#just little character things that I think would have made a big difference

[infinitelystrangemachinex]

Jayce and the fallacy of the butterfly effect in Arcane's narrative

If Jayce's symbol is the butterfly, then my theory is that we're going into a full "butterfly effect" narrative in Act 2. Either we'll watch it happen, or we'll only see Jayce come out the other side of it changed by the experience, knowing - or more importantly, THINKING he knows - what to do to change the future. Literally, to "defend tomorrow."

tl;dr: Jayce will encounter the butterfly effect in season 2. Viktor and Mel both foreshadowed this in season 1. I think Jayce will fixate on Viktor and will believe that stopping or changing Viktor either in the past or the present - most likely the present - will mean he can save the future. I believe this will lead to an even worse tragedy and may have the same effect as a self-fulfilling prophecy. Ekko's approach to changing the future by sticking closer to the present - considering only tiny increments of time to alter more immediate future outcomes - will be the superior approach. I also think that Jayce attempting to change the future will create the conditions that push Viktor to become the Machine Herald.

One of the most common reactions even the casual viewer had to Arcane season 1 was this: "If [character] had just done this one small thing a little differently, [tragic event] wouldn't have happened!"

Arcane has been called a Greek tragedy for the main reason that because of how well built up the characters' personalities and reasonings are, there's no other way season 1 could have gone. There was no stopping the multiple tragedies that occurred, because with one event leading to another, the chain of seemingly inevitable events goes too far back to identify what one singular event caused everything, what one character made what one decision to put our characters on the terrible paths they walked.

Arcane is about to investigate this idea in its own narrative, and I think that Jayce will be the character to stumble into the flawed idea that you can change one event, or stop one character, and change the future for the better. This is because Jayce struggles with a few very interesting character flaws, one of them being that he believes himself to be the main character, and it is therefore his responsibility to intervene, be a hero, and fix things.

Viktor and Mel both foreshadow Jayce's future encounter with the butterfly effect.

Recall that Viktor said: "There is always a choice."

Jayce sees choices in black and white, believes that he has no other options but to go along with what he's persuaded and pushed into, and acts too boldly with too much power multiple times.

Recall that Mel said: "We can't change what fate has in store for us, but we don't have to face it alone."

Jayce tries to solve big problems on his own, and though he delegates to Enforcers and the like, Jayce relies on his reasoning and his alone to make important decisions if he doesn't simply become persuaded - usually through strong emotions like fear - by other characters. In addition, since Mel is specifically talking about Viktor's plight here, it's worth mentioning that while Jayce did say that he would help Viktor in acts 2 and 3 of season 1, Jayce does wind up leaving Viktor to face his fate alone. When Jayce tries to change that fate in s2 ep1, ep2 shows that only tragedy can come of this as well.

Viktor and Mel's statements here are not contradictory. Viktor makes the point that you can always make a choice. In context, he's literally referring to the classic "secret third option," because given a choice between aggression and passivity, war and surrender, Viktor chooses to defuse the bomb instead. Mel, interestingly, seems to believe that destiny is fixed in a broad sense, and she operates as a politician and diplomat and investor who navigates that line of destiny in the most optimal way possible. In reality, in context, she is referring to the fact that Viktor can't change the way he was born and so he has no way to change his fate and therefore must face it, which is true - she's only missing the information that Viktor actually does have the means to change his illness and his body. Her wisdom still applies however, because he'll have to accept the hand that fate deals him after he makes that choice. Will he face it alone, or not?

There is always a choice, there's even secret third options, because having a fate doesn't mean that you are doomed to make only one possible series of choices. What it does mean is that each choice comes with a hand that fate deals you. It is impossible to know what all of these branching choices and consequences are in advance, and it is just as impossible in hindsight - the branches are too complex and the end outcomes are all equally meaningful, just different. If Arcane season 2 is to be a tragedy, it may show us that each possible outcome is still tragic if you fall for the fallacy of the butterfly effect.

Jayce is counseled by some of the wisest, cleverest characters with the deepest life experiences in Arcane, but he hardly ever takes that counsel to heart. If he does, he still acts on that counsel in flawed ways that have unintended consequences. This will come to a head in season 2.

Viktor and Jayce both have a butterfly following them around in season 1. The butterfly effect refers to one small seemingly insignificant event changing the course of history, and changing that event therefore changes history. Viktor bled over the railing of a Hexgate in season 1:

And Heimerdinger sees what we can only assume is Viktor's blood contaminating (?) the Hexgate in s2 ep3:

This might be the seemingly unimportant "inciting incident" that Jayce (and Heimerdinger and Ekko) settle on as something that should be avoided or erased by changing the past (if they time-travel with Ekko, for example).

I doubt that, if this is what this crew chooses to fixate on, it will be the only event that is considered as something to change. But let's take this and run with it for the sake of discussion.

As silly as it sounds, how do you stop Viktor from allowing his blood to come into contact with the arcane? Stop Viktor's involvement with the Academy entirely? Don't invent Hextech at all? But what if someone else invents Hextech besides Jayce? What if future tragedy befalls Piltover because it didn't invent Hextech?

The possibilities and what-ifs could branch on forever. But because Jayce is who he is, and because his tragedy with Viktor is still raw and recent and frightening, I think Jayce's butterfly effect experience will have to do with Viktor.

My personal prediction is that the timeskip between s2 ep3 and ep4 will be Jayce experiencing a timeline where Viktor, taken over by the Hexcore, brings about an apocalyptic event similar to what Heimerdinger experienced in his past. Either Jayce and co. can't go into the past to change the present, or Heimerdinger and/or Ekko advise strongly against it to avoid a paradox. This will lead to them re-entering the canon Arcane timeline before this apocalypse, but still after the timeskip. Jayce, believing that destroying Viktor and his cult will save the future, and believing that resurrecting Viktor was Jayce's mistake to fix, attacks him. But the consequences don't unfold the way he hopes, because trying to change fate once the cards have already been dealt has led to tragedy before.

The butterfly is a symbol of something other than just the butterfly effect - change, evolution, and rebirth. If the butterfly symbolizes the butterfly effect for Jayce, then I think it has a different meaning for Viktor - the change and rebirth meaning.

I've always found it very interesting that we see a similar-looking butterfly on Progress Day... but made of metal.

Every time Viktor's situation changes, he adapts and evolves. If Jayce attacks him, if his cult is destroyed, if the Hexcore is causing Viktor to decay, if all of these things happen at once - he'll just evolve again, and I think the Machine Herald is the next step. And the Machine Herald will be a triumph for Viktor, but Jayce will believe that he's created something even worse. The resulting feud will be a personal nightmare for both of them.

I think this still allows Viktor to use his own agency to choose to become the Machine Herald (the MH will probably be the "secret third option" that saves Viktor, or there will be a secret third option that ends the feud) while still allowing Jayce to be offended and horrified at whatever the Machine Herald represents or is trying to do in the undercity. Introducing the element of time travel allows Arcane to explore the meta concept of tragedy and fate that season 1 was built on while showing that you can't "solve" a tragedy, because there are other terrible possibilities lurking behind alternate choices. Especially if what you're trying to change is singular people or events and not systems of power.

This is why Ekko's approach with his Z-drive will be superior to Jayce's sweeping attempt at changing the future. Ekko's goal has always been societal change. He creates his own punk society in the undercity, more progressive and successful than anything Vander or Silco ever created, and a better bastion of safety, hope, and progress than what Heimerdinger founded in Piltover. Trying to change systems by going back in time is most likely futile. But taking what Ekko has already built in the Firelights, curing his tree, and fighting for the Firelights' survival bit by bit by optimizing the present with the Z-drive shows that:

It's more worth it to focus on becoming wise (Ekko's mask is an owl) and making choices you won't regret

It's best if you don't face your fate alone (act as a collective and take care of each other)

Consider every option, not just the obvious black and white choices

Maintain and fix what you've already built instead of abandoning it once things get difficult

Adapt as needed if the choices you made lead to dark consequences, and once again, stick together and take care of each other when the bad times do come

That's my Act 2 but, ultimately, my season 2 prediction based on the butterfly symbolism we've already seen. Ekko's involvement is what will give the series the at least partial happy ending that the creators have referred to. I personally don't think that the Viktor/Jayce feud will end quite so well, but maybe, they will still survive.

[girl-next-door-writes]

And Everything Changed

Characters: Eddie Munson x reader

Summary: Eddie Munson’s D&D game takes a surprising turn when a new player arrives, leading to unexpected romance and vulnerability.

Word Count: 1527 words

Prompt: ‘Now Kiss her.’

A/N: This is for @caplanbuckybarnes Disney Celebration

Eddie Munson sat in the dimly lit room, drumming his fingers on the table, waiting for the Hellfire Club members to arrive. This was their big campaign night, the night when their characters would either emerge victorious or face unspeakable doom. But there was a problem—Gareth had dropped out last minute, flu. A replacement was required, and fast.

When Dustin suggested the idea earlier in the caffeteria, Eddie had balked.

"Are you sure about this?" Eddie asked, his fingers still tapping a restless rhythm. "She's never played DnD before."

"Trust me, Eddie. She’s cool. Plus, she's into fantasy stuff," Dustin replied, already confident that this would work out.

