#jobs are modern slavery

[shinmothra13returns]

Corporations don't care

Government always lies

Rat Race will destroy you

Getting a job is a waste of time

Billionaires are the death of us

The school system is rigged and outdated

Democrats and Republicans are wolves in sheep's clothing

We are nothing more than expendable slaves to the rich and powerful

There is no middle class

War is a waste of time and life

But in the end, is there any hope of changing any of this at all for a better future than this worthless excuse of nations on earth or is it too late.

We can change this world without the endless lies and false promises.

[freeashi]

Афроамериканцы* хотя бы знали, что были рабами, а вы даже не подозреваете.

Doug Stanhope

* цитата изменена во избежание расистских настроений

[adakseniak]

.

[randomloverofmusic]

.....

[melaniekarensworld]

Perfect presentation of 'modern slavery.

[kn11ves]

being in this criminal justice class is fun because i like it but i often times really have to control myself because i fell into this formed friend group because my actual friend in that class is very sweet so she makes friends with everyone and i want to make things smooth i dont want to make things awkward, but its very hard to control my temper when i have to discuss why inmates deserve to be rightfully and fully compensated for the work they do in prison, with white people. the way i had to state "Well we dont want slavery here right"

[shinmothra13returns]

NOBODY is Hiring. The Job Market Is COOKED

If Nobody is hiring, then what's the point of the job market if it's rigged against the middle and lower classes.

[theworldgate]

I have to explain what is going on in the UK, because it is absurd.

So, this is Gary Lineker:

He's known for a fair few things over here. He was a very good (association) footballer, playing for England in the 1986 and 1990 World Cups, winning the Golden Boot in 1986, and managing to never get a single yellow card in his playing career. He played for Leicester City, Everton, Barcelona, and Tottenham, before finishing his career in Japan. But if you aren't in your mid 30s, you probably know actually know him him for a couple of other things. The first is the role of spokesman for another Leicester icon, Walkers Crisps (which are sort of equivalent to Lays, but hit different), as pictured above. Despite being a notably clean player, he used to play a cheeky serial crisp thief. I don't think he's done that for well over a decade, but his ads were on the telly a lot when I was a kid and it's a bit like learning that the hamburglar was an incredibly clean (American) football player or something.

The second thing Gary is widely known for is having presented Match of the Day, the big football program on the BBC, the sort-of state broadcaster, since 1999. He is, incidentally, very well paid for this (though with a consensus that he could get even more if he went to one of the non-free-to-view broadcasters because he is very good at the job). He also has a twitter account. And political opinions. So, the UK government has got itself dead set upon doing heinous stuff that will totally somehow work to prevent people who want to come to the UK making the perilous crossing of the Channel (between England and France). By heinous, I mean "openly advertise that they won't attempt to protect victims of modern slavery" stuff. It's very obviously using a legal hammer to victimise a marginalised group of people in order to win votes. And, uh, I should clarify that by "legal" I mean "using the passage of laws" - the policy is, in addition to all the other ways it's awful, probably incompatible with the Human Rights Act and the UK's international law obligations. Gary, top lad that he is, objected to this. On Tuesday 7th March, he made a quote Tweet of a video of the Home Secretary, Suella Braverman, bigging up the policy, he wrote "Good heavens, this is beyond awful.". This got a bunch of backlash from extremely right-wingers, and then he made the tweet that really got him in trouble (with right-wingers): "There is no huge influx. We take far fewer refugees than other major European countries. This is just an immeasurably cruel policy directed at the most vulnerable people in language that is not dissimilar to that used by Germany in the 30s, and I’m out of order?".

Now, I am not actually subjecting myself to watching a video of Suella Braverman bigging up a cruel policy to say whether the specific comparison of the language to 1930s Germany is accurate. But needless to say, Ms Braverman was amongst the many figures on the right of UK politics objecting to Gary's rhetoric. And here's the part where a fact about the BBC comes in: it is nominally neutral and impartial (and so, of course, is routinely accused of bias from all sides but particularly the right-wing), and has something of a code for its contributors to this effect. Now, that code has previously been applied to Gary Lineker, over a comment about whether governing Conservative Party would hand back donations from figures linked to the Russian regime. But it generally hasn't been applied too strongly to people like Gary, whose roles have nothing to do with politics (such as presenting a "here's what happened on the footie today" show), on the basis that, well, their roles have nothing to do with politics. However, when directly asked about whether the BBC should punish Gary Lineker for his tweets, government figures basically went "well, that's a them problem". But a couple of days passed, and it seemed like Gary's approach of "standing his ground because he did nothing wrong" was working and everything would die down. He was set to get 'a talking to' but not much more than that. The Conservative right, after all their fire and fury earlier, had gotten bored and moved onto something else. And then, on Friday 10th March, the BBC announced that he would be suspended from hosting Match of the Day this weekend. But it could still go ahead, because there are, like, other hosts! Except, well, funnily enough, when you take a beloved figure off air, for making a fairly anodyne tweet, no one wants to be the scab who actually takes up the role of replacing him. Gary's two co-hosts, Alan Shearer and Ian Wright, said that they would not appear without him. People who (co-)host Match of the Day on other days followed suit. The net result is that Match of the Day is currently set to air without hosts, BBC commentary, or global feed commentary. And the solidarity shown to Gary Lineker, over what is very flagrantly actual cancel culture and an attack on freedom of speech (the logic implied is that institutional impartiality requires that no one say anything too critical of the government ever), has continued to grow. The BBC has pretty much been unable to run pretty much any live sports content today, and has resorted to raiding the BBC Sounds archive to fill the sports radio channel. And, as of 17:30 on Saturday 11th March, the situation shows no signs of improvement, though some are calling for the Chairman Richard Sharp, who is separately facing corruption allegations, to resign (yes I linked to the BBC itself there, there is nothing, nothing, the BBC loves more than going into great detail about how much the BBC sucks).

[idontwikeit]

'The Adoration of the Shepherds With a Donor.' Palma Vecchio. A contemporary of my maker, Marius De Romanus, also a fine painter, albeit one of lesser skill. In fact, the donor in the title was my maker. The canvas painted in my maker's studio. And in this case, the donation was…What is the modern word for it? In kind. This is Amadeo. He's 20 years here. He was rescued from a brothel when he was 15, named… named Arun then, I think. I cannot be sure. The abuse in the brothel was such that he cannot be sure that's what his… parents named him. Arun. The parents that sent him to work on a merchant boat in Delhi when in actuality they had sold him…into slavery to the ship's captain. All… fragments. Shackled on the boat. The brothel. My maker's purchase. His renaming me. His reluctance to share the Dark Gift, knowing what it would do to his beloved Amadeo. I served him with all my heart. Basked in his mercy, his worshipful mercy. Still… Amadeo had a skill. And if a friend wandered into town, I was occasionally… donated. Meatier in the forearms, but then this was… seven years before I was stricken with illness, before I was turned, and imbued with my powers.

And Armand?

The name the coven in Rome gave me. After they set fire to the studio. Set fire to my maker. And sent me to Paris, to reign over the coven abandoned by Magnus. Magnus who begat Lestat. Lestat who begat Louis. On and on. And on and on and on.

Who am I, Louis? Am I my history I have endured? Am I the job I do not want? I do not know anymore. No one has painted me in over 400 years.

[blue-bec]

When purchasing something, think about how much it costs to make. Think about all the elements involved in making that item. Consider the raw materials, the processing of those, and everything that goes into the final product. Think about how much the person who made them at each step along the way was likely to be paid.

