#jessie gender

[barszcz-czerwony-i-biali]

What's funny about this four hour rant video about Jews is that I instantly recognized the photo in the right hand corner

It's a picture of Jews who were recently liberated from Buchenwald arriving in Haifa

Which is a really weird picture to choose especially since I don't know how you would choose that picture and not think hmm perhaps things like Buchenwald explains why Israel is important to Jews.

[notaplaceofhonour]

look if you make a 4 hour video about modern Israeli politics and Zionism, but the words “Likud” and “Kahanism” never once leave your lips… you shouldn’t be making a 4 hour video about modern Israeli politics and Zionism

[redditreceipts]

what baffles me is that he doesn't even realise how stupid his point is when talking about white supremacy. yes, we are all socialised under white supremacy. but some of us are socialised as the supreme, and others are socialised as the inferior. or is he really arguing that there is no substancial difference in growing up white vs. growing up Black??

yes, we are all socialised under patriarchy. BUT YOU WERE SOCIALISED AS THE PATRIARCH omg are you really that stupid or are you pretending

[pargolettasworld]

So, because I am incurably, morbidly curious, I watched Jessie Gender's four-hour-and-seventeen-minute-long video on . . . well, the title suggests "Zionism, Antisemitism, and the Left." To her credit, Gender does touch on all three of these topics, though not with the same degree of skill, graciousness, or understanding of the topics at hand. I've just had a very nice dinner, and I'm feeling generous, so let's see how this video stacks up. Strap in. This is going to get long.

I should admit right off the bat that I'm only a casual, occasional watcher of Jessie Gender. I'm not a deep fan, and I'm sure there is Jessie Gender Lore™ out there that I'm not aware of, but I think I've seen enough of her videos to get a general sense of her house style. This video hits a lot of the hallmarks of her style. She speaks very fast and very passionately, occasionally trips over her own words (something that I've done many a time, so I really do feel that), and is inordinately fond of nominalizations. She's especially fond of the word "ostracization," for some reason, which drives me nuts because "ostracism" is right there. So, in style, it appears to hew to the Jessie Gender House Style pretty well.

On to the video itself. The first thing I will observe about it is that it is in every possible way a meeting that could have been an email. There was no need for this to be the same length as the Extended Edition of The Lord of the Rings: The Return of the King (2003). There's a lot of padding, significant digressions, and a certain degree of repetition. It's easy to forget the beginning of the video by the time you're an hour into the thing.

The major question that hangs over this opus is: Why, and for whom, was it made? I'm honestly not sure who the intended audience for this thing is, nor why Gender felt that she had to make it. She alludes in the first half hour to feeling like she's lost the trust and support of some of her Jewish fans/friends/acquaintances/Patreon patrons, and she chalks it up to a previous video that she made (which I have not seen, and which I am not inclined to seek out). But neither the structure nor the thesis nor the conclusion of the video seem like they would win back any of these folks.

I don't think that Jewish viewers are her intended audience -- certainly not with the way she talks about Jews throughout the video. I'm also having a hard time believing that really committed leftists are her audience, either, since I don't think she's really saying much that leftists haven't already heard, or offering new perspectives on her topic(s). And anyone who has made it this far into the year of 5784 and is still undecided about the contemporary iteration of The Jewish Question is probably not going to be interested in sitting through nearly four and a half hours of relentless lecture. So I'm still left wondering why, and for whom, did Jessie Gender make this video?

Gender assures us, her viewers, of several things that are meant to be reassuring. She's done lots and lots of research, for one thing. And she's asked some-of-her-best-friends-who-are-Jewish to be sensitivity readers. We're given to understand that we are hearing the nitpicked, edited, and polished version of the script. I'd hate to see what the first draft looked like . . .

She also tells us that there are going to be lots of Foreign Words And Names, and that she and her mouth-hole have A Hard Time pronouncing Foreign Words And Names. Her loyal staff have made her a pronunciation guide -- which appears to have been used perhaps as a drinks coaster, since there are some howlers here. The Jews originating from the MENA regions are the "Misrai" (Mizrahi) Jews, the first Prime Minister of Israel was "David Ben-Gron" (David Ben-Gurion), the Revisionist Zionist leader was "Zeeeeeeeeev Zarbinsky" (Ze'ev Jabotinsky), and the Palestinian uprisings of 1987 - 1993 and 2000 - 2005 go by the name "Infitada" (Intifada).

You know that phrase "If white people can learn to say Tchaikovsky and Schwarzenegger, they can learn to say [your name from an African or Asian language]?" I agree completely with the conclusion, but I question the premise. Jessie Gender makes me question the premise harder. If she had any real interest in the topic, she would have practiced those names, but I don't think she does, so she didn't.