Eddie sighed and ran a hand through his untamable hair. It wasn’t that he doubted your ability to grasp the game—it was something else. You’d been hanging out with them more lately, joining their lunch tables and occasional after-school hangouts. And as much as Eddie tried to play it cool, there was something about you that made his pulse race and his thoughts jumble. You were... different. And maybe that’s what scared him.

"Alright, fine. Bring her in. But if she can't handle the pressure, it's on you," Eddie said, pretending to be casual, even though a small part of him was excited at the thought of spending the evening with you.

When you walked into the session that evening, Eddie’s breath hitched. You looked a little out of place, unsure of what you were stepping into, but still radiating confidence. Dustin had given you a brief rundown of what you were getting yourself into, but nothing could have prepared you for the theatrical spectacle that was Eddie Munson running a Dungeons & Dragons campaign.

"Welcome to the Hellfire Club," Eddie said, his voice deep and theatrical as he gestured to the table. "I hope you're ready for the most intense adventure of your life."

You smiled, a little shy but intrigued. "Thanks. I hope I don’t mess up too much."

"Nah, you'll be fine," Dustin chimed in. "Eddie's a good teacher."

Eddie shot Dustin a glare, as if to say 'don't oversell me,' but then he turned back to you and gave you one of his trademark devilish grins. "Alright, sit down, newbie. Let’s get started."

As the game kicked off, Eddie watched you carefully. You were picking things up quickly, asking questions when needed but mostly diving into the story with surprising enthusiasm. The room was buzzing with energy as everyone got lost in the game, but Eddie couldn’t help but be distracted by you.

It wasn’t just your character’s quick thinking or the way you seemed to take to the fantasy world so easily—it was you. The way your eyes lit up when something exciting happened in the game. The way you leaned forward when your character was in danger. And how, when you laughed at one of his ridiculous voices, it felt like a little victory.

As the campaign progressed, something shifted. The game wasn’t just a game anymore—it became a stage for something bigger. Every glance between your character and Eddie’s NPCs seemed to carry more weight. Every time your characters interacted, it felt like the two of you were playing out something just beneath the surface, something neither of you had the courage to confront directly.

And then it happened.

The group had just survived a major battle. Your character, an inexperienced mage, had managed to cast a spell that turned the tide in their favor, saving everyone from certain doom. Eddie, as the dungeon master, described the aftermath in vivid detail.

"The smoke clears, and all that’s left are the charred remains of your enemies. But as the dust settles, you realize something—your companion, Sir Andor," he said, referring to the noble knight NPC he’d been playing, "is badly wounded. He falls to the ground, bleeding."

You looked at Eddie, your brow furrowing. "I rush over to him. Can I do anything?"

Eddie leaned forward, the intensity of the moment pulling everyone in. "Sir Andor looks up at you, his breaths shallow. 'I fear... this is the end...,'" he said, dropping his voice low to play the character.

"No," you whispered, your voice filled with genuine emotion. "It can’t be the end."

The rest of the group was watching in silence, completely wrapped up in the drama unfolding between your character and Eddie’s. Even Dustin, who usually cracked jokes during the game, was unusually quiet.

"I want to... try to heal him," you said, almost hesitant.

Eddie’s heart skipped a beat. He wasn’t sure if it was the game or if it was you, sitting right there, your eyes locked with his. For a moment, it felt like everything else fell away.

"Roll for it," Eddie said, trying to keep his voice steady.

The dice clattered across the table. It was a high roll—just enough to succeed.

Eddie cleared his throat, slipping back into character. "Sir Andor looks at you, his eyes softening. 'You... you saved me,' he says, his voice filled with gratitude. He reaches out and touches your hand."

The room was thick with tension, everyone waiting for what would happen next. Your character had saved him, but the moment felt bigger than the game.

Dustin, sensing something in the air, leaned forward with a mischievous grin and whispered, "Now kiss her."

The table erupted in laughter, breaking the tension. But Eddie, instead of laughing it off, looked at you. He wasn’t sure why, but he couldn’t pull his eyes away. His heart was racing, and the playful comment had hit a little too close to home.

You looked back at him, a small smile playing on your lips. "Well, Sir Andor?" you teased, breaking the silence.

Eddie chuckled, but there was something different in his laugh now—something real. "I think Sir Andor... owes you more than just a kiss."

The rest of the game played out smoothly, but the dynamic between you and Eddie had changed. What had started as a game had turned into something far more personal. By the end of the night, as the other players packed up their things and said their goodbyes, you lingered behind, waiting for Eddie.

"I had fun tonight," you said softly, your voice carrying more meaning than just the game.

"Yeah? Even though you got thrown into the deep end?" Eddie asked, trying to sound casual, but his nerves were betraying him.

You shrugged. "I think I did alright. Plus, I had a good teacher."

Eddie smiled, but there was a vulnerability in his eyes now. He wasn’t sure if it was the game, the way you’d thrown yourself into the character, or the fact that you’d stayed after everyone else had left—but something had shifted. He wasn’t just crushing on you from a distance anymore. There was a real connection here, something deeper.

"I, uh..." Eddie started, his voice faltering. He wasn’t sure how to say what was on his mind, so he just blurted it out. "I’ve kinda liked you for a while, you know."

Your eyes widened slightly, but instead of pulling away, you stepped closer to him. "I know," you said quietly.

Eddie blinked, surprised. "You do?"

You nodded, a small smile tugging at your lips. "I’ve noticed. And... I kinda like you too."

Eddie’s heart skipped a beat, the world around him fading into the background. For a moment, he didn’t know what to say. He wasn’t used to feeling this vulnerable, this exposed. But at the same time, it felt right.

"I, uh... I don’t know how to do this," Eddie admitted, his voice softer now. "I’m not exactly the guy who gets the girl, you know?"

You reached out and took his hand, your touch grounding him. "You don’t have to be perfect, Eddie. I don’t want perfect. I just want someone who sees me, who’s willing to stick around even when things get messy."

Eddie looked at you, his heart swelling with something he hadn’t felt in a long time—hope. "Yeah?"

"Yeah," you said, stepping even closer. "I want someone who can love the parts of me that aren’t always easy."

Eddie swallowed hard, his eyes searching yours. He couldn’t believe what he was hearing. It was like you were speaking the words he’d always longed to hear but had never dared to hope for.

For a moment, there was nothing but the two of you, standing there in the dimly lit room, the echoes of your words hanging in the air. And then, without thinking, Eddie leaned in and kissed you—not in the way Sir Andor would have kissed your character in the game, but in a way that was real and raw, like it was the first time he’d ever truly let himself feel this way.

When he pulled back, his heart was pounding, and he could barely catch his breath. "So... does this mean you’re coming back to Hellfire next week?" he asked with a teasing grin.

You laughed softly, still holding his hand. "Yeah. I think I’ll stick around."

And just like that, everything changed for Eddie Munson.

[ceaselesswatchersspecialboy]

Okay here we go

Does Stanfraud's eye still bleeds, like when Bill was possessing Ford or doesn't because of his bigger connection to Ford's body?

Is Stanfraud an uncle/big brother figure to Soos, like Stanley is his dad figure? Does Bill even care about him even a little😢

I know that the main focus of this au is on Bill, but since Stanley didn't try to pretend to be Ford, how did Stanley's and Filbrick's first meeting went after the whole "getting kicked out" thing"? Especially since both Stan and Ford were definitely broke at the time

You mentioned that Bill still has access to a little portion of his powers, what are they exactly?

Anyway your au is genuinely awesome and seeing it on my dash is always a huge treat 💛💛💛

Okay the first question I really want to answer because I’ve been thinking about this:

— His eye definitely bleeds on occasion. Even though he is far more connected to Ford’s body here, he’s still a demon possessing a host. He shouldn’t be there. There’s some outer force keeping him trapped. So I have thought about the fact there would probably be some lasting impacts on the body due to possession exposure for so long, such as the eye bleeding becoming a regular problem and gradual loss of vision in that eye. There may also be other physical impacts, but I’ll work on those when I manage to get down an official design for him.

— Great News! He is like Soos’ weird uncle! That may be where he learned to be somewhat decent around kids, honestly. He absolutely tried to mess with him at first, make jabs, tell him the date of his death, attempt to drive him to madness just a little (this is why Stan had to get rid of the last handyman), but Soos proved to be incorruptible and took all of Stanfraud’s weirdness in stride. Bill does end up caring about him. He goes as far as to liking their conversations. Soos keeps up with his chaos! Even Bill isn’t sure what’s going on in that head of his (when he gets his own body back he’s going to find out).

— Though Bill is the main focus of the plot-change, the other aspects are equally as important and so I’m glad they also have people’s interest! Their first meeting is… tense, to say the least. If Filbrick has any regrets, which I think I’ll leave up to interpretation, he’s far too stubborn a man to show them, and would rather dig himself further into a hole than admit he made a mistake. Stan desperately just wants to ignore all the scathing comments and get this little reunion over with, until Filbrick makes a comment about Ford, then Stan snaps. You can insult him, he probably deserves it, but not his brother. Sure, they may not be his brother right now, but the intent is there, and that’s what counts.

It cuts everything short, with Stan grabbing Fraud and telling him they’re leaving (He doesn’t complain).

With Filbrick, I do kind of want to explore their dynamic over the years while he’s still alive, especially with Stan, but also with how he’d treat ‘Ford’ and his odder behaviour. I don’t want to just make Filbrick a one-dimensional character though, as I think there’s a lot to be said about the cycle of abuse and parental projection so. While the AU may be based around the question ‘what if Bill got stuck possessing Ford?’ The answers it has lead me down a lot of different paths to explore — such as this!