So many "cheap" products are rife with Modern Slavery at some point along the way. From forced labour in cotton plantations, through to sweat shops, and then your final $5 T-shirt. Or perhaps child labour in cocoa harvesting or cobalt mining through to your $2 chocolate or $1000 mobile phone.

Become a much savvier buyer and put pressure on companies that are acting unethically and allowing modern slavery in their supply chains, so they clean their act up.

Some references for you:

SHEIN and Temu aren't the innocent, budget friendly alternatives you may think them to be. They're both companies rooted in exploitative, inhumane business practices, including dehumanising working conditions and slave labour. There's a viral video going around that shows a large amount of Temu factory workers, barely clothed and being observed by security guards, as they sort through thousands upon thousands of packages.

These companies thrive on enticing people from lower socioeconomic backgrounds into overspending by using game-like incentives (interactive spin wheels to increase discounts, minigames revolved around adding more items to your cart or wishlist, etc.) while using their apps. These apps are carefully and consciously designed in such a specific way that encourages people to feel pressured into overspending for fear of missing out on an unmissable deal (this is a common business practice that extends far beyond SHEIN, Temu, and other fast fashion companies).

Their apparel and clothing is made as cheaply as possible with poor quality material (which ultimately means these items have to be replaced sooner and thus help perpetuate a toxic consumerist cycle) and often using stolen art and designs from independent artists. Do yourself a favour and stop supporting the toxic fast fashion industry. Thrifting, upcycling, and learning to make DIY clothing are infinitely better alternatives and help to support your local community.

[pruneunfair]

Tropes in manhwa are awful yet people still defend them

I'm in a bad mood right now so what better way to release all that pent up anger by ranting on what can ruin a good story.

1: Slavery being inserted only for cheap plot and slaves being demonized as obsessive/greedy monsters for "not knowing their place"

Theres nothing wrong with wanting to insert slavery in your story AS LONG as it's not just cheap plot to make your MC look "better" by buying from a single to all of the slaves because let me tell you this: there is no such thing as a good slave owner, you cannot morally own another human being. A lot of manhwa like to have slavery be a part of their plot completely ignoring that just because the MC goes "wow this is terrible" doesn't make them a good person after they buy a slave.

Remarried empress does this with its villian Rashta by pushing the notion that she's being greedy for not wanting to stay in poverty so Navier won't suffer because apparently a slave wanting what the silver spoon mouthed nobles were born into is so terrible not to mention they justify slave owners and slavery in general as a punishment for criminals (neglecting the fact that children can be sold by their parents)

The villainess has fun again justifies a child slave being bought by the lead and he becomes an obsessive shouta love interest, fans continously justify by using the ancient lolicon excuse "he may look young but he's actually 99182823 years old!"

In divorcing my tyrant husband, Robelia buys 30 slaves and the only 2 that consistently show up have no other personality other then "we love you FL we will worship you till the end of time!"

There's a damn manhwa out there literally called the order of slave breeding and even when a story tries to do this correctly such as VADTD with Penelope being portrayed as a bad person for what she did to Eckles, fans have been so deluded by the idea that FL's buying slaves is "girlboss" that they think Eckles should be grateful to be Penelopes "pet"

2: ML's murdering innocent people after one guy hurts the FL

I already made a specific post about it before and I'll say it again: all this does is make your male lead/father figure look like a horrific monster. While you could say it's because its a medieval kingdom (objectively that is true that they would do this) manhwa and OI is the same place where despite in those times taking a mistress was considered normal they still view it as cheating and "how could you pick that slut when you have such a perfect wife!? 🤬" in most stories. So yes, modern morality is still inserted within these tropes. While I can get it's a way to show that the man in questions loves the FL so much he's willing to go to such lengths to protect her I think just mutilating the guy that actually did the sin would be enough because try imagining yourself as a faithful servant who was amazing at your job getting brutally slaughtered by the Emperor because your boss attacked his daughter or lover.

Into the light once again does this with Aishas dad murdering all the relatives and close friends of a count that tried to kill Ysis and Aisha, Aisha doesn't seem to care despite being in a situation where she was wrongfully executed in her past life.

Remarried empress does this too. After Navier is nearly killed by Krista's brother, Heinrey tortures and kills the dad and slaughters the servants of the zemensias. I can't remember if he also murdered the remaining family members but I wouldn't put it past him.

3: protagonist centered morality

Protagonist centered morality is the biggest indicator that a piece of media is dealing with a mary sue FL. Whatever the protagonist says is right is immediately morally correct. This is actually used to justify the last 2 examples with "it was for the FL!" Things like slavery, murder, workplace abuse, union busting, pedophilia, and being a POS to your loved ones are all justified if the protagonist finds a cheap way to justify it and you HAVE to agree with her because her backstory is very tragic 🥺. Protagonist centered morality also ruins the chance for good characters since the FL herself never has to grow as a person so she stays the same exact thing as she was just with more enablers and random characters will be treated as villains even if they aren't actually wrong about being suspicious of the Protagonist or calling out her behavior. It twists the narrative in such incomprehensible ways that you don't even know what your reading anymore. I can't even list all of the manhwas that do this given how many there actually are so I'll just list some that are at least self aware there Protagonist is awful/morally grey or isn't even a bad person but they still have flaws that can be pointed out

Villains are destined to die

My in laws are obsessed with me

Not sew wicked step mom

Depths of malice

The villainess turns the hourglass

Beware of the villainess.

4: villains being dumbed down to make the lead look smarter

This is unfortunately another common staple often used as a quick way to make the FL look smart and witty but is that really hard to look smarter when everyone else around you is an idiot? Not only does the FL not have to put in actual effort to best her enemies but you just start to pity the villain for basically being a punching bag. Dimwitted villains aren't always bad in fact they can be some of those most entertaining characters no matter much they lose but that only works when they are meant to be seen as a goofy character that your not supposed to take seriously. Villains that are written as extremely childish and stupid but your still supposed to treat them as serious antagonists on the other hand are just annoying since you wonder how the protagonist even got killed by them in the first life if they're so stupid.

Isabella de Mare while admitly having a good reason for being dumbed down (she's a teenager in the 2nd life so it's reasonable she wouldnt be as smart as her adult counterpart) is still a joke of a villainess who keeps flipping back and fourth from a snot nosed whiny brat to a mastermind only at convenient opportunities when the plot needs conflict.

Mielle from the villainess turns the hourglass was first portrayed as extremely conniving as she arranged for Arias downfall in the shadows but in the second life she fails at every scheme she has even though she has Emma and Isis to help her out.

Ragibach is a literal demon possessing the body of another woman with the goal of setting demons loose on the word to start another human vs demon war and she succeeded in that the first time, the devastation was all there so clearly she has to be a formidable antagonist right? Well no, she's another case of being dumbed down further and further so Keira can succeed and while they do understand some plot holes such as Ludwig not trusting her as much in the second life it doesn't change the drastic character change from evil genius to bumbling idiot.

In short: dumbing down your villains so your lead can look smarter is essentially going to give the equivalent of a hydrogen bomb vs a coughing baby.

5: feminine women being demonized as basic "other girls" sluts

Okay this one isn't nearly as terrible as the others on this list because we all love the good old "a demon makes itself look beautiful to deceive humans" kind of villain, in fact as you probably know by me by now, white lotuses are my favorite kinds of character and even in media outside of manhwa I always find myself drawn to angelic villains but it seems like this is less of that and more of "Oh those are all the other girls who just want a man to save them, look at how much better my badass rich boss babe is for working for herself while taking all of their men at the time 😎" in manhwa. As soon as a traditionally feminine girl shows up, comments are already calling her a two faced bitch and half the time protagonist is already skeptical of her. This is the opposite of what being a feminist really is, a real feminist wouldn't be putting down other women just because they dress with more pink with bows and skirts and while I do think for most manhwa this is unintentional I do wish that we could have more characters like Psyche, Helena, Athy, and Jennette that prove that being overly feminine doesn't make you a backpedal on feminism. This doesn't make the badass or sexy fl's bad either, it just means they can co-exist.

