#knowing who you are as a character i am so sorry. you are still so special and so important

[megismyname]

I've been curious why you haven't been doing your 'lives' lately, and really kinda wanting them. The few that you had, brought me a sense of comfort. But tonight, I ventured onto another person's live, and saw that they were having to constantly dodge comments from trolls.

I don't know if everyone feels this way, but I feel we are in a good place right now. We have been given beautiful, chess playing, crumbs recently from Nicola and her 'Team'. Even with the minor setbacks, everything is still good.

So just want to say that I get why you haven't been doing your lives, is because you don't want to let the negative spoil the positive message we've been given.

Hi there!

Short answer: I've been having a phase of being "over" Tiktok.

Longer answer: I am not a person who holds their tongue very well. I speak my mind and I tell people what I think about them when they are in the wrong. There are quite a few "larger" creators in this fandom who were taking it upon themselves to "educate" the fandom and become the moral police. Now to be fair, I am now blocked by most of them so my life is pretty blissful but it doesn't mean their toxic ramifications do not trickle down.

I find it very important to let you know that I am not afraid of trolls or toxic people and I will not cower to them. These are insecure people on the internet who are typically hiding behind the face of a celebrity - around here that's usually Nic - and that empowers them to speak the way they do. I guarantee if you met them on the street, they wouldn't say 75% of the stuff to your face.

Now I also need to say that I needed a break from TT lives because the fandom was exhausting me. This is not aimed at you Anon as I don't even know who you are. I am not a spiral-er because frankly there is nothing to spiral about. In the end, none of this affects my life personally. And as for those background characters, I don't give two craps about them. But there are a lot of you out there who just can't stop yourselves and my inbox was OVERFLOWING with people who needed their hands held and reassurance. After multiple N&J sightings in October, I just couldn't do it anymore. It is not my job to hold everyone's hand through this or tell you what to think and feel and I'm sorry if that offends anyone. We are all adults and we all need to find a way to manage our emotions and if you're going to break down over every little thing then you might need to step back and take a break.

That being said, I do plan on doing a live again one day soon as I know there are alot people who just want to be on there and laugh at silly shit and I'm always down for that. I just needed the fandom to break through a lot of this bullshit first.

[eerna]

i was one of the people who saw the early leaks post and i remember trying not to read too much of it but i had a moment of being like wow this cant be real but also it definitely could be. i remember reading about the damn caitvi sex scene and i thought to myself thats so ass why would they do it in a prison and then i realized the writers probably thought it was some meaningful parallel or something about vi being able to transform being imprisoned with something good

then the act dropped and i saw the damn parallels with cait finding her in the cell and i was like ok yeah. they basically had that as an idea. amanda overton was talking about it in a watch party and said they love their parallels and it was meant to symbolize vi addressing her trauma and im like. i see what they were going for and i get it I GUESS narratively but i really feel like this is such monkeys paw shit like we got this scene at what cost. and like the scene ITSELF was very good and sweet and lovely but like could it not have happened ANYWHERE ELSE?

i feel like the biggest problem with arcane s2 was that the creators rlly wanted to push the bar with animation storytelling. amanda talked about this too and like i feel like it kind of highlights the problem. where bc this show is so amazing graphically the animators wanna highlight that with as much action as possible instead of focusing on smaller scenes and more intimate quiet moments. i watched arcane s1 all at once after it came out and there were def parts that felt a little rushed in certain acts but it was nothing like s2. it just feels like they had all these story beats they wanted to hit but didnt give it the time it deserved and it sucks bc they said they always meant it to be 2 seasons so like why does it feel like this. they wrote them back to back around the same time what happened between s1 and s2. i just feel like the caitvi sex scene is a microcosm of the larger problem. they had these emotional beats and story moments that in isolation are really powerful but its almost like we didnt get a proper A to B transition. its like we skipped several steps for sooo many story beats.

such complex characters with real ass lives causing real ass problems. cait's privilege being an issue, how gratifying that could be to have explored. viktor's experience being explored more in depth. just so much more about zaun. like all of it was there in tiny slivers but it was never given the depth to GROW or properly BREATHE bc five million action scenes and plot points had to be squeezed in.

ultimately i love arcane overall. i think it has broken boundaries and done some amazing things. but its blemishes are really... painful at the same time. and knowing how the writers did such a good job in s1 makes me just like. cmon guys. you had it. YOU HAD IT

anyways sorry for blowing up your ask with so much rambling i just... idk. what are your thoughts on this stuff do you agree with my assessment or do you think the culprit is something else

No prob, welcome to the symposium~ Yeah, I totally get what the writers were going for with Vi. Which is why I am so shocked they thought it was a good idea. Like, okay, she is addressing her trauma in the sex scene... But why should her trauma get addressed by being locked in a jail cell by her sister, who just spent days being wrongfully imprisoned in there by the girl she's about to have sex with, and who then told her she was gonna off herself. If anything, the thing I was feeling was pain because it happened again, a Zaunite was thrown in jail by the Enforcers after she helped and saved them without any rights, and she was reminded she was less than them and her life is worth nothing... Mmmmm, the perfect memory to overwrite prison abuse!

I too felt s1 had some strange pacing choices, Vi and Jayce teamup comes to mind first, and that was, surprise surprise, a fight scene. But those were pretty minor, and still left time for other scenes to develop properly. It only becomes a real problem when it happens scene after scene, character after character, until no one is acting in character and you constantly feel like you have skipped a scene or two. I too remmeber them saying they wrote the seasons back to back, but. Dare I say it. I think s2 was so majorly rewritten by the time it went to recording that only the bare bones remained. In fact, that might be why we feel this way - maybe they DID have a frame they wanted to follow, but the rewrites warped and twisted the characters so intensely they ended up making no sense in the context of that frame. That's right, I'm talking about the way they decided to more closely follow and collaborate with LoL in s2. Jayce's final speech to Viktor only makes sense for game Viktor, and goes completely against s1 Viktor. Vi deciding police brutality doesn't really matter all that much makes sense for game Vi, and foes completely against s1 Vi. Jinx giving up on ever being loved or accepted by others makes sense for game Jinx, and goes completely against s1 Jinx.

So yeah my thesis is: Arcane knows it looks good, and sometimes it prevents it from being well written. It also decided to throw in its lot with LoL in s2, and no amount of good intentions from the writers could have saved it from crashing and burning.

[swiftyangx12]

🟦🤍A Misunderstanding🩵🟥

[Pairing]: TFA Optimus Prime x Cybertronian!Autobot![Reader]

[Synopsis]: [D/N] can’t catch a break from being misidentified for a Decepticon. At least they have someone who understands their struggles as a commander.

[Inspiration]: A request I sent out some time ago and @signedaiko wrote the HCs out. (HCs with the Special Ops![S/O])

[D/N] = Designation (Meaning your name)

[Gender Neutral Reader]

[(A/N)]: Based on Aiko’s HCs, I’m only writing Optimus in this fic because I’m kind of biased. Also, I need to practice writing characters from the TF franchise and TFA O.P. seems like he’s an easy start. Anyways, I hope you enjoy the story.

[WARNING]: Possible misuse of Cybertronian Vocabulary and Terminology (I’m still new to the fandom)

[Back when [D/N] was first promoted to their position as Commander of the Information Operations, they were issued to get a paint job with much darker colors since most missions require stealth. The team [D/N] leads and work with are good bots, but the only trouble the whole unit faces sometimes are the misunderstandings from a first glance.]

Random Cybertronian: EHH! DECEPTICON!!!

[D/N]: No, no, no! I’m not a Dece-!

Random Cybertronian: *Whacks them with an alloy pole*

[D/N]: OW!

🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥

[It didn’t help when they visit Earth to see their Conjunx Endura. People, especially Detroit citizens, also mistook them for one.]

Random citizen: Call the Autobots! Decepticon on sight!

[D/N]: Wait a klik! I’m not with the bad guys.

[After clearing up the commotion]

Random citizen: I’m so sorry! I thought you were one of those Decepticons.

[D/N]: It’s alright. At least you have good optics if spotting one, but please be sure if you see their Insignia next time.

🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥

[It also didn’t help that even the Decepticons on Earth were bewildered to discover that [D/N] is an Autobot.]

Starscream: When did one of our Decepticons switch sides?!

