#just makes me sad because for me that series is magical in an entirely different way from the films

[cicelythereaper]

mannnnnn going into the bbc narnia tag (such as it is) makes me really kind of sad like. the number of people (okay, it's a small number because it's a small tag) who are either complaining about or making fun of the special effects or acting or who are essentially apologising for liking it because of these things

what's wrong with you! it's a low-budget bbc children's show from the late 80s, it was never meant to have "money" or "convincing special effects"! i bet you think doctor who should have a budget (derogatory)!

"that lion was so fake" do you think the audience is expected to believe that the puppet lion and the people in beaver suits and the 2d-animated pegasus are real? this is about CREATIVITY it's about HEART it's about SINCERITY and BAD ACCENTS. that is the source of the magic! that's the point! do you go to a stage play and point out that the set is made of wood?

[chaifootsteps]

wr.t. leaks (spoilers, duh!). Viv really chose the most boring and uninspired rendition of Alastor possible, and I could not be more disappointed. The signs were definitely there in Season 1, but if you wanted to you could easily dismiss as sloppy writing and one-time reactions to extraordinary events.

Like, I know no fan is *entitled* to have their particular interpretation of a character be validated, but... really? He's been reduced to the form of a one-dimensional, entitled manchild you might find as the villain of a self-insert fanfiction. Ohhhh nooo luci hurt his feefees and Rosie didn't actually make him an all powerful god, so time to storm out and whine about it. Why make a deal in the first place? Well, duh, he gleefully murdered so many people for trivial inconveniences he didn't wanna end up a tortured soul in Hell. He's basically Valentino, but, on the 'good team', and not a rapist (yet.), or Adam, or Vox, or Mammon, or Stella (frankly, you could even put Stolas in this bucket, if he weren't so unintentionally manipulative). A parody of a threatening character, incapable of creating conflict in any way that doesn't involve waving around a big stick and reminding everyone and the audience who the author blessed with magical power don't you forget it!

I've said this about pilot!fanon!Lucifer too, but, the fandom interpretations are just objectively more interesting. It's not like you can't write a story, or even a good story, about an entitled man drunk on power obsessed with his own image and getting what he thinks he's owed. But why would you 1) choose an enslaved racial minority character (!!!) to do this and 2) do it instead of multiple more compelling options given you already have multiple of this exact character on the cast?

Fanon!Alastor has emotions other than anger and insecure whining, he just can't express them because decades of crawling his way up two different hostile societies have beaten into him never expressing vulnerability. His very smile is symbol of societies like Hell ultimately victimize both the powerful abusers and their victims. Fanon!Alastor had a deal with ___ not because he's drunk on his own desire to murder but because he's vulnerable to the very same weakness and temptation he's learned to exploit in others. Fanon!Alastor has a natural dual conflict with Charlie: Alastor's connections and practical knowledge represent a way of making her dream a reality, at the cost of potentially corrupting her and having her get there in an incorrect/immoral way. And Charlie's dream presents Alastor with a pathway to more power and stability, but unbeknownst to him threatens to unwind his entire psyche in allowing himself to care about something. Fanon!Alastor, far from being image-obsessed with a need to be constantly in the limelight, is capable of being subtle, fading into the background when it benefits him.

I could go on, but I'm just tired. It hurts me that, come release, fan works which I enjoy making and reading will be expected to comply with this. I don't want to write Alastor this way. I don't want to be told I'm writing him 'wrong' for not doing it. I hope that in some way the earlier fanons are preserved and kept alive even as canon is polluted with all this slop.

It's sad and exhausting, for sure. It also doesn't help that the standom will attack you pretty viciously if you have the audacity to prefer the pilot to the actual series.

[fynnlink]

"The Dragon Prince" Theory for Book 6 "Stars" concerning the star "Leola's Last Wish" and the Identity of Leola herself and what her "Last Wish" might have been. Plus some speculation regarding "The Merciful One" and Aaravos

Possible Spoilers but I'm mostly just theorising.

SPOILERS

Okay so quick recap for those who only watch the series and don't interact with other content:

Leola was once a unicorn who once gave the Humans their first Primal Stones, thus granting them access to magic before they later learned / turned to Dark Magic. She was also said to have been "unique" amongst her kind.

Later after the Humans had learned dark magic they hunted the unicorns to near extinction, to use them to empower their magic. This is also what makes the unicorn horn in the earlier Books so rare and Claudia's finding it such a feat.

So on to the theory:

According to Aaron Ehasz the elven child in the drawing below (seen in the credits of an episode and more importantly in the Star-chart/map in the new Intro) is none other than Leola herself.

Tweet from Aaron Ehasz talking about the drawing of the Elf Child

Star Map in the new "Mystery of Aaravos" Intro (same drawing in the center on the left)

While I'm neither arguing against or trying to "disprove" the stated theory of "Startouch Elves = Unicorns", I'm instead focusing on another part of the drawing and the greater lore of TDP as a whole. (Whether there is a specific connection between Startouch Elves and unicorns beyond a shared Primal Source is ultimately irrelevant to my theory but it's an interesting thought nonetheless.)

As stated/shown in Book 5 Episode 2 "Old Wounds" the Elves of Xadia call the brightest star in the sky "Leola's Last Wish" (as opposed to the Humans calling it "The South Star" which is probably a play on our own "North" Star). What interests me is the fact it is specifically called Leola's Last Wish and the fact that this star is the brightest of all.

It's also interesting that Rayla doesn't know who Leola was joking that she might have been a friend of Garlaath the Annihilator (which might have been the case but we don't know. Garlaath might be seen wielding an axe and shield on the right side of the star map though this is also unconfirmed.)

While we do not yet know why or exactly when Leola became a unicorn we do know it must have been before the Splitting of Xadia and probably before - around the founding of Elarion 2000+ years before the begin of Book 1.

Regardless of why, we know Leola was once an elf (maybe even a Startouch Elf) who later became a unicorn. It is my theory that Leola's "Last Wish" was the one that turned her into a unicorn and the drawing above shows the exact moment she wished upon a star. This would also explain why Leola was "unique" among the unicorns.

Furthermore I believe that Leola's wish was granted by "The Merciful One" a Startouch Elf first shown in one of the new promo clips "Elf Sad" which features Aaravos (possibly just after his literal and metaphorical "Fall") being visited by T.M.O above the Sea of the Castout. This is also the same place where we first see the two statues of Aaravos and T.M.O back in B5 E9.

This clip also shows "The Merciful One" in much brighter, even glowing garments as opposed to Aaravos' cold and dark ones. While this is most likely because of his Fall (the star symbol on his chest is also black and his clothes look damaged/ripped), the entire scene draws attention to The Merciful One connected to the brighter purple/red/gold of the stars and nebulae. This contrast between Aaravos' dark and T.M.O's light/colour is most noticeable in the top-down shot below.

I do think the difference in attire has more to do with Aaravos' "Fall" than with The Merciful One themselves but these two theories aren't mutually exclusive.

I believe "The Merciful One" is this brightest star, the one known to the Elves as "Leola's Last Wish" and the Humans' "South Star" thus why I speculate a connection between them and Leola.

[thelovelydoggycatmadi]

Soul and Maka in my original story (Zanebie)

I couldn’t come up with a better title.

Q&A

?: why do they look different?

A: says in the title they’re not in the SE universe but in my own series Zanebie. Which started off as an Aphmau fanfic and I’m trying to branch off into original content. Thats probably a combo you’ve only seen maybe once because there’s like one piece of fanart for that crossover but you’d probably have to be deep in the Aphmau fandom like me. The other 65% of you probably only know Aphmau for brain rot or just haven’t heard of her.

?: what inspired some of these changes?

A: I feel like I have to state this preemptively but these aren’t redesigns or critiques just designs to make them fit in my universe. I also changed there’s powers and what they are in terms of magic capability.

?: why is Soul and Maka a zombie and a witch respectively?

A: witches aren’t evil in Zanebie. They’re actually quite common and don’t operate the same way as soul eaters. Same with zombies, they’re basically the same person mentally with only one visual change. Being their eyes. Soul would’ve died due to blood loss when they first met Crona. And brought back by Blair, who they haven’t met and is also no longer a magic cat but another magical species entirely. But that’s spoilers so.

?: why would you do this? Your story is not very big and people barely talk about it.

A: funny.

?: can I do something like this?

A: you don’t need my permission be cringe and free little bird.

Steins notes: (character backgrounds and other small changes let me indulge)

Soul Evan’s: a rare and sad sight to see such a young boy being a zombie. I’ll send her to the demon ladies house. She should be able to keep him safe. I’m sure I’ll get an earful from her though, since she already has so many in that house. But it should be fine. It’s so interesting though, how souls start to overflow and burst with even more magic after death. Like our living bodies are a shell that keeps all our potential inside. I should do some testing.

Maka Albarn: A talented young witch. But she feels a large amount of guilt for what happened poor girl. She probably didn’t think dragging him out to that church to practice magic would’ve led to all this. And finding out her parents are hunters would also be quite a shock. Well I’ll send her over with him. They need each other right now.

[that-ari-blogger]

Connection (Reaching Out)

In the wind up into a series’ final arc, episodes tend to feel janky. As if they are trying to pad out the series or are unsure whether the arc has started or not. As a rule, these tend to be below average in so far as quality goes.

The Owl House, however, exists by subverting expectations, so these episodes are some of its best. Reaching Out, for example, uses the plot limbo to tell a focused story that is by far my favourite episode of the series, as well as being one of my favourite stories ever put to screen.

This episode deals with family first and foremost, specifically through the lenses of grief and legacy. It’s about memory and tradition, as well as connection and love.

Let me explain.

SPOILERS AHEAD (The Owl House)

The Owl House has a very specific style of story that it likes to tell.

This is different from genre, and part of why I dislike that concept. It’s simultaneously more broad and more specific. The series plays around in fantasy and horror, it takes inspiration from classical epic fantasy as well as shonen anime, it’s a satire of itself.

But that’s just the breakdown of genre, The Owl House’s style of story is centred around quests and humour. Episodes give you a problem that can be tangibly fixed, and either find a solution or work towards it, Understanding Willow gives you a magical accident and a spell to fix said magical accident. It’s self-contained and questy. "Go do x." "Find y." "Bring back the golden hoop of hoopiness." Etc.

This episode does things differently, in the sense that I challenge you to find a tangible solution to the problem of grief and physical distance. Even in The Owl House, dead people stay dead, and there is no foreseeable way to get home within the next day. You can’t fix that; you just have to find a new way of doing things.

It will not have escaped your notice that the episode’s opening scene is the shortest in the series, and that is because it doesn’t need to be longer.

A cold open needs to do one thing and one thing only. It needs to establish the plot of the upcoming episode. It’s a tidy way of getting across the core conflict to come, and let the audience know what they are in for.

This is the issue I have with Batman Beyond, but it’s a minour issue and not the point, so I’ll leave that for a future post.

