “Dark Phantom”

The “Dark Phantom” presented in the TUE Bad-Future is interesting to me because while he’s a very powerful figure within that story, I don't think he’s a very good reflection of canon-Danny’s potential to do harm.

Gonna complain about The Ultimate Enemy for a bit: I’ve tag-muttered about this before but I’m one of the Phandom members who finds The Ultimate Enemy to be a frustratingly weak episode.  It has a potentially fascinating core premise (the “evil future/alternate self”) but the execution is so convoluted and driven by improbable contrivances that the whole ends up being far less than the sum of its parts.   

One of the biggest problems is that, rather than being a straight future/alternate version of Danny, “Dark Phantom” is actually a hybrid of Phantom and Plasmius’ worse sides.  He’s a distinct, separate entity which means he can’t work as an effective dark mirror to either of them.  (Compare and contrast the Justice League episode A Better World in which the Justice Lords acted as a dark mirror of what the actual Justice League members could become if they chose to abandon their morals and compassion in favour of seizing control and instating a totalitarian system of draconian crime prevention.)

The episode also tried to graft on a really mismatched moral of “don’t be a cheat”.  Rather than being a lesson on choices/ values/ power/ responsibility, Dark Phantom almost ends up being an offhand biproduct of Danny getting caught cheating on a freshman/sophomore-year career-aptitude test.  Instead of learning a lesson about himself/ his ideals/ his personal faults, Danny comes away from the episode with a cool new superpower after deciding not to cheat on the test after all.  Not exactly satisfying.

That mismatch and the convoluted levels of moon-logic required to make it fit severely undermine the idea that this version of Dark Phantom is “inevitable”.  There are too many steps that are too highly-specific and too easily-avoidable for the threat to feel real: Danny has to care enough about an early-highschool CAT to want to cheat, he has to somehow get the answers which he wasn’t intending to do in the canon timelineand only does as a result of Clockwork’s meddling, making it a self-fulfilling situation, he has to get caught using them, Mister Lancer has to hold the resulting parent-teacher meeting at Nasty Burger rather than a school office for some reason, the Nasty Burger Sauce has to 1. be dangerously explosive and 2. coincidentally explode while not only Danny’s parents but his friends and sister are inside, Danny has to be placed in Vlad’s custody rather than with his Aunt Alicia or closer family-friends, Danny has to ask Vlad to remove his Phantom-half and finally, Vlad himself has to agree to do it.  Take away any of those steps and this version of Dark Phantom doesn’t happen.  That’s not inevitable, it’s contrived.

But anyway, let’s look at Dark Phantom as his own entity:

One of the things that makes Dark Phantom much more potentially dangerous is that he combines Phantom’s raw power with Plasmius’ experience.  Like I was saying before, one of Danny’s biggest handicaps is that he lacks training/guidance and tends to underutilise his most effective abilities.  Vlad meanwhile has had years of relative freedom to practice and finesse a lower raw-power level; he’s much more skilled at advanced techniques like duplication and overshadowing (which he canonically used to force through his fortune-making business deals), as well as ecto-constructs.  Plasmius is also a lot more tactical and manipulative in how he applies their common powers.  Plus, the TUE version of Dark Phantom is a full-ghost, which means he doesn’t have a vulnerable mortal state that can be exploited as a weakness.

This is why I think it would be possible for TUE!Dark Phantom to successfully decimate other heroes in shared-universe crossover situations where ghosts aren’t common knowledge.  He’d be an unexpected, unknown enemy that the heroes have no effective way to fight (outside of a few magic users).  Combine that with many of the most powerful heroes being visible as public figures, and Dark Phantom having inherited Plasmius’ strategic/manipulative traits and it could be very easy for Dark Phantom to basically launch a premeditated paranormal blitzkrieg attack, using Plasmius’ skill with duplicates and overshadowing to subjugate any hero he couldn’t overwhelm with Phantom’s raw power level.  It would also make sense that Amity Park would become one of the remaining bastions in any TUE-style future, since having advanced knowledge of ghostly abilities and access to anti-ecto technology would tilt the balance more evenly and allow them to at least keep the danger out.

Mentally, it’s also worth noting that Dark Phantom is a lot more dangerous than either Phantom or Plasmius.  He’s basically the most toxic traits from both of them, removed from their more moderating/ compassionate instincts.  Based on the canonical explanation given, TUE!Danny had Phantom forcibly removed in attempt to remove the pain/ rage/ grief he was feeling over the death of his family.  This isn’t a model-hero-persona conceptualisation of Phantom a la Splitting Images; the TUE-version of his ghost half is a big ball of churning negative emotion.  And what are some of Danny’s toxic traits when it comes to negative emotions: he lashes out, falls into self-blame and self-destructs.  Then we add in Vlad’s toxic traits: he’s egocentric to the point of narcissism, he projects negative feelings/ blame onto others rather than accept responsibility for his own actions and he has a controlling/ sadistic streak.   

TUE’s Dark Phantom is the worst possible combination of an emotionally devastated teenager and an emotionally immature adult.  He’s a ball of pain and rage that blames the world for that pain, lashes out at it, feels worse for doing so and then blames the world for making him feel worse because he doesn’t have the emotional capacity to accept that he’s the one causing it.  Grief is love persevering but the feelings of love, connection and guilt that contextualise his pain were left in the human shells that remained of Danny and Vlad.  It’s possible that the Dark Phantom presented in TUE might not have the capacity to feel positive emotions or compassion.  He was never meant to exist as his own entity – he was an attempt to destroy Daniel Fenton’s negative emotions which went horribly wrong.  In some ways it seems like his reign of terror could be an angrier version of Dracula’s scheme from Netflix’s Castlevania or Haliax’s goal from the Kingkiller Chronicles – a drawn-out suicide note from an undead being who’s been dead inside for much longer, destroying whatever peace/happiness he encounters in revenge for being denied it himself, until such time as he either attains catharsis or finally ends the pain by destroying reality and himself along with it.  That’s the final thing that makes TUE’s Dark Phantom more dangerous than either Phantom or Plasmius – he has nothing to lose and no “better nature” or personal dreams that other heroes could try to appeal to.