[D/N]: *Enraged* 💢 I AM NOT A DECEPTICON IN THE FIRST PLACE, YOU FRAGGING IDIOTS!!!

The Decepticons: Uh oh.

[D/N]: *Unsheathes their razor neon blades and sprints towards the enemies* AAAAAAAAAAHHHHHHHHHHHHHHHHH!!!!

🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥

[Yeah, from that last battle, [D/N] was on rage mode where they kicked the Decepticons’ afts to the extremes. On their own. Probably put them out of commission for a while. They definitely need private time with their Sparkmate.]

[The Plant: The Autobots’ Secret Base]

[D/N]: Oppy, sweetspark~ *Back-hugs Optimus* My wonderful and lovely conjunx~

Optimus Prime: *Holds their bitarlueus’ carefully and looks back* What is it, [D/N]? You usually call me those names if something is bothering you.

[D/N]: There is. When I retire from the position as commander of my unit, I’m getting a new paint job.

Optimus Prime: Oh, that doesn’t sound bad. Why the sudden thought?

[D/N]: *Vents out from their intake (Sighs)* Almost every bot and person I encounter, they mistake me for a Decepticon. It’s what I get for earning a job where my team and I are required to wear coatings for stealth operations. The tones are too close to the actual faction’s.

Optimus Prime: Well, you also act scary when on duty.

[D/N]: *Pouts* That doesn’t help either.

Optimus Prime: *Chuckles a little* Don’t worry, [D/N]. We know you’re good and just doing your job as a commander. You proved to be a great bot every cycle.

[D/N]: Yeah…But I still remember when Sari and Bee freaked out after seeing me.

Optimus Prime: They didn’t know you’re on our side at that time. Now, they love you for being your true self.

[D/N]: Yeah…Y’know, when I do retire, you wanna help choose which color scheme suits me?

Optimus Prime: Only if you’re comfortable with the choices.

[D/N]: *Smiles at him* You’re so thoughtful, Oppy. I love you.

Optimus Prime: Love you too, [D/N].

🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥🤍🩵💛🟦🟥

[A Few Deca-Cycles Later]

[At Night]

[S/N] = Sparkling’s Name

[S/N]: *Runs up to Optimus on their little pedes* Sire! Sire! Was this Carrier? *Holds up a data-pad with an old image of [D/N] back when they were a commander*

Optimus Prime: “Oh scrap.” Where did you find this? You know your carrier isn’t comfortable talking about their old job yet.

[D/N]: Don’t worry, Oppy. I let them see the ‘pad.

Optimus Prime: [D/N]. I didn’t expect you to tell so soon.

[D/N]: *Shrugs* [S/N] would learn sooner than later. They didn’t believe the image was me and needed your confirmation.

Optimus Prime: Well… *Picks up [S/N] and adjusts his hold* To tell you the truth, that is your carrier.

[S/N]: Really?! They look too scary to be my creator.

[D/N]: *Made an expression on their faceplate that screams, “Even my kid thinks I looked scary.”* (￣^￣)

Optimus Prime: That’s because back then, Carrier needed to look the part as a leader for their special unit. They have to wear darker coats of paint as their uniform.

[S/N]: Why? No bright colors allowed?

[D/N]: No bright colors, because I had missions where you need to be sneaky. Hiding in the dark and go for the surprise attack! *Starts tickling their Sparkling*

[S/N]: *Laughs from the “attack”* S-Stop! Stop! Can’t vent!

[D/N]: *Stops tickling* Alright, alright. Now, you better get ready for stasis mode since the next cycle is a big one.

[S/N]: *Gasps* I get to visit uncle Bee and uncle Bulk!

[D/N]: That’s right. *Picks them up from Optimus and settles them down* Wash up and maybe we’ll read you a story before berth.

[S/N]: *Nods and hurries off to freshen up*

Optimus Prime: *Hugs [D/N] from behind* You know, I fear next time you need to be called in to resume your duties.

[D/N]: *Leaning in the hug* Don’t worry, Oppy. I’m sure my successor is doing fine as commander and I only come in as a consultant for my former team.

Optimus Prime: If you say so. Then more time between us and see how it plays out.

[D/N]: After reading a story to [S/N], then maybe we’ll see what happens next.

Optimus Prime: *Vents out* Love you, [D/N].

[D/N]: Love you too, Oppy.

❤️[Reblogs help creators and creates more content]💙

[(A/N)]: Please be sure to visit @signedaiko’s blog and check out their work. Their writing is really entertaining and fun to read.

[rin-solo]

I love. LOVE. Get In the Water

It's one of the objectively best songs in the musical; I will die on this hill.

Poseidon was always, despite being pretty much the main antagonist of EPIC, a really underdeveloped character in my opinion. He just needed a little more nuance and the fact that one (+ kind of one more) song managed to add so much to his characterization pretty much exclusively through subtext and implications is incredibly impressive writing. Because it did!

At the start he's yet again playing games with Odysseus, the way he did in Ruthlessness. In both songs he could kill him easily at any point, yet he chooses not to for the sake of playing games. In Ruthlessness, this becomes his own hubris as it leads to Odysseus escaping.

If you listen closely, at the start of GITW he already sounds slightly different. He's still trying to keep up this "God of Ruthlessness" front that he's so proud of, but he's no longer more or less carefree the way he was in Ruthlessness. He's been obsessing over this feud for ten years, and even if he would never admit it, it's actually clear just from his voice that he really is tired of it too. Not in the sense of it emotionally draining him the way it probably does Odysseus, but in the sense that it's a bother, a loose end in his life, a book that he finally wants to slam shut.

But he still has a reputation to uphold, and he still cannot close this book until Odysseus is dead, so he keeps up the game. Instead of just killing him, he's taunting him to kill himself. He might associate the idea of just striking him down with a sort of loss, like then he'd have to his hands dirty. Then he's rambling about killing his people, his family. He's provoking Odysseus on purpose, likely trying to get him to snap back, to hate him and fear him the way that Poseidon would think any mortal who has consumed this much of his time should. In his eyes, Odysseus deserves nothing less than to curse him with his last breath as his "darkest moment", the god who became the bane of his life.

And Odysseus replies, of all things, with ... sympathy.

Honestly, I don't blame Poseidon for being speechless for three full seconds. He literally just threatened to gauge Telemachus' eyes out the way Odysseus did with Polyphemus, and this absolute madlad of a man replies with an acknowledgement that he (might have) caused Poseidon pain too.

Now, I don't really think Poseidon was particularly hurt over Polyphemus' loss or hurting in any way in that moment. But just the fact that Odysseus acknowledges that he might be hurting too is probably something Poseidon hasn't heard in ... who knows how long? His family is the Olympians. I don't think I have to say more.

It's actually more of a genuine apology than Odysseus' explanation in Ruthlessness ... Now he doesn't say "sorry" because he's still not sorry for hurting Polyphemus, since he still needed to do that in order to escape. But he expresses regret over the pain he caused in a more genuine way than ever.

I am convinced that Poseidon is utterly unfamiliar with sympathy or mercy. He's lived by his "Ruthlessness is mercy" motto for centuries, and he doesn't know anything else. No one would try to teach him something different. The other gods all live by this logic, even if he's the most vocal about it considering he seems to have made it his whole personality. Mortals wouldn't dare to question Poseidon in the first place. And barely anyone would be willing to treat someone with kindness who is in turn treating everyone around them with ruthlessness.

It's very likely that Poseidon hasn't encountered anyone like this until Odysseus. Ruthlessness is simply how he treats people, and also how he expects to be treated back. The fact that Odysseus doesn't, the fact that instead of hating or fearing or cursing him he acknowledges that they have both hurt each other and that it doesn't lead anywhere to still pursue vengeance must have triggered Poseidon in an unprecedented way.

To him, this was probably the most outrageous thing Odysseus could have said in that moment. And it throws him off so much that he is genuinely speechless, and then simply replies, "I can't." ... his most genuine-sounding line in the whole musical.

I cannot stress enough how much it threw me off to hear this line; in the best way imaginable, it doesn't sound like Poseidon. It sounds almost vulnerable. Almost human. Because he is genuinely at a loss so much that he forgets to put up his "wrathful god" facade for just one second. Standing ovation to Steven Rodriguez for his whole performance, but especially this part.