An angelic villain should be treated as evil for being a well calculated schemer, not because they have a light colored color scheme

6: toxic relationships being romanticized as good

You know for a large community that claims to be about girl code a good chunk sure likes to look the other way when it comes to toxic relationships as long as the abuser is "hot" and theres always the terrible excuse such as "he has trauma!" Or "he doesn't know how to show his love normally!" No just no we aren't doing that here. Cry or better yet beg has this problem with not only the narrative claiming that Matthias graping Layla is okay because she actually loves him and doesn't know it but a large part of the fanbase also defends it, the same goes with try begging, a manhwa written by Solche who also wrote cry or better yet beg and once again despite Leon being an abuser everyone's ready to justify his actions because he's just a soft little boy who ends up falling in love with Grace awww 😍 (what the hell?) Everyones all about not justifying abusers because they had a sad past until it's the "sexy" male leads with daddy issues.

7: maid slapping

This shit isn't asserting your dominance as a boss bitch it's just work place abuse. This trope has gotten so out of hand of being justified by narratives and readers that there is an entire webtoon called this isekai maid is forming a union that's all about criticizing twisted manhwa tropes that get brushed off with maid absuer being at the biggest one. It's funny because a lot of people complain that Isekai maid union villainizes the nobles too much but they never ask the same questions when a OI is demonizing maids as greedy and lazy in order to deserve a beating. This doesn't just stop at hands either it can escalate to threats of mutilation just to assert dominice which is absolutely sick. Most of the time these leads used to be office workers or terminally ill patients, they know how terrible it is to be treated like garbage by their superiors yet they continue to absue every maid who isn't getting on their knees for them. Most maids in real history would not mistreat a noble even if they were the most hated in the house and even if they did they'd be fired without a letter of recommendation so why can't the FL's just fire the rude maid if they care about dignity so much because I'm pretty sure getting violent with a maid isn't very dignified either.

8: disgusting age gaps

Very similar to #6 but in this case while the ML/FL isn't a cruel monster to their partner it doesn't change the fact that grooming and pedophilia is still a crime worthy of life in prison. You'd think "oh no way, this can't be justified can it?" You'd be wrong. Now I belong to house of Castillo thankfully has a larger fanbase of people who think that a relationship between a girl who got groomed by her knight is bad but in cases like into the light once again a lot of people like to say "Well Aisha is technically 28 so it's fine!" When it really isn't since Aisha is still mentally 14. Taming my ex husbands mad dog is another one that does this with Reinhardt grooming a 16 year old boy and its apparently meant to be "cute".

9: claiming a character as unattractive yet giving them a perfect body and appreance

I just think this is a major cop-out since there's time where they want to make a realistic story yet also wanting a fantasy fufilment. I don't think its a coincidence that the only woman in tears of a withered flower that yout supposed to support is a Victoria's secret model body type. Even though she's meant to be an overworked exhausted 33 year old woman being mocked for losing her beauty she sure as hell isn't drawn that way, the only other women around hae soo are all women with smaller boob's and in general more common body types that are either classed as stupid or jealous that Hae soo is so beautiful that all the attractive men want her

how about we don't pit all the women against each other for once? And let's especially not villainize other women because their jealous they could never be have large boob's and tiny arms+waist at the same time?

10: the commoner protagonist actually being a noble rich person all along

Look I know most of us had loved those "the hated child is the lost princess" GLMM but we need to drop it because it's kinda disappointing that the nobody who had to work their way to the top is actually a secret magical princess who had royal blood in them all along. While I did think the villainess turns the hourglass was a pretty decent read I was super disappointed finding out that Aria was of noble descent all along. I liked seeing a commoner protagonist for once and it really felt like it was critiquing the idea that all commoners and poor people who want nice things like the nobility are greedy animals. Something similar can also happen with certain saintess manhwas that decide to twist itself into "the villainess was the true saintess all along!" And I'm just sitting here thinking "well there goes the hope that you didn't need the super duper rare power to be a strong character"

I feel way better now after writing all this.

[fatehbaz]

When you tag things “#abolition”, what are you referring to? Abolishing what?

Prisons, generally. Though not just physical walls of formal prisons, but also captivity, carcerality, and carceral thinking. Including migration prevention; detention; fences and hard national borders; indentured servitude; inability to move due to, and labor coerced through, debt; de facto imprisonment and isolation of the disabled and medically pathologized; privatization and enclosure of land; sacrifice zones at the periphery; the urge to punish; categories of “criminality"; etc.

In favor of other, better lives and futures.

Specifically, I am grateful to have learned from the work of these people:

Ruth Wilson Gilmore on “abolition geography”.

Katherine McKittrick on "imaginative geographies"; emotional engagement with place; legacy of imperialism/slavery in conceptions of physical space and in devaluation of other-than-human lifeforms; escaping enclosure; plantation “afterlives” and how plantation logics continue to thrive in contemporary structures/institutions like debt colonies, workplace environments, prisons, etc.; a range of rebellions through collaborative acts, refusal of the dominant order, and subversion through joy and autonomy.

Macarena Gomez-Barris on landscapes as “sacrifice zones”; people condemned to live in resource extraction colonies deemed as acceptable losses; place-making and ecological consciousness; and how “the enclosure, the plantation, the ship, and the prison” are analogous spaces of captivity.

Liat Ben-Moshe on disability; informal institutionalization and incarceration of disabled people through physical limitation, social ostracization, denial of aid, and institutional disavowal; and "letting go of hegemonic knowledge of crime”.

Achille Mbembe on co-existence and care; "necropolitics" and bare life/death; historical evolution of chattel slavery into contemporary institutions through control over food, space, and definitions of life/land; the “explicit kinship between plantation slavery, colonial predation, and contemporary resource extraction” and modern institutions.

Robin Maynard on "generative refusal"; solidarity; shared experiences among homeless, incarcerated, disabled, Indigenous, Black communities; to "build community with" those who you are told to disregard in order "to re-imagine" worlds; envisioning, imagining, and then manifesting those alternative futures which are "already" here and alive.

Leniqueca Welcome on Caribbean world-making; "the apocalyptic temporality" of environmental disasters and the colonial denial of possible "revolutionary futures"; limits of reformism; "infrastructures of liberation at the end of the world."; "abolition is a practice oriented toward the full realization of decolonization, postnationalism, decarceration, and environmental sustainability."

Stefano Harney and Fred Moten on “the undercommons”; fugitivity; dis-order in academia and institutions; and sharing of knowledge.

AM Kanngieser on "deep listening"; “refusal as pedagogy”; and “attunement and attentiveness” in the face of “incomprehensible” and immense “loss of people and ecologies to capitalist brutalities”.

Lisa Lowe on "the intimacies of four continents" and how British politicians and planters feared that official legal abolition of chattel slavery would endanger Caribbean plantation profits, so they devised ways to import South Asian and East Asian laborers.

Ariella Aisha Azoulay on “rehearsals with others’.