— The powers he has access too lessen over time, but currently he is somewhat capable of seeing potential future outcomes (ciphervoyance), pyrokinesis, telekinesis, faster healing factor and teleportation. Note that all of these are in a much weaker state and drain Ford’s body and by extension Bill heavily — especially teleportation. Doing that once can cause him to pass out, so it’s more of an emergency thing, most his abilities are honestly. Too much focus is required.

And I’m so happy to be a little treat on your dash!! I hope you enjoy all this just as much!

[randomfoggytiger]

So, ehat was your take of the podcast of these two old friends? I thought it was lovely and different than his other podcasts. She gets him to relax.

Now, what about the recreation of the picture they said they would do?:) I think they might have talked about the picture but not when the photoshoot would happen. Xmas is around the corner. Come on guys, give the Fandom a merry David-Gillian gift of all time! It's been a dry spell without your loving craziness. Hike up those stockings on your little legs, G, and hop onto those DD shoulders.

It'd be funny if they did, wouldn't it? It'd also be funny if they recreated it in a way that wouldn't hurt either of their backs, shoulders, or knees, too. XDDD

I had an excellent time with the podcast! It confirmed every single one of my suspicions, theories, and guestimations of their friendship: their personalities, their focuses, their dynamic then, their dynamic now, etc. It was refreshing. It was, for lack of a better word, simple: the facts were the facts were the facts, and there wasn't anything big or grand to be made of their interactions, past or present.

I liked hearing them talk over each other. I liked that both admitted to already butting heads in Season 1. I liked that both admitted they'd never thought to trade childhood stories, or cross their personal lives over.

Most of all, I loved their candor: David admitting he felt dumped in the Revival, and that Gillian didn't know and felt sorry in retrospect. That Gillian didn't feel dumped during the first run. That Gillian thought the Revival's story line reduced her character, especially the ending. That David felt trapped and villainized over the pay gap issue; and only later learned his pay wasn't due to his merit so much as internal favoritism. That Gillian now understands and feels for his pain. That David still feels the sting of Vancouver hating him and being forced out of rehab anonymity, and all the pain he gathered from both incidences. That Gillian admitted she doesn't process shame, just stays too busy to have to face it. That David felt comfortable to say that was unhealthy, and that she felt comfortable enough to hum in agreement. That both know their children have to fail, because they would fail their own children if they stopped those failures. That David tried to drill into his son that he's a miserable person and nothing is as it seems; but that that perspective hadn't worked. That Gillian feels motherhood is the most fulfilling thing for her, yet chooses her work over and over (again, staying too busy to feel shame.) That DD knew as early as Season 1 that Chris intended for Mulder and Scully to be an end goal-- asking CC if he wanted to send GA and himself to couples' counseling as their characters. That GA forgot and laughed over the memory. That Gillian arrived late after he offered her a ride on his private aircraft; then wrote him a beautiful letter, on the plane, instead of saying those words in person. That he marveled she hadn't gone insane from the pressure. That she no longer feels the need to run from Scully's legacy. That both admitted that communication, though important, was non-existent during that time in their lives.

There are so many good bits. But I have two takeaways:

They have the same frenetic drive, the same "crazy" as David calls it; but I can see why it drove a wedge between them (and could, now): they wouldn't be able to tolerate that same freneticism in each other in large doses. (Hence, why they didn't speak for weeks while on set, and were already exchanging "blows" in Season 1.)

Most importantly, they were two old friends who purposefully dug in and rediscovered new things about each other. The camaraderie was different: settled, more "in-character" to how I think they talk when David doesn't feel like he has to perform (though there was a bit of that) and Gillian doesn't feel uneasy, or anxious, or "watched."

In short: they felt wholly the same, but in a new way. :DDDDD

[northlight14]

Fixing Larry Butz’s character development

‼️spoilers for Phoenix Wright trilogy ahead‼️

I’m aware that what I’m about to say probably isn’t anything new in the ace attorney fandom but I wanted to give my thoughts on all this anyway. I know both myself and a lot of the people in the fandom fucking hate how Larry was characterised in the 3rd game. I got told by a friend before hand that they completely ruined his character but admittedly I still held out a bit of hope, only to be majorly disappointed. As much as I adore the 3rd game, it does honestly feel like they forgot about everything that made Larry likeable in the first game. So this is basically gonna be me talking about how I personally would have developed his character.

First things first, they should’ve kept his personality and bonds with the other characters the same. While he’s similar and I’m more than happy with Phoenix getting annoyed with Larry, in the 3rd game Larry’s likeable traits are all completely abandoned and what’s left is just a womanising idiot and it feels like Phoenix straight up hates him. Larry can be a bit of an idiot who pursues relationships with women that don’t work out, I’ve got no problem with that as long as he isn’t creepy about it. But let’s not forget this dude interrupted an entire murder trial just to defend his friend he hadn’t talked to in literal years! Larry is loyal as fuck and in the first game Phoenix notes that while he always seems to get into trouble, it’s hardly ever his fault and he just has bad luck. If he was gonna be shown in the third game that should’ve been shown more. I guess it kind of is in some instances but never properly and it’s really disappointing.

Secondly, have him either make an appearance or at least be mentioned in the second game. This pissed me off so much Larry wasn’t so much as mentioned in this game. We obviously talk about Phoenix’s mourning period after “Prosecutor Miles Edgeworth chooses death” but what about Larry? He was childhood friends with Miles too who lost touch and just got him back only to lose him again! Miles, who in school, despite them having their differences, never told anyone about how he suspected Larry of actually stealing his money. That might not sound like a big thing but Larry even notes that if Phoenix hadn’t been the one being accused, he would’ve been. Chances are Larry was accused of stuff all the time as a kid. Considering that, Miles was probably the first person in a long time who didn’t want to get him in trouble. Continuing with this, Phoenix would be the only person Larry knows how knew Miles like he did and would truly know what he’s going through since they both lost that same childhood friend after just getting him back. Phoenix, the only person who’d understand, who spends that entire time refusing to speak about it, to the point he tells Maya to not even say his name. Literally all I want is either a few scenes of Larry trying to talk to Phoenix about it, only for Phoenix to shut him down instantly and then later Larry either also getting mad at Miles on Phoenix’s behalf or trying to calm Phoenix down about his return, and then also getting to see Miles again after he’s back from the dead and them having their reunion. Or, if there truly wasn’t time for any added scenes, just have it be mentioned in passing when Maya tries to talk about it and Phoenix just tells her “I’ve already told Larry and the others to not even say his name”. Just something small like that to show that Larry is also mourning the loss of his childhood friend adds just another layer to his character that I think he deserves and makes the whole thing more interesting in my opinion.

Finally, actually address his issues and insecurities instead of just making it a joke🙄 I feel like they tried to do this somewhat in the third game but honestly it just fell really flat for me. This isn’t me saying that Larry suddenly has to be this really tragic character because I definitely don’t want that. In a series filled with dead loved ones, murder and trauma, I really like that Larry can offer a form of comic relief. But if they’re going to repeatedly acknowledge the fact that he’s super insecure in the third game, at least go into why rather than just saying it🤦. Since first school Larry has been blamed for things to the point that his school had a fucking saying for it. It’s no wonder he feels inadequate in comparison to the other characters and it wouldn’t surprise me if him persuing these relationships with women is a way for him to achieve a form of validation that he was deprived of as a kid. Now obviously the game doesn’t have to go that deep into it and can leave things open to interpretation but I think Larry would have benefited from having a moment of seriousness during one of the cases after he messed up, genuinely asking Phoenix “how can I help? I know I keep messing things up. I have all my life and I want to make it right.” Just a moment of genuine friendship and reassurance between the two of them so it doesn’t seem like Phoenix hates Larry’s very being (seriously they’re supposed to be childhood best friends and they’ve stayed friends all this time but the third game has me asking why that’s the case)

Those are just my thoughts tho and I’m down to hear other’s opinions!

[thedrotter]

as a little treat i am sharing with you little Aya doodles I've done over the last few days to unwind ww just little expressions based on lines in-game because those are always fun to draw. nothing too special just biscuit

it's Aya because upon doing bizarrely throughout playthroughs of the game for still unspecified project purposes I've gained a soft spot for her she's my daughter now my mental tier list on my favorite characters is so confusing right now

[microwaving-tesilid-argente]

hi guys, may i introduce you to the concept of ailette/hestio

If hesphael is ephael giving in to hestio with some jibes that have little to no heat behind them, then ailette/hestio is ailette returning hestio's energy even more and hestio not being able to take it. Ephael teases hestio with a ☺️ or 😄 face while ailette is like >:)) and she does not pull punches. she would embarrass him happily and watch him combust. They compete on a bunch of inconsequential things and hestio loses 80% of the time because ailette is just too cool like that.

[toytulini]

thinking about my oc Bytte. and. her gender is Aro. her Aromanticism is inextricable from her gender experience.

[valeriehalla]

I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.

I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:

the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and

the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.

Okay. Point 1. The frog-boiling.

Let me put this in perspective for you. There was already a meme about how the characters in “Saki” don’t wear underwear when I was in middle school. I am thirty now. Okay? And it’s still going.