Moving on to the actual content of the video. It's . . . weird. Jessie Gender begins the video believing that Zionism is an evil force for colonialism, White supremacy, oppression, and genocide. She ends the video believing that Zionism is an evil force for colonialism, White supremacy, oppression, and genocide. But along the way, she's confronted with quite a lot of inconvenient facts that threaten to complicate this perspective.

Gender devotes roughly two hours and fifteen minutes of her video, a smidge over half of the runtime, on three segments that offer a history of Zionism, the iterations of Zionism as a political ideology, and what she calls "Zionism as emotion," which is a condescending way to refer to the importance of Zionism to Jews. I'd guess that her research for these segments might have surprised her. It turns out, per Jessie Gender, that there is both a reason behind and a context for nineteenth-century Zionism, quite a lot of logic behind why the Jews wanted to go to Israel, and ample evidence that a majority of Jews have some kind of stake in both Israel and some variation of Zionism.

The reason I think that this research might have surprised her is that she ends each of these segments with a small diatribe about the evil colonialist, capitalist, oppressive, genocidal force that is Zionism, even as the segments suggest nuance, logic, and reason behind the philosophy. We can't have that on a good lefty video, though, can we? The more Gender confronts evidence that there is more to Zionism than meets her eyes, the more she doubles down, digs in her heels, and refuses to accept even the barest shreds of non-negativity about Zionism. Every now and then, she comes up with a lovely sentence or two that shows some understanding of a Jewish perspective on the world, but then furiously backpedals -- we mustn't forget that this Jewish perspective of oppression, mass murder, and international blame has only led to the Evil Of Zionism, after all.

What's really fascinating is how hard she works to avoid blaming actual Jews for all of this evil. I think she's doing this with the best of intentions. A for effort. C for effect. She wants to make a distinction between "Zionism" and "Judaism," in the sense of "Zionism does not equate to Judaism, so being antisemitic to Judaism because you hate Zionism is bad." She tries so hard that she loses sight of the actual people involved. There are a lot of places where she talks about "Judaism" where what she actually means is "the Jews." Or, as she calls us, "Jewish people." Which isn't bad, and it isn't really wrong, but it doesn't quite communicate the sense of Am Yisrael that is at the heart of Zionism.

In fact, she's so desperate to separate Zionism from Jewish people that she starts to talk about it almost as an individual character in the story, with agency, desires, wishes, and goals of its own, totally disconnected from the people who created it. Zionism demands the genocide of Palestinians, Zionism needs colonialism, Zionism has a nice lunch date with neoliberalism and spends the afternoon browsing department stores with capitalism. In effect, Zionism becomes the dragon, and Gender really wishes that the passive, easily-led Jewish people would unite behind some White Knight and slay the dragon so everyone could be happy and free and leftist. Despite the two hours she spent on her deep dive into the history and meaning of Zionism, she cannot fathom why the Jewish people don't just do this.

I said earlier that quite a lot of this video consists of padding. Gender identifies herself as a lefty anarchist, opposed to nation-states, capitalism, neoliberalism, the United States, the British Empire, Israel, Joe Biden, "Ka-MAH-la" Harris, transphobia in Western societies . . . the usual suspects. Frequently, especially in the back half of the video, she'll wander off into long fantasias about the crimes against liberty perpetrated by the West at large, as well as their character Capitalism, and then remember that this is supposed to be a video about Zionism, and then finish with the equivalent of "Peter Rabbit did sort of that kind of thing, too."

One of the alleged purposes of this video is to discuss Antisemitism On The Left, but Gender . . . pretty much elides doing that. She gets close a couple of times, and she does grudgingly admit that some leftists coming from some branches of leftism might sometimes say things that might be antisemitic, and that's Bad, and it makes Jewish people feel Unsafe and Not Inclined To Agree With Leftists that The Dragon Known As Zionism Must Be Slain Heroically. But don't stress about it. The important thing is that Israel Must Stop Its Genocide and Palestinians Should Have Self-Determination (which is only withheld from them by Israel -- excuse me, by Zionism -- and certainly not by those eminently-justified-if-a-little-uncouth plucky fighters, Hamas.

There are quite a lot of lengthy quotes from Sources, read by guest stars, which is a nice touch to break up the video. The vast majority of these Sources -- especially the ones in the "history of Zionism" segment -- are not actually written by Zionists. You get a lot of academic pontificating about the failures, shortcomings, and nefarious activities of Zionism, but you hear almost nothing from actual Zionists, especially contemporary Zionists. This does not look nearly as good or as well-researched as it's meant to look.