Phil Neel on p0lice departments purposely targeting the poor as a way to raise municipal funds; the "suburbanization of poverty" especially in the Great Lakes region; the rise of lucrative "logistics empires" (warehousing, online order delivery, tech industries) at the edges of major urban agglomerations in "progressive" cities like Seattle dependent on "archipelagos" of poverty; and the relationship between job loss, homelessness, gentrification, and these logistics cities.

Alison Mountz on migrant detention; "carceral archipelagoes"; and the “death of asylum”.

Pedro Neves Marques on “one planet with many worlds inside it”; “parallel futures” of Indigenous, Black, disenfranchised communities/cosmologies; and how imperial/nationalist institutions try to foreclose or prevent other possible futures by purposely obscuring or destroying histories, cosmologies, etc.

Peter Redfield on how metropolitan residents try to hide slavery and torture/punishment on the periphery of Empire; early twentieth-century French penal colony in tropical Guiana/Guyana; the torture of the prison relies on the metropolitan imagination's invocation of exotic hinterlands and racist civilization/savagery mythologies.

Iain Chambers on racism of borders; obscured and/or forgotten lives of migrants; and disrupting modernity.

Elizabeth Povinelli on "geontopower"; imperial control over "life and death"; how imperial/nationalist formalization of private landownership and commodities relies on rigid definitions of dynamic ecosystems.

Kodwo Eshun on African cosmologies and futures; “the colonial present”; and imperialist/nationalist use of “preemptive” and “predictive” power to control the official storytelling/narrative of history and to destroy alternatives.

Tim Edensor on urban "ghosts" and “industrial ruins”; searching for the “gaps” and “silences” in the official narratives of nations/institutions, to pay attention to the histories, voices, lives obscured in formal accounts.

Megan Ybarra on place-making; "site fights"; solidarity and defiance of migrant detention; and geography of abolition/incarceration.

Sophie Sapp Moore on resistance, marronage, and "forms of counterplantation life"; "plantation worlds" which continue to live in contemporary industrial resource extraction and dispossession.

Deborah Cowen on “infrastructures of empire and resistance”; imperial/nationalist control of place/space; spaces of criminality and "making a life at the edge" of the law; “fugitive infrastructures”.

Elizabeth DeLoughrey on indentured labor; the role of plants, food, and botany in enslaved and fugitive communities; the nineteenth-century British Empire's labor in the South Pacific and Caribbean; the twentieth-century United States mistreatment of the South Pacific; and the role of tropical islands as "laboratories" and isolated open-air prisons for Britain and the US.

Dixa Ramirez D’Oleo on “remaining open to the gifts of the nonhuman” ecosystems; hinterlands and peripheries of empires; attentiveness to hidden landscapes/histories; defying surveillance; and building a world of mutually-flourishing companions.

Leanne Betasamosake Simpson on reciprocity; Indigenous pedagogy; abolitionism in Canada; camaraderie; solidarity; and “life-affirming” environmental relationships.

Anand Yang on "forgotten histories of Indian convicts in colonial Southeast Asia" and how the British Empire deported South Asian political prisoners to the region to simultaneously separate activists from their communities while forcing them into labor.

Sylvia Wynter on the “plot”; resisting the plantation; "plantation archipelagos"; and the “revolutionary demand for happiness”.

Avery Gordon on haunting; spectrality; the “death sentence” of being deemed “social waste” and being considered someone “without future”; "refusing" to participate; "escaping hell" and “living apart” by striking, squatting, resisting; cultivating "the many-headed hydra of the revolutionary Black Atlantic"; alternative, utopian, subjugated worldviews; despite attempts to destroy these futures, manifesting these better worlds, imagining them as "already here, alive, present."

Jasbir Puar on disability; debilitation; how the control of fences, borders, movement, and time management constitute conditions of de facto imprisonment; institutional control of illness/health as a weapon to "debilitate" people; how debt and chronic illness doom us to a “slow death”.

Kanwal Hameed and Katie Natanel on "liberation pedagogy"; sharing of knowledge and subversion of colonial legacy in universities; "anticolonial feminisms"; and “spaces of solidarity, revolt, retreat, and release”.

[deramin2]

For Juneteenth I want to tell you about Sarah Boone: inventor of the modern ironing board, and the second Black women to receive a US patent.

Sarah was born into slavery in Craven County, North Carolina in 1832. Legally barred from education, her grandfather secretly taught her instead. In 1847 she married freedman James Boone, and was herself freed for unknown reasons. They moved to New Haven, Connecticut before the civil war, and had 8 children together.

James worked as a brick mason, and Sarah worked as a seamstress and dressmaker. While other inventors of the 19th century had been slowly improving the design of ironing boards, Sarah found them inadequate for the job, so she set about making something better.

She wrote in her very detailed patent,

"The purpose of the invention is to produce a cheap, simple, convenient and highly effective device, particularly adapted to be used in ironing the sleeves and bodies of ladies’ garments."

Her ironing board was narrow, curved, symmetrical, and tapered so that the narrowest parts of a garment could fit around it flatly without ceasing while easily turning the garment for each side. It was padded so the fabric would drape more gently, also reducing ceasing. It had collapsible legs that started towards the center of the board so that there was plenty of room for clothes to fit around it while also being mobile and easy to store. It was easy and cheap to manufacture so that it would be accessible for anyone to buy. Especially important when Black people were (are) both poorer and more harshly judged for their appearance.

She submitted she her patient in July of 1891, and obtained United States patent number 473,563 in April of 1892. 132 years later we are still using Sarah Boone's design with very few changes.

She died in 1904 at the age of 72 and is buried in the family plot in Evergreen Cemetery in New Haven.

So next time you iron something, admire how well thought out and purpose built Sarah's design is. Black excellence and freedom made that possible. If she'd remained in slavery she would never have been able to design it or patent it.

I'm thinking about her story today and mourning the generations of Black innovation we never got because because of slavery. All that brilliance held back by such an evil and dehumanizing institution. All the Black innovation held back today due to the legacy of slavery and ongoing racism. The inmates who are still legally enslaved in this country and not given a chance to thrive and create. I'm thinking about how reparations could help other descendents of slavery have the money to work on their ideas. (Or just live other fulfilling lives because no one should have to be exceptional to be respected.)

I'm also thinking about how vital Sarah's ironing board has been to activist organizing. They're cheap, flat, long, fit in small crowded rooms, and historically everyone had one. The humble ironing board was vital to the Civil Rights movement, union organizing, and the queer rights movement among others. Ironing boards are an unsung hero of Black liberation.

Ironing boards are so simple that we never think about the care that went into their design or the woman behind them. But we should. And now you know the story.

[marciabrady]

Despite poor commentaries throughout the years that seem to be based on prior critiques rather than the actual substance of the original 1937 Princess, Snow White is a very admirable character and has a myriad of positive qualities that make for a great role model. Apart from coping with losing both of her parents at a very young age and being, not only abused by her only parental figure left but also, forced into slavery- by someone who practices magic, no less, someone she had no chance against- Snow White also has a business intelligence. She never, ever expects the dwarfs to take her in out of the goodness of their hearts and just naively depend on the kindness of strangers, nor does she wait for her Prince to save her while she’s stranded in the middle of the woods without food and shelter. 

Actively seeking out a place of refuge, she finds the empty cottage and quickly decides to work for her stay. She identifies a gap she can fill, and applies the skills of cooking and cleaning she’s mastered- not because they’re traditionally feminine activities and this movie is trying to turn back feminism, but because it’s the only trade she knew as a result of being forced into servitude from childhood by another woman- to an environment that’s in dire need of these abilities. With this, she barters an exchange for room and board and convinces a roomful of seven men, who start off not liking her and ascribing their own misogynistic views onto her, in mere minutes to accept her as their equal, as someone who they’re not simply taking pity on and allowing to stay with them, but as a contributing member who earns her keep just as the rest of the house does and is just as worthy of respect. What’s more, Snow White manages to accomplish all this and improve the quality of her life drastically in exchange for the same services she would have been doing anyway if she never left Queen Grimhilde’s castle.