And then Odysseus goes all out, to say something even more outrageous: "Maybe you could learn to forgive?"

... Which is when Poseidon snaps.

Kind of understandable, honestly. There's this mortal whom he has likely fantasized about seeing pleading, hate-filled, and terrified, cowering before him, for ten years now ... telling him that he ought to learn something. Even hijacking his own motif and his instrument in order to turn it on its head, "defile" it if you will.

This f*cking mortal pr*ck took his own "Ruthlessness is mercy upon ourselves" catchphrase and turned it into forgiveness ... Of course, Poseidon is no longer hesitating, of course he is no longer concerned with getting his hands dirty or not. He yells "DIE!" and unleashes his ultimate move (which is really overkill for simply killing a mortal if you think about it) ... But he does it anyway because this time he genuinely means it.

This simple exchange (my favorite moment in the whole musical, actually) tells us so much about both of these characters that it makes me want to skitter and squeal in excitement.

Here is Odysseus—the very same one whom Poseidon specifically tried to teach ruthlessness—becoming the first person in a long time to offer him sympathy despite how Poseidon himself showed him nothing but ruthlessness. And then one song later, here is Odysseus showing him the consequences of not accepting said sympathy.

Six Hundred Strike and what Odysseus does to Poseidon would've not hit the same, in my opinion, if he hadn't made this offer, if he hadn't given Poseidon this way out, even if no one watching genuinely expected it to work (probably not even Odysseus himself.)

Six Hundred Strike is not Odysseus exacting vengeance. If GITW proved anything about Odysseus it's that he does not want vengeance. He wants all of the hatred and pain to be over, to the point where he is willing to let go of, and I am inclined to say forgive, Poseidon for what he's done to him. Six Hundred Strike is simply Odysseus teaching him this lesson that Poseidon couldn't have learned in any other way, because he has proven in GITW that he genuinely does not speak any language besides that of ruthlessness.

It's just the perfect representation of how Odysseus has now finally learned the balance between mercy and ruthlessness, which seems to be the core theme of the musical: Both have their time and place, one simply has to be willing to act in both ways and know when to use either. No one extreme is the solution. I am genuinely exhilarated that Odysseus finally seemed to have figured out that it's been both all along.

[lilacbumps]

Lilac’s Official Return

Hello my darlings 😊

I have officially returned and plan to stay! This year has been insanely cruel from injuries, illnesses, death of several loved ones and losing my job just before Halloween… I am so very sorry for being gone for so long 😢 I am so thankful for those who have been encouraging me to come back.

I know I’m not very popular in this community, but for those who do love me; I greatly thank you all so much! 🫂

Please forgive me for not replying to messages; I’m at a very low point and I don’t want to risk saying something wrong because I’m hurting and I’m still dealing with a lot of mixed emotions.

I wanted to write a story for this character, but believe explaining is proper at this time.

Her name is Dollia Joyce. Her top was once a dress until she became massively pregnant with multiples. 😅

[eurydicees]

Also, I just saw you’re 23, I am too! It’s rough out here. Another idea: any characters, what’s it like being 23? Where are they at this point? I feel like hq shows that as being sooo grown up but like I’m just a big teenager right?? Idk just rambling

being 23 is so rough sometimes lmfao. i've got friends from high school getting married and friends from college having early life crises. i'm working full time and living alone but tbh mostly feel like i'm playing at house rn more than i am living on my own. whatever. it's fine. early 20s is just a silly time of life. anyways i don't have a fic for u but i Do have a headcanon list.

in no particular order, haikyuu characters as stupid things i've done in my early twenties:

atsumu: having a brother who is a chef does not prevent him from forgetting to take the cheese packet out of the mac and cheese box and dumping that into boiling water with the pasta.

udai: does not remember the last time he ate a vegetable.

oikawa: friends all went to a party without him and his coping method was getting so so so wasted on white rum and falling asleep on the living room carpet immediately after giving another friend a tarot card reading saying their breakup is imminent (to be fair, it was. but it was still kinda rude).

iwaizumi: after class, was led to a private stairwell by a friend, jokes "haha are you taking me to a hidden location to kill me." and then received a love confession. proceeded to say "uh. i'll think about it." then did finger guns. and said "im just gonna. go" and then fucking. ran. like not exaggerating, ran.

kageyama: went on a date. did Not At All Know it was a date, despite the very very obvious flirting. yes this was the same person as in the previous bullet point. don't look at me like that.

akaashi: took a 100 level class senior year and did not pay attention to a single lecture. instead wrote thousands of words of fanfiction in the classroom every day.

atsumu (again): another cooking one. i just think he'd be a terrible cook. sorry. anyways. "it's been 20 min, why isn't this scallion pancake im pan frying cooking yet?" (<- did not turn on the stove burner.)

yachi: hm the light in this room doesn't work. guess i'll just learn to see in the dark instead of inconveniencing anyone by asking to fix it.

akaashi (again): completely fell in love at first sight, but fast forward five months and it actually somehow worked out? however the five months were filled with the most insufferable pining possible, which could have been resolved so so so easily. also started talking about marriage, like, six months in.

bokuto: got sad. went out into a raging snowstorm in socks and no jacket. laid down in the snow for a long time. somehow, miraculously, didn't get a cold afterwards?

akaashi and/or yachi: changed majors and career paths because a pretty upperclassman asked them to. (i am very happy in my chosen path but jesus christ THAT was why i did it?)

hinata: flew from coast to coast of the country, then drove halfway back to the midwest in the span of three days. started a new job on the fourth day. didn't sign a lease on an apartment until the fifth day.

semi: skipped a day of work to drive four hours there and four hours back for a fall out boy concert. totally worth it but driving at 4am after a concert wasn’t the smartest thing ever to be done.

kuroo: started reading homestuck in the year of our lord 2024. this is an attempt to remain in contact with long distance friendships (by doing a bookclub) but jesus fucking christ dude.

ok this is getting too long and i needed to be ready for work, like 15 min ago lol. maybe i'll write more of these later, but i hope you enjoy these and my silly disasters are a little comforting :)

[johanna-swann]

Sorry if this feels vent-y but I am kinda done with the ppl that keep blaming Buck for the break up and absolving Tommy completely. I get so many saw him breaking up with Buck to be OOC but to go as far as to claim that it's Buck's fault for moving too fast when it's clearly about Tommy's insecurity is a bit fucked up. I have yet to see a person talking about how it was Tommy who fucked things up, if it was someone else acting out based on insecurity they would have been eviscerated and rightfully blamed but not Tommy ig he's a perfect angel who even if he hurt others it's not his fault for being fragile and insecure.

Well, personally I blame the writers for the break-up, but maybe that's just me.

Jokes aside, the simple answer is that everyone probably has their own personal opinion on this. Depending on your personal point of view, your own experiences with past relationships and so on, you will sympathise with one character more than the other or maybe with both of them equally. It's not a "Team Buck or Team Tommy" situation, we have two men here who both care about each other very much, but who also both bring issues to the table which the other one doesn't know about. It's not a cut and dried case, there's plenty of blame to go around. I have a lot more thoughts about this and I will take this as an excuse to rant, so settle in and buckle up.

The thing about Buck is that we see his thought process. We know which steps he went through, we know his train of thought, we know he's serious about Tommy. So it's easy for us to empathise and understand his journey up to the actual break-up. It's also easy for us to pick up familiar patterns though. Like Buck jumping all in all at once and putting his foot in his mouth a little in the process.

Because Buck definitely shouldn't have dropped "I want you to move in with me" on Tommy like that. As far as we know they've never talked about this topic before, they haven't exchanged "I love you"s yet, Buck doesn't even know if he loves Tommy. In my opinion he should've approached the subject very differently. He could've said: "I've been thinking about the future and I think we should talk about maybe living together in the not so far future." Have an open conversation about it instead of presenting Tommy with a fait accompli. At the very least he should've phrased it as a question, not as an "I want you to do x" statement. Not at this point in the relationship.

But all in all Buck's words and actions are somewhat relatable or at least comprehensible and show that he wants a future with Tommy.

On the other side of the break-up we have Tommy. The only piece of information about his dating history we have is Abby - a relationship that was never quite real, that he probably still feels ashamed about a little and that happened, what, 9 years earlier? At least 9 years. (The timeline is not lining the time as it should, somebody please check if Tim Minear knows how a calendar works.)