So what do we get in the end, after four hours and seventeen minutes of watching this? Honestly . . . not much. Gender gives enough background on the history of Zionism, antisemitism, and Jewish attitudes toward Israel that hardcore leftists watching will be more annoyed than convinced. She condescends to both Jews and Arabs, mentioning repeatedly that she, as a White Gentile, really doesn't have any business butting in on these complex questions -- but that's not going to stop her from butting in like the lefty shiksa she is! She's too mealy-mouthed to come right out and say anything blatantly antisemitic, but disdain for Jewish concepts of homeland, belonging, origin, and self-determination pervade the whole thing.

I don't think that Jessie Gender is an idiot -- she seems to be pretty smart, and has both a firm sense of her own political philosophy and the stick-to-it-ive-ness to do far more research into things like the development of Zionism and the history of antisemitism than one might expect. But the video really is, to bring up a playwright from the hated West, "full of sound and fury, signifying nothing."

[noa-nightingale]

Okay I... am maybe not the best person to talk about this but I have serious problems with Jessie Gender's new video, When Your Favorite Creator Turns Out to Be Zionist.

Let me first say - I like Jessie Gender. I watched many of her videos and I think she has a lot of very interesting, moving, important things to say about topics like queerness, humanity and such.

But this video just... irked me.

I do not like how she talks about Zionists and Zionism. I have seen how the word Zionist is used against Jewish people. I am not the best person to put it into words but I do not like it when it is used as an insult or implied to be inherently a bad thing.

She seems to use it to mean "person who supports Israel's actions" (implied to support what she calls a genocide throughout the video) and that... is not right.

There are other issues I have as well with the video, like comparing the I/P situation to the Holocaust. There are more things but I am honestly not qualified to speak on them.

Before someone accused me of "supporting a genocide" - I do not. I wish for peace and safety for Palestinians AND Israelis. (And since I have been called a Zionist in the past - I do not consider myself to be one.)

I am just generally disappointed by a creator I like tbh.

I don't think I got my thoughts across very well. I'll be on the lookout for posts made by Jewish people about this video.

[xclowniex]

I know i shouldn't have expected much from Jessie Gender considering her last video on the topic, but it is really annoying that her video ended up as just pseudo intellectual word salad meant to justify to herself and other goyim that they aren't antisemitic, and that antisemitism is not a big issue on the left as it's only *some* leftists and she doesn't claim that handful of leftists.

And, a lot of the issues with her video could have been avoided if she dedicated even 30m of the 4 hour long video to a jew to explain in their own words, zionism and the rise of antisemitism.

I've talked before about how the western idea of zionism is hyperfixated on khanism as the definition of zionism, instead of the Jewish idea of it being a bad and unpopular branch of zionism. And that zionism as an idea has nothing to do with Palestinians, and only when you get into how to implement it, do Palestinians become involved. As well as that two state solution zionism and land for all zionism is the most popular form of zionism amongst jews.

It seems like instead of gaining a Jewish perspective on zionism, like the one I just gave, Jessie decided to focus on only deforming things to fit the preconceived belied she has. Even with antisemitism, she again went into things ignoring any jewish perspective.

Just like how with any form of bigotry, the group not targeted by it is going to not notice it as much, which is still very much true with her. She is not Jewish, and therefore doesn't notice antisemitism as much as jews do. This is usually remedied by people listening to jews. Except, she didn't do that.

I do understand that she consulted two jews on her video, however I do not think that speaking to only two jews gets a big enough picture on any topic relating to jews as a whole. This is because A) two is not a good sample size for community opinion and B) not every jew is knowledgeable on everything relating to jews and judaism. It would have been nice for her to have reached out to some jewish organizations to get a wider picture.

Overall, I think she had an opportunity to get things right, but didn't go for it so she could soothe her ego from the antisemitism allegations (which are true).

[evertomorrowart]

Best of YouTube 2023

Yes, I did spend the first week and change of January on this. I wish I could have had it done for New Years, but too many people came out with incredible work in December, so waiting turned out for the best.

What these creators do are a huge influence on my life, I would honestly have difficulty doing what I do without them. That isn't to say that my favorites of the year are *only* on this image--It was almost impossible to narrow down my favorites. Many creators I wanted to include couldn't fit on a single page, and too many of them made more than one video I wished I could draw too!

But, to all of you, thank you for what you do. You're an inspiration.

For those who don't know, further is an explanation.