So, in conclusion: by escaping her abusive household and conquering her fear in the forest, Snow White picks herself back up on her feet- after she’s nearly the victim of a homicide- and goes out into the world. She creates a new life for herself by finding a home and shelter, and quantifying her marketable skills to gain effective employment. She never throws around her status as a Princess nor does she expect a pity handout from others. She literally crafts a position for herself that makes her just as worthy of inhabiting the cottage as the Dwarfs by merit of her own hard work and skill- not her beauty, or her privilege, or her birth right as a Princess- and gains their respect, while still being comfortable asserting herself when they try to test her or disregard her authority as their equal. Through her insurmountable ability to rise above her circumstances, her sheer survival skills, and the fact that she literally creates a job for herself to sustain her livelihood, Snow White is a modern woman.

[quixoticanarchy]

Finished reading Cobalt Red by Siddharth Kara and he does a good job showing how the cobalt supply chain is inextricable from incredible human suffering, near-slavery, rampant exploitation, environmental devastation, and child labor. And it’s very clear that no promise a tech or battery manufacturer makes that their supply chain is clean means literally anything bc industrially and artisanally mined cobalt are mixed into the same supply untraceably. And the book also covers the fact that cobalt supplies are finite and when the DRC’s cobalt is exhausted the industry will move elsewhere, rinse and repeat, and the people in the Congo will be left with the ongoing and unremediated -maybe irremediable - damage. All of this so that we can have smartphones, electric vehicles, iPads, electric scooters, almost anything with a rechargeable battery.

It’s also clear that the tech and battery industries are interested in good PR and making empty statements about human rights when they should be taking responsibility for the working conditions of small-scale miners (and minors) dying at the bottom of their supply chains. What Kara doesn’t really address is the demand side of this equation, not just the demand by companies whose products use cobalt-containing batteries but also the consumers sustaining that demand, who buy every new smartphone and eagerly pin their hopes on electric vehicles to let us keep our car-dependent world without the fossil fuel guilt. The book takes it for granted that cobalt will be required in high quantities for consumer electronics and for “green” tech, and to some extent this is true - as in, none of those demands or uses will cease overnight and in the meantime we should worry about how to address industrial and business practices and government corruption in order to treat Congolese miners as human beings.

But it feels incomplete without also asking questions like: should that demand continue? Can it? Do we need this many devices? What costs are acceptable? Can we really have our cake (smartphones, EVs, etc) and eat it too (slavery-free, non-exploitative supply chains that don’t kill the people at the bottom and lay waste to the environment)? What if - as the book would seem to suggest - we really cannot? If one goal of the book is for people to realize what conditions underlie the extraction of cobalt, what action is then incumbent upon us? Personal consumer choice will not undo all this harm, but it is a necessary step in rethinking or attempting other ways to live. Is it a right to have a smartphone, a new one every year or two, if it comes at the price of other people’s human rights? At what point do we say that it is not an acceptable cost that the extractive industries are perpetuating neocolonialism and near-slavery in order that we should have comfortable lives?

We know we have to stop relying on fossil fuels or we’ll burn down the planet (to a greater degree than is already locked in) but the “green energy transition” is not clean at all. Capitalism seeks the lowest price for labor and the highest profits; obviously these extractive relationships owe a lot of their horror to being conducted in a capitalist milieu. But even thinking about, say, a socialist world instead, if it aspires to still provide smartphones and electric vehicles en masse and maintain the comforts and conveniences of the “Western” lifestyle then we would still be relying on massive amounts of resource extraction with no guarantee of less suffering. The devices are themselves part of the problem. The demand for them and the extent to which “modern” life in “developed” countries relies upon them is part of the problem. It is unsustainable. It is built on blood and it makes a mockery of purported values of dignity, equality, and human rights. The lives of Congolese cobalt miners are tied to how we in the “developed” or colonizer countries live and consume. I do not think their lives will change substantially unless ours do.

[chiqelatasblog]

In the Middle of the Night🌙

-> Ao3 link is here.

-> Part Two is here.

Pairings : Bi-Han/ Sub-Zero x You, Kuai Liang/ Scorpion x You, Tomas Vrbada/ Smoke x You

Tropes : Slavery, Past Sexual Abuse, Canon-Typical Violance, Emotional Hurt Comfort, Strangers to Lovers, True Love, Foursome, F/M/M/M, Dark Magic, Eventual Smut

Summary : After a mission gone wrong, Bi-Han, Kuai Liang, and Tomas find themselves sealed inside a book as love slaves. Whoever discovers the book and utters the incantations within will not only become its owner but also the master of the Lin Kuei’s three deadliest assassins.

For you, grappling with the weight of a solitary life and enduring a particularly rough day, stumbling upon this mysterious book was an unforeseen twist. As you bring the book home, unaware of its contents or the events that led to its creation, the ensuing chain of events will shatter the tranquility of your world, forever altering the course of your life.

Title and work inspired by the “Elley Duhe-Middle Of The Night” song

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CHAPTER ONE : (READER)

You were enduring one of the worst days of your life.

Your alarm didn’t sound in the morning because you were too fatigued to remember to charge your phone the night before. With its poor battery life, it ran out quickly. Living forty-five minutes away from the city center, you should have caught the subway at least an hour ago to make it to work on time. Despite the pressing need for money, uncertainty loomed as you grappled with the inevitability of firing. The job, despite its dreadful conditions and an insufferable boss, stood as your best opportunity in months - too valuable to risk losing.

Although you had graduated from college with a commendable degree, the job market proved bleaker than anticipated. Your once-bright dreams faded as the harsh reality of post-graduation life set in. Most desirable positions demanded experience, yet securing experience required entry into these very positions. While a diploma opened a few doors, the conditions were often as harsh as modern-day servitude, albeit with insurance and a predictable late salary.

Your current role as a programmer at a gaming company offered no respite. Long hours in front of the screen left your eyes bloodshot, encircled by dark rings, and your neck perpetually aching. Despite the hardships, a promise to your distant family fueled your determination to stand on your own. Abandoning everything and returning home was not an option after coming this far. You had shed too many tears to surrender now, enduring the suffocating loneliness of solitary dinners in your cramped kitchen as you pursued your dreams.

Thus, with a reminder of your purpose, you hurriedly left your apartment. Despite the packed subway and the frenzied rush, you managed to trim your commute from fifteen minutes to a mere seven and a half. Yet, upon arrival, your efforts were futile. Summoned to your boss’s office, you were promptly instructed to collect your belongings and leave the company, denied even the opportunity to provide an explanation.

You were keenly aware of the disdain your boss and coworkers held for you; it was an open secret. They resembled vultures, poised to oust you at any moment. As the lone rookie, you were perceived as nothing more than a liability. Despite your efforts to avoid seeking their assistance by tackling most tasks independently, being in your first year of the profession meant there were occasions when you needed guidance or support. Yet, camaraderie was a foreign concept in this office. Compared to other workplaces, the only semblance of unity stemmed from shared breaks and lunches.

