#just so many issues that would have been fixed with more episodes

[evenlarksandkatydids]

imo the acolyte is one of the latest victims of "too short season syndrome" like, so many of its flaws could have been ironed out if we had a couple more episodes to flesh out character arcs and develop relationships.

[blitzwhore]

So. Stolas is an alcoholic. That much is very clear at this point in the show and has been for a while now. He binge-drinks to cope with depression and with his life problems at large.

What's interesting is that he's far from the only character in Blitzø's life who is an alcoholic. In fact, substance abuse seems to be a recurring theme in the show. At least three other people Blitzø was or is really close with (potentially four, if we count his father) have struggled with substance abuse: Verosika, Barbie, and Fizz.

And the show has made a very clear point that both Verosika and Barbie have been in rehab. Not just that, but it's also emphasised that they're both still struggling with addiction (Verosika still drinks at her concerts, "clutches onto Beelzejuice bottles like they're the last cock in hell", and writes magazine articles about binge drinking being sexy; Barbie still peddles heroine, though not H8). Clearly, for both of them, this is an ongoing issue presently in the show.

So, with all of that being said, I recently saw someone theorise that, in a future season, Stolas is going to go to rehab, too.

I thought it was certainly a possibility, and one that I would personally love to see explored. So I've been thinking about it... and I remembered this:

The beginning of Unhappy Campers, and Blitzø breaking into rehab to go visit Barbie.

Now, I think a lot of people (myself included) felt surprised and a bit disappointed the first time we watched this episode, because our initial assumption was that Blitzø was trying to visit Stolas. It just made sense! Stolas was hospitalised right at the end of the previous episode and texted Blitzø that he could visit if he wanted to. (At this point, we also didn't know Blitzø had trauma surrounding visiting loved ones at hospitals). And suddenly they hit us with Blitzø seeking out Barbie out of the blue? So many of us were left wondering... why? Yeah, people have mentioned that maybe feeling like he could've lost Stolas prompted Blitzø to try to mend a different broken relationship, one that he felt he had more chances of fixing. But the timing, as well as the non-immediate revelation that it's Barbie he's looking for, is still... strikingly suspicious, isn't it?

And just now, after all this time, it hit me.

What if this is foreshadowing?

What if, all along, they were telling us Blitzø will visit Stolas at the hospital in the future... when Stolas is in rehab?

[thenationofzaun]

"If only Season 2 had more episodes/if only the show had more seasons it would be better"

No girl, more episodes and seasons would have just been filled with more bullshit. If you were only saying this about S2 Act 1, I'd get it. But after all 9 episodes have dropped y'all are still saying this as if "rushed pacing" was the end all be all issue of this season?

Having more episodes wouldn't have fixed their garbage politics and horrible messaging baked into the show's very foundation. It wouldn't have fixed the glaring plot holes opened up by the idiotic flashbacks. Nor the juvenile Disney Junior "resolution" of conflicts (because the writers genuinely don't think Piltover's oppression of Zaun is that big a deal). Nor the terrible characterizations of most characters (how can more episodes fix Vi for instance, when it didn't even register to the writers that prison would have traumatized her?) It wouldn't have fixed the plot devolving into MCU avengers-assemble-to-defeat-the-zombie-horde drivel either. That was always the slop they were heading towards.

I think so many people have way more faith in the writing team than I do. They truly think that the only issue with Season 2 is that the writers were screwed over by Riot and not given enough screentime. That if they did have the time necessary, they could have fixed the show with their wonderful writing. But from what I see in season 2's limited screentime, it's the writing itself that completely lacks any maturity or intelligence.

Give the season 12 episodes, and you'd have ended up with 12 episodes of the same old nonsense, just with more meandering in between. Give the show 50 episodes instead of 18, same result.

[trainsinanime]

I should be sleeping but I just figured out how they could have drastically improved the ending of season 5 with very little effort: What if the fight between Bug Noir and Hawkmoth had not taken place in the kitchen, but in Adrien's room?

Even assuming that the rest of the script stays the same, it would have given so many opportunities. Being in Adrien's space, but without him, would give all sorts of thematic implications and make us feel like his absence was a deliberate narrative choice. Destroying it over the course of their fight would be symbolically destroying his prison, and also showing how Gabriel destroys him, at the same time (bonus points for destroying the prison-bar-like windows).

Plus, you could have done so much with the lighting. The Kitchen fight just doesn't look all that good with its black and white tiles and bright white light. This is especially notable because the episode before, with the theatre production, was the prettiest ML episode ever thanks to all the creative lighting.

In Adrien's room, you have more light and shadow and colors anyway, but you could have really played with bathing the scene in an evening glow, in a thunderstorm, or turning it to night slowly. All the people fighting outside could also have seen the light effects coming from there, making the fight in the house much more connected to the outside.

I'm not saying that would have fixed all the issues I had with the finale, let alone all the issues people have had with the finale, but I think it would have been a much stronger move.

[maxwellatoms]

Good day sir. Hope I'm not bothering you My brother and I are rewatching The grim adventures and it's been fun. Miss cartoons that were just plain random fun. I'm curious about 3 things if I may ask - Jeff the Spider's design changed a few times, his first appearance was more simple, his second appearance was more detailed and gross looking, then after that he went back to a simple design. Was it because the "gross" design was too hard to animate? - I've noticed in some episodes a few characters with glasses would have green eyes, similar to Nergal Junior. Was there a miscommunication with the animation team? - Lastly, is there anything you wish you could've done differently in Billy and Mandy? Like doing certain episodes or characters different? Just retrospective sorta stuff I know this is probably asking a lot, but I just want you to know you're a great source of inspiration and one of the many reasons why I love spooky supernatural content. Keep up the good fight

Hey!

#1:

The reason that most of the characters changed over time was because I updated the models to help the overseas studios (and our own internal artists) get things on-model. I'll go deeper into Billy & Mandy's history with designs in "Billy & Mandy vs. The Entertainment Industry", but I went from wanting to allow artists to have complete freedom to tightening things down as time went on. The smart play would've to develop solid models first and then explain how, when, and why you can break the rules. That's the opposite of what we did.

Jeff was a more complicated character than most, with his double-mandible, multiple eyes, and eight limbs. I suspect that what happened in this case was that the overseas studio either didn't keep or didn't share the original Jeff model with their teams, and instead only used the "special pose" model of Jeff looking gross. Like a lot of the model stuff, it was a quality control issue. Back then when everything was analog (we still had to deliver on film up through the turn of the century) it was pretty hard to change anything once it had been done. So I'd always say, "next time" and then do a clarity pass over the designs.

#2.

Same deal. In the first few seasons, we had analog color correction, where you'd go to a big suite and some guy would run picture and you'd call out anything big that was bugging you. Chances are that we either didn't notice the error, or did and just couldn't do anything about it.

All of those early Mandy smiles were put in overseas, and I wasn't allowed to fix them. It bugged me so much that I vowed to find a way to fix stuff like that myself. I eventually figured out that I could export individual frames to Photoshop, tweak them, and then give them back to the editor. That way I could actually reanimate things that really bugged me but we didn't have the budget to fix.

#3.

Nah. It's fine.

Thanks and good luck!

[sankta-wraith]

I’m about halfway through season three, and I’d just like to take a moment and look at how losing Rose has changed the Doctor.

First the obvious things: he’s more serious. During his time with Rose, he was mostly cheerful, funny, and generally quite positive. There were a few darker moments, but for the most part he had a pretty sunny personality, especially when he was with Rose. In season three, while he still tries to maintain his happy personality, he occasionally slips into melancholy and his cheerfulness often feels like a bit of a facade. This isn’t to say that there aren’t moments when he’s genuinely happy, but they seem to be far less frequent than the durst two seasons. He smiles less. He doesn’t have as many quips. He’s barely laughed at all. But that’s to be expected. He just lost someone he loved; it makes sense for him to be more withdrawn and sad.

The thing that struck me the most was how reckless he’s become. He’s always been a bit reckless, but he’s also tried to avoid things that will most likely kill him. He might be constantly getting himself into very dangerous situations, but he (almost) always thinks of some way to not die. (I think it’s because he knows that if he dies the Time Lords die with him, but that’s a different post.) In season three, he’s practically suicidal. So far, he’s allowed himself to come dangerously close to death at least five times, some seemingly without expecting to survive.

First was in episode one, when he let the Plasmavore drink his blood so she wouldn’t register as human on the scanner. He had no companion at the time, so he couldn’t have expected anyone to come for him. Even if someone had found him, they would have needed to do a blood transfusion, and since he’s not human it’s unlikely that human blood would save him. (I’m actually not sure how he survived that. Martha gave him CPR, but that didn’t fix the blood loss issue.) Even knowing all of that, he still allowed the Plasmavore to drain his blood without hesitation. He technically could have regenerated, but that didn’t seem to be part of his plan. I’m still not quite sure how regeneration works, but I’m pretty sure he has to be conscious for it to happen, and he was definitely unconscious when Martha found him.

The second time was when the Carrionite did he voodoo doll thing. This is admittedly a weaker example, since he does have two hearts, but I’m not entirely convince that he knew he’s be able to restart his other heart. He can clearly survive with just one heart (at least for a little bit,) but it significantly weakened him and it’s unclear how long he would have survived it. Had he been unable to get both hearts working, he probably would have died later when his remaining heart gave out under the strain, or been finished off later by the Carrionites and unable to defend himself. And yet he seems remarkably unconcerned, even when he realizes what she going to do. This isn’t to say that he wasn’t worried, but maybe not as worried as he should have been.