In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. It’s because the underwear ran out of places to hide. I’m obsessed with this thought: somewhere in the over 20 volumes of “Saki”, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didn’t even realize it when she drew it! The frog? Boiling!!

And of course there is also the breast expansion. I don’t know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, “the one with the big boobs”, and over the years you emphasize that trait further and further so that the signal doesn’t get lost in the noise. It’s just that normally—in like a wildly popular manga series about mahjong published by literally Square Enix, for example—normally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and you’d go, “Well, this is now untenable.”

That did not happen. There is no ceiling. The frog is soup.

Point 2. The complete and utter mundanity of all of this.

It’s like this, okay: there’s no shortage of trashy ecchi manga out there. There’s a million other comics doing wildly bawdier things with wildly more improbable bishoujos.

The vibe with “Saki” is different.

It’s hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as “leering”, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into it—I can’t imagine anyone is making her do this—but “Saki” the comic has no opinion on the matter.

There are essentially no male characters in “Saki”. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of “Saki”, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so it’s no problem. It’s so much not a problem that the story is about mahjong, instead of any of that.

So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of “Saki”, right: it’s just normal that they don’t wear underwear and their boobs are arbitrarily big. It’s been normal. It was normal before the story of the manga began. It’s just how things are. Nobody bats an eye about it, and if they do, it’s in sort of a lesbian kind of way so like what’s the problem, we love lesbians here. This is literally normal for girls.

The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.

Do you get??? why I’m so fascinated??? Are you not a little enraptured???

Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????

[arolesbianism]

Stares at the sekai writers with my big wet brown eyes. Pls don't forget abt how Kanade hid the fact that she met with Mafuyu's mom from them and that Mafuyu knows abt that now

[kathaynesart]

Took a bit of time to myself to finally sketch out my vision for Frida based off Andy Suriano’s Farewell. More design thoughts under the cut.

I know some were wary of her appearing too feminine, but honestly I enjoyed the challenge of finding a way to feminize the base turtle model and stay true to Andy’s wonderful design. I don’t want her to just look like her brothers in a show that embraces their differences.

The biggest thing I added to her design was an exposed heart. My own little twist inspired by a real life issue some turtles deal with as well as a fitting ode to the artist she is named after, Frida Kahlo, who often drew herself with her heart floating outside of her body. (And yes I made the creative decision to keep her heart at her center as with many turtles.)

This deformity occurred during her mutation where the sudden growth spurt tore open a hole at the seam of her plastron. She has survived as long as she has because of Big Mama who uses mystic wards to keep her heart physically safe and emotionally numb. If you look closely to her plastron in the show it’s not actually a natural body part but rather seems to be an attachment of her trench coat. Likely a false cover to hide her obvious weak spot (or at least that is my head canon!)

I love the idea of her and Donnie having something they can relate to and I’m sure he’ll be happy to design chest armor for her down the line once she’s free of Big Mama. Maybe someday I’ll figure out her full Mad Dogs outfit, but for now this is just her base and bandana.

As each of the boys embodies a shape, I found it all too fitting to have Frida’s be a heart. It’s honestly a cool shape that uses both rounded forms and sharp points, which I think would encapsulate her character well. Prickly on the surface but a softy deep down. I tried to find less typical ways of feminizing her. Sharpening her beak and digits while retaining the style of feminine eyes present in most of the female cast but matching it more closely to the unsettling shape of the eyes on her assistant’s mask.

Her markings are a color flip of Mikey’s, where as his are yellow spots with orange outlines hers are orange with yellow outlines. Coupled with her yellow eyes to match Donnie and Raph, it gives her this fiery vibe that I think still sets her far apart from Mikey.

The mask was honestly the hardest part. I love that it further accentuates her heart motif and made her more expressive, but just giving her the obvious bow and calling it a day did not sit well with me. I decided to try more of a high ponytail look, but I think it still needs some work. I’m pretty sure I like her with yellow though, both as a nod to Jennika and the idea of April giving her something of her own to help form the bond between the two.

Would love to flesh her out further but back to my usual stuff first.

[talaok]

Sunbathing

Pairing: Joel Miller x f!reader

Summary: you’ve decided to sunbathe topless, or as your husband Joel would put it, you’ve decided to torture him.

Warnings: needy Joel, kind of sub!joel, unprotected p in v, premature ejaculation, creampie, oral sex (f receiving), come play.

a/n: i sunbathed topless for the first time and well this wrote itself

"You've seen my boobs before babe" A soft laugh bubbled up your throat as you turned your head left.

He wasn't even pretending not to be staring.

"Not like this"

You smiled, "what does that even mean?"

"not out... here"

You lowered your sunglasses to see him better, tilting your head to ask for further explanation

Yes you were outside, by the pool of the beautiful summer house you'd rented, but you didn't get how that made any difference, they were the same boobs he'd seen hours prior in your bed.

"I'm not used to not doing anything about them"

"ah" you hummed "is it that hard?"

You didn't even need to look at the smirk painting his face to regret your choice of words.

"yeah babydoll, it's real hard"

You only needed to lower your gaze a little to asses his statement.

"You're incorrigible"

"And you're torturin' me darlin'"

"How am I torturing you?" you laughed "I'm just taking advantage of the privacy we have to get a good tan"  

"and besides, I seem to remember how hard it is for you to see me with the whole bikini on too"

He sat up, the sunbed squeaking as he faced you.

"It ain't my fault if my wife's so pretty it hurts"

"you get so dramatic when you're horny" you chuckled, rolling your eyes.

He smiled, letting his gaze wander all over your body for a good minute, before getting back at your face

"nothin's gonna happen is it?" his tone was full of hope nonetheless

"no baby" you shook your head

He sighed, dramatically letting his head fall to his chest

"I'll have a swim then"

"have fun honey"

__ __ __

"darlin'?"

Not even ten minutes had passed, and that scene from the Barbie movie with the "Ken! Go for a walk or something" line couldn't not pop into your head.

"yes?"

He was standing right next to your sunbed, dripping wet and blocking out the sun.

"don't ya need sunscreen?"

A soft smile pulled at your lips.

Ten minutes, that's how long it took for him to come up with that.

"I put it on already"

He wasn't gonna give up, not on the first try.

"how long ago?"

"an hour, I think"

"the sun's real strong now doll," he said, drying his hair with a towel before throwing it on his bed "I think it's best if you put some more on… I can do it for you if you don't feel like it"

You chuckled, looking up at him, but he stayed in character, continuing to look oh-so worried about your safety.

"Somehow I knew that offer was coming"

"'m just worried about my wife, 's all"

he'd crouched down, taking your hand in his

"mh-mh" you hummed, sarcasm tracing your tone

"can't have you get sunburt now, can we?"

"no, we can't" you played along, smiling at him

"'f course" he murmured, leaning down to leave a soft kiss on your lips as he grabbed the sunscreen.

"I'm so lucky to have such a caring husband"

"I'm the only lucky one babydoll"

He gave you one more kiss, before he leaned away and got to work.

He squeezed some cream into his hand, but to your surprise, his hands didn't land where you'd expected them to-

Only his eyes were betraying him. They were only on one, or actually two things even when it was your legs he was massaging.

The coldness of the cream and his hands felt good against your warm body, so much you couldn't help but hum appreciatively.

"feels good?"

"yeah baby" you breathed as his hands made their way to your thighs.

It always amazed you how hands so big, rough, and strong were able to be so gentle and soft on you.

You couldn't deny the shivers running up your body when his fingers reached your inner thighs, getting close to your core.

"what's that?" your husband was smirking like a cat, as he dedicated himself much too long on that spot.

"I didn't say anything"

If he thought this was gonna work, he was wrong. It was too hot, and you were too relaxed to do what he so obviously wanted to do... although you both knew how much you liked seeing him desperate...

He still didn't touch your boobs, no, next were your shoulders, then your arms, and then... when he felt on the brink of exploding, when he couldn't stop himself anymore, he squeezed a generous amount of sunscreen in his hands, and oh so gently started massaging your tits.

He couldn't stop a soft groan from fleeing his lips.

It felt amazing- of course it felt amazing, but you didn't wanna give him the satisfaction, and this was mostly for him, not for you, so your eyes remained closed as you pretended like it was nothing.

But that only lasted so long, because Joel could endure just about 30 seconds of that before he was bending down, and his mouth was sucking your nipple.

"Joel!" you gasped, your eyes snapping open just in time to see him climb onto you to straddle your waist, and then go right back to groping and licking and sucking your nipples like it was his life long duty.

"baby you're all wet" you tried complaining, but the smile on your lips was everlasting.

He looked so damingly cute like this, looking up at you with those big doe eyes as he worshipped your tits.

"so are you"

And yeah so what if you were- there's only so much a woman can do in front of this.

A soft laugh spilled from your lips as your hand went to find a place in his hair, your back arching to offer more of yourself to him.

"I don't even know how good it is for you to be licking sunscreen"

The look he gave you made it very clear he didn't give one single fuck.

And just when you were about to protest again, his teeth had gently bit your nipple, and a moan had spilled from your lips.

he took that as an incentive to go further, his hand slowly sliding down your belly, between your bodies, until it was seeping underneath your bikini bottoms.

"babe-" you stopped him, your voice breathless

His hand stopped on your mound as he groaned in frustration.

You could feel his rock-hard cock on you since the moment he straddled you- the man was desperate.