So yeah, the TUE version of Dark Phantom could absolutely rip the world and other heroes apart, but I don’t think he’s a particularly good reflection of Danny’s capabilities in terms of either powers or personality.  There’s too much Vlad in the mix, and even then he represents such a narrow and extreme edge-case for each of their personalities that it’s barely representative at all.  At best he’s a warning for what these kinds of powers could be capable of in the wrong hands.

Meta-question: What is “power” in narrative?

Alright, now that I’ve (hopefully) answered the question, let’s finish with a self-indulgent thought exercise for extra credit.

There’s an anecdote which I’ve heard attributed to the Stan Lee, in which a fan apparently asked him “who would win in a fight between Superman and the Hulk?”  To which Stan apparently replied, “whoever the writer wants.”

While it can be fun to make tier-lists and try to rank how strong different heroes/villains/creatures are based on the rules of their respective universes, I think it can also be helpful to consider that– like all things in storytelling – power is a narrative device.  It’s a tool that the character(s) and storyteller(s) can use to create and solve problems.

A character can be extremely physically strong/ skilled/ knowledgeable/ influential in a specific area but how much narrative power they have depends on how well their abilities allow them to influence or resolve story problems.   And, as the omnipotent god(s) of the narrative, the storyteller(s) can choose whether to confront them with challenges that play to their existing strengths, or that force them to find other solutions.  What’s the best way to kill a vampire?

This is actually part of what makes Lex Luthor such an effective Superman villain.  Objectively most versions of Lex are just A Guy™ – on a physical level he doesn’t have anything close to Kal El’s Kryptonian strength or superpowers.  But he feels like a serious threat because he often comes after Superman in ways that Clark can’t easily steamroll with that brute strength.  Lex uses manipulation, money, influence, connections, politics, public opinion; Superman can’t physically fight him without playing into Luthor’s plans, and trying to face him in those other fields requires tools that Clark wasn’t handed as part of his Kryptonian heritage.  An invading alien army is objectively a bigger physical threat to Earth, but a competent Lex Luthor scheme feels more dangerous because – while we feel confident that Superman can beat down a legion of monsters – when it comes to the question of whether he can outwit Luthor, the outcome is a lot less certain.

Situational disempowerment is another of the ways a narrative can reign in an otherwise “overpowered” character: placing them in circumstances where they either aren’t given many opportunities to showcase their best strengths, or are kept from using them because the drawbacks/ risks/ consequences of using their abilities makes their power(s) a liability.  I’ve mentioned it before, but this is actually one of the tricks I’m personally using to keep Phantom’s massive powerset balanced against the other proteges in Deathly Weapons.  It’s also something I’ve been struggling with when it comes to Conner’s place in that story since the stealth-mission plot structure doesn’t allow as much room to highlight his core powers and personal strengths.   

Stories can create additional stakes for powerful characters by giving them emotional arcs which their powers can’t resolve.   For a published example, consider the series One Punch Man and Mob Psycho 100.  Despite how high-ranked Saitama and Mob are within the power-scaling of their respective stories, those powers don’t kill the emotional stakes because the things they actually want/ need can only be gained through self-improvement or making connections in ways separate from their powers (and in some regards their power level actively gets in the way of that).  This is also something I’m doing with Danny’s main grief arc in DW.   

Final Conclusion time

In terms of physical strength and range of abilities, I think Phantom would be pretty near the top of the power-scale in most superhero crossovers.  While the Dark Phantom presented in TUE might not be a particularly good reflection of Danny’s specific potential, a crossover version of the TUE timeline offers a pretty good litmus-test for how dangerous a strong ghost could be in a given universe: the combination of power level, ability range and highly-specific/ inaccessible weak-points poses a strong strategic threat.

On the other hand, physical strength isn’t the only strength.  Phantom has a decent level of potential political sway as well, but he also lacks a lot of the soft skills and experience needed to make use of his toolset to its full ability.

Stepping back further, the answer to how powerful Danny is in a narrative sense is really just “however much the writer wants”.  Phantom’s narrative power depends on the kind of story he’s in and the challenges placed around him – there are as many ways to situationally nerf our ghost-boy as make him OP, all without needing to alter his on-paper powers.

[practically-an-x-man]

Fifty Superhero-Inspired Whump Prompts

Couldn't find a lot of whump prompts I liked, so I decided to compile a few of my own! Here's a jumbo list of prompts for superheroes and enhanced characters:

Powers Stripped Away (permanent)

Powers Blocked/Forgotten (temporary)

Powers Enhanced/Too Much Power

Powers Out of Whack

New and Unwanted Powers

No Longer Human

Healing Incorrectly/Healing Around Embedded Object

Allowed to Heal... Just Enough to Survive

Loss of Healing Factor (first time healing at a normal pace)

Anesthesia/Painkillers Burned Off Too Quickly

Awake Through Surgery

Forced to Watch Loved Ones/Sidekicks Injured

Confronted with their Weakness/Kryptonite

Betraying their No-Kill Rule

Put Under Hypnosis/Mind Control

Coming Out of Hypnosis/Consequences of Hypnotized Actions

Telepathic Torture (it's all in their head)