Third is when he willingly offers himself up to the Daleks, fully expecting them to kill him. This is one of the best examples, because he is 100% convinced that they are going to kill him. He’s so convinced that it actually comes as a shock when they decide not to kill him on the spot. Sacrificing himself makes sense in this situation, but it was a bit shocking how fast he agreed. I had expected to frantically try to come up with a plan, or at least to try fighting, before he decided to sacrifice himself. I certainly hadn’t expected him to straight up tell them to kill him.

Fourth was when he put himself in the direct path of a lightning strike/gamma ray burst on the off chance that some of his DNA would get transferred. Again this is an excellent example because not only did he put himself in its path, he actually held onto a lightning rod and wouldn’t let go for the duration of the gamma ray burst. There’s also the small fact that said lightning rod was on the top of the Empire State Building, and if the lighting and radiation hadn’t killed him a fall probably could’ve. That is literally the definition of suicidal.

The fifth and (so far) final time was when he, once again, sacrificed himself to the Daleks and demanded they kill him. Yes he knew that the Dalek-humans had some Time Lord DNA in them, but he still couldn’t be sure it would be enough. If you still don’t believe that he’s suicidal, I think seeing him stand in a room full of people with lasers/guns and telling them all to kill him should convince you. If even that doesn’t work, then you should consider the fact that the last three all happen in the same episode.

Let it never be said that losing Rose didn’t affect the Doctor.

[tapwater118]

tpot 13 spoilers, i say a lot here

hopy mopy that was a good episode. love it when tpot decides to get all cinematic. lots of things to talk about

having the cold open and stinger be about firey and leafy is very very interesting (“dreamier island” is adorable idgaf). didn’t really expect them to build off their cameo from tpot 8 like this, they’re obviously setting up another side plot (likely to replace the robot flower one that just ended). i don’t think leafy died in the storm, that’d be too straightforward for that much screen time. i think one got her, for what i don’t know. what kind of deal would she take?? i must think about this more

also speaking of one what the fuck. she moved a whole goddamn hurricane over to the hotel??? she can do that?? ok so maybe she didn’t make deals with bomby and bell, she’s just stealing the eliminated contestants for some reason. AND SHE WANTS TWO GONE DUDE. scary. probably the biggest surprise was her making it so two exitors join instead of one, which reads to me as if she wanted pencil specifically to join for some reason. interesting interesting interesting

can i just say there are some super interesting freesmart interactions here. pencil’s overjoyed to see book and ice cube (cause she’s been trapped in four for four years) but those two looked EXTREMELY uncomfortable to see her. most interesting is how despite still being avoidant of book ICE CUBE DELIBERATELY GETS HER AWAY FROM PENCIL. SHES WILLING TO PUT HER GRIEVANCES WITH BOOK ASIDE TO PROTECT HER LIKE THAT. what the fuck happened between them. idfb i need you to happen please

i didn’t really have any predictions for the eliminations this time around, barf bag i somewhat expected but needle was a bit of a surprise. i thought tpot 12 would’ve made people like her more? oh well. kinda hoped for more gb and pencil interactions from her being on cloudyay but i guess we’ll have more time for those later. liy being on 🎼 is nice cause she has her old friends there, works as a nice fill in for needle’s niche

the old robot flower is back! by the deal with one uh oh. i actually really like how they handled this, everyone else is happy the old her is back but she sounded really hesitant about it because she still has the same issues from before!!! nothings been fixed for her!!! she still has that want to be like flower dude. that plot line better not be completely dead or else. (also thank you tv for the flower cameo ur great. also tv is talking in mashed up clips again letsgooooooooo)

i think i actually need to watch this episode again, there’s so many little details sprinkles everywhere omga. anyway i voted for pin and book and you should too. peace out

look at her she angy

[crooked-wasteland]

Sir Pentious and the Importance of Narrative Structure

There are some aspects of Hazbin Hotel that leave me genuinely blind-sided. Like standing on the sidewalk when you suddenly witness a catastrophic car crash only for someone on the other side of the road to get distracted from rubbernecking and cause a second collision . That is the only way I can describe the feeling I get whenever I think about how the series handled Sir Pentious.

I have never seen a show fumble such a big plot point, not once, but twice and in the same exact way. First in the episode where the characters are engaging in “trust exercises”; the narrative entirely neglects the cast of Husk, Pentious, Angel, and Nifty for a very rudimentary plot that feels straight out of season one Steven Universe for Vaggie and Charlie. Instead it skips to them returning to the roof as a group and Angel Dust carrying Pentious and that is the end of the series attempting to show this bond until the second to last episode. Which also just does nothing with the first opportunity to watch that assumed relationship actually come together.

We never saw them actually help each other during the Turf War, but there was an opportunity that would have worked even with zero changes to the rest of the series to rectify that fact and it would have only cost at most 90 seconds of screen time:

Just have these characters talk to each other and treat it like it means something.

And it’s not hard to figure the reasoning of the writers was to have the reveal that the side characters didn’t leave be the big cherry on top this episode’s happily ever after. Instead, it's a completely forgotten plot point that only keeps the audience from ever believing these characters cared about each other enough to mourn one of them being killed off in the most abrupt way.

Sir Pentious’ death was pathetic. The heroic buildup to him buying the others time is undercut by his actual uselessness. And that compounds the problem with the fact his death is an intentional joke, but simultaneously supposed to be an impactful character moment? That isn’t how you get an audience to laugh while crying.

The art of achieving that dram-ody effect is fundamentally based on two grounded principles: familiarity to the character and pacing. Building up to sadness is a process, and trying to achieve something as primal as sadness requires some surprisingly complicated setup. In an undeveloped prefrontal cortex, the brain is still hardwired to mirror as a form of empathy. It’s why so many young fans can say without irony that Pentious dying is “Sad”, because they are caught off guard by his sudden passing to then be inundated with the named characters crying and being sad. They are sad because the characters are sad, but there was no one crying for Pentious like the characters are, not without a psychologically concerning degree of parasocial attachment. It’s “Sad” as in its “disappointing”, but the animators intentionally attempt to highjack the wave of disappointment to convince a child audience that they are feeling a different kind of grief.

And it didn’t need to be anything special, even a cookie cutter “Power of friendship” scene would have still fixed that gap enough to at least allow for a course correction later on and presenting the characters as more fleshed out. If time constraints were really that large of an issue, setting yourself up to succeed by laying the foundation to fix these narrative gaps is the only way to rectify it. Especially with announcing an already pre-approved second season that the crew would have been parallel planning for and thus had knowledge on where to save certain aspects for later.

To be frank, this is why people remember Helluva Boss’ first season so favorably, but it ultimately suffered the opposite issue. Season 1 of HB had a better grasp of setting up plot points early and giving themselves enough space to keep people theorizing and allowing them the opportunity to adapt the characters and narrative dynamically. The whole allure of the series originally was anticipating the payoff for these “mysteries”. It is just that the series had no intention of utilizing those mysteries for any meaningful narrative and quickly killed them off to focus on a predictable and uninteresting ship.

And I am sorry to snatch those rose-tinted glasses, but the first season wasn’t good, we just had clear narrative gaps that felt intentional and anticipated a story/arc/effort where there was no intention behind the scenes to really dedicate any resources to it. And alternatively HH is being handled far less skillfully from the jump, so it attracts the audience that will dedicate themselves to it (children) without any expectations in regards to quality.

[eyecan02]

Possible Future Payoffs for Charlastor

This post is meant to hopefully raise the spirits of Charlastors. As we all know, Chaggie is supposed to get a "sexy song" in season 2. It's honestly not surprising but I'll be honest. They could show 20-25 minutes of Charlie and Vaggie having the raunchiest, freakish, loudest sex and I would still rather watch another 3 minute Charlastor touch-a-thon similar to episode 7.

Chaggie getting a sexy song or them being all over each other will not convince me that there's chemistry until Vaggie fixes her co-dependency issues. To me, Charlastor has the more natural chemistry and they'll definitely be getting more scenes together too judging by the line, "She's filled with potential I could guide.:

It's clear they'll be spending more time together as mentor and student. Also, since Alastor needs to maintain Charlie's trust, I'm willing to bet that Charlie is the one that Alastor confides in with his Vox falling out story, and maybe even with his human back story as well.

They don't need to be having sex or have a "sexy duet" in order to show they have chemistry/are intimate. Trust can be a very intimate thing too- literally baring their soul to someone, especially to someone who has been described before as Alastor's "mirror".

Charlastor doesn't have to be endgame in order to have a payoff. A payoff can take on many forms. Here's a few good ones I can see happening. Alastor standing up to Eve/Lilith (after Charlie frees him) by saying the only one he has loyalty for is Charlie, before kneeling before Charlie and calling her his Queen!

A different payoff could be a mutual Charlastor hug where Alastor tells Charlie, "You don't know how dear you are to me." One hand is shown cradling the back of Charlie's head, lying his cheek on the crown of her head while his other arm is wrapped around her waist.

Another payoff could even be one brief kiss. Call me delulu but I think one kiss for the fans could actually happen. Picture it being at a time where Chaggie is briefly broken up and there's a moment before a seemingly hopeless battle where Alastor briefly pecks Charlie's lips to bring her out of a worried/depressed rambling and says, "Forgive me, dear. I've always wanted to try that...with you in particular." -cups her cheek- "Even if all seems lost, I've taught you how to properly wield a smile so let's go forth and turn the tides in this battle. Together."