A part of you felt relief at the prospect of bidding farewell to a workplace where you found no joy. However, the dominant part, fueled by anxiety, fretted over how you would cover rent and expenses. Although you had a modest emergency fund tucked away, it would only sustain you for about a month. Urgency gnawed at you as you roamed the streets with a cardboard box containing your few office belongings, scouring for job advertisements. Picky was a luxury you couldn’t afford; you were prepared to take on any role, even as a barista or waitress, until you secured a position closer to your aspirations. Survival necessitated prioritizing money above all else.

As the day wore on, you lost track of time. With the setting sun casting a dim glow and street lamps flickering to life, tiny raindrops began to graze your cheeks and nose, soon escalating into a downpour. Despite the onslaught, you mustered the strength to suppress the curses threatening to spill forth. Rushing back to the subway, you braved the rain without an umbrella or proper clothes, mindful of the looming threat of illness. With no funds to spare for hospital bills or medication, resuming your job hunt from the shelter of your laptop seemed the safer option.

Arriving at the subway, drenched from head to toe, you collapsed onto the nearest available seat, your legs barely able to support you. With a heavy sigh, you closed your eyes, feeling the weight of the day’s exhaustion bearing down on your body. The simple act of sitting down was a luxury, a stark reminder of just how fatigued and stressed you had become over the course of the day. You rubbed your weary legs in an attempt to generate some warmth, soothing the cramps and chasing away the chill brought on by the rain.

As the subway doors slid open with a ding, a wave of commuters flooded in, filling the once-empty seats around you. Seizing the opportunity to rest your eyes until reaching home, you leaned back against the seat with the cardboard box resting on your lap. Tired, cold, and hungry, the numbing effect of the rain provided a brief respite from the stress, deserving of a well-earned nap.

When the ache in your neck became unbearable, you reluctantly opened your eyes, realizing that your stop was approaching. Glancing down, you noticed a book lying on the seat beside you, as your grip on the box was dangerously close to slipping from your grasp. Picking it up, you scanned the faces around you, expecting someone to claim the book or acknowledge its presence, but no one seemed to react. Confirmation dawned upon you, the book had been left behind, seemingly forgotten by its owner.

Although the book appeared hefty, its weathered cover hinted at years of use and handling. Despite its age, it felt surprisingly light in your hands, its once vibrant hues faded to muted tones. Adorned with a pale gold cover devoid of any text on the back, the book bore the scars of countless readings and journeys. Turning the book over to avoid catching your tired reflection on its worn and shiny surface, your lips parted in mild surprise. Three striking male figures graced the cover, their details rendered with such realism that they almost seemed tangible, despite the signs of wear and tear. Your finger traced over the hyper-realistic features with impulsive curiosity, only to retract abruptly as if scalded, suddenly aware of your surroundings.

As a sweet ache pulsed between your thighs, you found yourself unexpectedly aroused by a mere image, prompting you to shift uncomfortably in an attempt to quell the throbbing sensation. It had been quite a while since you last shared intimate moments with someone, but even that didn’t entirely account for the sudden surge of desire sparked by a simple picture. Stirring memories long buried within you, igniting a hunger you hadn't realized existed until now.

A blush warmed your cheeks as you examined the figures once more. The trio bore the semblance of warriors or assassins, albeit clad in scant attire. The man on the left possessed a sun-kissed tan, his muscular frame adorned with a large scorpion tattoo on his left arm. His black hair was artfully swept across his face, his golden mask veiling a stern gaze as he brandished a flaming kunai, its rope end poised for action.

Your attention shifted to the figure at the center, whose face remained partially obscured by a silvery black mask. Despite the concealment, a strange sense of familiarity emanated from his features, mirroring those of his companion. His complexion was pale, revealing blue-green veins beneath the surface, while his dark eyes emanated cold, dominating arrogance. Black hair, tied in a low bun with a few tufts escaping to frame his strong features. Massive biceps framed his imposing stature as he wielded a sword of ice, poised to strike with lethal precision.

In stark contrast, the figure on the right differed greatly from his counterparts. Towering slightly above them, he bore little resemblance to an Asian individual, exuding a distinctly European air. His skin was also light, and he wore a grey-colored mask covering half of his face. A thin, light grey smoke emanated from his body. His short gray hair and softer gray-blue eyes lent him a gentler appearance, juxtaposed by the lethal aura exuded by the carambite adorning his finger. Despite his softer features, his lethal prowess was undeniable.

As you scrutinized the cover, a perplexing question lingered: why would the illustrator depict warriors in such a manner if not for a romantic context? Their barely dressed and provocative poses hinted at a fantasy narrative, reinforced only by the presence of their weapons. Without them, the figures might have appeared more akin to love slaves than skilled warriors. “An intriguing choice,” you murmured to yourself, pondering the illustrator’s intentions behind such a depiction.

As you opened the book to look at the chipped pages, curiosity piqued about the contents within, you suddenly realized that your stop had arrived. Hastily tucking the book into your box, you sprang to your feet with a muttered exclamation.

“Oh, shoot!” With a swift maneuver, you barely managed to slip through the closing doors of the crowded subway. Amidst the post-work rush, the mingled scents of sweat and cigarettes engulfed you as you navigated through the throng. Minutes later, emerging from the subway, you drew a deep breath, filling your lungs with the scent of rain-soaked earth.

Your journey to home passed in a blur, your body moving on autopilot along familiar streets and corners. Before you knew it, you stood before your fifth-floor apartment, a small abode consisting of two rooms and an American kitchen. Its most prized feature was the balcony, a sanctuary where you relished summer evenings, savoring the view with a glass of wine by candlelight.

When you arrived home, it was already nine o’clock in the evening. Leaving the box in your hand at the entrance of the door, you went straight into the shower to wash away the fatigue and grime of the day, and to replenish the warmth your drenched body had lost. You lingered under the hot water until it thoroughly enveloped your body, and finally, when the steam filled the small bathroom and you felt like you might faint from the heat, you emerged, clad in your well-worn and hardened bathrobe, with a towel wrapped around your head.

Pouring the last remnants of the red wine you opened days ago into a glass, you placed it in the microwave to heat up the leftover Chinese food you ordered a day ago. As you waited for your meal to warm, your gaze wandered to the box in the corner, reigniting your curiosity about the mysterious book. Crossing the room in a few strides, you retrieved the book and placed it on the kitchen island, settling into your chair with wine and warmed food. “I’ll worry about unemployment later,” you declared, raising your glass in a toast. “Today was stressful enough, and I definitely deserve this wine.” With a sip of wine and a mouthful of noodles, you flipped open the book’s cover with your free hand, eager to have a look at what it held.

‘’What…?” You stared at the glossy golden pages, brows furrowed in confusion, surprised to find them empty. “What kind of book is this? I don’t understand the purpose.” you muttered in disbelief. The worn-out appearance of the book added to your confusion, making you question whether something had happened before it was finished.

As you reached the middle of the book, a shocking revelation left you speechless. Lines, equivalent to about a paragraph, materialized on the previously blank pages before your eyes, causing your entire body to freeze in shock. Tremors coursed through you, as if jolted by electricity, and you grasped desperately for reality, unsure if what you were witnessing was a dream. Gasping for breath, you struggled to comprehend the surreal sight before you.

“I haven’t even had that much wine—I just took a sip.” you mumbled, your voice strained with the effort to contain your rising panic. “I’ve seen enough movies to know where this is going. I’m not reading whatever’s written here,” you declared, the thin timbre of your voice betraying your attempt to stifle a scream.

You closed the cover of the book hard and attempted to get up from your chair, but found yourself unable to move. It was as if an unseen force held you in place. The cover of the book opened again, and as the pages flickered before your eyes, the one you had just turned to was laid out in front of you once more, sending shivers of fear down your spine.