Forced to Relive Trauma/Memories/Nightmares

Forced to Defeat/Kill a Former Ally

Downfall into a Supervillain

Chronic Pain from a Lifetime of Hero Work

Deemed a Villain/Public Scrutiny

Wrong Choice, Right Reason

Trolley Problem (risk a loved one to save civilians)

Dangerous Powers/Forced to Isolate

Alter-Ego Friend is Super-Ego Villain

Superpowered Sleep Deprivation

Starved Until Their Powers Shut Down

Made Into A Lab Rat

Identity Stripped Away/Living Weapon

Loss Of Limb/Eye/Something That Won't Regenerate

Enduring Extreme Temperatures

Physically Unable to Die

Supersuit Melts into their Skin

Child Mistakes Them for a Monster

High-Tech Imprisonment

Alien Disease/Parasite

Unwanted Tech/Cybernetic Enhancement

Adapt or Die/Powers Emerge

Grieving their Normal Life

Outliving Friends/Loved Ones

Accidentally Hurting a Teammate/Innocent

Died and Revived

Working for the Enemy/Undercover/Forced to Defy Moral Code

Foresight/Too Predictable/Can't Get Ahead

Trying to Escape Superhero Life/Tracked Down

Emotions Manipulated

Injected with Paralytic

Dazed, Drugged, or Concussed

Fighting Until They Tear Themselves Apart

[1244950]

Superman x Transformers concept

Clark Kent, also known as the Man of Steel, is arguably considered one of the most important fictional characters in all superhero media. The Man of Steel has crossed over with many properties from He-Man to Marvel, all crafting intricate tales incorporating Superman, but Superman, as a character, can cross over so well with Transformers. If you had any other superhero, it wouldn't fit as well, and if you had multiple superheroes cross over, it would feel too bloated. But Superman could insert so well into a variety of Transformers stories and potentially be one of the best human characters in the franchise.

Clark Kent could, if not relate to all of the Autobots, spanning multiple continuities from the most obscure transformer to a prominent cast member. Superman can connect with and have chemistry with every bot. Optimus Prime, for one, is the go-to Autobot that Clark could connect the most with. Both share the ideals of being a symbol of hope for your kind and just leading in general. Prowl is an Autobot Clark would also connect with just because of Prowl's similarities to Batman. He would respect his actions but also try to reach out because, similar to Batman, Prowl tends to isolate, and the list can go on and on. Clark is someone who, at the end of the day, can inspire anyone to be the best possible versions of themselves, and it wouldn't be highly out of character if Clark was able to convert a few Decepticons back over to the Autobots depending on the continuity. It would be a walk in the park for Superman to convince characters such as IDW Thundercracker, TFP Knockout, and even IDW Megatron.

His power levels should be discussed since Superman is one of the most powerful superheroes ever. If you want to put Superman in this universe, a big argument is that he's just too powerful. However, putting a regular version of Superman in any Transformers world, there are various factors that could ensure Superman would be on the same level as a normal cybertronian. For example, blaster fire from a cybertronian could act like a kryptonite, actually making him take damage; different types of Energon could weaken Clark. Clark's morals would also prohibit him from doing any real damage to the Decepticons, and usually, many villains in DC take advantage of this. Big-hitting Decepticons are no pushover, especially Megatron himself. I don't see a regular version of Superman easily beating Megatron without backup or help, not to mention cybertronians can be very durable, so Clark wouldn't be able to punch through them.

Inserting Superman into the Transformers can go about differently and would be easier if he were the only superhero on Earth. If it were in TFP! Superman could have a position similar to Agent Fowler. However, Clark would be a neutral party working to establish relationships between Earth and Cybertronians. Being an alien but living amongst humans, Superman could act as an ambassador. The same could be applied to IDW. Superman would definitely have a problem with Optimus annexing Earth without Earth's consent but would still work with Optimus to establish a relationship. Bayverse would be the same, but a significant conflict could arise with Superman learning the humans have been secretly hunting the Cybertronians.

This could also breed a lot of conflict and hurt Superman's status as a hero and a citizen of Earth in general. For one, Superman choosing to side with these robots instead of them could hurt much of the human population. They have to be able to convince world leaders that the Autobots are good and different from the Decepticons.

Anyway, ramble over. I just had to yap.

[frownyalfred]

Hi! I don't know a whole lot about batflect but I saw you answer that last ask about it

I was just wondering, would Bruce being pushed over the edge by Superman to break his no kill rule because he sees a man who can't die (so it seems) and that breaks something in him psychologically

After losing people so many times to meeting someone who can't die would seem like a major fuck you by the universe

I can see why you'd ask this question, but I think an interesting thing in BVS specifically (not all DC media) is that, at no point is Superman ever publicly or even privately 100% confirmed (by Lex, the Government, Bruce, etc) to be immortal/unable to die. We're not even sure, as an audience halfway through the movie, what the total effect of Kryptonite is on him. Could Bruce's spear have killed him? Why did the Kryptonite gas work? Why did Doomsday manage to kill him? Etc.

The way Bruce hunts Clark down in the movie, it appears that he was convinced by Lex's research that Clark could be killed. But he's clearly not 100% (key word) certain, or at least not certain about why and how. Hence all the contingency attacks/weapons. We know that Kryptonian cells degrade upon contact with Kryptonite -- but what does that mean for death itself? We see Superman get hit with a nuke onscreen, but he doesn't die.

I believe Bruce 1) thought Superman could be killed somehow by Kryptonite but 2) was unclear on the specifics and 3) this was mostly because he wasn't thinking the why through, thanks to Lex's manipulation and other factors. I don't think he was motivated, or primarily motivated, by the idea that Superman couldn't die. If anything, his primary motivation was that Superman should die, and that he was the only person motivated and equipped enough to do it.