Reaching Out opens with an event reminder. The scene has no words in it, but it is sold entirely by the acting. The animation conveys the emotions going through Luz’s mind perfectly, and it’s unclear. Guilt, fear, sadness, its ambiguous to allow for a sense of mystery, but you do know that she doesn't feel good about whatever this may be.

Then she presses “Ignore”, and the scene ends.

That’s the entirety of the cold open, any more would feel cluttered, and yet you know exactly what kind of story you are in for. This will be an episode about Luz’s relationship with her mother and will provide detail into how Luz handles her own issues.

That jacket is a gift in this context from Eda. It may be Luz's technically, but this scene sets up Eda giving it to her to help her. Now Luz has a gift from a maternal figure, its a proxy that she will cling to over the course of the episode.

When the episode actually begins, Luz procrastinates on doing the thing she probably needs to do by making a list of everything else in the world that she would rather be doing. So, we get the defining conflict of the episode spelled out more specifically. She’s avoiding something. You could have got that from the opening, but now we get a little insight into why.

“Every year, me and Mom have this little ritual we do. It's nothing big. I just miss her. That's all.”

This episode has a slow burn to it, revealing more and more of the details of this ritual over time. It’s framed as a discovery, which works with the idea of the audience slowly discovering things about Luz.

I want to dwell a little more on the animation of this episode for a moment. I promise I’ll try to talk about other stuff as well, but this episode is just gorgeous to look at.

Luz doesn’t stop moving until the confession. She’s frantic, but in a really smooth way that I find rather interesting. In just the above shot, she flows from one thought to the next, from one action to another.

This creates a feeling of momentum that diminishes over the course of the scene. It’s dynamic, like the series as a whole, but it's slowing down to something slower paced signifies the episode’s decision to focus in on something small.

“What you need is a healthy distraction from your problems.” “I have a problem, and it could distract us all day!”

That’s a very specific word choice to happen twice in twenty seconds, it's almost as if the there’s a theme going on here, and there is. Luz is seeking that distraction from her issue.

Which brings me to the subject of said issue, the grief ritual.

According to a Psychology Today article titled “The Power of Rituals to Heal Grief”:

“Rituals are an important way for people to find meaning when they lose a loved one. Everyone is familiar with rituals. Perhaps you’ve performed them during holidays, in church, or even before ballgames. You may have performed rituals to acknowledge important life changes—graduations, retirements, and even funerals... The power of rituals lies in their symbolism. Consider the ritual of graduation. Walking across a stage and shaking someone’s hand is no big deal as an act in itself. We walk all over the place and shake people’s hands all the time. But this act takes on special meaning when it’s performed at graduation, symbolizing an important transition.”

A grief ritual is crystalised emotion, allowing you to act upon it and let the pain out in a healthy way. In Luz’s case, the picking of flowers brought about a connection between her and her mother. The two grieved together, and now their physical difference means that Luz doesn’t have anyone who understands her pain exactly to share the moment with.

Enter Amity, and I want to cover that scene last, because I believe it to be the series’ magnum opus, and it needs some more build up.

Please remember that this guy helped with the experimentation on the Basilisks. He wasn't just complicit; he was an active participant. Remember that when talking about Warden Wrath.

Amity is going through what I hesitate to call a generic The Owl House plot, but it's definitely something more in the series’ general wheelhouse. She has identified two problems, those being a rift between her and her father, and the decision that was made for her about joining the emperor’s coven; and she has decided upon a solution, win the Bonesborough Brawl.

This is achievable and presents room for hijinks. Its self-contained. But it’s also an example of how well The Owl House handles theme exploration.

Each episode of the of this series has an idea that it wants to explore, and every plot point within it delves into something about that theme. In this case, it’s connection and drifting apart. Amity is drifting away from her father, Luz can’t get to her mother, and the two of them are being driven away from each other by Luz’s increasingly desperate attempts to distract herself.

You would think that grief is a secondary theme here, but it’s not. Connection is a facet of grief as an overarching idea. That’s why this is about grief rituals rather than just the feeling of loss.

The article I mentioned earlier has a passage that goes into this concept in more detail, but from a slightly different perspective.

“For Donald, this ritual was meaningful because it shared his great love of nature with his dad. For his father, it was meaningful, because it kept a piece of his son alive and well. Eventually, Donald passed away. To this day, however, his father visits the preserve four times a year, once for every season. There, he speaks to his son, takes a few pictures, and doesn’t show them to anyone.”

It's about connection to the deceased, with the person gone by. It’s a way of communing with the only thing left of that person, their legacy.

Which reframes Alador a bit here doesn’t it. He’s set up as a mirror to Manny, and yet he’s still alive. Except, is he?

In a physical sense, yes. But the person whom Amity wants to connect with is long gone at this point. Young Alador and Old Alador are very different people, specifically in terms of agency. Young Alador acted, Old Alador reacts.

So, Amity tries her own ritual to connect with the Alador that once was. Alador gets to see this and is forced to think for a moment. Suddenly, his world has been rocked just far enough for him to start listening.

The conversation is all well and good. But for my money, the look of abject pride on Alador's face here sells the connection more than anything. This is someone who, for the first time, has looked at what his daughter is rather than what he wants her to be, and he is proud of what he sees.

“What? You don’t want to join the Emperor’s Coven anymore? But that’s always been your dream.” “No, that’s always been Mom’s dream. And you went along with it. I bet you didn’t even know I was dating Luz!” “Edalyn’s kid?” “See, you don’t talk to us anymore! You’re too busy making these monsters for the Emperor, and Mom’s been too busy trying to dye my hair green.”

Turns out, when you stop listening to your kids for a while, you miss things. Your assumptions might be wrong. Your understanding of who they are might be way off the mark.

That’s what Alador realises here, that the thing he’s been trying to connect with his daughter over was never truly there. So, he takes a different approach.

“I like your new hair colour. Its abomination coloured.” “Finaly someone gets it. Can you tell Mom that?” “I’ll talk to her.”

The hair dying has been a symbol of agency for Amity over the course of the series. It was green as she sought her mother’s approval, then that faded and she was given the choice of what to do, and she chose the pink. It’s an expression of her own wants and desires, and she wants to be like her father.

Alador’s new approach isn’t to bond with his daughter over expectations, its to take an interest in something she does, and find common ground there.

I like the act of reaching for a hug and getting subverted. The relationship has mostly collapsed, and they’re now rebuilding it almost from scratch.

“It’s a start.”

Connection, relationships, love, loss. We have some key themes, let’s get into that tree scene.

I’m not going to give you the entire scene here, watch the episode. Writing out the words doesn’t have nearly the same impact as the stellar voice acting.

Instead, I want to highlight how this episode achieves its nuance, and that is through the grief rituals that I have kept mentioning. Any story can talk about how loss makes someone feel, but this doesn’t mention that at all. Instead, it highlights how the physical separation interrupts with the process.

Luz’s grief centres around sharing that emotion with her mother, she expresses it through the practiced motion of picking flowers with someone else who can share her pain.

“I don’t know what rituals you have in the Human Realm, but, I’ll help you pick some flowers, and we can do something here!”

Amity doesn’t know what Luz is going through, but she can empathise. She can see her girlfriend is going through something and help her out. She can take the place in the ritual and allow Luz to grieve.

Love isn’t about the good times, it’s about everything. Love is about joy and heartbreak and triumph and loss. Its about sharing emotions together, lifting each other to new heights, and supporting each other in the lowest moments.

The episode doesn’t give us a fix to its issue. Luz is still separated from her mother, but it gives us a substitute, and that leans in to a theme I haven’t really mentioned yet at all in my coverage of the series, distance.

Yes, the obvious of Luz being away from home and wanting to get back has been a core part of the plot, but the series hasn’t really engaged with what that means up until now.

Sometimes distance separates people, whether it be through forced movement, or just the twists and turns of life. And sometimes that comes in the way of rituals like this. Do you bottle up the emotions until you get back? No. You find a new way of doing thing, you adapt, you change. You find the light.

Light, do not faulter.

Final Thoughts

This episode also establishes lore for how the Wild Witches work, specifically through that idea of connection again. The Wild Witches are a group of people who accept and protect each other, you don’t have to be skilled at anything to be a Wild Witch, you don’t have to meet any criteria. Which is good, because Edric is awful at potion magic. But that’s not the point, the point is that he has an interest in going outside the box, the point is the effort not the execution.

Considering how the Emperor made wild magic illegal, the Bad Girl Coven takes on a ton of queer/pride coding. They support each other because nobody else will. Anyone who slips through the cracks has a home in the Bad Girl Coven. Just like pride, where there isn't a bar at a parade that says: "you must be this gay to enter", it's about accepting everyone for who they are.

Next up is Them's The Breaks, Kid, so stick around if that interests you.

Previous - Next

[suzukiblu]

I just wanted to say I think you're really cool in the way you defend your own boundaries while also trying to see the best in people (e.g. off-topic Wednesday asks / etc.). Like you make your ask box feel like it's okay to ask questions or not worry too much about how something might come off wierdly if it's read a certain way but also you don't let people walk over you, and that balance is a fucking skill which takes effort and work.

Thank you. 🧡 I definitely do go to a lot of effort to be clear about certain things I'm cool/not cool with while also assuming the best of people's intentions if I ever get comments or questions that are phrased poorly or seem . . . well, questionable, to make an unintentional pun there, haha. I just don't wanna start shit that doesn't need started or slather bad vibes all over some poor well-intentioned random soul who just doesn't have the most immediately up-to-date/informed language or certain experiences to inform their perspective, AND all over all of your dashes on top of that. Like, we were all confused about shit and awkwardly attempting to figure out what the magic question that would explain that shit to us was at SOME point in our lives, if nothing else. You gotta remember your internal stupid kid and how bad they wanted to figure shit out without having the tools for it!! You just gotta!!!!

Like, I literally did not realize gay and bi people were a thing until I was FOURTEEN, man, I just did NOT have that context/experience as a kid. And then, like, four months later I was . . . uhhhhh I'm pretty sure literally the first kid who was publicly out in my entire very tiny "quaint lil' small town full of well-off retirees with gorgeous lawns and literally nothing for a teenager to do outside of school" high school, and at least as far as I ever knew there wasn't another one until my friggin' senior year. And I didn't figure out what asexuality was OR my gender identity until I was in my thirties, despite actively TRYING to figure those out! I just didn't know! I didn't have the word for it for so long I didn't even GET it was a thing that should have a word!

Though to be honest, I really do get way, WAY more people worrying that they're overstepping and preemptively apologizing about it than I ever do people who are actually doing anything I'd personally consider to be overstepping, and I get even fewer people who are INTENTIONALLY overstepping on top of that. Like, I've been very lucky in the audience I've managed to snare/cultivate in my internet times, I very rarely encounter anyone coming into my inbox in bad faith. "Don't like/don't read" seems to be generally respected and I appreciate it, basically, hah.