"please doll" he murmured against the soft skin of your chest in between kisses "Gimmie something-anything” he pleaded “Have mercy on your poor husband"

Your response was mixed between a laugh and a moan

"I can take care of you if you want"

He shook his head, his teeth grazing your nipple "Need to feel you darlin’"

Again, a soft giggle rumbled from your chest

"’S too hot to have sex here baby"

His hand had gotten out of your bikini to reach the other on your waist.

"the pool- the ground? fuck- anywhere you want sugar, just tell me where"

His clothed hard-on was rubbing against your core now, and fuck but once again you’d succumbed to Joel and his goddamn irresistible neediness.

"bring me back into the house"

It was like he’d been waiting his whole life to hear those words.

In a haze of kisses and lust, he’d picked you up, letting you hold onto him by wrapping your arms and legs around his body as he hurriedly walked into the house.

He didn’t make it far enough to encounter a single surface- and perhaps that was because he’d stopped looking and placed you against the wall the moment he’d passed the threshold.

His mouth was on your tits again, his cock was out, and his fingers had pulled your bikini to the side.

He said nothing as he slowly began entering you, the only sounds in the room being your moan as you threw your head back, and the groan he emitted, muffled by your skin.

“Oh fuck” you cried once he bottomed out.

Your husband was a very gifted man.

"'m not gonna last"

He sounded like the mere act of talking was taking all of his energy, and yet he was thrusting up into you like it was a matter of life or death.

"'s ok"

"I've been hard since you took your top off" he murmured, his breath fanning over your chest “you-you-jesus”

Your left hand passed through his hair, softly soothing him.

“‘S alright baby, don’t wait for me”

“You’re too fuckin’-” he tried to speak, but he was interrupted by yet another groan

“What?” you taunted him, a smirk pulling at your lips “what is it baby?”

His eyes were wide with desperation as he looked up at you, as his mouth stole languid kisses from your tits.

“Too hot- too goddamn perfect”

You bit down a grin at that, still stroking his hair

“I love you baby” you breathed, his cock reaching the deepest, most fucking amazing spot inside you in the meantime.

The moment those words left your lips your husband was fucked- the only words he was able to mutter were a series of -fuckshitgoddamn- before he inevitably reached his peak, filling you up with rope after rope of come that never seemed to end.

He remained like that for a little while, buried inside you, eyes closed, mouth still connected with your boob, until you left a gentle kiss on the crown of his head, and he woke up from his heavenly trance.

He let out a soft groan as he slipped out of you, and took his time letting you down.

You were smiling at him with that soft smile that melted his insides right up, and he couldn’t help but lean in and kiss it, kiss you like you were a soft delicate thing that he was scared of breaking.

“I love you more” he promised, kissing you again, even if you were smiling.

“Feel better now?”

You said it like he was a kid with a stomach bug, and he couldn’t help but laugh a little.

“Yeah darlin’” he murmured against your mouth “thank you”

“You don’t have to thank me” you laughed, but he was already shaking his head

“Yes I do”

And without further explanation, he’d dropped to his knees.

He slid your bikini to the side once again, looking up at you with only adoration in his eyes.

“Baby you don’t have to” you tried to reason with him, but his mouth was already latched to your clit, and your hand had already flown to his hair.

He remained on your bud long enough to make you desperate, and then he started focusing on your whole core, his tongue lapping between your folds with what could only be described as feral hunger.

His come was everywhere, and yet he didn’t care, he was happy tasting the mix of your fluids, because that’s how Joel was- a nasty nasty man- only for you.

So much so that you felt his tongue enter your hole, simulating what he was doing just minutes before with his cock.

“Fuck-babe-”

Your moans were breathless, more like whines, like prayers.

You were looking at him as he was looking at you and Jesus... He looked fucking heavenly.

His hair all tussled from your fingers, his blown-out pupils, his never-stopping tongue-

“Joel” you cried, but he didn’t dare speak a word as he went back to your clit.

“Shit-baby- god!”

You had to tighten your hold on his hair as your orgasm crept up your body- and it was as you heard him groan with pleasure, as he sucked your clit into his mouth like a man starved, that it all came crumbling down, and you felt your body light on fire as your climax took over.

You were moaning and crying into the air for a good minute before you were sane again.

Only Joel hadn’t stopped eating you out for a single second, and even then, he looked like he had no intention of doing so

“Baby-baby” you whimpered, having to literally pull him away from your core.

He was smiling like a kid, and you couldn’t help but follow suit.

He put your bikini back in place, and then stood up, his hands lingering on your waist

“You’re crazy”

He couldn’t help but kiss you before answering,

“You make me”

[halfvalid]

pretty in that

ABOUT

rating: general audiences

characters: live action!roronoa zoro | fem!reader | live action!monkey d. luffy | live action!nami

pairing: live action!roronoa zoro x fem!reader

word count: 4.2k

description: you have a hard time picking a dress for dinner whilst in kaya's mansion. zoro (sort of) helps!

tags: strawhat!reader, female reader, fluff, kissing, confessions, no use of "y/n", special straw hat appearances (nami & luffy), soft zoro

author's note: i'm a sucker for dress-up scenes so i KNEW i was gonna write smth like this once that ep3 scene started playing. reader chooses a dress at the end; dress is non-described so you can imagine your ideal dress!

You were on Nami and Zoro’s side when it came to whatever was going on in Syrup Village. Kaya’s mansion made you feel vaguely unsettled, and stepping into the building made your heart pound quicker than you would like to admit. But if there was one thing that piqued your interest, it was the order of changing clothes for dinner. You’d been stuck in the same few outfits for weeks now, and the promise of something new—and formal—was nearly exciting, although you’d never admit it in front of Nami and her disapproving gaze. 

Kaya’s kindness combined with the private guest room and bath you were treated to helped soothe your nerves. Soon you found yourself being led to the giant closet the rest of the Straw Hats were already in—Nami was trying on various different pieces, and Zoro seemed to have something in hand too. 

“Ah, there you are!” Luffy said, swiveling on his heel and giving you a big grin as you entered the room. You stared in disbelief at all of the racks around you. Hell, there were even clothes hanging from the ceiling. 

“Well, we certainly have a lot of options,” you said, skimming a hand over a nearby rack. There were a variety of different fabrics, but they all felt expensive: silk and velvet, damasks and brocades. “I don’t even know where to start.” 

“I’m just trying on anything,” Nami called from where she was, before stepping out from the room divider she’d been changing behind. She wore an emerald dress with a plunging neckline, the patterned silk clinging to her curves, and did a little spin. “What do you think?” 

Luffy shrugged. Zoro wrinkled his nose, barely glancing up from the armchair he was lounging on. “I think it looks nice,” you offered, but Nami still seemed dissuaded. 

“Ugh, these two are impossible. What are you going to wear?” 

“Uh, I’m getting there,” you said with a little laugh. “It’s a bit overwhelming; I’d rather help you guys pick first. Luffy, have you found something yet?” You turned towards the man in the center of the room, who nodded enthusiastically. 

“Yeah, I found this!” He raised up a black waistcoat. You frowned at it. 

“Um, Luffy, waistcoats are supposed to be worn with a suit,” you said, then paused, seeing his blank look. “...Never mind.” 

“And I’m wearing black,” Zoro added, despite the piece of clothing slung along his lap definitely not being black. You exchanged a glance with Nami, who just rolled her eyes. They’re stupid, she mouthed, then returned to the rack she was glancing through. She worked quickly, pulling out various numbers that she scrutinized before either setting on the couch beside her or putting back. 

“Okay,” you said slowly. “Need me to find you some pants with that, Cap?” Nami and Zoro let out identical groans as you spoke the pet name, both turning to give you exasperated looks. You suppressed your laugh. 

“Stop calling him that,” Zoro said with a tired sigh. “You’re encouraging him.” 

“Kind of the point, yeah,” you said cheerfully. While Zoro and Nami were both still largely unconvinced about the whole pirate crew thing, you’d joined the bandwagon rather quickly. Zoro rolled his eyes, and you turned towards the racks to find Luffy some slacks. “Assumedly you need something other than that shirt too?” 

“I’ll look later,” Zoro said passively. You watched him out of your peripheral vision. He was outfitted in a patterned kimono, his three swords slung along his lap. He didn’t seem too interested in his surroundings, though what he was doing, you weren’t sure. You let him be, turning to page through the racks of clothes again. Finally you found a pair of slacks that seemed like they’d fit Luffy. 

“Here,” you said, passing them over to him. “And find some shoes while you’re at it.” 

“Why does she even have clothes that don’t fit her?” Zoro murmured, sounding as baffled as he could get. “What, she just casually has clothes in all four of our sizes hanging around?” 

“Rich people own things just to own them,” Nami called. She’d changed again; this dress had a halter neckline and was blush pink. Zoro motioned with a hand at it, and Nami frowned, glancing down at the dress. “You don’t like it?” 

“Eh,” Zoro said. Nami made a face. 

“At this point I think you’re hating just to hate.” She pulled up a few more options, narrowing her eyes as she surveyed them. Luffy was seemingly satisfied with what you’d given him, because he took the pieces off of their hangers and slung them over his shoulder. 

“I’m off,” he announced. “Gonna go change in my room and do some exploring before dinner. Have fun!” With that, he left, and Nami sighed, turning towards you. She held up her final two options—a red cheongsam with delicate gold embroidery and a pastel blue dress with an a-line skirt. You gnawed on your bottom lip as you studied the two.