[beastboyisbestboy]

Beast Boy vs the Robins is a really interesting question because the way they present themselves and their personas is so radically different.

Robins, for example basically start from square one, maybe with a skill in a very specific lane like gymnastics or acrobatics. Then they work to build off of that, weightlifting to stand toe-to-toe with demigods, sourcing tech to fly alongside superhumans. And they have to think around their problems, improvise on the fly, swing up rather than punch down, flee rather than fight.

And they always, always have to over-posit themselves. Leverage the intimidation factor as much as humanly possible because everything else counts against them. If they’re in pain, no they aren’t. If they fucked up, no they didn’t. If they improvised that, no they planned it from the beginning.

The most important thing is that a Robin backed into a corner always bites.

Beast Boy however was granted legendary power as a matter of luck. And he’s lived with that, trained to utilise that for most of his life. At the slightest provocation he could stomp you under an elephant foot or bite you with a crocodile mouth. A tiger paw can decapitate a person with a hard smack. Or if he’s feeling creative, he can sneak into an apartment as a fly and then inject the target with the deadliest venom known to man.

His power is pretty much limitless, with no conceivable drawbacks like Kryptonite or “yellow”. He can turn into a dinosaur or a dragon. He can turn into fucking Starro, a creature that goes to toe to toe with the Justice League regularly! If Garfield Logan so desired, he could turn into a big space whale, crush the earth and then live his merry life.

You wouldn’t know that by talking to him.

He pretty much downplays his skill at every given opportunity. Preferring to pour his energy into socialising, acting, playing with his friends. He has one of the most tragic backstories in Titans canon, but he’s a friendly happy-go-lucky dude who doesn’t take sparring seriously and could take or leave the superhero life, but he just wants hang out with his bros.

So that’s the kicker isn’t it. Who would you rather be defeated by. A team leader, who no matter what, is gonna try and bring their all against you, every time.

Or

A superhero who isn’t even trying?

[pluckyredhead]

I've been meaning to ask for a while, since you've read so much more Supers books than me, but what are your thoughts on Kon being retconned as Clark and Lex's lab grown love child? Asides from that one mind-controlled-into-shaving-his-head incident, did that ever factor into anything again? Is it even still canon? If it were up to you would you keep it and try to do something interesting with it or just sweep it under the rug and pretend it was never true?

I think it would be a great retcon if they ever did anything with it aside from one (1) incredibly stupid story.

Because the thing is, originally Kon's human donor was Paul Westfield, and genuinely, who the fuck cares about Paul Westfield? He was only relevant for, like, a year. He's a footnote at best.

But Lex? There's so much potential there:

How does Clark feel about it? Does he trust Kon less? Does he feel guilty about that? Does he defend him to people (Batman) who would question him?

What are Lex's plans? You can't tell me he would sic Kon on other heroes once and give up. Lex always plays the long game. He has to have other Machiavellian schemes. What if Kon gets the clone plague again and Lex has the cure? What if he built in a vulnerability other than kryptonite? Most interestingly, what if Lex cares?

And of course, most importantly, how does Kon feel about it? We've seen him ignoring it and then moping about it. And I think it was his Adventure Comics run where we saw him tracking his own behavior to see if he was more like Superman or Lex. But what if a story really interrogated the fact that Kon is a very different person than Clark? (Especially in light of Jon, Clark's mini-me.) Kon likes money; Lex is a billionaire. Kon loves attention; Lex is functionally a supervillain because he's jealous that people like Superman more. Kon is a sweet boy but he's not a shining paragon of virtue. Is that because of Lex's genes? Is everything good about Kon simply Superman's genes? Is Kon is own person with free will that exists beyond picking a donor to emulate? Is a clone a person at all? Let's get into it, DC!

If it was up to me, I would write two stories about it:

First is the story where Kon and Lex actually develop a relationship. Kon and Clark has never been close, and Kon has rarely had a stable home or consistent parental figures (Rex was untrustworthy, Dubbilex got written out a lot, Guardian died and came back as a child, Pa died, Ma lived but Kon died and then got retconned into another dimension...). Kon is primed to fall for lovebombing, especially if Lex is doing one of his regular "no, really, I'm Redemption Arc-ing for real this time!" routines. Especially right now with a trillion Supers Clark likes better hanging around Metropolis, and Lex swearing he's going to be Good...what if he stopped trying to convince Clark, and started trying to convince Kon? What if he spent time with him, and listened to him, and took his side against Clark, and let's be real, probably spent money like water on him? And what if Lex, despite himself, discovered that...he actually cared about his clone son?

Of course, Lex's self-interest would eventually win out. We see this over and over again, where he sacrifices his relationships on the altar of his ambition, where he just can't quite love anyone else as much as he loves being evil. And yes, Kon ends the story hurt, but also with another reminder that validation needs to come from within and not from a billionaire who wants something from you, even if he is your other dad.

(And maybe Clark is reminded that he has failed Kon. Again. Ahem.)

The second story I would write is the one where Lex goes to jail and Kon somehow inherits Lexcorp and many billions of dollars and is cartoonishly irresponsible with all of it. Lex gets out of jail and there's a giraffe in his office and all of his doomsday devices are full of Zesti Cola.

But yeah, instead DC does nothing with it. Literally a few months ago they had Clark and Kon and Lex all having a conversation about a villain Lex created and gave TTK to - so like, talking explicitly about how Lex created Kon, too - and aside from Kon being mildly snide, that was it. That was it! DC WHY ARE YOU LIKE THIS. WHAT IS THE POINT OF SETTING UP SOMETHING SO JUICY AND THEN LEAVING THAT JUICE UNSQUOZE.