Also, like, not to get too extra or serious here, but a lot of the reason I write fanfic is because it can contain a lot of things that standard publishing is less immediately open to releasing--like, especially back when I started, it was just NOT a thing to have explicitly queer kids in mega-popular mainstream YA series or all that much gender/racial/neuro diversity past, like, token presences that were at MOST only diversity-CODED half the time anyway and "didn't like labels". And like, that bugged me a LOT as a kid and as a young adult, and still kinda bugs me sometimes these days. I wanted, you know, that SEEN feeling, and I didn't want to only get it from hyper-niche genres/authors that were only writing about being queer and sad about it. I wanted that shit in my dang sci-fi and fantasy and all the FUN stuff, not just, you know, the tragedy-porn cautionary tales. So I want people who are reading my stuff to feel that way, even and ESPECIALLY when they're some totally different flavor of whatever we are from me, and so I REALLY try to be inclusive and welcoming and assume the best of people, at least to the best of my ability.

. . . okay I got kinda carried away with this answer, maybe, haha, but tl;dr: literally everyone has got enough bullshit going on in their lives, I can at least be nice about weird kinks and random gender/mental/physical/???? issues that I don't always necessarily understand the full nuances of on the internet.

[absolutebl]

This Week in BL - lots, just LOTS

I thought I would be pretty lean reporting for Oct 2023 but then (for reasons relayed here) the weeklies got saved by a drunk avenging hacker in a hotel room.

Oct 2023 Wk 1

Except I still can't watch IFYLITA, because I use my other computer for it.

Gotta say though, watching tese mostly all in one day (for travel reasons) is beyond even my BL superpowers. I did my best tho.

Ongoing Series - Thai

Dangerous Romance (Fri YT) ep 8 of 12 - Sailom, sweetie, Kang is never sleeping alone again. It wasn't really translated, but Kang's way of speaking in that opening stinger was VERY cutsie. Also the gay sheets have made another appearance. I do have to say that "rich kid problems" is not my favorite story arc, but I still think this is a great Thai BL.

Naughty Babe (Sat YT) ep 6 of 8 - I love that they are finally talking to each other but Yi’s whole personality is shifting. Honestly, this pair is great at kissing and casual touches, but the friendships are the best thing about this franchise. Also Mr Chenne remains my fav character. But where did Diao's baby superhero team come from? And why? This show is very confusing... It’s also not very good.

My Universe (Sun iQIYI) You Are My Soulmate ep 7 - This was the one of the series I was looking forward to the most, because silly, pretty, and v BL. It is, in fact all those things and nothing more. So I'm enjoying it, of course.

Absolute Zero (Thai Weds iQIYI) ep 2 of 12 - I like it, but it feels like it's gonna be so sad. I'm having Promise and Dew the movie flashbacks. Plus 12 eps seems too long for this narrative thread. I am worried.

Venus in the Sky (Tues iQIYI) 6 of 10 eps - This show is so slow it's hardly worth the bandwidth, but we attained "baby is a floppy drunk" and thus a finger bite frustration scene, which was nice.

Only Friends (Sat YT) ep 9 of 10 (not a BL but I'm watching it anyway) - Ray is so mean to Sand. The not-a-thing with Sand & Nick was cute. I’ve had several experiences like that. All my queer friendship groups tend to be incestuous, but sometimes they're just too much of a sibling and trying to sleep with them is the most unsexy thing in the universe. To be fair, I’ve also been in Ton’s position (this ep). Jojo sure makes queer shizz. But also, Ton must have a magic rod with everyone wanting a repeat. (I'm so glad they put Neo in this role, no one else at GMMTV could play him as complex or sympathetic.)

Ongoing Series - Not Thai

You Are Mine (Taiwan Fri Viki) eps 5 of 10 - now officially known by me as "I'm too sunshine for this seme" where our boss is being hella obvious but our cinnamon roll is just too ooey-gooey to notice. Al.though, baby boy, he takes you home, sleeps on top of you, feeds you cookies (IN HIS BED) and keeps you in his space? Surely even this sunshine is catching a few rays of truth?

Gaga's *unintelligible gay murmuring* is my favorite caption EVER.

Also the name of my new ASMR YT channel.

Bon Appetit (Korea Weds iQIYI) 3-4 of 8 - ah gay panic, also what is Korea's obsession with 7 year separations? Is it only true love if you wait 7 years? Dohoon is SUCH a flirt, it's kinda great! Also, since it's Korea, we got us a bit of a love triangle with 2 hyung romances, so I (of course) am torn. Either way Dohoon is going down. I do love how much time we are spending with the food in this drama, finally one that lives up to its name. On an entirely different note, Korean camping is the most bizare thing to me. It's SO damn civilized. There will be NO DIRT. They pack blow torches. And full dinner sets. Every time I see it in a drama, I'm amused.

My Personal Weatherman AKA Taikan Yoho (Japan Sat Gaga) ep 7 of 8 - OMG these 2 are so in love with each other, and so ridiculous about it. They're tiny idiots but I love them.

If It’s With You AKA Even If I Fall In Love With You AKA Kimi to nara Koi wo Shite Mite mo’ (Japan Gaga) ep 1 of 5 - from MBS a live action adaptation of Kubota Maru’s manga ‘君となら恋をしてみても. Amane has stopped loving people due to trauma until he meets Ryuji. At first Amane just wants to play with Ryuji but… feelings.

I like the odd Japanese mature-childishness in this one. Plus a broken sunshine who is out in a kind of aggresive way and an instinctive caring seme. What's not to love? Well, it's Japan I'm sure it will surprise me one way or another.

Mr Cinderella 2 (Vietnam Sat YT) ep 3 of ? - the cray cray step brother quazi incest is a bit much for me. Why does VBL just suddenly get so unhinged like this?

Kiseki: Dear to Me (Taiwan Tues Viki & iQIYI) ep 9 of 13(?) - resumes next week

It's Airing But...

I Feel You Linger in the Air (Fri grey) ep 8 of 12 - I will try to watch 8-12 and do a series review when I get back in November but... not sure I will be able to. Fingers crossed.

Love in Translation (Sat iQIYI) ep 8fin - I will complete and drop a review in Nov.

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Fri Gaga) ep 1 of 10 - 4th installment in this series (1st series, 1 special, 1 movie prior) about a lawyer who lives with his boyfriend, a hairdresser, and cooks for him. I find thie series more fun to binge, som I'm waiting until it completes its run.

I Cannot Reach You AKA I Can't Reach You AKA Kimi ni wa Todokanai (Japan Tues Netflix-Japan & ????) - in classic JBL fashion, I Cannot Reach You could not be reached. 

Can I Buy Your Love From A Vending Machine? AKA Sono Koi, Jihanki de Kaemasu ka? (Japan cinema release in-country only) - This one is a movie from Japan so in customary fashion who tf knows when (or if) it will get international distribution. Salaryman Ayumu Koiwai just can't tear his eyes away from the strong, muscular man as he checks on the stocks of the vending machine in his office.

In case you missed it?

Crazy Handsome Rich (Sun Gaga) Apparently ended its run I DNFed this at ep 3. So no review from me.

My Beautiful Man: Eternal AKA Utsukushii Kare Eternal (Japan movie Viki & Gaga) - Play it again Sam, only I'm kinda tired of this song. I was v dramatic tho. And it's always nice to be reminded JBL can kiss when it puts its mind to it. 8/10

Next Week Looks Like This

Upcoming October BL

10/31 SHADOW (Thai VIU ????) - this is a horror BL featuring ghosts and other paranormal elements in a high school setting. I'm not wild about Thai horror (or horror at all, but if it must be done in BL let Japan do it). It features Singto (who did paranormal BL He's Coming to Me) opposite Fluke N (who's done a couple horror's before). Also Fiat. Dan suffers from sleep paralysis, and in his dreams he sees a shadow that suffocates him. It gets worse when he transfers schools.

10/? Bump Up Project AKA Bump Up Business (Korea ????) - BL staring OnlyOneOf that released(??) as a movie in July but is now being recut and reissued as a series. Stars NineMill and from Idol Romance bulled as a love story between a trainee who is about to debut and a celebrity from the same agency (based on a webtoon). OnlyOneOf have been auditioning for this since Libido IMHO. You can watch me chronicle their BL MV work in this post. Idol Romance will do sad but can do good kisses (Wish You, Nobleman Ryu, Once Again, Kissable Lips, Poongduck 304, Tasty Florida, Tinted With You) but I don't think we will get any in this. After that OmegaX Shoulder bullshizz buisness I am very wary of this show.

2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED).

THIS WEEK’S BEST MOMENTS

I've seen this Chinese drama like... no wait... okay it's like EVERY Chinese drama ever.

(both Mr Cinderella 2)

I only got to watch this scene and the bath, but bot were pretty darn good! I Feel You Linger in the Air

There's only one bed but they slept together on the floor anyway. One of BL's oddest tropes.

I do love a finger bite. (both Venus in the Sky)

Good advice

(Naughty Babe)

(Last week) 

[crooked-wasteland]

Hazbin Hotel Live Blog: Hello Rosie

I’ve realized that I spent a long time belaboring the accomplishments of other writers, but I don’t think I ever touched on Ariel Ladensohn. Responsible for the episodes Scrambled Eggs and Hello Rosie, she is credited for shows like Solar Opposites and Futurama, however she has only written a single episode for the Futurama reboot that I can find whereas she is a producer for the show otherwise. Meanwhile, she has minor, single episode writing credits for series like My Little Pony Friendship is magic in 2019 (A Horse Shoe-in), and Clifford the Big Red Dog. In fact, the most credit to her name is under Justin Roiland’s Solar Opposites where she started as a consistent script writer and eventually entered middle management as a story editor. She has a family history within show business through her mother Cybill Sheperd, a well-known celebrity and model of the previous generations. Based on Scrambled Eggs, I will say that episode feels like Justin Roiland fare, and I don’t expect much different from this episode.

Even the series seems self aware at times with Angel Dust proclaiming all of Charlie’s ideas thus so far being failures and Husk even pointing out that the more Charlie tries to do, the worse it gets for everyone else. Charlie lives in this place of protection because of Lucifer, supposedly. This idea that Lucifer is trying to protect her and it’s why she is never in danger during the exterminations isn’t one I’ve actually seen confirmed in the show in any way. It’s alluded to, but with how much of the show is unspoken and outright fabricated with deceit being framed in the last episode as “It’s a lie because otherwise nothing makes sense” when the world building as a whole doesn’t make any sense, I don’t trust the show. I don’t trust the show or writers to know what they are talking about and reluctant to give them any grace in that way. Seven episodes into an 8 episode series and all you’ve accomplished is confusing me. Has Charlie ever even been helpful? We still don’t know what progress is supposed to look like. And we are supposed to think Angel Dust in episode 4 sees Charlie as a friend he can protect while she’s still the Princess of Hell for one and, two, here we see him lamenting her meddling entirely. No one has faith in her but Vaggie, and even then, having faith in Charlie is her entire personality.