Be as delulu as you want or keep your expectations very low. I kept mine extremely low for season 1, and look how much we feasted in two episodes plus the hug we got in the finale.

I still can't help but get excited for season 2, though, especially if we keep Amir's interview in mind where an interviewer asked him, "Who is the one person Alastor would do anything for?" Amir of course said that he couldn't answer.

Someone on Twitter (will never call it X) replied with, "He can't say because he knows the fans will go nuts." Amir replied with, "Yes." The first people that come to mind would be his mother and Niffty, but Alastor being a momma's boy and him being "charmed" by Niffty are public knowledge so it can't be referring to either of them. If it were one of them, Amir wouldn't be so cryptic. He would just admit it's one of them if it were one of them but I highly doubt it.

It's an answer that would make fans go "nuts". I'm detecting a note of shippiness. I'm willing to bet that the answer is Charlie. I think Alastor really loves Charlie in his own way and he's determined to prove himself as her friend, mentor, confidante, possibly future advisor and as her "steadfast chum hotelier" for reasons that are more complicated than it simply being that it's because he's leashed and following someone else's orders.

[keepingeahalive]

Why Rapple Wouldn’t Work as a Couple

First off, let’s get this out of the way: Raven and Apple are not related. Well…more like distantly related, but to the point where any relation is almost nil. Raven is not destined to marry Apple’s father because Apple’s dad and Raven’s dad (The Good King) are two separate characters. Raven is only destined to be jealous of Apple and poison her. That is all.

Okay, on with the real debate.

I'm probably gonna get a lot of hate for this, but I can't see Apple and Raven as a couple. While both of their arcs were about coming to accept each other, they weren't equal in their relationship. Raven made it clear to Apple many times that she felt disrespected, and Apple ignored that and pushed her own agenda on her. It may have come from a place of caring, but Apple didn't get Raven at all. I can see them working through their issues down the line, but their love story (if you can call it that) is better as platonic.

Bulldozing and Passive Aggression

From the first episode, we can see that Apple immediately took control for both of them. She went behind Raven's back to room with her and decorated Raven's side of the room without her permission, all because Raven is an important part of "her" story.

Not their story. "Her" story.

Her friendship with Raven in the first three chapters was surface-level at best. She assumes what Raven wants instead of actually getting to know her, like when she decides to take "Home Evil-nomics" to get back at Raven for taking Princessology. But Raven's favorite class isn't Home Evil-nomics. It's Muse-ic.

We can see Raven trying to be patient with Apple because Raven is a good person. She doesn't want a repeat of what happened between Snow White and the Evil Queen. In fact, we see her other friends hide their concerns from Apple because they don't want to upset her.

When Ashlynn finally comes out about her relationship with Hunter, she's immediately met with Apple's dismay. Apple tells her several times that she's making the wrong decision, and it gets to Ashlynn so much that she chooses her friendship with Apple over her relationship with Hunter because she doesn't want everyone to be upset. Although Ashlynn decides to do what makes her happy, Apple still tells her outright that she's making the wrong choice.

Briar starts to feel the weight of her destiny sink in and, instead of being met with compassion and understanding, Apple tells Briar "we all have our part to play." While Briar rightfully calls her out for how privileged she is, it takes her three chapters and two more specials to admit to Apple that she was too scared to tell anyone that she didn't want to follow her destiny.

They both go behind Raven's back to poison a birthday cake she made for Apple just so she would stop crying about it.

Apple is the next Queen of Ever After, and she wants to take an active role in serving her people. But she thinks she knows what's best for everyone. If they don't do what she says, then there's something wrong and she has to fix them. Everyone enabled this behavior, except for Raven. This domination is what causes her and Raven's tension at the start of the series.

2. Apple's Fears

Apple is a selfish character. But that selfishness is born of fear.

She believes going against her destiny means dying and being forgotten.

I believe she does care about her friends, in the same vein a God-fearing church-goer cares about the people in her community. She believes there is only one true way of staying safe: following your destiny. If you don't, something bad happens. And she has to remind you of that. She thinks she's helping people when she's really being insensitive and condescending. And this comes down the hardest on Raven.

Raven is the equivalent of someone who's become disillusioned with their faith. She's unhappy with the system she's been put in and she wants something better. That doesn't mean she's not afraid of what might happen if she does. She's terrified she might doom everyone at first. But taking a risk on Legacy Day and showing everyone they can live without following a predetermined path made her and others more hopeful that they could live better lives.

But Apple can't be convinced with one act of rebellion. She doubles down on her beliefs and blames Raven for ruining her Happily Ever After. She's so afraid of her future being uncertain that she would rather follow a status quo where someone she claims to care for is locked away for the rest of her life. You could argue that she doesn't understand that's what would happen, but she never bothered to understand Raven's perspective. Raven takes Apple's perspective in Thronecoming and considers the consequences of her actions. Raven cares about her friends too, so much that she's willing to put her happiness aside to keep them safe. Apple never once did that for her, or for any of her other friends.

This stems from Apple being promised the best destiny out of anyone. She'd go on to live a very prestigious life as Queen. But she's too naive to realize what that would mean for everyone else: Raven would be locked up for the rest of her life, Ashlynn would die to continue her legacy, and Briar would marry some random dude several decades younger than her and never see Apple or anyone she knew ever again. I understand that no one wants to lose the stability they've had their entire life. But she doesn't seem to understand how good she has it.

3. Apple and Raven's Growth

Way Too Wonderland and Dragon Games gave us a lot in terms of character development. Apple and Raven have gotten to know each other better at this point. Even though they have their differences, they do care about each other.

Say what you will about Way Too Wonderland, but I do believe Apple has come to know Raven and is genuinely shocked and heartbroken when Raven finally signed the Storybook of Legends. She's come to care about who Raven really is, she knows Raven would never want to hurt anyone, and she realizes that destinies can be dangerous. I understand her main reasoning was that anyone could easily take someone else's destiny if they had the chance. But seeing what signing the book did to Raven frightened her. Destroying the book with Raven cemented a level of trust and understanding that Raven was longing for.

Which is what makes Dragon Games so heartbreaking.

Apple is a privileged little princess who was promised the best destiny one could expect. I don't think anyone would be all that happy about letting that go. It goes back to what she fears the most. She doesn't know what to do without her destiny. And with her mother only feeding into these insecurities, it allows Apple's doubts to resurface and for someone to take advantage of that.

Apple could have prevented releasing the Evil Queen. But she was too deep in her own cowardice to think clearly. Desperation will make people do anything, especially if promised a happy ending for you and everyone you love (maybe subconsciously hoping Raven would be her True Love). That doesn't excuse her freeing a war criminal who happens to be her best friend's estranged mother, thereby breaking her trust all over again. Raven had just started seeing Apple as someone she could depend on. That's gone now, and Raven had a right to be angry with Apple's selfishness and cowardice.

"But Apple realized her mistake and Raven forgave her in the end!" That's true, but that doesn't mean things are okay between them. Apple is still Raven's friend, and it's in Raven's character to forgive her. But I don't see her forgetting this experience any time soon. That trust would have to be built up all over again and, if you ask me, this ruled out any chance of them getting together romantically. I think Raven would need some time away from Apple to figure things out. Apple could use that time to figure herself out too, especially after figuring out it was Darling who woke her.

If that trust was able to be built back up again, hopefully they would have grown as people and learned to be better friends. But you can't expect this level of trust to be regained for a partnership.

4. A One-Sided Romance

If Rapple were to be anything romantic, it would only come from Apple.

Apple was always obsessed with Raven. I do believe she wanted Raven to fulfill their destinies so they would both be safe, but was too selfish to consider how that would look from Raven's end. She never showed any interest in Daring and, while she enjoyed the admiration she got from other boys, never expressed interest in anyone else.

Except Raven.

So, yes. I do believe Apple was in love with Raven. But I can't see Raven returning those feelings. Apple always disregarded what she wanted, ignored her when she argued against her destiny, and continually tried to turn Raven into something she wasn't. Even after her much-needed character development in Way to Wonderland and Dragon Games, these two still don't have a good foundation of trust between them. If we had gotten more of the show, we might have seen some healing. And, in my opinion, that would include Apple learning to let go of Raven and focusing on her own growth as a person.

And maybe someone else...

In all seriousness, Apple and Raven have a complicated relationship that I don't see working romantically. I know they have the most development together, and it would be an interesting take on the enemies-to-lover trope. But with how often Apple betrayed Raven's trust and how grounded and self-aware Raven is, I can't see them getting together.

I can see Raven being Apple's first crush, but the closest these two can get is sisters.

Because, you know, Raven has a boyfriend. It's Dexter. Say what you want about him, but they have a healthier relationship than Raven and Apple could ever have, romantic or not.

[wolfscarr]

Helluva Broken Narrative and the most useless character..

Disclaimer: Not saying you can't enjoy this show folks. Enjoy it all you want, this is just a rant about the lack of a cohesive narrative!

I really was completely dead on posting, but I just can't get this out of my head.

I feel people should be acknowledging this far more than it has been, this is extremely important. This goes beyond just episode pacing, this goes beyond the characters....this is something that without it? There is no real show, which is....

Helluva Boss has a BROKEN NARRATIVE.

Some fans wanna claim it has this 'complex' writing and I'm sitting here going like "really? Where?"

It doesn't sorry and know why? Because Season 2 of this show, basically broke the narrative that Season 1 was building.