“I think the blue one might wash you out a bit,” you said eventually; it’d clash with her hair no doubt, and make her skin look even paler. The shade wasn’t a right match with her eyes, either. “I like the cheongsam; I think you should go with that one. It contrasts nicely with your hair.” 

Nami raised up the dress again, inspecting it. “You’re right,” she said, ducking back behind the room divider to change. You started pursuing the racks again; Nami stepped out a few moments later, successfully outfitted in her new dress. “Okay, I’m going to go do my hair in my guest room. Good luck.” 

“Bye,” you called, watching as she left the room. You clicked your tongue, almost alone now and with absolutely zero options of clothing. As much as you liked the idea of new clothes, the abundance of options was starting to seem a little daunting. “Okay, now that Nami’s done, it’s my turn to play dress-up.” 

Zoro laughed from where he sat, and you startled, almost having forgotten he was there. He was watching you attentively, his attention having diverted from whatever it was he’d been thinking about earlier. “You like this kind of thing?” 

“Well, I mean.” You shrugged, peering at a few of the pieces on the rack in front of you. You pulled out a deep green dress, eyeing the lace by the neckline before setting it back. “It’s kind of fun, isn’t it?” 

“Not really what I’m into.” 

“You wear jewelry, so clearly you have some fashionable instinct,” you pointed out, bending over to glance at the clothes hiding by your knees. These were all skirts or unreasonably short dresses, with so little fabric you were uncertain they would cover anything at all. “Unless the earrings are for another reason…?”

“Three swords, three earrings.” 

“Makes sense. What are you wearing with your shirt?” You glanced back to see Zoro’s answer, but he merely shrugged. “Do you want me to find you some trousers? A suit?” 

“You don’t need to find clothes for me. I can do that myself.” Still, Zoro made absolutely no move to do so. You rolled your eyes, but turned your attention back on what you’d be wearing for the dinner. Vaguely you wondered how Zoro would look wearing a suit. You flushed almost as soon as the thought popped into your head, shoving it into the very back of your skull and banishing it from seeing the light of day. 

“If you say so,” you said instead, mostly to distract yourself from the beyond inappropriate thoughts starting to run through your head. Honestly, you barely knew your crew mates—the four of you were close to tearing each other’s throats out before you ran into Buggy, after all. And the fact that Zoro was, well, conventionally attractive—and you tried to keep your thoughts on that and that alone, anything emotional was strictly out of the question—shouldn’t be something your mind lingered on. 

You picked out the first dress that looked to be your size. It was dark purple, backless with a tight trumpet skirt. Ducking behind the room divider Nami had used, you stripped off your clothes, donning the dress. There was a mirror along the other side of the divider, and you turned, trying to appraise the dress on your figure. The color didn’t look entirely right, and you were uneasy about the lack of mobility the skirt might have—Kaya’s staff were still extremely suspicious, after all, and you’d rather be safe than sorry. 

“Let me see,” Zoro called from outside. You tugged at the dress, suddenly nervous, but stepped out after you couldn’t find a good enough excuse not to. Zoro’s eyes ran up and down your figure, and you did a slow circle, showing off the dress. The bare skin of your back prickled. 

“You’re not going to be able to move in it,” he eventually said. 

You huffed out a breath, the nervous energy that had accumulated in your chest leaving with the action. Something in your belly stirred; disappointment, maybe, that Zoro had only commented on the practicality of the dress, not how you looked in it. But you pushed those thoughts away with an angry shove. Not the time, and definitely not the person to be thinking those sorts of things about. “Yeah, that’s what I was worried about. Let me find something else.” 

Zoro’s gaze didn’t flicker from your body as you started across the room, ducking between more racks to find something. “You dead-set on a dress?” 

“I haven’t worn a dress in a while,” you answered, picking out a red one before remembering Nami’s choice and setting it back. “Might as well take the opportunity.” The next one you pulled was blue, all shiny and soft. The material looked like some kind of tender silk. You set it aside to try on. “Why?” 

“Haven’t seen either you or Nami in a dress before.” 

“Actually, you have. I’m wearing one right now and Nami tried like five on earlier,” you said, glancing over your shoulder to shoot Zoro an unimpressed look. He scoffed, though there was a smile at the edges of his mouth as he turned his head away. Your next choice was soft pink, and made of tulle that vaguely resembled a puff pastry. You pulled it up. “Think I should try it?” 

“I mean, pick whatever,” Zoro said, though he seemed mildly disgusted by the amount of fabric the skirt had, all bunched up with layers like something a ballerina might wear. “What are you trying to achieve with the dress?” 

“What am I—I’m trying to look nice, Zoro,” you said, stifling your laughter. You set the pink dress back, replacing it with a sage green number instead. “Not everything has ulterior motives.” 

“You always look nice.” 

You froze, a soft chill curling around the back of your neck. Carefully, you straightened up from where’d you been bent over yet another rack of clothes, turning to look Zoro in the eye. His eyes hadn’t moved. “Oh,” you managed out, throat all dry and tongue like sandpaper in your mouth. “Well, thank you.” 

Zoro cleared his throat, a dull noise he made in the hollow of his throat without even parting his lips. His gaze flickered away. “Yeah. Go try those on.” 

Wordlessly, you stepped back behind the room divider and slipped on the blue dress. It had a texture like water—it was some kind of high-end silk, flexible enough that it was near liquid in movement. The dress itself fell to your ankles, and had a simple square neckline. You stepped outside, doing another slow twirl. “Better,” Zoro said. 

“Better how?” 

“You can probably run in it.” 

You twisted your lips, trying to suppress the urge to turn them down into a frown. “Okay. It’s not doing it for me.” You ducked back behind the divider to change yet again; the sage green one was satin, with long sleeves and a neckline you hadn’t anticipated would be that deep. 

Still, upon exiting the divider and turning for Zoro again, he didn’t have any worthwhile feedback. “It’s kind of plain,” he said eventually, not meeting your eyes. 

You huffed, crossing your arms over your chest; you had to almost resist stomping over to the racks to find something more, and spent another few minutes gathering dresses and trying them on. 

To your immense disappointment, each one garnered little to no reaction from Zoro. You even shoved on one of the tiny, too-little fabric dresses you’d disapproved of earlier, but all Zoro did was scan you from head to toe and say, rather flatly, “you’d get stabbed pretty easily in that.” 

Frustration bled into your nerves as you hid behind the divider again. You glared at yourself in the mirror—your skin had started flushing with how annoyed you were getting, which might’ve been funny had you not been so ticked off. Men, you thought, irritated. Was it really so hard to tell you that you looked pretty? 

He’s a bounty hunter, you had to remind yourself. He doesn’t care about this kind of thing. Besides, he was the last person you should be setting your sights on anyway. You tugged at the short dress, the hem just barely grazing the tops of your thighs. 

You heard footsteps approaching from outside the divider, suddenly too close as you snapped yourself out of the reverie of thoughts you’d been lost in. Zoro turned the corner, arm propped up against the divider edge as he peered in, brows furrowed. “You stopped coming out,” he said. He was still in his kimono, swords tossed over one shoulder. The shirt he had was, assumedly, left on the couch he’d finally stood up from. 

“I’m frustrated,” you told him blandly. His frown deepened. 

“Because of… clothing?” 

You suppressed the sigh that threatened to escape your lungs. “Never mind. I’m fresh out of ideas.” You pushed past Zoro, opting to stand in the center of the room as if analyzing it from a different view would magically give you more options. Zoro turned to stare, still looking perplexed. “With so many options, it’s hard to make up my mind, that’s all.” 

“Uh huh.” Zoro was still studying you. “Did I do something?” 

“What? No,” you said hastily. Too hastily. The words had ripped out of your throat like a hiccup, and you seriously needed to learn how to lie a bit better because now Zoro’s expression was even more confused. “No. Why would I be mad at you?” 

“I don’t know. That’s why I’m asking.” 

“It’s nothing,” you insisted, turning away from Zoro to stare at some of the clothes hanging on the wall above his head. These were too high up to properly look at, and as you stepped back, you glanced through the dresses hanging off the arch of the ceiling. You perused them without too much interest, eyes glancing over the various colors and fabrics until— 

Zoro stepped next to you. “Hey,” he said, and you jolted, head snapping down to look at him. You let out a noise of irritation, then turned your focus back on the ceiling. 

Your gaze flickered through the racks until finally falling on one particular dress hanging by the mouth of the room. It was somewhat hidden, tucked in a little corner beside a few other pieces, but from your vantage point it seemed about your size. 

You took a step closer to it, surveying it with your neck craned. The material looked soft and comfortable but it still retained shape, and the color—even in the dim lighting of the closet—was one of your favorites. The undertone would suit your skin perfectly. And, well, you didn’t want to put all your bets on one dress you hadn’t even touched, but it was certainly promising. 

Zoro stepped past you, barely exerting any effort to reach up and bring the dress down from where it hung up high. “This one, right?” he asked, and you swallowed, some of the annoyances you had towards him dissolving as he extended the dress hanger towards you. You nodded wordlessly, taking it. You stood there for a second before Zoro gestured with his head towards the divider. “Go try it on.” 

You did so, retreating safely behind your wall and stepping out of the little dress. You surveyed the one Zoro had grabbed for you again, heart lodged in your throat. It really was beautiful, and exactly your style; now that you saw it up close, you could safely affirm it was your size too, but nervousness still pulsed through your veins at it. 