My point is: We don't know what Tommy is looking for in a relationship. We don't know if he's been hurt by a serious romantic relationship before. We don't know what he wants for his future in the long run. All the things that made us root for Buck and for this relationship to succeed - we know none of that about Tommy. But we do know that he thinks Buck has the power to break his heart. We know he already likes (loves?) Buck so much that he's terrified what this will do to him if he lets it continue. He'd rather turn tail and run than risk getting hurt by Buck. At least this way he's in control of the situation.

[This is very much the reason they broke up. Buck's mistake was a stupid mistake, but fixable. Tommy ended the relationship and ran. You can't fix something that's already over with someone who's no longer there. But I digress.]

A lot of what we get from their canon dialogue and overall relationship still doesn't add up. If Tommy thought he was just Buck's starter boyfriend, then why did he give Buck a second chance in the first place? If he thought this was never going to get serious, why did he agree to go to his sister's wedding with Buck after only one failed date? If he was afraid of liking Buck too much and getting his heart broken, why did he stick around for 6 months? 6 months is a very long time for a relationship you think will never go anywhere anyway.

It doesn't make sense and even throughout the scene where Tommy very abruptly dumps Buck they framed Tommy as a considerate guy with a big heart who truly cares about Buck. So we assume that there must be a reason. That something must've happened to Tommy at some point which makes him believe that this sort of relationship is not something he can have and that he can't trust this happiness.

If Tommy had a healthy sense of self-worth to go with his genuine feelings for Buck, he probably would've said something like: "Slow down, let's talk this through before we make any decisions." He wouldn't have run. And that absolutely was Tommy's mistake. Yes, Buck was a little over-eager upon discovering that he really can see a future with Tommy, but it was Tommy's responsibility to communicate his thoughts, feelings, needs and doubts. Instead he came up with some half-baked excuse and bailed.

TL;DR: They both made a mistake here. While Buck's mistake was relatively harmless in nature and not the one that put the final nail in the coffin, his mistake was definitely the more stupid one though. Buck fell back into an old pattern and thoughtlessly made a huge jump while just assuming Tommy would jump with him. His mistake was fixable and they could've probably talked this out, but Buck was a little reckless here and didn't really consider Tommy's side. He was too caught up in his own enthusiasm which, again, understandable. But still a little inconsiderate tbh.

Tommy's mistake came from a place of deep seated hurt. Yes, his mistake had the bigger impact, but it's the kind of mistake you empathise with instead of roll your eyes at. He was a coward, but he was a hurt coward.

We've all been there at some point, probably. Maybe not in the context of a relationship, but I've been a hurt coward almost every day of my life, self-sabotage is my second middle name. I feel for Tommy here. And I also feel for Buck of course, he barely even registered what was happening and then Tommy was already out the door. But when we break it down to the mistakes they made Buck's mistake gave me "not again you idiot" vibes and Tommy's mistake gave me "I'm so sorry, who hurt you?" vibes.

[chulippetals]

a little thread about mizuki akiyama and how she makes me feel as a transfeminine vocaloid producer. warning: probably way too personal

i was initially very skeptical of pjsekai bc i was very afraid that it was just going to be sanitized gacha slop, but the character of mizuki actually has come to reflect how I felt living a stealth transgirl in high school. the only people who knew i was trans was people i knew before coming to my high school. for the first three years i never told another soul i was trans. i was terrified to be othered by my peers, to be made fun of when i wasnt around, and I saw my worst fears mirrored by the out trans women at school facing the exact treatment i feared. i vowed never to tell anyone i became friends with. because i knew that even if they didn’t mock me, it would change how they see me forever.

seeing a scene where a trans woman knows that if she came out to her friends they’d probably be accepting, but still fearing you’d never be treated how you were was so heartbreaking and so deeply relatable. at the same time, that barrier of never allowing herself to be honest with her friends about who she is makes the feeling of friendship seem fleeting and superficial, no matter how deep in you get. it took so long for me to realize that i will never feel like myself around my friends if i’m not honest with them about who i am. i’m waiting with bated breath for the next part of the story to see the resolution.

i would’ve never expected to see such a story told in an official game associated with vocaloid, but I’m very glad I did and it makes me feel even more connected to vocaloid than i already did. thats it. if u read this far i am so sorry

[m4rs-ex3]

(even louder) trailer screaming part 2

the adrenaline i've had all day is making me crash hard so i'm tired so idk if i'll actually be screaming louder but like. internally i am

well starting off strong

oh fucking boy

first i'm gonna say i love the way he said "however ~vile~" like slay

and then i know that like. this feels like such an obvious/lame explanation but i do not believe this is "real". like of course there's the fact that the cube. yknow. isn't like that in real life that's just how it looks in his fever dream. a lame ass reason for sure but honestly my real reason for not believing this is that there's no way they'd put THIS reveal in the trailer. there's a distinctly lower number of new clips in this trailer then there has been for seasons past, which could be them building hype for the end of the arc(s), but still i have a feeling that there's only so much they were willing to put out (which excites me btw), so i doubt this would be one of those things, yk? i don't know anything ok im tired

could be another dream, could be hallucinations, could be anything

i do find it incredibly interesting that he's clearly in a xadian forest surrounded by giant mushrooms tho (zubeia?)

i will say this i believe

fuck she relapsed. but. b-ut also..ooo..w..

iiiiiiiiiii

we're all fairly certain that's human aaravos (which didn't even occur to me until i read one of the comments that shows you how observatory i am) and............... well i suppose it was inevitable. i've personally never really thirsted for aaravos; of course i get it but just can't relate. and now.............. oh my god this is the hottest person i have ever seen in my life. i've been awoogaing from the minute i saw him and damnit you can't make me stop

considering the following shot (also because it makes sense) that this is the spell that brought back all the spirits, but it makes me question the shot of aaravos standing in the valley of the graves cackling as the spirits surround him, because that just gives me very "mwuahaha we've just unleashed them" so idk. this is me trying to convince myself that that's not actually aaravos so i can drool over him without a little shame

ohoho this is exciting and fucking petrifying. that is a freeze spell if i've ever seen one, so it seems we have soren, TERRY !!, and allen rushing to presumably stop them, and then aanya kneeling over lujanne's body!!! yippee!

may i just say that the location zip zapping is hurting my brain. like callum and rayla both go from the nexus to katolis and everyone in katolis goes to the banther lodge and then callum ends up in a random xadian forest but also akiyu's grotto for some reason meanwhile rayla goes to the silvergrove but she also ends up in lux aurea with soren and coruvs who were with ez and aanya in the crystal cavern but ez and aanya were also at the valley of the graves but soren and aanya are also at the nexus where claudia and aaravos and terry are but before/after that they were/are first at the valley of the graves and also a xadian forest but then terry was in a different seemingly not-xadian forest and i need to lie down

in addition to the Cave Fuckers we also keep seeing this mf with BAT WINGS??? HELLO????

ok i know i sound like an edgy middle schooler but i'm sorry this is the most exciting shot in the trailer for me. what can i say blood excites me. my favorite characters covered in blood? even better. short king ram with that sickass head tilt? fucking hell to the fucking yeah (i'm choosing to ignore the way he literally went rawr XD immediately after)

this is another one where there's so much to process like as aforementioned we're in a xadian forest and terry's here looking perfectly content so assuming that he is abandoning ship (which is supported by the nexus shot) this is before that??

also as aforementioned callum in akiyu's grotto which is SO out of left field but whatever

and akiyu is also here. on the ground perhaps. good sign

this is irrelevant but. look at that lil face. hehe

ALSO AA IM STUPID AND AM ONLY JUST NOW REALIZING THIS BUT THE FIRE IS CLAUDIA'S YOU CAN SEE FROM THE BG OF HER DRAGON TRANSFORMATION SHE DEF THERE TOO AAKSDHFKJAHSKJDFHIASDHFLJKHSDKLFHKJSAHDLFK IM FO FUCKING EXCITED YOU HAVE NO IDEA HWO LONG AND HOW BADLY IVE NEEDE A PROPER CALLUM V CLAUDIA SHOW DOEWN EEEEEEEEEEEEEEEEE

also it's giving

[animeomegas]

blowing some boys' back out please x3 your choice of 'em

that's 2 imprecise help neji gaara, sasuke, and minato? :3 bonus if the alpha is big in size. I'll be 🍷 anon if not already taken ! mwah

(Hey, welcome 🍷 anon! Let's see~)

N-sfw under cut

Let's set the scene!