Side point, but Vaggie adding”In our room” didn’t sound or feel like she was sad. Rather, we just added that line for some reason? Am I supposed to get the vibe that Charlie and her are broken up in some way from the angel reveal? Or is this the dialogue stating out loud that it is their shared room and that they are in fact a couple because otherwise there is massive room for doubt due to how sanitized the lesbian relationship is in this series. I don’t know, I can’t tell, both can be true because there is so much and yet nothing at all in this series on every level.

If only the show actually showed that the Egg Bois were unreliable narrators at some point. Instead the few times we see them it is that they have difficulty following orders. Not that they actually are unreliable in everything.

So going back to this massive plot point of Angels only being harmed by Angelic weapons, like I said last post, this huge reveal fails to land or build any interest for numerous reasons. For one, Carmilla’s whole business is arms dealing with angelic weapons that Angels just leave behind. Like, a cornerstone of the lore of Hazbin is that angelic weapons are just dumped like litter into Hell every extermination, so one would think that if angelic weapons are the only thing capable or harming angels, Sera would have had a very tight rule about making sure all these weapons are returned to Heaven for their own safety. Even if you want to make the argument Adam and Lute don’t know this, Sera definitely would. And her entire hope for keeping Heaven safe is entirely negated because Adam’s goons are just supplying Hell with the only weapons that can kill angels every year. Second, as stated previously, Vaggie was injured by angelic weapons when Lute attacked her and carved out her eye. It makes no sense that she wouldn’t know the power of angelic weapons. Point three, Vaggie’s wings were torn off by Lute’s bare hands. I’m reminded of Dan Olsen’s video essay The Art of Editing and Suicide Squad where he talks about the use of the Unicorn plushy in the film and the way a narrative must reinforce an idea for these sort of plot points to be effective.

“Then, in the tower brawl, Captain Boomerang is wrestling with a tar monster who stabs him right in the heart. And for a second you go ‘oh no!’- but, Being a savvy and attentive viewer, you immediately go ‘ah wait, the unicorn!’ And you pat yourself in the back as Boomerang pulls out the knife stuck in a wad of money.”

This feels like the Suicide Squad Unicorn situation. There is so much going on and no one in the room was able to catch these contradictions in the production. By the narrative denaturing on such a foundational world building level, the weight of every reveal and plot point is about the equivalent of a paper ball. It fails to ground the world, abide by its own rules, and thus never succeeds as a show. It is a concept that never pounded out the impurities and results in a confusing waste of time.

Wait, did Charlie forget about Cannibalism Town? Episode one she made a point to declare it in the song and how everyone was bright and smiling. So it shows an understanding of what foreshadowing is as a concept, but because no one else remembers or knows anything about Cannibal Town, Ariel was forced to reintroduce the setting in such a way that feels like bad writing. My point is, Ariel is doing the best she can here, the issue lies with Medrano and how she drew attention to Cannibal Town when it wasn’t relevant but never reinforced the plot point. Again, the unicorn plush situation pops up. Because she failed to incorporate Cannibal Town throughout the series, we needed this whiplash redo of the setting to actually immerse the audience in a way that makes narrative sense. Ariel is doing the best she can and it should be noted that this was the best way to rush this plot point because Medrano did nothing she needed to do up to this moment. Cannibal Town needed to be explored a little every episode and incorporated in all of the plots for this to work. By just announcing it in the first episode to try and hint this was going to be important, and then go another 2 and a half hours of content with no reminders at all, Ariel’s only hope was making this a plot hole to try and smooth over the train wreck this whole aspect of the show turned into.

In fact, I just remembered Ariel did Scrambled Eggs, which would have been perfect to set up the reminder of Cannibal Town and its importance by focusing on Rosie. Instead, the episode focused on Zestial and having him and Alastor catch up when it very obviously should have been Rosie for this specific purpose. Was Kritzer more expensive than James? Why focus on this character so long when all he serves is as a vessel to Carmella confessing her involvement in the killing when Rosie is far more important a player? I’m not saying they should have cut him out entirely, but that time would have been better suited with giving Rosie more to do.

My nitpick of the episode is that Rosie’s voice and character bothers me and rips me out of any level of immersion I could have. The accent is noticeably fake to the point it is distracting and the dialogue and pacing is so paint by numbers Jewish mother stereotype that is actually feels too slow. If this makes sense, she isn’t delivering the lines fast enough for it not to feel like a blatant caricature. It’s a stereotype that feels like a stereotype because it hits just off the mark ever so slightly that it draws all the more attention to it. For a show with breakneck pacing, these scenes drag and it is due to the delivery entirely. And before someone does attempt to argue the actress, Leslie Kritzer, is in fact Jewish, yes, she is half Jewish on her father’s side with a Puerto Rican mother. Kritzer was raised Catholic and was not privy to the Jewish Mother character growing up, despite being ethnically half Jewish. That does matter.

The terrifying thing is how the whole negotiation scene with Rosie is so rushed. She says she likes Charlie’s moxie when all Charlie has done is have the prelude of a mental breakdown in front of her. She made it clear how everything is her fault, how everyone she cares for is in danger and pretty much doomed. The literal definition of Moxie is “Force of character or determination” when all Rosie has seen is Charlie actively caving under the weight of everything. That is, in fact, the opposite of moxie. Sure, we have seen her stand up to Sera and stand up for her beliefs, but Rosie has not. This is a common issue in Medrano’s writing where she fails to know which characters know what. They are ignorant when it is convenient and just as equally omnipotent when required. And, like I said, they also feel too slow. The delivery is just too slow and the scenes are too fast, too much happens when it makes no sense and everything just feels like a waste of time.

I just realized why this scene feels like such a waste of time: it lacks tension. The sequence where Rosie walks up to Alastor is such a wide shot, her asking about his plan bears no weight. This is genuinely some of the worst scene composition. This is an expensive shot with Charlie, Rosie and Alastor as well as the need to use filler background characters in the corner to make the space feel lived-in. But this whole issue would have been resolved by utilizing he exact scene direction that follows. Have Rosie close the distance between her and Alastor and have it cut to a 1/3rd body shot of the two. Have Charlie cut from the scene as neither are even acknowledging her in this moment and it shows how Alastor and Rosie see her as a child, ignoring her despite being the princess of Hell. Have Rosie’s approach be an over-shoulder closeup from Alastor’s side, and instead of cutting off Rosie’s face, have the characters get closer together as the camera zooms in. Make the connection between Alastor and Rosie stronger so her words feel slightly ominous when she says “Alastor has never done me wrong before”. Where you wonder if you can trust Rosie, or if maybe Rosie doesn’t really trust Alastor and is giving a subtle warning. The utter lack of nonverbal storytelling sucks all depth and nuance out of the episode.

Carmella is a top tier character in a woefully subpar story. She is everything its clear Medrano’s wishes Alastor was. She is intimidating and intelligent. It tips a bit too far into ludicrous levels of knowledge that, if thought about, feels like it is the writer cheating. And it is. This absolutely is cheating, because the characters who should know Vaggie is an angel, for example, don’t. Alastor, Charlie, and Lucifer are either totally ignorant of Vaggie being an angel or are playing stupid. The reason Carmella has made is that it benefits her to not draw attention to herself, but Alastor should be able to make the same level of inference on Vaggie and doesn’t. To say he does but says nothing makes no sense because he could have been playing puppet master this whole time by using Vaggie’s angel status to control her and/or Charlie in any number of ways. And if anyone would know about Vaggie, it should be Lucifer. And Lucifer should be distrusting of Vaggie at the least. So Carmella is a cool character, but if we really think about it, it’s obvious that she’s just OP to serve a purpose in the plot.

I love Carmella’s long hair design, but the hair just is down in a microsecond of a scene. It was a change in a single frame that went by faster than a blink. It needed to have more emphasis for the reason to be understood: Vaggie is making excuses. It doesn’t translate clearly that Carmella is trying to pull the “equal footing” trope because there was no weight to her letting her hair down. It needed to at least be given a second to focus, not even a verbal acknowledgment, but just have Carmella let down her hair and make eye contact for a second before beating Vaggie up further.

I feel the need to have a small personal rant here, I have ballroom experience, I am also a Latino. The scene and song were ideally set to have a partner-based dance influence. I mainly dance waltz, but I feel a tango was ideal for this sort of song. The beat is too slow for a salsa. There are many different types of Latin dances to choose from (cha cha, salsa, tango, samba). The lack of appropriate Latin influences for a Latina coded character who is also heavily inspired by dancers, and yet none of the proper dance influences were taken advantage of. This entire character concept was fumbled hard. On top of it all, by not selecting a coherent dance style, the fight-dance choreography doesn’t make use of each person’s different strengths. Carmella uses her legs as her weapons while Vaggie has her spear in her arms. So Vaggie mirroring Carmella does nothing to improve her understanding of combat.

Steven Universe focused its use of music to individual instruments. Garnet was a synth bass instrument which heavily influenced her entire character design. Synth Basses are the backbone for many contemporary music genres, especially hip-hop. And Garnet’s character design from being black-coded to her dance style being Waacking, a form of street dance associated with the gay disco clubs of 1970s LA, specifically credited to black choreographer Tyrone Proctor. This is how you utilize ethnic coding in an animated musical. Instead, Carmella is Latina-coded with a Spanish guitar as her musical motif, with very specific native latin American motifs to her movements like maracas and a jaguar with a ballet style dance. This is a cacophony of influence with no understanding of any of them being forced together in a Frankenstein amalgamation of disappointment. Especially the minor use of maracas in Carmella’s character as they are very unique and important to Mexican and Latin culture.

Charlie’s feelings about Vaggie comes off extremely selfish. Vaggie was an exorcist which is hinted at to be a human soul, which means her neglecting to tell Charlie she was an exorcist wasn’t a lie. She was a fallen soul by that point, just like any other person in Hell. She has a history like the rest of them, but her time in heaven would be just a relevant as her time alive, which the show has made clear doesn’t matter to anyone in the series. So having Charlie need this sort of pep talk shows why her hotel is a failure more than anything: she doesn’t really believe in anything she is saying. As a concept, sure, but in practice, her sense of redemption has never previously required confession. Only when she feels entitled to another person does it suddenly matter. She doesn’t care about who Angel Dust or Sir Pentious were before coming to the hotel. Them killing other sinners doesn’t affect her at all. It is only when it’s someone she feels personally entitled to, or a sense of ownership over, that suddenly someone’s past matters. And that’s hypocritical. In fact, it goes deeper still in how Charlie is only interested in who Vaggie was before and no one else, but that comes from a sense of owning Vaggie. Everyone else, Charlie rejects on a fundamental value. Angel Dust’s hypersexuality is uncomfortable for her and she wishes he wasn’t that way. Nifty’s sadistic weirdness is uncomfortable for her and she wants that to change too. Husk’s aloof alcoholism is also a problem for her. Even with the Cannibals, she demands them to change (tone it down) to fit her sensibilities even as she is asking them to possibly die for her. I have seen people claim that the whole criticism of Heaven is hypocricy, I’ve said before it isn’t. I’ll assert it again: Heaven isn’t the hypocrite, Charlie is.

