#just not in the retcon way

[ganondoodle]

i guess what my point really was is- i prefer a piece of media/franchise having a somewhat consistent canon so the fans can do all the twists and AUs as they want instead of the official canon being constantly retconned

[jerreeeeeee]

the world if taz balance had been called taz bonds…….

[deerspherestudios]

Hi! I adored your game and Mychael, and have spent a good amount of time reading through all of the questions/answers here, and I wanted to ask:

Is it alright if I headcanon Mychaels ability to be based on spores instead of the original idea of eyecontact/hypnosis?

When I first played the game, I thought the pink effect shown on screen were spores, which made sense given his design; With them acting kinda like the cordyceps fungus but much more specified to either erase/block memories from the hippocampus, or imprint on/manipulate the visual cortex to create a new (though impared) memories.

Sorry if this is an offending question, or if I'm just blabbering!! Just wanted to be sure in case I wanted to create fanart in the future.

Lots of admiration from Scandinavia! ♡♡

Of course! Headcanons are always accepted, depict my characters however you'd like! Actually, checking my previous answers even a blind person can be affected by his ability without the eye contact. So it might be spores after all! Who knows!

The pink haze is just a visual cue to players so they know something's up, alongside the audio cue of fuzzy static and pink text. You don't actually see pink when he does it.

It's no coincidence you brought up cordyceps, since it's actually what his horns are based on in one of his character concepts! Cordyceps image below though I feel like it might gross people out so it's under the cut:

The bright orange of his horns are definitely inspired by these guys!

[molinaskies]

An interesting “side effect” of the canonization of the “classic era” meaning “younger era” is that the classic era now reads as “cute fun times” before the core cast became teenagers/tweens and things got super, super complicated.

Because the characters are “younger,” there’s an air of “little rascal innocence” to everything they do now. The new releases like Mania and Superstars now feel like little throwbacks to the young heroes just learning how to work together and make a difference in the world.

I don’t think this is a bad thing at all.

[withdenim]

Hindsight’s fickle, huh

[incorrect-green-lantern-quotes]

A funny side effect of the Corps generally recruiting only adults is that the Green Lanterns of Earth are probably on average the most well-educated of all of DC’s hero legacies*

Like, Hal was a fighter pilot in the USAF, for which a bachelor’s degree is a requirement. Guy in his original backstory got two degrees in education and psychology at the same time. John’s an architect, so he would’ve gone to college for at least five years.

Kyle’s run in the 90s mentions that he went to college, probably for art. Simon is stated to have a degree in automotive engineering. Jo went to freaking Princeton University. No idea what she studied but I assume it was something like criminal justice since she became a cop afterward.

The only reason Jessica didn’t get to finish her forestry degree was because she was hiding in her apartment for three years after her friends got murdered. But she would’ve if not for that horrifically traumatic event!!

No wonder Bats don’t like Lanterns. They’re all bright and colorful and college educated, like many of the most infamous Gotham rogues.

*I’d like to point out that this is more so because the other superhero families tend to include multiple kids, who are statistically unlikely to have graduated high school yet (and if they haven’t by now they likely never will thanks to DC’s sliding time scale)

Legit, I’m pretty sure the Earth GLs are the absolute last hero legacy to get a kid in main continuity (Keli’s first appearance was in 2019!)

And bc reading comprehension on this site is piss poor, this isn’t me saying that the Green Lanterns are smarter than all your hero blorbos. Just that the majority of them went to school long enough to get their diplomas.

[vaguely-concerned]

how much have the crows actually been sanitized outside of the very narrow view you get of them both in place and in time in veilguard, and how much is caterina deliberately putting her most presentable and pr friendly foot forward because she needs HELP with both the grandson and the antaam situations and is already playing from a weakened overwhelmed position. is she going to show off all the dirty laundry the crows undeniably have in front of the people she's courting for an alliance? is rook going to be looking a gift crow in the beak too closely when help is offered, go digging through that laundry basket on their own initiative on principle, knowing what you might find further down in it isn't pretty and might still be sharp, while the world is burning? is it entirely coincidental that the people caterina picks to interact with you most is teia -- the youngest, most charismatic and notably most weirdly idealistic of the talons -- and viago -- who is perhaps none of these things naturally but is dependable and logical and sharp and also down so cataclysmically bad for teia that when she runs in shouting 'TEIA YES!!! >:D' he sighs with longsuffering resignation and goes '...viago also yes. I suppose. under duress, let the record note' and follows.