“Read it,” a demanding male voice echoed in your mind, freezing you in terror. Despite your frantic desire to flee, you remained immobilized, unable to move a muscle.

“I-I was just curious about what it says. I didn’t mean any harm,” you pleaded weakly, few tears streaming down your cheeks due to the immense fear you felt at the moment. Another voice, speaking in a foreign tongue filled the air, his tone scolding but directed elsewhere, not at you.

“We won’t harm you, master,” another voice reassured, offering a glimmer of hope amidst the fear.

“Say the words aloud, and we will serve you,” urged yet another voice, prompting a realization of the three distinct voices corresponding to the figures depicted on the book’s cover.

“W-What the…! Are they…”

“Yes, that’s us you see on the cover. We’ve been trapped in this book for a long time. You have to say the words to get us out of here,” one of the voices explained.

“You’re talking as if I had a choice,” you replied in a timid, low voice.

“Read the words, woman,” another voice commanded. It was the coldest and harshest of them all. Despite lacking a physical form, his dominant aura was unmistakable in the way he emphasized his words. His voice resonated with a deep, chilling tone, unlike anything you had ever heard before. You attempted to steady yourself, swallowing hard and clenching your trembling hands into fists on your legs.

“How do I know you won’t hurt me? Each of you had a weapon on the cover; it’s clear you’re some kind of warriors.”

“We are bound to the master of the book,” another voice interjected, his tone notably more welcoming and kind than the others. “We cannot harm you.”

“God, I must be losing my mind. I’m talking to a book,” you muttered, glancing at the pages with audible trepidation. Fear and panic constricted your throat, rendering you speechless.

“This is no illusion—it is the truth,” the same younger voice asserted after a brief silence. “Read what is written, master, and we shall pledge our service to you.”

“I-I’m not anyone’s master. Don’t call me that; this situation is already too surreal for me,” you protested weakly.

“As you wish, master,” came the compliant response.

“You won’t hurt me, will you? I’m too young to die; I haven’t even begun to fulfill my dreams…” you pleaded, your words abruptly cut off by a snarl. If not for the invisible force holding you down, you might have leaped in fear.

“Read these damn sentences!” the voice commanded, his tone harsh.

“Bi-Han, don’t frighten her!” another voice intervened.

“Fine, fine, I’ll read it!” Tears continued to trickle down your cheeks as you began to recite the words aloud, hoping to end the ordeal. And as you prayed to the god or whatever deity might be watching over you, you couldn’t shake the dread that you might be leading yourself to your own demise. “Rise, my servants, from the depths of slumber and bind yourselves to me with your souls, revealing your names. Embrace your new purpose ensnared by passion.’’

As you finished speaking, a powerful gust of wind whipped through the room, causing the towel around your shoulders to unravel and fall. Soon after, you heard the voices of three men speaking in unison, their words echoing loudly.

‘’We rise, Bi-Han, Kuai Liang, and Tomas of the Lin Kuei, bound to your will, for in your presence, we find solace and purpose. We protect and we please, however you see right, however you seem fit. We’re your slaves, and you’re our master, surrendered to your every command, body and soul.’’

With a surge of energy, the wind intensified, knocking over the glass on the counter, spilling wine onto the robe and floor. The glass shattered at your feet, scattering shards across the kitchen. A brilliant light emanated from the book, forcing you to shut your eyes against its intensity.

Then, as suddenly as it began, everything fell silent and still. The wind vanished as if it had never been, and the light that had filled the room dimmed into darkness. Summoning the courage to open your eyes, you were met with the sight of three imposing, completely naked men standing a short distance away.

“Oh my God, oh my God, oh my God!” You attempted to gather your thoughts, tearing your gaze away from the men to focus on the scattered glass on the kitchen floor. “There are three naked men in my living room. And—and they emerged from the book? I must be losing my mind. I really must be losing my mind.”

As the words tumbled from your lips, sounding like utter madness to your own ears, you tried to take deep breaths to calm yourself. But when you attempted to rise from your seat, your numbed feet betrayed you, causing you to stumble and fall to the ground. The impact sent a jolt of pain through your knees and feet as shards of glass embedded themselves into your flesh, stealing the breath from your lungs.

“Shh, it’s okay. Calm down, you’re only hurting yourself,” came a gentle voice.

Your gaze was drawn to a towering, bronzed figure looming over you, his powerful physique making you feel small and vulnerable. Sensing your escalating panic, he gently cupped your face in his large hands, the touch of his calloused fingers both rough and tender. With each contact, warmth spread through your body in soothing waves.

“Look at me. Take deep breaths and exhale, just like I do,” he instructed in a soothing tone.

“I can’t,” your voice broken with fear.

“Of course you can. Follow my lead, I’ll show you,” he reassured. As you turned your gaze to his face, you were met with a pair of slanted light brown eyes, framed by long black eyelashes. His gaze exuded warmth and understanding, matching the sensitivity of his touch. “Breathe with me. Now.”

As your brain somehow focused on his instructions, you found yourself synchronizing your breaths with the mighty man before you. With each inhale and exhale, you felt a wave of calm wash over you, dissipating the last shreds of your strength. He effortlessly supported you, preventing you from collapsing to the floor, his touch gentle yet firm. Despite the pain throbbing in your flesh and the warmth of blood trickling down your skin, you remained in a state of confusion and fear, unable to muster the will to move from his grasp.

“Tomas, find something to clean the wound,” commanded the one with the authoritative voice, resonating with incredible depth. The man who held you gently lowered himself onto one of the double seats in the living room, maintaining his firm grasp on you. A faint warmth spread across your face, but you remained ensnared in his hold, feeling as if your mouth were filled with dry cotton.

Your gaze shifted to the man cradling you, his expression clouded with concern as his amber eyes scrutinized you closely as if he feared you might suffer another attack. Despite his gray hair, you were taken aback when a youthful visage suddenly filled your vision. The man was tall and imposing, his large build casting a formidable shadow over you. Feeling intimidated between these two towering figures, a timid whimper escaped your lips as your body instinctively recoiled, yearning to escape despite its weakened state.

“Calm down, master. We won’t hurt you. Let me tend to your wounds; you’ve cut your knees and feet badly. I can ease your pain,” reassured the silver-haired man, his voice carrying a surprisingly gentle tone given his imposing stature. As you swallowed and tried to shift again, a cold sound from across the room froze you in place.

“If you move again, I’ll—” began the menacing voice.

“Bi-Han, enough! She’s already frightened, no need to add to it.” Intervened the man holding you, his voice commanding authority. Though Bi-Han’s threat remained unfinished, its effect lingered, rendering you motionless, afraid to even breathe. As the silver-haired man tended to your wounds while taking advantage of your stillness, the man holding you attempted to comfort you with gentle pats, drawing soothing circles on your back.

Gritting your teeth against the pain as the glass shards were removed, you fought the urge to appear weak and helpless in their eyes. Though you couldn’t see yourself from their perspective, a sense of self-consciousness gnawed at you. In an attempt to shift your focus from the pain, the man holding you soflty interjected, “I am Kuai Liang,” he introduced. “May we know your name?

Struggling to articulate your name through clenched teeth, you managed to utter it in one breath. A faint smile graced Kuai Liang’s face. “It’s a pleasure to meet you, (y/n).”

“Speak for yourself,” growled Bi-Han from across the living room. “Just another fucking master we’re bound to serve.’’

‘‘I thought you wanted to get out of the book.’’