It was a rough night last night, enthusiastic, hot, and very heavy.

And some soreness is totally normal after nights like this, especially when you consider your... greater than average size *cough*

But when your omega gets up the next morning, it's clear that the soreness is more than normal.

He's waddling around the house, holding himself gingerly, still kind of dazed from last night.

He probably has some emerging bruises in sensitive places, a few pulled muscles, too.

Maybe you were a little too enthusiastic 😅

But how does he react?

Neji

He is deeply unimpressed by you.

He's sending you dirty looks, blaming you for his current condition and conveniently forgetting how much he was begging for it to be harder last night.

"How am I supposed to go shopping like this? 😠"

You better be pampering him to say sorry.

He's going to settle down on the couch and you'll be doing all the chores and massaging the sore parts of his body.

Bring him snacks and butter him up with lots of lovey dovey apologies and he'll forgive you.

And then ask for that kind of sex again the next week smh.

Gaara

Concerned boy is concerned :(

Rough sex is extremely out of character for him, and so something must have triggered it. Perhaps extremely heightened emotions?

I'm not sure, but he's regretting it so much :(

He knew rough sex was a bad idea. He kind of feels bad about the whole thing.

For a shinobi, his pain tolerance is pretty low, but he still has to get to work because he has a village to run...

He keeps his composure remarkably well at work, but he goes home early and he expects lots of cuddles and kisses and gentle affection.

It's one of the only sex things that he won't overshare with his siblings because he's genuinely embarrassed by injuries that occurred from his perceived lack of control. He feels like he should know better.

Give him lots of love, okay?

Sasuke

He is SOOOOO embarrassed.

And he's pissed at you. But he won't say that because he's too busy pretending that nothing is wrong.

This lasts for all of 5 minutes before he realises that pretending he's fine means leaving the house like this, and he'd rather DIE.

So, the man who would try to train or take a mission while literally delirious with illness, actually takes a day off and hides in bed.

A bed that he kicks you out of by the way.

(but you can probably sneak back in with some well placed nuzzles)

What is he even so embarrassed about?

People knowing he has sex? Kinda, yes.

How fucking ridiculous he looks waddling around? Absolutely.

Not being strong enough to physically take his alpha without injury? Yes...

DO NOT tease him!

Just apologise once and then make him breakfast and don't bring it up ever again 😅

Minato

He's a bit sheepish about the situation, because he remembers begging for it to be harder, and he should have known better.

Oh well! Now he knows better, and well, it was pretty hot.

He gets a bit turned on thinking about it, which probably hurts, so that train of thought dies quickly.

He will probably tease you about being so big and rough lol

To be honest though, he's totally fine, and he'll say "you don't have to do that" everytime you try to apologise or make it up to him.

He would appreciate you running him a bath and making him some food though, just to show him that you love him.

Let's just hope that he's not teaching that day 🙏🏻 Because he is not as subtle as he thinks.

Or working as Hokage... Because his guard definitely know how he spent yesterday evening 😏

[bearcubblues]

do you make requests for gravity falls if so could you make hcs about little Stanford and CG Stanley?

YEAH i can do that!!! gravity falls is one of my oldest interests :3 and the stans are probably my fav characters... so ya!

unsure at what point in their life you're after here so i'll just do a little bit of everything !

1.) as kids

-i think ford's regression would start to present itself in late middle school. for me, that's when school started to get to where i needed to actually try, and i think ford would experience something similar - i think stress would lead to him wanting to enjoy the things he did when he was a kid again

-neither of them would know this behavior had a name - stan was just excited that his brother wanted to play again

2.) high school

-by high school ford would know with certainty what was happening - it would never be something he did often, because he would be incredibly embarrassed

-he never fully explained it to stan, but stan knew when ford would act different, and would always make him snacks and make sure filbrick never saw ford acting different

3.) adulthood

-after meeting bill, regression became something different for ford - obviously bill was aware of it and liked it when ford did it around him. but it wasn't ever the same without stan

-stan pretty much forgot about all of it. he had always just brushed it off as ford being kind of weird so it wasn't really something memorable. of course ford was weird

4.) current day/events of the show

-by now ford felt like he could actually explain the concept to stan - who will nod and say yes he totally gets it. no need to explain further. then that night go and read 4,652 articles about it

-next day he asks ford if he still does it and if he even wants him to take care of him anymore. because he would love to

-which was very difficult for him to say and very difficult for ford to hear because he can't fathom someone actually wanting to care for him

-they spend a lot of time reading and drawing and exploring. ford mostly takes the reins and stan just makes sure he doesn't get hurt. ford's motor control is bad when he's regressed (he just like me for real) so there's a lot of stan helping him step over logs or climb big rocks

-the kids don't technically know about it but mabel knows what agere is and found some of ford's drawings once and has a sneaking suspicion. but she won't bring it up because she doesn't want to embarrass anyone

these were fun sorry it took me 3000 years to write them. i am so busy all the time

[altcvnningham]

waning moon

helen park x madam shell

summary: helen park sees the cracks in her lover's façade. (inspired by @mickstart and their amazing post on perhaps the most underrated ship of all time??)

tags/cw: nsfw, wlw, angst, pre-cw, betrayal (but vaguely unspecified), light choking, younger woman/older woman, age gap, references to coercion, vague references to abuse of authority, so much bird imagery, doomed sapphics wc: 1.1k

a/n: i literally read @mickstart's park x shell (shellen???) post and got possessed, blacked out for an hour and wrote this. i have 0 memory of how i got here or what this means and though it isn't like 100% what the post was talking about it DID inspire me to spill out this ramble ab a character who has 0 canon appearances outside of dialogue. sorry for pretentious purple prose and rough editing!! it's 12am forgive me

She doesn’t know when she sees the change, but it slips in slow and sweet, like a paling knife glinting in the moonlight. How sand sifts to the bottom of an hourglass, she too feels just as suffocated under the weight of borrowed time.

Yet Shell’s eyes are paler still even in the dark, the waning moon of this interminable night, one that feels to Helen Park like the bookend of something. An answer, unspoken, but as implicit as though it had been there all along, a truth she’d known deep down but refused to acknowledge. And why would she? How could she? It had been three long years since Shell took her under her wing, her pretty little bird, three years that had changed everything. Irreparably. Even now as Park finds the pieces of it all scattered and frayed with Shell’s silent betrayal, she sees the beauty in each and every one, too besotted with the finer details to bear looking at the bigger picture.

Shell is lying.

She knows, more certain than she has ever been of anything in her life. As the older woman climbs languid atop her narrow hips, smothered in perfume bergamot and liquorice, plum coloured lips close over her own in a lazy mimicry of a kiss. Helen parts open her mouth, as she had her legs countless times, like a good little protégé, showing her madam just what she’s learned. All for her. Tongue hot as she kisses back with hooded, half-open eyes, curling around Shell’s like a proclamation. I know what you are. I know what you’re doing.

(And do you know, how powerless I am to stop you? As if I’d even try?)

And Shell knows it too. In the dark of this Parisian hotel room, blinds drawn to cast away the world’s prying eyes, she can see it on the girl’s face plain as day. Sweet Helen is a pretty thing, much too clever for her own good, but wears her heart on her sleeve, with eyes as big and shiny as a doe’s- and now hunting season had come for her sweet girl, and how wide they had looked at Shell upon her return, hands smothered in blood. Blood that she hadn’t bothered to scrub, knowing Helen had likely smelled it coppery on the air when she’d walked in. Her fingers are still tinged pink with it, even as she traipses them up the girl’s waist, cupping the plush undersides of her breasts.

That is to say, Helen isn’t the best at hiding her expressions. It’s what Shell had loved about her. The shrill gasps when Shell would come up behind her, grasping her waist in lieu of a polite excuse me; the way she’d avert her eyes shyly when she’d caught hers across a room, crowded, empty; how she’d been so young when Shell had met her, blushing like a schoolgirl at the mere whisper of praise; and how when Shell had asked her but a month later if she’d ever been touched before- properly, darling girl, like a lover might- Helen had flushed red and bright as a virgin. Perhaps she had been, too proud to admit it. For a girl who is as sharp as a knife and twice as lethal, Shell had held in her hands a mourning dove, cooing softly in her palm, willing to piece together its nest there. Right there. With her.