The first thing I said upon finishing this episode was “I would have rather seen the episode of Angel, Pent, Nifty, and Husk resolving to stick together despite thinking they had been abandoned. The character drama and the conclusion of them really coming together would have been far more intimate and cathartic than seeing Charlie and Vaggie “make up” by talking with complete strangers.

3/10

[the-depths-au]

FAQ

*this post continues heavy totk spoilers

How did it start?

A lot of people started posting some really cool art of a TotK ending where Zelda returns as a hybrid dragon creature thing. I saw a few that called it a “bad” ending and I noticed she was often portrayed with dominantly human-features just like, with horns or a tail, or the purple eyes, etc. I love to play video games(clearly) and I enjoy the challenge of seeing various endings, not just “secret endings�� (think Heavy Rain, Until Dawn, The Witcher 3, Drakengard- anyone else play this?) I got to thinking about how her coming back didn’t really like a true “bad ending”. To me, a bad ending, really, would be one in which she didn’t get to magically, miraculously come back in any form. A bad ending to me would be Mineru’s warning held true. And in doing so, it would become The Legend of Zelda because she becomes the stuff of myths. Of true Legend. Fulfilling destiny (botw-era and the series as a whole). My brain sort of took off from there regarding the implications this would have on Hyrule and specially, our boy Link.

How could you! A Bad ending? Is this story at least hurt and eventual comfort??? Does it have a happy ending??

I could tag this hurt and comfort, but usually people who read these types of stories have certain expectations of what “comfort” is (and that’s okay!). Same with a “happy” ending. I don’t need stories to be wrap up in a bow with warmth to enjoy them. Honestly, some of the stories that have touched me the most over the years have had “sad” endings/negative character arcs/tragedy. That being said, I don’t particularly enjoy pure whump, either. What I feel is most important and what I am to do with this story, is to make any suffering meaningful. With purpose. And hopefully- maybe- you’ll see the “comfort” that is possible even in these types of stories.

Wait! So Zelda remains a dragon?

Yes. They defeat the demon dragon. Rauru and Sonia appear in a silent thanks, then they disappear and Link falls from the sky alone into the water. The Light Dragon continues along in her flight above him.

Link is also the only one who can see/has ever seen the Light Dragon.

Are there any other major changes from TotK?

It follows the game pretty closely. It’s just hard to say exactly what is in this story from TotK because there is just so much. In BotW, I headcanon Link took his time. He doesn’t remember anything. He is alone, lost, and the world is a vast, broken place. Therefore, it is plausible/ realistic in my head for all the side questions to be done prior to the ending being reached. In TotK, especially with the headcanon he and Zelda were together in the time between BotW and TotK, I had a hard time imagining Link would waste much time on anything unnecessary to save Zelda. So, with this in mind, I’ve had to justify the side questions to include in the story. Link’s journey is a bit different than my own. Whereas I actually spent 80% of my playthrough exploring the depths, this Link only went down when necessary. Meaning many of the lightroots have not been unlocked and he only has part of the armor of the depths. In the Linktober and the early concept, he has the entire set but this has been changed for the main comic.

How far after the events of TotK does this take place?

Five years.

Is it completely planned out?

Yes. I have a complete rough story outline done. It’s 17 chapters. I am anticipating some editing as I go, but regardless, it’s a big project. A huge shout out to @zeldaelmo and @fioreofthemarch for helping me get the story set. They are both phenomenal writers for the LoZ fandom so be sure to check them out!

What happened to the comic?

I made the decision to tell this story (initially) in writing. I have a very specific style in mind for this story as a full comic and honestly, I just don't feel like my artistic ability and overall proficiency is where I want it to be at this time. I'm still learning! I will be continuing to post art, concept art, and some comic panels here as I go and eventually, I would love to adapt the story into a full comic, but for now, I'll be telling the main story in writing.

How long have you been drawing?

I’ve been drawing all my life. Just for fun, although I took a few classes in school. Digitally, self-taught, since fall 2022. Still very new to this with lots to learn! I have a minor in creative writing and feel much more confident and comfortable with that.

Feel free to send me a DM with questions anytime! I plan to update this periodically.

Last updated 2/26/24

[galedekkarios]

male oc (tav, durge) x gale fic rec list! ✨

in no particular order + heed the tags, ratings, and warnings before reading!

Beneath the read-more you'll find 40 recommendations with their summaries attached. Enjoy!

Anxiousscrambles' entire BG3 collection (17 Works).

You'll find lots of Gale x Durge, featuring Dreuer, a middle aged tiefling warlock (who I love so much). They've written about Gale and Dreuer's journey from the beginning to the end of the game, as well as their life after (and a little of Dreuer's life before, too). Both characters grow and develop across each fic, both as individuals and partners, and it's just so lovely to witness them both being written with such care. There's a bit of everything, too, when it comes to content.

the night so black that the darkness hummed by persephoning

Kidnapped on his way to Waterdeep, elven bard Ruadhán Riddon wakes up with a blinding headache, an illithid tadpole in his eye, and no clear way out of either mess. To his dismay, the magnitude of the situation only grows worse by the hour, but there's more good hidden beneath the darkness than he expects.

Ship to Wreck by Snailsnol

“Teach them spell shield, first.” Anyir instructs as he limps back to his desk. “Yes, but my issue is how. I can’t simply tell them to cast Spell Shield while I throw a fireball at them.” Anyir sighs like that’s a great disappointment. “And additionally, you are a proficient martial fighter, the throbbing of my thigh is proof of that and I cannot teach them any of the skills you or your siblings share.” “Oh-khay. Explain Spell Shield me like you would your students.” Anyir says, scooting his chair up next to Gale’s. He barely resists the urge to bump their knees together. “Speak, magician.” ----- After defeating the Absolute, Gale finds himself alone in his tower again despite extending a hasty invitation to the artificer, Anyir. He desperately tries to shove the disappointment from his mind and bury himself in teaching his students, but his fool heart clings to it like a web. Until one day he is no longer alone and realizes existing is much different when you aren't the only one doing it.

you say love, i believe it to the bone by alliancedogtags

"Gale," the paladin finally spoke, voice quiet under the crackle of the fire pit and the breeze in the trees around them. "Surely you know that with or without your magic, you are still an incredible man?" Gale couldn't answer that. He tried, mouth opening, but no words came out of it. His usual charm of words, the security blanket of knowledge, the comfort of a conversation's upper hand. There was nothing. Not when they were alone. Not when Mylo looked at him like that. his finger traced the muted purple line down the side of his neck. "Gale," Mylo repeated again, softer this time, and something laced his words. Not just something, no - a certain sadness that escaped in the pitch of his voice. Not even pity. Sympathy. "Great Gods, Gale. If only you could see yourself the way that I do."

Sage and Lavender (Series) by TheMoYouKnow

Evander: 42, Half Wood-Elf Ranger. Hails from the area just outside Baldur’s Gate. Gale: 38 (probably), Human Wizard. Famously from Waterdeep. One shot pieces written at random for different points in their timeline, but the series will always be reordered chronologically after a new piece is posted.

Gale & Devour (4 Works) by CaptainNautical.

The link features four fics for Gale x Devour, a Dragonborn fighter. Devour is a beautiful character, and his relationship with Gale is so tender and touching in every fic.

Ironfire by scarvenrot

But beneath Gale’s hands, and in his arms, the withering ache of muscle turned from burden to gift, because it called such a fount of affection out of him. Every stroke of his fingertips, each careful brush of lips against flesh was a balm against burns, ice to swollen bruises, warmth to the joint. Krull didn’t have the right words for it all. You make me feel strong, was all he could say. Stronger than I ever have. Was this how his mother had felt, Krull wondered, when she had come across that bumbling, balding man and his goat farm besieged by goblins all those years ago? Did he unwittingly charm her with his earnest humanity, his love for his little home and his modest life, his empathy for livestock that ran so deep that he called them his family? Krull had never asked, and he didn’t know. But he imagined it must have been so. That it was written in his blood for him to love a human being so fully, so simply, for every fragile piece of who that person was. *** A half-orc barbarian and a human wizard fall in love.

gale gets good dick anthology (Series) by auriadne

maybe a joke, maybe not. mostly home to m!durge/gale fic. (op chiming in to say that this is some extremely delicious well-written smut, just in case the "maybe a joke" bit threw you off!)

Taste You On My Lips by Djarfskald

Gale had only intended to impress Tristan with a bit of magic and show him how it felt to touch the weave in the ways he did. What Gale hadn't expected was what the tiefling showed him when they shared that moment. All Gale could think about was seeing more, and it turns his already interesting predicament into something wildly unexpected.

Under the Stars, in Your Arms by weenietime

Gale had never been sure that scales would be a feeling he'd yearn for, but now he was finding himself bubbling with desire to run his hands along the textured skin below him. The warm surface was rough against Gale's softer skin, his human form pressed against the chest of a Dragonborn. He didn't have to imagine Altid underneath him anymore, because he was actually here; his hands gently grasping Gale's clothed love handles as he laid beneath him, warm breath tickling Gale's neck. (Aka me needing to write my first Tav and Gale makin' love underneath the stars)

Devour by Sylpherna

Gale contemplates the destiny Mystra had ordained, while Estevan begs him not to follow through. They fight, and then they fuck about it.

Skornweave (Series) by BoilingHeart

A cleric of Ilmater with a dark past falls for the wizard of Waterdeep. Both find in each other not just a new meaning of life, but the meaning of love and passion.

Shelter (Series) by Iselea

A series about my dragonborn Tav and Gale of Waterdeep. Hailing from Alaghôn, the capital city of Turmish, Tavraskirno Marivaldi is a dragonborn who ventured far into the Sword Coast to visit his adopted human sister who had settled into Baldur's Gate, only to wake up in the nautiloid with a tadpole in his head.

let it bleed through my fingers, a treasure in my hands by blazeofglory

Gale tosses his head to the side, practically writhing on the bedroll, and River spies a glint of silver, almost lost amongst Gale’s lovely brown hair. His earring. Mystra’s symbol. River cannot abide by Mystra's mark on something that belongs to him.

Magic of a Different Kind by Girlfoxgirl

My Githyanki Tav Genos and Gale share an intimate evening sometime following their first experience in the Weave. Character development and smut.

Cooking Time by Tal_Art (Tal_Monarch)

Gale panics when he sees smoke coming from the tower only to find Tav has attempted to cook.