surely parts of how each house functions would be left largely up to the individual talons, right? as long as they produce crows capable of doing the job and keeping up with the competition, I doubt the first talon micromanages how they get there (...for good or ill. lots of dead fledglings buried under that laissez faire policy, probably). they're very far away from a monolithic structure, they're constantly competing merchant houses/families striving to gain the upper hand held in check by little except 'if enough of the other houses shake hands and gang up on us for pushing our luck we're fucked, so don't push it too far'. like I believe lucanis says at one point, even calling them an organization is stretching the definition to a breaking point in some ways lol this is fully herding cats territory. all this to say that in this game we spend most of our time in teia's house. andarateia cantori, of the firm genuine conviction recognized as mildly unhinged by all the other talons that the crows truly are her family, who loves them with her whole unstoppable foolhardy thinks-she-will-die-young-and-live-eternally-in-song-and-story heart for it. teia, who won't leave the cantori diamond even to go home to sleep because she doesn't want the fledglings to have to see the place empty. do I think the way teia cantori would run her house is indicative of the average experience of being trained as and living as a crow? no. obviously. why are people seeming to assume that so immediately? sometimes I do wonder if I'm going insane.

between that and the antaam situation -- which turns the romanticized image antiva already is eager to reach for with the crows (the same way european literary tradition through the ages sure LOVES a knight, no matter what knights were actually like when you had one kicking around in real life) into an effective and recognizable symbol of resistance from an outside force (at least these awful little guys are home grown in a way we're kind of proud of despite it all and also they are deeply inescapably cool)... perhaps indeed a symbol of resistance and freedom that momentarily covers for a multitude of sins. I don't think we need to draw definitive conclusions about what the crows are like universially, historically or in different contexts from what we see in veilguard. sort of like the british in the pop cultural understanding being 'the good guys' when we think about WW2, and the sheer ludicrousness of that characterization of the british empire seen in any other context or angle lmao. I DO think there are some genuine writerly '*handwaves established ugliness aside aggressively* just uuuuuh don't worry about it! not important right now! you can feel at least ok hanging out with the cool theater kids but with murder they're like. comparatively chill in this context it's fine and they're fun' going on too. and you know what. they are fun. invenci is unfortunately objectively right, but the crows are sooo much more fun. and in fiction land that trumps all. absolutely baffling writing choice when you read through to the political/ideological conclusion that's reached from it of course (sort of accidentally? I think???), but would it really be a bioware game without a few of those. it's how you know you're home (derogatory and affectionate)

in short there are writing problems by god are there real problems here. obviously. and it'd take smarter and more knowledgeable people than me to properly untangle all of that. glorifying organized crime is a time honoured tradition in fiction that perhaps... shouldn't be quite so much and is uh risky, you're always playing with fire there. but I frankly don't think the 'de-edgeifying' for lack of a better term is that much of an inescapable one or that it erases what we knew of the crows before, we're just getting the angle on them in one very specific time and place in history and with specific individuals involved setting the tone. eight little talons killing off most of the established leadership beforehand so it's mostly only teia and viago who get to keep their full power base (even caterina and the dellamortes takes some losses in the apparent death of lucanis before the start of the game) probably figures into that somewhere too lol

[odakota-rose]

so many gems in the Doctor Who script library the BBC just released but today I'm here in 4x02, The Fires of Pompeii

[serpentface]

Etadinii priest (cult of Inyamache) standing near the serpent stone, a megalithic structure predating any historical record. Contrary to first impressions and occasional jesting, this is almost definitely not a giant penis (though Some level of symbolic phallic intent is possible), and was probably shaped to cast a long shadow resembling the head and neck of a snake.

Its location is within the present-day province of Wardin adjacent to the city Jaesai, close to the border of Ephennos. A temple to Inyamache was built around it three centuries ago and greatly expanded within the past century, though the stone and the majority of the associated site remains intact.

It is most likely at least couple thousand years old, long predating the written record and having only hazy and conflicting accounts in different oral histories. Most of its original features have been worn away by erosion, but petrogylphs of a snake and rows of scimitar deer (locally extinct or possibly never extant in this area), gazelle, and aurochs remain visible (and may have been re-carved at various points in history), and there are traces of concentric rings at the 'head'. 21st century level analysis would also find traces of ochre within the lines of the petroglyphs, which were painted and repainted red for at least a couple centuries after its creation.

This is the largest single prehistoric megalithic structure located within present day Imperial Wardin (unless burial cairns constructed over slab tombs are counted) and its existence is very technically impressive, especially given the nearest possible quarry is about 50 miles away. The builders of the site were almost certainly a fairly small society of nomadic pastoralists, so the diversion of time and manpower to the quarrying and movement of this stone (and others on the site) would have been absolutely exceptional. Most similar structures from the era are significantly smaller (about human height) and found closer to quarry sources.