Carefully, you slipped it on, adjusting the fabric around your hips and fixing up the neckline to rest evenly on your skin.

Zoro spoke out from the rest of the room. “So why are you mad at me?” 

“I’m not—” you sighed, dropping your arms before returning to fiddle with the dress. “I’m not mad at you.” 

“Is it because I wasn’t being helpful with the clothes? Because I already said that’s not exactly my area of expertise—” 

“It’s not because of the clothes, Zoro,” you said sharply, cutting him off. Zoro clicked his tongue, the sound reverberating around the room and thudding in time with your heartbeat. You turned your attention back onto your reflection. “It’s just me being silly. Don’t worry about it.” 

‘I’m worrying about it,” Zoro deadpanned. You sighed, adjusting the dress one final time before arranging your hair and staring at yourself in the mirror. It fit you perfectly, emphasizing all the right places and hiding all the parts of your body you were more insecure about. “Changed yet?” 

“Yeah,” you said, voice limp. 

“Let me see.” 

You bit your lip, suddenly nervous about how he’d react. Knowing him, it’d be something like it’s okay or the color’s fine; perhaps can you even walk in that? or weird shape if he was feeling a little more critical. Still, you stepped out anyway, not meeting Zoro’s eyes as you spun for him, letting him look at the dress from all angles. When you’d finished posing you glanced up, eyes meeting him tentatively. 

“It’s…” Zoro cleared his throat, ripping his gaze away from the dress on your figure to flicker up to your face. His gaze dropped again nearly as fast, like he couldn’t bear to keep eye contact. “Uh.” 

“It’s what?” you prompted, turning to face the nearest mirror. Your lips twisted into a worried frown, turning to glance at the dress again. Was it really not as perfect as you’d thought originally? “Do you like it? It’s my favorite so far, I think, but if you don’t like it—” 

“You look pretty in that,” Zoro blurted, cutting your rambles off with the strident, too-loud sentence. You froze, eyes flickering to meet him in the mirror. Carefully, he glanced up at you, and you could see his Adam’s apple bob as he swallowed hard. 

“Oh.” 

Zoro coughed, averting his gaze as you slowly turned around to face him. You couldn’t see properly with the less-than-ideal lighting of the room, but his face seemed to have taken on a ruddier complexion. “I like it,” he said, words softer than they’d been before. “It’s the one.” 

There was a little rush of something through your veins, and you felt vaguely lightheaded. “Okay,” you barely managed to squeak out. “Thanks.” You stumbled back behind the divider, sucking in a deep breath and trying to regulate your breathing. God, this was actually shameful at this point. 

You composed yourself quickly, gathering all the dresses you’d tried on and abandoned to return to their proper places. Zoro was still watching you attentively, and you glanced over your shoulder at him. Sparks prickled along your skin as your eyes met. “What?” you asked. 

“You’re acting weird.” 

“Am not.” 

Zoro stood up, rolling back his shoulders and stretching his head from side to side. He glanced through the racks and, without even a minute’s hesitation, plucked a suit jacket and matching pants out from beside him. “Yeah, you are. What’s up?”

“You’re just grabbing those without thinking about it?” you demanded, eager to change the subject. Zoro rolled his eyes.

“I picked them like fifteen minutes ago,” he said. “Just didn’t grab them until you were done your whole… thing. Now spill it. You’re all red again.” 

You swiveled towards the closest mirror, unable to suppress your gape as you saw that your skin had indeed turned a distinctive shade of scarlet, flushed undertones creeping their way up your skin. It was entirely recognizable even in the terrible lighting. Even your skin was treacherous, now. “Nothing,” you muttered, unable to meet Zoro’s eyes as you spit it out. “I was annoyed because you weren’t telling me what you thought of the dresses.” 

“I… did, though?” Zoro said, perplexed. You let out a grating sigh, cheeks flaring even hotter now that he was forcing you to confess the entire extent of your sins. 

“Yeah, like, practically,” you said, wrapping your arms defensively over your chest. “You’ll get stabbed in that so easily. You won’t be able to walk. I just wanted you to tell me that—” you cut yourself off with another groan. “Don’t make me say it.”

Zoro blinked. “I have no idea what you’re edging towards, so you’re going to have to say it.”

“I just wanted you to tell me I looked nice!” you finally burst out, turning so you wouldn’t have to look at Zoro’s face. God, you were going to have to quit the Straw Hats after this. It was so entirely stupid. 

“But—” There was a laugh in Zoro’s voice, and you glared down at the floor, all of your dignity having left you by this point. You had no shame left to feel anymore. “I said ‘you always look nice’. Doesn’t that insinuate—” 

“That’s not the point,” you said hotly, tone almost argumentative now. “I wanted you to think I looked pretty in a dress, Zoro.” 

Zoro didn’t respond for a moment, brows creasing and face taking on a baffled expression. “But why—” Zoro cut himself off, and you turned even redder, holding your breath as he finally connected the dots. A single word fell from his lips, like a soft breath of air as he spoke. “Oh.” 

“Oh,” you muttered under your breath, unable to stop the almost whining tone your voice took on. Zoro stepped closer to you, a hand wrapping around your wrist and forcing you to look up at him. 

“I said you looked pretty in this one.” 

“I know,” you insisted, still all red, “which is why I’m not totally mad at you, but—” 

“You looked pretty in all of them,” Zoro said. He didn’t look bashful, per se—you didn’t think Zoro could get shy—but his voice was low, all hoarse in a more tentative way rather than one of his grating remarks this time. “For the record.” 

Your breath caught. 

“This one’s my favorite, though,” Zoro muttered. And then he was leaning down to kiss you, the ghost of his lips just on the corner of your mouth. You gaped up at him in shock as he averted his gaze, staring at some spot about your head. “Was that—” he started, before clearing his throat and trying again with a little more of his dignity this time. “Was that okay?” 

“Yes,” you blurted fervently, and before you could fix up the moment with something more, well, suitable, your big mouth ruined it for you. “But I think we’re holding up dinner. You should get changed, and I still need to find shoes.” 

You bit your tongue immediately after the words had been said, but it was too late—Zoro coughed, turning away from you. You panicked, and now it was your turn to grab his arm and tug you towards him. “Wait!” 

Zoro glanced down at you, perplexed, and then you leaned up to kiss him square on the mouth. He stumbled back, surprised, but adjusted quickly, hand going to cradle the back of your neck and pressing you right to him before you finally broke apart. 

“You should steal it,” he started. You stared up at him in question. “The dress, I mean. You should steal it.” 

“When am I ever going to need to wear this again?” you asked, perplexed. Zoro shrugged, fingers tugging at the edge of the dress's neckline. 

“Dunno. Just take it. She probably won’t even notice.” 

“You’re adorable,” you teased; Zoro wrinkled his nose but didn’t complain, opting instead to move away and pick up the clothes he still hadn’t changed into. “Go change. See you at dinner.” 

“Yeah,” Zoro said, his eyes not straying from your figure as you ducked out of the room. Before you could fully leave, though, Zoro grabbed your wrist, spinning you around towards him.

You didn’t have enough time to ask what he was doing when he leaned around to kiss you one final time, his hands cradling your face as your lips moved against each other. It was only a moment later that he stepped away, looking rather sheepish but not very apologetic as he finally let you go. 

“You look more than pretty,” he murmured, eyes sinking into yours, and your throat dried, any words you might’ve formed dying away within seconds. “You always look more than pretty. You look gorgeous.” 

“Thank you,” you whispered, and then he ducked back inside the closet to change. 

© halfvalid 2023

[three--rings]

One thing I haven't seen a lot of talk about in the fandom so far is about the financials of this season.

It took us two whole months to get a confirmation of renewal from Max, and I talked at the time that I think there was probably a lot of heated negotiations going on at the time with contracts and that's why it took as long as it did.

I think we see a huge number of indications of the compromises that were made in order for S2 to be made. One obvious one that has been talked about is being making in in NZ instead of LA, to save $.

But there's also the eight episodes instead of ten. And then the cast aspect. One downside of moving overseas was having to fly out and house the cast, not just pay day wages.

We knew immediately about Guz Khan not coming back, losing Ivan as a character. At the time I was sad but I thought it had the air of a pretty harshly practical call. If you went through the main recurring cast and said okay which character will affect the fewest things, has the least character interactions of anyone? It would be Ivan. (With the only competition being The Swede IMO, but he's Stede's crew and therefore a little more central.)

And then this season started and we got first The Swede sidelined and taken out of major scenes. And then I noticed that different members of the crew were simply absent for long stretches, like Wee John isn't around for ep 5 at all. And then Buttons takes flight.

Lucius and Pete aren't at the party for most of it. Fang isn't in the torture scene. Roach and Fang aren't in the bar. Etc. SCHEDULING IS HAPPENING.

The new characters are almost entirely played by NZ local actors, which is great, but also...cheaper.

In other words there are big signs that they did everything possible to give us a giant cast of almost everyone we love from S1, and cool new characters, in the most economical way possible.

And I'm grateful for it. I'm grateful we got S2, and it looks great, and it's well written, I'm having a blast, and we get to spend more time with this awesome cast.

But I also kinda think it needs to be said that the cost-cutting shows. That it shouldn't have been only 8 episodes, the pacing is off. That we miss every time someone from the ensemble isn't on screen.