These past posts of mine, will show you why the narrative is broken.

Now can they continue on with the story they are telling? Yes of course they can, but it won't fix the fact that it's not coherent to Season 1, that it's not needed.

Wanna know who the most useless character in the show is now? If you guessed Stolas, you're correct! In the meaning of making Stolas this guy who did nothing wrong and who's sad....they took away his character purpose.

Stolas has ZERO purpose being within the show now, given how things have played out.

But you might say

"Well he's needed to give Blitz the Crystal and end the deal!"

Except....no, he wasn't. They could have just delivered the crystal to I.M.P. They have Blitz’ number, just call him, get a servant to send it etc.

Remembering my posts above, where you can have I.M.P. killing in Hell as a Season 1 thing?

Maybe they're just getting started with their company? So Blitz wants to supplement with killing in Hell by killing those up top so he goes to see about getting an Asmodean Crystal?

See let's backtrack here folks, the episode Oops it was mainly about Blitz and Fizz reconciling right? Which they do at the end of the episode. Now follow this, if we take into account the above, Blitz' dialogue could be.

Blitz: "Fizz look, I know what happened to you was horrible. I don't...expect you to forgive me, but I'm struggling to support myself, my daughter and my employees with my company. I....if you can just think on it, perhaps I could get one of those Asmodean Crystals?"

The scene ends and Fizz goes back to Ozzie, while along the way he's thinking about Blitz' words and how he was saved by him where in the end, Fizz agrees to send Blitz a Crystal because he's earned it from saving his very life.

Or here's another scenario, Blitz has a Crystal from the start(which he took from Verosika when they were dating, maybe she gave him one as her bodyguard?), but as things get far more hectic up on Earth with more dangers. The Crystal ends up shattering after I.M.P. gets back to Hell after a job, thus Blitz goes to actually confront his past and reconcile with Fizz in order to try and get a new one.

See how easy it is now, to just remove Stolas entirely? They took away a character's purpose of being in the show....that to me, is completely disappointing. Characters, especially those that are suppose to be IMPORTANT, should have a purpose...without that? You may as well just delete them entirely.

Blitz could have had 2 whole Seasons with relating to the past and those that he hurt, that he TRULY hurt(Verosika, Fizz and Barbie) that would actually matter to him as a character. But instead, all these characters are instead shoved to the wayside, for a character who doesn't matter anymore and only actually matters because the writing is FORCING him to matter.

You can write the narrative in so many different ways with what Season 2 gives us, that completely destroys what Season 1 told us. Are we now expected to just....IGNORE AN ENTIRE SEASON?

Even still you DON’T EVEN NEED a Crystal considering I.M.P. was killing in Hell before. Which isn’t HB supposed to expand upon Hell anyway, because Hazbin was taking place in one location? Wasn’t that one of the reasons why it was made? So you make a show that's suppose to explore Hell, yet some of the episodes...don't even take place within Hell?

You could have also made a whole Season actually EXPLORING Hell with I.M.P. going through the various Rings of Hell, assassinating targets. This could explore the various lives of Hell, customs and so forth while exploring the I.M.P. crew too. But no...that's wasted as well.

They can do this whole "sad Stolas is sad and Blitz is hurt and Stolas is going to give him a crystal." Thing all the way to 'try' and fix things, but it'll fix nothing....because the deal between them was retroactively made completely pointless.

The show will continue obviously, but in the back of the minds....it will be a broken narrative and Season 1 is basically buried 6 feet under. As a writer, this really annoys me....because they had how long between Seasons to nail this down? How long have we all waited just in-between episodes? This shouldn't have happened.

Yes, is storytelling hard? Obviously, none of my stories are perfect....but at least the narrative is coherent from beginning to end.

Anyway...I just...had to get this out of my head, because it was really frustrating and I want it to be acknowledged more. The narrative is important folks, if it's broken...that's not a good thing.

I'm still watching this show....if only because I'm knee deep in it now and I still somewhat actually like the characters, but what I don't like...is this broken narrative that is still hanging around with a pointless character that doesn't matter to the show anymore.

Narratives, coherent narratives are important to a story, without it? You don't have characters and you don't have a story.

^ For Part 2.

^ For part 3.

[miraculouslbcnreactions]

While "the network wants an episodic kids show, the authors want an epic dark complicated narrative" would explain A LOT about ML's problems, I'd still like to note that there are kids' shows that can do both, going full range from "mostly episodic with a sprinkle of narrative" (Kim Possible, MLP), to "heavily narrative but with episodic breather/filler episodes" (Gravity Falls, WITCH, the Owl House), with many variants in-between.

Even the transition from "fully episodic" to "more narratively-connected" that ML attempted to do can be done successfully - the aforementioned Gravity Falls and WITCH were more episodic in season 1 and more narratively driven in season 2.

However, I'd say there are a few other key problems that can be inferred from what we have:

The show tries too many things at once - as you have pointed out repeatedly. Magical girl and rom-com, single-hero, duo and team stories, wacky comedy and serious trauma, even trying to give several characters a redemption and a damnation arc at the same time (and failing with either). Apparently, it's not just TF vs writers: it's writers severely disagreeing with each other (see Thomas and Vincent's opinions on Chloe), and also trying to one-up the fans. Also, simply thinking too much of the work, which leads us to...

ML's total lack of self-awareness. Another famous case of a show that was almost entirely episodic is Phineas and Ferb. They use the same formula (the brothers build, Candace busts, Doof makes an Inator and is thwarted by Perry) over and over for four seasons. And by mid-season 1, the authors have been making fun of the structure, lampshading it, spoofing and twisting it, playing with "What if" episodes and never taking itself too seriously. When ML tries to be self-aware, it becomes either insulting to the fans (Animaestro), horrifically dark (Chat Blanc) or plain cringe (Simpleman). This is exacerbated by Astruc's arrogance and inability to ignore critics.

Is it possible to make a highly complex, genre-busting, yet kid-friendly story and succeed? Yes. But it needs to be better thought-out - if not from the start, then at the moment the network allows one to deviate from the formula.

And if all else fails and the story becomes too complicated and too repetitive at the same time... Well, self-awareness and the ability to make fun of one's own work can turn a sad mess into a hilariously fun disaster.

P. S. Love your posts as always, you are the main reason I'm still in the fandom!

Thank you for the kind words! I'm so glad that you're enjoying my stuff and I agree with all the things you brought up.

A big part of the reason that Miraculous is so fascinating to me is that there ISN'T a single cause of the issues. There are so many valid ways to discuss the show's problems. It's a masterclass in bad writing and what not to do!

It's why I'm able to run this blog. If it was as simple as, "here's the single reason why it's bad and here's how you fix that" or if the show never had any potential, then there wouldn't be much to talk about. But it did have potential and there is no single reason why it's bad. The causes are multitudinous as are the potential fixes! It feels like investigating some complex wreckage or an elaborate murder mystery in order to understand what the hell happened, which is really fun if you like talking about writing.

I find it much harder to discuss writing in an informative way if you only have good examples to draw from because that path risks stifling creativity. Just because a popular story did a thing well doesn't mean that story showed us the only way to do the things or even the best way to do the thing, but that's often the lesson people seem to learn. They see a thing that they like or even just a thing that audiences liked and want to copy it without understanding the full nuance of why they liked it.

A great example of this is Zuko from Avatar the Last Airbender. He was such a well-written and popular character that all these properties started copying him even though the properties in question did NOT have a setup that worked for a Zuko. Praising Zuko won't really tell you all the ways that Zuko could have failed. Meanwhile, a case study of Chloe vs Zuko or even just a general discussion of Chloe lets you actually talk about the various styles of redemption arc and what you have to do to make them feel real. It's also far more interesting than talking how Zuko could have failed because Zuko didn't fail so why are we even talking about this? It's also far more interesting than talking about a bunch of properties that did redemption arcs well because that would require you to have seen all of those properties. But Chloe is from a single property and she did fail and people understandably have wildly different feelings about what the failure was because the writing was so bad, which means that digging into her writing is way more likely to hold your interest and teach you something.

This gif really does sum it up perfectly:

[Image description: scene from the movie Knives Out where the detective Benoit Blanc exclaims "It makes no damn sense! It compels me though" to explain his feelings on an ongoing murder mystery that he's trying to solve]

As does the old adage, "failure is the greatest teacher." Of course, no one ever said that it had to be your failure!

[am-i-the-asshole-official]

AITA for debating hiring outside help for my husband and I's house because we can't keep up alone?

For context: My (26 Fae ftm) husband (28M) live very happy and healthily together. While I'm unable to medically transition due to a bunch of reasons we'll get to, he has been nothing but a solid rock in my life and the one person that has always been on my side. Through dragging me out of an abusive household to helping me with my chronic illness, he's been an absolute angel despite dressing like the devil himself (he's goth). So I don't want any hate on him.

He is ADHD and I'm Autistic. Yes, hello, we are that couple~♡ This does cause us some issues tho as he is unmedicated and I'm just struggling in general with sensory issues for certain chores. So far we keep each other some what afloat, having him do chores that my sensory issues can't handle and my doing ones he can't focus through.

However, as previously mentioned I'm chronically ill. I won't get into many details but it's basically I'm internally bleeding at random intervals. And before people think I'm talking about just my period, no it's so bad that I have once had to go to the ER for a blood transfusion due to this internal bleeding and had times when I was bleeding for over 4 months straight.