Now, not so much. Her songbird doesn’t sing as she used to, her eyes parsing through the fog she’d been happy to let Shell pull over them. Helen sees her for what she is now, and they both know it.

It isn’t a strange thing, what she’s doing. Not at all irregular. It’s a gesture Shell had exercised over her innumerable times before, a kind of sordid foreplay, staking her claim over her. Shell’s hands lay flat upon Helen’s sternum, her heart thrumming steady but beating violent as a war drum; the older woman smiles- how well she’s taught her. Calm, girl, slow breaths. Don’t let them see you falter. Don’t let them feel you shiver. Don’t let them hear you breathe. In the face of fear, Helen had grown around herself flesh of stone, unyielding. That doesn’t change, not even around Shell.

But this isn’t a test. This isn’t one of her many lectures, her teachings. Very rarely does Madam Shell separate work from pleasure, seeing the two overlap rather conveniently; but for Helen she had all the time in the world. Perhaps not after tonight, given what they both know now. But pleasure is a special thing she keeps locked in a drawer for Helen to pry open and play in, rifle curious fingers through until they snag on something that piques her interest.

And yet it always ends the same way. Like this. The older woman atop her, faraway look in her eye, warbled smile on her lips. Hands around neck.

Her fingers slide slow, deft, thumb parted to curl her hand around the pale column of Helen’s throat. And she can do nothing but be still for her mentor, her lover, holding her breath in wide-eyed submission, a devotion that spoke beyond words, beyond meaning. A kind of reverence she knows only Shell would understand, a stillness like prey clutched within a lioness’ maw. Playing dead, prettily.

Shell’s eyes fix upon her, steel grey boring into vivid green, alight with something akin to amusement; in the daytime, Helen mistakes the glint for adoration, something like love, when she’s drunk enough on Shell’s affections to believe it.

Now, in the waning moon of their last night together- as they are, as they could have been, if only she didn’t know what she knows at the very pit of her being is true- she recognises the errant flicker for what it is. Kindling. A struck match, willing to burn it all down, even if it means taking sweet Helen with her. Her mourning dove. Cast to the fire like everything else. For a terrifying moment, Park isn’t even sure she’d much mind it at all. Ashes to ashes, as they say.

And as Shell squeezes her hand soft and gentle around her favourite girl’s neck, Helen surrenders her head against the pillow, spilling back with a moan shrill like a song. It’s the last time she knows she’ll ever sing for her again, so she makes sure it’s a good one.

[nausikaaa]

Six Sentence Books Sunday

hello y'all! i've been having a busy week, trying to get all my christmas shopping done before December even begins, because otherwise i know the entire month will escape me and i'll wind up realising i've missed someone on christmas eve. despite my efforts, i still haven't got anything for my dad- usually he's the easy one to buy for, but this year i'm just stumped.

i'm also putting my billy goat Hadrian out with the girls (Juno, Daisy, Lucy and Mina) in just under a week, but Daisy was getting pushed around and picked on, so i separated her last week so she can put on a little weight and relax beforehand, because if she's stressed, she may not come into season. then it snowed. goats are herd animals, they prefer to have company, so i made sure she could see the others through the fence, but it turns out she is absolutely loving having her warm little hut to herself while the others all share the big shed, while Hadrian has a corner of the hay shed to himself, with wickets keeping him from the hay.

flattering photos of the handsome chap and damsel in distress before the snow hit:

sorry for the ramble. anyway! writing! well... i haven't been doing much lately, to be honest. when i'm in a writing slump, i like to read instead, and i view it as putting words in my brain so that it can make it's own words. it also helps me pick out things i do and don't want to emulate in my own writing. so instead of sentences, here are six books I read this year which i took something from:

We Solve Murders by Richard Osman, from which I am taking that it's okay to just use "said" instead of using a billion synonyms, as it blends in to the background and allows the story to flow more naturally. unless the way something is said is really relevant, it's better to show a character's feelings another way.

American Hippo by Sarah Gailey, which has such easy to follow yet engaging action and fight scenes, which I aspire to.

Home Fire by Kamila Shamsie, which had me sobbing inconsolably at the end. if a book prompts a physical reaction in me, that's an instant 5 stars. it's based on the ancient greek play Antigone, and though you don't need to know the play to enjoy the book, it really does deal an additional sucker punch to know how that story ends and yet hope so desperately the whole time: maybe it will turn out okay this time? a masterclass of foreshadowing and implication, somebody can literally die and it go unsaid, but you will know and it will destroy you.

Alcestis by Katherine Beutner. I hated this book. Plot? I barely know her. Consent? What's that? Resolution? Nah, pass. I learned what not to do from this garbage.

Percy Jackson: Wrath Of The Triple Goddess by Rick Riordan. I actually read both of the new pjo books that came out this year and honestly, they've shown me that sometimes a book can just be fun. There's no world ending drama, but still emotional moments and tension, and the whole story takes place over a matter of days. It doesn't have to be perfect, it can just be a good time.

The Amber Fury by Natalie Haynes. As somebody who writes a lot about grief, this book really helped with that by depicting it in such a raw and honest way, allowing the audience to connect with it even if they've never experienced the kind of loss the main character has. I do draw on my own experiences, but this helped me put it into words. It also shows how healing is always possible, no matter how severe the grief, so long as you have the right support system, something I am still muddling through.

an invitation to share some sentences or some books: @forabeatofadrum @cutestkilla @run-for-chamo-miles @roomwithanopenfire @prettygoododds @bookish-bogwitch @ic3-que3n @blackberrysummerblog @j-nipper-95 @youarenevertooold @larkral @that-disabled-princess @orange-peony @aristocratic-otter @thewholelemon @alexalexinii @confused-bi-queer @shrekgogurt @comesitintheclover @raenestee @hushed-chorus @you-remind-me-of-the-babe @noblecorgi @shemakesmeforget @ileadacharmedlife @supercutedinosaurs @artsyunderstudy @otherpeoplesheartachept-2 and @ninemagicks

[chirpchirplol]

hi! anonymous asker here, I made an account to post about why I initially thought I was Lion. This is going to start off like me trying to argue it's wrong but that's not what it is. It's also long af, sorry for that, I wrote it out for myself to process it then went back and realized there was a literal question it was in response to. longafness after link, tl;dr: I value and rely on my gut feelings heavily, can't make myself ignore them, but I want them to be predictable and it's uncomfortable when they get out of line

So I felt confident about Lion, and with Badger or Snake, it was "I wouldn't like it but I could see it." Like with Snake, I love me some hedonism and struggle with selfishness - had assumed both those characters were huge Snakes lol - but find it as a whole to be a very "fuck you, I got mine" mentality. Sucks for those strangers in need with no one to come through for them! Like I have STRONG feelings about this, I don't understand how people don't find it horrifying. I actually have a weird opposite thing where I can get FURIOUS on behalf of strangers being mistreated, even hypothetical or fictional ones, in a way I don't for people I know well or even myself. Which is why I thought Badger was possible and maybe I just was resistant due to being burned or because I thought it was boring, but the unpersoning group thing creeps me out. "All people matter… except the ones that don't." It's so close to being really beautiful!

With Bird it was more, "who even does this?" Like with the Bird answer on the "lack of objective truth" question, "it's OK, I thought about it and reality is close enough to the model in my head", that is literally incomprehensible to me as a way a person would think. (My answer was "actually there is objective truth." That was my answer before I even got through the question.)

The main reason why I thought Bird was impossible is the "choosing to care about something" part. I can't do that. Caring about things is not something I can turn on or off at will, even if I want to. At least not important things as opposed to say hobbies, but even then I can't just go "ok self, you're gonna like football now because I said so" and then actually do. It's an organic process, I can kick it off but ultimately I either care or don't care, and if I don't then the farthest I'm gonna get is pretending, or lying to myself while knowing it's a lie. Definitely can't talk myself into caring about a job, god knows I've tried lol. My likes and dislikes are so fundamental to who I am as a person, so sacred even, that the idea that they are deliberately malleable for other people is just, whaaaaa?