[abigailnussbaum]

Lower Decks, "Fissure Quest": Scattered Thoughts

As someone who has had a complicated relationship with Lower Decks precisely because of how rooted it is in references, fanservice, and callbacks, you'd think this episode would be my Kryptonite. But you know what, I'm going to let them have it. One episode from the (thoroughly unjustified; this show could have run another five years, easy) end, I don't think it's fair to complain about Lower Decks being Lower Decks. And while I didn't unreservedly love this story (more on that below) I actually found the complete immersion in references (while leaving "our" main characters offscreen) more tolerable than a lot of episodes that center around how these new Star Trek characters just happen to be Star Trek fans.

(Also, I'm holding out hope that, having gotten the fanservice component of the show out of their system in the first half of the two-parter, the Lower Decks writers will end their show by telling a Lower Decks story, about the Lower Decks characters being heroes in their own right. We shall see.)

Obviously the fandom focus is going to be on canon(-ish) Garak/Bashir (and it is rather clever how the episode manages to have its cake and eat it on this front, distancing these versions of the characters enough from the originals that if this ship isn't your cup of tea it doesn't have to color the baseline story). But to me the most important choice in the episode is T'Pol. I was talking just recently about how screwed-over this character was - not just by the Enterprise writers' sexism, but by a backlash against Vulcans that spread through DS9, Voyager, and Enterprise in the late 90s/early 00s, and which Lower Decks has been at the forefront of addressing (Discovery and SNW have, in comparison, been rather wobbly on this front). T'Pol, and Jolene Blalock, have for a long time deserved the kind of redemption Seven of Nine has gotten, and hopefully "Fissure Quest" isn't the full extent of it.

(One complicating factor is that Blalock has left acting - she apparently goes by her married name these days, and is credited only as "Jolene" in the episode credits. This might complicate a potential guest appearance on SNW, for example.)

Another thing I liked is that this episode functions as a redemption for William Boimler without going too hard on this point. He's still fundamentally different from our Boimler in not-terribly-likable ways, but he gets to save the day and to behave like a real officer and captain, without becoming just another copy of OG Boimler. I also appreciated that all this is achieved while keeping the Section 31 of it all to a minimum. Boimler is still working for them, as evidenced by his badge (can we pause for a moment to contemplate how nonsensical the idea that Section 31 have their own uniforms and badge design is?), but their name isn't even mentioned, which I am taking as an indication that the Lower Decks writers agree with me about the misguidedness of this whole concept.

(Also good: a sciency, risk-averse Mariner who nevertheless rises to the occasion and saves the day.)

And having said all that, here comes the complaint: I am largely on W. Boimler's side on the whole matter of the multiverse, and when he went into his rant about how it's all just eye-catching variations on familiar things without any substance to back them up, I wanted to stand up and cheer. Until, that is, I remembered that this opinion was being voiced by a character who is a) a villain, and b) in the grips of depression. The fact that the opposing view is expressed by Lily motherfucking Sloane is, I think, a pretty solid indication of what side the episode wants us to come down on, but I remain unconvinced. It would be nice if multiverse stories were about exploring endless possibility and, through that exploration, learning more about where you started from. But most of them are just about putting a new hat on a familiar character and getting excited over the hat.

Which I think the episode itself mostly bears out. Boimler's crew are all fun and cute, but none of them go very deep into the characters or stories they're riffing off. Garak and Bashir are together simply so fans can have the visual or them as a cute married couple, not as a result of any attempt to grapple with how these two complicated, flawed characters might actually end up in a romantic relationship (or, for that matter, with the fact that Garak ends DS9 in a quasi-suicidal state). T'Pol deserves her more generous, more serious story, but it's telling that this story (she's best friends with Curzon Dax!) feels almost random, a reminder that what Enterprise did with her - stripping her naked, insulting her Vulcanness, and killing her loved ones - doesn't lend itself to a continuation that is worth following. And the Harry Kim gag does nothing to address, and in fact tries to make a virtue out of, the stasis that character was held in for seven seasons of Voyager. I don't want to ding the episode too hard, because I did end up enjoying it. But the conclusion I take away from it is that if you want to really explore a character, especially one who has been overlooked, you're much better off doing what Picard did with Seven of Nine, moving forward from where they left off while giving them more serious consideration, rather than just cycling through a bunch of different variations on them.

Finally, does anyone else think that Curzon Dax was originally meant to be Jadzia Dax, and things just didn't work out with Terry Farrell? Given how every other crewmember is someone who was screwed over by the narrative or the writers, or just something the fans have long wanted to see, the choice of Curzon seems to stick out. A Jadzia Dax who wasn't killed by Dukat (and an opportunity for Farrell to come back to Star Trek after the bad blood of her departure from DS9) feels much closer to the "fan wish fulfillment" ethos that seems to have been this episode's brief.