My husband and I because of this condition are pretty much struggling financially. I can work but it makes me extremely fatigued since I'm essentially working with constant Anemia. It gets bad enough some days that he can't wake me up without over an hour of effort, even after I've slept 10hrs. The fatigue is REALLY bad. He works just as much as I do, sometimes more because his work is so shortstaffed and he likes to pick up extra shifts to try and save up for the surgery that would hopefully fix everything.

This has culminated though in us both being extremely exhausted near 24/7 for the last year-ish but we have finally hit a break. I recently got a huge pay increase (nearly $200 a week increase) so we are hopeful for the first time in months. We're starting to pay down my extreme medical debt and being able to just go get dinner when he doesn't want to cook.

Here's where I may be kind of TA... Despite this hope, my condition recently did get worse. I've now gone another 3 months still bleeding and having to suffer my Anemia symptoms and medication. This has caused me to fall massively behind on what should be my chores, and while my husband doesn't begrudge me it, it has caused our home to start becoming very, very unhygienic. As someone who grew up with a clean freak mother, it kinda upsets me. He's focusing more and more on me and less on the house so even his chores are falling behind too.

None of that is his fault. He loves me so much he wants to help Me first but it has gotten to where we are both going "we really need to clean the house..." but neither of us have enough battery to do so. Me becuz of my condition and he becuz he's stuck caring for me.

We have enough that we might be able to afford to hire a cleaning service to help us out, but it would cost us some of the freedom and paying down medical bills. I think it'd only be a temporary thing, once I recover from my current episode, we can probably get better... but I don't know how long it will be.

On top of this I'm worried paying for this service will further put off my surgery as we struggle to save up for it again... We've already had to tap into that savings cuz my current episode lost me 2 days at work.

Is it unfair for me to ask to use our new extra money for essentially my not wanting to have to bother doing basic chores? I know I'm tired but I've lived with it so long I could and should probably just push through.

What are these acronyms?

[kerubimcrepin]

Liveblog: Wakfu Season 1 (episodes 21-26)

Episode 21 - Igol

This is a big episode because this is where we get the "Adamai knows stasis magic" lore drop that is never elaborated on, or mentioned altogether.

Episode 22 - Rubilax

Someday, someone will complete a translation of the Dofus manga in russian or english and I'll finally learn what's the deal with this man and why he died and got better and how crazy his doomed yaoi with his dead dragon husband gets.

Heartbreakingly, this day is not yet here.

[Kerubim and Goultard crying together over a drink, begin talking at the same time] I miss my dead wife, Goulatrd/Kerubim. I miss her/him a lot.

Big lore: Sleep masks exist in this universe.

Episode 23 - The Quest for the Dofus

He'll get it eventually. I did.

Episode 24 - Reunion

I love their family so much, I wish they could be happy. But every time something changes, it's far too late... It is tragically realistic, I suppose.

I don't know why, but this is such a pretty frame... The soft morning light, the dim room, the plants the glowing mushrooms...

Also, rare moment to take in what the guest rooms look like at the Sadida castle!

This episode (and at least one past episode) has quite a bit of ciphered text that I haven't been translating because I'm evil. Sorry. It's not the same script as the texts in Aux Tresors, despite the similarities, so you'll have to resort to google, or to decoding it yourself. You could start with the fact that this presumably says "Arbe de vie"

Episode 25 - I Am A Legend

Stasis mention 🔥🔥🔥

This whole scene always makes me tear up. I am actually insane and crazed every time I rewatch the last two episodes.

Your insane Joris trivia of the day is that this scene was changed between various airings/versions of Wakfu. For some mysterious reason. Here's a comparison:

I prefer the old version because.... [blushes] [kicks legs] [twiddles with my hair] HES SO PRETTY—- But also besides me being insane and in love with him, it just seems to have better composition and flow, imo.

My theories for why he was late:

He was sent to get reinforcements from other countries, or call for help. Though it is unlikely that many other kingdoms responded, given how little people care about Sadida (the most likely, normal, and realistic explanation)

He went together with the army of Sadida and the king to fight the war and ran all the way here using his insane speed (the second most likely, normal, and realistic explanation)

He overslept

He got lost

He was busy, man...

He was writing a letter to Keke and Atch about how he beat the shit out of some sadida guards and two girls clapped and cheered and lost track of time.

This exchange has always been so funny to me for some reason.

"What is the situation" He says,, while a giant mecha is about to kill what likely amounts to one-twelfth of the world's population.

I have talked about it a lot, but I am so deeply unwell about how cold he is. A girl lost her lover and is crying inconsolably, and he's not really paying that attention. One twelfth of the world population is about to die, and he won't show an ounce of discomfort or horror or grief.

Obviously he doesn't like it, but showing any weakness is out of the question.

More people have died from Ogrest, and she's like, the 60th girl on a battlefield on his memory to be crying after losing someone.

There are no unsolvable issues in this world.

I need to study him like a bug.

Episode 26 - Mount Zinit

Standing so prettily...

I think one of Joris's core "insanity and depression prevention" life philosophies is that, if he is not present at a battle, and can not physically be present, then he's not to blame for any horrible thing that happens.

I think this philosophy works almost never to quell his feelings of unease, and right now he is calculating 132924 ways he could have gotten here faster and just how much it would fix things.

(guy who runs a blog about pointing out obvious things Joris does voice) There's a very subtle expression change here. He starts looking intently as Amalia proposes going to help Yugo and Adamai. He was going to do this. However, the second he hears her yell "no", his expression changes once more.

We don't see whether he rushes to aid Eva in any way after she collapses from grief, but I will be honest — he would never do that.

Even if he has a pre-established good relationship with her. He just can't do that. He probably stands there awkwardly, in that same exact place, and feels very bad the entire time — because he can neither comfort Eva (they're practically strangers, he hesitated far too long, he'll make things worse—), nor go help Yugo (he can't just leave Eva and Ruel alone... What if more enemies appear? Or what if they think he abandoned them amidst grief? And would he even be useful?)

I think standing next to inconsolable people is Joris's personal hell.

I am insane.

I think one of the reasons Wakfu season 1 is so memorable, and so effective, is that there is no glorious pay off.

Yugo has a heroic moment of friendship overpowering everything — and then, after a second of being scared, Nox overtakes him. Nox wins. And that win is a mere 20 minutes. And for what? Pinpin is still dead. Everyone he killed is still dead.

Yugo doesn't get a glorious win, or his friend back. There is no epic swell of music. Just something quiet, foreboding, and truly meaningless.

OMG HI.

Your daily reminder that canonically, Eva is an amazing artist.

💀

Once again, Sadida Kingdom and Bonta have a very good relationship. Besties who hoard magical nukes together stay together.

[kaythefloppa]

How would you rewrite The Lion Guard?

Ooh, good question.

Will pre-face this by saying that I enjoy The Lion Guard and am far more forgiving towards it than others (primarily because I was in the show's target demographic when it came out nearly 10 years ago, so I had a closer attachment to/attraction towards it than, people who were old enough to see the original film drop in theaters). That being said, it has a lot of flaws, some commonly pointed out by the fandom, others not so much (and around 70% of them stem around the finale, which.. we'll get to). So here are some major things I'd rewrite about the show itself (not like, every individual episode because that would be hell lmao)

Word vomit ahead because I have too many opinions on this children's show.

Season 1:

I'd definitely include more of Nala in the pilot episode, maybe showing her personal thoughts on the matter, perhaps even teaching Kion how to fight, or a throwaway line implying that. Also, I would definitely provide explanation on how Scar got away with killing his Lion Guard, and on why Kiara became so obsessed with becoming Queen. Additionally, I'd show some background lions (i.e. non-characters because we can't let them overshadow the mains), just so that we can actually buy Simba's point on there being other lions for the guard (but like, at the end of the day, we know Kion's team will prove themselves/be better). And lastly, I'd fix the climax to where Simba would try to rescue Kiara and then somehow get injured/stuck, so the Guard would have to save both of them from the stampede. I think those main things left a bad impression towards fans outside of the target demo, even as they got better on so, I think re-tooling them a bit would save a lot of that dissonance.

This was something I really wanted to see in the show as a kid; Episodes where the main characters meet "good" animals in the same species as their villains. Jasiri's introductory episode made me think they were going to have this as a recurring theme, where each member of the guard meets an animal who they initially judge for being the same species as their counterpart villain, only to realize that they're pretty great. For example, Beshte meeting a friendly crocodile (this was before S2) Bunga protecting a cobra (or alternatively, rescuing Ushari from the hyenas), Fuli meeting a jackal that's actually honest, or Ono even working together with a friendly vulture (that part specifically I fixated on, because I had this whole story in my head about the unnamed 'third vulture' in Mzingo's flock who goes through this whole character redemption arc, but I digress). This I believe would've fixed the issue that some people had about the portrayal of predatory animals in the series. Because yeah, on a Watsonian level, these villains are in every way amoral, the Lion Guard stops them from over-hunting, not hunting in general. On a Doylist level, the ratio of evil predators to good predators is way imbalanced, and I think this approach that 9 year old me thought this show would go, would've been a huge-lifesaver for the series in that department.

The Kupatana Celebration: The jackals would attempt to steal from the Pride Landers whilst they're all distracted, leading up to the Pride Landers fighting them. I'd also change some dialouge so that Kion and the Guard wouldn't come across as though they are right for hating jackals, and so that Janja wouldn't be proven right in his attempted murder of a child by the narrative.

