#killing is a love language actually

[turnupsdrawsrarely]

🎶🎵 Fly me to the moon, let me play among the stars 🎵🎶

[qpjianghu]

Li Lianhua + saying "I love you" without saying "I love you" (2/?)

Mysterious Lotus Casebook (2023)

[unhinged-snake-jaw]

patroclus in tsoa:

oh... i accidentally killed sarpedon??? i'm not built for violence, really. that's achilles. i guess he's always protecting me... i love him, i can't make myself argue with him— i'm so in love with him i don't know to be angry at him. ever.

patroclus in the iliad:

*invents gamer's rage by killing clysonysmus*

{kill count: so high that homer's just listing names at one point}

*kills sarpedon and then KILLS ANYBODY WHO TRIES TO TAKE HIS BODY* (the dead man's father ended up intervening i believe)

"hey patroclus... you're crying like a girl what's wrong??" "what's wrong? what's wrong??? what's wrong is yOU MOTHERFU—"

*knocks hector's charioteer onto the floor with a stone that fucking kills him* 10/10 my guy that was a perfect dive!! trojans seem awfully good at diving out of their chariots, don't you think??

"on my own? i would have killed TWENTY hectors, and you know that."

[poisonousquinzel]

they deserved better idc 😐

[brainrot-jikan]

im not the biggest alhaitham/kaveh shipper (because im a rare pair ho) but it seems to me that in alhaitham/kaveh getting-together fics tend to be... unequal.

the beautiful thing about alhaitham and kaveh is that they're both equally right and equally wrong and equally dicks about it. but the writers for alhaitham/kaveh much more frequently seem to give alhaitham the burden change (the burden of the character flaw) instead of kaveh.

in any good character arc, the main character has a fatal flaw or misconception, and by the end of that arc they have addressed that flaw in some definitive way. scrooge was a scrooge and learned that being that way was detrimental; merlin from finding nemo was overprotective to a fault and had to learn that he couldn't (and shouldn't) control everything and to let go; the wolf from little red riding hood learns that you should stop while you're ahead.

stories centering around romance tend to lean heavily on character arcs, which makes sense. and since romance generally requires two individuals to be vulnerable and open and emotional with each other, it makes double sense that alhaitham/kaveh authors zoom straight into alhaitham's lack of emotional vulnerability.

this bothers me.

in society, individuals are expected to experience and present emotions in a specific way. if someone dies, you cry. if someone smiles at you, you smile back. if you're at a party, you're supposed to be having fun. if you don't do these things, you're seen as impolite at best and a inhuman freak at worst. when these behaviors are frequent it's often viewed as emotional immaturity, or a lack of ability to feel at all. the inability or lack of willingness to conform to societies emotional expectations of you is seen as a flaw and a reason for exclusion.

alhaitham is canonically disliked and avoided for being the way he is. he prefers it this way, but that doesn't mean the people perpetuating this avoidance are in the right. they are the societal pressure to conform that alhaitham blows off. alhaitham could be the way he is for a lot of reasons: avoidant attachment style, trauma, following someone else's example (eg. his grandmother), or just his base personality. it doesn't MATTER. he is the way he is. kaveh having to accept that should be part of the story.

putting the burden of the fatal flaw on alhaitham, making the way alhaitham treats kaveh and the people around him the problem, feels invalidating. it implies heavily that alhaitham's way of interfacing with the world, alhaitham's very SELF, is incorrect. my suggestion is to flip a larger portion of that burden onto kaveh. kaveh 👏 character 👏 arcs 👏

some examples/recommendations:

- make kaveh project his insecurities onto other people but especially onto alhaitham; he's overly reliant on other people for his own self worth, and he perceives alhaitham's lack of positive feedback as a direct reflection of how alhaitham feels about him. but learns along the way that alhaitham doesn't hate him, kaveh's actual struggle is with hating himself and being unable to his own self as worthy of love. maybe throw in how you are responsible for your own recovery, other people can help but you can't rely on them to carry you through self actualization.