[skjam]

Comic Book Review: DC Special Blue Ribbon Digest #22: Secret Origins of Super-Heroes

Comic Book Review: DC Special Blue Ribbon Digest #22: Secret Origins of Super-Heroes edited by E. Nelson Bridwell “Secret origins” are a big part of the superhero genre. Since, back in the day, most superheroes had secret identities, just how exactly they’d come to gain powers or the motivation to fight crime was also a secret to the public. But we readers got to be in on the secret, creating a…

[necrotic-nephilim]

hello, it's me again. so i saw you mention on my prompt how jason would be jealous of rose's healing factor when it comes to fucking kara and the jaycass you wrote and i thought why not combine them? in young justice jason and kara are part of the light and cass was in the shadows before defecting and joining the bats. what if she doesn't? childhood friends/lovers jaykara but kara becomes a red lantern after jason's death. after a while jason heals and goes on a mission with kara and they recognise each other. they cry, fight, fuck, all of that before breaking free of the light and run into cass. maybe cass and jason fucked a couple of times in the league to release some stress, and kara would be attracted to cass, so all three of them have a threesome inside a lazarus pit. just a cycle of fucking and breaking and dying and soul breaking healing. you can get really kinky with this too, like kara could ride jason to death, jason could fist cass until she needs the pit, cass could ride jason's face until he chokes on her juices, could even have kara bring a strap and her and jay could fuck cass at the same time (regular dp or anal dp) or peg jason until he can't walk. maybe they force kara to take a kryptonite shard up her pussy while jason fucks her and cass rides her face. technically the lazarus pit would boost their stamina every time they dip, and kara's a kryptonian, so they'd fuck for actual days or weeks. maybe they fuck so long they don't realise it until a team associated with the justice league walk in on them on a mission to rescue cass or something

HELLO YOU. YOU GET ME. it's my favorite thing EVER when the Laz Pit is utilized for a vicious cycle of fucking, dying, and fucking again. the altered mental state, the violent levels the sex can be taken to when dying no longer matter and longterm injuries aren't an issue... it lives in my brain.

i'll be honest, i don't know or care much about the Young Justice tv show so you'll have to forgive me for this being divorced from that world bc it's just. foreign as fuck to me so my apologies for that but as for the porn. (decided to put this headcanon/concept under a cut bc i feel like what could be considered snuff is probably a jumpscare for most ppl so. click at your own warning)

i just. i adore brutal dead dove sex that is destructive. like the whole "i want to crawl inside your chest" but it's *literal* and no one takes advantage of Laz Pits enough to do just that. like sex where you just physically can't hold yourself back from tearing open the flesh of the person you love bc you need to see their blood, you need to hold their heart in your greedy fist type shit. and if this is an AU where Jason and Kara were close but got separated by Jason ended up with the League, i do think their reunion could bring about just that. for once Kara isn't holding herself back and she's clawing at Jason's skin until he's bloody. i think it's fun if sometimes she just fucks him *in* the water bc it's quicker that way and Jason is constantly on this edge of death and rebirth at the same time. and with Cass in the mix too. JayCass you get me anon <3 Jason loves Kara still but it's clear he and Cass are a sort of package deal now and Kara might not know Cass well but if Jason loves her, she can trust that. so she gets to know Cass in the only way she cares about at the moment, pinning Cass down and fucking her. with a strap, with her own fist, anything that she can get inside of Cass to feel her body. maybe she pushes in too far and fucks Cass bloody until Csss needs the Pit sooner than even Jason did. and for Cass, who has no benchmark for real love but this dizzying feeling of being revived over and over, this is all she can ask for. devotion.

them suffocating on each other is so good- Kara doesn't care if Jason or Cass need to breathe, she cares about getting off and feeling whole again. she holds them down until their body gives out and forces them into the Pit again. maybe at some point she gets curious and holds one of them down facedown in the waters just to see if it's even possible to drown in the Lazarus Pit or not. she breaks bones just because she can and she wants to see what level of pain it takes for Cass to actually react to. how long it takes for a human body to bleed out. exploring their bodies means memorizing the limitations of them. it means she learns what them getting close to death looks like the same as getting close to an orgasm and whispers filthy dirty talk about how she can hear Jason's heart about to go out as he's trying desperately to come before he dies again. she counts how many minutes it takes before they die from lack of oxygen and compares who can last longer.

the Kryptonite shard is also enlightened- eventually Cass and Jason want to be the ones in control bc fair is fair and they deserve to do the same to Kara so they find some stash of Kryptonite and hold Kara down until it's deep inside of her and she's weak and in pain but still getting fucked. and she gets to taste the Lazarus Pit too, which i think would make her absolutely feral. Kara deserves some Pit rage for fun, i think even if she only gets to taste it while Cass is holding her down so Jason can fuck the Kryptonite deeper inside of her. every now and then Kara actually manages to strike one of them hard enough to injure them and it doesn't matter bc the Pit is right there.

all of it lasting for Days is just. good. like the haze the Pit has on the mind, being used over and over? almost like a spell none of them can break. they'd live the rest of their lives like this if they could and there would never even be a realistic end. it takes someone else walking in and managing to separate them before they actually calm down. and days before all the Lazarus Pit wears off and it finally sinks in just how fucked up what they did together was. and how fucked up it is that they don't even regret it. they're already trying to figure out where another Lazarus Pit is and how they can get control of it. i think it's fun if they spring it on each other too. like Jason will fall asleep in his bed but wake up to Cass and Kara holding his head under the green waters as he thrashes on instinct. Cass will be minding her business until Kara literally grabs her at superspeed and just flies her off to the waters to spread her legs and fuck her at superspeed until she's a bloody mess. they never know peace with each other and they irreparably damage their psyches over this. ty and gn.

[winter-rp-memes]

Let's talk; Fights! How does your muse do in battle?

Experience; Is your muse a skilled fighter? Do they get into fights often? Do they have any professional training? Do they train at all and if so how often?

Strength; How physically strong are they? Do they rely a lot on strength, or do they have other factors that carry them through a fight?

Type; What's their style of fighting? Do they even have a style?

Stamina; How much energy do they have and how long they can last in combat? Days? Hours?

Weapons; Do they have any weapons? Know how to use weapons? Can they fight without weapons? Are they against using any type of weapon, and if so why?