My Hand That Will Not Harm You by goddessofcheese

The tent fell quiet again as he moved his attentions over to the other hand. The worries he’d dredged up wouldn’t quite leave but he found them easy to drown out by focusing on Gale’s high knuckles. His pulse, steady and strong beneath his grip. The fastidious cleanliness of his fingernails. Every so often he looked up, to make sure he wasn’t pushing too much into the mystery pain of what the wizard had to live with, but was glad to only see him with his eyes closed for the most part, fully absorbed in the relief. Pride flitted into Zen’s chest at being able to give that to him. Pride and… something else. Something… now altogether unfamiliar. He wanted more. ----- Alternatively, Gale finally accepts some help with the pain.

Wizards and Evil Lizards by SunflowerRose22

On a whim, the Dark Urge sneaks into Gale's tent one night. He's been craving the wizard for quite some time now and has decided to make Gale his.

Crow and Seagull by Subaruchan192

After two weeks at sea, Gale and Karasu finally arrive in Waterdeep. Both are looking forward to finally starting a new chapter in their lives together.

Want is a Four Letter Word by Saccharine_smiles

“Why did you–ugh–you confounding man!” The fear is evident in his voice and his fingers shake from where they begin the incantations of healing he knows. His eyes squint in agony at seeing Tav bloodied and beaten beneath him and he swallows the cry that claws at his throat knowing that this was his fault. “I like it when you use big words,” Tav says, head lolling onto one shoulder as the warm, soothing feeling of Gale’s magic overtakes him. It is the softest touch he’s had since the last time Gale had reached out to him with kindness. He is still not used to it.

I Want To Hurt You (I Want To Love You) by Brittany_Hamato

“I want to hurt you,” Tav’s voice rumbled from his chest, making Gale’s muscles quake and his chest tighten. “Excuse me?” “With your permission, I want to break you. I want to take you apart, piece by piece, and take everything you have to give, then take just a bit more.” Tav sat closer, his hand trailing across Gale’s shoulder blades, sending trails of electricity over his skin. “Please, gods” Gale choked on the aborted noise, it wasn’t quite a word, but Tav heard him anyway. Tav moved in closer, pressing his lips to Gale’s pulse as he nearly whispered his desires. His hands wandered lower, one supporting his back while the other tangled in his folded hands. “Your goddess can’t protect you from me,” Tav snarled, teeth pulling threateningly at his earring before continuing back down his neck, “and my god wouldn’t take away my toy.”

Forward, This Book is Dedicated To, Epilogue by upwards_descent

Gale is a disgraced and somewhat washed-up professor at the local prestigious college when he crosses paths with a handsome stranger at the library. Would this be the romance he needed to fix the hole in his heart, or was he just needlessly putting his own soul on the line once more?

fall away by whenwindwhispers

The Shadowlands have made our beloved party gloomy. Some members are becoming irritated by the smallest of things. For Gale, he is drawing the line at dirtying his favorite robes any further, and Whisper has the perfect solution: why not carry him? In short: Gale discovers he really likes being carried by Whisper.

Gum on your shoe (Series) by Lintu

1: Gum thought he'd been cursed to face the worst scenario taught to him by his people. Perhaps maybe a ghaik tadpole was the ticket he needed to see the world. Small segments of my tav, Gum, exploring Faerun and bonding with his new found companions. 2: "Wow. That's some sleight of tongue. Never seen that before." Gale watched as Gum stood, stolen ring in hand. "I have," Karlach replied. "But that's another story for another time." 3: Gale was left drowning in misery, the egg he intended to fry for breakfast past burnt and stuck to his pan. The very knowledge that he had turned Gum down, pushed him into the spawns arms, made Gale want to scream. --- Gale and Gum navigate both tadpole removal, abolishing the absolute, and their relationship.

My Many Tavs (Series) by upwards_descent

1: A series of snippets revolving around my Tav (Cairros Elrûn, a woodland elf Evocation Wizard) and his lover, Gale. Hella gay, super cute, with some bits of backstory for my boy sprinkled in. 2: Another series of snippets, this time featuring Gale and my other Tav, Rizal Aganaad the swashbuckling elder tiefling bard. A bit more angsty, a bit more kinky, just as fun! 3: A third collection of snippets romancing Gale, now with added Dark Urges! Featuring Autumn A. Augustus, soon-to-be redeemed human Great Old One warlock

A Talk About Control... by Faetality

Gale wants to talk about his pursuit of a certain artifact. Kai’chrell finds himself less than enthused with the idea and the urge… well. It raises its head at the worst of times.

You are Beautiful, Like I've Never Seen by Eternal_Starr

“You’re worth something to me…” He promises. “Worth a lot to me. And you are important in this world, even if you don’t feel it…” He watches as tears begin to swell in Gale’s eyes before he blinks hard to push them back down. He turns to meet Altair’s gaze, a warmth glowing inside them. Silence creeps in again. Neither of them dare to break it. ----------- Gale feels his death will make his life worth something. Altair claims he's worth something now.

Gale's Folly by arcanewriter

“Another night, I want to show you my home. Waterdeep. Tonight .. can you just hold me?”

Well Rested by Lintu

The gang gets to Baldur's Gate and stays a night at the Elfsong.

don't accuse me of accusing you by sertuna

Elminster delivers a message from Mystra. Callesian gives his opinion on the matter. “If you have something on your mind, I'd surely like to hear it,” Gale spoke at last as they locked eyes. He paused in response, leaving Gale to witness the gears turning in his mind as he formulated a response. Every feeling that had been stirring within him that evening threatened to bubble over the edge. Callesian knew if he let out even an ounce there would be no slowing down. For all the good rapidly escalating emotions did a barbarian in combat, it wasn’t a conduit for rational discussions. At last, he settled on what to say. “No, I don't think you would.”

Silly, Silly Tav, Or: Gale Gets Buttfucked Through The Portal by faeblesmith

“It seems… unstable, somehow. Normally, magic this old is the most stable sort, with decades, centuries, even millennia of support. There must be something very powerful behind this mass of sparks. Just as Tav gets within arm’s reach, someone half falls from the portal. Ass first. Bare ass first. “Hello? A hand? Anyone?” Tav stares at the ass, unable to even think for a moment, let alone move to do anything about some man’s bare ass (and legs, quite a nice set of ass and legs at that) jutting out from… the sheer rock face on the side of a hill.”

The Stars Can't Compare by Brittany_Hamato

He wants to forget his goddess and Eliminster's words. Instead of worrying about the orb, or the decisions left on his shoulders, Gale wants to just spend a night watching the stars. Tav decides to distract him. Gale is definitely distracted and certainly not complaining.

Roar of a bear by Subaruchan192

Gale is awestruck the first time Karasu turns into a bear and due to this distraction, gets hurt. The bear gets feral and afterwards they share a moment of tenderness and maybe flirting- or whatever these idiots understand by flirting.

wordlessly and entirely by reddragoncrush

The hungers in Gale never quite died, but sometimes they were silenced. Or, perhaps, more interestingly, he hadn't done what he needed to sate them.

Even in Darkness by PerditionLaFey

Post- game end, Male Tav was injured and has lost their sight, maybe for good. Gale comes along to provide some much-needed comfort.

shake like the bough of a willow tree by deathishauntedbyhumans

They never last long like this, either of them. The few times they’ve made love directly after fighting something that has made an honest attempt to kill them have always been hot and dirty and rather to the point. Tav doesn’t mind, though— there have been other moments, other times where their lovemaking has lasted much longer, been much sweeter. This is different. This is… stimulation, for the sake of stimulation.

an incantation of tongue by sanquines (wraithes)

Gale's desires are a well untapped, the cool waters of his mind plagued with wanton ripples. In attempt to free himself of one man, he finds himself with two — a challenge even the prodigy struggles to wrap his mind and mouth around.

an abundance of moments by floralprintshark

Gale struggles with his feelings for Tav and talks to pretty much everyone about this except to Tav. (Tav called Suvi, they're a Tiefling bard with the urchin background)

Counting Sheep by Nightwang

“That’s not what I meant. I was thinking more of turning that big, beautiful brain of yours off.” “Oh really? Well now this I’d like to see. What great plan do you have, oh fearless leader? A sleep potion? Perhaps a nice chair to the head?” For the prompt Gale/Any - Cockwarming on the Baldur’s Gate Kink Meme

God of Ambivalence by SpaceMonkeySalsa

A tiefling Artificer trying to carve a new path for himself splits a large stone on a beach to discover something truly shocking: a wizard missing a hand and in need of a lot of help, and magical items. Lucky for the wizard, Elion happens to be a fount of magical items.

[twomanyfandomshelp]

I’m rewatching Heartstopper because I literally cannot wait until October 3rd and I need more of this show pumped directly into my veins. It comes out two days after my seventeenth birthday, which is kinda exciting. But I digress.

I literally watched the whole first season today, which is quite impressive considering I actually did a lot of other things and didn’t start watching it until about two in the afternoon. And I finished it at like 10 pm, so it’s not like I stayed up super late to finish it either.

Rewatching this show I was giggling and kicking my feet and also yelling at the screen because sometimes the characters make kinda dumb choices and even though I already know how everything ends I still get way too invested. I just love this show so much, it’s such a comfort show for me.

My friend got me into the graphic novels right after season one released on Netflix, and after reading the whole series in two days (at the time there were four books, and soon after I found the WEBTOON and sped through that as well), I binged the entire show that day.

Heartstopper is such a pure show, and it just shows that representation is so important. I’ve heard so many stories of people realizing their sexuality (ME!) or finding the courage to come out to their parents or their friends or at school, and I think there’s just something so magical about this show.

Minor spoiler here, but Issac’s arc in season two was one of the things that kinda helped me realize that I was aroace because when I was watching the show and watching how he interacted with James and romance it made me think “huh, that’s kinda how I feel” and then I did some research (mostly comprised of scrolling the aromantic and asexual tags on tumblr, but a bit of googling as well) and realized that I’m aroace. So this show, that I already absolutely adored, suddenly became the catalyst for realizing my sexuality, and it just has such a special place in my heart. Whenever I’m sad I always rewatch the show or reread parts of the WEBTOON because it never fails to make me smile. To give me hope that there are others out there who are like me, even though all of my friends are straight and cis. And there’s absolutely nothing wrong with that, I love my friends, and they were all very supportive when I came out to them, but they just don’t understand sometimes. They don’t really understand what it’s like to be a part of the LGBTQIA+ community. To be different. It’s not like I’m out publicly, only a few of my close friends know, but it’s still hard sometimes not having anyone to talk to about all this (besides all my wonderful aspec moots of course). My irl friends just don’t understand that sometimes I feel broken, or like there’s something wrong with me. Because, even though I’m very comfortable with my sexuality, I’m in high school, and romance and sex are such a big thing, and it can sometimes be a little overwhelming or isolating when you don’t feel those forms of attraction. Especially when two of your best friends have boyfriends. And I’m very happy for them, but sometimes it stings a little knowing that I can never have that. Obviously queer platonic relationships exist, and that’s definitely something that I want for myself in the future, but it’s just different.