The Trouble with Galagoes: Makucha and Mapigano would be streamlined into one character. Not only would it save a lot of time, money, and budget just using one model, but it would show the true menace Makucha is, because he was badly nerfed in the show when he became the new Big Bad.

Lions of the Outlands: I have so many mixed opinions on this episode. On one hand, the moral is actually pretty great, a perfect mirror to Never Judge a Hyena By Its Spots. And on that note, we see more of Jasiri and her clan. On the other hand, the Outsiders are in it, for no other reason than to both tie into TLK 2, and build up to the finale, (and they fail entirely on those two merits). The one thing I'd change is make it a two-parter in the middle of the season. The first part would explain the mystery behind the Outsiders, maybe even filling in some of the legit plot-holes the second movie had with them. The second part would be where the real action and conflict begins, with Kion choosing the hyenas over lions and blasting them away to the termite mounds (and I'd easily cut the "Our New Home" to "Our Old Home.)" Vitani would also have more of a presence in this episode, mainly so that it'll be less jarring when we see her again as the successor to the main cast.

And on another note, I would have Janja team up with Kion and Jasiri against Zira as a temporary alliance. It would just seem like an interesting idea. The point of the episode is Kion's views being turned on their head as he realizes that the lions he's meeting aren't as open-minded or kind as him. Having him come to the defense of his most hated rival, even temporarily, would've added to that juxtaposition, and maybe foreshadow his redemption.

I'd definitely rewrite Bunga to make his personality better. Don't get me wrong, it does get better in the show, but in early S1, they try too hard to recapture the magic of Timon and Pumbaa's comedy from the original. It'd be much better to allow him to serve as a comic relief on his own scale to allow a better first impression of him as one of the main characters.

Allow an introduction episode for Ushari. For someone who is supposed to be the hidden secondary antagonist of the series, he gets no introduction episode, and no revelance beyond just cameos and running gags; So unlike Makuu, you don't resonate with him enough to accept him as a key player later on down the line. There was an episode plotline involving a cobra harassing some songbirds that was never greenlit because it was inaccurate t o cobra behavior, but I think Artistic License aside, it would've made okay groundwork for Ushari to appear.

More non-lion characters. In a show where the overall message is "different animals can do just as well as, if not better than lions," and featuring the different animals that contribute to the Circle of Life, they did pretty well, but I would've loved them do more. Episodes with painted dogs, and the values of communication. Episodes with caracal cats where the heroes learn not to underestimate, episodes with that one African Rock Python that encourages boundaries, episodes with secratarybirds where you can stomp the shit out of grumpy bastards who want to kill children. Cool shit.

I'd tone down Kion's roar a lot. I don't mind it in a fantasy setting, but I think a lot of tension, conflicts, and character arcs are undermined by it. I would've preferred it if we had episodes in Season 1 where Kion slowly learns how to use the Roar's powers, akin to Elena of Avalor's Scepter of Light/Night story arcs. Tie that in with him speaking with Mufasa. The more he controls the power of the spirits, the more he is able to speak to them. In the meantime, I'd allow some villains' defeats to be accreddited to the characters themselves, for example, Cheezi and Chungu defeat Nne and Tano themselves, Anga, Ono, and Hadithi being able to chase off the vultures, or Hodari and Makuu both working together to drive off Kiburi.

I'd change the episode arrangement. Mainly to allow future seasons to actually start with the episodes that begin their respective seasons' arcs. The first 5 episodes of Season 2 would be placed near the end of Season 1 to establish a mini-arc about the dry season coming up soon, with the last of these 5 episodes being the Savannah Summit, showing Makuu's redemption and signifying that there's gonna be a change in tune. Then we'd get Trail to Udugu as the Season 1 finale, which would wrap up Kion and Kiara's sibling rivalry from the pilot and show Simba firsthand how well Kion's team is structured through its diversity. It would register as a perfect season finale without there being a heavy ongoing arc for it to cap off.

Season 2

The Rise of Scar would serve as the Season 2 premiere (which it originally was supposed to be, until it was pushed up 5 episodes). And while kicks off the best portion of the show, (S2) it does ultimately also cap itself off in the worst portion of the show (S3), so some stuff I would change:

Ushari's heel-face-turn. It sucks. Even ignoring the messy implications of having the only snake character become a generic bad guy because "evil venomous snake," it's bad character writing. Not only do we have no proper introduction to his character, not only was his prior relevance relegated to background appearances, but his motivation is extremely hollow, so much so that it's forgotten entirely by the time the episode is over and replaced with a new one (that also comes up out of nowhere and has fuck all to do with anything). More than once in future episodes is it implied that Ushari wants reptiles to rule the Pride Lands, and honestly, I think that would've/should've been his motivation for his betrayal. Maybe he sees how other reptiles struggle during the dry season and the Lion Guard is so pre-occupied with the other animals and disasters that he winds up feeling neglected and angry. This is what turns him to villainy.

I would have Mzingo in on the Scar ressurection plotline. One beef I have with S2 is that Mzingo, who was the duel antaognist of the pilot, gets sidelined entirely. Ushari essentially replaces him as the hyenas' spy, with several scenes clearly resembling that of the pilot (right down to the song, which is essentially diet Tonight we Strike). It wouldn't have done much to add Mzingo in, but it would've made sense, and allow for interesting interactions between Ushari and Mzingo.

Instead of Janja, it's Ushari who causes Kion to roar by revealing his betrayal and threatening his family. This does water down Janja a bit, but again, with the idea that he'll be redeemed in due time, you have to put some limit on how far his villainous actions go.

Rescue in the Outlands. Good. God. On its own, it's perfectly fine, but Season 3 manages to make it retroactively worse. If they wanted to give hints that Janja was redeemable, redeem him at all, and imply a ship-tease between him and Jasiri, they should've dialed back some of the shit he does to allow him come across as less iredeemable. The writers didn't have to have him try to incinerate Jasiri and the cubs, and they didn't have to have him openly mock them as they're about to explode, but because they did, it shoots his rushed redemption arc right in the bloody foot. The episode would've worked fine with some workaround.

The workaround I would have for that? Well, I would have it be where Janja chases Jasiri's clan out of the Outlands so they're forced to hide in the Pride Lands until the Lion Guard helps them take it back. We'd see that Janja is content with Jasiri making it out alive under the assumption that she wouldn't come back. Still technically evil, but not anything way over the line. This would also allow Simba and Nala to be introduced to Jasiri, overcoming their own prejudice and bias about hyenas like Kion did, which would make for a far more entertaining subplot than... ugh... Thurston. And in the end, Simba and Nala help Jasiri and the Lion Guard flush out Janja.

The Bite of Kenge: I would include Makuu, just for the awesome factor, and the biology reference: Because crocodiles and monitor lizards are mortal enemies due to how the latter preys on the hatchlings of the former. Makuu absolutely rocking Kenge's shit would be so awesome. And also we'd get Makini and Makuu sharing dialouge (which I swear to god, does not happen at all in the show, FUCK!)

The first half of Season 2 would have Ushari as a red-herring, with several attacks from Outlanders accreddited to him. It isn't until the midseason finale where the Guard discovers that Scar is alive and realizes that he's the real threat they need to take out.

Speaking of the midseason, I would cut out Sumu entirely. He's a cool character and all, but I find it hilarious how not once does Scar consider sending Ushari, a cobra, in to bite the enemy team. Especially since the species of scorpion that Sumu is happens to be non-lethal (whoops!). Anyways, I'd have it be where Ushari takes Sumu's role of poisoning the king, biting him on the tail. This would invoke fear into the other Pride Landers, who deem him to be the big threat to the Pride Lands (i.e. red herring). Ushari's betrayal would be a secondary conflict in the episode, as they still struggle with the idea that one of their own could turn on their home. Ultimately, Scar's return is revealed, and that Ushari's betrayal was in the means of bringing forward a worse threat to the Pride Lands, which sets the tone for the remainder of the season.

Speaking of which, I would keep Kenge in. According to the writers, he left the army off-screen to avoid getting blasted by Kion's Roar, which to me, seems like a clever way of saying "We couldn't get the royalties to re-hire our Game of Thrones guest-star onto our preschooler show as a series regular." But like, I think having him stay on the army would just add more man-power, because why introduce him if he's not gonna play a role in the final battle.

An episode where Scar attempts to contact Zira to be in his army, but the Guard thwards him. Again, just a minor change. Also, once again, we'd see Vitani, possibly her facing off against Kion, to further the idea that she strongly rivals Kion in ferocity, which sets up the finale in a more natural light.

The Hyena Resistance would show both Kion and Jasiri rescuing Janja. That way, his redemption would come across as less of him crushing on Jasiri and more of him having his worldview legitmately changed. Additionally, we would have Kion or Jasiri mention the true cause of Scar's death to Janja, who would deny it at first, listing it as lies.

Pride Landers Unite and Fire From the Sky are meshed into one plotline, so Anga is introduced earlier on. I find it stupid that even though Mzingo is clearly on Scar's side, they don't at all consider him a suspect for the fire sticks. Plus having all of the Outlanders face off against the Pride Landers would be more thematic this way. Additionally, I'd have more members on the team, such as Big Baboon, Thurston, and even some of the giraffes.

Much like with S1, I would change the episode ordering around a lot, mainly because I think some events and interactions do not make sense when viewed by airing order. For example, the Hyena Resistance builds up to the idea that Janja would redeem himself, and the skinks also report Janja's hesitation to Scar, but that apparently means nothing when Janja is working with Scar two episodes after this one. And I feel like Kion gathering forces to help him defeat Scar would be the inciting incident for the end of the final battle.