At the bottom center is an artistic masterpiece by Defunctland: "Journey to EPCOT Center: A Symphonic History." Over the last several years, Defunctland has risen from delightfully-entertaining commentary on decommissioned theme park attractions to occasionally dropping profound statements on the creation of art itself. "Journey to EPCOT Center: A Symphonic History" is worth treating like the cinematic experience it is: No second screen, you sit your ass down in front of a TV, set down the phone, and then you *watch it.* Any Disney, theme park, or independent film fan needs to pay attention to this one.

Bottom left is Caelan Conrad with their piece "Drop the T - The Deadly Consequences of Gay Respectability Politics." While I do think they've done more visually or artistically-daring pieces before, "Drop the T" is one of the most important videos released on YouTube in today's current climate of hate. We as queer folk (and our allies) need to understand how integral every identity of the queer experience has been since the start of the Civil Rights movement (and before!). While we are not identical, we *are* inseparable, and we deserve having our real history easily accessible.

TERFs and other conservative mouthpieces need not reply. Your opinions are trash. 😘

I cannot stop watching and rewatching this video by @patricia-taxxon, "On the Ethics of Boinking Animal People." It's not just a defense of furry fandom and its eccentricities, it's a thoughtful and passionate analysis of what the artform achieves that purely human representation can't. Patricia goes outside of her usual essay format to directly speak to the viewer about the elements that define furry media (the most succinct definition I've ever heard) and just how *human* an act loving animal cartoons really is.

As an artist who can draw furry characters, but never really got into erotic furry art, this video is a treasure. Why did I choose to have her drawn as a Ghibli character, hanging out with one of the tanukis from "Pom Poko?" Guess you'll have to watch, bruh.

Philosophy Tube continuously puts out videos that I would put on this list--I'm not even sure that "A Man Plagiarised my Work: Women, Money, and the Nation" is the best work she released in 2023. However, this video got many conversations going between myself and my partner, and the twist on the tail end of the video shocked us both to such a degree that I had no choice.

At the very tail end of the year, Big Joel released "Fear of Death." On his Little Joel channel, he described it as the singularly best video he's ever done, and I'm inclined to agree. However, for this illustration, I ended up repeatedly going back to a mini-series he did earlier in the year: "Three Stories at the End of the World." All three videos are deeply moving and haunting, and I was brought to tears by "We Must Destroy What the Bomb Cannot." While it may be relatively-common knowledge that the original Gojira (Godzilla) film is horror grappling with the devastation America's rush to atomic dominance inflicted on Japan, Big Joel still manages to bring new words to the discussion. Please watch all three of the videos, but if, for some reason, you must have only one, let it be "We Must Destroy What the Bomb Cannot."

Y'all. Let me confess something. I hate football. I hate watching it, I associate seeing it from the stadiums with some of my worst childhood experiences, I despise collegiate and professional football (as institutions that destroy bodies and offer up children at the feet of its alter as a pillar of American culture)--

I. L o a t h e. Football.

But.

F.D. Signifier could get me to watch an entire hour-plus essay on why I should at least give a passing care. AND HE DID IT. I might think "F*ck the Police," the two-parter on Black conservatism, or his essay on Black men's connection to anime might be "better" videos, but this writer did the impossible and held my limited attention span towards football long enough to make a sincere case for NFL players--and reminds us that millionaires can *in fact* be workers. That alone is testament to his skill.

Sit down and watch "The REAL Reason NFL Running Backs Aren't Getting Paid." Any good anti-capitalist owes it to themselves.

CJ the X continuously puts out stunning, emotional videos, and can do it with the most seemingly-inconsequential starting points. A 30 second song? An incestuous commercial? Five minutes of Tangled? Sure, why not. Go destroy yourself emotionally by watching them. I'm serious. Do it.

Their video Stranger Things and the Meaning of Life manages to to remind us all why the way we react to media does, in fact, matter. Yes, even nostalgia-driven, mass-media schlock. Yes, how we interact with media matters, what it says about us matters, and we all deserve to seek out the whys.

Folding Ideas has spent the last few years articulating exactly why so much of our modern world feels broken, and because of that his voice continuously lives rent-free in my brain. While the tricks that scam artists and grifters use to try to swindle us are never new, the advancement of technology changes the aesthetics of their performances. Portions of Folding Ideas' explanations might seem dry when going into detail of how stocks work in This is Financial Advice, but every bit of it is necessary to peel back the layers of techno-babble and jargon and make sense of the results of "Meme Stocks."