My mom watched the first season with me after I wouldn’t shut up about it, and then again when season two came out we watched it together (it was like my third watch through both times lol). Once season three comes out, and we see more of Issac’s arc of self discovery and figuring out his sexuality, I might end up using it as a bit of a starting point to come out to her, but I don’t know. I know that she and my dad are very supportive of the LGBTQIA+ community, but it’s just so different and scary. Any advice?

P. S. I did not mean to write this much, if you read this whole post, thank you. Thanks for taking the time out of your day to read about my ramblings.

[time-to-write-and-suffer]

So. Hmm. Idk how to put this.

I never thought of Critical Role as particularly high-brow entertainment, ya know? But something about The Legend of Vox Machina feels like the story has gone from high-quality fast food (original campaign) to pure junk food (animated series). And that's not necesserily a bad thing? I guess? If you're into that? But the way the story has been flattened while upping the spectacle and the presentation feels very ... schlocky. Ya know?

Like. There's something very incongruous with how much gore and sex and inexplicable fart, vomit, and poop jokes there are, with how "mature" the show is attempting to be, while also having just the flattest most boring version of each character and their arcs, while also also offering some of the most trite baby's first found family/friendship is magic/believe in yourself themes possible. These adults who shit and fuck and curse and kill and maim and torture are also, still, somehow, on an shonen anime protag journey, each and every one of them, learning to believe in themselves and to rely on their friends over and over again.

Those aspects were present in the streams, yes, but they were often implied or strengthened by action and characterization, and often came about mechanically through it being a DnD campaign where becoming friends and comrades-in-arms is the whole main draw of the genre. But instead of focusing on how much depth the cast managed to create with improv storytelling, the thing that's mostly kept in the show is the childish humor and the ... gore? But what made the dirty humor in the show work was the improvisational, clever nature of them, it was appropriate for the moment (or inappropriate, but you know what I mean) and it was usually strengthened by the reactions of the other cast members. The gore was fun not because it was gratuitous or "adult", but because it showcased Matt's ability and creativity and heightened the characters' impact on the world, making both them and the viewer feel like players' actions had true consequences and making them feel badass.

The fact that they kept the gore and the shit jokes (and tbh exaggerated them) but flattened and Flanderized the characters is very baffling to me. I can't figure out who this show is for? Cuz as an adult I do not find it very compelling storywise, even if it's a visual spectacle.

And before anyone says "they're writing their own characters so this is good and accurate actually!!" I mean ... it's entirely possible that they're better actors than they are writers. Ya know? And once the excuse that it's improv is removed, I feel like it's totally fine to put the characterization under greater scrutiny than they were when they were just being improv'd by the cast. Ya know?

People say "of course something is lost in translation, it's a different medium!" like it's a given, and, like, it is. But people use it to excuse the shortcomings of the translation, when in reality, some translations are better than others. And sometimes you lose nuances that made the original great to begin with. Some things are hard to translate, and losing them can and does make the translation lacking when compared to the original. That's why some people learn entirely new languages to read their favorite media in the original language.

Once you take the improv and the dice rolls and the long-running nature of the streams, and try to shorten and structure them and lay them out in a logical progression the same way traditional media tells stories, you realize that none of these characters are very unique, their stories aren't unique, and the way the whole thing is constructed is very bland. But the visuals are nice so it tricks you into thinking it's better than it is.

Which is kinda. Sad? But also fascinating.

So yeah. Kind of a big dookie disappointment. At least I still have the original show.

[theropoda]

...... i have. PRAWBLEMS. with the ending but honestly i felt very unwell and gross rn so i had difficulty focusing in the first place, maybe if i watch it again when i feel better ill feel different. under read more bc this got long lol

disclaimer before anyone GETS at me: i am not a critic. im literally just some guy watching a tv show, and i am really more confused than anything so if you really enjoyed the finale and feel like it was the perfect way for the show to end im happy for you! i don't have any intent on arguing it Absolutely Wasn't. this isn't a Hatepost. just me airing my thoughts. that are probably really incoherent bc again, i feel unwell ;_; brain is more focused on my stomach than this damn show

i knew how this was gonna end, i did watch the end of this show before, ive always been familiar w house because i watched episodes of it on tv as a kid with my mom and sister and knew major plot points like amber's death and wilson's cancer and house faking his death and everything but. the details were lost on me. now that i know the details something about them just doesn't jive with me and feel right.

probably related to my earlier post about how even in the final season so much of house is the same. he tried to change for the better but he was still back. i mean the entire premise of the show is about "the disabled addict doctor who struggles to be a person" so if any of these magically stopped being there that'd be stupid ESPECIALLY him being a disabled addict which are so central to his character. so im definitely not complaining about that.

initially i thought him faking his death was insanely reckless but what other choice was available. if he went, Hey, im here! im alive he'd absolutely be going to jail. in jail so far away while his best friend, maybe his only friend would be dying alone. of course he did that. his only choice was ttofake his death to be with wilson. throwing away his whole life and legacy and career and reputation to be with him.

hilson endgame real but also, while watching the whole show i kept going from "tumblr didn't lie these guys are gay" to "Tumblr may have oversold it a bit". but that might just be in the nature of its episodic structure. not e everything is abt wilson there's other people in house's lofe but in that final season everything does speed up, suddenly and become about wilson. which brings me to the whole cancer thing. in my memory of the show from watching it as a kid, Wilson's cancer came up as a plot point WAY earlier and there is much more time to discuss it in the show. to ponder and delve into it, what it means for wilson, for house, for the show. but actually watching the show it feels very sudden....! i felt like the entire cancer thing, which plays so damn heavily into the SERIES FINALE, wasn't explored enough...? it felt rushed. but it might feel like it because well there's a difference between watching a show as it comes out on a schedule vs binge watching it on demand.

and another thing that irked me is- but this is more of a "this personally makes me Feel Sad and Weird" as opposed to genuine criticism is how EVERYONE thinks house is dead except Two People. that's crazy. i have a Thing for closure and knowing things, the truth, im a little paranoid about that, but it just feels insane to me that house's own parents, family, former and current colleges, lovers, everyone... they all think he's dead when he's not. i see how that is, in terms of the Narrative, a good thing? house is truly FREE now. and if other people knew they'd probably call the police. but also that's just kinda horrifying.... I don't know. idk. also wtf cuddy wasn't there at the funeral? D: obviously i know how their last meeting went but they were such big part of each other's lives im rlly shocked she wasn't there! or even showed up at ALL in the ending scene where we see where everyone's life has headed, a little scene of her, Rachel, and someone new

and also. ._. how did that fire even start in the first place?..... did i miss something....? uaaaaah. i should watch it again

ugh but despite my peeves. i want to pass this off as Just another show ive watched, time to move on to the next, because a big part of the reason i started house and kept going and even chose to watch it at the times i did was because i have been going through some rough shit mentally for the past. entire year plus. i have relied on it to keep me distracted. i want to just move onto the next distraction but i have become so attached, it's hard to not feel :/ and :( about 1) the fact it's over now 2) it ended in a way that makes me feel funny, and not in a good way. aaaahhhhh.

[maniculum]

Bestiaryposting Results: Kraegrat

Allow me to start with a disclaimer: I woke up sick this morning, so if it seems like I'm doing a worse job than usual stringing words together, let's all agree to blame fatigue & cold medicine.

Now, on to our beast for the week. The entry people are working from can be found here:

This is kind of an interesting one: not only is there no physical description, but the entry consists entirely of describing a single behavior that has at best a tenuous connection to reality. Nevertheless, a number of people indicated that they recognized it, because this is one of those "bestiary fun facts" that tends to stick in folks' heads.

As usual, we're going to go through the depictions in roughly chronological order -- let me know if I missed yours. This week, for some reason, my original post doesn't appear under the #Kraegrat tag, so who even knows what's going on there and I'm fully willing to believe yours is hidden for some kind of absurd Tumblr reason. (Maybe it got flagged under the "don't go nuts don't show nuts" policy -- I kind of suspect that's what happened with the entry post.)

Images below the cut, because (1) aforementioned nuts, though i'm pretty sure this is within Tumblr guidelines, and (2) i really should be doing a cut for all of these but i keep forgetting.

@mobileleprechaun (link to post here) has gone all in on the pathos, making the Kraegrat small, fuzzy, and sad. They describe it as "beleaguered and persecuted" and "a poor guy" which honestly I think is pretty fair for anyone in a situation where you're constantly being hunted for your testicles. They also cite "tanuki inspo" for obvious testicle-related reasons, and yeah, I see it. Very good Sad Gentle Beast here.

@embervoices (link to post here) has done a few different species of Kraegrat, all of which have kind of a lemur look. (They also provided their own alt text, which I really appreciate, thank you.) The linked post has an explanation of design decisions, and also references that Anansi story about tiger balls. (I googled it just now, and all the results reference American Gods -- did Neil Gaiman make that one up?) Anyway, excellent whimsical lemur thing, love the depiction of it throwing the testicles.

@mayhaps-magical (link to post here) notes their "appropriate medieval disregard for standardized spelling" and explains that they reinterpreted it as "Kragen-rat". My German is almost nonexistent, so I had to do a quick check...

... okay, yeah, I see how that comes into play. I also like the idea of playing around a bit with the spelling and etymology, because gods know the medieval authors did the same with no regard for accuracy. (The vastly-encyclopedic, frequently-inaccurate work that has led Isidore of Seville to be put forth as a potential Patron Saint of the Internet is ostensibly a book of etymologies.) Anyway, I like this guy here. It kind of looks like one of those big dogs that are always kind of shy and nervous around new people, which I think fits with the description as "gentle". Also like that it apparently has both claws and I think thumbs for the throwing of testicles.

@silverhart-makes-art (link to post here) acknowledges that they're pretty sure they know what this animal is supposed to be, but they're trying to put it out of their heads. I think they've done a very good job of that: this is a pretty naturalistic drawing of a ground-dwelling mammal that doesn't quite look like any real animals, including the one that this entry was based on. The post linked above contains a description of the design decisions behind this critter, which I of course recommend checking out.

@coolest-capybara (link to post here) has, as usual, done a beautifully stylized rendition of this one. She cites the famous unicorn tapestries as inspiration, and I can absolutely see it. I think it's an interesting artistic choice to focus on the hunter rather than the beast in this drawing, but one that absolutely makes sense: the entry doesn't tell us anything about the Kraegrat except how it interacts with hunters. Enjoy your bounty of severed testicles, Sir Hunter... and, um, keep an eye on your dog if you want to make sure you still have all of them when you get home. I think it's contemplating something there. The linked post contains a brief description of design decisions, and also this line, which I enjoyed:

I'd also like to state for the record that when I started this challenge, I was not expecting to draw a field of severed testicles, but here we are. It was more fun than I expected.

@rautavaara (link to post here) has again taken an unusual direction with this one. They describe their interpretation as:

Medicinal plant-like lizard that loses its tail when scared off.

Considering this and the drawing, I think I can see the path of creative interpretation. The animal as presented in the bestiary entry is obviously ridiculous: a mammal that self-castrates to save its life is not an evolutionary success. So what could it be other than that? Well, lizards detach their tails to escape predators; what if there was a lizard with nodules on its tail that medieval people interpreted as testicles?