- or, kaveh tries to make alhaitham behave more like a "normal" person, to be more pleasant and emotive and forthcoming, and then realizes he's in the wrong for trying to make alhaitham into something he's not, possibly for all the wrong reasons (not because he likes alhaitham better like that, but bc society says that's healthier and a better/more conforming way to be)

- or you could go ahead make alhaitham's issues the main problem but they're too complicated to overcome in a short period of time, so kaveh has to accept alhaitham is doing his best in his own way and not push for unrealistic and unhealthy changes. he could alter his own behavior to give alhaitham space and time and a safe place to land.

that got sappy so it's past time for me to dip out. go forth and ship things; but maybe consider letting alhaitham be a rude stone-faced bastard if he wants to be.

[melljam]

this guy just woke me up.

[spacedace]

Fuck whatever DC is doing with the al Ghul's characterizations and story lines, I've decided that from now on the al Ghul's are gonna be DC's version of the Addams Family instead.

Now I don't mean just give the various al Ghul's the exact personalities of the various Addams and call it a day. That's boring, that erases all the interesting parts of the al Ghuls, that's just using "find & replace" and not actually adding anything. I mean give them the vibes of the Addams Family.

Keep the al Ghul's as the al Ghul's with all their scheming and machinations and world domination attempts but give them all the unhinged energy, the casually insane view of the world, the deranged levels of love and devotion for family. Make them that group where objectively they are batshit insane but also you cannot argue with the fact that they are indisputably the most stable and functional family in the entire universe.

They're creepy, they're kooky, they're mysterious and spooky. Ra's many opulent homes and impenetrable fortresses are a museum and the al Ghul's really are a screa-um whenever people come to see-um (or when they lay waste upon their enemies in a surprise attack that has been planned for months and is just the first domino in a series that will ultimately lead to achieving a far greater goal).

They all love each other and want each other to be happy, they express this primarily with stabbing and murder attempts (its fine, death is a thing that happens to other people).

And forget the League of Assassins being a cult. Just make the whole vast globe spanning organization a collection of cousins/aunts/uncles/dear old friends ect. No one (not even the al Ghuls, if they cared to keep track of such things) is sure who is actually related to them and who just got absorbed into the ever expanding family tree based on their vibes being right.

(Is Sensei Ra's father you ask? Well he's certainly someone's father - probably.

Anyway have you heard about Cousin Cheshire? Despicable poisoner of a young woman, capable of the most horrific things imaginable - yes she is the sweetest dear. Like I was saying though, she just had a baby!

Everyone in the family is just so excited to throw a baby shower to celebrate! Ubu has really gone all out with the spike traps, he does so love getting to welcome a new addition to the family.

Talia of course has cultivated a brand new strain of the most toxic plants imaginable to make a brand new kind of necrotizing poison. You know, as a nice little romantic gift for Cousin Cheshire and that young man of hers. It really is so important to make sure you take time for you and your partner to go on dates and have a few pitched battles to the death on dark rooftops in the pounding rain when you have children.

Now there is some to-do about it all of course, you know how family get together can be. Everyone is arguing over who should get to give little Lian her first weapon and what it should be. Nyssa is pushing for grenades but Ra's is insisting on a sword - he's traditional like that you know - but Dusan has the vote so far on throwing knives. You know the kind that have the little divots along the edges of the blades them to make it easier to get the poison you dip them in to stick.)

I'm just saying that the al Ghuls should be a delightful cross between the Bond Villains they were originally conceived as and the lovingly unhinged Addams Family. It just feels correct in my heart.

(Again keep the interesting aspects of the characters and the nuances of who each of them are like their drive to save the world through destroying humanity and their strong environmentalist leanings and their constantly playing 5D chess and everything, but like, take away the racism and the cartoonishly evil for no reason bullshit and give them some fun feral energy to go along with it).

[cent-scratchnsniff]

here together

[anxiously-sidequesting]

This is a weird useless post but if wizard101 was ever officially animated by experienced animators well versed in body language, symbolism, and design I would be dead. Impactful animation and movement and dynamics between characters and the plot itself IS my hyperfixation

[fallloverfic]

I love singNsong again reminding people in Side Story that Dokja wanted other people to read TWSA (he wrote reviews and comments! It was his first wish), and he only stopped bothering because people harassed him for it. He didn't gate-keep the story. When he's avoiding talking to Sangah about it at the beginning of ORV, it's because he knows what happens when he tells people about the story, not because he's gate-keeping it from her. He notes he's not proud of his hobby (likely because he's been bullied all through his life, including for reading the thing he loves): he finds it embarrassing to talk about, and better respects her studying Spanish in her free time (learning another language is a generally accepted thing in society). He assumes she won't care or will look at him funny (or worse) for when she learns about the novel he's into.