Jessie Gender puts out nothing but bangers, her absolute unit of a video about Star Wars might be my new favorite thing ever, but none of her work hit so profoundly in 2023 than the two-parter "The Myth of 'Male Socialization'" and "The Trauma of Masculinity." There's so much about modern life that isolates and traumatizes us, and so much of it is just shrugged off as "normal." We owe it to ourselves to see the world in more vivid a color palette than we're initially given.

Panels drawn after Kate Beaton and "Ducks: Two Years in the Oil Sands."

"This is Not a Video Essay" is one of the most intense and beautiful pieces of art I've ever put into my eyeballs. Why do we create? What drives us to connect?

I don't even know what else to say about the Leftist Cooks' work, it repeatedly transcends the medium and platform. Watch every single one of their videos, but especially this one.

The likelihood you are terminally online and yet haven't heard of Hbomberguy's yearly forrays into destroying the careers of awful people is pretty slim. Just because it has millions of views doesn't mean that Hbomberguy's "Plagiarism and You(Tube)" isn't worth the hype. Too long? Shut up, it has chapters and YouTube holds your place, anyway. You think a deep dive into a handful of creators is only meaningless drama? Well, you're wrong, you wrong-opinion-haver. Plagiarism is an *everyone* problem because of the actual harm it creates--the history it erases, the labor it devalues, the art it marginalizes--which you would know if you watched "Plagiarism and You(Tube)".

Watch. The damn. Video.

In fact, watch all of them!

Thanks for reading this if you did.

[aranock]

Jessie Gender and my nearly 6 hour magnum opus on the politics of star wars is now up.

We have been working on this for over a year, I did 17 minutes of animation for it, please share it around and give it a watch.

[quasi-normalcy]

So very much this.

Like, there's this scene in Picard, season 3, where they all go onto the reconstructed Bridge of the Enterprise-D.

and, you know, it's supposed to hit you right in the feels, but the problem (one of them) is that Lower Decks and Prodigy had both already done lovingly detailed reconstructions of the TNG bridge less than 2 years earlier.

Contrast this with Scotty returning the original Enterprise bridge in TNG "Relics" back in 1992:

it was the first time that this bridge had appeared since the animated series in the 70s, and it wouldn't turn up again on screen until ENT "Through a Mirror Darkly" nearly 13 years later.

And, on each occasion, it was vastly more impactful than it would have been otherwise.

Pandering to nostalgia is how franchises die.

[doomdoomofdoom]

Apparently there's currently discussion in science (humanities in particular) about whether video essays could be accepted as academic writing on par with the academic papers we currently have

I think that's awesome as fuck tbh

[joudama]

Don‘t give James Somerton clicks by watching his video. Watch this one instead.

(But James did leave comments on, so it might be worth giving him a click just to see everyone telling him that apology video ain’t it)

Edit: OMFG Somerton deleted the apology video. Y’ALL,

[notaplaceofhonour]

okay I think Jessie took the Black Hebrew Israelite bit out bc I can’t for the life of me find it and she definitely shaved 17 seconds off the video since I saw it

that’s hardly the only racist DARVO shit she tries to pull in the video but it’s one of the most obvious examples of the ignorance she proudly showcases throughout

absolutely wild that it was ever in there, but good that she isn’t spreading that particular bit of disinfo that we’d have to contend with for the rest of our lives

[talk-nerdy-to-me-thyla]

A video essay by Jessie gender (she has great st videos I recommend checking her out) about early star trek fandom

The women who pioneered it, secured a second season, and wrote the first zines and fan fictions! Also the complicated relationship between them and the production crew.

Not to forget spocks rise in popularity, and Shatners humongous ego that almost sunk the whole show from the inside.

[teslafactory]

[pendantaudio]

Tilly's Trans Tuesdays episode 96: Emilia Pérez is out there tearing up the awards circuit, and though it stars a trans woman, it contains one of the most damaging portrayals of trans women in recent movies. We're gonna dive into all the reasons why, because this is what happens when cis people steal our voices and our stories. They'll pat themselves on the back for being "such good allies" to us, while perpetuating all the lies bigots tell about us and actively making our lives harder. It's gotta stop. Writer, journalist, and filmmaker Jessie Earl joins us to discuss the joy of the mundane and trans Trekkies! 

Hosted by Tilly Bridges and Susan Bridges. Sound mixing by Jillian Morgan. Available on Apple Podcasts, iHeartRadio, Amazon Music, Samsung Podcasts, and more!

[yourdailyqueer]

Jessie Gender (Jessie Earl)

Gender: Transgender non binary (she/they)

Sexuality: Bisexual

DOB: 18 June 1992

Ethnicity: White - American

Occupation: Youtuber

Note: Is autistic