Integrity; Does your muse play fair? Fight dirty or use any type of trickery? If so is it frequent or only when they need to use it?

Distractions; Do they ever attempt to throw off their opponent via smack talking, flirting, environmental factors, or other methods?

Groups; Have they ever fought in a group? How tell do they do working as a team? Are they the type to take the lead or prefer to have someone else give them orders?

Team mates; Following the last question, how good of a team mate are they when fighting in a group session? Do they always look for the others? Are they more careless?

Ruthlessness; How far do they go when fighting? Do they never hold back and let their opponent have it? Are the type to outright kill their opponent for any reason?

Outmatched; How do they fight against someone they know is more powerful / skilled than they are

Speciality; What's your muses "special power move" so to speak, what's something unique they can do in battle?

Weaknesses; What's a weakness that can be exploited in a fight? Do they have blind spots? A certain kryptonite? Something they overlook about themselves?

Intelligence; Do they ever really on being witty, clever or crafty to win a fight? Is there a strategy or plan they make when going into battle?

Environment; Where do they strive best at? Can they fight anywhere anytime or are certain areas harder to work with than others?

Destruction; How destructive are they? Do they have no regards for others around them and consider it a free for all? Or do they try to avoid getting bystanders caught in the middle of it?

Eagerness; Does your muse enjoying fighting be it in a friendly or a serious manner? Are they more of a pacifist that avoids fighting when they can or it is easy to provoke them?

Durability; How many hits can they take and how well can the manage the pain?

Magic; Can they use any magic at all and if so to what extent? How can they use it in a fight or do they heavily rely on magic to win in a battle?

Stealth; Can they manage to be sneaky at all? Do they often sneak up on their opponents or ambush them unexpectedly

Dodging; How good are they at dodging attacks or are they even the type to bother dodging if they know they can endure it?

Recovery; If your muse (regardless of if they win or not) got roughed up during an altercation, how long does it take for them to recover? How do they handle physical recovery?

Sportsmanship; Are they a sore loser when don't win a battle? How well do they take the lost and go from there? Does it inspire them to do a training arc or do they just shrug it off?

[wolfpawzjakey]

political marriage Jercy AU?

Your opinion and thoughts.

My thoughts and opinions on this scream in excitable glee.

Political marriage Jercy is kinda my kryptonite. Why? I love the ability’s to build a relationship as time marches on and these two have already had a rocky base relationship before they grew close in canon.

Percy and Jason being wed would be one of the most impactful happenings to, well, happen. These two are depicted as some of the most, if not the most, powerful people in their world. Their sets of skills individually are enough to bring their cities and more to collapse, and together, they could bring down nations if they put their mind together. For a society, be it a royalty au (kinda like the fancy prince outfits fit with castles and maids and such) or a marriage between two of the most power demigods outside of the more modern stance the canon is set it, this marriage would be tide turning.

For their societies, this would ensure in almost definite ways that there would always be prosperity and success amongst their people and personal parties. It would lessen, if not entirely deplete the consistently nagging and lurking dangers between both families due to their mutual unease toward another. Percy has an incredibly rocky relationship with gods, but Zeus is the golden goose of shitty people that he’s upset time and time again and will/would continue to piss off time and time again. Zeus has consistently set boulders in his path and threatened danger upon his life and Percy has actively and successfully avoided death from this almighty power and will continue to do so. He has the right to have animosity toward Zeus, he doesn’t even need to factor in the fact his father also has animosity toward Zeus because the shit that man has put him personally through is enough for himself. And, Percy has never really been the type to base his feelings upon the ideas of others without navigating his way through his own experience with them on his own time.

His upset with this marriage would be enough to put the sea at unrest. Marrying into the family of one of his life’s larges villains is a knock to his honor and pride and beliefs. He would never stoop to the level of that cretin and though he’s aware Zeus’s daughter, while difficult on her nest of days, he knows her hard headed nature is well intentioned. But the sone of Jupiter however is an entirely different story. He’s an unknown variable of extreme power, something stoic and mechanical that can rip through enemies in mere moments, similar to Percy in that way minus the glaringly different way they act.

-

And for Jason, he’s got his own reservations. Once again, the two are unknowns in each other’s lives, but Jason is good at analysis and he’s more likely to have information (at least in this sort of au in my mind) on Percy and who he is externally. While Jason has been molded into the perfect being, the perfect solider and the perfect son, Percy has made himself up from the ground, he flows like the very water he controls, his actions aren’t mechanical but fluid and unannounced until they strike you dead. He’s a fiercely frightening soldier because he’s unpredictable. Frightening because somehow, just like Jason, he is the perfect soldier, but he was just that way naturally and recklessly. He didn’t need to be pushed half to death everyday, he didn’t have to survive growing up the way he himself did. Percy is entirely perfect but in the most frightening of way. Perfectly imperfect, more so.

Jason also has anger directed toward the son of Poseidon because of his large net of support. He has few attachments, was never allowed the sort of weakness attachments allowed. But Percy? He’s able to craft them and he’s allowed to be weak for them. His loyalty and devotion to his people should make him weak and inadequate, but instead they make him stronger. It’s something Jason just can’t quite connect. His anger fills up the more he knows Percy too because this person has more than the ability rise quickly above his own power, he is easily able to swing Jason’s people to his side too, forming easy friendships. Percy has so much good to him that Jason can’t help but see him as bad. Percy has the freedom of life that he so badly wants and never got.

-

When the marriage is announced, Jason takes the news “easily”. Externally he’s as solid as usual, face of stone masking the rage he’s hiding. Percy on the other hand is loudly in disagreement, never one to settle for easy agreement. He does what he wants, not in a bratty way, he just knows rights from wrongs and does things his way, it’s been successful that way and his final judgement is solid most always. The proposal is in stone though, and he has nothing he can do but angrily take it.