Where this really kicks in is friends and relationships, I cannot deliberately make myself like someone I dislike or dislike someone I like, people generally don't grow more attractive to me over time. and it'd make me sad, like relationship-foundation-shakingly sad, if I found out my friends/partner felt that way with me. like they had to try to like me rather than just like me.

I'm not really a logical person either. I start with the conclusion, which is generally based on feelings, and then hope I can justify it in case I ever have to talk about it. (because arguing is stressful enough when I do have a defensible stance let alone when I can't explain it) I have this irrational but unshakeable assumption that my feelings and thoughts should just agree completely. When they don't, that feels bad, but my gut has veto power. To fully talk myself into or out of opinions I have to actually feel good about them, they have to not feel viscerally wrong, or else things get into an uncomfortable self-judging place where I know I should believe something but don't actually, truly, deep down, believe it. Or where none of the stances feel right, that's even more "fun".

A good example of that is actually the "past self is a different person" thing. My past self is still me, the things I did or thought in the past do not disappear just because I've changed nor do their permanent effects on me. I absolutely feel guilty about things I used to believe, and sure some of that is just the cringe of people knowing about it, but even if no one else knew I'd know and that's enough. And yet… I also theoretically believe in rehabilitation and think it's wrong not to, but apparently I actually don't, because that sure isn't something a person who believes in rehabilitation would say! I'm being flippant but this legitimately bothers me, especially because the idea of not believing in rehabilitation feels even more bad.

What convinced me ultimately: I'm not a Trump supporter, obviously. I would like to think it is absolutely impossible for me to become a Trump supporter. But that's what they all say, people become the things they would never EVER become all the time. Which led me to this question: Would it be worse to deliberately choose to do something wrong, or to slowly stop believing it's wrong without realizing? Or does that distinction even matter? Feel free to substitute something less extreme, like working for an evil company, bullying, cheating, selling out, betraying a friend, whatever line you would never cross.

And my answer is actually that the latter is wayyy more disturbing. I'm really big on owning and naming your beliefs and desires. It's a great way to get your conscience to kick in, to actually say it out loud then see how good or bad that felt. Same principle as how, if someone makes a racist joke, you act confused and ask them to explain it to you.

So the former would be gross, like fuck any person who would do it; but at least I could be conscious of the fact that I am choosing to do an evil thing for the sake of, I don't know, stonks. I would be engaged in the process, my conscience would be involved despite being ignored, and I would hope I would feel disgusted with myself forever. (Even considering the possibility is kind of disgusting.) But slowly having your beliefs erode over time into something bad… how do you stop that? How do you do ANYTHING about that? Shit what if it's happening right now? Even if the shift was in the opposite direction and I slowly became a better person without trying… I guess that's good? Can't argue with it being a net positive? But it feels unearned and unreliable, if you can sleepwalk forward you can sleepwalk back.

So that's conscious vs. unconscious I guess. Also I wrote and revised a ton of words to answer the question so there's that too.

bird primary + burnt snake secondary

 tl;dr: Fairly sure I'm Lion primary (maybe burned Badger since I sort of envy the idea of close communities, or hedonistic Snake, not sure where that line is)

(the way that divide works out is that basically, Burnt Badgers look like Snakes. They have the Snake's small community, but wish they could cast their net wider. Hedonistic Snakes tend to be more solo, and much more focused on /stuff/. Also, both options make pretty good short-term coping mechanisms.)

but unsure whether my secondary is Bird, Snake/burned Snake, or burned Lion.

I love researching and reverse-engineering and my immediate response to situations is to Google advice, but reactively, not proactively. I am allergic to planning, and prepwork feels stifling and unnatural.

Ooooh, have we got a single-player Environment Snake? (I also think of these as MacGyver Snakes.) Basically just pulling at the things around you in order to solve the problem at hand.

I studied math in college then did a coding bootcamp, and I always felt adrift because both only taught memorizing solutions to individual problems/proofs, not how to solve unfamiliar ones -- i.e., really learning. 

However, I neither consider myself flexible nor want to be, and singleplayer Snake is wayyyyyyyyyyyy more comfortable than stuff involving other people. (Complicating factor: not neurotypical.)

I think I can say, pretty confidently, that this system works just fine if you're not neurotypical. :) There's no reason you have to use the multi-player version if you don't want. The most dramatic single/multi player divide is probably Bookkeeper Badger vs Courtier Badger, and there are lots of people who prefer being just one or the other.

I do the "faces" thing reflexively, in the moment, but it doesn't feel like "shifting" or "becoming" anything: just me, lying.

That's Snake. "Becoming" is more of a word that a Courtier Badger would use, they kinda do have to believe it, or it doesn't work. Snake secondaries are a lot more aware of what they're doing, in the moment.

It's interesting that you are just straight-up using the word lie though. In my experience, Snakes are more likely to conceptualize that particular problem-solving strategy as "say it in a way they'll listen to," or something like that. You might just be super direct (and/or like hanging out in Neutral) buuuut... the negativity of "lie" can sometimes point to a Burnt secondary. No sign of that yet, but I'll keep an eye out for it.

I don't have a moral problem with lying; it's often even right since a) telling the truth often hurts people, and b) people do prefer it: most people want to hear what they want to hear, and if that happens to be the truth that's great.

Hmmm. This is sounding like primary stuff. And it's quite reasoned out, which makes me interested in hearing why you went for Lion primary instead of Bird.

But deep down, I guess I resent it. I wish that when I say what I mean it would convince people rather than create problems. I try to ration that to only things that REALLY matter to me, but tbh many things do. I hate arguing.

What I'm hearing here is the Bird primary fantasy of "If I was only able to explain it exactly right, in precisely the right words, then everyone would agree with me." And as you say earlier, it doesn't actually work like that. It sounds like you're feeling a bit cynical in regards to other people a the moment, and I can't exactly blame you.

I would love to be an inspirational secondary but I am bad at inspiring people.

There is definitely some burnt secondary talk going on here.

Family: I'm not close to my father -- he’s a terrible person, serial cheater, racist, etc. I'm closer to my mother, and don't think she's a bad person, but both parents were hypercritical and have horrible tempers, so my childhood felt horrible to live through since I was always getting yelled at or having corporal punishment used for doing something wrong.

Definitely seeing where the burned secondary energy is coming from, if so many of your formative experiences involved being told that the way you were doing things was wrong. I also see why you might have at least a fascination with the confident, firey, speak-your-truth-and-damn-the-consequences Lion secondary.

(On paper this could be called abusive, and anyone else being subjected to this makes me furious, but I'm not fully comfortable with the label for my situation, even though I know that's inconsistent.) 

I understand, and I appreciate that. I also appreciate your carefully articulated position, and it's slanting me in the direction of Bird primary. Even though this is obviously a topic you are very emotional about, all those emotions are arranged within the framework of thought. You're aware of and okay the fact that you feel all kinds of different ways about what happened.

Any secondary model came from my mom, but I don't know about primary. She always says my sister and I are "the most important things in her life." (One of the reasons I don’t want kids is that I don’t think I could ever believe or promise them that.) She ostensibly also hates my father and their divorce was vicious, but she kept working for him until he retired, goes on trips with him to see my sister or me, and pressured me for years to un-estrange him because “after all, he’s family” until I gave in and now pretend to have a relationship just enough to placate them. I don't have any ethical problems doing this, it's just irritating.

That is very, very unusual family dynamic. Have to get my head around that. Your mom may have some very intense Badger going on, especially with the the whole "after all, he's family" thing. That could fit go with a nasty divorce, especially if she thought his presence was a threat to you and your sister. On the other hand, she might just be able to compartmentalize to an insane degree, which would probably point to Bird secondary.

I don't understand this aspect of my mom; I observe it happening, but I don't understand it. It feels kind of sad, in an existential way. 

Honestly, I agree.

(Another way my dad sucks is that he played favorites with my sister and I, me being the favorite.

Being the Golden Child sucks just as much as being the Problem Child.

The shitty resulting dynamic is I only "care about" his approval to avoid him creating drama that ripples to everyone around him -- he's gotten better but he has literally started shit when I didn't end emails with "love" -- but my sister actually cares about his approval, and it hurts her.)