The stone is part of a larger site that was mostly or entirely constructed in the same period. It stands adjacent to a shallow, rounded manmade pit buffered from erosion with brick walls, encircled by smaller horizontal slabs. A single circular slab is placed in the center, which is currently referred to as the sun stone. A nearby arroyo also shows signs of modification from the same period (beyond typical redirections for irrigation), diverting any potential floodwaters away from the site to prevent inundation of the pit.

The primary purpose of this stone and the site itself is recording the winter solstice. During the solstice sunset, the snake's cast shadow approaches and perfectly engulfs the circular slab at the center, appearing to devour it. The notion that the sun is eaten by a snake (either on the winter solstice, during total eclipses, or both) appears to have been a common thread in religious belief in the region. This notion is no longer held in the Wardi sphere (the night of the solstice is the sun's yearly death and total eclipses are a concerning premature and unnatural death) but still has linguistic traces, particularly in the word for total solar eclipses being a compound form of the phrase 'swallowed sun'.

Ownership of the site has changed hands numerous times over its history, but it has been in near-continuous use by all its owners as a place to observe the winter solstice and perform related rites. Virtually all proto-Wardi monotheist animist worldviews cast the sun (or sun + sky) as God and/or the source from which all beings emanate, and most considered the winter solstice to be an exceptionally significant (and potentially dangerous) moment in the year, as the time of the sun's dying and subsequent rebirth.

Within the faith of the 7-faced god, veneration of God has shifted to focus more upon the earth (with the sun as an Extension of the earth, all parts of God's body) but the winter solstice still retains extreme religious significance- it's used in part to determine the date of the new year (which occurs on the first new Nyaram moon on or after the solstice), and is still recognized as the moment of the sun's death.

The state cult of Inyamache currently maintains this site as part of the temple grounds and uses it to measure the winter solstice in the same capacity it has for millennia, using the total engulfment of the sun stone as the signal to begin their most important rites of the year. It is understood that it's at least Possible that the sun could fail to rise the next morning if proper action is not taken to ensure its rebirth.

The serpent stone stands in contrast to the brightly plastered and painted temple (and the other prehistoric slabs on-site that have received this treatment) in remaining unaltered in the modern era. The state cult holds that the serpent stone and its associated site was created by the first men, and considers the location and the serpent stone itself to be sacred and regulated by taboo. The only people permitted to enter the site and touch the stone are Etadinii priests (who cleanse it with water once per solar month). Solar eclipses (and subsequent misfortunes attributed to them) are occasionally blamed on trespassers.

[daisybell-on-a-carousel]

"Jason was the happy robin" this, "jason was the angry robin" that. Let's all be fully honest here Jason was the lonely robin

[ganondoodle]

you know im unable to shut up when i have any opinion on zelda (though i try and have thus far succeeded at not commenting on any other concept from the darn book)- i find most totk ganondorf concept art worse than what we got to insulting even (of those i have seen) ..... this one though

much more the one in the background than the one up front, still at least he has the collar and the weapon we saw in the first trailer of things that never happen in the end (like so much else)

[linddzz]

(regular disclaimer that I will exaggerate big feelings for effect but at the end of the day this is fandom and in the grand scheme of things Just Ain't That Serious good? good)

okok look while I am obviously SOOO into where Arcane went with the Machine/Arcane Herald, I can get why gamers who liked og LoL Viktor would be Big Annoyed at him being totally retconned and overhauled in game. That is undeniably a totally different guy there and yeah it would be shitty to have the guy you like completely swapped out. I can especially get it if they liked the mechanical cyborg engineering aspects of his character!

BU T I keep seeing iterations of "he didn't choose anything for himself he just had things happen to him" or "he just went mystic. he used to be someone who used his genius to remake himself and now he just meditated himself into a wizard" and I am so so down to meet in the pit on those takes!! I get people not liking the less mechanical aspects of him but hhhhhhohmygod do not be taking my guys agency and genius down like that

Yes the initial full fusing with the hexcore is something that happened to him, that someone who loved him maybe too much did to him (almost like Arcane has themes of people being launched down dark paths by things that happen to them beyond their control hMmMmmmmmm!!!) And btw I still hold that while his brain got changed by trauma (bc trauma DOES THAT) and the hexcore helped amplify and empower him leaning into his worst traits, after Jayce forced that initial fusion everything Viktor did was a choice.

But also!! Jayce used Viktor's notes. Viktor was the one who went down and got shimmer, who lied and experimented in secret. He stumbled into noticing the hexcore responding to biological material but then he pursued that avenue (because LIFE is a lot of stumbling into things and then deciding what to do from there), figured out what interdisciplinary collaborations he needed to make, figured out on his FIRST TRY what runes he would need to put where.