I can't swear that that is rautavaara's thought process, of course, but it makes sense to me as an interpretation of the material provided, and if that is what they're going for, I think it's quite clever. Also, as usual, the art style here is excellent.

@sweetlyfez (link to post here) explains that her design process consisted of blending together various animal features and then giving it sparkly magic balls, because that's all the entry really provides. Which, fair. Also I appreciate the taste in choosing what I think is "tapir + deer" as the animals to blend here. Those tusks kind of remind me of musk deer, which is actually pretty appropriate, as we'll see later. The facial expression plus the sparkly balls strike me as very funny, I have to say. Good beast.

@karthara (link to post here) was apparently also skeptical about the idea of a self-castrating animal, and if you check out the linked post, you'll see a brief explanation of how they resolved that as well as some other thoughts on design decisions. The gist is that the Kraegrat has decoy testicles, which I love as an interpretation. Fantastic. No further notes.

@cheapsweets (link to post here) has done another ink drawing that is, frankly, delightful. Love the Kraegrat escaping into the Nonspecific Medieval Trees. Love, love, love the hunter getting smacked in the face with a set of thrown testicles while his dog watches. The above linked post also provides an explanation of design decisions which I think is worth reading, go check that out.

@treesurface (link to post here) has drawn us a rat-kangaroo thing (not to be confused with a kangaroo rat) calmly displaying its lack of testicles. Looks fairly good-natured about the situation, really. They provide a brief discussion of their design decisions in the linked post, and also express a desire for more "weird scary beasts" in the future -- so I checked, and while I can't really define what is or isn't a weird scary beast, I think we should get at least one qualifying entry in January.

@pomrania (link to post here) has made the understandable decision that they aren't going to draw animal genitalia today. Fair enough. I also think this is a pretty good depiction of a Mammal that is clearly not any animal we're familiar with -- I'm impressed by how many of the drawings we're getting for this are Plausible Yet Unfamiliar Beasts. Anyway, pomrania provides early sketches and an explanation of design decisions in the linked post. They also express relief that this is not "Yet Another Bird", and I regret to inform you all that there is a small cluster of Bird entries coming our way.

Anyhow, let's take a look at the Aberdeen Bestiary depiction for this one.

I have to say I find this illustration very funny. That bizarre pose where it's wrapped around a tree is good, but what really makes it is the hunters. Look at those two. Spear Guy looks like his eyes are about to bug out of his head, while Axe Guy seems like he's going "hey, is that normal? should we be doing something about that?"

Anyway, as some of you guessed (and as I'm sure more of you picked up from that very accurate Aberdeen illustration above), this is a Beaver.

Yeah, the whole testicle thing is probably a misunderstanding of the castor sacs that beavers use to scent-mark their territory. Castoreum is still used today, mostly in the perfume industry I think, but apparently the medievals had some kind of medicinal use in mind. So the people who surmised that this isn't actually talking about testicles but rather some other anatomical feature that looks like testicles were correct. I have no idea where the idea came from that the beaver would rip them off voluntarily, though.

So! There's this week's bestiaryposting. I will now Retreat to My Chamber and Lay As One Dead (scroll Tumblr in bed until I fall asleep).

[darklinaforever]

No because once again, you are just repeating like parrots the same arguments over and over again that have already been dismantled and I don't care. As one of these anonymous messages says, it must be tiring and boring to post the same thing 24/7...

I know the definition of grooming as well as the true meaning of what is implied in a historical context. And obviously not you. I already did an entire post explaining this book and show grooming bullshit :

But all you care about is appearing morally superior and you look like a bunch of ridiculous fanatics. Or some ridiculous bigot, because I'm pretty sure it's the same person sending these stupid messages over and over again.

What is your problem ? You're bored ? Why are you spying on my accounts like that ? Seriously, why are you so obsessed with me ? I imagine him on the lookout for the slightest post on Daemyra that I make ready to pounce like a predator on its prey. My god, this person(s) must not have a life. It's sad. 😂

What do you expect ? That between the insults and the repetitions of the same stupid arguments over and over again for a long time I actually delete my account to please you ? Or that I suddenly say : Oh but my god you are right ! You delivered me from evil ! Daemyra is such a groomer ! Daemon is a monster who doesn't love anyone ! 😱😂

By the way, here is again the little free quote from GRRM Martin's book on Daemon, his favorite character whom he considers to be a gray and complex character. So your Daemon is BAD BAD BAD, well the author himself tells you no :

Over the centuries, House Targaryen has produced both great men & monsters. Prince Daemon was both. In his day there was not a man so admired, so beloved, & so reviled in all Westeros. He was made of light & darkness. To some he was a hero, to others the blackest of villains.

You really look like a bunch of disillusioned idiots. It must be hard when the true creator himself doesn't agree with you on what the character is.

It must also piss you off that these interviews for the series exist, right ?

There's no point in booing me because I say something that has already been said by the directors and screenwriters themselves. I don't agree with everything they say or do in this stupid adaptation, but at least we can agree on some points.

Oh, and I have already said I don't know how many times that I recognized that Daemyra had toxic aspects in the series version, except that, so what ? This will prevent me from shipping the Daemyra version of the series maybe ?! No. Love is not necessarily something pure, we have to stop the bullshit, especially in fiction. On the other hand, I maintain that there is nothing toxic in the book version. There is no such thing as a brothel. It's an invention of Mushroom. There is no voluntary abandonment of Daemon for 10 years. In reality he was banished under penalty of death. There is no Daemon leaving Rhaenyra to deal with childbirth alone. He was by his side in the books. There is no strangulation either. And once again, the age difference and the incest aspect are not real arguments as to a possible toxicity in their relationship, due to placing the relationship in its fictional and historical context from which GRRM draws inspiration, namely the feudal era, where age differences and incest were included in the customs of the time for specific reasons. Especially if we are in a family where incest has no impact due to their MAGIC BLOOD ! These elements are not evidence of toxicity. Open a history book. An age difference and incestuous marriage in a historical context does not necessarily result in toxic abusive relationships. This is bullshit.

Also, I don't have the impression that you will understand that the show is not the book. I always distinguish between the two and obviously you don't. Because what exactly do you believe ? That if Daemon cheats on Rhaenyra in the series, my world will fall apart ? No. My posts on Daemyra will continue because the book will always exist. You know, the book that has a different canon from the show, therefore implying that the canon of the series cannot interfere with that of the book. But you didn't remember the difference between the two. You prefer to mix it up to fix your pathetic vision.

The series is already shit. Even for the Daemyra relationship they messed up on a lot of points. And I'm not even going to start with the greens, Alicent etc. It is a disaster. The series itself is full of inconsistencies.

I will add that in reality you do not care about the so-called abuse that Rhaenyra suffered from Daemon. Otherwise you would care what Alicent and the greens team did to her. But you don't care. You even expect the show to write scenes of stupid abuse between Daemyra over and over again. Because you don't actually care about Rhaenyra. The proof tells you that no one can love the whore of Dragonstone, a nickname literally coming from the greens team. Bunch of hypocrites.

Once again I recommend going to the tumblr of @la-pheacienne and of @horizon-verizon to educate you on what the character of Daemon and the Daemyra relationship really is. The posts of @stromuprisahat are also pretty good in general on Fire and Blood.

The antis are really crazy. The bitch who should close her account apparently well she tells you to go fuck yourself and buy a life.

@aleksanderscult

[empty-dream]

I wanna talk about the MV of Frieren 2nd OP song Haru (which surprisingly doesn't mean Spring (春) but Sunny (晴る)) Almost missing out this MV because it's not done with original Frieren AMV just like the first OP. But someone recommended to watch it anyway and I did. And DAMN IT'S SAD. AND HEAVY.

The story itself is pretty straightforward and easy to understand once you finish the entire MV. The fun part comes from the Youtube comments. There are several interesting insights about the MV, the song itself, and the relationship with Frieren series. After digging and crosschecking here and there plus some thinking, few points I'd like to bring up are:

Relation to Sousou no Frieren

This. Enough said.

On more detailed note, 晴れる (Hareru) means to clear up, to stop raining, to be sunny. Himmel in German means heaven. So it's basically turning into "clear heaven/sky"

You know Himmel's presence was so big and brought hope wherever he and his party was. Even in the Demon King era, his heroism and kindness brought light the people's life. Even now, long after he's gone, Frieren keeps meeting people who are directly or indirectly impacted by his actions, even for the smallest things like helping around the village. It was enough to cheer everyone he comes across.

I was thinking of how Serie and Frieren could end up so different despite being the same race as elves with unprecedented talent for magic and similar rather cold distant personality. Perhaps I'll talk in another post about it but for me, I feel like one of the biggest differences is that Frieren got to meet Himmel. Long after Flamme died, Serie is basically still alone at the top despite having more disciples, while Frieren meets Himmel and through him meet the others and then she walks the same path as them. Even after the two people she ever cares about die, Frieren's sky becomes clear as she learns about her own feelings and what should really be treasured in human limited time versus her own limitless one. Or at least that's how I interpret the anime.

The song itself

The lyrics often mention of how beyond the rain pouring down from the clouds, the sky up above is sunny. Beyond pain, there is peace. It's fitting the whole "clear (up the) sky" theme.

I've listened to a few Yorushika's songs before Haru, and while their songs are kinda hit and miss for my taste, I enjoy Haru a lot. And I didn't know that wordplay is Yorushika's specialty. After looking at some of their songs, I found out they like switching kanji of the titles so that the titles hold double meanings.

And honestly, whenever I picture "spring", I always pair it with "clear sky." Even though rains do fall in spring too, I always go with sunny. This whole kanji switch is genius, ngl.

Once I knew that one of the member, n-buna, is a Vocaloid composer, I was like "Huh. No wonder." Sometimes wildest profound lines do come out from Vocaloid songs.

The MV in general

The MV itself is straightfoward. The father is unaware he's dead. The son has been alone all these times. But still, the wish to live in a world of sunny days free of war and loss just like back in the day goes on.

An interesting top comment theorizes the wall here resembles the Western Wall in Jerusalem, while the tree with flowers shown in the last seconds looks like the olive tree. Olive tree means peace and reconciliation. The metaphor "offer an olive branch" means "wanting to end the quarrel and disagreement." Olive branch is present in the emblem of Israel while olive tree is considered as a national symbol for Palestinians. As of this writing I haven't found any official confirmation for those theories. But either way, this is clearly about living in war state-something that is unfortunately ever-present in the world.

I personally think that the release timing, the choice of story and certain elements in it like the wall, the plant and the sea, all make the MV extremely relevant to the genocide and occupation of Gaza now, whether it's actually intentional or not.

The director of the MV, Kohta Morie, tweeted something along the line of 'I present this work to those who did not have the chance to be "sunny."' Incredibly sad, when you think about it.