Kuai Liang’s sharp retort silenced Bi-Han, prompting Tomas, who was tending to your wounds, to interject. “And so am I, Tomas. Thank you for calling us into your service.” he said with a small smile that seemed forced, his dull greyish blue eyes lacking genuine emotion. As he carefully tended to your wounds and wrapped them in bandages, a sense of unease washed over you, causing you to squirm away from Kuai Liang’s grasp and retreat to the corner of the seat, eyeing the three men with a mix of confusion and discomfort.

“Can someone please tell me what’s going on?” you croaked, avoiding their look as your gaze involuntarily dropped to their lower parts for a second before you could prevent it, your cheeks burned with embarrassment. “And please cover up your bottoms. You can use the cushions.”

Complying with your request, all three men concealed their private parts with cushions. Tomas took a seat in the opposite double seat, while Bi-Han settled into the single seat. Despite your small apartment being already cramped, the presence of the three burly men made the space feel even more claustrophobic.

“Where would you like us to start?”

“From the beginning,” you replied, addressing Kuai Liang. “Who are you? How did you end up in that book? And why are you here now… Please, tell me everything from the beginning so that I can understand.”

“We are members of a clan called Lin Kuei, known for training assassins, and we are brothers,” he began. “Bi-Han is the eldest, serving as the grandmaster of our clan in the past. I, on the other hand, am the middle one, and Tomas and I served as his second-in-commands.’’

The revelation that they were assassins drained the color from your face, confirming your suspicions from the book cover. A shiver ran down your spine as you realized the chilling reality of being in the presence of trained killers.

“Many years ago, we encountered a demon named Quan Chi on a mission. As you can imagine, the mission went awry, and he sealed us inside this book. Whoever owns the book and says the words becomes our master, and we are compelled to fulfill their wishes and desires.”

Even if you sensed that the information was being presented with some omissions, you refrained from voicing your suspicions. They were strangers to you, and you to them, so expecting complete transparency without trust seemed unreasonable. While you had the authority as their master to demand the truth, approaching the situation in this manner didn’t sit well with you—it didn’t feel right, nor did it feel humane.

For God’s sake, the idea of being anyone’s master was abhorrent. The twenty-first century had arrived, and the notion of a master-slave relationship had long since vanished. It felt nauseating and profoundly unsettling.

“I am not your master. I can’t—I can’t be. No.” You attempted to stand up in panic, desperate to escape the situation, but your injuries held you back. Kuai Liang gently grabbed your arm, urging you to calm down.

“Calm down (y/n), your wounds are very fresh. You’ll make them bleed again.” You clung to his wrist, pleading with your eyes for assistance.

“Is there no way to set you free? I can’t accept this. This is—this is against humanity!”

With your words, a deep silence enveloped the room. As you observed their stunned reactions, it became evident that this sentiment was new to them. Your heart ached at the thought of witnessing these powerful men stripped of their freedom. Despite your fear, the realization knotted your stomach. They appeared intimidating and deadly, yet the severity of their situation suggested that past experiences had shattered them and stripped away their dignity. You couldn’t fathom how long they had endured as slaves within the confines of the book, but the outcome seemed all too predictable, casting a somber shadow over the room.

“Set us free?” Tomas’s voice echoed with longing, his desire palpable.

“Such a thing is possible, isn’t it? If you tell me what I should do I—”

“Why would you do that? What do you want from us in return?” Bi-Han’s voice sliced through your words, sharp and menacing. You fought to maintain your composure, avoiding freezing in your spot as his icy demeanor chilled the room. As your agitated gaze shifted to his pale, muscular arms, you were astonished to see a thin layer of ice extending from his hands. Were they truly made of ice?

“As I said just now, I can’t be anyone’s master, it’s in defiance of human ethics. If there’s any way I can help you, I’d like to do it. I don’t want anything in return except for this situation to end as soon as possible, I’m sure you want the same.”

“Do you expect us to believe that you are just a fairy godmother?” Bi-Han’s mocking half smile sent waves of unease through you. “You are not convincing at all, woman. Favors are done with an expectation of something in return.’’

“Favors are done for nothing; you don’t expect anything in return. That’s why it’s called a favor.” Emboldened by a hint of defiance, you met Bi-Han’s stern gaze head-on. “I can understand why you don’t trust me after what you’ve been through—”

‘’Don’t you dare,” Bi-Han shot up from his seat, his movement swift as a shadow. Suddenly, he was close enough for his breath, cold as winter air, to brush against your face. “Don’t try to empathize with what we went through. Do you think you know us now just because you’ve learned a few things?”

“I’m sorry, I didn’t mean to offend,” you said quickly.

“Brother, please sit down. If you talk like that, we won’t get anywhere.” Kuai Liang intervened, putting one arm between you and Bi-Han. Bi-Han glared at you intensely, his eyes slanted like those of a predator, then he took a deep breath. Watching the mist of his cold breath in the air, everything still felt like an endless dream—or nightmare. When he finally returned to his seat, Kuai Liang’s gaze turned to you.

“Thank you for offering to help, but unfortunately, we don’t know how to undo this dark magic.”

You ventured a suggestion that you hoped wouldn’t sound foolish. “We could try burning the book. I’ve seen it work in some movies.”

“We’ve tried that,” Tomas chimed in, joining Kuai Liang. “Several times. Whatever we’ve done, the book has never been destroyed. It’s protected by some kind of magic, just as it protects its master from us.”

“You spoke as if you had tested the last part before.”

In response, silence enveloped the room. Despite your efforts to stave off panic, the realization that they were assassins and the precariousness of your situation made you feel threatened.

“We have tried to kill several masters before,” Kuai Liang admitted frankly. “But there’s some kind of seal that protects them—you can think of it as a shield. It renders any attack ineffective. That’s why we were telling the truth when we said we wouldn’t hurt you.”

“Of course, if things were different, it wouldn’t mean you wouldn’t try,” you said, averting your gaze and clasping your hands in your lap. Another solution came to mind, prompting you to straighten your shoulders and take a deep breath before continuing.

‘’ If I can’t set you free, then you’re free to do as you please, go where you want. You don’t have to be stuck here.” you offered.

“You won’t give us orders? Isn’t there something you want us to do?” Tomas asked, surprised.

“No, as long as you don’t start killing people, you’re free to do whatever you want.”

“We’re not mindless killers,” said Bi-Han harshly, sounding offended that you would even think of them in that way. Kuai Liang interjected, softening his brother’s tone.

“We serve a noble purpose. We were, until we were sealed in the book… Our clan has been dedicated to protecting Earthrealm from dangers for centuries,” he explained, his gaze softening slightly as he made eye contact with you. “Thank you for the opportunity you’ve given us, but we can’t be away from you for more than a few hours. We have to get back here, to you.”

Your eyebrows furrowed in confusion. “How so? Why? Do I have to say something else?”

“No, it’s part of the magic. It was designed to prevent us from escaping. When we’re away from our master—you, and this period becomes longer, we become weaker and weaker.”

“So at the end of the day… God, what cruel magic this is,” Gulping, you scanned all three men with a heavy heart. It must have been torture for them to endure this existence. Even as you spoke, your heart ached with empathy, imagining what they had been subjected to. Anger and sadness gripped your body as you contemplated their plight. “Is there anything else I can do for you? My house isn’t too big, but I want you to be comfortable during your stay here.”

It was Bi-Han who responded, his narrowed gaze resembling two thin lines, as if he were dissecting your sincerity. You couldn’t help but feel a pang as you tried to discern whether he believed you. While you understood his skepticism, winning their trust seemed like a daunting task.

“You can start by finding us clothes.”