Being a political marriage, between two of the most powerful families in existence at that, the event is more extravagant that any their kingdoms, or whatever the fuck you wanna call it, have seen. It’s a long process, planning and arrangements taking up the time of everything and everyone. While their people are up in spirits, the parties personally affected sit holding their breaths. The trust between the two so dismal that they can’t help but sit in wait for a pin to drop and pandemonium to break out, but alas, it never comes. Jason and Percy are successfully wed, their people rejoicing and the finality of peace between their nations, prosperity is on their horizon for ages to come.

-

The base relationship of the two is bleak. It’s ugly silence or harsh spat words. What their people see is a gentle facade, a quiet couple who interact politely, moving as some well oiled machine amongst their followers who have nothing but gratefulness in their eyes as they share their support and wish them happiness. Externally, they’re near perfect. Their social outlook is perfect, they make news amongst the population as a perfect couple who greatly fit into each other, filling in the missing pieces. Jason has softened to his people and Percy has become slightly more organized. Internally however, this act has they growing weary. Not only because they have done nothing to really foster any sort of relationship between each other but also because when they both slip up, the act continues, but naturally. They speak to each other with ease and acceptance before realizing they were supposed to be butting heads. The weariness only grows as this continues, the moments of exhaustion from their personal and shared work causing slip ups where they seemingly just coexist together just cause this unsteady wall to build up between them until they break in the privacy of a shared space.

They’re angry and loud about it. Spouting insults and poking at each other’s weaknesses. And it’s through this fight that they kind of realize they’re at each other’s throats for everything and nothing. Because they’re fighting a fight not worth fighting. Working themselves up over angers directed at things their fathers have done, or directing rage at an assumption based off impersonal knowledge. Percy’s anger stems from his distrust of Zeus, but he’d known that Thalia wasn’t her father, why hadn’t he extended that shaky trust to Jason. And Jason anger stemmed from long festering jealousy, Percy had loving friends, loving family, and a pedestal he would never fall from because people had no reason to believe he would fail them, because when Percy got back up it was a sign of strength and resilience. Jason had always been made to believe falling meant he had to climb two times higher just to garner that belief from the overbearing figures in his life.

Their scuffle ended in quiet unspoken apology. From then on, they move forward as that well oiled machine, but they no longer hold up the act. They become more natural around each other, settling into this new life role they fill. The kingdom notices this new delicate awkwardness between the princes, most figure its the beginning of a trust budding relationship, and it is, but it’s still too fragile for either to particularly notice. Still feeling as if they’re treading this very recently made line of trust, they can’t put too much thought and weight into it when they’re just barely getting to really know each other.

Stupidly, war does break out (just for fun, I love when two people who are so perfect for each other fight together or against each other, it’s romantic lol) but it is easily fought. The utter cleanliness and synchronicity between the two only act as another vice to hold them closer together. They tear through enemies, entangling their fighting in a dance so elegant it could bring a theater audience to tears. They celebrate victory with their kingdoms with entwined emotions. But these new feelings of closeness don’t cause conflict, not external or internal. It’s met only with rightness.

-

Despite being wed, they don’t meet these feelings between them like lovers. They’re not that and they’d never been that. They let it build, acts of service and care being traded between each other without explicitly being voiced as such because why would they need to? They do fit into those missing pieces the other had, well enough that they’re able to communicate without necessarily having to be verbal about it. They only speak on it when necessary, like when Jason stays in Percy’s quarters for the first time and vise versa. Or when they first share a kiss. When they first bed each other. They’re very tactile in nature with each other.

Do not get me started on what could happen in this au if we let the Jason dying plot point happen here too because I will lose my mind.

-

Away from a story building lens (it was probably incredibly hectic apologies), I love this concept. Because it gives you the ability to draw out this relationship of what wants to be a rivalry between to similar but opposite people and what they could actually become. In canon, they became close friends. But I feel as though the true strength of what their bond could’ve been, even in a platonic sense, wasn’t touched on due to the shortness of their rivalry and also kind of how childish it had been made to seem. These two have incredible difficult lives and have very tricky circumstances that allot them certain difficulties to overcome, especially between each other. They’re each other’s perfections and imperfections AND their missing pieces all at once. If Jason had gotten more life brought into his story, maybe if we’d gotten his memories back in full, they’d have been even more interesting than they already are.

Thank you thank you anon for your ask!

[rockybloo]

Save for Sweetheart, does Bitterbat have any weaknesses? Some type of 'kryptonite factor' so to speak?

Sweetheart is his only weakness.

But one has to go about using Sweetheart as a weakness very carefully because the second she is on the scene, and potentially in danger, Bitterbat is at his most dangerous.

[brucie-wayne-official]

You know, maybe Kryptonite itself isn't your weakness, but something that, for now, only Kryptonite can produce. Let me explain.

I think that Kryptonite can produce a very specific electromagnetic wavelength that's almost imperceptible to most sensors, and at the moment, is virtually impossible to reproduce, even with the most advanced tech in the universe.

Give or take at least a few centuries, and that might change, but by then, there will probably be no use for it, as you will be long gone by then. Just being realistic here about that factor, I doubt that even Kryptonians can live for centuries without some form of cryostasis, even with their advanced technology.

However, a sort of "Anti-Kryptonite Sunscreen" might be possible to develop with the current technology of today, and in large quantities, in fact. We'd just need to figure out what said Wavelength is in order to block it out.

Looks like you've put a lot of thought into this! Maybe Bruce can put you into a research project regarding Kryptonite.