Secondary-wise, my mom would always harp on me to "pay attention to the people and things around you," and whenever I tell her about solving problems in Snakeish ways she's like "way to go, [me]!" But she also is meticulously planned and scheduled and organized, and hates surprises and not knowing exactly what will happen. She's the kind of person who gets frustrated in April when I haven’t told her my Thanksgiving itinerary, which, like... I don't want to think that far ahead.

She could be either Prep-work secondary, Bird or Badger. If she's a Bird, "pay attention to the people and things around you," points to a a Rapid-Fire Bird (which can look *very* Snakey.) Or it could be a way of describing Courtier Badger. Being that scheduled is more often a Bird thing... but I could also imagine a Badger manifesting like that, especially if she is so concerned with specifically planning holidays.

Low-stakes/high-stakes problem that felt good: This is a high-stakes problem containing a low-stakes problem. I'm rolling them together because they illustrate both aspects of my problem solving.

Higher stakes: That coding bootcamp required being on Zoom 8 hours every day. But I had 3 roommates (part of why I did it was to not have 3 roommates), and they didn't want me there that much. I can't go to coffee shops because either they're loud, or I will make them loud by talking for 8 hours, thus becoming the problem. Coworking spaces are expensive af. I even consider renting a storage unit but I don't think they have power and wifi. The idea I settle on is sneaking onto a nearby college campus: preferably the CS building, to blend in. I scour the college subreddit for posts about what buildings let students in without ID, then scout them out (this is March, the thing doesn't start until May, I'm just high on must-solve-now energy). After ~15 minutes (lol) of walking through campus I decide I've had enough, seems doable. The day of, I leave early in case I have to give up and go home, but that turned out to be completely pointless because tailgating in is shockingly easy. Like it's scary how easy it is. One day a security officer stopped me but even he eventually let me in after I acted increasingly frazzled and panicked -- not ENTIRELY an act but I definitely was playing it up.

I like this story. And I feel good about saying that it is QUITE snakey: what do I have immediately around me, and how can I use it to get what I want in this moment? Even little details like - you're not bothering to come up with a cover story or borrow/forge someone's ID. If you're caught you'll talk your way out of it. You did a little research, then scoped the place out, then were good to go.

Lower stakes: I usually did classes from an empty auditorium (students weren't supposed to be there but no one checked, and also I'm not a student right?). The whiteboard's eraser stand was a few inches away from the wall, and one day I drop my phone in the gap. Shit. The gap's way too high to reach down. I can't ask anyone for help because I'm already 2 layers deep of being somewhere I'm not supposed to be. The stand screws to the wall, but I don't have a screwdriver because who just carries a screwdriver around? (For whatever reason, going to a hardware store didn't occur to me.) I stare at the thing until I realize: I am literally in the ENGINEERING building. I search various offices, ask people for a screwdriver, but no luck. Then I see a board listing the departments. One floor has a "makerspace," and somehow, its door is wide open (the student lounge is locked down but the room with deadly power tools isn't, ???) I grab 5 sizes of screwdriver, then also grab duct tape and a ruler to fish my phone out in case the screwdrivers don't work, which turned out to be a good idea because they didn't

Sounds to me to me like you just MacGyvered a solution :D

One thing I am picking up on is your subtle critique of the existing rules/systems. Getting in via tailgateing is easier than it should be, talking your way past the guard was too easy. The door with the powertools really should be locked, etc. It's making me (again) think Bird primary for you. You've very tuned into the way things run, and how well designed (or not) that is. There's also just a little bit of Birdy rules-lawyer in "Students aren't allowed in this room, but I'm not a student (because I snuck in.)"

Hard decision-making process…. I don’t know. I don’t experience many decisions as hard. I often know what I want to do right away; the difficult part is doing it.

In the language of this system, that's a Burnt secondary.

Or I know what I should do, am obligated to do, have no choice but to do, etc., though sometimes it feels miserable or wrong, like resignation.

Unfortunately that is what it feels like to have a Burnt primary - you just use whatever problem-solving strategy you can at random, since they all feel like a chore and it doesn't really matter.

I can feel proud of making certain "right" choices in an abstract self-congratulatory way, but I never like it or really feel good about it. I either act on something immediately or put it off until the decision makes itself, a drop-dead deadline approaches, I get bored/impulsive enough to do it on the spot, or I suddenly swerve my life toward something I like better.

You're definitely an Improvisational secondary. Which is really fine, even though I know it doesn't feel that way all the time when you come from a family of intense Prep-work people. Just keep an eye on that 'wait until the deadline' impulse. It's very, very common for neurodivergent people to use that last-minute stress adrenaline to kind of hack their brain, and it's not sustainable.

I'd wanted to change careers for years but the actual decision to do the bootcamp was an impulse based on ~3 hours' research the day I encountered it.

That can absolutely work though. You *are* working on the problem and mulling it over in your head long term, even if you are (in the words of another snake secondary) "waiting for the opportune moment."

This is all healthy and well-adjusted, and it definitely has never caused any predictable problems! (Did get a job though.)

Hey, if it's stupid and it works, it's not stupid.

My fantasy: To be successful and well-known in my field; to create the kind of art I want to create and have it be respected/influential. To live the life I want, with the aesthetic I want, and the opportunities from others and follow-through from me to achieve that. The details vary based on the field but that's the general template. 

I'd say that's a very human fantasy, without too many details that slant me one way or the other, in terms of this system. There's definitely a focus on the community around you and how you relate to it/integrate into it. And that makes me think Bird (the external primary) is more likely than Lion (the internal primary.)

Characters: I relate to characters who are flawed in the same ways I am -- they feel like cautionary tales -- or sometimes via empathizing in a way the story doesn’t (Carlotta from Phantom got done DIRTY).

It's interesting that you respond to characters who the narrative framing doesn't support, because the narrative framing doesn't support them. I guess that does fit with your interest in constructed systems, and if they're useful/functional or not. Which points to Bird.

On that big pop culture character test I always get Hannah from Girls and Gaius Baltar from Battlestar Galactica: harsh, but not wrong.

(I always get Inara from Firefly and Céline from Before Sunrise.)

It's been a second since I've seen Girls or Battlestar Galactica, but I do think that both of those characters are Bird Snakes, which is honestly impressive since Bird Snakes are easily the least common fictional archetype.

Baltar is clever, adaptive, reactive, he pulls from around him. He also bluffs and will *act* like he's an expert when he really isn't. A lot of his internal conflict revolves around extremely Bird primary rationalization - is this situation really his fault? and if it is, what is he morally/rationally supposed to do about it (if anything?) "Voice of *a* generation" Hannah also has this way of getting caught in her own feedback loops when trying to figure herself out. One of my favorite moments is the bit where she loses her purse on the way back from the wedding, and then rides the train all the way to Coney Island, sits on the beach and eats the slice of wedding cake while watching the sun rise. I think that's beautiful, and a very Snake secondary response.

I also gravitate toward a specific archetype: Blanche from A Streetcar Named Desire, Madame Bovary, Violetta from La Traviata. People who desire an impossible thing deeply and unshakably, temporarily achieve it, and are taken down dramatically.

Now that, I'm thinking is a story structure that you like. And/or you're drawn to these tragic great ladies, living most of the way in a fantasy world. It's a good, cathartic archetype.

What makes me feel powerful: I don’t really resonate with that framing. The closest is that feeling like I have no options is the same for me as feeling powerless.

Okay, "not feeling powerless," I'll take it. And we're back to that Burnt secondary again. I'm hoping you'll leave your Snake a little more room to breathe and play, because it seems like you're a pretty capable person. You manage to do the things you want to get done, and you have an excellent awareness of what are good and bad situations, both for you and just in general.

Thank you to anonymous for such an excellent submission. If you'd like a Sorting of your very own, commissions are open on my ko-fi. :D

If you'd like to read more about the system I'm using, my explanation is right here.

[medi-bee]

isat pokemon au, my liege?

my rambling in tags

[kinokoshoujoart]

oops all rock (springtime edition)

i’ll be able to draw digitally again soon! ;w; in the meantime i’ve been scribbling a lot on paper…

could not wait for Soon, so i resorted to coloring it using the markup tool in default iphone photos app (don’t do that ever again)