And while they don't lean into the mechanical engineering genius as much as the OG Viktor like...guys that's a software engineer with a big scoop of magic theorist on top of it (who then started a pivot into biomechanical arcane theory like THAT). He made a magic AI! Don't go telling me he didn't use his genius to become the Arcane Herald when he made a magic AI and then I got to watch the hexclaw grabbing and programming runes into spells like the coolest shit ever!!

That man figured out how to make Jayce's ideas into reality. He then used the scant knowledge of the arcane that still exists to figure out and recreate, using technology, what mages do by instinct. He made a MAGIC AI HOLY SHIT. Jayce is STILL referencing Viktor's rune theories to figure out the anomaly!!

He did not use the same type of genius to become the same type of Herald, but my guy invented being a technomancer so hard that he turned himself into a magical supercomputer and was so good at THAT that he made himself a robowizard god and I will not be hearing anything belittling how nuts that is!!

[metalmachineherald]

sorry no one is going to be able to convince me that this is the canon order of these pictures. like actually fuck the writers so much.

im sorry but having the betrayal scene be actually about vander being upset about felica’s death so after he gets his brand new orphaned traumatized children home, he shaves and deages by 20 years and tries to kill someone who had actually nothing to do with her death?

[stagefoureddiediaz]

I don’t quite know how my brain got here right now - but I’m thinking thoughts about the way the show has been paralleling Buck and Eddie with each other - as well as with the canon couples on the show - but in a very specific and interesting way - because when you take Abby and Tommy as a collective - they are a parallel of Shannon.

All three are firsts and not lasts for Eddie and Buck.

Abby and Tommy have been intentionally connected on the show (yes making use of a fluke name commonality but that’s what makes it especially clever and interesting) on several levels as being basically two sides of the same coin - Abby was his first serious relationship and Tommy his first queer relationship - they are both Bucks firsts and not his lasts. In the same way that Shannon was Eddie’s first and not his last - the show chose to have buck point out that Shannon was the first girl Eddie slept with - implying she wasn’t his first girlfriend (something that was confirmed in the cut Eddie/Chris conversation about the lake.

If you think of Shannon as two entities instead of one person - Texas Shannon and LA Shannon - it becomes easier to spot the parallels.

Texas Shannon is paralleled with Abby - both leave their respective homes and don’t come back - both Buck and Eddie expected them to return when they had done taking some time for themselves - finding themselves.

While LA Shannon is paralleled with Tommy - LA Shannon asks for a divorce after Eddie wants to have the second child he thinks is coming and to get remarried etc - to go all in with her and their relationship. He is making a decision based on flawed thinking and external expectations after a conversation with a ‘elder’ (supposedly wiser figure - Bobby).

Which is very much a parallel to Tommy dumping Buck after Buck decides to go all in and ask Tommy to move in and starts talking about marriage - after the hurdle of discovering Tommys past with Abby and having talked to an elder (in this case Josh who is a queer elder).

Both narratives are connected to commiting to something due to societal expectations - for Shannon it was becoming pregnant outside of marriage in a Catholic dominant society and therefore ending up married to Eddie.

While for Tommy it was having to mask himself as a straight man because he was in the army and firefighting - both environments that were toxicly masculine and heteronormative at the time Tommy was in them and so he ended up in a relationship with Abby - which then sets up the circumstances for Abby to feel the need to run to find herself.

Both Texas Shannon and Abby then feel the need to run - to find themselves because of the environment they find themselves in and this sets up LA Shannon and Tommy as second firsts for Eddie and Buck. And both LA Shannon and Tommy have grown and evolved since Texas Shannon and Abby and both can see that their respective relationships are not meant to last - that they’re not the right fit - that they are forced and they have the personal development to choose end them before they cause more hurt and damage.

It’s a great play on being firsts and second chances but not lasts and it ultimately shows the suitability of buddie - they make the same mistakes in a different way - both having their first independent of each other but having their second chance/ second first whilst within each others orbits - and because they are ultimately looking for the same thing it is all serving to spin them closer to each other to a point where they can understand what their lasts look like - and that it’s each other

[shimada-death]

Rereading stuff and the "houseboat on the lake" (Burgers' house probably) has made me realize it's 100% a retcon thing the same way the ghost ship and lighthouse are and I find it really fucking funny because it sounds so stupid but I just assumed it was normal for some reason.

Also it has made me realize Richard nearly drowned because the lake wasn't there originally

[cacw]

meet your maker