The order I would arrange S2b in: The Scorpion's Sting -> The Wisdom of Kongwe -> The Kilio Valley Fire -> Undercover Kinyonga -> The Zebra Mastermind -> The Underground Adventure -> Beshte and the Beast -> The Queen's Visit -> The Hyena Resistance -> Pride Landers Unite/Fire From the Sky -> Cave of Secrets -> The Fall of Mizimu Grove

The Fall of Mizimu Grove would serve as the Season 2 finale (as it serves as a climax of the ongoing conflict, but not in a way that ends it). We'd show Jasiri and her clan, Ushari and his skinks, as well as Anga and the birds taking part in the battle before Scar himself is revealed. Otherwise, the episode is mainly unchanged, and once again, the finale of the second season.

Season 3:

I posted a rewrite of S3 onto the Lion King subreddit, but in the context of a rewrite of the grand series, things go differently.

Battle for the Pride Lands would be expanded into a 6-episode story arc, in which the older characters make their final stand in the fight against Scar. I take issue with the fact that for years, they built up Scar as a force to be wreckoned with, dragged the arc into S3, only to end it entirely there. I've entertained the idea of the special being the finale to S2, but I think this approach also works, just to allow the audience to get settled in with the new 'norm' just as a way to fix some of the pacing and writing issues I found in what was otherwise, the best episode of the series.

In this 6-episode story arc, I would allow a redemption arc for Janja in the premiere episode, so that he could have more time to atone for his mistakes. Janja would redeem himself in the premiere after realizing the truth behind Scar's death and that Jasiri and Kion were telling the truth. Janja would immediately leave Scar's army and encounter Jasiri. "A New Way to Go" would be a duet between them. Eventually, let's say Scar traps Janja's clan and Kion's Guard in the lair, and as they're all swimming away, Kion gets stuck and Janja is able to rescue him from drowning. This allows a heart-to-heart between them which also extends to the rest of his clan, Jasiri's clan, and even some of the Pride Landers. The episode ends with Janja joining forces with the Pride Lands, giving them the info they need to beat Scar once and for all.

In the second episode of this arc, we focus on the Outlanders, specifically their reaction to having almost killed Janja. One other beef I have with the special is how the Outlanders besides Janja are all given a backseat, and are eventually just hand-woven redemptions and written off entirely. So my rewrite allows more character development at the end of their story arc. We'd see scenes with Mzingo, him feeling regretful over having almost killed his partner (either accidentally or purposefully). And we'd focus on Dogo and his siblings, who took a backseat in S2, but would now be older. We'd see what Dogo was up to in S2, maybe watching in fear as his parents and siblings would get into more dangerous situations. He'd be old enough to fight, but he's completely burnt out and disillusioned. Essentially we'd see him get the redemption arc he was robbed of. The episode would end with him leaving, and Kijana staying (to show the idea that some people can change, but others can't). The episode ends with Scar threatening the remainder of his army with death if they turned against him, which is what gets them to join his team, but internally, they know that Janja was right for turning on them. Meanwhile, Ushari is still as evil as ever.

Episode 3 of this arc would focus on Kion enlisting help from the other kingdoms; The Theluji Mountains and the Backlands, in order for the impending battle ahead. This would allow some old characters like Sokwe, the Gorilla Princes, Dhahabu, and Badilli to return, and we'd learn more about their history and origins. Meanwhile, we see Scar recruit Makucha on his army to replace Janja.

Episode 4 of this arc would follow through on the redemption arcs. Specifically involving a moral in which not everyone will forgive you, but that shouldn't stop you from trying to be a better person. I think this episode would involve Janja and Dogo helping Ma Tembo and the elephants and hippos take back Kilio Valley and Big Springs, which puts a huge dent in Scar's plans. Perhaps Zito and Johari are those who choose not to forgive Janja and Dogo, but Ma Tembo and Basi do. Plus Janja and Dogo would make a really funny duo.

Episode 5 delves into Scar's past. I think the biggest problem with the backstory in the show is that it is entirely tacked on and is only there for plot contrivance. An entire episode would've been more serviceable, especially with the direction they were headed with. I'd change the backstory entirely. Here, I'd have it be where a rouge lion clawed Scar, and then having the cobra spit at him before he roars them away. He is hailed as a hero throughout the Pride Lands, feeding into his ego until it becomes too big for him, so he plots to overthrow Mufasa. When they refuse, he teams up with the hyenas to get rid of them. He lures them into the Outlands where he roars at them, and the hyenas hide what's left. The hyena clan take the fall, and Scar is left off the hook, but powerless. This is what Scar decides to use as inspiration to defeat Kion once and for all. Meanwhile, Kion and the Lion Guard search through the paintings of Scar's past and see what the audience sees in the flashbacks. At the end, they discover a cave painting of Askari putting out a fire at the Tree of Life, which re-inforces their belief that the Roar can and will stop Scar.

Episode 6 is the big special that caps everything off. The Lion Guard take their battle with Scar into the Outlands. A large majority of the battle portion of the original special would take up this episode. We'd see everyone join in, including Kinyonga, Badilli, the baboons and zebras, we'd see Ushari, Kenge, and the skinks facing off against the reptiles, Simba and his lionesses fighting jackals, Timon and Pumbaa causing mayhem, it's this whole big fucking thing. Eventually the Lion Guard is able to defeat them, but Ushari and Makucha double back. Ushari bites Kion, but it's established that it's only a small dosage of venom that will affect his mind, then Makucha scratches him, giving him a scar.

The big thing I'd change here is that I'd actually have Kion roar at the volcano to make it erupt. Jasiri and Kiara help lead the Pridelanders and Outlanders away from the lava flow. This would allow a set-up for Jasiri eventually ruling the Outlanders, and establish future events of the second movie where Kiara is willing to unite opposing sides in order for a brighter future for all. Meanwhile, the Lion Guard find themselves trapped as the lava surrounds them. Scar taunts them in their final hour, but that is when Kion decides that instead of destroying his enemies for injuring him, he offers them forgiveness, using the Roar to summon the Lions of the Past to destroy Scar. Makucha runs off in anger, and we get the same moment of Ushari's death, which would give off the idea that whilst offering forgiveness is good, some people are too far gone.

I'd make the Mark of Evil more well-defined by stating that Kion will lose control of the Roar and act out more with the small amount of venom within him. Not the whole "you will forget the difference between right and wrong" bullshit. The journey to the Tree of Life begins.

I'd rewrite the villains: A lot. This post did a far better rewrite of the S3 villains than I ever could, especially keeping in the theme of each villain being a 'counterpart' of the main heroes, so I'll link ya there. But yeah, I would allow Makucha to remain the intense threat he is, and give the villains' squad more numbers. I'd also probably switch out Chuluun and Varya's species. A tiger would be absolutely terrifying as a villain, and Varya and her cubs being attacked would be a lot less stupid if she were a smaller cat. I'd also have Mama Binturong be paired against Ono, as they are both the "brains" of their respective teams. Maybe Ono is able to use his knowledge on porcupines/binturongs to guide Bunga over to the Tuliza stash, and Mama Binturong targets him. I would also objectively have Mpishi in the army, she was robbed of a re-appearance.

I'd probably change the animation and voice-direction on Azaad to look younger, because he strikes as way too old for Fuli. And I'd probably keep their dynamic platonic.

Friends to the End is rehauled entirely. The episode assassinated Bunga's character development, and was low-stakes overall in ways that just do the main characters a disservice. Have him actually be worried as to what would happen to Kion, have his friends disagree with him thinking he's wrong. Have Bunga be the one to challenge Kion when he mouths off at Beshte, and have the titular song actually be sung to Kion.

Change the Night Pride. The Tree of Life is meant to be a congregation of biodiversity, so it would only make sense that its protectors be a mixed group of animals and not just more bland-looking lions (Asiatic lion portrayal is appreciated, but I think this was the wrong way to go at it). Once again, saw someone else do a far better rewrite of this, with the royal family as tigers, and with Nirmala and Surak as a dhole and buffalo, respectively.

I'd change Rani's character. A LOT. I think part of the reason why Rani has become such a divisive and controversial character in the fandom is because of her lack of accountability. She doesn't apologize to Kion and the Guard for her part in the misunderstanding, she doesn't apologize them for accusing them of leading Makucha and co. there, and even when Kion and Rani have seemingly come eye-to-eye in Long Live the Queen, the next episode continues to have Rani talk down to Kion, saying he has "potential" and not apologizing. I like when characters have flaws, but it's not satisfying when they don't acknowledge those flaws, apologize, and grow. Having Rani and Baliyo apologize towards the Guard, like say, at the end of Little Old Ginterbong, and gradually learning from their impulsive mistakes would be good character development, and it would allow audiences to get more used to Rani.

More episodes at the Tree of Life. One big issue with the show's ending is that it up and puts so much limelight on the Tree of Life in the finale when it's only been present for over 9 episodes. That's not enough time to get us to care, especially if your main character(s) will be moving in there by the finale. We should've had more episodes at the tree to learn about its history, how it's structured as a kingdom, the biodiversity there. Maybe even tie in with the other hanging threads of lore such as the Evil Lions of the Past, Askari's connection to the Tree of Life, his discovery of the Roar of the Elders, and the prophecy on the Roar returning to the Tree of Life. One of the writers themselves even said that they had a vision for the Night Pride's backstory including the disappearance of Rani and Baliyo's parents and the origin of Rani's scar, that, because of the limited episodes they had planned for the final season never actually made it into the series. If Season 2 can have nearly 30 episodes, then Season 3 can come close to that mark, especially when it's the end of the story and you need to put your all into it.