Basically anyone writing "let's gatekeep ORV" posts because of the anime announcement or because they dislike the manhwa or some other weirdness, y'all are the villains in the scenario.

The literal climax of the story is about sharing ORV with as many people as possible. What story were y'all reading?

[wodimewoahtime]

wait why does it say that im the only person on tumblr whos ever tagged a post as tilluka or even ivantilluka am i actually in a deeper rarepair trench than i initially thought

[paninityl]

Bunch of stuff I did while listening to " the mimic " audiobook

[quatregats]

They love each other so much <3

[kyouka-supremacy]

Thoughts on akutagawa being drawn with no highlights in his eyes, hair, coat, or on rashomon,,,like everything is drawn pure black? I like when he's drawn a little bit like not-human--contrasts real well with Atsushi's dilemma of being a tiger, personally thinking. Also like when he's drawn like a void. Little bit like the cryptid creachur he is. I think you wrote something about it in the tags on panels in his introduction in the Manga. I like to think other characters also see him the way we see him so his void ass scares the fuck out of others too. Man's skeevin and tweakin even in his design

I'm OBSESSED with Akutagawa's design. Look at him. This is what he looks like on a white background:

And this is what he looks like on a black background:

It's BRILLIANT. He literally disappears in the black. He's the ultimate monster. In his appearance, he embodies what above all is most scary for the human psyche: the darkness, the unknown. The way Harukawa took advantage of the the art rule of never using pure black by breaking it in the most clever way! No light gets reflected on him, because his form absorbs everything– is absolute darkness. Visually, his figure itself is Rashomon eating everything it encounters, and it's genius.

He is so nightmare coded. I love his big, inscrutable eyes that look like two voids, two black holes. I love how oftentimes you can't tell where Rashomon ends and where he starts, I love how sick and unhealthy he looks. I love how he looks scruffy like an abandoned dog. I love how young he looks– way younger than he is. It gives the impression of a ghost, someone who was killed before growing up and is now stuck with his young appearance no matter how many centuries pass.

I adore everything about these chapter 33 pages. The way he initially appears as just a single black shape, hardly resembling a human. His crunched, unnatural stance. The staggering. The way you can feel with your senses the thick and sticky blood. The top picture is the left page of the manga, so just imagine the visual impact of turning the page to be hit with an almost full-black page- it's meant to impress, it's meant to shake. The way he's one with the darkness: no textures on him, only white making out his outlines. The way you can't tell where his coat ends. His left arm hanging numb, limp, lifeless, inhuman. The spurts of blood on his face. His smile, how you won't notice it at first and how that makes it all the more disquieting; its juxtaposition with the violence that surrounds him and that he is the cause of. The way he covers his face, the impressions of hiding and looming. His face being split, which only adds to the horror elements. Akutagawa's character design as a whole is an ode to the gothic and grotesque.

And then this. Hello??????????????? The progression from how Akutagawa used to be to the last time we saw him alive is astonishing. It's upsetting. It really makes me wanna cry from a technical execution standpoint alone (imagine from a plot related standpoint). All the black is now replaced with predominant white, everywhere. His shirt is white and candid and pure, emphasizing contrast with the splash of blood in a way that almost results sickening. The blood on him is his this time. His face looks rounder, and healthier, and he overall looks more mature. His smile is sincere and genuine, it's light, it's affectionate. This scene is the culmination of Akutagawa's character both visually and thematically: the monster, Akutagawa, too, can be good, and arguably had good within him since the very start. Does it really matter if he lives after this? His character already developed to be the best version of himself‚ and this panel here is the proof.

Further readings: (1) (2) (3) (4) (5) (6)

[ragewrites]

last poems of 2023, both holiday gifts meant for the same friend.

[dye-it-rouge-et-noir]

"For particularly important things, it's always more reassuring to write them down like this." - Zhang Beihai

[ID in alt text]