That despite what they've put on screen looking very good, there's far less costuming budget, there's less elaborate sets, and it's a little disappointing. And it's clear it's not a lack of will or talent or vision but blatantly lack of money.

Look, streaming networks want brilliant shows that people love (that will get them to subscribe) but they very don't want to pay anyone to make them. That's like, the whole moment we're having right now.

Max puts out promos about how great it is to not have unions messing shit up in NZ. Well I have friends who are union costumers in LA and guess what union costumers did amazing last season. This season, well, I guess Stede got three whole shirts, so that's cool.

So I dunno. It's just stuff I think about. I'm not trying to be negative about the show in any way. I'm extremely happy with this season; I love it more than well, possibly any show I've ever been in fandom for.

But I see you, Max. You're cheap. You weren't that cheap when you were called HBO.

[ccsainzleclerc5516]

Family Expansion

Pairing: Carlos Sainz x reader

Warnings: none

Bea series continues

After Bea was born, you and Carlos both knew you didn't want to stop at just one child. You wanted to have at least three, although you didn't know that one little girl like Bea would be such a handful.

Bea is a little girl with character, very attached to both of you and especially to Carlos. Since Bea was already three years old, you didn't want there to be a big age difference between her and the second child, so you decided to start trying for another baby.

About three weeks ago when Carlos came back from the race in Singapore you welcomed him in your home with a pregnancy test in your hands and his eyes started to water with how happy he was. Since that night he couldn’t keep his hands off you and your stomach. He loved being a dad and he was the best at it. Bea was his whole world (and you of course), and the fact that he will have another little being with you sent him over the moon.

Anyway, tonight is the night you decided to break the news to Bea, explain to her in the simplest possible way that she is going to be a big sister. You were very nervous about it because you didn't know how she would react, and Carlos found it funny that you were afraid to tell a three-year-old that you were pregnant.

“Don’t laugh, Carlos! It’s not funny at all.” You sigh crossing your arms and looking away from him.

“Mi amor, you’re overreacting. I don't know why you keep thinking that another baby in the family will upset her.” He says placing a hand over your stomach and gently rubbing it.

“Well, that is exactly why! She will no longer be an only child and you know what our daughter is like. Very possessive, especially about you, and she likes all the attention to be focused only on her.”

“Baby, we have to tell her sooner or later. We might as well tell her sooner so we can start talking to her about it more often and start getting her used to the change.”

You sigh running your hands over your face then through your hair.

“Hey, look at me” Carlos says taking your chin between his fingers making you look at him. “Everything’s going to be okay. Don’t overthink this so much, she’s just a kid. Even if she doesn’t understand some things now that’s okay because she’s not supposed to. We’re in this together, always.”

“You’re right” You say leaning your head against his chest and he places a kiss on top of your head. “I’m sorry I’m making such a big deal out of this.”

“It’s okay, baby. I’m gonna go get her from her room.” He says getting up and leaving you on the couch in the living room.

While you were waiting for Carlos to come back with Bea, you thought that maybe you were exaggerating a bit, that you were making a bigger deal out of it than it actually was. Maybe Bea will be overjoyed to have a best friend for life. Maybe she will enjoy sharing everything with the new baby.

But then again, you knew your daughter very well to know that Bea doesn’t share things.

“Mama!” She exclaimed happily reaching out to you from Carlos' arms.

“Hey, baby” You smiled taking her in your arms. She sat in your lap wrapping her tiny arms around you and leaning her head on your chest. “Did you play with the new kitchen that daddy got you?”

“I did”

“What did you cook today, hm? What did chef Bea make for dinner?” You asked her.

“I..I made a soup. And a chicken. And potato.” She explained, counting on her fingers.

“Good job, baby.” You smiled kissing the tip of her nose.

“Okay, princesa, mommy and daddy have something to tell you, okay?” Carlos started and your heart rate increased. He took her from your lap and seated her between the two of you on the couch.

“Okay”

“Remember how we used to talk about having a baby brother or a baby sister for you?” Carlos asked her moving her curly hair out of her face.

“No” She simply said.

You and Carlos quickly both looked at each other and clamped your mouths shut to keep from bursting out laughing right at the start.

“Ay, nena no digas que no.” (Baby, don’t say no) He says pinching her nose. “Well, mommy has a baby in her belly. You’re going to be a big sister.”

He put his hand over your stomach and you put yours over his. Bea’s eyes just followed your movements without saying a word. Her expression was unreadable, but you could tell she wasn't thrilled with the news .

“How does that sound, mi amor?” Carlos asked her trying to snap her out of her thoughts.

And just like that hr lower lip started to twitch and she started to cry. She opened her mouth and cried inconsolably. You looked at Carlos and mouthed “I told you so” and threw your head back sighing.

He quickly took her in his arms and started rubbing her back as she hid her face in the crook of his neck.

“Bea, don’t cry, bebe” He tried. “You’re going to have so much fun with the baby brother or baby sister. You’re always going to have someone to play with, maybe share a room together. Isn’t that so much fun?”

“I-I don’t-” She sobbed. “Don’t need it”

“It's not a matter of whether you need it or not. Mommy and Daddy want you and another baby. You will still be our little girl, forever, only we will have one more baby.” He was choosing his words carefully making sure to include her in every sentence that left his mouth.

Once she calmed down a bit and stopped crying she said “But-but I wanted an ice cream, not a baby brother or a baby sister”

Both you and Carlos laughed squeezing your eyes shut at her nonchalant statement.

“How about you get an ice cream and a baby brother or a baby sister?” Carlos asked her.

She took some time to think and soon agreed to the proposal. “Okay..”

“Entonces tenemos un trato, si?” (Then we have a deal, yes?) He hugged her tightly kissing her cheek and she nodded her head yes. “Go get your shoes because I’m taking my girls out for an ice cream right now.”

“Can we get a puppy too?” Bea asked.

“Well..” Carlos laughed looking at you.

“Carlos!” You warned him with your eyes knowing that he has trouble saying no to his favorite girl.

“We’ll see about that, let’s get some ice cream first”

[maxwellatoms]

In one of your last answers, you said “series reboots are usually pretty gross and sad”, and I was wondering if you could expand on that? Assuming “reboot” covers any kind of continuation of a currently cancelled or finished show (and maybe that’s the wrong assumption!), from the outside looking in it feels like a pretty mixed bag. On one hand, if I love XYZ Show, it’s cool that I get more stories with these characters and another chance to support XYZ Show and its creators. On the other, it definitely feels like a lot of ideas can only get funding if they’re tied to something already, meaning creatives are having to now tie whatever cool idea they have to some reboot/relaunch/retread, which can feel pretty disheartening if you don’t want to do a reboot/relaunch/retread. Is that a similar feeling from your side of the industry?

Thank you so much for all your answers and insight!

Usually reboots and spin-offs are just cash grabs. It happens a lot in animation. In fact, I would argue that the entire industry is just one big cash grab now. In the 80s, everyone complained that cartoons were just half-hour commercials for toys. And they were right. And we're right back there, but now that you can't legally push toys all day, it's just general "IP". Mugs, posters, more spinoffs, whatever.

I was offered three show running gigs over the pandemic. All reboots that I would consider unwise to pursue because they were "of a different time" and didn't (in my opinion) have anything more to say. Two of them were properties created by notorious sex pests, so there's also that. The animation industry loves to prop up its sex pests.

I turned all of them down, partially because I didn't respect the original creators but also because none of them had anything going for them except just being "more of the same".

I don't think any of those projects survived the intervening years, so in retrospect I maybe should've taken the job. I'd probably feel a bit gross, but at least I'd have floors in my house.

The entertainment industry is in a bad spot. The whole thing. I've had I don't know how many pitch meetings in the last few years, and they all start the same way:

"Hey! Before we start, we just want to let you know that we're not actively producing anything right now. We think maybe soon, but we won't be picking anything up today..."

And then later:

"The little we are doing is IP, so if you have a new take on our IP or a new IP you're connected to that you can bring in, that'd be great."

I always wanted to make original stuff. There came a time when I'd had my fill of Billy & Mandy and wanted to do something else new and original. That never manifested, and I was constantly being offered IP to produce. I turned too many of those down, maybe, before deciding that it was probably better that I run the IPs that mean something to me rather than having some hack do it.

But now those jobs have all gone to celebrities and fallen live-action writers, who are also slowly being eaten by the system. WB was hot for Scooby stuff a few years back, so I pitched some ideas. A few of them were turned down for being "off-brand" in a variety of ways. WB has now made (I think) all of those off-brand shows (or something close) with celebrity show runners.

I was going through a whole Midlife Impostor Syndrome thing recently where I was wondering if maybe I don't just suck. Like, it's weird that for a couple of decades I'd have people calling me trying to get me to run shows, and now nobody will call me back about the possibility of a design job.

Talking to some friends and realizing that they were in a similar situation helped me feel like I wasn't alone. That was nice. Talking to some of the most talented colleagues in my industry made me made me realize that those people weren't getting jobs either. That was unnerving. Talking to complete strangers in other parts of the entertainment industry now has me thinking that the whole house of cards is coming down. That's real concerning, yo.

It's hard not to think it's purposeful, when deranged billionaires own the entirety of our media and want to shape a society where they can't be criticized. We're letting wealthy tech bros firebomb the very heart of our culture, and it's weird that no one is talking about it. Because (for now) we still have that capability.