I would change Binga into a sloth-bear. This is actually a key detail of canon divergence in my fanfic, Roar Towards the Future, but to re-iterate, I HATE canon Binga with a passion. Lazy, unoriginal, and reeks of a lot of tired, worn out tropes from the 2000's. And yeah, it's an interspecies relationship, but in a world where the animals can talk sing, and communicate with each other, would it have hurt to change the species at least? Also, we get an Ono solo song because we were fucking robbed.

I'd change the specifics of Kion's healing, where he is cured of the venom, but still is unable to control the Roar, so Nirmala continues the healing, to which Kion realizes is not physical anymore, it's emotional, and that him mastering the Roar represents him finally having both his body and mind at peace. I really didn't like how S3a built up the venom to be Kion's problem that he needed fixing, only for S3b to say, "nope, it's just trauma," and have his healing focus around that. It's a good idea on paper, especially if you view the venom as a metaphor, but in reality, the way it's executed just gives off the idea that mental/physical health issues are one in the same thing in a box, and that treating one will inherently and unoequivically treat the other, which uhm... is a terrible message to have in a kids' show. They should've not brought up the venom at all and have that be the message from the start, or resolve the venom plot-line and point out how that's not where the healing journey ends, because the end-result makes it seem like the writers just forced the venom in there as an excuse to write Kion out of the Pride Lands in time for TLK 2, with no thought forbeyond plot contrivance.

I'd have the Lion Guard age from teenagers to young adults in S3, starting with the episode Long Live the Queen, to give off the idea that the Guard has stayed at the Tree of Life for a while to the point where defending it from the villains/Kion's healing has become the new norm. According to the writers, they wanted them to remain teenagers until the end, as a contrast to Kiara being an adult, but I think that shoots their story in the foot when it's somewhat a coming of age story, as well as the marriage thing in the finale, so I would personally have them shown to be grown up starting in the episode of Janna's death. I'd also have the origin of Rani's scar be explained. And I'd also establish closure for Sarabi by having Kion say he never met any of his grandparents. I think Sarabi deserved at least some closure in the series.

The Lake of Reflection flashback confuses me so much, because like, Janja is a teen, presumably an older teen when Kion is a cub, I highly doubt he'd be this tiny ass cub when Kion was a toddler. I would just have the flashback include everyone's S1 models pre-Return of the Roar.

I would probably have the final battle at the Tree of Life be a mirror to Pride Landers Unite, where the animals of the Tree of Life help the Lion Guard and Night Pride defeat Makucha and his gang. I'd also have the Rani/Kion romance be a separate episode on its own, which would then end with the cliffhanger of Kion being asked to stay.

Oh boy, the finale. Basically, the main thing I'd change is that it'd be an extended episode, possibly a double-length episode, or even triple-length like the Elena of Avalor finale, just to wrap everything up. Vitani's Guard is made of a mixture of different species on the Lion Guard. You can even keep the all female aspect, just have them be different animals than lions. You'd expand more on the TLK 2 callbacks (i.e. mentioning Nuka, suckers!), wrap up more character arcs, have Vitani and her team actually earn her moment (like say, defeating a new enemy, or maybe Makucha's army comes back and Vitani saves the day). I'd cut the entire bullshit contest, it is so stupid. And by the end, Kion chooses to give up the Roar and stay at the Tree of Life with Rani, BUT the rest of his friends stay at the Pride Lands, (including Makini, because she deserved to stay). The ending isn't focused around Kion and Rani's teenage wedding (because for one, they wouldn't be teens) but it would focus on the animals of the Pride Lands and Tree of Life commemorating Kion's former Lion Guard for all of their years of defending the Circle of Life, ending on a reworked version of "Here Comes the Lion Guard" from the soundtrack.

And lastly, (this is just wish-bait). An epilouge scene showing a reunion between Kion's former Guard in the Pride Lands, depicting the new lives they lead years into the future. As the sun begins to rise, they all head to Pride Rock just in time for a royal celebration; The presentation of Queen Kiara's second-born cub, who will lead the Lion Guard of the next generation. Roll the credits!

[danikamariewrites]

Could you please do a rhysand and azriel ddlg where there in a thropel and with reader and what there relationship would look like and how they would be with reader who struggles with mental health and is having a bad episode and has self image issues and is triggered by pressived abandment

I love rhysand and azriel and would love if you could one with just them I’ve seen so many with az and cass or poly bat boys but would live too see more rhys and az

Love your fics by the way and your ddlg series’s

helping you through a bad mental health episode hc

Rhyzriel x reader

A/n: thank you anon! I’ll def do another hc with these 2 and reader :)

Warnings: ddlg, mental health topics such as depression, anxiety, self image issues, and abandonment issues

Your relationship with Rhys and Az is the best thing that ever happened to you

They’re such sweet caring boyfriends in different ways

You’re spoiled by them in attention and gifts

Best of all they just want to take care of you. When they agreed to a ddlg relationship you were so happy, it felt like something inside you was already fixed

“We love you darling, and we want to do whatever makes you happy.” “But will this be something that makes the two of you happy?” You look up at them, you lower lip wobbling as you scan their faces. Azriel pulls you onto his lap, tucking your head under his chin. “It would make us very happy y/n. If we didn’t want this Rhys and I never would’ve brought it up.” That night they held you extra tight in bed making you feel extra loved.

Usually you’re a happy person

Azriel and Rhys always made sure you were happy, healthy, and comfortable

But you had your down days just like them and they were always by your side when they happened

Mental health was something you have dealt with since your teenage years

Depression, self-image issues, anxiety-it’s all been something you’ve fought in your mind

Abandonment issues were also something you dealt with. Your parents never helped when you had depressive episodes. They just left you alone to lay in your dark bedroom

It was hard but you figured out how to help yourself. You made sure to do the things that made you happy and not shut yourself in. Sometimes it was hard to get out of bed so you would sleep in. Sometimes you’d spend days in bed

It’s did make you view yourself as a burden or worthless for sitting around doing nothing. Whenever Rhys heard your thoughts he would immediately calming your fears mind to mind, “Now, none of that darling. You are not a burden. You are working through your depression in the best way you know how. You’re amazing darling, never forget that.”

When you ask for help Rhys and Az are always so proud of you for coming to them

They know it’s hard to talk about these things and they’re very gentle with you

You emerged from the bedroom late in the day. Definitely well past noon and still in your PJs

Rhys and Az know that you need to eat so they always make you breakfast since it’s your favorite

You want to be near them so the 3 of you hang out in Rhys’s office. You and Az on the couch with him reading to you while Rhys sits in his arm chair looking over paper work

Days like these where you have them both by your side make you feel instantly better

You swear their presence alone heals you

You hate when Az has to go away or when Rhys just goes to the Hewn City, especially if you’re going through a depressive episode

During one of your worse episodes Az had to go on a mission and he hated leaving you. Rhys hated sending him away too. You would get attached to Azriel during your depressive episodes and Rhys never wanted to be the bad guy but this was important

Azriel fought him on it, begging him to wait a few more days. But the message Rhys got was urgent especially since Amren was delivering it

Az left right away. Rhys didn’t realize Az left without saying goodbye to you, something he always did

When he leaves Az gives kiss you a hug and a kiss and says, “bye princess, I’ll be back before you know it.” Even if you’re asleep. Rhys would show you the memory in the morning

When you wake up you reached out for Az. He promised to stay with you since you felt your depression getting bad, but all you felt were cold empty sheets

You jolted up with a confused look on your face. Rhys entered the room, feeling when your emotions spiked. “Hi darling, how are you feeling?” “Where’s daddy, Rhysie?”

His heart broke at the look on your face. Your eyes big and glassy. “Oh” you said quietly. You pulled the blanket up over your head and laid back down, facing away from Rhys

He rushed over to the bed sitting next to you rubbing your back, “It’ll be ok darling. I’m still here and I’ll spend every second with you.” You just let out a little groan

You knew Az didn’t say goodbye either which hurt even more

You were quite for days just waiting for Az. You floated around the house like a ghost

Rhys tries everything but you’re just so quiet. All you wanted to do was stay with Rhys

The days without Az you just cling to Rhys, sitting in his lap while he works

The day before Az came home you finally spoke, “Daddy?” You mumbled. Rhys perked up from his office chair. “Yes darling?” He looked hopeful as you crossed the room to sit in his lap

“I’m sorry if I’ve been ignoring you. I just didn’t know how to deal with Azzy being gone.” Tears escaped your eyes and Rhys hugged you to his chest. “Oh sweetheart it’s ok.” He places a kiss on your head softly rocking you in his lap, “hey guess who’s almost home?” He murmurs into your hair

A gasp leaves your lips and you smile at him for the first time in days, “daddy!”

The front door opens and you jump from Rhys’s lap, rushing down the stairs and launching yourself into Azriel’s waiting arms

He lifts you off your feet and holds you tight to his chest

“Oh princess I missed you.” “I missed you too daddy.” You say through a small sob. “I’m sorry I wasn’t here and didn’t say bye. Did daddy stay with you everyday.”

You nod against him. “Rhys told me you were quiet. Let’s go upstairs, you can take a bath with me that’ll make you feel better.”